quête:don

Acid Electro Techno to Hard Techno... A bit in a CHOOSE style. A fatal EP with a black light sensitive sleeve !

BIG UP to ISOPE for this pearl !

CO-OP REISSUE by NOT LOST RECORDS and RUGGER BUGGER !! ** Black Vinyl ** 500 Copies // The AK47's or the Tottenham AK47's formed in the late 80's / early 90's in North London. They turned up on the London squatting gig scene fully formed and ready to go, fusing punk, ska and reggae with a strong and simple political, socio-anarchist message. The band were instantly popular in London and sat very much next to Radical Dance Faction, Back to the Planet and Culture Shock. Their one and only release was the album "Don't call me Vanilla" which was originally released in 1991 by Rugger Bugger Discs. The album was recorded and produced at The Refuge studio in Reading by Jim Warren. Built around a solid dub-punk backdrop with some atmospheric flute squalls and FX's weaving in and out of the mix while lyrically remaining true to their anarcho roots. Over the years the album's legacy has grown and yet has never been reissued. Finally 32 years after its release the band, Sean from Rugger Bugger and Not Lost reissue this gem in an exact replica. No coloured vinyl - just black vinyl with the same Lyric Insert. This reissue has been remastered from the original tapes.

2024 Reissue

a very limited 1-sided pressing !!! based on the human league hit !!!

"With their third full-length, Washington, D.C.’s Bad Moves have expanded their founding artistic identity — a candy-coated guitar-pop shell surrounding a bitter lyrical core — by refracting their ideas through a new set of musical forms that weaponize repetition. On the new Wearing Out the Refrain, recorded once again with producer Joe Reinhart (Hop Along, Algernon Cadwallader), Bad Moves propose that the flip side of the delirious harmony of the basement show singalong is the volatile, accusatory antiphony of a community divided by strain, shouting the same desperate hook back and forth at one another.

Bad Moves’ tag-team vocals, which forgo centering anyone one member, also let the traditionally confessional “I” become the “we” of a community, or generation. Witness the ambitious climate change metaphor of “Eviction Party,” which understands the union of sugary pop and genuine angst embodied by 1960s girl-group songcraft, and uses it to expand a personal story to planetary scale. “It’s my eviction, I’ll cry if I want to” Bad Moves shouts, channeling the dawning millennial midlife crisis. The personal may be political, but what if both feel weighed down and trapped in circular, inescapable ruts?"

No Hard Feelings by Emily Frembgen, released 13 September 2024.

This version of No Hard Feelings comes as a 1xLP.

Don Juan's Reckless Daughter is a 1977 double album by Canadian singer-songwriter Joni Mitchell. Her ninth album, it is unusual for its experimental style, expanding even further on the jazz-influenced sound of Mitchell's previous recordings. Mitchell has stated that, close to completing her contract with Asylum Records, she allowed this album to be looser than anything she had done previously.

Don Juan's Reckless Daughter was released in December 1977 to mixed reviews. It reached No. 25 on the Billboard charts and attained gold record status within three months.

Originally released in November 1984, Limahl’s debut solo album ‘Don’t Suppose’ is to be reissued on recycled lavender vinyl to celebrate its 40th anniversary. The album is probably best known for the aforementioned ‘Neverending Story’. As well as featuring in the film of the same name (which is being revived for the big screen once more), it more recently found a whole army of new fans when it appeared in the final episode of the third season of Stranger Things. Set in 1985, the song is sung by Dustin (Gaten Matarazzo) and his long-distance girlfriend Suzie (Gabriella Pizzolo) as a way to reconnect after not seeing each other for some time. Following the season's release on July 4, 2019, interest in the track surged; viewership of the original music video had increased by 800% within a few days according to YouTube, while Spotify reported an 825% increase in stream requests for the song.

Further reflecting on the album Limahl goes on… “I can’t believe it’s been 40 years, yet sometimes it feels like yesterday! Looking back now, it's surreal to think that at just 24 years old, being born and raised on a Wigan council estate with no family connections in the music business, I was thrust into a whirlwind of travel and appearances to promote my music worldwide via TV, radio, and press—long before the internet.

“I’m excited to imagine where and how the song will continue its journey. It’s amazing that it still feels relevant 40 years on. I’m not too shy to say how immensely proud I am of its achievements.”

Limitierte 12" Reissue von Dawn Penns Klassiker in der 1994er Dancehall-Version von Steely & Cleevie, die weltweit zum Hit avancierte. Mit dem Instrumental auf der Flipside.

Pop band Deco have announced their debut album, Destination: I Don’t Know released 6th September on Modern Sky. Deco have become the UK’s most intriguing viral pop acts, capturing millions with their social media mashups and earning themselves some famous fans along the way; though far from a flash in the pan online-only endeavour, the quintet emerged with this stunning debut album after building their reputation on the live scene.

V Don and Willie The Kid are back at it with the 3rd chapter of their "Deutsche Marks" saga, and just like with any of their prior releases they bring their offering to the next level. Throughout the years the two have masterfully crafted their own sound as a duo, with V Don showcasing some of the highest quality productions in the game right now and Willie The Kid seamless delivery perfectly riding along with it. DM3 featuring guest appearances by long time collaborator Eto as well as Rome Streetz, Ransom, Lord Apex and Abe Linx, and is set to be yet another classic in their catalog!

Pinwheel Dewdrop / Blue Vinyl, limited to 200 copies. BANE's legendary album "Don't Wait Up" is getting the deluxe treatment from End Hits Records for its 10th anniversary! Released in the spring of 2014 as End Hits No. 10, it marked the beginning of the end for the iconic hardcore band. Initially, the band intended to record a final 7" to support a two-year-long farewell tour around the globe. However, they were eventually convinced by the label to record and release a full album instead. Upon release, "Don't Wait Up" was an instant success among supporters and critics alike. BANE embarked on a successful final tour and then called it quits. "Don't Wait Up" became a holy grail for vinyl collectors in the meantime. But the stars aligned, and much to the delight of hardcore enthusiasts around the world, the band came back together to tour again. To celebrate this landmark release and the return of BANE as a live band, End Hits Records is releasing an extraordinarily packed re-release of this classic album. The packaging features a deluxe gatefold sleeve with die cuts and is enhanced with layers of glow-in-the-dark lacquer. The ultra-limited anniversary reissue is available now from End Hits Records.

* Regrooved Company Outer sleeve
* Analogue Remastered
* Limited Edition 250pcs made

“YOU DON’T LOVE ME” is one of the truly great, iconic records, that deserves all of it’s accolades and (pardon the pun) “epitomises” the “sound” of Northern Soul. Since it exploded onto the scene circa 1974 it has remained close to our hearts and finds itself, quite rightly, in the top ten of the Northern Soul Hall of Fame.

I Don’t Know Who I Should Belong To:
“I Don’t Know Who I Should Belong To” erschien erstmals 1987 auf Vinyl als englisches Pendant zum Longplayer “Phönix” aus dem Jahr 1986. Lindenberg lebte damals im Berliner Hotel Intercontinental. Das
Leben an und mit der Mauer hat ihn beschäftigt und das veranlasst ihn, sich auf dem Album weiterhin mit politischen Themen auseinander zu setzen. Sie waren für die Gesellschaft zu dieser Zeit einfach von großer Bedeutung. Nicht allein für sein mutiges politisches Engagement in der damals noch geteilten Republik
gilt er bis heute als einer der wichtigsten deutschen Musiker. Die Re-Edition des Albums erscheint am 02.08.2024 in Form einer stark aufgewerteten, roten LP mit einem doppelseitigen Poster, welche streng limitiert und von Hand nummeriert in einer Auflage von nur 1.000 Stück erhältlich sein wird. Zusätzlich erscheint das Album erstmals als Standalone CD im Mintpack.

From Philadelphia, this band has a ’90s college rock feel. A mix of VIOLENT FEMMES, ARCHERS OF LOAF, and CLAP YOUR HANDS SAY YEAH.

In anticipation of Gitkin's upcoming album in October, Wonderwheel drops a cheeky little 7" with two Latin covers from the man himself. The A-Side finds an instrumental Cumbia cover of the eternal 80s classic by The Human League. Leading with the guitar for the verses, the song chugs along nicely with a faithful interpretation of the original with Simon Moushabeck's accordion leading the chorus. On the flip, Gitkin covers Peru's infamous Grupo Celeste's 1975 classic "Mi Lamento" with friend and collaborator Gabe Case on vocals. Keeping with the Tropical Andean sound of the original, Gitkin's funky, wah wah guitars drive the track set over uptempo, cumbia inspired drums while Case's melodic vocals float on top. Two fun, happy tunes to light up dancefloors this summer!

WE DON'T TRUST YOU feierte die historische Partnerschaft zweier kulturverändernder Legenden auf dem Höhepunkt ihrer Kräfte und brachte das Internet fast zum Beben. Die neueste Zusammenarbeit von Future und Metro Boomin ist die Fortsetzung eines musikalischen Vermächtnisses, das bis zu "Karate Chop" zurückreicht, einer elektrischen Single aus dem Jahr 2013, die das dynastischste Hip-Hop-Duo der 2010er Jahre hervorbrachte. Mit Tracks wie "Jumpman" (mit Drake) aus dem Jahr 2015 und "Mask Off" aus dem Jahr 2017, Singles, die zusammen von der RIAA mit 14-fachem Platin ausgezeichnet wurden, haben sie ihre Verbindung weiter gefestigt. WE DON'T TRUST YOU enthält den Track "Like That" feat. Kendrick Lamar sowie weitere "A-List"-Gastbeiträge.

Das mit Spannung erwartete WE STILL DON'T TRUST YOU ist das nächste Kapitel einer explosiven Kampagne. Sie feiert die historische Partnerschaft zweier kulturverändernder Legenden, die auf dem Höhepunkt ihrer Kräfte agieren, und zementiert ihr Vermächtnis als Hip-Hop-Pioniere. Wie bei seinem Vorgänger ist das Who's Who ihrer Kollaborateure vertreten und hebt die kultigste Rapper-Produzenten-Partnerschaft in eine ganz neue Stratosphäre.

DON'T surfaces as an organic collaboration, born from the accidental union of Lamusa II and countless artists active in the arts scene, seamlessly merging into a singular entity.

Conceived, crafted, and captured entirely in the streets of Milan, DON'T finds its essence rooted in the ethereal realms of trip-hop and the pulsating energy of 90s electronic rock. The culmination is a mesmerizing exploration, a kaleidoscopic embrace of his fluid artistic evolution, solidifying his position as a seminal figure in Italy's contemporary music scene.

The album features collaborations with several artists, including Canadian electronic musician and producer Marie Davidson, the Italian artist Zara Colombo and the mysterious music duo Assembly Group.

Enjoy The Ride Records proudly presents the Don't Fall In Love With Yourself Soundtrack.

Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson (The Locust, Swing Kids, Dead Cross, Planet B, Head Wound City, Deaf Club). From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made of blood, sweat, and spit.

Much of the footage has been sourced from dozens of VHS & Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements in recent memory. Interviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman, and more.

Don't Fall in Love with Yourself includes tracks from throughout Justin Pearson's career plus previously unreleased score music by Luke Hensgaw (Planet B), Alex Edkins (Metz) and Graham Walsh (Holy Fuck). It features music by The Locust, Swing Kids, Struggle, Crimson Curse, Retox, Planet B, and Justin Pearson/Gabe Serbian. Remastered by Dave Marino for vinyl.

Don't Fall in Love with Yourself is housed in an embossed silver foil laminated jacket, which includes a full-color double-sided insert.

Driven by lust-fueled limerence and drifting far from conformity, Butterflies Don't Go Away captures Majesty Crush's transient, yet subversive mark on the landscape of American shoegaze to come. Tracked between 1991-1995, the quartet reimagined the collapse of the American rust belt as a late-night, nail biting fever dream/revenge fantasy. This deluxe 2xLP compiles their Love 15 album, singles, EPs, and rarities, all remastered from the original tapes, with thorough annotation and visual documentation in a 24-page booklet. An immortal transcendence if there ever was one.

Mel Britt’s magnificent “She’ll Come Running Back”, with its searing strings and anguished vocal it is the complete deal, simply Northern Soul perfection. Cecil Washington takes second credit on the now iconic “I Don’t Like To Lose”.

Dorkrockcorkrod by Ergs!, released 5 July 2024.

This version of Dorkrockcorkrod comes as a 2xLP in a(n) Gatefold Sleeve packaging.

The vinyl is pressed as a blue disc. Another vinyl is pressed as a yellow disc

Das Debütalbum der Youthsayers, einem Südlondoner Community-Projekt, gegründet von zwei Mitgliedern der legendären Afro-Reggae-Band Soothsayers. Zu den aktuellen YS-Mitgliedern gehört u.a. auch der von Brownswood gesignte Oreglo. Die LP enthält acht einzigartige Interpretatione klassischer und neuer Dub- und Afro-Jazz-Tracks, darunter Coverversionen von Theon Cross, Fela Kuti, Cedric IM Brooks, The Fontanelles und Soothsayers.

Tiny Habits were formed in Boston, MA by artists Maya Rae, Cinya Khan and Judah Mayowa. The three singer-songwriters met at Berklee College of Music and the band was born at the beginning of 2022.

They started out by sharing covers recorded in the stairwell of their dorm and posting them on social media. Focusing on beautifully intimate three-part harmonies the trio's enticing signature sound, offered exquisite, reimagined versions of songs from across a spectrum of styles and quickly drove them to viral success.

They received recognition and early support from artists as diverse as David Crosby, Marcus Mumford, Phoebe Bridgers, and Noah Kahan. Collaborations include work with Mark Ronson, JP Saxe and Lizzy McAlpine, who they supported on NPR’s Tiny Desk

Their debut EP “Tiny Things” was released in April 2023 and established them as one of “the” bands to watch in the year ahead.

In early 2023, the band opened for Gracie Abrams “Good Riddance Tour” across North America, followed by their own sold-out US “Tiny Tour” At the end of 2023, the trio opened for Noah Kahan on his “Stick Season Tour” across Europe, followed by a sold-out headline show in London. In January 2024, the band rejoined Gracie Abrams, opening for the Australian leg of her “Good Riddance Tour”. This was followed by a sold-out headline show in Melbourne and a performance at the Minetta Lane Theatre in New York with Kacey Musgraves. The New Yorker recently wrote a feature piece on the band, coining them “The Prodigies of Harmonies”.

Fourteen new and previously unreleased tracks from some of the most exciting current bands from Seattle, Washington's vibrant alternative-rock underworld.
Continuing in the spirit of regional compilation albums like 1988's Sub Pop 200, "From Far It All Seems Small" serves as a snapshot of the contemporary Seattle scene.

"From Far It All Seems Small" jumps off the speakers with an onslaught of fuzz and an abundance of hooks. You might find yourself flipping the sleeve over, expecting to see a release date from the 1990's, but no, these are Seattle's finest here and now! - Jackson Long (KEXP, HMS Studio)

A wonderful document of the current moment of Seattle indie. - Ole Johnson (Painter Man Records)

A collection of songs that will get stuck in your head by Seattle's best alt-rockers. - Ellen Rumel (PNW music photographer)"

Radioactive Man & Ben Pest deliver their 2nd EP on Asking For Trouble.

4 Trax of ravey acid vibes for the dirty dancefloor. Both have been doing their own live sets across the planet, the trax reflect this in the way these were built. Contrary to the EP title, you do actually want this in your house.

Artwork By Lung.

Los Fulanos, Barcelona's champions of Latin Soul, are back on wax!

Miguelito Superstar, co-producer along with Manuel Dabove of their celebrated debut album, "Si esto se acaba, que siga el boogaloo", has crafted two electrifying versions that are pure fire. 'Why Don't We Do Some Boogaloo?', already a local classic, is paired with a take on New Order's legendary 'Blue Monday', which is transformed into a nearly unrecognizable Latin Funk powerhouse.

Both tracks receive special treatment, Miguelito has unearthed some key breaks from the original sessions and pushed the rhythm section front and center, making this 7" a must-have for you know who.

Latin Soul para que baile la gente!

Following on from our previous successful Little Feat releases: "Waiting For Columbus" Super Deluxe in 2022 and "Sailin' Shoes" + "Dixie Chicken" Deluxe Albums in 2023 This new offering from one of Rhino's Top 100 Off Roster artists includes the original studio album cut from the analog tapes for the double LP, and a remastered version plus a previously unreleased live show recording on the 3CD.

Both configurations include a rarities disk of previously unreleased studio outtakes that were once thought lost when the recording studio, located on a boat in Maryland, sank in the late '70s. While it's true that some of them sank, this is what remains of those sessions.

The previously unreleased live show on the CD is from the Warner Bros. Music Show tour of Europe in January/February 1975. This is the tour where Little Feat's star really rose in Europe and where LF routinely swept their tour mates off the stage - including the Doobie Brothers, Tower of Power and Montrose