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Soulwax 's first new album in 8 years, entitled "All Systems Are Lying" and set for October 17th release. Available on CD & various 2LP fromats . The campaign will kick off July 9th with a double single “All Systems Are Lying / Run Free”, album announcement + pre-order launch. Since 1995, David and Stephen Dewaele have consistently pushed the boundaries of music into new and innovative territory by diversifying into many different guises. They are a band (Soulwax), djs (2manydjs), a record label (DEEWEE) and a sound system (Despacio, created along with James Murphy from LCD Soundsystem).

They are also widely renowned as one of the most innovative remix and producer teams around. They have released 7 studio albums to date, including the critically acclaimed ‘Any Minute Now’ and ‘Nite Versions’. Some of their already cult remix credits include the Grammy nominated “Work It” by Marie Davidson, as well as Peggy Gou, Fontaines DC, Roisin Murphy, Robyn, Arcade Fire, The Rolling Stones, Tame Impala, Metronomy, Daft Punk, The Gossip, Hot Chip, MGMT and Warpaint, among many others.

Stephen and David Dewaele are familiar to millions as 2manydjs, a project which undoubtedly moved the needle for modern DJing. Alongside like-minded allies such as Erol Alkan, Tiga and Jacques lu Cont, 2manydjs swept international dancefloors into delirium, gifting a rock ‘n roll attitude to club culture.

After the people asked, The Gallery is finally back open; and what 2 stunning new pieces of Artwork are now on show for everyone to enjoy, and have a lovely, lovely time to…it was worth the wait! You would have heard Harvey, Artwork, Hunnee, Peggy and a few other choice DJ’s showing these beauty’s to the crowds over the last 2 summers…and now you too can own these masterpieces. Be quick before Christies and co make copies unaffordable. Art for all!

* Blocks & Escher return to release on their own Narratives Music imprint with a double A side single, highlighting all of the musical emotion, production detail and bass weight, for which they are so highly regarded.

* Tracklist:
A. Charm Pt1 & Pt2: After five years with no release, Narratives Music is a fitting platform for the statement lead track “Charm” which disregards current trends and presents a full 11-minute journey through colors and moods. From the soothing nostalgic chords of the intro, Charm builds up through two contrasting movements, opening to a switching crescendo of bass hits at the mid-way point before delivering a cavernous “third drop”.

A2. All That Glitters: A long introduction intertwines tones of sorrow, joy and longing through its strings, guitars and vocals. This track breathes with space and beauty - even when the drums finally arrive, the intricate beat and low bass has air and a maturity to move a dancefloor without compromising its essence. This track has been a regular intro for DJs throughout the summer of 2025.

DC Salas is a Belgian DJ and producer from Brussels with Peruvian roots, celebrated for blending house, acid, techno, goa, and early ’90s progressive influences into a distinctive and timeless sound. His music bridges hypnotic grooves with emotional intensity, always crafted with the dancefloor in mind.

Already a part of the Time Passages family through the V.A. compilation Time Passages 24, where he contributed with the track “Perception Of Truth”, DC Salas now makes his full return to the label.

His new four-track EP, “Trapped Inside Your Mind”, expands on his trademark style with depth and precision. Shifting between raw analog energy and atmospheric layers, the record captures both the grit of underground club culture and a sense of introspective exploration—cementing his place as one of Belgium’s most versatile and forward-thinking electronic artists.

Der offizielle Soundtrack zur zweiten Staffel der Sensations-Animationsserie Arcane.
Standard schwarze LP mit dem Megahit „Ma Meilleure Ennemie“ und allen Lieblingssongs aus dem rekordverdächtigen Soundtrack der zweiten Staffel.

2x 180g Vinyl in Widespine Jacket, mit bedruckten Innenhüllen, Einlage und neuem Cover

Following up the big room belters on Pablo and Shoey 'Raw Human Emotion' EP was going to be quite the task for those lovable Dublin disco messers at Fatty Fatty Phonographics, so they handed the reins over to one of the true maestros of the artform - NYC legend Mr. K.

The A-side is a propulsive extension of 'Let The Sunshine In', featuring ecstatic, gospel-shouting breakdowns. Dropped at the right moment, this is one of those tunes that brings everyone together with that look on their face, the hairs on the back of the neck standing up, arms instinctively flying toward the sky, disco fingers aloft...Excuse us, we just have something in our eye here...

Flip it over for a serious one for the heads...A few years ago Mr. K put out '1,2,3' on a 7-inch on the aptly named Most Excellent label. It was an edit of a roaring clav-funk number from the acetate collection of the legendary 'DJ's DJ' Walter Gibbons.

The Fatty folk persuaded him to revisit it, and he did a magical job of extending it out across the full 12 inches of vinyl, just the way the good Lord intended. 2 sides of utter dancefloor devastation here, be quick!

Next up on NINE CHANNEL is DJ legend JOSEY WALES. Throwing down what he does best over a wicked stripped-down rhythm – TIME & TIME AGAIN calls for Love and unity and time to love each other no matter what race colour or greed – proper colonel chanting style. Flip to the B side for a killer DUB – check it.

INTEMPORARY AND INDETRONABLE FRENCH COLD WAVE CLASSIC in a SPECIAL EDITION to celebrate the 40th anniversary of this mythical album.



This edition includes a 45T with 2 previously unreleased tracks, available nowhere else.



Thierry Müller, who initiated the RUTH project, is not at his first try when the album POLAROÏD/ROMAN/PHOTO including the eponymous track is released in 1985. His older brother Patrick along with one of their cousins make his musical education and he quickly becomes familiar with contemporary and experimental music. He starts quite early to tinker sounds on old tape recorders by himself but it is in 1977 that Thierry launches with some friends his first group, ARCANE, while studying at the School of Applied Arts. Their sound is weird, a mixture of saturated scratches and feedback tapes: there is no discographic or scenic testimony of this experience.



Alongside ARCANE, Thierry is already working solo on his ILITCH project / concept, an experimental and innovative work, whose first album Periodmindtrouble is released in 1978 on the Oxigène label. Despite insubstantial sales, this album brings Thierry recognition and success in the very elitist circles of experimental and underground music.



ILITCH’s musical bias was too narrow for Thierry’s ceaseless experimental curiosity, parallel to these activities, he therefore develops a Punk project called RUTH ELLYERI with the author, actress and photographer Murielle Huster. The title is an anagram of Thierry Müller (the complete name is Ruth M. Ellyeri). The character is meant to impersonate one of his schizophrenic facets and allows him to extend his field of expressions to musical styles differing from those in ILITCH.

From this work, the very cult punk piece Mescalito emerges, song that can be found on the mythical but unfortunately very rare compilation 125g de 33 1/3 tours (1979) of the Oxigène label (first “french punk” sampler). At the end of 1978, he meets Philippe Doray at the Oxigene office. Doray is another big name of French experimental music. Thierry moves to his home near Rouen, a remote farmhouse with a music studio made of odds and ends.



They work on their respective creations but meet from time to time on experimentations in common, including CRASH (a tribute to JG Ballard) As early as 1982, a first version of the track Polaroïd/Roman/Photo is out under the name of the project RUTH. “I wanted to write a piece to make the girls dance and make fun of the boys. I plugged a small handmade clock on my Farfisa organ as a sequencer. I had a small Roland synth-guitar, I put the organ in it and that’s how it started.” Philippe is quite amused by the idea of working on a more Pop project and offers to write the text. Thierry works on other tracks for the future LP and asks some friends to write other texts : Edouard Nono, visual artist, writes the lyrics of Mots, Frédérique Lapierre those of Misty Mouse and Tu m’ennuies . It is her voice you hear on these 2 tracks and on the first version of Polaroïd/Roman/Photo. Later, Thierry settles down in the Anagramme recording studio to carry out acoustic sound recordings. But when the sessions are over, the 2 musicians are not too happy with the results of Polaroïd/Roman/Photo: according to them, they lack “flamboyance”. They decide then to record a new female voice with a professional singer and the sound engeneer Patrick Chevalot offers to mix the track in the Synthesis studio “so that it blows out”.



With his tape ready and the help of Jacques Pasquier (S.C.O.P.A. / Invisible records where Ilitch’s second album, 10 Suicides, is released) he starts to contact record companies. “I visited almost all the major record companies and was thrown out every time. Only at RCA’s I found someone interested in my music. It was Francis Fottorino who had signed Kas Product but when it reached the the big boss, no way! Philippe Constantin from Virgin records raised some hope but in vain.



The album was finally released in 1985 with Paris Album, a small independant label.” The album barely sells 50 copies in 1985, despite the eponymous title as a potential success. « In 2004, 2 DJs Marc Colin and Ivan Smagghe discover the track Polaroïd/Roman/Photo and decide to exhume it from oblvion. They release it on a compilation called So Young but so cold (Tigersushi) and then with Born Bad records on the BIPPP compilation in 2008. Thanks to them, the track and the album start a new life.



Alongside his activity as graphic designer, Thierry Müller carries on producing music under his name, those of ILITCH and RUTH for his own creations and various collaborations.

On September 19, 2025, Mac Declos will release his second album, MTY-013 « Nothing Stands Still », on Mama Told Ya. Following the acclaimed MTY-007 « Hard Work Always Pays Off » and a trilogy of striking EPs : Angel Eyes (2025), Endless Cycle (2024), and Cuir en Cage (2023), as well as countless DJ sets and All Night Longs around the globe, Mac is now ready to unveil a bold new chapter in his musical journey.

Nothing Stands Still is a sonic artefact: a double-vinyl album composed of 12 timeless tracks. Eleven pieces are produced solely by Mac Declos, with one co-produced alongside Anetha. The album also features unique contributions from Mac’s mother, Doona Rolls, and Mac’s dad, Eric Declosmenil, adding emotional
depth to the project. While music is often elusive and ephemeral, with Nothing Stands Still, Mac Declos set out to create an archive of the future that transcends time and trend, an echo meant to endure. Once again, Mama Told Ya reminds us: Music remains.

Another sureshot heater from a magnificent underground label with a cult following, Adeen Records drops AR026, a landmark release uniting two titans of house music: New York's legendary Pal Joey (Joseph Longo) and Chicago's iconic voice Robert Owens. Side A's 'The Me Inside' is a masterclass in deep, soulful club music. Joey lays down a signature groove-hard-hitting drums and lush piano chords-while Owens bares his soul, asking listeners to witness the vulnerable core of his artistry. It's a heartfelt vocal performance rooted in classic Chicago house, paired perfectly with Joey's unmistakable production style. An instrumental follows, ideal for DJs keeping the vibe deep and emotive. Flip to Side B and you'll find Paolo Aniello aka New Digital Fidelity bringing the heat. Known for his work on Snuff Trax and collaborations with house luminaries, Paolo delivers a pulsing, bass-heavy dub remix that's built for peak-time floors. When legends align, magic happens-AR026 is a future classic.

The "Every DJ" – The Unreleased Kenny Dope Project 7-inch vinyl on the Blazing Record Label is a must-have for fans of hip-hop breaks and classic reggae samples. Featuring Kenny Dope’s signature production style, this track utilizes a vocal sample from "The Stopper" by Cutty Ranks, blending reggae dancehall vibes with hip-hop breaks to create a perfect party track for the turntables.

This release is an essential addition for DJs, collectors, and hip-hop enthusiasts who appreciate the fusion of reggae and hip-hop with infectious breaks and deep basslines. The track's energy makes it perfect for DJ sets and vinyl crates.

Bangs and Talbot get back to business with a stonking new 45 for 2025, their take on the instrumental classic ‘K Jee’.

Originally by US band the Nite Liters (an instrumental precursor to soul act New Birth), this classic track has been a club favourite for decades. It was later covered by MFSB and included in the Saturday Night Fever soundtrack.

Taken from their forthcoming album on Acid Jazz, this latin disco funk flavoured jam is written by Motown hit producer Harvey Fuqua and Charles Hearndon. It features Mick Talbot on Wurlitzer, organ and piano, ably assisted by German funk guitarist Felix Fraenkel, Italy’s Donato Greco on flute, brass from California’s Dan C, and drums, percussion, and bass from original Acid Jazz DJ/producer Chris Bangs.

On the flip is a Mick Talbot-original ‘Re-Micks’ from the ‘Back to Business’ sessions, which gets a heavy-duty live boom bap rework by hip hop pioneer DJ Premier Inn.

Presented on black vinyl in a new colour version of the current Acid Jazz house-bag, with labels reminiscent of the classic RCA design for an authentic ’70s touch…

Celebrated DJ, producer, and sonic explorer Auntie Flo (aka Brian d’Souza) — described by The Guardian as “one of global club culture’s most vital voices” — returns this autumn with ‘Birds of Paradise’: a rhythmically rich, emotionally resonant, and ecologically grounded new album, out 23 October via his A State of Flo imprint. The album will be launched with a special live show at London’s Jazz Caféon the same day.

‘Birds of Paradise’ draws on d’Souza’s global club experience while deepening his connection with the natural world. Built around classic Roland drum machines and iconic vintage synths, the record is a joyful, body-driven celebration of rhythm and movement, but one grounded in ecology and place. The album’s spiritual centre lies in Saligao, Goa, near d’Souza’s maternal homeland where his Auntie Florie (where the name is derived from) is buried. Where he found his ‘paradise’ nearby, staying in a converted fisherman’s hut and recorded dawn choruses from a riverside studio overlooking mangrove-lined waters. Environmental textures from Japan also make their way into the music, creating a sonic map rooted in lived experience.

“Birds of Paradise is about finding beauty and rhythm in a chaotic world. It’s about listening, to nature, to our bodies, to what’s real. It’s a reminder that dance music can be both joyful and grounded.” The album blends Afro-Latin polyrhythms with Western 4/4 patterns, fusing instinctive, dancefloor energy with field recordings that anchor the music in the earth. Described by d’Souza as “tropical with a few deeper edges, a balance of light and dark.”

The new record follows the acclaimed ‘In My Dreams, I’m A Bird and I’m Free’, which earned 4 stars and Global Album of the Month from The Guardian, featured in Disco Pogo’s Albums of the Year, and received support from Luke Una, Resident Advisor, Juno, Bandcamp, Mixmag, DJ Mag, Electronic Sound, The Skinny, Beatport, Ban Ban Ton Ton, and more. The album’s launch show at Omeara London sold out. Other recent projects include the ‘Outernational Dance’ EP on cult label Multi Culti, event series ‘Plants Can Dance (and Mushroom’s Sing)’ which explore plant and fungi bioelectricity as a means of live composition, and ‘Black Beacon’, a haunting cassette release and soundwalk series recorded on the abandoned military island of Orford Ness. There, d’Souza explored the eerie intersection of nature, decay, and deep time, gaining special access to restricted buildings to capture long-form soundscape compositions.

Alongside his production work, d’Souza has emerged as a leading voice at the intersection of sound and science. He curated music for Imperial College’s groundbreaking psychedelic therapy trials, developing six-phase playlists to guide participants through psilocybin-assisted sessions treating conditions such as fibromyalgia and gambling addiction. His five-hour ambient set at Watching Trees Festival, selected as Resident Advisor’s Mix of the Day, continued this exploration into the therapeutic potential of sound in altered states. He also spent six months collaborating with BBC producer Tom Raine on a documentary for BBC World Service, centred on a two-week journey through Kenya and Goa. There, he performed live, led plant music workshops, and joined a deep listening retreat rooted in field recording. “I realised my studio isn’t just four soundproofed walls filled with instruments — it’s the journey itself. It’s the people I meet, the natural world I listen to, and the connections I feel.”

This same commitment to deep listening fuels his live concept Plants Can Dance, a project that combines the biosonification of plants and fungi with modular synthesis. The next event, on 14 September at Hideout Hackney Wick, will feature performances by Stella Z and Lapalace, with d’Souza and resident Lamine playing live alongside responsive plants in collaboration with Repot Hackney Wick and the label Music To Watch Seeds Grow By. “I’ve spent years exploring how electronic music can connect us, not just to each other, but to the natural world. Whether it’s translating mushroom data into melody or capturing birdsong at dawn, it’s about finding resonance across bodies, ecosystems, and machines.”

Rooted in his Goan and Kenyan heritage and shaped by years of travel and collaboration, d’Souza’s creative mission is simple: to reconnect the electronic world with the natural one. Through A State of Flo, he continues to blur the boundaries between club culture, sound art, and ecological awareness.

Recognized worldwide for his delicate musical selection in dance floors from
around the world, Manuel Sahagun’s productions found a place in the bags of the
best recognized djs in the house music scene.
For the follow up of his critical acclaimed A Daily Noise EP on Fortunea Records, he
comes back on the Austrian imprint with the 5-tracker ‚Mermelada‘. Each side of the
record features different sides of the electronic music hemisphere. A fusion of both
modern and classic influences with cutting-edge contemporary sounds that has
elements from broken beat, warm and intimate ambient excursions and floorfriendly pumping house in it.
A perfect package that is coming to your record store, download store and
streaming service this october.
_________________
The vinyl is limited to 200 copies. There will be no repress!

Chicago based producers Jason Patrick, and 4trk label owner, DJ Hyperactive team up for their 3rd collab on 4TRK-036 as Aliasing “Off the Grid” EP. 3 tracker of hypnotic, atmospheric tracks for the dance floor.

DUSTY DONUTS ISN’T JUST A LABEL — IT’S A TURNTABLE MANIFESTO.

Since its inception, the collective of vinyl scientists behind Dusty Donuts has been applying their signature "Dusty Formula" to every cut – a potent blend of deep crate knowledge, razor-sharp edits and roots firmly planted in the Hip-Hop culture. Each 45 is crafted with the instincts of seasoned DJs and the ears of lifelong diggers, spinning like a secret weapon on the decks: restructured classics and forgotten gems, reimagined with just the right bounce for today’s dance floors.

Now, with their new imprint DUSTY DONUTS CLASSICS, the crew levels up – kicking things off with a standout collaboration featuring the incredibly talented Emma Noble, who they first crossed paths with at the legendary Mojo Club. Emma’s soulful style and versatility made her the perfect fit for the launch of this new venture.

Man O To from the elusive producer NU is finally set to be released as a single on Crosstown Rebels, featuring remixes from Parisian producer Pépé Bradock who producers two amazing takes on the original. Since its inclusion on Acid Pauli's Get Lost Compilation in 2012, the track has gained huge support and become a modern-day electronic classic.
A nomad of modern times, NU has travelled the continents with his diverse music to unearth his imitable style. Represented heavily in Man O To, where instruments amalgamate with electronic production to become solid rhythms. An extra spark come from its lyrics, outtakes from an old Persian poem from the well known poet Rumi, who speaks of true happiness in love here performed by Ghazal Shakeri from an original recording made by renowned French composer Armand Amar.
Julien Auger aka Pépé Bradock is a widely respected producer best known for his ground breaking remixes and releases on labwes such a Avatisme, Classic and Versatile Recordings. As a DJ, he has spun in almost every major club in the world and is known for his versatile, and mesmerising style. Bradock conjures a trippy remix and dub version of Man O To and fitting ode to the original.

Easttown, one of Europe’s hottest talents returns with his third release on Cécille Records.

After making waves with his Chaos EP and following up with the acclaimed Timeless EP, Dutch producer Easttown now
delivers his third release on Cécille – the Get Ready EP. With his distinctive house sound that blends groove, depth and
uplifting energy, Easttown has already landed on respected labels such as Franky Rizardo’s LTF Records, Folamour’s House
Of Love, and most recently Jamie Jones’ iconic Hot Creations.

His tracks have become regular weapons in the sets of leading DJs across Europe, establishing him as one of the most
exciting rising talents on the continent. The Get Ready EP features four original tracks plus a digital bonus, showcasing
Easttown’s ability to fuse deep grooves, lush textures and playful energy into timeless, club-ready cuts.
Easttown is an integral member of the Cécille family and a constant presence at our Cécille Events. We’re happy to have
him with us and excited to continue this journey together.

Peach Discs’ first EP of the post-summer season comes from DJ, producer, and our good pal Amaliah.

The five tracks that make up the Hypnosis EP are a true showcase of Amaliah's rapidly growing skills as a producer, as she picks thoughtfully from her inspirations and flips them into a uniquely Amaliah-coded record – leaning into the housier side of her sound while incorporating elements of bass, garage, UK funky, and prog that have become her calling card.

Lead track "Hypnosis" draws a line straight back to her early UK raving days, with tuff, speed-garage-indebted drums bouncing off prowling subs and emosh, pinging synth lines, while "Watch This" harnesses a similarly heaving bassline but dips towards classic UKG territory with its swinging, broken beat and disembodied vocal chops.

The closest thing to straight-up house on the EP, "Hold Me Closer," features Amaliah's vocals for the first time, as well as additional production from Shanti – an influence evident in the tight, ascending bassline that wraps itself around the stomping percussion.

"Laser Tag" and "Earthling" are maybe the most Amaliah-coded tracks on the record – a pair of highly percussive, UK funky inspired tunes that balance shoulder-bumping drums with wild, arcing synths that prowl across the stereo field, trippy and screwface inducing in equal measure.

Amaliah is also the founder of Borne Fruits, an independent label, event series, and monthly Rinse FM show, showcasing new sounds and emerging talent. This record follows neatly in that vein, as her own emerging talent marries forward-thinking sound design with her roots in raving and soundsystem culture for an EP that's all her own, and one we're thrilled to release.

Fresh techno from the Lowlands by two veterans of the Utrecht scene. Quince made his debut 20 years ago on the renowned Delsin label, while Sayne is the latest alias of DJ, producer and label owner Nuno Dos Santos. All three tracks are built around a single initial idea. Both producers expanded the idea independently, before coming together to forge the final result. The title track Orange has a nice Detroit vibe with its shuffle rhythms and bouncing rimshots, while Klonneplein 1 (an Amsterdam square all too familiar to visitors of a populair techno party) navigates the wobbly bridge between Sterac and Andy Stott. The closing track Work is one for sweaty basements, where bass lines tug viciously at your trouser legs. Raw, distorted jakbeat in a frayed techno jacket. If you like to lose yourself, this sixth EP on the Nowhere label is a good place to start.