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German electro producer Martin Matiske has recently breathed new life into his Blackploid alias. The project's revival continues to bear fruit with the Strange Stars EP, Matiske's third Blackploid release of 2021 and second for Central Processing Unit after issuing March's Cosmic Traveler EP through the Sheffield label.

Blackploid's two CPU drops have more in common than just stargazing titles. Those who enjoyed Cosmic Traveler will find plenty to like again in these four tracks, with Matiske serving up another quartet of snappy machine-funk joints this time around. However, while there is certainly a throughline between Cosmic Traveler and Strange Stars, this EP also finds Blackploid pushing the envelope at points by taking risks with his synth tones which thrill and enliven the record.

In keeping with the cosmic theme of Blackploid's recent output, Strange Stars kicks off with 'Star Patrol'. While this opening cut is full of the same needle-gun basslines and dinky synths that characterised Cosmic Traveler, the drum programming eschews the broken beats favoured by many in the scene for a straight house/techno snap. It makes for a very groovy jam, one with Drexciya, Computer World-era Kraftwerk and a pinch of Space Dimension Controller in its mix.

Indeed, the only track on Strange Stars which skips along on a broken beat is second entry 'The Signal'. 'The Signal' also features some of Blackploid's most impressive electronics programming to date, announcing itself with a brilliantly unusual synth that sounds like an old video game unit which has just gained sentience. When this alien tone is combined with another precision-engineered bassline the track invokes the grizzly bangers of the L.I.E.S. label, though the keyboard stabs which enter periodically also hint to the funkier electro of, say, Egyptian Lover.

'The Unseen', the first B-side of Strange Stars, finds Blackploid bringing together many of the things which made the two previous tunes such standouts. A steady four-on-the-floor and a slightly haunted feel to the synth choices casts back to 'Star Patrol', but much like 'The Signal' this joint also features some rather weird tones which are a hair's breadth away from machine malfunction. It's a feeling which runs through to closing cut 'Light Corridor', a number where melodies and anti-melodies zip around an array of gurgling electronic cells.

Martin Matiske's fine run of Blackploid EPs continues with the intergalactic electro stylings of Strange Stars.

RIYL: Drexciya, Cardopusher, Legowelt, Beau Wanzer, Jensen Interceptor

For our next release we have Parisian artist Jamn Ensemble. "The Snows of Yesteryear" features 3 stunning instrumental tracks of sublime deepness with hints of acid and techno. This ep marks Jamn Ensembles 2nd release and the beginning stages of what is promising to be a long career of quality music and true artistry. We are also very fortunate to have Basic Soul Unit (Stuart Li) on remix duities! Stuart has been consistantly pushing the boundries between deep house and techno for over 2 decades and has released on prestigious labels including Local Talk, Dekmantel, Versatile and Otsgut Ton to name a few. Stuart has added some late night rawness to the title track "The Snows of Yesteryear"

The term 'tourbillon' has two meanings - it is the French word for "whirlwind" and also a device used in watchmaking to improve the accuracy of a timepiece. Both definitions feel apt when listening to Tourbillon, the latest release on Central Processing Unit from Australian producer Tim Koch. Following on from Koch's CPU debut Spinifex back in 2018 - an album that initially emerged via minidisc - Tourbillon is a four-track EP which dazzles with its perpetual-motion post-IDM productions.

These tracks draw you into their webs by forming dense interlocking sonic patterns over the course of several minutes. While the rhythmic programming and lattice of alien percussion tones can appear discombobulating at first, Koch also bewitches the listener with the slyly melodic synth work that he laces throughout Tourbillon.

Opening track 'Estranger' is a fine example of this combination. The first section here is a blend of blown-out drum sounds which comes off like an industrial electro tune run through a meat grinder. However, the track soon blossoms with the introduction of some amazingly atmospheric synth pads, and the two contrasting elements come together for a strange and rather beautiful whole.

'Estranger' finds a mirror-image in Tourbillon's final cut 'Hankert', a track in which more of those gurgling percussive tones play off the rich chord progressions that chirrup away in the background. Between 'Estranger' and 'Hankert' we get two propulsive grooves in the form of 'Disfugue' and 'Dreitark'.

How, then, to contextualize such unique material? Calum Gunn's recent outing for CPU is a good point of comparison, and the electronics here bang and whirr in a manner which nods to the post-IDM innovations of artists like μ-Ziq. One can also see Tourbillon as descended from acts like Cabaret Voltaire, the industrial electronics innovators from CPU's home city of Sheffield. However, Tourbillon is ultimately an EP which exists in its own lane, an open-minded and open-hearted set which runs with the futurist spirit of CPU and Koch's previous home of Merck Records.

Australian producer Tim Koch returns to Sheffield's Central Processing Unit with Tourbillon, an EP of otherworldly post-IDM productions.

RIYL: μ-Ziq, Calum Gunn, Proswell, Modeselektor

Repress

Label owner Martyn teams up with fellow bpm- and genre-nomad Om Unit for four switch stance dance numbers.

Automatic Tasty (Jonny Dillon) has been away from Central Processing Unit for five years now, releasing on labels such as AC Records and Furthur Electronix in the intervening time. However, new EP The Future Is Not What It Used To Be shows that the chemistry between label and artist is still in good nick by offering up four tracks of contemplative electro-boogie.

While the preceding CPU/Automatic Tasty drop may be 2015's The Life Parochial, The Future Is Not What It Used To Be actually has more in common with Sentimentalist's Choice, Automatic Tasty's CPU debut which came out back in 2013. This is not due to a huge stylistic shift - all three records bring together classic electro, techno and boogie sounds to create charming and melodious tracks - but more to do with the tone of the record. You see, while The Life Parochial was a squelchy machine-funk delight, The Future Is Not What It Used To Be is a more pensive affair befitting its title.

This isn't to say that The Future Is Not What It Used To Be is a muted EP. Far from it - this record contains some of the most gorgeous electro joints you'll hear all year. The vibe is established on its eponymous opening jam, a vocoder-laced production pitched somewhere between the more ruminative tunes on Posthuman's 2018 LP Mutant City Acid and contemporary boogie acts such as Funkineven/Steven Julien and Galaxians. The track is made by the beautiful, bittersweet timbre of its synths, and these are maintained on following number 'Romance In The Old Country'. Given the offbeat skip in its groove and sunset-glow ruefulness of the keys, 'Romance In The Old Country' is a cut which invokes the instrumentals of Jessy Lanza LPs - and even (whisper it) a little Sade.

The Future Is Not What It Used To Be is an EP of evocative track titles, but there may be none more accurate than first B-side 'Rising Sun'. Here, Automatic Tasty tweaks the wistfulness of the A-side cuts into something more uplifting. While a thoughtful quality remains in 'Rising Sun's soft synths and skittering 808s, the track is driven by the exuberant energy of the 'Woo! Yeah!' drum break to become the sort of tune you drop as dawn begins to break over the rave. 'Rising Sun's afterglow falls over the closing track 'Adventures In The World Of Becoming', a steady IDM-electro pulse that channels the spirit of Aphex Twin's seminal Selected Ambient Works 85-92.

'The future is not what it used to be - no past, no memory'. With this robo-voiced intonation, Automatic Tasty returns to Sheffield's Central Processing Unit with four moving, poignant machine-funk tracks.

Basic Soul Unit has become one of Dolly's regulars over the years. He is wel known for his perfect blend of stepping Chicago house, Detroit techno and UK broken beat. Every release is party guaranteed material with a deep elegant twist that makes his music stand out like no other. Beautiful basslines, breaks and bleeps make his new 'Unbound' EP a super powerful 3 tracker for serious dance floor workouts!

limited edition of 500 copies. Mastered and cut by Christoph Grote-Beverborg at Dubplates & Mastering.

Smokey Purple Vinyl

BITE presents as its 7th release Will To Destroy: a collaboration by Berlin underground techno heavyweights Sarin and Imperial Black Unit. Sarin, the project of Emad Dabiri, previously released on the label last year with the Kuleshov Effect EP and now offers again his bassline heavy groove and sonic signature. Meanwhile, Imperial Black Unit is a technoid duo originally from Toulouse formed by Pablo Bozzi and Thomas Chalandon. With their sharp synths and metallic rhythms on top of growls that could evoke black metal atmospheres, they complete this remarkable record that reaches from slow, new beat alike compositions to peaktime anthems making Will To Destroy an effective ammunition.

Calum Gunn has spent the past few years becoming a key figure in the European electronic avant-garde. As well as releasing his own music through labels like Entr'acte, FLUF and Tsuku Boshi, the Berlin-based Gunn also helms Conditional Records, one of the most forward-thinking computer-music imprints to emerge in recent times.

Gunn's Addenda EP, his debut drop for Central Processing Unit, contains some of his most dynamic work to date. While his commitment to experimentalism remains, these four tracks represent a clear shift in focus for Gunn - namely that, for perhaps the first time in his career, he is making music that is club-friendly. A whole host of dancefloor innovators are recalled when listening to Addenda - particularly Autechre, Analord-era AFX and several of Mark Pritchard's projects as well as Gunn's contemporaries Rian Treanor and Renick Bell.

These tracks never sit still, their rhythms constantly evolving and turning themselves over. Addenda's first two cuts use metronomic hi-hats to keep these ever-changing grooves in check. With its thwacking kicks and snares, opener 'Esephony' enters the fray with the heft of an early Wiley riddim. Atop these drums we find squeaky half-melodies interlocking and breaking apart, meaning that the overall effect is not dissimilar to the tweaking beats that Pritchard came up with as part of Africa Hitech. 'Esephony' is followed by 'Moebu', another track that harks to grime through its fluttering lead synth. The way that this single-note line snakes above a slow, steady drum pulse pitches 'Moebu' halfway between Last Japan and rRoxymore.

Gunn increases the tempo in Addenda's second half. 'Ternenmarz' introduces itself with more blarts of bass, but whereas these were steady on 'Esephony' they now jump around unexpectedly. Gunn holds the erratic kicks in place with twittering hats and snares - indeed, when you factor in its gnarly synth lines, 'Ternenmarz' steers closer than any other cut here to the high-grade electro drops that CPU has made its name with. Closer 'Pins' supercharges the snap of 'Esephony' to 145 bpm before Gunn softens up the track with reverb-drenched synths that nod to the sombre post-grime of Mr. Mitch's Gobstopper Records.

With the Addenda EP, Calum Gunn has achieved something that proves elusive to so many producers - making club tracks that are at once innovative and immediate, their experimental tendencies serving to elevate their dancefloor impact.

RIYL: Rian Treanor, Africa Hitech, Autechre, Renick Bell, Brainwaltzera

Napoel is a techno project and a label created by two djs/producers based in Naples. Gi Napoletano’s techno and detroit influences in his dark style meet Louiel Secoundlou’s industrial raw and acid side shaping a unique texture in their productions and dj sets.

Ever since dropping her critically-acclaimed debut LP Online Dating through Central Processing Unit back in 2017, Tryphème (Tiphaine Belin) has marked herself out as one of the more unique voices in contemporary electronica. We mean that literally - Belin's productions are characterised by frequent use of vocals, either processed to provide atmosphere or deployed high in the mix as passages of singing/spoken word. When these are wedded to her typically deft electronic productions the results are lush, atmospheric and moving.

Two years on from Online Dating and Tryphème has returned to CPU with the six-track Aluminia EP. While Online Dating leaned into a range of rave styles, Aluminia is more painterly, with Belin putting greater emphasis on timbre and texture. 'Lava', 'Fey' and 'Cry Silent Cry' are some of the most innovative tracks Belin has produced to date.

While another producer would allow listeners to luxuriate in such warm synth tones, Belin doesn't let you get comfortable, constantly surprising you with innovative structural choices or unexpected sounds. The way in which 'Lava' is agitated by chattering voices and processed singing recalls both the uncanniness of Holly Herndon and the maximalism of A. G. Cook, while the synth line that snakes through 'Cry Silent Cry' nods to Lorenzo Senni's recent trance deconstructions. Beats and bass take precedence in Aluminia's midsection.

This is the portion of the record which most closely recalls Online Dating - 'Eedyu' and 'X-Ray Mantra' are more settled than the other cuts on Aluminia, and it's here that the 90s electronica influences that so often inform CPU's output are most keenly felt. Those who enjoyed Bochum Welt's recent Seafire full-length - itself another CPU drop - will be able to get behind these tunes.

The two sides of Aluminia are combined in penultimate number 'In A Cyber Spiral'. The track's eerie beginning, with its ghostly vocals and nagging drums, is reminiscent of Hype Williams. Soon things morph into a leftfield digi-dub replete with speaker-crushing sub. Halfway through Belin wrong-foots us again, cleverly flipping the drums from half-time to a kind of fluttering breakbeat. It's the most diverse and unique production in a record full of them, drawing on everything from IDM to Eskibeat, and a track which furthers Tryphème's status as an exciting new artist on the European electronics scene.

Banging Industrial techno with some crazy new ideas like this long noizy acid break in the Slope Unit track or the noise industrial ambient long intro on the Duellist tune... FAT! Once again offering a wicked sleeve... limited edition! BIG Stuff!

A really, banging hardcore sound! At the frontier of 'Raw and Gabber' . Defenilty a rare style nowaday on, vinyl! Get your chance to catch one! ...This LP, regular pressed & designed on Green Coloured Vinyl.

RAVE026 is a double hammer of blitzkrieg gabber and seething acid trance/schranz from Service
Animal (Vereker) and Crime Unit, featuring material previously issued on impossible-to-find
tapes by the cult, DIY label; Live Adult Entertainment
The punkish reputation of Live Adult Entertainment precedes them as one of the underground’s
keenest yet elusive operations to emerge in recent years. Based in Thessaloniki, a port city in
northern Greece, they’ve released some 28 tapes, CDR’s and lathe cut vinyl of musick ranging from
psy-trance to industrial noise and concrète since 2017, and always in editions ranging from zero
to 20 tops, leading to feverish and frustrated reactions from those listeners who’ve chanced upon
their YouTube videos before they get taken down. Finally, this 12” features the first readily available
and properly mastered LAE material on a physical format.
On the A-side, Endangered Species label boss Oliver Vereker adopts his gabber alias Service
Animal for his first outing proper since appearing as Renoir on his label’s 2017 CD, ‘Death Always
Follows’. Revolving material originally available on tape in edition of 20 copies, it boots off with
the 12-hp hoof and dive-bombing drones of ‘Core Of Reality’ next to the evil Arcardipane styles of
‘F.T.W’, which are both produced with the same, powerful conviction in charred black metal, noise
and hardcore techno that made his 2015 releases as Restraint and Grace so vital, only with added
acceleration and syncopation.
The B-side follows with a pair of seething workouts from the ‘Cyber Afterbirth Vol.1’ mix by
LAE co-owner, Crime Unit. Hearkening back to a sound that was ubiquitous between Hackney
Warehouses and small-town UK/European techno clubs in the late ’90s/early ‘00s, they are
ravenous examples of the LAE aesthetic, applying scuzzy DIY principles to gnashing German
schranz and adrenalising acid trance with ruthlessly direct results that pack one of the meanest
breakdowns you’ll hear this year. Trust they will mercilessly sort the dancers from the posers.

Following his critically acclaimed 2017 debut album Apeiron, enigmatic artist Noumen, aka Andriy Vezdenko, returns to CPU with his second album 'Obscurium'.

Vezdenko demonstrates mastery in the studio again with his signature melodic, uneasy and challenging rhythms. Obscurium travels down a path seldom trod in experimental electronic music; thoroughly enjoyable and brimming with musicality.

Quintessential abstract electronics.

If you like Autechre's LP5 or Jega's Geometry you will love this.

When A&R get an email from a legend saying 'listen to these tracks, I think they're up your street' we knew we were on to something special.



Please welcome Biochip with their debut release 'Synthase'. Eight tracks of analog electro and acid techno, all recorded live. Very much of the Selected Ambient Works Vol. 1 ilk. Beautifully noisy, highly melodic and raw, with those emotional mid nineties IDM tendencies that very few successfully capture.

Biochip are Melissa Speirs and Julian Kochanowski from Montreal, Canada. Listening to Synthase you can tell they are huge fans of vintage analogue synths, magnetic tape and drum machines; their sound has a reassuring warmth and human feel to it.

We already can't wait to hear their next live sessions.

Nasty Electro-Acid and Techno from the lost mind of Shinoby including an repetitive & paranoid, spiritual yet sexy psychedelic techno funk remix by Unit Moebius

SDEM aka Tom Knapp lands on CPU with a cybernetic electro E.P. entitled 'Index Hole'.

4 tracks of exploratory electronics held together with expertly crafted - hip hop influenced beats. Knapp ran the legendary IDM label ICASEA with Team Doyobi member Alex Peverett and Satoshi Aizawa. Index Hole is certain to ease your Icasean withdrawal symptoms. Fans of ICASEA, Skam and the Gescom crew don't miss this.

Xao returns to Astral Black with his new eight-track LP, Eternal Care Unit. Created after relocating to Germany and distanced from the UK sounds and scenes that had influenced his previous work, ECU sees Xao further explore the ethereal futurism displayed on 2017's Alloys EP. In keeping with the title (Eternal Care Unit is a medical slang term for the morgue), the release soundtracks the transcendental shift from the physical to the spiritual realm.

Over the course of the record's thirty minute running time, Xao traverses through the hauntingly beautiful soundscapes of tracks like the opening 'Embryno' to the sonic brutalism of 'Corvid Tendencies' and 'Vent Jockey', interspersed with the driving off-kilter rhythms found on the likes of 'Bernet Franca' and 'Blades//Savants'.

The physical release comes with full colour sleeve artwork from fast rising designer Patrick Savile, whose has previously done work for the likes of Bokeh Versions, Warp, WGSN and more.

A world premiere of AI-generated symphonic music!

All three audio files are compiled from two live recordings with different microphone settings. The cover image is generated by algorithms trained with the following image searches: migration, mediterranean, boat, Libyan coast, EU. Different search engines were used. »Land der Musik« celebrated its world premiere on 7 October 2018 at steirischer herbst '18 - volksfronten in Graz, Austria. Commissioned and produced by steirischer herbst in cooperation with ORF Musikprotokoll.

A1. soundalikeStrauss (an audio reverse-engineering tool is used after the initial cross-fade) A2. AIstrauss (algorithms are trained with midi-files of Johann Strauss waltzes) B1. AImahler (algorithms trained with midi-files of Gustav Mahler symphonies) B2. (untitled)

A new standard of beauty. Artificial intelligence (AI) algorithms can now group photo pixels or audio waves into meaningful categories. This is similar to how our brain operates, yet the outcome seems distinctively non-human. At the same time it appears that the sphere of our appreciation and imagination may just have expanded. The question of whether we are still able to see and hear the difference between automated and so-called autonomous artifacts should be left to historians. On the other hand, producing this analog audio record with this image on the front cover really is an antagonism. A more appropriate medium might be a tracking chip of your online and offline activities generating customized results in real time—be it images, music, or whatever.

If AI is communist (to quote the libertarian Silicon Valley entrepreneur Peter Thiel), then this statistics-based technology might actually reinforce centralized monopoly capitalism and the coming crisis of inequality, just as it might accelerate into Deleuze's notion of the Society of Control. But it might also be seen and heard as a demo, a new standard of beauty, for the redistribution of wealth and for solidarity; in short as a utopia freed from exploitation, nationalism, and racism, liberating us from our own perception of this world. »Land der musik - The Graz AI Score« demonstrates how machine learning might help us to finally create the perfect Austrian national music identity. Yet in doing so, our ultimate aim is to get rid of the construction of national identities all together.

»God created man because he dreamed him. / But man forgot God and created the machine because he dreamed it. / At the end of the twentieth century, however, the machine has forgotten man. / Who could predict who or what she dreams of« (Friedrich Kittler)

96 Back, aka Evan Majumdar-Swift, returns to CPU with his debut album 'Excitable, Girl'. Bringing his thoroughbred Sheffield electronic heritage back into the spotlight, this album raises the bar in terms of quality and diversity. DJs and discerning home listeners will find plenty of favourites on this long player with dance floor igniters jostling alongside ambitious ambient moments. Lush Plaid-like melodies throughout will keep you hooked.

Evan firmly established himself in 2018 and is one of the hardest working artists on the scene, this album will only strengthen his presence on the electro grid.

Acid core Techno, Hackney fuckerz

Having started out throwing DIY raves in Toronto Canada, the Forth collective became influenced by the city's hunger for self-expression. Various Artists Vol. 2 is the second instalment in a series of compilations that gives Toronto artists a chance to realise their ideas on the local and international stage.

New Berlin Label Modular Underground delivers Hard Hitting Techno...
300 limited vinyls.

Perhaps CPU's deepest foray into techno, Osaka-based artist Yuri Urano's 'Autline' E.P. draws parallels with the machine-like incremental builds of Sweet Exorcist / Richard H Kirk.

Plenty of variation with minimal down-tempo through to fierce industrial techno.

Urano's industrial sound is gaining a lot of attention in the Japanese techno scene and this E.P. will only galvanise her reputation.

After kindly stepping in on remix duties on our first Miskotom release Kito is back on Pleasure Unit with a nicley rounded EP that shows the full extent of his production skills. Houstrack does what it says on the tin and pumps it up in true old skool house style, Damp firecrackers sounds like it could come from a long lost Italian Library Lp. On the flip Never been to Ibiza beaches in 1997 is a nice laid back Balearic ode as you might expect, lastly Jungle Mantra is a dense tropical treat. Check for Kito's previous releases on diverse range of labels from Bahnsteig 23, Freerange,Dirt Crew,Hell Yeah and Bordello A Parigi

I was gone for a while. But now I am back. Times have changed but the focus is the same. Primal, stripped down cuts'
Jeremy P Caulfield

Field of dreams are Field Theorys Chris Kentish and DJ Al Mackenzie. Field Theory have recently had tracks on respected labels such as Futureboogie and Secret Life gaining rave reviews and even garnering plays on BBC radio 6 Music. Al has been a DJ since the late 80s, now resident at Birminghams Great Outdoors. He's made numerous records over the years but will probably be remembered primarily for his 90s band D:ream making number one all over the world and remixing for EMF and Duran Duran amongst others. Bumping into each other in the street one dayand realising they lived opposite each other, they seized upon the chance to combine their favourite passions, making music and drinking.

Melting the swing to the raving old school sound, this Bingo dig in the right direction !

Khan presents: Jammin Unit - Remote Car Babe

Jammin' Unit is not only my brother but one of the most prolific producer of electronic music since the early days of techno. He is one half of legendary electronic super group Air Liquide and made his way into history books with tracks like 'If The Was No Gravity' and 'Revelation' lately featured on Nina Kraviz - Fabric 91 mix.

'Remore Car Babe' was originally released on clear 10' via Temple Records NYC in 1997 and is now remastered by the man himself for our 2018 ears. Re-issued on 12' black vinyl for more gain and better audio quality.

In his own words he describes the 4 track e.p. as: 'The sound was created for headphone listening during remote car racing. Enhancing the feel of speed and aggressiveness was the goal'.

To me it feels like a manga comic strip eched on vinyl. No headphone necessary to go on this speed racing trip of extacy and pounding bliss.
A re-issue I am especially proud of to hear on dance-floors around the globe.

'Don't eat before going to sleep but Do eat before going out!'

Yours sincerely,
Khan (Of Finland)

S>>D aka Sean Dorris from Belfast delivers his debut album 'Co Intel Pro' on CPU. Refined sampling alongside hip hop influenced breaks sees S>>D operating in a similar dimension to VHS Head. Reminiscent of 1980s sci-fi soundtracks interwoven with IDM-tinged electro, haunting atmospheres prevail throughout with hints of a genre that has yet to emerge. Presented over 2x12" vinyl at 45rpm for superior sound quality.

Fans of Pye Corner Audio, Gescom or indeed anything on Skam will certainly dig this.

Alek Stark is responsible for some of the finest boutique vinyl releases available. His 808 boxes, DMX drum machine replica and plexi-glass sleeves for Fundamental Records are legendary in the electro fraternity.

Stark's attention to detail in everything he does is particularly apparent in his music - his tracks are all first class analogue electro. He pulls no punches on this E.P. with heavy 808 percussion alongside a myriad of modular noise and synth workouts.

Cold, robotic and reminiscent of early Psyche / BFC with deep chorused pads creating an off-world dystopian theme that runs throughout this release.

Second release by Works Unit.
A new project constructed by UK producers Cleric and Reflec.
Written and produced by Jorden Hodgetts and Sean Dodd.

After a bit of a hiatus, Expansion Unit is finally back with another slice of moody and brooding electro trickery. Courtesy of Berlin-based Pascal Hetzel, the two tracks Extra Terra' and Fermi Paradox' showcase raw and rugged machine funk with a strong wide-eyed escapist undercurrent. The future is now.

Miskotom is a project from Mik and Andra.Originally hailing from Russia but now both residents of Vilnius Lithuania. Both have a long history of music making going back as far as childhood.Andra was involved in 2Muchahos an ambient project which came out on Beko recordings. Mik came up through the indie scene playing in bands before finally settling in the dj booth and then as a producer....Miskotom's music has a magical dreamy quality, sometimes lovely Balearic or melodic pop sounding like long lost tracks form Wally Baderou, but also sounding like sleazy mid 80s chicago basement jams....Analog synths jam along with guitars ,voca land ,handmade percussion mixed down and recorded onto tape. Sometimes 4/4 sometimes no beat at all.....to round off this EP we have an excellant remix from Kito Jempere, who over the last few years has notched up a steady stream of releases over many labels , most recently a killer edits ep for the mysterious Bahnsteig label.