Suche:dub elements

Favorite Recordings presents Faché, a new long awaited EP by Voilaaa, including 3 brand new tracks from the Afro-Disco maestro, and tasty exclusive versions. This is also a first taste of the upcoming 4th album, which is planned to be released in September this year. The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then. Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa. On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin). Voilaaa is back and ready to delight your summer!!



c A3. Trouble Travel (Garage version) feat. Nai-Jah

ZamZam 95 is a link with the enigmatic French producer Hiss Is Bliss. We’ve been fans since the very first drop on their 777Hz label and these two sides drive straight to the heart of the dub techno galaxy.

Little is known about Hiss Is Bliss beyond the fact that they hail from France, are steeped in esotericism, and create tunes as masterfully grounded in roots reggae as they are in techno and related strands of electronic music. Their releases are utterly free of hype, beautifully crafted 10” vinyl plates that let the singers and tracks speak for themselves.

At the risk of being cheeky, “Nope” is absolute dub techno bliss. The 808 kick propels the track relentlessly forward, saturated washes of color streak the night sky, while syncopated hi hats and warm, soulful chords bring life- dare we say funk- to a style too often stiff and clinical, too in thrall to the past to truly step forward. Matching Hiss is Bliss in mystery, Ras Lys’ vocal brings a Dread perspective on music and the sometimes shady business of music, a grounded contrast to the deep inner space explored by the tune itself. The B-side version “Abbadia” splits musical atoms through the desk, focusing squarely on the stripped 4/4 elements and gloriously distorted pads that echo and cycle like tides in a darkly shimmering sea.

The Samosa label gets its Re-Funk Head on once again with Part 2 of the exciting sonic laboratory project.

Opening this outrageously good EP are Samosa alumni Dirty Elements & Drunk Drivers feat E.M.E and their all-powerful and energy blasting ‘Disco Ball’ – a track that never even attempts to hide its sassiness. The brass ensemble fanfare (which is truly one of the best disco riffs in the known universe) acts as a victory parade through Samosa City – all tickertape and confetti raining down on smiling faces. A serious, serious groove which has featured in sets by Art of Tones on his Ultimate Mix Show for Glitterbox Ibiza and by Folamour in his Amsterdam gigs in March 2024.

Track 2 is respected Italian Maestro, Moplen and the wonderful ‘Ain’t No Doubt About It’. There’s an immediate dance floor lure to the disco beats and bongo rhythms here. Take a good helping of ‘pew-pew’ laser bolts, cow bells and hand claps; add a masterful bassline and you have some serious, serious disco business. You could be sipping evening cocktails in Club Coco Bongo or taking in a beach at sunrise - this track would make you want to dance regardless.

On the B-side the disco theme continues with the most aptly titled ‘Sexy Thing’ by Jazzyfunk. At 122bpm, this heads quickly into soaring, heavenly strings and punchy bassline territory, enveloping your ears like a warm duvet. The melody is a dance floor dream – it demands that you join the hands-in-the-air crowd and there really is no point in resisting. ‘Sexy Thing’ is one of those rare ‘moment in time’ tunes that could either kick a night off or act as the grandest of grand finales. Pure, unadulterated disco pleasure.

Closing the EP with Track 4 is DeGama himself and ‘Feel The Groove’. Make no mistake, this is a powerful, brooding beast of a tune that bursts out of the traps in no time at all. At a very deceptive 120bpm, ‘Feel The Groove’ starts with a warm, housey vibe that quickly breaks into a jumping, blues inspirerd guitar battle. The solid beat bounces gorgeously in tandem with the filthy rhythm guitar riffs and sultry saxophone in a knee-slapping, somersaulting, backsliding explosion. A seriously filthy tune from DeGama.

Re-Funk Head Part 2 acts as a perfect companion to its predecessor – featuring an all-star cast of some of the best talents to grace Samosa. A must for all serious record collectors.

We are incredibly excited to release Xena, KLE-KLE's debut EP. Although this is the first release from their new project, GWD and Spok are veterans of the electronic underground. Both have been active in production, as well as live shows and DJ performances for at least the past decade.

They come out guns blazing with music that is focused, mature, and irresistible. Blending breakneck IDM beats with elements of machine-dub and post-punk mutations, the EP maintains a captivating momentum, accentuated by dissonant washes and melodies that will tickle the reptilian part of your brain.

For the stellar remix work, they enlisted fellow scene veteran Dead Janitor, who delivers a glacial, splintered, data-poisoning piece, showcasing his junglist tendencies. Wrong Collective stalwart, Trauma, comes in with his hydraulic twerk monster, to close the EP.

Love Love host a collaborative release by two of the freshest contemporary Avon producers, Best Pest and Kursa. Kursa (also one half of S.Murk) has built a notable following in the UK as well as in the USA, playing out often at big stateside events with his own style of tight, maximalist bass music - think Tipper, Eprom, Noisia etc… Ben Pest is no stranger to Love Love with 2 previous solo releases under his belt, best known for his crunchy techno & electro and ripping hardware live-sets. Here they come together for a 5 track genre-hopping EP, each flexing their respective production sensibilities, splicing elements of dubstep, grime, hardcore & garage together, along with a healthy dose of multi-dimensional sound design, to make some of the noisiest modern dance music going.

Early support from: Clouds, Giant Swan, Rob Hall, A Made Up Sound, Om Unit, Nikki Nair, Luke Sanger, Deft, Warlock, Second Storey...

Following 2020’s 'Point Vacancies', the debut EP from Jamie Paton and Mike Bourne’s collaborative act Metal, the duo return with a trio of dubwise remixes from Mr Paton himself as well as a peak-time stormer from fellow Bristolian artist, Hodge. The latter immediately sets the record ablaze with a driving-tempo kick thump, a duo of grain-textured 16th note hi-hats and chalky clap. He layers an anthemic three-chord pad progression with layered octaves, peppering in arpeggiated bleeps and articulate lead melodies, then tops it off with a few modular elements that retain the character of the original, before climaxing in true rave fashion. Proper. The following three mixes by Metal’s own Jamie Paton make clear his sonic obsession, the type of infinite tweaking that sees some artists/producers to the edge of madness, or at the very least satisfies some dragon-chasing addiction. There’s a successive deconstruction from 'Remix' to 'Dubwise' to 'Dubwise II', most notably in the reduction of rhythm and drum machinery, but also in the general tonality. The melody remains central but is gradually obscured, taking on a less and less recognizable form, and by the end we’re left with a skeleton of the track, quips and cranks, an assembly line of aluminum sheeting punctuated by an array of demented nuts and bolts. As with the previous EP, the sparsity of elements illustrates just how far one can twist an aesthetic, proving that self-imposed limitations can often propel an artist’s process and land them somewhere unfamiliar, somewhere foreign, somewhere enchanted.

Glasgow’s Somewhere Press return with their inaugural vinyl release, a new album from Madelyn Byrd aka Slowfoam. Mining the seam between ecology and technology, Byrd offsets syrupy, dissociated electronics with sparse acoustic instrumentation and expressive field recordings.

The polyrhythmic pulse of the natural world surges through Byrd’s productions, and though the sounds are mostly electronic and strictly metered, a landscape teeming with insects, birds, and wildlife fills the horizon. We’re languidly ushered through the gates on the opening 'Enlightened Smudge on the Machine', juxtaposing glassy tones with flute (from Berlin-based sound artist Diane Barbé) and skittering percussion that could have been lifted straight off Björk’s 'Vespertine'. "No traffic, under the stem," a stoic voice muses while sounds dissolve into waterlogged ambience. There are hints of vintage West Coast new age music, but Byrds' over-arching theme is one of a contemporary digital reality slowly harmonising with its distant, bucolic past.

Field recordist Pablo Diserens provides some of the album's most arcane material, handing over environmental recordings of sulphur pools, Arctic terns and glacial streams. The lengthy 'Divine Morpho, Shimmering' deploys a swarm of insects, forming a looped, uneven rhythm that counters Byrd's pulsing electronics. Choral stems mesh with uncanny strings, blurring the line that separates artificial from organic sound sources. Byrd uses mutation and reconstruction as a form of "speculative melting" to bring us closer to utopia. On 'Like Phantom Memories In The Slinking Storm’, one of the album's most levitational moments, they tease twangy harp-lyre plucks into dubbed-out smudges, eventually given a reprise on 'Grief Rituals' where the same riffs are stretched into slower phrases, queered against giddy, xenharmonic drones.

Bird calls and tremulous exotica mark the brilliant 'Fragrant Dusking', and ‘Soft Body Virisdescence' takes us to a gurgling, kaleidoscopic climax, with electronic processes thrust into the foreground. 'Of Data & Delight' distills all the album’s sonic elements into a sort of delirious fever dream, using pitched animal calls to signal sensuality. It's not ambient, exactly, even if it shares space with the 3XL crew's sludgy eroticism, and it's not wholeheartedly electro-acoustic either. The record exists at a place of convergence, as one era wrestles with a new dawn, and real life glimpses high fantasy.

Parallelle & Nicolas Masseyeff return to Crosstown Rebels to deliver the excellent ‘Surrender’, backed by a remix from Axel Boman. Returning to the iconic imprint following the trio’s stand-out ‘Renegade’ EP in 2023, the new collaborative release, set for release on 10th May 2024, welcomes two hypnotic cuts alongside a slick rework from the Studio Barnhus co-founder.

Three talents with a long-standing and innate musical connection stretching back years, Dutch brother duo Parallelle and French DJ/producer Nicolas Masseyef have been connecting and collaborating to shape a series of lauded projects released via renowned imprints such as DGTL, Systematic, and Masseyef’s own Diversions Music. Reuniting for a second outing on Damian Lazarus’ Crosstown
Rebels imprint, following the success of their 2023 debut with the heavily championed ‘Renegade’, the trio return in style with two fresh, original productions backed by an ever-stylish remix from Studio Barnhus co-founder Axel Boman, who returns to deliver his second remix on the label following his debut remixing Dinky in 2016.

The EP’s title track ‘Surrender’ is a rumbling and impactful percussive journey through the darker territories of the night, with skittering synths and echoed vocal interjections adding glimpses of brightness to the otherwise murky sound. Meanwhile, ‘She Says’ keeps the playful vocal elements front and centre, introducing warping melodies and dub-tinged textures. Providing his flip on the latter, Boman’s take on ‘She Says’ is classy and engaging from the off, stripping the track back to expose a raw yet polished interpretation while drawing on hazy pads, eerie tones and sweeping atmospherics for a wonky and trippy excursion.

Warehouse Find!

Seems like something's going on across the pond at the moment with seemingly blossoming, or at least rejuvenated scenes in the United States and Canada. Our last handful of releases on Freerange have included artists from Montreal, Tujuana, Pittsburgh and Chicago and we're about to add Los Angeles to the list with this new one from Justin Jay and Ulf Bonde. The young producers have been steadily building steam with a number of fine releases the last couple of years
and we welcome them to Freerange for their debut EP entitled Indecision. The title track sets the mood with a low-slung, super-deep house groove complete
with an intimate vocal and a charming simplicity which contributes to the powerful end result. Elements come into focus then disappear in a fog of reverb whilst playful guitar picks add a live jammed feel to the loping groove giving things a Bob Moses/Francis Harris kind of vibe. Next up is Justin's own Dub version which steers a similar course but focuses on
a more floor-friendly arrangement and minimal vocals.
Flipping over we have Giegling and White regular Edward taking the reigns and working his magic on an incredible, epic remix of Indecision. Those who follow his every move as we do here at Freerange might have some idea of what to expect.
The result is a glorious, almost ten minute long fusion of ambient, dub techno and deep, sub-aquatic house to lose your marbles to. It's fairly pointless trying to describe the delicate twists, turns and subtle details that make up this piece, suffice to say, it's the kind of track that makes you feel warm and fuzzy inside.
Closing the digital release we have a bonus track in the form of I See You. Once again, Justin and Ulf have created a heady mix of delicate vocals, dubby atmospherics and a crisp beats which drive the groove along perfectly.

Freerange welcomes Italian via Berlin producer/DJ/label boss Enzo Elia for his debut on the label entitled The Lost Guitar Tapes. Enzo is someone who has been releasing consistently great music for many years, although
often hidden behind a myriad of pseudonyms and underground imprints. For starters he's responsible for a mysterious yet established and very excellent edits label as well as being a member of Balearic Gabba Sound System alongside Bjorn Torske amongst others. Following the philosophy of this collective, Enzo is also producing lovingly and respectfully created re-edits of long lost techno and house tracks as well as many new tunes
for influential labels including Golf Channel and Compost.
But for now we turn to The Lost Guitar Tapes and specifically the original mix of Drifting which opens up the release with a brilliant tension builder. A rolling bassline, crisp minimal drums and a subtly Middle Eastern-influenced melodic line give just a hint of mysticism to this jewel of a track.
For the remix we have none other than the Tel Aviv via Berlin producer Moscoman, fresh from his brilliant debut LP on ESP Institute and releases on Eskimo and his own Disco Halal label. Moscoman's organic, percussion- heavy sound and Middle Eastern roots make him the perfect choice to take
on Drifting and we couldn't have wished for a better outcome. He manages to inject his own identity to the track with newly recorded live guitar and bass parts and taking in elements of techno, new wave and house, he's created a sublime piece of dancefloor drama. Finally we have an alternate Dub version which lays down a firmer four on the floor, extra percussion and dubby stabs for a more driving atmospheric club tool.

Warehouse Find! Test Pressing!

Time for one of Freerange's longest standing regular producers to return to the label for his first EP in three years. The Stepping Tones EP is absolutely classic Shur-I-Kan from start to finish with two original tracks plus a remix from the very excellent Berlin newcomers Kim Brown.

The title track opens with a big, bold, bouncing bassline and driving groove but as we hear the arrangement unfold the layers of keys build and drop bringing the trademark Shur-I-Kan musicality and energy to the track. In our opinion this is one of his strongest tracks yet and we're pretty sure this will be a firm favorite this summer, set to be heard everywhere from Croatian boat parties to Dalston basements and beyond.

Up next we have Kim Brown with their remix of Stepping Tones and what a job! The Berlin duo have made a big impact the last couple of years with their incredibly deep and beautiful Spring Theory and People's Republic releases on Just Another Beat. Completely sublime downbeat deep house is the key here, owing as much to ambient and orchestral music as to the rough and raw lo-slung club beats we're hearing from labels such as Dial and Smallville. Their remix brings rugged drums, dubby keys and lush strings to the fore with the addition of a twisted, filtering vocal enhancing the warm glowing sunrise vibe which emanates from this track.

Conundrum closes the EP with another deep, jazzy and cinematic Shur-I-Kan masterpiece and once again he layers up the textures and harmonic elements slowly and expertly, introducing the little hooks over time until before you know it you're bathed in a warm shower of lushness with tingles running down your spine.

Soul Ex Machina is proud to announce its first vinyl release, featuring a hot three-tracker from Prague based producer with Slovak origins - EchoBoy. His background in digital reggae, as a former half of the Riddim Tuffa duo has clearly left its mark on the foundation of his current production. Delving in contemporary sounds from the deeper side of dubstep, infused with strong roots and dub influences, while keeping a steadfast focus on the current production standards. The EP is a testament to EchoBoy's skill as a producer, demonstrating his ability to weave together diverse elements into a cohesive result that is both innovative and deeply satisfying. The three tracks on "Roots of Dub EP" showcase his unique approach to his influences.

When great music minds get together, good things happen and this latest Freerange outing is testament to that. Bridging the gap between Toronto and Detroit, the Detoronto EP is the result of Mark Kufner aka Toronto Hustle’s vision of deep, underground house music and Sean Roman’s production prowess. With decades of experience promoting nights, DJing and running his own brilliant vinyl-only label Selections, Mark teamed up with production partner and fellow Toronto DJ, Sean Roman. Sean has worked with a diverse selection of imprints such as Nervous Records, Local Talk, Strictly Rhythm, as well as his own imprint Lately Bass.

On the vocals, Detroit’s ubiquitous Javonntte rounds out the artists for this heavyweight EP. Classic deep, raw, late night house sounds are the order of the day here. Deep In This is just the kind of fat, swinging groove to warm up the dance floor with. Simple yet robust, the square wave bassline brings the right amount of attitude whilst Javonntte’s vocal’s draw you into his world.

Next up, the duo give us their own Light Night Dub of Deep In This which strips out the harmonic elements, putting all the focus on the drums, bass and vocals. This makes for the perfect club tool, sounding massive on a nice system and guaranteed to get the floor locked into its unrelenting groove.

Flip over for a brilliant remix of Fall In Love by another legend of the Toronto house scene - Demuir. This guy is a production powerhouse whose soulful, funky, jacking house sound has seen him releasing on such diverse labels as Yoruba, Classic, Heist, Hot Creations, Robsoul and Desolat. Here he brings his trademark, loose and jazzy drums and funky AF Moog bassline which is accompanied by a beautiful, filtering piano loop.

Closing out this brilliant EP we have Fall In Love, another late night basement jam featuring the vocals of Javonntte. Classic rhodes stabs add a rolling energy to the chunky drum groove making this one of those classic B2 tracks destined to become a secret weapon in your sets.

Following on from his Mesh debut Jinjé returns with Escape from Luna, a four-track EP expanding further on the infinite sonic worlds of his solo production work.

Lead single and opening track ‘BBLO’ launches with a voyage into detailed textural layers, gliding through microscopic ambient-leaning compositions before dropping into a weighty electronic beat with touches of electro and dub.

As a founding member of the Leeds-based experimental band Vessels - an act acclaimed for their ability to defy categorisation - Lee Malcolm is no stranger to breaking the boundaries of genre. With his solo project, Jinjé, he delves into atypical sonic wanderings that navigate between acoustic and electronic, synthetic and organic, employing a learned ear for the fusion of seemingly disparate elements. For this latest release on Mesh, he hones in on these moments of coalescence, fusing various stylistic pieces together with an infectious sense of optimism and an open mind.

Jinjé steers his work across various genres not out of a desire to be referential, but out of a necessity to explore the peculiar spaces that sit between. Implementing this approach with a great understanding of musical production and spatial composition, ‘Escape from Luna’ stands as a crucial documentation of his craft.

Scottish Techno wizard Astro joins PIFF Records on their landmark tenth release, with 5 cosmic and groovy belters.

Having recently found success with his own Neptune Discs imprint and regularly performing up and down the country, Astro has firmly established himself as one to watch in the techno sphere.
Opening with the title track, Astro combines a relentless bassline with dubbed-out chords and spacey leads. Echoing space-age soundscapes and futuristic sounds of 70s kosmische musik and 90s techno, Astro makes good on the aesthetic promised by his artist name.

Astro brings down the tempo for the hypnotic Cloned Substance. A mesmerising hat pattern combines with delay-drenched leads and a bouncy bassline to create a track intent on capturing the listener in a state of trance.

Thunderstorm adheres to the tried-and-tested Astro combination of a thick bassline, spacey stabs, and continuously evolving drums. As to be expected, the results are spectacular. Irresistible grooves and rich soundscapes are the order of the day as Astro delivers once again.

A haunting and proggy FM-lead acts as the foundation for Pluto, underpinned by a sub-heavy kick and tranquil chords. The meditative ebb and flow of various elements masterfully expresses the solitude of the track’s namesake.

Planetary Blitz closes the EP as a digital bonus track. Expanding on the spaced-out motifs of the previous track (as reflected in the track title), Astro substitutes chord stabs and warm basslines for a driving blend of punchy kicks and a subtle glittery guitar.

Pure Dub techno driven 5 tracker. Hydergine is back on Ranges with a new sonic journey that delves deep into dub techno while infusing it with innovative broken beat structures. The EP showcases the artists signature style in a captivating and refreshing way. Four tracks take the listener on a diverse and evocative journey, ranging from futuristic and dark sci-fi vibes to immersive and emotionally resonant soundscapes, with a rich tapestry of sonic elements that engage the mind and stimulate the senses. Resoe provides a reinterpretation of “Perception” that reveals new layers of complexity and emotion. A captivating exploration that results in a hypnotic and addictive masterpiece, further enriching the overall package.

Powerful dubtechno! Vuo009 brings you mindbending & asstwisting dubtechno influenced by the Elements. A side has strong, powerful, earthy tracks by Modernism and Sibling while B side delivers light airy moods by Tm Shuffle and Submoon.

Following on from his Mesh debut Jinjé returns with Escape from Luna, a four-track EP expanding further on the infinite sonic worlds of his solo production work.

Lead single and opening track ‘BBLO’ launches with a voyage into detailed textural layers, gliding through microscopic ambient-leaning compositions before dropping into a weighty electronic beat with touches of electro and dub.

As a founding member of the Leeds-based experimental band Vessels - an act acclaimed for their ability to defy categorisation - Lee Malcolm is no stranger to breaking the boundaries of genre. With his solo project, Jinjé, he delves into atypical sonic wanderings that navigate between acoustic and electronic, synthetic and organic, employing a learned ear for the fusion of seemingly disparate elements. For this latest release on Mesh, he hones in on these moments of coalescence, fusing various stylistic pieces together with an infectious sense of optimism and an open mind.

Jinjé steers his work across various genres not out of a desire to be referential, but out of a necessity to explore the peculiar spaces that sit between. Implementing this approach with a great understanding of musical production and spatial composition, ‘Escape from Luna’ stands as a crucial documentation of his craft.

LEGENDO is a work of sonic weird fiction. A pulp fantasy. A descent through the cracks in reality, punctuated by bizarre encounters and freaky transformations. It oozes an odd mixture of wonder and fear, a fascination with whatever might be lurking around the next unlit corner, met with relentless excitement and leading towards ghastly discoveries. Like a vision of a new mythological age, one that aims more at subverting and making fun of itself than educating towards any kind of morality. Or a self-conscious fantasy RPG turning into a full-on immersive experience. The author, Lubomir Grzelak AKA Lutto Lento, arranged this eccentric narrative as a follow up to his previous LP, the ominous Dark Secret world, while also settling out to subvert the atmosphere of that record. In his Haunter debut he embraces his own quirkier side, delving further into eerie derision and surreal trickery. He achieves that by remodeling his penchant for heavy bass and gloomy dub into a kind of otherworldly folk music, drawing in deterritorialized string instruments, cheeky digital sound design, Coil-ian horror synths, and drums that remind as much of heavy metal as of Hollywood neo-classicism. It is by pushing the envelope on the most contradictory elements that LEGENDO ascends to a form of mocking poetry. Many weird characters are encountered through the narrative: from the various musicians that contributed to the music (such as vocalist John Glacier, guitarist Adam Repucha and koto player Katarzyna Karpińska), but also many fringe fascinations that hail from Grzelak’s native Poland: from the 1897 painting ‘Skarby Sezamu' by Stanislaw Wyspiański that inspired the track of the same name, to the delirious paganism of outsider artist Stanislaw Skukalski, to the lullaby referenced in ‘Iskiereczka’. These entities all dwell inside LEGENDO and conduct its chapters, rendering the liminal dimension of its sound as real as it is in its creator’s mind.

Toki Fuko – Hues Of Movement After his notable debut on
Submersive’s VA Osmotic Particles in 2021, Toki Fuko makes a
captivating return with his first solo release on the label. ‘Hues of
Movement’ comprises three original tracks and two remixes by Anthony Linell and Artefakt, embodying Submersive’s ethos of a deep, hypnotic journey into organic yet dancefloor-ready Techno. In the three original tracks, Toki Fuko once again mesmerizes with his evolving soundscapes. Electrical pulses are enhanced with expansive reverbs and woven into groovy drum sequences. The tracks gradually evolve, reminiscent of a drop of ink dispersing in water, inviting listeners to immerse themselves in the sound and lose control as they become one with the music. Anthony Linell, who performed at Submersive’s inaugural party in Paris in 2017, offers a Train remix that seamlessly bridges his signature style with Toki Fuko’s sound. The track emerges like a living entity, combining dub-influenced meditative atmospheres with ecstatic elements, growing into a full-length auditory experience.
Artefakt rounds off the release with their ‘Warble’ remix, taking listeners into depths where light cannot penetrate. The Dutch duo presents a darker take, subtly manipulating elements and maintaining high tension, keeping the end of this sonic adventure tantalizingly out of sight. Accompanying the EP is artwork by Swiss-Moroccan artist Zineb Mezzour, offering a fresh interpretation of the concepts of surface and water that Submersive explores in each release. Known for her intricate work on paper and ceramics that evoke a microscopic, organic, and spiritual world, Zineb has performed a unique visual for this vinyl. She began by drawing invisible shapes in water, then brought them to life by adding ink that transformed into unpredictable fractal shapes. This artistic process was captured to create both the cover and the video teaser for the EP.