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Technically, Yeah. Detroit artists Eddie Logix and Jo Rad Silver alchemize sonic matter on Real, No. The EP emerges from years of creative collaboration and blends each of the artists’ strengths into a deep-house, hi tech jazz, dubby leftfield assemblage straight from the pulse of today’s Detroit.

Since 2017, the pair has been producing tracks and co-curating Technically, Yeah., an influential monthly happening that encourages (Live) electronic musical expression. The duo’s curation is grounded in community, widely genre-diverse and steadfast in commitment to technological experimentation. The Real, No. EP distills this ethos and puts it on wax.

While Jo Rad is known for techno leanings and Eddie for organic jams (recently on Rocksteady Disco,) the two transform beats into substance with a diverse and thoughtfully constructed release. Glued together with attuned mixing from Salar Ansari and cut loud at Archer Pressing in Detroit, the EP’s range puts deep grooves in the bag for every discerning DJ.

AKKA’s Side: “King David” sticks the synthy deep house groove right in gear with a driving, bubbling bassline and floating effervescent vocal chops from and for a special someone. “Mango Strut” offers a slight island twang and dives into a breaky depth of a bracing cathartic arpeggiated, hand drum ecstasy. A vitamin filled chugger.

BEEP’s Side: The duo recorded “June Buggy” the first time they jammed together on a borrowed Juno. This propulsive Italo-ish conga groover is a mechanical piece of action. The record ends by summoning the ancestry of “Callin’ Dybbs,” a textured hi-tech jazz heater. Kasan Belgrave, young-gun horn of known pedigree, lays down the sax. The sultry brass tones lock in with buxom stabs. For those who know and those who don’t yet. This one holds depths!

“Fierce jazz buggin futurism in outerspace” - Luke Una

“Driving and psychedelic and gorgeous hi-tech.” - Peter Croce

“Perfectly crunchy soul squeezed jams begging to be rinsed” - 2Lanes

“Funky, jackin’, atmospheric, groovy, ravey and ethereal”- Father Dukes

“I’m calling dibs on callin’ dybbs!” - DJ Etta

DJ Support: Laurent Garnier, Danny Krivit, Chrissy T, Mousse T, Lenny Fontana, Danism & Train, Mr V, Quentin Harris, Natasha Kitty Kat, Eric Kupper DJ Pope, Danism + Train, Saison, Sean McCabe

Physical Education make their debut on SoSure Music with the ‘Sweet Talk EP'. Now based in Barcelona and Prague, Physical Education is the brainchild of Luke Scheybeler and David Philips. The duo’s production alias is synonymous with a soulful, jazzy, sample-heavy sound, meticulously crafted at their studio in the Pyrenees mountains. With a musical history than spans almost thirty years, Physical Education are producing music with a strong focus on musicianship and hardware-based production. Title track ’Sweet Talk’ is a smooth and superbly produced slice of jazz-influenced deep house while ‘Work On That Soon’, ‘Oscar’ and ‘Dreamsville’ (a vinyl only exclusive) are also included here and fully compliment this release to complete a standout debut EP.

Der Album Klassiker von Mr Scruff zum ersten Mal auf Vinyl (3LP im Deluxe Gatefold) inklusive einigen Bonustracks, Sticker und Downloadcode!

Als DJ spielt Andy Carthy alias Mr. Scruff quer durch alle Genres: Soul, Funk, Hip Hop, Jazz, Reggae, Latin, African, Ska, Disco, House, Funk, Breaks, Soundtracks und vieles mehr. Als Produzent macht er Musik, die sich auf diese Einflüsse stützt, mit einer großen Portion Frechheit und guter Laune. 16 Jahre nach der Veröffentlichung seines Album-klassikers "Ninja Tuna" wird die Platte zum ersten Mal auf Vinyl veröffentlicht, und zwar in Form einer schwarzen 3LP-Biovinyl-Deluxe-Scheibe in einem Gatefold-Sleeve aus Graukarton und mit einem unendlich abziehbaren Thunfisch-Aufkleber auf dem Cover. Inklusive Features von Roots Manuva, Quantic, Alice Russell, Andreya Triana, Danny Breaks, Pete Simpson, Skuff & Inja.

Repress

Needing no introduction, The Chemical Brothers make a very special appearance on Phantasy with a limited-edition vinyl pressing of Erol Alkan’s triumphant remix of ‘Goodbye’, a highlight from their recent, Grammy-nominated album, ‘For That Beautiful Feeling’.

Masterfully bridging soulful vocals and widescreen techno with their typical psychedelic edge, Alkan’s interpretation demonstrates his unique brotherhood with Tom Rowlands and Ed Simons. Across a near ten-minute journey, Alkan pushes the Brothers’ irresistible synth line further into dissonant analogue bliss, which coupled with celestial breakdowns, already counts as a personal favourite in the London DJ and producer’s diverse, enviable back catalogue of reworks. The other side of the record includes Alkan's previously unreleased instrumental.

Gatefold Sleeve / 180g Vinyl

Returning to the well of Roger Doyle once again, his “Babel” project spans a decade of composition work before its’ initial release in 1999 as a 5CD set. Over 100 pieces and almost 50 collaborators it marks a journey through a virtual tower of Babel with each piece corresponding to a room within an imagined giant tower city. For the 25th Anniversary vinyl edition Doyle has revisited it- remastering it and providing its first vinyl edit - 80 minutes spread across two 180gm LP’s - rounding out the package with extended liner notes and a download code to the full 6 hours.

We’ve previously explored Roger’s Operating Theatre days and the idea for this project came in the early nineteen eighties while Doyle was heavily involved with the experimental theatre group. Working with emerging technologies and across a variety of genres he realised that he would be unlikely to achieve an overarching compositional style. Instead deciding to make a virtue out of the fact that he composed so schizophrenically, he wished to create a musical alphabet out of short abstract sounds with these sounds being analogous to phonemes in speech. With Blade Runner and sci-fi embedded in the zeitgeist of the times he came to the idea of the Tower of Babel as both a futuristic skyscraper and also an embodiment of language.

In the spring of 1990 Babel was finally begun and kept growing until it reached over 6 hours of music and was released in 1999.A large-scale musical structure making use of many technologies and music languages, with each piece of music being thought of as a 'room' or place within an enormous tower city. Each track in the main section corresponds to a virtual sonic architecture. The pieces are divided into two kinds: aural representations of actual spaces like The Dressing Room, The Stairwell and Mr. Brady's Room alongside internalised dream spaces like the Room Of Rhetoric, the Spirit Levels and the Mansard childhood memory room. Listeners can navigate their way differently through this virtual building at each hearing. As a supplement to the Babel Tower KBBL - the fictitious radio station – broadcasts a number of shows. Each has its own style and atmosphere. Collaborating with DJs, actors, writers and singers, KBBL is made to sound like a real radio station with ads, traffic reports and phone-ins.

Examples of the connections within the project can be found via the architecture were the saxophonist in the off-stage dressing room is rehearsing for her solo in the concert-hall (heard in Pagoda Charm) or the room off the stairwell, where the sounds of piano lessons and apartment life can be heard and the apartment where a muffled KBBL can be overheard At a molecular level The Iron Language Alphabet is a sound alphabet containing tiny fragments of sound representing letters or characters of an alien alphabet. This sound alphabet can be heard scattered through other pieces like The Room of Rhetoric, Pagoda Charm and in KBBL in Johnny’s Body at 002. Other molecular scatterings can be found in Cantilena where two songs sung by Operating Theatre’s Elena Lopez in KBBL are exploded and re-arranged to form new entities.

Doyle’s Babel celebrates language - a slight variation on the Biblical morality tale - and musical expression in all its variety.

Kendra is excited to release a new 45, featuring a special a bonus track written and recorded during the 'I Am What I'm Waiting For' sessions, as well as a new 45-edit of her instant classic 'Birthday Song.' The A-side 'Fine Right Here,' the bonus cut from Kendra Morris's brand new LP 'I Am What I'm Waiting For' (which has received incredible support from the likes of Rolling Stone France, KCRW, WNYC, Flood Magazine, and countless others), takes a look into the deeply introverted side of Kendra. "This song is about being ok just sitting inside and missing the party," Kendra explains. "It's the antithesis to FOMO." Written to accompany a rainy day, the song feels like you're being enveloped in a hug. Sonically, the track tips its hat to Ethiopian Jazz and soul of the 70s, like Rose Royce and the Delfonics. The warm vibraphone, sturdy bass line, and vocal reverb create a layered tapestry of sound that wraps around your shoulders and drifts into your ears. The new 45-edit of 'Birthday Song' is for the DJs. It's an upbeat and funky jubilant jam that's ready and waiting to take the place of outdated standards. Both tracks were co-written and produced by Torbitt Schwartz (AKA Little Shalimar) of Run the Jewels, 'Fine Right Here' is a welcome departure to the upbeat nature of 'I Am What I'm Waiting For' whereas 'Birthday Song' is set to be a celebratory go-to

Light Touches Records is devoted to shed new lights on hot rarities, unknown grooves as well as forgotten classics. 2024 welcomes the new 12” on the label with 4 hot and rare gospel disco/funk tunes to uplift your sets and throw people’s hands in the air!

“The Top” is an uplifting and relentless disco roller for incendiary peak times, “Hear my prey” suits the openings with its midtempo funky groove. On the flipside, “Lil Longer” gets deeper and moodier for the most demanding djs out there while “Giving It Up” rounds things up with its lovely boogie vibes.

All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors! 12” limited to 300 copies (no digital).

Hot on the heels of TN EDITS 01 - featuring Lotte Kaersa's: "Prov og gor li'som jeg" (Bjorn Svin Remix), this marks the second release of the reborn danish label Tech-nology, and it's truly an exceptional release. Every track, in its unaltered state, has been extensively club tested by label owner & DJ Mester Jakobsen and is now reedited with finesse of love to be played loud on a wide selection of dancefloors.

Limited Edition Triple Gatefold Vinyl including DJ Marko's Theme, Miro, Junior Jack, Blaze, Pirupa, Street Corner Symphony and more.



We are excited and honored to announce the release of a La Rocca Classics vinyl. A Limited Edition Triple Gatefold Vinyl release that celebrates all monumental milestones from La Rocca's club culture. A selection, carefully curated by Wim Van Ouytsel, founder and moving spirit of the legendary nightlife brand since 1988.



Embark on ajourney through the annals of dance music history, where each track has been handpicked to evoke cherished memories of euphoria and transcendence. From the ethereal melodies of trance anthems like 'DJ Marko's Theme' and the electrifying remix of Miro's 'Spaceman' by Mr Sam, to the infectious rhythms of Junior Jack and the soulful vibes of Blaze, and not forgetting the soul-stirring house gems by Pirupa and Street Corner Symphony, this vinyl encapsulates the essence of Belgium's iconic club.

2024 repress !

Chicago Proto House Re-issue with Gerd Janson & Enzo Elia Edit

Master Plan was the Chicago based dance music project of Pepper Gomez and Tom O’Callahan. Spanning from 1984 to 1986, the groups development is in sync with the dance music scene of Chicago during that era. While their first record „Pushin’ Too Hard“ is a Windy City version of the NYC club music of the time and its European cross-pollination, „Electric Baile“ from two years later down the line is almost a quantum jump into house music. With the engineering help of Matt Warren, it bears the marks of Ron Hardy, Chip E, Farley Jackmaster Funk or the WBMX dance party craze, if you will. Here you have remastered and updated versions by Enzo Elia and Gerd Janson. The first ones’ edit attempt of „Electric Baile“ ignited this edition. A custom-tailored main mix is completed by a dub and useful bonus beat version to do, what DJs used to do. Concluded by two edits of „Pushin’ Too Hard“ by GJ, you get two great slices of yesterday that are still major dance music blue prints today.

Following the success of the "Out Of Luck" single, we're wrapping up the Ghia reworks chapter with "The Other Side" - a dynamic 12" vinyl loaded with three contemporary funk tracks and three instrumental cuts.

The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.

Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.

The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.

In our 20th celebration year we welcome back Loz Goddard! It’s been quite a while since we last saw him on our label. With his standout debut collab release with Harry Wolfman in 2016 he has developed a unique mix of electronica, deep soundscapes and lush organic Deep House on labels such as “Oath”, “Razor N Tape”, “Church”, “Outplay” and “Apparel Music”. Now he finally returns with a mini album that features beautiful crafted ambient and electronica cuts paired with three upbeat tracks that will for sure shake the dance floors in and outdoors this summer! Enjoy!

In his own words, here are some insights on the influences and production process of these six pieces:

The release is named after a night in the White Hotel in Salford watching Skee Mask. At the time I had a bunch of unfinished ambient ideas as a result of making “Balloon Tree Road” (out on Oath). There were a lot of ideas I still loved that didn’t get finished for that release, so I set about finishing them late 2022 & early 2023 with the view to releasing an EP or ‘mini album’ that was again angled a bit more towards home-listening.

The more upbeat tracks are newer jams that I created in 2023. I wanted to include a few club-ready tracks on the record as well, so the release appeals to DJ’s as well as home listeners. I approached the production much like my past two records on Oath, with lots of live drum elements, some sampling and a mixing approach which keeps everything sound warm and organic. It’s rough round the edges - as has been the case with my productions of late - and offers a nice contrast to my DJ sets and radio shows at the moment, in which I am playing mostly Deep/Progressive House, Breaks & Techno. There’s some influence on the title track from the Deep & Lo-Fi House sound of artists like Baltra & Mall Grab, and I have taken influence from all the breaks I’ve been playing in DJ sets for ‘How’s This for a Vague Song Title’.

All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.

Perc Trax hits 100 releases with Perc returning with his first album in seven years. 'The Cut Off' is Perc's fourth album following 'Wicker & Steel' (2011), 'The Power & The Glory' (2014) and Perc Trax's best ever selling release 'Bitter Music' (2017).

'The Cut Off' see's Perc deliver his most dance floor focused album to date, serving up enough energy to keep contemporary dance floors moving, whilst avoiding both the cliched 90's throwback hard techno formula that is dominant right now and the stuckist 'real techno' blueprints that are still endlessly regurgitated having been established over 30 years ago.

Across the album Perc's well established industrial credentials collide with giant sized synth riffs, driving acid lines (a first for a Perc album) and all manner of drones, choral performances, urban textures and even a dentist's drill (on 'Static'). Gliding arpeggios and slow moving melodic lines feature more on this album than ever before without dulling the sharp edges of Perc's music.

'The Cut Off' more than any previous Perc long player is an album that focuses on the club, the dancer and the dance floor. Yes, there are moments of respite between the classic Perc percussive workouts, but they are far outnumbered by the varied collection of club tracks that come at the listener from every angle.

Collaborations include Sissel Wincent, a regular collaborator with Peder Mannerfelt. Perc remixed Peder & Sissel's 'Sissel &Bass' track to great effect in 2019 and now Sissel returns the favour appearing on 'Static', the album's only full vocal track. Also collaborating with Perc is EAS, one of America's fastest rising techno artists who delivers the raw acid lines that power album highlight 'Cold Snap'. Finally London based metal vocalist Leandro Bastos adds his abrasive vocal tones to 'Imperial Leather', the first single to be taken from 'The Cut Off'.

The 'Cut Off' was recorded in Perc's own studio and mixed by Perc at Map Studios in London. The album was mastered by Matt Colton at Metropolis Studios. Album design was handled by Lucas Grassmay, who previously worked on I Hate Models' debut album on Perc Trax in 2019. The album will be supported a run of dates around the world where Perc will be performing a special live set based around the album as well as his infamous DJ sets.

Brownswood Recordings are proud to present the reissue of Toshio Matsuura’s 2017 cult classic LOVEPLAYDANCE, issued for the first time as a complete album on limited edition red and white double vinyl.



The project focuses on covers, presenting classics & influential tracks in a new context. This new edition includes a cover of the Rotary Connection’s classic "Black Gold of the Sun'' featuring Afro-Cuban singer Daymé Arocena and her prodigious Havana-based players, as well as the high energy re-lick of Byron Morris and Unity’s ‘Kitty Bey’, a classic from Gilles Peterson’s seminal afternoon session at Dingwalls in the 1990s; neither included on the original vinyl LP.



On ‘LOVEPLAYDANCE’, legendary Tokyo DJ and producer Toshio Matsuura charted a new direction by casting musical cornerstones in a fresh light. The TOSHIO MATSUURA GROUP features Tom Skinner (drummer for Smile, Sons of Kemet, amongst others) as its musical director, as well as some of the UK’s most exciting jazz-influenced musicians. Drawing on years of surveying and curating different corners of music, Matsuura deftly combined this talented pool of players into one singular, wide-ranging album. A co-founder of Japan’s United Future Organisation (aka U.F.O.), this record sees Matsuura reconnect with longstanding friend and collaborator Gilles Peterson. Releasing the album via Brownswood Recordings in the UK, it’s a continuation of a relationship which started as a bridge between London’s then-blossoming jazz scene and Tokyo’s new musical vanguard of the early ‘90s. This album continues that two-way dialogue between Japan and the UK.



The scope of the music reflects the breadth of Matsuura’s interests; It ranges from Bugges Wesseltoft’s Detroit-influenced, dancefloor-minded jazz, stretched out into a more meditative contemplation, to Flying Lotus’ LA-rooted, Brainfeeder beatmaking, translated from laptop-to-live, given a new, equally idiosyncratic lease of life. Elsewhere, Carl Craig’s iconic ‘At Les’ is taken in a looser direction, the overtones of euphoria cast in a different hue.



They’re touchpoints which hint at interests in the different, diffuse corners of electronic music, and how they connect to jazz and improvisation. Featuring an all star line up of some of the best players London has to offer, line up includes Nubya Garcia, Yazz Ahmed, Yussef Dayes and more.

As the beats echo through time, Isolate proudly marks its fifth anniversary with a resounding celebration of creativity. Five years of great music, unforgettable events, and unwavering support from our dedicated community have brought us to this momentous occasion.
With gratitude for the boundless talents of our artists, the steadfast support from our community, and the dedication of our team, Isolate reflects on this joyful journey. Building on the anticipation we shared earlier this year, we are excited to unveil the grand finale—a remix compilation that breathes new life into some of our most cherished tracks.
This compilation isn't just a retrospective; it's a heartfelt exploration of Isolate's history. From melodic transformations to rhythmic reinterpretations, this remix compilation stands as a tribute to the nuanced fusion of emotions and relationships intricately woven into the fabric of our musical community.
Isolate's fifth anniversary transcends being a mere marker of our past; it stands as a promise for the future. It's a strong affirmation of our dedicated commitment to supporting emerging talent, offering a platform for them to share their distinctive musical stories. In this celebration, we see not just where we've been, but where we're heading—a future that echoes with the distinct voices of those yet to be discovered.
Stay curious, join the rhythm, and come celebrate with us

With this 12" reissue made for Giancarlo Meo, legendary producer of Easy Going, Vivien Vee, Capricorn, Amin-Peck, Steel Mind, Claudio Simonetti (aka Kasso) and many other artists, Best Record once again offers a great dance music service for those who perhaps don't know to need it. Claudio Casalini, who 40 years ago was not only a record producer, but above all one of the most important club-DJs in Italy, remembers well the cheering crowd of the jet-set in the elegant Roman lounges, with the dance floor full of people vibrating for that fusion of disco, soul and funk sounds that many Italo-Disco songs featured in those early Eighties. The three versions of "Out to Get You" contain all those sounds, but is mainly the version re-edited by the imaginative and passionate Massimo Berardi DJ that brings a portion of musical restoration making it current, and so exciting and modern, absolutely suitable for dancing again in every part of the world.

Aural architect Skygaze follows his 2022 ‘Astral Trip EP’ for Flumo Recordings, offering an advanced fusion of house, broken boogie, and future jazz, with five brand new reinterpretations from the extended Flumo family.

Skygaze’s diverse sound, breaking down barriers between house and techno, broken beat, jazz, ambient, hip hop, jungle, and even esoteric IDM, has been showcased across a growing catalogue of releases across Guayaba records, Riverette, Flumo and Thirty Three Circular, and remixes for Ed is Dead and Contours & Yadava; earning the producer support from the likes of Mr. Scruff, Simbad, k15, Bandcamp’s Andrew Jervis, and Gilles Peterson.

Feted singer, musician and producer Alysha Joy, rising producer Divorce From New York, ones-to-watch, Footnote and Karmasound, and Skygaze himself under his Jailed Jamie guise, joined by Lorenzo Soria, put a new spin on ‘Astral Trip’, whilst staying true to the originals’ spirit.

The multi-talented Allysha Joy, of 30/70 Collective & LCSM fame, remixes ‘’Night Heat’’, enhancing the groove with broken beats and her undeniable first-rate vocals.

Jailed Jamie & Lorenzo Soria, reshape ‘’Gimme Five’’ with rough synths and jacking bassline driven “Think” beats.

Divorce From New York boosts the tempo and infuses ‘’Wagwan’’ with Latin rhythms, perfectly balanced by high-energy synth lines.

Italian producers, Footnote and SofaTalk, delve deeper into ‘’Minor Mood’’, adding softer, retro-infused sound structures in a broken boogie mould.

Barcelona’s Karmasound explores the ruminating nature of ‘’City Cathedratics’’ and its counterbalance between broken beat and house.

The diverse but complementary set of remixes is sure to move bodies on sophisticated dance-floors this year and shed further light not only Skygaze’s production but also his talent for melody and song-writing. A feather in his and Flumo’s bow.

DJ Support:

Ashley Beedle (Back To The World Records)

Bolam (Lobster Theremin)

Crazy P (Hot Toddy / 2020 Vision)

Dan Curtin (Mobilee)

Fouk (Heist / Toy Tonics)

Joshua James (XOYO, Glorias, Rinse)

Laurent Garnier (F Communications)

Severino / Horse Meat Disco (Strut / !K7 Records)

Speaking Minds (Circoloco, Italy)

The tom-tom heavy tribal rhythm of “Wela Wela” is one of the rawest, hardest cuts from the band Black Blood, a conglomeration of musicians from the central part of the African continent who were based in Belgium. The group had a breakout single in 1974 with the exotica-leaning “A.I.E. (A Mwana)” but never were able to quite capture the excitement that single generated with their follow up records. We can only guess that songs like “Wela Wela” were simply way too heavy for the pop tastes of the day, since the groove is a beast! — an acid rock tangent of the “Soul Makossa” riff that radiates pure energy. Mr. K aserts “It’s an incredible song to dance to, but was not very DJ friendly, and I never seem to hear other DJs play it... or even talk about it.” Originally debuted on his Grass Roots album, Mr. K's new rearrangement should change that, especially now that it's been made available on this hard hitting, portable 7-inch format.

Originally released the same year as Black Blood’s debut, “Komi Ke Kenam (Fish & Funjee)” was discovered and distributed by a small independent Brooklyn label that featured many other incredible African bands of the 70's. The song opens with a tough breakbeat (subtly extended by Mr. K on our release), and rumbles over a funky bassline and slicing wah-wah guitar before bursting out with a sax-led climax, a gritty get-down jam if there ever was one.

Both cuts have been remastered expressly for DJ play and are loud and clubworthy, in new extended edits that tease every last bit of funk from the originals.

“Refuse”:
A unique sound that could be described as “Breakbeat Soul" O.Love's instruments and vocal prowess take centre stage, showcasing a fusion of live instruments & soulful vocals re-arranged and remixed with original breaks and beats by DJ DSK!

"Tonight":
A catchy rootsy original reggae tune, featuring lyrics that exude positivity and soulfulness. It receives the remix treatment from DJ DSK, who infuses it with heavy beats and luscious dub elements. The result is a speaker-shaking, dancefloor rocker!

the debut release of italian producer now berlin based luca trentini aka trent.

he is a resident dj of cocktail d’amore and have released some unique records from sound metaphors label “bless you”, cocktail d’amore.

on a side,”on fire” is just fire! it’s a mad dark disco house bunger.

on b side,

”drums charmer” is dark,psychedelic slow mo house. if you like slow stuff of andrew weatherall,you will love it.

“edenico blues” is a modern interpretation of afro cosmic sound. it’s for the fan of beppe lota or daniele baldelli.