Cerca:dj origin

Limited remastered official reissue of a boogie masterclass from 1983, mixed by the legendary Morales and Muzibai (M & M Productions), this grabs you from the off with its super-funky bassline, tight double handclaps and compulsive cowbells before Andrea Stone's dreamy falsetto vocals jab funk shaped holes all over the heady groove. Flip over for the mind-blowingly tasty full dub mix including full intros and reprise (for some reasons unavailable on the original and promo releases), a big favourite of many in-the-know disco DJs and hugely in-demand since being one of the standouts on Dimitri from Paris' Nightdubbin' compilation.

Cataleya reach double digits with a very special cover of a Soulful House classic. Coflo freshens up 280 West’s Love’s Masquerade for modern audiences with the help of Canadian vocalist CEE. Their sparkling cover is backed by mixes from Vick Lavender, DJ Spinna and more from Coflo. Coflo’s Classic mix has the vibe of the 90s mixes, whilst Vick turns the track into a glorious synth addled bumper. Spinna offers his own version, where sturdy beats, vocals and free flowing keys combine. This is a fantastic update of a classic!

Die Erfolgsreihe geht weiter! Mit 80s Electro Tracks – Vinyl Edition 5 präsentieren wir die neueste Fortsetzung unserer beliebten Vinyl-Serie – randvoll mit elektrisierenden Club-Hits aus den 1980er Jahren. Diese exklusive LP richtet sich an Fans des klassischen Electro Sounds und Liebhaber kultiger
Synth-Pop-Klänge.

Mit dabei sind wieder namhafte Künstler der Szene:
Animotion, Visage, Moskwa TV und MCL liefern einige ihrer ikonischsten Tracks – sorgfältig ausgewählt und in extra langen Versionen, wie sie damals in den Clubs liefen.

Ein Muss für Sammler, DJs und alle, die den Sound der 80er neu entdecken oder wieder aufleben lassen wollen – stilecht auf hochwertigem Vinyl.

I know that people love to read the stories related to the background of each release on Future Retro London & how they came together, but I'll be honest, I have no recollection at all about how this release came into existence????

Sorry that I can't give much insight on anything to do with this release, I imagine that DJ Sofa pitched me the idea to get remixes done of our collab from her FR011 release and one thing led to another...

Rather than try and piece together the process of what happened to make this release into a thing, I'll just skip to the big ups. Thanks to Soeneido, Cheetah & Janaway for their remix work, to DJ Sofa for the idea (I think?) for this release and for her work on the original and to my memory for failing me in this moment where I was hoping it would come through for me.

A long-lost masterpiece of Yugoslavian jazz-funk and disco finally returns! Originally released in 1979 on the iconic Jugoton label, YU Disko Expres by Igor Savin and Orkestar Stanka Selaka is a rare gem—an electrifying fusion of jazz, funk, electronic music, and traditional folk elements. Decades ahead of its time, this album remains a strikingly modern and danceable exploration of sound, seamlessly blending synthesizers with tight horn arrangements and deep, infectious grooves.
Igor Savin, one of Croatia’s most respected composers and pioneers of electronic music, was a driving force in blending contemporary jazz with emerging electronic sounds. A classically trained musician with a deep love for jazz, he left a lasting mark on the region’s music scene, working across film, TV, and avant-garde composition.
Backed by an all-star ensemble featuring some of Yugoslavia’s finest musicians—trumpeter Stanko Selak, bassist Miljenko Prohaska, drummer Silvije Glojnarić, saxophonist Stjepan Mihaljinec, and more—YU Disko Expres delivers an unparalleled groove that has remained a collector’s favorite for decades.
For the first time ever, this sought-after album gets an official reissue, fully remastered from the original tapes. DJs, hip-hop producers, and groove aficionados take note: YU Disko Expres is back, sounding fresher than ever. Don’t miss your chance to own a piece of Yugoslavian music history!

(3*12”, silver vinyl) We’re thrilled to announce the release of “The Mackenzie - Classics EP 2”, the long-awaited follow-up to the popular EP 1 everyone was excited about. This limited edition pressing comes on stunning silver-colored vinyl, with only 500 copies available worldwide. Housed in a deluxe threefold sleeve, this release is a true collector’s item.

The Mackenzie name is legendary in the Belgian trance scene, and this EP brings together some of their most sought-after classics and overlooked masterpieces. Each track has been carefully remastered for 2025, breathing new life into these timeless anthems. This EP 2 is spanning over more than 2 decades of hit releases, amongst of them are “Falling In Love”, “Walk Away”, “All I Need” and “You Got To Get Up”.

Expect rich melodies, mesmerizing builds, enchanting vocals, and that unmistakable 90s spirit that made “The Mackenzie” iconic in trance. This is not just the successor of EP 1 – it’s the final chapter in a tribute to the golden era of Belgian quality trance music.

“Everytime I try” by DJ Chus & Cevin Fisher was one of the biggest worldwide club hits in Summer 2023. That catchy acid-inspired synth line, along with Chus’ signature driving percussion and Cevin’s iconic voice preaching such an inspired message was a peak hour favorite immediately upon release.

And now comes the well-deserved and much anticipated remix treatment. Wheats adds some minimal leaning deep tech flavor with an appealingly mutated effect added to the vocal; Audio Junkies retains the acid based synth line but strips it down and then builds it back up with some new melodic elements that will open up the track to a dancefloor community that looks for more eclectic house music sounds; and finally the 12” includes the Viot remix where this emerging Brazilian producer adds building hypnotic rhythmic elements that give the track an early morning feel to go along with its already established peak hour energy. Rounding out the 12” is the original DJ Chus extended mix, released on vinyl now for the first time as part of this remix package.

This release comes in special yellow colored vinyl.

On Friday 25th March Parlophone Records release “Remixes” on double CD and triple vinyl LP. The album is an updated version of the 2020 Digital compilation of the same name, featuring mixes that were originally released between 1991 and 2021.

Alongside Kraftwerk’s own remixes, the album includes some of the world’s biggest DJs and Producers, including François Kervorkian, Orbital, Underground Resistance, DJ Rolando, Alex Gopher + Étienne de Crécy, William Orbit and Hot Chip.

2026 Repress


Chicago's Peven Everett has long had a cult following for his own unique, live take on House music. The co-producer and vocalist of Gabriel, which was not only one of the most legendary soulful house tracks of the 90’s but also helped define the two step/garage sound. In 2002 he released 'I Can't Believe I Loved Her' on King Street Sounds offshoot label, Nite Grooves, a soulful piece lamenting a love that went wrong. The track was a worldwide hit and quickly earned itself classic status amongst DJ’s and dancers alike. Both the Original and Calypso Mix are featured on this special charity reissue with all proceeds from this release being donated to Peven’s GoFundMe to help with his lung cancer treatment. Essential!

MY NAME IS DJ K-1 (Original Mix)
Keith Tucker Aka DJ K-1 comes back with his original minimalistic electro style with vocals and vocoder loveliness. The ep harkens back to his original K-1 Agenda ep days of the classic Direct Beat label which spawned the first of Tuckers many aliases. Tucker takes this first original mix into a more Kraftwerking style with his infections and Unforgettable vocoder work.

MY NAME IS DJ K-1 (DMX Krew Mix)
DMX Krew’s Ed Upton takes his stab at a more sample bass mix in step with Tuckers seminal work In the Detroit Techno Bass group Aux88. The DMX Krew never disappoint Upton’s bassline ads a dark menacing mix.

MY NAME IS DJ K-1 (Beat Mix)
A Loop bass mix of straight funk and vocal to blend and create that funky Detroit funk that mixes with anything.

MY NAME IS DJ K-1 (Detroit Jit Mix)
Detroit Jit mix has full vocal rap track with a message. Detroit Jitters and DJ’s will eat this up.

MY NAME IS DJ K-1 (SPOCK Mix)
Spacey minimal bassline with that eerie string that makes the floor move as SPOCK would say it’s logical…

MY NAME IS DJ K-1 (NAVI Mix)K-1’s takes this mix more in a bonus beat montage of echoes from the ever-present synth bassline that moves the beat in a hypnotic state with the help of NAVI

Following standout releases on acclaimed underground imprints like Klasse Wrecks, Planet Trip, Superior Elevation, and more, Brooklyn-based producer GEE DEE steps into a new chapter with the launch of his very own label, FREE UNIVERSE. The debut release, IT’S A FEELING, is a vibrant four-tracker that showcases his deep-rooted love for hypnotic grooves, playful textures, and dance floor-ready energy.

The title track, “IT’S A FEELING, ” leads the charge — a punchy, genre-blurring cut that captures the essence of GEE DEE’s sound: raw, emotive, and rhythmic. “ENERGY LOOP” follows with a bright, bouncing bassline and cheeky percussion, keeping spirits high and bodies moving.

On the B-side, the legendary KIM ANN FOXMAN delivers a sped-up, psychedelic reimagining of “IT’S A FEELING. ” The remix brings a darker, tunneling energy to the original, twisting it into a late-night trip that’s equal parts hypnotic and propulsive. Closing things out is “TWO VOICES” — a heady,

'90s-inspired roller drenched in spaced-out textures and woozy synths. A bold first statement from FREE UNIVERSE, this release marks a fresh new chapter for GEE DEE — producer, DJ, and now label head — continuing his journey of pushing boundaries across the spectrum of underground dance music.

The epitome of raw, functional, Westside house. Stripped back to the barest essentials, leaving behind 6 cuts of pure punishing dance floor energy. Originally released on the legendary DANCE MANIA in '96, this 2025 reissue includes the previously unreleased "WESTSIDE BOOGIE 1996"

EMIL GAYLES returns with DANSONS BOUGEONS (LET'S DANCE LET'S MOVE) feat. SWAYLO who's collaborated with ANTHONY NICHOLSON, GU and DJ PAP. Remixed by TRINIDADIAN DEEP known for his outstanding work on RON TRENT'S FUTURE VISION, DEEPBLAK & SHELTER RECORDS. Limited pressing

Tunnel was made in Naples in 1978 by Giorgio Verdelli and Danilo Rustici only on 7inch and it was the theme song for two RAI radio programs. Going through the names of the musicians we begin with the inimitable voice and the splendid guitars of Danilo Rustici, then passing through the saxophones of Enzo Avitabile we arrive at the keyboards of Joe Amoruso, musician-arranger who left a great void with his untimely death. For Joe, who crossed his experience with Premiata Forneria Marconi, Zucchero, Vasco Rossi, Mauro Pagani and was part of that 'dream team' of Pino Daniele - made up of technically extraordinary musicians, but above all gifted with an inimitable sound - this one-off project represented his recording debut. 'Tunnel Lights' and 'Speed Up' have been brought to light by Dario Di Pace and Claudio Casalini, two visionaries who believe that Neapolitan music is a sonic mixture of ancient and modern musical registers even if it sometimes develops a conflict between tradition and modernity as the recovery of popular tradition is strongly opposed to the push for innovation. This therefore is the reason for a 12" reissue in which the evocative original songs - from almost 50 years ago - are reflected in the new versions created by a bevy of talented DJ-arrangers including Massimo Berardi (with the bassist Luca Andreozzi) and by the industrious and passionate Francisco & Malkuth (ed: Francesco De Bellis and Cosimo 'Cosmo' Mandorino in disguise) in turn assisted by other zealous musicians and dee-jays - including the very good and always very collaborative Raffaele Arcella - who took part in a remix of this EP with enormous fervor The 12" reissue of Tunnel was released both on the classic black vinyl and in the very limited red vinyl version, in order to reflect the lips of the extravagant cover, a graphic work by another brilliant and multifaceted artist: Lino Vairetti, legendary singer of the historic prog rock band Osanna. The envelope developed by Best Record is embossed (front and back cover) to further enhance the passion that Neapolitan musicians have always had in knowing how to combine their roots with all the other musical genres of the world.

LILAS06 — FEDO
For its sixth chapter, Lilas Records shines the spotlight on a rising voice in the Eastern European minimal movement: FEDO.

Hailing from Ukraine and of Greek descent, FEDO is more than a producer — he’s an architect of acoustic space. With a seasoned background as a DJ and sound designer, he bypasses genre boundaries, carving out his own distinct path between deep minimalism and textural innovation.

On LILAS06, he delivers four original tracks that encapsulate his sonic philosophy:

Precision without coldness, groove without compromise.

Feather-light percussion meets rolling basslines, wrapped in immersive atmospheres and delicate spatial play.

Here, minimalism is no longer austere — it becomes expressive, hypnotic, and profoundly human.

Limited to an exclusive run of 200 copies, this release has already garnered fervent support from a distinguished roster of industry heavyweights including Raresh, Reiss, Ramona Yacef, NTFO, Enzo Siragusa, Silat Beksi, and more.

LILAS06 isn’t just another record — it stands poised to leave an indelible mark on the global underground music scene.

Cinthie makes a welcome return to her own 803 Crystal Grooves imprint this June for its sixth release, the project comprises four original"s showcasing Cinthie"s many different sonic styles and influences.
The past decade has seen Berlin"s Cinthie moving from strength to strength, racking up milestone achievements like her DJ Kicks mix compilation and a steady stream of critically acclaimed material via the likes of Aus, Heist, Shall Not Fade and of course her own 803 Crystal Grooves label where she returns here with some fresh machine jams.
"Grooves" kicks off the package, a dynamic dance floor cut fuelled by processed vocals uttering the track title, murky bass stabs, heavily swung drums and gritty saturated stabs all dynamically evolving and unfolding throughout. "Boxer" follows next and showcases Cinthie"s love for dub-tinged sounds, laying down spiralling dub echoes, a snaking bass groove and hypnotic chord sequences atop a robust, swinging rhythm section.
"Hands Up" then kicks off the B-Side, shifting gears to a classic House aesthetic with dreamy keys, bright stab sequences, glistening synth textures and smooth strings, intertwined with soulful vocals and classic 909 workout. "She Wants It" then concludes the EP on a more cinematic tip with sweeping lead synths, fluttering arpeggios, elongated bass drones and vocal lines running with raw, crunchy drums.

Two decades after its original release, the trance classic “The Morgan’s Wave” returns in a fresh and contemporary form. Born in 2003 from the creative meeting between vocalist Caroline Eloy and producers Patrick Ketels and Xavier Romain, the track first gained attention through David Altrix (Galaxie Radio), and was signed by Diki Records in 2004 on its sub-label Green Valley.
In 2025, the idea to revive the track came from Caroline Eloy—now performing as Ce’Loy—who teamed up once again with David Altrix to envision a remix with a modern twist, keeping the original lyrics and piano melody while exploring a new musical direction.

They entrusted the remix to Narik (Freegrant Music, Bonzai Progressive, EinMusika), whose timeless production style brings a unique reinterpretation of the track. His version features deep, emotional textures and a subtle deconstruction of the vocal part, blending nostalgia with innovation.

Now released on Clair Obscur, this 2025 remix also serves as a heartfelt tribute to Patrick Ketels, who sadly passed away a few years ago.
“The Morgan’s Wave (Narik 2025 Remix)” bridges eras with elegance — a moving reinvention of a beloved track, available soon on both vinyl and digital formats.

Français

Deux décennies après sa sortie originale, le classique trance “The Morgan’s Wave” revient dans une version fraîche et contemporaine. Né en 2003 de la rencontre créative entre la chanteuse Caroline Eloy et les producteurs Patrick Ketels et Xavier Romain, le morceau s’est d’abord fait remarquer grâce à David Altrix (Galaxie Radio), avant d’être signé en 2004 par Diki Records sur son sous-label Green Valley.

En 2025, l’idée de raviver le morceau germe dans l’esprit de Caroline Eloy — désormais connue sous le nom de Ce’Loy — qui s’associe de nouveau à David Altrix pour imaginer un remix à la fois fidèle et modernisé, conservant les paroles originales et la mélodie au piano tout en explorant une nouvelle direction musicale.

Ils confient cette mission au producteur Narik (Freegrant Music, Bonzai Progressive, EinMusika), dont le style intemporel offre une relecture unique du titre. Sa version déploie des textures profondes et émotionnelles, et déconstruit avec subtilité la partie vocale, mêlant habilement nostalgie et innovation.

Désormais publié sur le label Clair Obscur, ce remix 2025 constitue aussi un hommage sincère à Patrick Ketels, disparu il y a quelques années.

“The Morgan’s Wave (Narik 2025 Remix)” fait le lien entre les époques avec élégance — une réinvention touchante d’un morceau culte, à paraître prochainement en vinyle et en digital.

DJ FEEDBACK
Early support from Jam El Mar, Fedele, Township Rebellion, Themba, Roger Sanchez, Dan Marciano, DJ Fire, Tocadisco, Yalla Techno, Tom Leclercq, ….

Bangladeshi Born Producer Lady Tazz, debuts ‘Sleaze’ with a killer remix from Radio Slave this June. At the heart of Lady Tazz’s mission is Mind Medizin, her label and event series that champions the sound of kindred spirits, now inviting Radio Slave to the mix this June.

Lady Tazz has overcome many cultural obstacles to achieve her rightful place as one of Toronto’s foremost electronic dance exports. A renegade of sorts, as a teenager, she would regularly visit the UK and Germany without her parents’ knowledge to attend London’s Sound Academy and to party in Berlin, whilst continuing to pursue her aspirations of becoming a DJ.

The Bangladeshi producer and DJ is proud of her heritage but is realistic about the social expectations of throwing raves in her hometown. She moved to Toronto in her teenage years, where she grew up, educating herself on music and a place that has perfected a sound that remains organic and raw. Her record label and party series, Mind Medizin, taps into an erotic lifestyle that embraces the unconventional and free-spirited, which inspires and motivates Lady Tazz on numerous artistic levels.

For Mind Medzin’s latest release, Lady Tazz will drop ‘Sleaze’ on the 27th June, to include a special remix from Rekids founder and UK godfather, Radio Slave, making his debut on her label.
Foreboding and dripping with lascivious intent, ‘Sleaze’ brazenly stalks into existence by way of warping synth fills and glitching hi-hats. The lyrical component consists of a series of smouldering vocal hooks which salaciously enrapture one’s senses, tightly wrapping around the creeping melody before succumbing to the beat’s stomping dominance.

On the flipside, Radio Slave’s remix revs and fires with shots of ringing overtones atop a deep thud, husky vocal and swooshing cymbals. Whilst upping the ante of the original, its stripped-back charm remains, culminating in a moody, chugging rework bubbling with tension and fraught with Radio Slave’s brand of dark, fractured house.

Following its release in 1997, ‘Remember Me’ was cemented as an international dance hit, peaking at #8 in the UK singles charts, as well as #2 in the American Dance Chart. Instantly recognizable for the iconic Marlena Shaw vocal samples and down-tempo chugging bassline, ‘Remember Me’ has gained cult status throughout the world as a dance-floor classic. Releasing the original over 20 years ago, the incomparable track has only received one previous official remix with Dutch producer and DJ, Franky Rizardo now injecting new life into an already seminal track also

The Dutch imprint has now asked non-other than David Penn to add his magic to this sure-fire repeat player!

Madrid based David Penn get to grips with the Blue Boy classic and the results are spectacular! Some of you may have already heard it on David’s recent Live lockdown streams all over social media?! Now you have been hand-picked to help break this house anthems!

FCL presents Can We Try — A Deep House Anthem remixed and
remastered for 2025 including flips from Jimpster, Ben Hixon & Deetron

The ever-reliable FCL—aka Belgian house heroes San Soda and Red D—are back on the block with this remastered remix package of Can We Try, a soul-drenched dancefloor meditation that taps into the timeless tension of love and longing. With its raw vocal hooks (courtesy of Lady Linn), analog warmth, and stripped-down groove, the original cut is pure FCL: emotionally rich, effortlessly deep, and aimed straight at discerning dance floors.

Bringing fresh heat to the 2014 original, three heavyweights of house and techno step in for remix duties—each reworking the track in their own signature style:
Jimpster injects his trademark deep, jazzy finesse, flipping Can We Try into a swirling, soulful roller—lush pads, Moog flourishes, and enough swing to keep bodies moving and hearts locked in. Ben Hixon, the Dallas-based underground wizard, lays down a chunky, hardware- heavy rework full of crunchy drums and woozy funk. It's lo-fi soul with hi-fi intent. Deetron closes it out with a peak-time bomb—big room pressure, hypnotic bass, intense stabs and the kind of tension-release dynamics that only a true craftsman can deliver.
This limited-edition white label 12" vinyl is circulating in the wild—no frills, no hype, just a nod to those who know. Pressed loud and cut for the floor, it’s already making waves in the bags of tastemaker DJs from Berlin to Brooklyn. Can We Try is a reminder that dance music doesn’t need to shout to speak volumes. With this return, FCL prove they’ve still got their finger on the pulse—and their heart in the mix