Buscar:dj pt

This compilation takes us on a journey to the Colombian coast where the passion for African music burns bright.It's impossible to understand this love affair without first looking to San Basilio de Palenque - the first free town in colonial Latin America, established in 1691 as a place of refuge and autonomy for black slaves. It's a place where pride in African heritage and culture could be kept alive, just 50 km away from Cartagena de Indias.

The Afro Caribbeans' connection to their roots gave rise to the "picós" - artisanal, high-powered sound systems akin to those found in Jamaica. These music aficionados have a keen ear for African melodies, leading to a vibrant collector's scene that brought Afro sounds to the streets of Barranquilla, Cartagena, and Santa Marta. This compilation showcases the best of Kenyan Benga music - a unique style with a distinct guitar-picking method that draws from traditional instruments like the nyatiti and orutu. Learn everything about the history and stories behind these African tracks, from the carefully guarded "exclusives" to the piconema - the practice of renaming songs in Spanish based on their lyrics or the reaction of the dancefloor.

The project has been led by Spanish vinyl collector Joan Pujol aka Golfo De Guinea surrounded by a team of passionate music lovers including Don Alirio, a musicologist from Barranquilla who offered a coastal perspective, and George Ouma, a Kenyan DJ, collector, and Benga advocate who helped with track selection and securing rights. The result is a compilation that captures the joy and energy of sub-Saharan polyrhythm, bringing together a vibrant mix of genres that are sure to move your feet. So sit back, turn up the volume, and let yourself be transported to the vibrant streets of the Colombian coast and the shores of Lake Victoria.

LP includes Poster.

When Sacred Bones first began their Mort Garson reissue project in 2019 with a proper reissue of Plantasia, the Garson-naissance began in earnest. Soon after, you could hear Mort Garson and his Moogs bubbling up on TV shows, documentaries, podcasts, hip-hop tracks, or anywhere else, the man a cultural phenomenon once more.

Like a perennial that returns with each new spring, the Mort Garson archives have brought to bear yet another awe-inspiring bloom.

Journey to the Moon and Beyond finds even more new facets to the man's sound. There's the soundtrack to the 1974 blaxploitation film Black Eye (starring Fred Williamson) alongside some newly unearthed music for advertising. Just as regal is "Zoos of the World," where Garson soundtracks the wild, preening, slumbering animals from a 1970 National Geographic special of the same name.

The mind reels at just what project would have yielded a scintillating title like "Western Dragon," but these three selections were found on tapes in the archive with no further information. The crown jewel of the set is no doubt Garson's soundtrack to the live broadcast of the 1969 Apollo 11 moon landing, as first heard on CBS News. That's one small step for man, one giant leap for Moogkind. But for decades, this audio was presumed lost, the only trace of it appearing to be from an old YouTube clip. Thankfully, diligent audio archivist Andy Zax came across a copy of the master tape while going through the massive Rod McKuen archive.

So now we get to hear it in all its glory. Across six minutes, Garson conjures broad fantasias, whirring mooncraft sounds, zero-gravity squelches, and twinkling études. It showcases Mort's many moods: sweet, exploratory, whimsical, a little bit corny, weaving it all together in a glorious whole.

Maybe at the time it scanned as crass and opportunistic for Garson to apply his keyboards to subjects like astrological signs, the occult, hippiedom, houseplants, or the moon landing. But more than most other electronic music pioneers of his ilk, Garson foresaw the integration of such electronics into our daily lives, how they would allow us to engage with the world.

LP includes Poster.

When Sacred Bones first began their Mort Garson reissue project in 2019 with a proper reissue of Plantasia, the Garson-naissance began in earnest. Soon after, you could hear Mort Garson and his Moogs bubbling up on TV shows, documentaries, podcasts, hip-hop tracks, or anywhere else, the man a cultural phenomenon once more.

Like a perennial that returns with each new spring, the Mort Garson archives have brought to bear yet another awe-inspiring bloom.

Journey to the Moon and Beyond finds even more new facets to the man's sound. There's the soundtrack to the 1974 blaxploitation film Black Eye (starring Fred Williamson) alongside some newly unearthed music for advertising. Just as regal is "Zoos of the World," where Garson soundtracks the wild, preening, slumbering animals from a 1970 National Geographic special of the same name.

The mind reels at just what project would have yielded a scintillating title like "Western Dragon," but these three selections were found on tapes in the archive with no further information. The crown jewel of the set is no doubt Garson's soundtrack to the live broadcast of the 1969 Apollo 11 moon landing, as first heard on CBS News. That's one small step for man, one giant leap for Moogkind. But for decades, this audio was presumed lost, the only trace of it appearing to be from an old YouTube clip. Thankfully, diligent audio archivist Andy Zax came across a copy of the master tape while going through the massive Rod McKuen archive.

So now we get to hear it in all its glory. Across six minutes, Garson conjures broad fantasias, whirring mooncraft sounds, zero-gravity squelches, and twinkling études. It showcases Mort's many moods: sweet, exploratory, whimsical, a little bit corny, weaving it all together in a glorious whole.

Maybe at the time it scanned as crass and opportunistic for Garson to apply his keyboards to subjects like astrological signs, the occult, hippiedom, houseplants, or the moon landing. But more than most other electronic music pioneers of his ilk, Garson foresaw the integration of such electronics into our daily lives, how they would allow us to engage with the world.

With the Underground Collection , rediscover all the gems of the Underground Electro. One volume dedicated to House and one to Techno on two nice double vinyls. All tracks in their long original edit remastered. Featuring : Carl Cox - laurent garnier - Louie Vega - Robert Zrmani - Dj GregOry - Kings Of Tomorrow - Julien Jabre - Dj Deep - Oxia - Vitalic - Kerri Chandler - Coeo...

Wah Wah 45s hail the much anticipated return of one of their most beloved artists. Way back in 2006, the label first unleashed the anthemic "Modern Sleepover" by two man, smooth music loving outfit Talc. The song - an ode to a tortured love affair between a computer and its owner - with its shades of Zapp, Steely Dan and The Doobie Brothers - found favour with Djs and tastemakers from across the board from Bill Brewster to Gilles Peterson. Such was the cult status of the tune, that it spawned a sequel, naturally entitled "Modern Sleepover Pt.2: Robot's Return" which has recently had something of a renaissance thanks to an inclusion by legendary Detroit DJ and producer Moodymann on his "DJ Kicks" compilation.

Sixteen years and two albums later, and having seemingly put the project to bed for good, Talc (much like the robot) return for one final and very special release. This brand new 12", as well as featuring the sought after "Modern Sleepover" pairing together on vinyl for the first time, also includes the rarely heard Michel Legrand cover "De Gui Ding", previously only available in Japan (where Talc enjoyed a huge underground fanbase) as well as two stunning remixes from our old friend, The Reflex.

The Frenchman was the obvious choice to rework Legrand's 1964 camp jazz classic, and on his first mix delivers an uplifting disco friendly, vocal led take that should raise a few smiles on the dancefloor. His second mix is more of a late night affair with more of a deep, dubbier, house feel. Something for everyone then on this essential release, complete with gorgeous artwork from our award winning in-house designer Animisiewasz.

After a bit of down-time, Spacetalk Records returns with something special: a stunning compilation of obscurities, rare cuts and secret weapons compiled by label co-founder Danny McLewin under his Skyrager alias.

Although most widely known as one half of Psychemagik, McLewin has long been regarded as one of the UK’s most decorated crate-diggers – a DJ and record dealer recognised for his ability to unearth slept-on gems, private press obscurities and campfire-friendly curios. He’s already showcased his curatorial skills on a string of acclaimed and now sought-after comps – see Psychemagik’s Magik Cyrkles, Magik Sunrise and Magik Sunset Pt 1 & 2 – but Traces of Illusion marks the first time McLewin has put together a collection as Skyrager.

There’s no grand concept behind Traces of Illusion, though McLewin’s selections are universally tactile, sun-baked and effortlessly summery, evoking images of nights spent camped out in the Californian desert or beneath the vibrant canopy of an English forest at dusk. As you’d expect, there are no well-known anthems or ‘big tunes’ here, just an inspired selection of largely unknown musical nuggets oozing in quality.

For now, the track list is under wraps but you can be sure there are plenty of highlights to savour amongst the 15 tracks which all add up to an eye-opening, head-soothing journey through the dustiest corners of McLewin’s record collection.

RESOUND NYC - Das neue Album von MOBY! Nach seinem gefeierten Album ”Reprise” (Mai 2021), auf dem unter anderem Kris Kristofferson, Mark Lanegan, Jim James und Skylar Grey zu hören waren, hat Moby nun 15 seiner legendärsten New Yorker Tracks aus den Jahren 1994 bis 2010 neu interpretiert und instrumentiert. Mobys 20. Studioalbum ist nicht nur eine Reflexion über die vielleicht entscheidendste Zeit in seinem Leben, sondern auch über sein einstiges Zuhause, New York City. Dort wurde er geboren, dort nahm seine Karriere ihren Anfang – im Punkrock und als DJ in Underground-Clubs.
»Bevor ich Punkrock für mich entdeckte, war ich im Classic Rock zu Hause«, sagt Moby. »Mein erstes Konzert war 1978 Yes im Madison Square Garden. Es war also mehr als verlockend, sich noch einmal mit meinen Liedern auseinanderzusetzen und zu gucken, ob sie einer traditionelleren, nicht-elektronischen, orchestralen Bearbeitung standhalten.« Begleitet wird Moby auf diesem Album von großartigen Künstlern wie Nicole Scherzinger, Gregory Porter, Ricky Wilson und Amythyst Kiah.

RESOUND NYC - Das neue Album von MOBY! Nach seinem gefeierten Album ”Reprise” (Mai 2021), auf dem unter anderem Kris Kristofferson, Mark Lanegan, Jim James und Skylar Grey zu hören waren, hat Moby nun 15 seiner legendärsten New Yorker Tracks aus den Jahren 1994 bis 2010 neu interpretiert und instrumentiert. Mobys 20. Studioalbum ist nicht nur eine Reflexion über die vielleicht entscheidendste Zeit in seinem Leben, sondern auch über sein einstiges Zuhause, New York City. Dort wurde er geboren, dort nahm seine Karriere ihren Anfang – im Punkrock und als DJ in Underground-Clubs.
»Bevor ich Punkrock für mich entdeckte, war ich im Classic Rock zu Hause«, sagt Moby. »Mein erstes Konzert war 1978 Yes im Madison Square Garden. Es war also mehr als verlockend, sich noch einmal mit meinen Liedern auseinanderzusetzen und zu gucken, ob sie einer traditionelleren, nicht-elektronischen, orchestralen Bearbeitung standhalten.« Begleitet wird Moby auf diesem Album von großartigen Künstlern wie Nicole Scherzinger, Gregory Porter, Ricky Wilson und Amythyst Kiah.

Irish-born, Manchester-based Kerrie is a multi-disciplinary artist, incorporating live sets, DJing, producing and running her label Dark Machine Funk across her repertoire of work. Now, Kerrie follows up last year's 'Raw Regimen' (BP063) with a second EP for James Ruskin's seminal Blueprint Records.

Having garnered a rich musical education through working at and holding a DJ residency for one of the UK's most respected record shops Eastern Bloc, Kerrie's in-depth knowledge and unwavering dedication to music shines through her notable back catalogue and bolshy, unforgiving DJ and Live sets. Honing her craft for over a decade, Kerrie has played worldwide in celebrated venues such as Tresor, Berghain, fabric, FOLD, Elsewhere NYC and festivals including Freedom Medellin, Freerotation, Drift and Basilar.

First learning to mix via her brother's turntables in the early 2000s, it wasn't until 2009 that Kerrie invested in her own set-up and built an extensive record collection, covering everything from ambient, electronic, house, EBM, acid, electro, and her go-to genre, techno. Kerrie delivers tough moods from the turntables, as conveyed in her mixes for Reclaim Your City, Bassiani, SLAM and Crack, where she carefully blended high-energy styles of UK, Detroit, and European techno, many of which stem from the 90s and the 00s. It's frequent to hear Kerrie weave broken elements into her mixes too, chopping up the 4/4 groove at just the right moment to keep things propulsive. Kerrie's Live sets are fast becoming renowned for their trippy motifs and high impact on the dancefloor, applauded by Berlin's long-running club Tresor, where she made several appearances with her Elektron machines. Kerrie's Live set at Freerotation in 2019 was one of the festival's most talked-about debuts, and this year, Kerrie will return to and debut at multiple festivals and clubs across Europe and the Americas.

Following well-received releases on labels such as Don't Be Afraid, Cultivated Electronics, I Love Acid and Symbolism, Kerrie launched her imprint Dark Machine Funk DMF in 2020. The label homes her distinctly raw aesthetic and honours her love for dark, gritty, metallic and industrial sounds melded with elements of funk, heavily influenced by second-wave Detroit artists, UK techno and music by some of her favourite artists; James Ruskin, Blawan and Surgeon. Kerrie's first release on DMF, 'Inner Space PT1', was praised by Resident Advisor, who credited her ability to make "lean, fierce techno that knows how to groove."

2022 was a watershed year for Kerrie's productions. She debuted on the monumental UK techno label Blueprint with her EP 'Raw Regimen', which landed acclaimed reviews. Truly welcomed to the Blueprint family, Kerrie shares her second EP on the label in May and joins the crew at Blueprint showcases around the globe. This year marks the release of Kerrie's 10th EP on vinyl, and considering her consistent output on DMF, Blueprint and many more labels, the producer shows no sign of slowing down.

Coming to international prominence in more recent years, regardless of her decade-long tenure in Manchester's vibrant scene, Kerrie is deeply invested in the culture of electronic music, starting from her teenage era as a raver in Ireland up to her innovative projects today. In 2017, she founded Eastern Bloc's in-house event space to nurture local talent, which remains at the heart of Manchester's music community. Having ended her 11-year stint at the shop in 2023 to fully commit to the studio and accommodate her increasingly busy tour schedule, Kerrie is forging a long-lasting path fuelled by drive, passion, authenticity and a community-first way of thinking.

Introducing ‘Duality’, the new double album from Andrew Bayer. Two musical threads weave through the collected works of Andrew Bayer. One thread gave us the downtempo masterclass of 2013’s ‘If It Were You We’d Never Leave’ and the brilliant 'In My Last Life' LP. The other thread produced arena-sized anthems like 2014’s ‘Once Lydian’, his epic 'Super Human' with Asbjørn and the club remix project 'In My Next Life'. From the introspective to the explosive, these records are our community’s shared soundtrack: we’ve all got a favourite Andrew Bayer record. But they have come in so many forms and styles. It leaves us asking the question, who exactly is Andrew Bayer? It’s a question he’s asked himself. “Since day one, I have always struggled with how to present myself. I love making these experimental home listening albums of electronica and indie sounds, but I also love DJing and making trance bangers. On my last album I had to remix the album in full after it was released to make the worlds fit. This time around I wanted to capture all the breadth, depth and tension within that duality under one single project” - Andrew Bayer ‘Duality’ brings these two creative threads together under one album for the first time since his debut album 'It's Artificial'. Crafted over three years, Bayer is joined by an eclectic cast of collaborators old and new. ‘Duality’ pt. 1 explores Bayer’s passion for downtempo and indie-pop, while ‘Duality’ pt. 2 takes on his forward-thinking trance and progressive sond. Both are tied by Bayer's unique vision, a shared sensibility and same group of collaborators. Today, you can hear a sample from each side: ‘Equal’ (with Asbjørn), and ‘Midnight’ (with Alison May). ‘Duality’ is the true follow up to my first album ‘It’s Artificial’. It is by far my most raw and honest work, and I can’t wait to celebrate the album around the world with you all on tour” - Andrew Bayer

Aus der Fettes Brot-Reissue-Reihe GEBÄCK TO THE FUTURE (2001–2010): die 'Demotape (Bandsalat Edition)' als 2022 Remaster & Design-Update. Mit den Hits 'Schwule Mädchen' & 'The Grosser'. Erweitert um 10 Bonustracks wie 'Tanzverbot', 'Welthit' und dem unveröffentlichten Demo 'Die Bevölkerung braucht uns'. Mit den Stargästen DJ Pauly, Bela B, Memphis Horns, Heinz Strunk, Skunk Funk. Und ohne Ende ungesehene Fotos & brandneue Erinnerungs-Stories von Fettes Brot und allen Beteiligten.

Orange Vinyl

Another Raval Rave compilation with new faces from Barcelona and Madrid. Iberian breakers on M.U.S.A. Pressed on Orange rave with insert

Bjarki launches creative hub Differance Engine with new four-track EP, ‘Look At Yourself Pt.1’

The project sees the founder combine with creative Thomas Harrington-Rawle, building on the pair's recent AV show ‘Look At Yourself’ with a wealth of new projects and releases slated for 2023.

DJ, producer, live artist and label owner Bjarki, full name Bjarki Rúnar Sigurðarson, launches his latest creative project Differance Engine and label Differance with a brand new EP in February. Welcoming a new home for the Icelandic favourite to release and showcase audio-visual projects, the creation of Differance Engine sees him reunite with London-based creative and partner-in-crime Thomas Harrington-Rawle - the creator of Care More, featured on Nowness, ARTE and more.

Set to become the central focus for all things creative, Difference Engine will serve as a diverse ‘mother hub’ for a myriad of new projects from the pair, including GUM Magazine - an experimental print publication set to challenge existing publications and zines with a focus real conversations and forward-thinking audiovisual work - while also absorbing Bjarki’s longstanding imprint bbbbbb recors next year. The launch arrives on the heels of the duo's recent conceptual audiovisual show ‘Look At Yourself’ exploring and experimenting with ‘AI’ technology during ADE at Amsterdam’s renowned Nxt Museum, with forthcoming appearances in Foligno, Italy on 29th December and in London in the New Year.

Opening 2023, the label boss unveils the first EP in a three-part series, ‘Look At Yourself Part 1’. Comprised of four expansive originals, the release welcomes a first look at the new audiovisual direction crafted and shaped by Sigurðarson and Harrington-Rawle, featuring his recently released single ‘Do You Like Yourself’, and new single ‘I Wish I Was A Mode’ - out 9th December..

“Differance Engine is mine and Thomas’ new platform where we will be testing out all kinds of material. It will also operate as a label and an engine which will run both bbbbbb records and GUM Magazine. There are a lot of magazines dying out and having a hard time surviving. Thomas and I want to show some depth into the hearts and minds of individuals through music, visuals and with words. 2023 will be the year of vulnerability and real talks.” - Bjarki.

Wandering the line between perceived and actual reality, the four productions balance playful AI-generated voices with darker sonics, deconstructing societal issues and exploring human-to-human interaction within cyberspace. Accompanied by a warping video, B2 ‘I Wish I Was a Model’ is a trippy dive into Harrington-Rawle’s ever-evolving world as he warps and twists human subjects amongst their surroundings.

38 Spesh has quietly become tastemakers’ top pick for “next to blow.” Just ask LeBron James, Kevin Durrant, DJ Premier, Sway, Method Man, or Lloyd Banks, all of which have co-signed this Upstate New York emcee. His 7 Shots EP, the third and final instalment in his fan-favorite “Shots Series,” marked the moment that many caught on to the TRUST movement. The 8 track offering gives underground Hip-Hop fans exactly what they want, hard bars over soulful beats. The project features guest verses from Freeway, Ransom, Eto, and Che Noir, as well as production from Streetrunner, The Heatmakerz, LT Beats, Thanos Beats, and more. Mixed and mastered by Chris Pinset Cover by Laz Art Direction by Jordan Commandeur A&R by Ransom









[h] B4. Last Gasp (feat. Ransom & Tearz) [7 Shots Version] (prod. by Mayor, Ty Jamz & Bernard B. Westwood)

Originally conceived as a standard EP, the remixes of The Human & Assets' original composition Jugem Jugem have proven to be an eclectic array of high-quality tracks, ranging from warm and rounded minimal sounds to rumbling low-end rigidness - and a few classic techno bombs to round things off.

The project turned into a two-disc collection of remixes, each giving the listener a specific and original flavour of electronica. Remix duties were masterfully executed by Japan's own Ko-ta, known by his sly releases on DJ Nobu's Bitta label; rising underground marvel and Edit Select Record's household name Linear System, with his hypnotic syncopations - and to finish the release off in massive style, French heavyweight Moteka (Skryptom) brings his colossal version of the original.

As a solo artist and as a member of the duo Perrey and Kingsley, Jean-Jacques Perrey was one of the leading innovators of earlyelectronic music, and a trailblazer of the Moog synthesizer. Alongside composers like Wendy Carlos, Bruce Haack, and frequent collaborator Gershon Kingsley, Perrey was among the first to introduce the world to the synthesizer as a compositional instrument,via notable tracks such as "Musique de L'infini", "Gossipo Perpetuo", and "Baroque Hoedown", famously used as the theme music to Disneyland's Main Street Electrical Parade. Along with many of his contemporaries it was inevitable that such an influential instrumental composer would eventually be sampled into hip-hop tracks. His 1970 Moog composition "E.V.A." was especially popular among producers, making its way into tracks by Gang Starr, Dr. Octagon, Lord Finesse, Pete Rock, and innumerable others. To pay tribute to this prominent composition, Kay-Dee Records is proud to present this loving tribute to "E.V.A." on a 7" single, courtesy of French producer DJ Paikan, who also played sitar, guitar, kobol synth, and monopoly synth on the track & Mixed by Kenny Dope !

This series of remixes, stretching all the way back to 1993, continues to progress and expand its base of talented and incredible old skool talent. Part 16 brings some high caliber talent to the table with both Phuture Assassins and Tim Reaper on remixes duty for the first time. Plus we have stellar work from both Mannik and Shoreman, two of Kniteforce’s finest…

Some killer house tunes coming from Australia, done up and coming Dj/Producer, Dj Swella! A small batch that will be gone in a flash.

Ellen Allien and the We Are Not Alone collective are back with a second edition of the We Are Not Alone series. A 36-track compilation split into 3 parts, each consisting of 12 cuts, dedicated to the infamous We Are Not Alone event series and the best of Berlin’s underground techno talent.

Ellen Allien's innovative party series We Are Not Alone was launched in 2016 and remains committed to inviting an exciting crew of artists to perform at the 36 hour events, now in a new home at RSO.BERLIN, where they returned with bang over 36 hours and 3 floors in May.

The We Are Not Alone compilation features artists that have played at the parties, as well as those who will join the line-up for future events. The 4th, 5th and 6th parts include music by Ellen and established names names such as Thomas P. Heckmann, Dollkraut & DJ Europarking, Francois X, Phase Fatale and Etapp Kyle. Rising stars Nene H, Nur Jaber, Stephanie Sykes, Wallis and Métaraph. BPitch signings including Rosa Anschütz, Shaleen, Matasism and Uncrat.
For this installment of the series, Ellen Allien collaborates with esteemed director and photographer Stini Roehrs for the multidisciplinary project ‘’AFTER DARK – Emotional States of Techno’’, consisting of a virtual rave film, book and exhibition produced by AKKURAT Studios, and the We Are Not Alone VA, which is to be released physically and digitally via BPitch.

The next We Are Not Alone parties take place at RSO, Berlin in July, August and October of this year. 22nd July, CSD weekend, is set to be a single night event on two floors. 20th August a We Are Not Alone floor during the RSO Club Festival and then we’ll be back for over 30 hours on 15th & 16th October. Watch this space.

Ellen Allien and the We Are Not Alone collective are back with a second edition of the We Are Not Alone series. A 36-track compilation split into 3 parts, each consisting of 12 cuts, dedicated to the infamous We Are Not Alone event series and the best of Berlin’s underground techno talent.

Ellen Allien's innovative party series We Are Not Alone was launched in 2016 and remains committed to inviting an exciting crew of artists to perform at the 36 hour events, now in a new home at RSO.BERLIN, where they returned with bang over 36 hours and 3 floors in May.

Das ikonische belgische DJ-Duo 2ManyDJs, bestehend aus den Brüder Stephen und David Dewaele, feiert das 20-jährige Jubiläum ihres Albums 'As Heard on Radio Soulwax Pt. 2' mit einer besonderen Re-Issue. 2002 erschien es ursprünglich nach einer Reihe von Radioshows der beiden Brüder, damals vor allem bekannt als die Köpfe hinter der Electronic/Indie-Rock Band Soulwax. Die Re-Issue erscheint mit dem Foto von Richard Young auf dem Cover, das ursprünglich als Cover vorgesehen, aber nach Rechtsstreitigkeiten mit Tipp-Ex verfremdet wurde.

Ian Pooley returns to Rekids with Studio A Pt.3 this September.

The third and final entry in a three-part release series based on his studio, Ian Pooley’s ‘Studio A Pt. 3’ for Radio Slave’s imprint sees him drop yet another set of bumping, hardware-focussed tracks.

Leading the A-side, ‘PSS480’ combines swinging drums, modulated low end, and trippy bleeps for a party-starting house track. ‘SP12 Electric Mistress’ brings flanged-out drums and lush pads together for a wonky yet driving cut. On the flip, ‘Viola’ sees Pooley heading toward heavier territories with rumbling kicks and heaving synths forming a pumping techno track before the ‘303 Version’ of ‘SP12 Electric Mistress’ closes out the EP, introducing tweaked-out acid lines and freaky FX to the original version.

Active since the early 90s, the German DJ/producer has released on the likes of Force Inc, V2 Records, and his own Pooledmusic, remixing for the likes of Deee-Lite, Carl Cox and many more, as well as being one of the few to be remixed by Daft Punk.

SPLASH RECORDINGS DROP 4 UNRELEASED GEMS ON A BEAUTIFUL PICTURE DISC!

The recent popularity of the Undercover Agent compilation released via Suburban Base proved that there is incredible demand from jungle connoisseurs in the ground-breaking music from the Juice Records & Splash Recordings labels.

To celebrate this heritage, a special limited edition picture disc has been pressed to showcase 4 tracks that represent the labels historic discography, including some in demand unreleased exclusives.

Back in 1994 Splash Recordings released its debut single Barracuda b/w Rougher Pt 3. The A side of this picture disc see’s these 2 pioneering tracks remixed and remastered.

Rougher gets a 2022 update from X Nation, who adeptly keeps the spirit of the original which bringing a fresh twist on this classic cut. Track 2 see’s the high value Barracuda getting a full phat remaster from the original studio DAT recording.

The flip side see’s two previously unreleased versions of SPLASH005, one of the labels most sought-after singles, with these versions finally seeing the light of day. This unreleased version of Liquidizer has been hidden in archives for 27 years now. Originally recorded for DAZ & DJ’s who supported the label to test on acetate dub plates back in the day.

The Identity (DAZ VIP Version), again was created strictly for the artist to play in his sets so has also never seen an official release until now.

The artwork for this picture disc is styled around the labels original artwork, created to look like an expanded oversized version of one of the centre labels pressed onto vinyl. A great addition to any junglists record collection, will look stunning framed on your wall or spinning on your 1210’s!!

Repress!

Blu is the leader of West Coast Hip Hop. Since the days of Pharcyde, Freestyle Fellowship, and Jurassic 5, there have been few wordsmiths that have grasped the attention of listeners worldwide. Introduced to NWA and Public Enemy by his father, Blu later was captivated by the likes of Black Star, The Roots, and Common, creating a unique balance that is displayed in Blu’s personality and music. Blu’s first full length LP, “Below the Heavens” pairs Blu with producer Exile on the Sound in Color imprint. His first single, “Narrow Path” has rocked stages across the world, as fans begin to feel the impact of Blu’s music. His delivery flows flawlessly, while the content reflects the joy and pain of working class youth everywhere. Since the release of “Narrow Path,” Blu has performed alongside Slum Village, X-Clan, Platinum Pied Pipers, Lyrics Born, DJ Houseshoes, and many others, while participating in 3 high-profile nationwide tours alongside musical family members: Ta’Raach, Aloe Blacc, and Exile. The buzz has fans salivating for new music. Worldwide, people are looking to put hope into the ‘next’ emcee that will give them the same feeling when they first heard Black Thought, Common, or Slum Village. Blu fulfills this need, but maintains something that is entirely new, while not recycled.

A truly incredible collection of foundation Jungle / Drum & Bass from these ground-breaking labels. Splash aka Undercover Agent aka Daz has been with SubBase since the start, having signed to Suburban Base Publishing (including the iconic track Babylon) back in the 90's and remained with us ever since. As part of the SubBase Family we’ve collaborated once again to deliver a perfect package of in-demand classics and unearthed dubplate specials.
Daz Ellis, most commonly known as Undercover Agent, was a true pioneer of the emerging jungle scene back in the early 90’s. He was heavily involved in the pirate radio scene, setting up the infamous Cyndicut FM to transmit breakbeats & basslines across the airwaves of the South East of England, noted for having one of the strongest and widest reaching broadcast signals of the period.

Under various aliases he produced music that defined the sound of the dancefloor. Early releases featured on the genre-defining Suburban Base & Lucky Spin labels.

As Splash his seminal track Babylon set the standard for how amens and ragga infused samples should sound, a format that has stood the test of time and can still be heard today regularly getting played by the world’s biggest drum & bass DJ Andy C! This compilation includes the 2 most in demand versions of this foundation anthem.

In 1994 off the back of his success he launched Splash Recordings, then the year after Juice Records came into fruition. Under the guises of DAZ, M.T.S. and various releases as Splash Collective, all on his own Juice & Splash imprints he gained an army of dedicated fans, demand from whom has led to the creation of this special vinyl box set!

For this exclusive compilation project Undercover Agent went searching back through his original studio master tapes from his impressive back catalogue to find both the original recordings, and some of the alternative edits that never made it to vinyl back in the day. There were also a handful of special versions made exclusively for DJ’s to play on dubplate that are now available for the first time ever.

Exclusive to this collectors box set are 6 never before released versions of classics such as Oh Gosh, Five Tones, Jah Works, an alternative mix of DJ Zinc’s remix of Hard Disk & Bass Kick that were unearthed from the original session DAT’s!

This album features 16 of his most legendary tracks, remastered & pressed across 4 slices of vinyl.



c B1. Undercover Agent - Oh Gosh! (Daz '95 Dubplate) Unreleased

e C1. M.T.S - Baad Boy Sound ('95 VIP) Unreleased


h D2. M.T.S. - Hard Disk (DJ Zinc Remix VIP Dubplate) Unreleased

j E2. Undercover Agent - Five Tones (97 Daz VIP Mix) Unreleased

l F2. Undercover Agent & The Kriminal - Jah Works (Exclusive '95 Alternative Studio Mix) [Unreleased]



[c] B1. Undercover Agent - Oh Gosh! (Daz '95 Dubplate) [Unreleased]

[e] C1. M.T.S - Baad Boy Sound ('95 VIP) [Unreleased]


[h] D2. M.T.S. - Hard Disk (DJ Zinc Remix VIP Dubplate) [Unreleased]

[j] E2. Undercover Agent - Five Tones (97 Daz VIP Mix) [Unreleased]

[l] F2. Undercover Agent & The Kriminal - Jah Works (Exclusive '95 Alternative Studio Mix) [Unreleased]

Hailing out of Philadelphia, PA, OT The Real has been working relentlessly to put himself on the map. Following the successful release of several projects (including The Irishman, You Are Who You Eat With, Evil Empire, and more), OT now links up with producer DJ Green Lantern to bring you Broken Glass. The new collaborative album is fully produced by DJ Green Lantern and also features heavy hitters such as Benny The Butcher, Millyz, SKNJ, Mizz, Uncle Murda and Eto. The duo showcase their talents on each of the 13 tracks with an undeniable rapport among OT's gritty bars and Green's filthy production. This one is pure hip hop through and through and a must cop for every fan and collector alike.

Pressed On Emerald Green Vinyl
Limited To 300 Copies!
OT's First Vinyl Release!

Here we have one of the most sought after tracks from DJ Rap’s back catalogue, Run To Me! The A-Side has the original unreleased 1992 version of this stone cold classic, and it is backed up by the amazing Underground Rave & Dub remixes. Whether you are a diehard hardcore or jungle fan you will love this! Just yet more proof that DJ Rap has been part of some of the biggest tracks in rave history!

DJ Rap is without a doubt the Queen of Jungle and Drum ‘n’ Bass! With a career spanning three decades she has earned that title through immense talent and endless hard work, and from having been there from the start of the rave scene, producing some classic slices of breakbeat hardcore, jungle and D’n’B. Spiritual Aura is one of the biggest of her releases, and the DJ Rap Gets Raw Remix is her darker slice of the original. But the flip is even darker with a classic Ray Keith Remix! Fully remastered and sounding better than ever, this is a must for any classic junglists.

Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

Obscura label head Fedele makes his long awaited return to the imprint for new EP ‘The Awake, Pt.1’, backed by remixes from Extrawelt and Midnight Operator aka Mathew Jonson and Nathan Jonson. Fedele’s penchant for synthesizer techniques and drum machines has caught the ear of global tastemakers, with projects released on the likes of Turbo, Afterlife, and Ellum receiving support from the likes of Maceo Plex, Tiga, Tale of Us, Dixon, John Digweed, Miss Kittin, and DJ Stingray. With sights set towards summer peak, the Italian returns to his Obscura Music imprint with his latest work, The Awake, Pt. 1.

Riot Dance leads the line with crisp kicks on a heady rise to set the groove before an analog-tinged synth line claims the hook. Acidic tones & ethereal stabs offer a generous dose of psychedelia, while the gritty groove ensures the cut’s ability to ignite dance floors. Modular Madness harnesses ominous flavors and a driving bassline that ebbs & flows to keep minds melting. The melodies open into swirling synthetics, with revolving reverberations and rich soundscapes capturing the ear from start to finish.

Storied German duo Extrawelt arrive on remix duty, taking the reins on ‘Riot Dance’ to twist a low- slung groover. They bring the bassline into the foreground, keeping a delightful vibe alive and welcoming a touch of light to the dark underbelly of the original, before diving back into the deep as the track unfolds. Obscura regular Mathew Jonson connects with a producer he knows well – his brother Nathan. Together, they remix ‘Modular Madness’ under their alias Midnight Operator. Picking up the pace, they maintain the acid-laced grit from the original arrangement, while adding serene melodies to the high-end. A balanced rework from two seasoned veterans.

Always hot on the steel-hard plates and murky subterranean atmospheres, Public System turns in a haunted double package from the crypt. Spanning hi-octane indus bullets, half-baked mutant salvos and shadow-clad juicers from a host of reputed names and rabid underdogs, this new comp collates ruff’n’tuff joints from gritty techno don Container, genre-unbound explorer E-Saggila, Berlin’s electro arsonist Privacy, acid-spitting hydra DJ Loser x Penelopes Fiance, basement guerillero Yabboq Penuel alias Le Syndicat Electronique, neo-punk beat thrasher Crave, Yves Tumor collaborator and sine-wave crusher Anthem, expert circuit dissector Beau Wanzer, Liquid G as remixed by Mick Wills, Night Gaunt’s Lower Tar, occult machine funk preacher Maenad Veyl, DJ Chupacabras under new guise 110, soundwaves cross-pollinator DJ Richard, vibrant mood-scapist Gavil�n Rayna Russom, as well as label boss Myn going ubiquitous with studio fellows Kluentah as Myntha, and R Gamble as Fade Accompli. A much desirable feast of raw, unhinged, all-round spine-tingling jams for the club and not.

Ian Pooley returns to Radio Slave’s Rekids with Studio A Pt. 2 this February. The second entry in a three-part series of music based around his studio, Ian Pooley’s ‘Studio A Pt. 2’ for Radio Slave’s Rekids imprint sees the bonafide house legend deliver another choice selection of grooving
hardware productions.

Leading the A-side is the fluttering synths and warped vocal samples of ‘JV Organ & Matrix’, which twists and turns through delightful FX and rumbling bass. ‘Version 2’ of the track follows, contorting elements of the original into a heads-down groover, with washed-out processing and stereo wizardry meeting classic dub techniques.

On the flip, ‘Back Up’ keeps it live and direct with hard-hitting, chunky drums and menacing acid lines, with an additional stripped back digital ‘Beats Bass’ version included. Rounding out the 12” is 101202, a dreamy slice of razor-sharp house, with gorgeous, filtered pads drifting in tandem with strung out low end and skippy percussion.

Active since the early 90s, the German DJ/producer has released on the likes of Force Inc, V2 Records, and his own Pooledmusic, remixing for the likes of Deee-Lite, Carl Cox and many more, as well as being one of the few to be remixed by Daft Punk.

"Emotional Response celebrates its 50th release with a special limited-edition from label stalwart Roy Of The Ravers. Following 2019’s magnum opus White Sunrise II is the accompanying “Soliel”, where our nom dee plume delves further into his archives of recently rediscovered disks to present an 8-track double pack, cut loud for DJ play.

The music too is more expansive, with the ambient and techno signatures matched with touches of jazz keys, Balearic sampledelica and even acoustic outtakes, all with that Ravers humour included.

The opening cinematic symphonies of The Smell Of Orange Peel and Kliszewicz Klopcic Klim highlight again a side not seen on his more acid / club cuts found on various labels. However, it’s the B side that compounds expectations with the deep house meets techno melodics of City Limits, before the ever-expanding feel-good vibrations of center piece Feathers hooks all. Sometimes a simple groove and catchy vocal sample is all you need to create a classic.

The second half then glides with 14 minutes of house dramatics via Versace 101624, a master of arrangement and beats, preempting the interlude of Clock House’s return. To close, EL-9400’s intense scatter percussion melds with anthemic acid undertones before its 2nd half melts to a choral ambience, leading to the closing acoustic jam dub curiosity My Brother And His Mate and the curtain for another stage in the Roy sagas. "

Berlin collective Patterns of Perception launches its imprint with a first release from Melbourne-based DJ and producer Nali. His Chance Encounters EP features spacious, intricate grooves that dance and parry with luxuriant synths and infectious, acid-tinged basslines. Spotlighting this up-and-coming artist from a country with close links to the collective, PTN01 marks the start of the next chapter for Patterns of Perception, and a natural progression of their mission to share compelling, visionary electronic music. Full sleeve art by Ray Pham.

2021 repress of this classic UK house record, produced by Jaime Read.

A staple in many a House DJ's bag since the 90s, the name LHAS (Larry Heard Appreciation Society) should give you serious clue on what to expect here. BIG TIP!

Divine Rhythm is an undisputed classic, and here we have it gloriously remastered and rereleased! This EP is bound to fly out and is an essential part of any old skool Dj or ravers collection!

Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

Divine Rhythm is an undisputed classic, and here we have a couple of wicked new mixes and an unreleased mix too! Dj Rap teams up with Dope Ammo and Jasmine Knight to give this classic tune a new, upfront jungle lick. Meanwhile, the Feel the Pressure mix is an old and much sought after remix finally getting its place on vinyl!

Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

Ellen Allien bietet euch mit We Are Not Alone eine beeindruckende Compilation-Reihe in 3 Teilen mit jeweils 11 Tracks. Brandneue Musik von Künstler*innen, die entweder schon bei der legendären BPitch-Veranstaltungsreihe gespielt haben oder auf zukünftigen Partys auftreten werden. Das ist der neue Berliner Underground, macht euch auf etwas gefasst…

Ellen Allien - XTC - Knallhart, hypnotisch, trance-induzierend... reine Ekstase
Introversion - Force Majeure - Industrial mit kosmischer Interferenz
Insolate - Retrograde Motion - Tight und rollend, voll dichter Intensität
DJ T-1000 - Frequency Kill – Lasst euch durch diese manische Energie ins Chaos führen
Nocow - Let Em Fall - Let the beats set you free
Alpha Tracks & Blue Hour - Lessons With Bob – Kräftiger, bewegender Elektro aus dem Jahr 3000
Cadency & Hadone- Crash It Here - Bring the noiiiiissse!
Yan Cook - Lullaby - No sleep til Monday...
Lady Starlight - RE-15 – In diesem Universum werdet ihr Glückseligkeit finden
P.Leone - Bay Head – Crispy Beats und schwerer Bass mit erregender Atmosphäre
Keith Carnal - Jerk Off – Himmlische Synth-Klänge für die wahren Sünder*innen