Buscar:dj passion

Demian Sky is a meticulous beatmaker, experienced musician, committed record store
manager, passionate DJ as well as excessive record collector and music enthusiast. His instrumental hip-hop debut »A Kraut Tale« is a narrative sound journey on 18 tracks. The song structures, the musical concept and the overall atmosphere of the record show very clearly that his influences are not only in hip-hop, but also in psychedelic and prog rock of the 60s and 70s. There are also some references to works of DJ Shadow, Dan The Automator, Cut Chemist, Gaslamp Killer and such. It is all the more astonishing that, contrary to possible expectations, all samples come from old German Schlager and Folk music records. The result is not a loose collection of individual pieces of music, but rather a coherent album with its own dramaturgy in two chapters.

Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named the Back Street Warriors, Busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with the Rock Steady Crew in Camden Palace in front of an audience.

Then in 1987 he became a DJ, playing all genres of music, he first played on
RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90s he played on Weekend Rush and then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.

In the early days MixMaster Max was one of the Innovators of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping others to produce, fuse & gain ideas in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.

In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the famous Hacienda club in Manchester.
He was the First DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC world championships in the early 90s.

He played at some of the Biggest Raves back in the day, Pirate club 93, Fantazia 92, Dungeons 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People's Choice, which were legal Radio Stations, not forgetting Kool fm & Centreforce.

He performed on stage with the We Papa Girl Rappers in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchuckers & TurnTables!
His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!

For those that listened to pirate radio back in the day, he was the legendary cult
figure that inspired us all, giving us the freshest musical styles that had never been heard before!

DJ and producer Annie Hall has been steadily carving a name for herself as an artist who enjoys diversity. Born and bred in Spain, Annie started her life as a DJ very young in 2003, having had her first encounter with vinyl when she was a kid because her brother is a reggae, dubs and roots DJ in Spain. With a long time passion for music and a love of experimenting with new sounds Annie isn’t constrained by the same boundaries as others. Producing since 2005, she has released on labels such as Tresor (with ´Daughter Produkt´ proyect along Gerald Donald), 2020 Vision, Detroit Underground, CPU records, Delsin Records and now she continues the journey with Orson and we are over the moon.

Twenty-six year old South African producer Mbulelo Mehlomakhulu grew up with a passion for house music. He began releasing music early at only 18, working with Blaque Core's Profound Nation and issuing a slew of records under the Xerophytic Soul moniker. Achieving local and global success with tracks like 'Ancient Cultures', he began to pioneer a more experimental sound - a cross between Durban's dark, propulsive gqom sound and vintage Detroit techno. This forward-thinking composite didn't go unnoticed, and Mehlomakhulu was tapped by Derrick May to release "The Robotics People" EP on Transmat in 2018. Now Mehlomakhulu returns with four stargazing hybrid compositions that again dance in the shared sonic space between Detroit and Durban. Gqom's slow, sensual pulse carries 'Play the Beat' with chants and echoing cowbell smacks swallowed into a wormhole of squashed analog bass and reverberating Underground Resistance stabs. Title track 'Kalibre' is less florid, but commands the dancefloor with clattering South African drums, ballroom slams and the ticking urgency of Chicago's DJ Sneak. 'Uranus' and 'God's Groove' lift the dancefloor to a higher plain, spiritually connecting with Carl Craig's historic early run and layering synthetic neon pads and cinematic shimmering effects. Mbulelo's sound is smart and poignant, and completely his own. By linking contemporary South African dance music to Detroit's pioneering 1980s techno vision, he makes a connection that's never felt more current.

Picture Vinyl

Picture Vinyl

Blue Marbled Vinyl

Green Marbled Vinyl

The LP ‘All Welcome on Planet Ree-Vo’ due for release on 29th July could only really have been made in one city steeped as it is in Bristol’s decades of less conventional hip hop and bass music. Tweaked and fine tuned during the summer of 2020 the record punches with a mix of red eyed paranoia to a playful future funk.
The album was all recorded, produced and mixed by Andy at Christchurch Studios, Bristol (home of Mezzanine era Massive Attack) with all vocals written and performed by T. Relly.
During 2021 the first two singles from the LP were released. The first was the juggernaut that is ‘Groove With It’. T. Relly growling out polemic against the relentless cacophony spun by Andy Spaceland, The brutality of the bass and horns is temporarily smoothed with Relly’s soulful, swaggering placation of ‘Turn your speakers on/ Till ya speakers blown baby/ If you’re feeling strong baby/ We can keep it going baby’.
This was followed in April by the 12” release of Combat featuring a thumping remix by Surgeon (Tresor Records) and an extended electro remix by Ree-Vo themselves.
2022 began with the limited red 7” release of remixes by NØISE and Batbirds with stunning original artwork by Shepard Fairey who came to the project via mutual friend Joe Cassidy (Butterfly Child). The release was announced on OBEY’s website
‘Spacebox’ which will be the last single to be released in time with the album is their hookiest, a party throwing chorus spinning tipsy visitors around the intergalactic control booth of mission control.
“Lift off, blast off, shirt off, dance off! Naked in the dancehall SPACE BOX!” is the beamed mantra, Relly transmitting to all occupants of the galaxy.
“We wanted to make a hedonistic and colourful dancehall track, a bold response to the suppressive circumstances of the last two years”.
About Ree-Vo:
T. Relly​ is pure Bristol hip-hop royalty – known in the community variously for his links to all of the city’s major club nights, his passion and support for the most disadvantaged (through his work with the youth and prison leavers), through to compering stages at St Paul’s Carnival and his seminal 2018 LP with DJ Rogue ‘Let Them Know’. He collaborates with many crews including Innalife and Killer Crab Men.
Andy Spaceland​ (AKA Andy Jenks) got involved in Bristol bass music as soon as he moved to the city with Static Sound System​ and a collaborative 12” with Rudy Tambala (​AR Kane​) as Sugarboat Vs Sufi, before his band ​Alpha​ were signed to ​Massive Attack​’s label Melankolic, whilst he also became one of their tour DJ’s. His CV of collaborations range from ​Smith and Mighty​ to Madonna. He has released music on Dj Die’s label, Gutterfunk as White Bully and he is also currently releasing music with US producer ​Butch Vig​ in the band ​5 Billion in Diamonds​, whilst working on new tracks with ​Mark Stewart (The Pop Group) including remixes by Adrian Sherwood. His signature sound can also be heard on this remix for ​Elizabeth Fraser​ -

The LP ‘All Welcome on Planet Ree-Vo’ due for release on 29th July could only really have been made in one city steeped as it is in Bristol’s decades of less conventional hip hop and bass music. Tweaked and fine tuned during the summer of 2020 the record punches with a mix of red eyed paranoia to a playful future funk.
The album was all recorded, produced and mixed by Andy at Christchurch Studios, Bristol (home of Mezzanine era Massive Attack) with all vocals written and performed by T. Relly.
During 2021 the first two singles from the LP were released. The first was the juggernaut that is ‘Groove With It’. T. Relly growling out polemic against the relentless cacophony spun by Andy Spaceland, The brutality of the bass and horns is temporarily smoothed with Relly’s soulful, swaggering placation of ‘Turn your speakers on/ Till ya speakers blown baby/ If you’re feeling strong baby/ We can keep it going baby’.
This was followed in April by the 12” release of Combat featuring a thumping remix by Surgeon (Tresor Records) and an extended electro remix by Ree-Vo themselves.
2022 began with the limited red 7” release of remixes by NØISE and Batbirds with stunning original artwork by Shepard Fairey who came to the project via mutual friend Joe Cassidy (Butterfly Child). The release was announced on OBEY’s website
‘Spacebox’ which will be the last single to be released in time with the album is their hookiest, a party throwing chorus spinning tipsy visitors around the intergalactic control booth of mission control.
“Lift off, blast off, shirt off, dance off! Naked in the dancehall SPACE BOX!” is the beamed mantra, Relly transmitting to all occupants of the galaxy.
“We wanted to make a hedonistic and colourful dancehall track, a bold response to the suppressive circumstances of the last two years”.
About Ree-Vo:
T. Relly​ is pure Bristol hip-hop royalty – known in the community variously for his links to all of the city’s major club nights, his passion and support for the most disadvantaged (through his work with the youth and prison leavers), through to compering stages at St Paul’s Carnival and his seminal 2018 LP with DJ Rogue ‘Let Them Know’. He collaborates with many crews including Innalife and Killer Crab Men.
Andy Spaceland​ (AKA Andy Jenks) got involved in Bristol bass music as soon as he moved to the city with Static Sound System​ and a collaborative 12” with Rudy Tambala (​AR Kane​) as Sugarboat Vs Sufi, before his band ​Alpha​ were signed to ​Massive Attack​’s label Melankolic, whilst he also became one of their tour DJ’s. His CV of collaborations range from ​Smith and Mighty​ to Madonna. He has released music on Dj Die’s label, Gutterfunk as White Bully and he is also currently releasing music with US producer ​Butch Vig​ in the band ​5 Billion in Diamonds​, whilst working on new tracks with ​Mark Stewart (The Pop Group) including remixes by Adrian Sherwood. His signature sound can also be heard on this remix for ​Elizabeth Fraser​ -

A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding her path as a cross-disciplinary artist and collaborator. Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online.

A lot has been said and repeated about the interiority of this club music - how the joyful tremor of the "Raingurl" refrain holds hands with such soft and doubtful verses. How special it is that house music so of New York can contain storytelling cultivated so far away. That repetition is born of people all over the world going out, and staying in, with this music as a compass; songs that define so many late night hangs for crews of friends, singalongs in DJ booths, contemplative 5am walks home from the club. What can get lost in that repetition, in the shifting canonization of these recordings as symbols of any one scene or moment, is what was behind the pair of round glasses reflecting so tirelessly outwards. Yaeji, an exceptional friend only at the very beginning of finding her path as a cross-disciplinary artist and collaborator. Yaeji wrote this music while going out nearly every night of the week to DJ and support her own NYC community of friends at their turns behind the decks. These tracks originated from explorations in dancefloor anonymity, growing from seeds planted by sharing her first musical experiments online.

Limited version 2LP on red vinyl in gatefold sleeve. An outstanding new collection of musical gems from Belgium's thriving jazz scene, compiled by Belgian DJ and eclectic connoisseur, Lefto.

The groove-obsessed Sdban Ultra label are pleased to present an outstanding new collection of musical gems from Belgium's thriving jazz scene, compiled by Belgian DJ and eclectic connoisseur, Lefto.



'Lefto presents Jazz Cats volume 2', released 24th June, features a balance of known and obscure artists. From the thrilling frenetic grooves and innovative soundscapes of Bandler Ching and the electronic influenced Stellar Legions (Andrew Claes from (STUFF.), to the jazz fusion collective L?p?GangGang and weaving musical odyssey that is M.CHUZI, 'Lefto presents Jazz Cats volume 2' is a melting pot of the best musical talent coming out one of the smallest countries in Europe. In addition, there's the beautiful unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and the cinematic The Brums, making 'Lefto presents Jazz Cats volume 2' an essential release for any jazzhead with a passion for new sounds.



"By collecting all the music for 'Jazz Cats volume 2', I come to the conclusion that we are living in an era of very talented individuals and collectives. Even more so than 4 years ago. I have the impression that the Belgian jazz sound is more diverse, with more influences and more creativity. There was a time that jazz would be the starting sample to create a beat for rappers, today it is electronica, rap or afrobeat that influences our youth to create a sound or style that suits their vision of what jazz sounds like in 2022. So, once again it is with extreme pleasure that I present to you some of the best present and next generation of jazz cats this little country has to offer."



2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters including Black Flower, STUFF., and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews.



Tastemaker, selector, curator, DJ and producer, Lefto is one of the most important and respected tastemakers around the world with a record collection of over 15,000 records. Cutting his teeth on jazz and new beat, a genre that moulded the shape of electronic music in 80s Belgium, Lefto formed his early tastemaker know-how via his dad's record collection.



Creating his fine ear for music and the cutting edge at Belgium's legendary Music Mania record store in his hometown Brussels, he has been a resident on Belgium's leading radio station Studio Brussel and currently hosts a show on Kiosk Radio (BE) and The Lot Radio (US). He also curates his own stage at the Dour Festival and hosts his own nights in Gent. World renowned, he regularly blesses sound systems from Tokyo to Seoul, Singapore to Manila, Kazakhstan to Germany, San Francisco and Los Angeles, with residencies in Amsterdam and New York.

The groove-obsessed Sdban Ultra label are pleased to present an outstanding new collection of musical gems from Belgium's thriving jazz scene, compiled by Belgian DJ and eclectic connoisseur, Lefto.



'Lefto presents Jazz Cats volume 2', released 24th June, features a balance of known and obscure artists. From the thrilling frenetic grooves and innovative soundscapes of Bandler Ching and the electronic influenced Stellar Legions (Andrew Claes from (STUFF.), to the jazz fusion collective L?p?GangGang and weaving musical odyssey that is M.CHUZI, 'Lefto presents Jazz Cats volume 2' is a melting pot of the best musical talent coming out one of the smallest countries in Europe. In addition, there's the beautiful unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and the cinematic The Brums, making 'Lefto presents Jazz Cats volume 2' an essential release for any jazzhead with a passion for new sounds.



"By collecting all the music for 'Jazz Cats volume 2', I come to the conclusion that we are living in an era of very talented individuals and collectives. Even more so than 4 years ago. I have the impression that the Belgian jazz sound is more diverse, with more influences and more creativity. There was a time that jazz would be the starting sample to create a beat for rappers, today it is electronica, rap or afrobeat that influences our youth to create a sound or style that suits their vision of what jazz sounds like in 2022. So, once again it is with extreme pleasure that I present to you some of the best present and next generation of jazz cats this little country has to offer."



2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters including Black Flower, STUFF., and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews.



Tastemaker, selector, curator, DJ and producer, Lefto is one of the most important and respected tastemakers around the world with a record collection of over 15,000 records. Cutting his teeth on jazz and new beat, a genre that moulded the shape of electronic music in 80s Belgium, Lefto formed his early tastemaker know-how via his dad's record collection.



Creating his fine ear for music and the cutting edge at Belgium's legendary Music Mania record store in his hometown Brussels, he has been a resident on Belgium's leading radio station Studio Brussel and currently hosts a show on Kiosk Radio (BE) and The Lot Radio (US). He also curates his own stage at the Dour Festival and hosts his own nights in Gent. World renowned, he regularly blesses sound systems from Tokyo to Seoul, Singapore to Manila, Kazakhstan to Germany, San Francisco and Los Angeles, with residencies in Amsterdam and New York.

repressed !

Emotional Rescue celebrates a decade of reissues by again pulling deep from the well with the first of several French avant albums over the coming year. The self-styled "Ethno-Industrial" Vox Populi! present their 1989 Aither album, remastered and repackaged with love nearly 30 years later.

Initiated by artist Axel Kyrou in 1982, Vox Populi! was soon joined by long term collaborator Pacific 231 on a series of coldwave/industrial cassette only recordings. Things changed considerably, however, with the meeting of the siblings, Mitra and Arach in 1984.

The consequential use of "traditional" instruments and, especially, his wife Mitra's Persian folklore vocals gave a specific tonality, incorporating the band's expanding passion for oriental sounds, electronics and psychedelic music.

Involving numerous musicians and friends in often-spontaneous studio sessions, the melting pot of varied cultural backgrounds added ethnic, electronic, concrete music, funk, dub and experimental flavours.

This feeling of the subjective absence of the artist was achieved via a communal way for making music, but still with an aim to entertain while leading the listener to experience something unique - mind elevating, non-egotistical, ethereal music - all pushing the intellect towards a more artistic transparency.

Welcome to Aither.

Justin Thurgur has been at the heart of the UK's World Music scene for over twenty years; principally in his collaborations with the former Fela and Femi Kuti keyboardist, Dele Sosimi, and with the pianist and composer Kishon Khan, most recently in his groups Lokkhi Terra and Cubafrobeat. He has also worked with the likes of Afrobeat drum legend Tony Allen, and with the Cuban giants Giraldo Piloto, Julito Padron and Changuito. Thurgur is also a member of the seminal English folk group Bellowhead.

'Many Faces' brings together this musical journey, with Afro-infused grooves and nods towards Cuban Jazz and Dub, with Thurgur's early passion for the likes of Miles Davis, Coltrane, Lee Morgan, Wayne Shorter, Herbie Hancock, et al....

It features both Khan and Sosimi, who have contributed as co-writers as well as bringing their own inimitable sounds on piano, rhodes and hammond organ. Alongside them are some of the leading musicians on the UK's African, Cuban and Jazz scenes, plus collaborations with rising star singers Jade Pybus and Sahra Gure.

Justin Thurgur - trombone (and some additional keys)

Graeme Flowers - trumpet and flugel horn

Simeon May - tenor, baritone and alto sax

James Allsopp - bass clarinet

Jade Pybus - vocals (on 'Woman')

Sahra Gure - vocals (on 'Be A Little Wiser')

Kishon Khan - piano, rhodes and hammond organ (on tracks 1,3,4 and 5)

Dele Sosimi - piano (on tracks 2 and 6) and vocala (on track 6)

Phil Dawson - guitar

Suman Joshi - double bass (except track 5)

Jimmy Martinez - double bass (on track 5)

Tansay Omar - drums (on tracks 1,3 and 4)

Kunle Olofinjana - drums (on tracks 2 and 6)

Yoann Julliard - drums (on track 5)

Afla Sackey - congas and djembe (on tracks 1,2 and 6), shekere and cowbell, and vocals (on track 6)

Oreste 'Sambroso' Noda - congas (on tracks 3 and 5)

Evie Hilyer-Ziegler - violin and viola

Paul Sartin - violin

Track 1 written by J Thurgur and S Gure

Tracks 2 and 6 written by J Thurgur and Dele Sosimi

Track 3 written by J Thurgur

Track 4 written by J Thurgur and J Pybus

Track 5 written by J Thurgur and K Khan

Recorded at Fish Factory by Simone Gallizio and Sean Douglas, at Boneman Studios by Justin Thurgur, at Better Pass Your Own Studios by Phil Dawson, at Thank You Please Studio by Kishon Khan and at 224 Studios by Matteo Musetti.


Mixed at Hi Street Studio by Mauro Caccialanza.

Mastered at Gearbox by Caspar Sutton-Jones.

Artwork by Matthieu Dufour

Photos of by Siobhan Bradshaw, Justin Thurgur, Stephanie Sian Smith,

Chantal Azari, Alex Bonney, Heather Hoyle, Nicole Thurgur, Joanna Mendel, Tansay Omar, Richard Gearey, Faye Hilyer-Ziegler and Svetlana Onye.

To celebrate two years of release and 1+ million plays, Vice beats’ releases “That Love” on 7” for the first time, featuring a remix from the super talented UK based producer Smoove. That Love is taken from the only UK based official J Dilla tribute album to date - “Dilla - The Timeless Tribute” which reworks Miguel Atwood Ferguson’s “Suite For Ma Dukes”. “That Love” is a detail focused and passion led reworking of Slum Village’s, Dilla produced classic “Fall In Love”. The limited vinyl release sees both a black original 45 version alongside a very limited red version. Having received worldwide praise from tastemakers and pioneers of the scene including DJ Premier and Chuck D of Public Enemy, this is much more than a tribute, it’s a special piece of Hip Hop history, raising money for the James Dewitt Yancey Foundation in Detroit (setup by Dilla’s family). Profits from this vinyl support young musicians to develop their skills and opportunities. With original artwork from Nina Fini, and mastering from Cosmic Trigger, this is a must have for the collection.

To celebrate two years of release and 1+ million plays, Vice beats’ releases “That Love” on 7” for the first time, featuring a remix from the super talented UK based producer Smoove. That Love is taken from the only UK based official J Dilla tribute album to date - “Dilla - The Timeless Tribute” which reworks Miguel Atwood Ferguson’s “Suite For Ma Dukes”. “That Love” is a detail focused and passion led reworking of Slum Village’s, Dilla produced classic “Fall In Love”. The limited vinyl release sees both a black original 45 version alongside a very limited red version. Having received worldwide praise from tastemakers and pioneers of the scene including DJ Premier and Chuck D of Public Enemy, this is much more than a tribute, it’s a special piece of Hip Hop history, raising money for the James Dewitt Yancey Foundation in Detroit (setup by Dilla’s family). Profits from this vinyl support young musicians to develop their skills and opportunities. With original artwork from Nina Fini, and mastering from Cosmic Trigger, this is a must have for the collection.

Part of IF Music founder Jean-Claude’s ever expanding ‘YOU NEED THIS!’ series of compilation albums, the London record shop impresario and DJ takes us on another scintillating musical journey, this time exploring the catalogue of German jazz imprint, Enja Records. Like Jean-Claude’s ‘Journey Into Deep Jazz’ series on BBE Music and his 2017 exploration of Black Saint & Soul Note Records before it, ‘IF MUSIC PRESENTS YOU NEED THIS!: AN INTRODUCTION TO ENJA RECORDS’ provides another impeccably curated and programmed selection of music, assembled by simply one of the most knowledgeable and passionate vinyl specialists in the business. Featuring performances by John Stubblefield, Bobby Hutcherson, Harold Land, Don Cherry, Cecil McBee and Pharoah Sanders collaborator Marvin Hannibal Peterson to name but a few, this collection provides a great jumping-off point for Enja’s rich and diverse back catalogue. Founded in 1971 by Munich natives and jazz obsessives Matthias Winckelmann and Horst Weber, in its heyday Enja released albums by Eric Dolphy, Charles Mingus, Tommy Flanagan and John Scofield, as well as Kenny Barron, Chet Baker, Abbey Lincoln, Bea Benjamin, Freddie Hubbard, to name but a few. Having firmly established itself as “a bastion of all things deep in jazz” as Jean-Claude neatly sums up, Enja also went on to issue early World Music projects from Abdullah Ibrahim, Rabih Abou-Khalil, Mahmoud Turkmani and many others, and it remains active to this day. “There is no doubt that to the uninitiated, a compilation introducing such an esteemed archive is well overdue” says Jean-Claude. “As with previous albums curated by us, this is just a soupçon of this label’s vast back catalogue, which we hope will lead the listener to discover new music and to search out more from this criminally underrated, class act.”

Tracklisting

Breez Evahflowin' is back on the scene and here he teams up with Big Deep of 2 Hungry Bros. to form Deep Breez. This first release reveals their passion for comics and Breez' career in illustration over an energetic Latin-infused Boom Bap beat, while the flip brings you a New York City True School Dream Team of Breez (Stronghold), P.so the Earthtone King (AOK Collective), Jise One (The Arsonists) and DJ Static over Deep's breakdance-ready production.
Both tracks are part the "Bring Out Your Dead" EP coming out on HiPNOTT Records.