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Valuable reissue of slow Italo classic! Roberto Onofri, since he was a teenager, has developed his own culture independently. Whatever he liked to do, he immediately embodied it, instantly identifying with what he was passionate about. However, one certainly cannot expect the sixteen-year-old and self-taught disc jockey to be ready as a composer for his first time in a recording studio. He became an author, arranger and performer shortly after, but for his first experience on vinyl he had to resort to a cover, as many did to get noticed and have the limelight on him. There was no mistake in choosing 'Living with Passion'' by the Canadian band Moral Support, but only how to write the title of the piece on the album cover!!! At the time, not all Italian printers knew English well, which is why Italo Disco soon became sadly famous for the huge blunders that were written. It was love at first sight for Roberto, who played the song written and produced by Richard Cranford and Sandro Durante every night in the disco. There were some imperfections due to inexperience, but the electronics, more and more imperious and overwhelming, won over everything, effectively decreeing the beginning of a new musical style. The Italian one. Dave Mathmos did well to have the same passion as Onofri and his DJ Program Band, developing an excellent version that gave new life to the piece from 40 years ago, reprinted by Best Record in two different and limited editions, in black vinyl and in green vinyl with black shades. Both editions come out with the artwork and credits in relief and with the image of the very young DJ Onofri immortalized next to a drum kit with the microphone in his hand, ready as always to make people jump and have fun.

Valuable reissue of slow Italo classic! Roberto Onofri, since he was a teenager, has developed his own culture independently. Whatever he liked to do, he immediately embodied it, instantly identifying with what he was passionate about. However, one certainly cannot expect the sixteen-year-old and self-taught disc jockey to be ready as a composer for his first time in a recording studio. He became an author, arranger and performer shortly after, but for his first experience on vinyl he had to resort to a cover, as many did to get noticed and have the limelight on him. There was no mistake in choosing 'Living with Passion'' by the Canadian band Moral Support, but only how to write the title of the piece on the album cover!!! At the time, not all Italian printers knew English well, which is why Italo Disco soon became sadly famous for the huge blunders that were written. It was love at first sight for Roberto, who played the song written and produced by Richard Cranford and Sandro Durante every night in the disco. There were some imperfections due to inexperience, but the electronics, more and more imperious and overwhelming, won over everything, effectively decreeing the beginning of a new musical style. The Italian one. Dave Mathmos did well to have the same passion as Onofri and his DJ Program Band, developing an excellent version that gave new life to the piece from 40 years ago, reprinted by Best Record in two different and limited editions, in black vinyl and in green vinyl with black shades. Both editions come out with the artwork and credits in relief and with the image of the very young DJ Onofri immortalized next to a drum kit with the microphone in his hand, ready as always to make people jump and have fun.

Double LP set capturing some of Causa Sui's heaviest, most psychedelic tunes recorded live at Loppen - a legendary Copenhagen venue, located in the famous - and infamous - Freetown Christiania commune. This is the sound of Causa Sui at their home turf, stretching out and exploring eight epic fan-favourites from their entire catalogue in front of a small crowd of 400 people in a packed sold-out venue. The show was recorded the first week that Covid restrictions were lifted on venues in Denmark, which called for an especially buzzing night, even for a band that has exclusively played no more than a handful of shows each year since their 2005 debut. Each Causa Sui show is unique. Here we're offered a different perspective of the band's music - it's looser, more free-flowing, and some tracks are warped into something far from their original versions, bouncing off the wooden beams on the low ceiling of Loppen with renewed energy. At one point you can hear the band calling to take a breather and let some air inside the sauna-like temperature of the show, which just weeks before seemed impossible. Loppen 2021 offers a complete set from start to finish, so since chances that you'll catch the band live in person are slim, this is the next best thing. Mixed and mastered by Jonas Munk. Edition of 1000 copies on coloured ecomix vinyl.

Next up on Aris is a particularly special one - Ireland's first electronic music 12''- Carrier Frequency's Telecaster Man, a particularly Irish take on the acid house sounds of the late 80's, that still does the job 35 years later. ''A nine minute tune with two chords, it's just f-ckin' madness mostly - distortion and drum machines.'' simply put by one of the artist himself, but it's much more really. The record originally released in 1989 was a collaborative effort featuring the talents of Mr. Spring, Leo O'Kelly of 70's folk heroes Tir Na nOg, and Trevor Knight of 80s synth pop band Auto Da Fe, Mr. Spring, a veteran of pirate radio since his early teens and the local go to studio guy for dreamers and the Depeche Mode and Talk Talk clones of the time, spearheaded the project. Drawing from his extensive experience and technical prowess, Spring had already established his own studio in 1987, equipped with state-of-the-art gear including an Atari sequencer and an Akai s900 sampler. They decided to work together on it as Spring says ''We wanted to get a Cabaret Voltaire sound to it and have a bit of fun.'' Fueled by a shared passion for experimentation and sonic exploration and inspired by the dynamic energy of the club scene and the rapidly evolving sounds of electronic music, the late-night recording sessions in Spring's studio characterized by spontaneity and innovation. The result of their collaboration was ''Telecaster Man,'' a nine-minute tour de force combining distorted guitars, hypnotic rhythms, and pulsating synthesizers. The 12 inch comes with the original and Sinewave mixes plus a new Mr. Spring remix from the original multi tracks rounding it out with the replication remix and a bonus acapella. Full colour sleeve and comes with extended liner notes.

Two iconic old school hardcore titles from 1992, now available again
together as one Limited Edition 12-inch on yellow vinyl.

Hip hop 50th Anniversary reissue on Gold
Vinyl. Includes MF Doom remix of “If I
Ruled The World”. Special edition
stickered sleeve

Numero's Hottest Sounds Around trio gathers castaway late-'70s grooves from across the Greater Antilles. Stan Chaman's Trinidadian Semp concern delivered Wilfred Luckie's wobbly "My Thing" and the Hamilton Brothers' calypso-disco smash "Music Makes The World Go `Round" in 1978. Across the sea, Frank Penn's G.B.I studio tracked Stephen Colebrook's Doobies-inspired "Stay Away From Music" for the cruise ship curious. All three are housed in a custom Numero sleeve inspired by Edward Seaga's Caribbean music manufacturing and distribution powerhouse WIRL (West Indies Records Ltd.)

Since first splashing on to the Southern California circuit in the mid-aughts, Geneva Jacuzzi (née Garvin) quickly cemented herself as the queen of the Los Angeles underground. Her immersive and unhinged multimedia performances are the stuff of legend, a psychotropic gallery of masks, costumes, confrontation, and massive art installations. Jacuzzi’s recordings are equally revered, catchy hooks and cryptic moods dusted in 4-track grit. The arrival of her third official full-length, and Dais Records debut, is cause for such celebration. Triple Fire vividly expands and crystallizes Jacuzzi’s signature fusion of midnight melody and mutant aerobics across a 12-track hit parade of wildcard synth-pop and sly post-apocalyptic camp. Her enthusiasm for the album is as bold as her body of work: “Halfway through, we started calling this the record of the prophecy, the record that’s going to save mankind.”



Opener “Laps of Luxury” sets the template – a strobe-lit dreamer’s delight of swaggering synth bass, Haçienda drum machinery, and sultry vocal spellcasting (“Tragic mysteries I’ve known for centuries / I burned all memories and turned to fantasy”). The collection burns through shades of sardonic strut (“Art Is Dangerous,” “Nu2U,” “Keep It Secret”), coldwave kiss off (“Speed Of Light,” co-produced by Andrew Clinco of Drab Majesty), retro-futurist body music (“Dry,” “Scene Ballerina,” “Bow Tie Eater”), and cheeky glitterball pop (“Take It Or Leave It,” “Heart Full Of Poison” co-produced by Roderick Edens and Andrew Briggs). She likens the eclectic spectrum of moods to the continuum of human emotions: “Funny, sexy, sad, scary, witty, hopeful, menacing. Eventually it deconstructs, turns into a party, and then ends sweet and soft.”



Taken as a whole, Triple Fire comes as close as any document yet to capturing Jacuzzi’s kaleidoscopic alchemy of pop sugar and chaos energy, flickering between icy and ironic, chic and surreal, hungry and heartsick. Hers is a muse as rare as it is regenerative, forever reborn at the precipice of the next chorus: “Someone said that Alcatraz had fallen into the sea / Almost sounded like an angel calling me in a dream / I felt an electric shock when I picked up the microphone.”

Guadeloupe’s Manix is a self taught musician drawing inspiration from traditional Caribbean Folk and Beguine, to Salsa, Reggae and beyond. In 1980 Manix met the group ‘Tamtam 2000’ in Mulhouse, France. Embarking on many worldwide tours, Manix cemented his place in the group with 'Ti Cherie’ becoming a global hit beloved throughout the Antilles, Cape Verde, and La Réunion. Describing his singular philosophy of inciting joy ”At this moment I realised quickly that the simple act of playing wasn't just about one’s own satisfaction, but rather the need to create and share music”.

Browsing the French Football Federation's website, Dijon’s ‘Under Radaar’ was able to track down Manix as he was once the match report coordinator for his club ‘Red Star Richwiller’. It’s now our pleasure to share his music once again.

Words from Manix:
"Now in my 70s, what a joy it is to discover my songs now being loved in new parts of the world that I could never have imagined them spreading to in the mad 80s. A reissue is like a renaissance, a second wind that reaffirms my believe that both music and love will never die”

We are so excited to share our debut release which has already received support from Antal, Hunee and Palms Trax.

"Artist, multi-instrumentalist and astral traveller E Ruscha V releases a hypnotic suite of flow-state synth improvisations for Fourth Sounds.

Building on Ruscha’s 2022 collection Thinking A View, also accompanying an exhibition at Cedric Bardawil, Seeing Frequencies is as intuitive and it is experimental, as Ruscha follows melodic and rhythmic modulations like desire paths across 13 spacious recordings.

Drawn in part from the CocoQuantus synth, built by a man Ruscha describes as 'too weird for Buchla', Seeing Frequencies rides high on tremolo waves and organic vibrations, rooted in ambient, Balearic and Kosmische music traditions, while simultaneously engaging in a dialogue with the synaesthetic qualities of Ruscha’ painting practice.

Allowing the music to flow through him, Ruscha describes the optimum moment of creation as one he imagines for the listener too. 'I really love when music forces you to forget,' he explains. 'There's this beautiful moment where everything coalesces, and you just don’t think about anything.'

To immerse yourself in Seeing Frequencies is to understand exactly what he means."

Edition of 300 marbled vinyl with risograph insert, liner notes by Anton Spice.

Plush, the 1982 studio album by the Eighties synth-boogie band Plush, is a standout in the genre. The band, consisting of Siedah Garrett, Tony Phillips, and Ambrose Price, was known for their smooth blend of R&B, funk, and synth-driven melodies. Garrett, who later gained fame as a solo artist and songwriter, brought a distinctive vocal presence to the band. Not long after the band broke up, she was discovered by Michael Jackson, for who she later provided backing vocals and co-wrote ""Man In The Mirror"" with. The album was produced by Bobby Watson, René Moore and Angela Winbush. It features catchy tracks like ""Free and Easy"" and ""We’ve Got the Love,"" showcasing their polished production and soulful harmonies. Despite not achieving major commercial success, Plush has garnered a cult following for its authentic early Eighties sound. It's a significant work within the disco boogie genre, reflecting the transitional period of early Eighties music and is one of the rare and sought-after albums from that era. Plush is available on coloured vinyl for the first time as a limited edition of 500 copies on red coloured vinyl and includes an insert.

The new Bishop 88 imprint hits gold from the off here as they offer up an edit of 'Last Night Changed It All' by Esther Williams, a track famously sampled by numerous artists like Boogie Down Productions and Public Enemy. It is a drum-heavy version of a funky tune with conversational melodies and blissful soul vocals next to swooning strings. On the flip is an edit of 'I'm Gonna Love You Just A Little More, Baby' - originally by Kellee Patterson - which itself is a rendition of Barry White's original. These are classy and sophisticated soul sounds for serious heads.

blue repress !

Axodry was founded in Frankfurt am Main in 1983 , the founding members were Talla 2XLC and RaHen aka Ralf Henrich.

The first release Feel It Right was a success (see also Sound of Frankfurt ). RaHen and Talla 2XLC composed and programmed
the debut song in RaHen's home studio . The Westside label made the final production possible in Axel Henninger's Dynaton Studio.

There RaHen later produced the songs Surrender and The Time Is Right as well as many other songs and bands for Westside with Axel Henninger .

At times Kurt Ader and Alexander Maurus were part of the band. The Music Hall concert in Frankfurt am Main took place in this line-up.

The Inner Sanctum is the 17th studio album by British heavy metal band Saxon, released on March 5th, 2007. It is the first album by the band to feature drummer Nigel Glockler since 1997's Unleash the Beast. New Wave of British Heavy Metal standard bearers Saxon continue to do their legacy proud as they move through their third decade of recording activity. The Inner Sanctum opens with three typical classic Saxon songs: ""State of Grace"", ""Need for Speed"", and ""Let Me Feel Your Power"". The Inner Sanctum is available as a limited edition of 1000 individually numbered copies on silver coloured vinyl and includes an insert. This special edition contains an additional and exclusive cover print.

"""Ball Pompös"" 50th Jubiläumsausgabe: -Udo Lindenbergs erstes Goldalbum
-Exklusive Edition für Fans und Sammler
-Highlights: Goldene LP: Prächtige, goldene Vinylplatte
-Remastered Version (2024): Modernste Technik für zeitlosen Sound
-Kassette: Nostalgische MC Version, limitiert verfügbar"

"""Ball Pompös"" 50th Jubiläumsausgabe:
-Udo Lindenbergs erstes Goldalbum
-Exklusive Edition für Fans und Sammler
-Highlights: Goldene LP: Prächtige, goldene Vinylplatte
-Remastered Version (2024): Modernste Technik für zeitlosen Sound
-Kassette: Nostalgische MC Version, limitiert verfügbar"

Das mit Spannung erwartete neue Album von Dark Tranquillity, "Endtime Signals", kanalisiert all die Unruhe, Angst und Verwirrung der Welt in 12 fesselnden, kraftvollen Tracks.
"Endtime Signals" ist Katharsis und Dunkelheit, Entschlossenheit und Zustimmung. Die wiedererstarkte Besetzung - Joakim Strandberg Nilsson (Schlagzeug) und Christian Jansson (Bass) gesellen sich zu Mikael Stanne (Gesang), Martin Brändström (Keyboards) und Johan Reinholdz (Gitarren) - bedeutet, dass eine neue Ära für Dark Tranquillity angebrochen ist. Die Singles "The Last Imagination", "Unforgivable" und "Not Nothing" kündigen dies durch raumgreifende Refrains, fiebrige Aggression und unverkennbare Melancholie an. Mit einem wundervollen Cover-Artwork von Sundin und einer "gelebten" Produktion von Brändström (Rogue Music) und dem Engineering von Alexander Backlund (Fascination Street Studios), sowie einem hochoktanigen Mix und Master von Jens Bogren (Ihsahn, At The Gates), setzt "Endtime Signals" die gesamte innovative Songkunst von Dark Tranquillity in ein unvergleichliches, breitgefächertes Erlebnis um. "Endtime Signals" ist erhältlich als Standard CD (12 Tracks), als Ltd. Digipak CD Deluxe Edition im Schuber (12+2 Bonustracks), als Gatefold 180g LP (12 Tracks) in schwarzem Vinyl sowie als strikt limitierte Gatefold 2LP-Deluxe-Edition mit dem Hauptalbum auf einer mehrfarbigen 12"-Vinyldisc (12 Tracks) plus
zusätzlicher schwarzer Bonus-Vinyldisc (Seite A: 2 Tracks, Seite B: Motiv-Ätzung).

Das mit Spannung erwartete neue Album von Dark Tranquillity, "Endtime Signals", kanalisiert all die Unruhe, Angst und Verwirrung der Welt in 12 fesselnden, kraftvollen Tracks.
"Endtime Signals" ist Katharsis und Dunkelheit, Entschlossenheit und Zustimmung. Die wiedererstarkte Besetzung - Joakim Strandberg Nilsson (Schlagzeug) und Christian Jansson (Bass) gesellen sich zu Mikael Stanne (Gesang), Martin Brändström (Keyboards) und Johan Reinholdz (Gitarren) - bedeutet, dass eine neue Ära für Dark Tranquillity angebrochen ist. Die Singles "The Last Imagination", "Unforgivable" und "Not Nothing" kündigen dies durch raumgreifende Refrains, fiebrige Aggression und unverkennbare Melancholie an. Mit einem wundervollen Cover-Artwork von Sundin und einer "gelebten" Produktion von Brändström (Rogue Music) und dem Engineering von Alexander Backlund (Fascination Street Studios), sowie einem hochoktanigen Mix und Master von Jens Bogren (Ihsahn, At The Gates), setzt "Endtime Signals" die gesamte innovative Songkunst von Dark Tranquillity in ein unvergleichliches, breitgefächertes Erlebnis um. "Endtime Signals" ist erhältlich als Standard CD (12 Tracks), als Ltd. Digipak CD Deluxe Edition im Schuber (12+2 Bonustracks), als Gatefold 180g LP (12 Tracks) in schwarzem Vinyl sowie als strikt limitierte Gatefold 2LP-Deluxe-Edition mit dem Hauptalbum auf einer mehrfarbigen 12"-Vinyldisc (12 Tracks) plus
zusätzlicher schwarzer Bonus-Vinyldisc (Seite A: 2 Tracks, Seite B: Motiv-Ätzung).

The funkiest release on the HDH label and last album from Detroit soul group Chairmen of the Board saw a concerted movement away from harmony soul towards the psychedelic funk-rock sound of Funkadelica.

This record features backing from Parliament-Funkadelic musicians Eddie Hazel (guitar) Bernie Worrell (keyboards and organ), Billy “bass” Nelson (bass) and Tiki Fullwood (drums) who all give the music an enthusiastic funk injection. Reissued on 140g black vinyl with newly mastered audio from Phil Kinrade at AIR Studios, an obi strip and a printed inner featuring a liner note from “Soul Trilogy” author Stuart Cosgrove, enjoy this limited edition 50th anniversary release of Skin I’m In – brought to you with SOUL by Demon Music Group. Get on down with the get down…

Das mit Spannung erwartete neue Album von Dark Tranquillity, "Endtime Signals", kanalisiert all die Unruhe, Angst und Verwirrung der Welt in 12 fesselnden, kraftvollen Tracks. "Endtime Signals" ist Katharsis und Dunkelheit, Entschlossenheit und Zustimmung. Die wiedererstarkte Besetzung - Joakim Strandberg Nilsson (Schlagzeug) und Christian Jansson (Bass) gesellen sich zu Mikael Stanne (Gesang), Martin Brändström (Keyboards) und Johan Reinholdz (Gitarren) - bedeutet, dass eine neue Ära für Dark Tranquillity angebrochen ist. Die Singles "The Last Imagination", "Unforgivable" und "Not Nothing" kündigen dies durch raumgreifende Refrains, fiebrige Aggression und unverkennbare Melancholie an. Mit einem wundervollen Cover-Artwork von Sundin und einer "gelebten" Produktion von Brändström (Rogue Music) und dem Engineering von Alexander Backlund (Fascination Street Studios), sowie einem hochoktanigen Mix und Master von Jens Bogren (Ihsahn, At The Gates), setzt "Endtime Signals" die gesamte innovative Songkunst von Dark Tranquillity in ein unvergleichliches, breitgefächertes Erlebnis um. "Endtime Signals" ist erhältlich als Gatefold 180g LP (12 Tracks) in schwarzem Vinyl sowie als strikt limitierte Gatefold 2LP-Deluxe-Edition mit dem Hauptalbum auf einer mehrfarbigen 12"-Vinyldisc (12 Tracks) plus zusätzlicher schwarzer Bonus-Vinyldisc (Seite A: 2 Tracks, Seite B: Motiv-Ätzung).

Regrooved Records proudly presents this limited 45 by Mutiny, the band led by the legendary Parliament/Funkadelic drummer Jerome "Bigfoot" Brailey. These tracks, previously only released as a part of the limited J.Romeo edition of the album "Black Hat Daddy and The Silver Comb Gang" on Regrooved Records, now stand alone as a rare collection of fu nk mastery. Experience the raw power and unmatched talent of Mutiny in this essential release for funk aficionados everywhere. Secure your piece of musical history with this must-have 7" record!

Fourth Drawer Down is a compilation album by the Scottish post-punk and new wave band the Associates, released in October 1981. It compiles the A- and B-sides from the six singles the band released that year. The songs that appeared on Fourth Drawer Down had a notably darker and more experimental edge than their debut studio album The Affectionate Punch. The album was well received by music critics, with reviewers commenting on the band's increased experimentalism. Alastair McKay of Uncut called Fourth Drawer Down ""an extraordinary document on which the sense of mystery deepens, and the commitment to sonic experiment becomes more pronounced."" Fourth Drawer Down is available as a limited edition of 750 individually numbered copies on translucent blue coloured vinyl and is housed in a gatefold sleeve.

Idle Race is the second studio album by British rock band Idle Race, released in 1969. This album follows their 1968 debut, The Birthday Party. Fronted by Jeff Lynne, who later became famous with Electric Light Orchestra (ELO), the album features a whimsical pop-rock style with psychedelic influences. Key tracks like ""Come With Me"" and ""Please No More Sad Songs"" showcase Lynne's melodic songwriting and playful lyrics. Despite critical acclaim, Lynn left shortly after the album release to join The Move. However, Idle Race is a cult classic, celebrated for its inventive arrangements and quirky charm. This album is a hidden gem in the late 1960s British rock scene, highlighting the band's unique blend of catchy tunes and imaginative storytelling. Idle Race is available as a limited edition of 750 individually numbered copies on crystal clear.

Blood Red w/ Cyan Blue Splatter Vinyl. Remember Sports is a Philadelphia-based band, originally conceived in the tiny Midwestern college town of Gambier, OH, comprised of members Carmen Perry (vocals, guitar), Jack Washburn (guitar), Catherine Dwyer (bass), and Connor Perry (drums). Their peppy indie power pop encapsulates the melancholy and excitement of growing up while Carmen's writing is diaristic and intimate; a strange amalgam of both melancholy and joy. Remember Sports recorded Sunchokes in 2014 with school mates Teddy Farkas and Alex Evans while Carmen, Catherine, Benji Dossetter (drums) and James Karlin (bass) attended Kenyon College. Sunchokes (Deluxe Edition) is a remastered version of the original album plus eight bonus demo + original versions of some of the songs.

"-2LP Colour, Gatefold-Außenhülle mit Spiegelkarton, 2 bedruckte Innenhüllen, 4 Seiten 4/0c Poster, Etiketten, 2c Aufkleber
-Featured das Kult-Album, B-Seiten, Live-Aufnahmen und unveröffentlichten Tracks
"

Britny Fox is the eponymous debut album by American glam metal band Britny Fox, originally released in 1988. It was met with critical acclaim and near Platinum sales. Their lead single ""Long Way To Love"" made heavy rotation on MTV and the band won Metal Edge magazine's Best New Band award in 1988. Britny Fox was formed in 1985 in Philadelphia, fronted by lead vocalist and rhythm guitarist ""Dizzy"" Dean Davidson. Other band members included Billy Childs on bass, and two former members of the band Cinderella; Michael Kelly Smith on lead guitar and Tony Destra on drums. Their debut album remains their most popular work to date. Britny Fox is available as a limited edition of 1000 individually numbered copies on red coloured vinyl and includes an insert.

Dom Salvador, released in 1969, is a landmark album by Brazilian pianist and composer Dom Salvador. This instrumental jazz record showcases Salvador's mastery of blending Brazilian rhythms with American jazz influences. The album features a mix of samba, bossa nova, and hard bop, highlighting Salvador's innovative approach and technical prowess. Known for tracks like ""Samba do Malandrinho"" and ""Tio Macrô,"" the album stands out for its vibrant, sophisticated arrangements and improvisational flair. ""Dom Salvador"" is celebrated for its contribution to the evolution of Brazilian jazz and remains a significant work in Salvador's extensive discography. Dom Salvador is available as a limited edition of 500 copies on translucent magenta coloured vinyl.

Im September 1999 veröffentlichten Creed, eine aufstrebende Rockband aus Tallahassee, FL, ihr zweites
Album Human Clay. Voller hymnischer Hits, darunter ”Higher”, ”What If”, ”Are You Ready?” und das mit
einem GRAMMY® ausgezeichnete ”With Arms Wide Open”, katapultierte Human Clay Creed (Scott Stapp,
Mark Tremonti, Brian Marshall und Scott Phillips) an die Spitze der Billboard-Charts und wurde zu einem
der meistverkauften Alben aller Zeiten. Jetzt, 25 Jahre später, feiert Creed den Jahrestag des Diamantzertifizierten Albums mit einer Neuauflage mit vielen Boni. Die am 16. August erscheinende Deluxe-2-CD
enthält das neu gemasterte Originalalbum sowie eine Fülle von Bonusmaterial, darunter ein kompletter, noch
nie zuvor gehörter Konzertmitschnitt, der 1999 in San Antonio, TX, aufgenommen wurde. Eine digitale
Deluxe-Edition des Albums enthält außerdem sechs zusätzliche Bonustracks, darunter alternative Versionen
von Higher” und With Arms Wide Open” sowie eine Coverversion des Doors-Klassikers Roadhouse Blues”
mit dem Doors-Gitarristen und Gründungsmitglied Robby Krieger (live aufgenommen bei Woodstock ’99)

"Two-time GRAMMY Award Winner and multi-platinum selling performing artist Lauren Daigle will release a very special collection of reimagined songs entitled Sessions, on August 16th. Recorded live in front of a limited audience, the 8-tracks highlight the beauty in the songcraft and purity of Daigle vocal prowess. In a first for Daigle, Sessions will be available on numbered limited- edition vinyl variant in addition to digital platforms.
“I love that we’re able to share versions of these songs that people might not have heard before,” shares Daigle. “I think it’s what makes them special. I also thought it’d be cool to add something a little different, something we’ve never done before, so I thought what better, more poignant song is there than Joe Cocker’s “You Are So Beautiful”. It’s up there on my list of all- time favorites.”
Sessions marks the debut release of the recordings captured at SiriusXM, which were previously only heard during the original performances. The Apple Music performances will now be available for the first time across all streaming platforms. Sessions includes her rendition of Joe Cocker’s “You Are So Beautiful,” two new versions of her recently Gold Certified hit “Thank God I Do,” her current radio single, “Be Okay” and the first new recording of her 6x Platinum smash “You Say.”
Daigle recently wrapped the long-awaited European Leg of The Kaleidoscope Nights Tour including sold out performances in London, Manchester, and Amsterdam. The tour will make its debut in the US on July 29th in Columbus, OH with stops in Amphitheaters across the states including Brandon, MS, Colorado Springs, CO, and Santa Barbara, CA before wrapping September 5th in Honolulu, HI. The Kaleidoscope Nights Tour features many of Daigle’s #1s including her groundbreaking 6x Platinum smash “You Say,” 2x Platinum hit “Rescue,” “Look Up Child,” her latest No.1 and Gold Certified GRAMMY Nominated “Thank God I Do.”"

"Three years and two EPs into their short but ascendant career, Telenova announce their debut album ‘Time Is A Flower’.
The distinctive universe of Telenova - shadowy, sample driven alt-pop with prominent trip-hop and electronica influence, plus a touch of playful energy - is the design of lead vocalist, songwriter and filmmaker Filipina-Australian Angeline Armstrong and multi-instrumentalists Edward Quinn and Joshua Moriarty."

Following a stunning introduction to the world with her 'Sometimes I Forget You're Human Too' EP release in early 2021, Bored At My Grandmas House (AKA Amber Strawbridge) is back with the compelling new single Detox.

It's a tale of navigating change with Amber explaining it’s about “feeling alienated, not knowing who you can and can’t trust, and figuring out how to be yourself whilst also discovering who you are”. “The lyrics represent exactly how I felt in that current moment, numb, confused to who I was and overwhelmed by all the changes I was starting to encounter”.

While Detox retains a lot of the indie and shoegaze elements prevalent in Amber's debut EP, it also shows growth and maturity in sound, with more contemplative lyrics asking questions of the listener. It's a stunning synth-laden track which broods and swells.

Lyrically, there is a deep introspection and a philosophical desire to question and understand human nature, culminating in the "I think we need to Detox" hook.

The track will be released on a limited edition 7" vinyl via Clue Records with a bottle green vinyl available from the artist and label and a toxic yellow version available at all good indie record shops. Following the first 2 pressings of Amber's debut EP selling out ahead of release date, these will be highly sought after.

The track was recorded by Amber at home in Cumbria before being sent to Alex Greaves (bdrmm, Working Mens Club) to add some elements and mix the track. Amber and Alex worked closely together on the final revisions.

The origins of 21 year-old Amber Strawbridge's bedroom shoegaze project Bored at My Grandma's House are perhaps unsurprising given the name. Facing an extended stay with relatives after a trip to Cambodia, Amber used the spare time to start making beats on her phone with Garageband. Fast forward to 2022, the home set up's more than evolved, she's released her debut EP 'Sometimes I Forget You're Human Too' to critical acclaim ,and now steps back into the light with new single Detox.

Mr. B is the album recorded in 1983 by Chet Baker and is considered one of the best from that period. Baker plays compositions from “Dolphin Dance” (Herbie Hancock), “Strollin” (Horace Silver) and “In Your Own Sweet Way” (Dave Brubeck). The sadness of the songs is felt throughout, in a lazy sometimes slow and sluggish tempo. The album includes two bonus tracks “White Blues” and “Father X-mas” and band members include Michel Graillier (piano) and Ricardo Del Fra (bass).

Mr. B is available as a limited edition of 1000 individually numbered copies on translucent red coloured vinyl. The album sleeve contains liner notes by Wim van Eyle.

• 180 GRAM AUDIOPHILE VINYL
• SLEEVE PRINTED ON HEAVY CARDBOARD WITH LINEN LAMINATE FINISH, CONTAINING LINER NOTES BY WIM VAN EYLE
• CHET BAKER PLAYS COMPOSITIONS FROM HERBIE HANCOCK “DOLPHIN DANCE”, HORACE SILVER
“STROLLIN”, DAVE BRUBECK “IN YOUR OWN SWEET WAY” PLUS 2 BONUS TRACKS “WHITE BLUES” AND “FATHER X-MAS”
• LIMITED EDITION OF 1000 INDIVIDUALLY NUMBERED COPIES ON TRANSLUCENT RED COLOURED VINYL

Ominous drums, obscure cellos, fuzzy and distorted guitars, psychedelic piano sequences: legendary Italian composer Alessandro Alessandroni creates a sombre and gritty war atmosphere on this classic library album "Storie Di Guerra". Originally released on the Octopus Records imprint by Flipper Music in 1972, this obscure and spooky library has been long out of print — 50 years past its release we are happy to bring this back on vinyl in collaboration with Flipper Music as a limited edition of 500 copies!

Tokyo female group Gallhammer was formed in February 2003 by Vivian Slaughter (bass/vocals), following her passion for the primitive work of Swiss legends Hellhammer & other metal, punk & crust acts. The band's debut studio album, 'Gloomy Lights' swiftly followed the year after, leading to a deal with Peaceville Records for the release of the 'Ill Innocence' (2007) & 'The End' albums, before the band folded.

Having become somewhat of an underground sensation in the years prior, the aptly-titled 2011 release, 'The End', was to become the farewell opus for Gallhammer. The album was recorded at Void)))Lab in Tokyo in mid-October 2010 & evolved further from the foundations of 'Ill Innocence', with an album of disturbing & dark drone music with a hypnotic bass & drum combination mixed with the band's raw black metal & punk origins. To further enhance the Gallhammer sound circa 2011, there was also the introduction of saxophone performed by Vivian, who at the time described the overall album direction as "strange & psychedelic experimental sounds of doom".

This edition of 'The End' is presented on black vinyl & appears on the format for the very first time.

Legendary Canadian EDM / Freestyle artists In-Dex return after their huge success with their sold out 2021 Brazilian only 12" vinyl "No Science for Love" with a very limited white vinyl 12", a brand new track "I'll Never Walk Away"

4 tracks, 3 exclusive to this record, including a special dub mix of "No Science for Love" and a special mix of their 1988 hit "Give Me a Sign".

Produced by Brazil's Decho Wanlu, fans of early Depeche Mode will love this. In-Dex were formed in 1987 & had three hits between '89 & '91 and reformed in 2021. Lead vocalist & songwriter Rupert Gayle is a 1994 Juno award winner for best R&B album recorded in Canada. By 2008 he had written four #1 songs in Canada for other artists. In 1993 he founded Beat Factory Productions & signed Dream Warriors to Island Records in the UK.

This limited edition, collectable 12" is much sought- after in Germany, Finland, Canada, USA & Brazil where the radio version has had many streams on the internet. The other 3 tracks will not be available to stream or download.

Tracks: I'll Never Walk Away (Radio Version) / I'll Never Walk Away (Dub Mix) / Give Me a Sign (Special Mix) / No Science for Love (Dub Mix)

Following the amazing response to their first, recent collaboration, "Cultivator," Linval Thompson and JonQuan return with "Bound To Fall," another roots-heavy limited edition track, this time with Ticklah at the controls. Babylon will surely fall under this heavyweight tune.

Since its founding back in 2014, Blume has carved a unique place in cultural landscape, issuing free-standing works, spanning the historical and contemporary, that represent singular gestures of creativity within the field of experimental sound. Joining their broad efforts in building networks of context and understanding that already includes the works by Werner Durand, Sarah Hennies, Bruce Nauman, John Butcher, Jocy de Oliveira, Mary Jane Leach, Valentina Magaletti, Alvin Curran, Julius Eastman, Alvin Lucier, and shortly after returning with the first ever vinyl release to attend to James Tenney’s legendary “Postal Pieces”, the label is now offering a brand new, ambitious work by the American composer Ben Vida, entitled “Vocal Trio”, conceived, performed, and recorded in Bremen, Germany, during the Spring of 2022. A truly stunning work of compositional conceptualism, combining the ideas of systems based synthesis with real-time vocal collaboration - issued in a highly limited vinyl edition of 200 copies mastered by Stephan Mathieu, featuring specially commissioned liner notes by Bradford Bailey and a leporello insert offering the piece visual score - it’s a landmark in contemporary experimental practice and arguably the most forward-thinking and exciting piece by one of the most exciting American artists working today.

Ben Vida first emerged during the mid 1990s within a loose constellation of experimental musicians, centred around a performance series of improvised workshops at the Myopic Bookstore in Chicago, alongside Jim O'Rourke, Kevin Drumm, Chad Taylor, and the other future members of Town and Country - Jim Dorling, Joshua Abrams, and Liz Payne - the band within which he would gain widespread recognition over the following years. Like many other members of that scene, Vida remains a restless product of a fleeting context - Chicago during the 1990s and early 2000s - continuously undermining concrete notions of idiom and signifier within a practice that witnessed him rendering bristling abstractions within Pillow, glacial melodies with Town and Country, the art-rock mayhem of Bird Show Band, and the angular, driving indie rock of Joan of Arc, before becoming immersed in a practice of systems based synthesis, beginning in the 2010s, that guided much of his first decade of output as a solo performer and composer.

As early as 2013, he began to incorporate acoustic sound sources - specifically the human voice - into his work. It was this shift, evolving and refining itself over the last decade, that underscores radically the leap in his practice represented by “Vocal Trio”, a work that encounters Vida composing for the human voice with the ideas that allow for synthesis - transferring the underlying concepts and structures of both subtractive and additive synthesis to the acoustic realm - without using a synthesiser.

During the Spring of 2022 Vida was in Bremen, Germany, collaborating on a dance piece with the choreographer Fay Driscoll, when the production fell into delays. Finding himself with time on his hands, a space at his disposal, and the company of two dancers - Amy Gernux and Lotte Rudhart - who were also singers, the idea for the piece - to utilising the larynx as audio paths (multi-harmonic or harmonically pure) while conceptualising each person’s mouth as a filter to sculpt the timbre and resonance of a given tone - began to take shape in his mind. Considering how typographical scores might be developed into a non-linguistic social framework, Vida drafted a single page of text - what became the score for “Vocal Trio” - accompanied by a set of harmonic suggestion and loose parameters, seeking a core meaning from each word's phonic make-up by each of the three singers (Vida, Gernux and Rudhart) singing as slowly as possible.

At the core of the pulsing vocal drones - intoxicating, harmonically rich long-tones - that make up the duration abstraction of “Vocal Trio”, is Vida’s regard for music as a social space. It is an experiment that seeks liberation through the act of collective music making, by challenging the terms through which the act of composing is perceived and then relinquishing control. The piece’s rehearsals were simply the three performers hanging out, allowing their knowing each other and natural dynamics to contribute to its form as the score, before recording during a single afternoon at the end of a number of days sharing company and space.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida’s “Vocal Trio” represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today. Issued by Blume in a highly limited vinyl edition of 200 copies mastered by Stephan Mathieu, featuring specially commissioned liner notes by Bradford Bailey and a leporello insert offering the piece visual score, this is hands down one of the most important contemporary records we’re likely to encounter in 2024.