quête:emotion

Bread&Butter Records celebrates its 10th EP with a powerful statement from Romanian duo NTFO, a name synonymous with precision minimalism and timeless groove. The release unfolds across four masterfully produced tracks, each one engineered for those moments when the dancefloor turns into something deeper, heavier, and unforgettable.

Calibre sets the tone in classic NTFO fashion. Its stripped-bacb bassline rolls with hypnotic intent, carrying just enough weight to lock the floor in. By the three-minute mark, subtle shifts into a trance-like state, gently elevating the room into waves of euphoric release. It’s understated yet devastatingly effective, the type of cut that DJs treasure for its power to transform the atmosphere without ever shouting too loud.

Electr pares things back even further, pushing into pure minimal territory. Built on a sleek harmonic groove, it’s a masterclass in restraint, every sound feels perfectly placed, every movement precise. This is a track that thrives in the early hours, where tension, patience and subtle shifts in rhythm rule the floor.

Forap flips the script, injecting an upbeat energy that hits with instant impact. Around the three-to-four minute mark, a vocal element cuts through, commanding attention before the groove locks back in with unstoppable momentum. Hypnotic yet uplifting, it’s the perfect peak-time tool a track that lifts the room into a collective high, as though flying on pure feeling.

Nanomos closes the EP with finesse. A deeper, darker exploration, it glides through murky textures and intricate percussive details, carrying an otherworldly atmosphere that keeps the listener suspended in motion. It’s a slow-burner that lingers long after the last note fades, a testament to NTFO’s ability to balance groove and emotion in equal measure.

With this release, Bread&Butter not only cements its reputation as one of London’s most exciting underground imprints but also showcases NTFO at their most refined. Four cuts, four moods, all bound by that unmistakable Romanian touch that continues to set standards worldwide.

“The high priest of country cool” - Rolling Stone

“I like him very much. He’s very special. He’s singing with a voice I never heard before” - Townes Van Zandt

“A conscious, soulful brother” - Horace Andy

“He’s a brother to me - one of the best singer/songwriters I’ve ever met” - Adrian Sherwood

“Unearthed mine of gems from inner Wales - a songbook of ideas - that's Jeb!” - Gilles Peterson

Jeb Loy Nichols is a bonafide Country (Got) Soul legend. The Music Maker presents 21 incredibly deep, grooving and soulful songs from the cream of Jeb's catalogue; from its earliest days to his latest unreleased gems via countless rare and unbelievably good lost-classics. This 2LP set is presented in a gatefold sleeve complete with freshly commissioned artwork courtesy of Jeb himself.

In collecting these uncut, under-heard gems, we hope to do justice to Jeb's jaw-dropping artistic brilliance. A man who, in working with Adrian Sherwood, Dennis Bovell, Dan Penn, Larry Jon Wilson and countless other legendary characters, has crafted some of the most deeply affecting folk, country, soul, funk, blues, dub, reggae, gospel, rap and electronic music, ever heard.

The first music Jeb really felt a connection with was southern soul: "I used to listen to the radio at night and fell in love with Bobby Womack and Al Green, The Staple Singers and Joe Simon – that whole Nashville/Memphis/Muscle Shoals thing.” But Jeb was so much more than a soul boy, Indeed, he "went to bluegrass festivals with my dad and come home and listened to jazz records with my mother.” And, when he was fifteen, he heard his first punk record: "God Save The Queen" by The Sex Pistols. “That and The Ramones completely changed me.” In 1979 he got a scholarship to go to art school in New York: “A great time. Punk was over but hip-hop was starting and I got into that in an obsessive way.”

His first recording, in 1980, was an unreleased rap song called "I’m A Country Boy". If that isn't an insight enough into Jeb's kaleidoscopic path through music, in 1981 he visited friends in London and found himself living in a squat with Adrian Sherwood, Ari Up (from the Slits), and Neneh Cherry. “Adrian put me to work immediately, moving boxes of records all across London. It was Adrian that was and is my biggest influence – in his complete disregard for genre purity.” So, presumably you're getting the picture? A veritable musical magpie with a voracious appetite and unimpeachable taste.

"Mine has always been a meandering career. I've done what I've done, and made the music I've made, due to chance meetings. I'm not particularly ambitious; it's more important to me that I work with friends and like-minded people. I've been a big fan of Be With for years. Everything they release is essential. When they asked about rereleasing "Countrymusicdisco45" I was both pleased and flattered. We began talking about how we'd do it; two years and twenty-one tracks later, here we are. I've always thought of the music I make as Country Music. Music conceived in the country, written in the country, recorded in the country. I left London and moved back to the country so I could live among the trees, the grasses, the animals, those things that don't go to war and get greedy. This compilation is the story of that life. Hand made, lo-fi, ramshackle, stripped down, real deal music. Heartworn and funky. Music made in the kitchen, not in the studio. As the great Skip Mcdonald said, Perfect ain't perfect. It's great to see all these tracks gathered together. It feels like a family reunion. Some older members of the tribe, some newer arrivals."

Opener "countrymusicdisco45" is a song Jeb wrote about how his crew lives, tucked up blissfully in the hills: "House parties full of country folk dancing to disco, reggae, soul, country, hip-hop. All night. I recorded it at home under the influence of Stevie Wonder." It's one of the funkiest records you'll ever hear. "Sometimes Shooting Stars" was recorded in Nashville and mixed by the legendary Dennis Bovell. It's deep, dubby, majestic. A thing of fragile, melodic beauty. The party ramps back up again with the undeniable groove of "Short Cut Home" before the profoundly moving "Disappointment" arrives. One of many songs he's recorded with good buddy Benedic Lamdin (aka Nostalgia 77): "We were going for a Leon Thomas meets Richard Brautigan meets Alice Coltrane kind of thing". We think they nailed it. "Days Are Mighty", like a lot of the tracks on this collection, "started life as a demo, an attempt to get something down while it was fresh. No frills, nothing fancy, just feel." And what feels!

The irrepressibly funky "Don't Dance With Me Tonight" is a deeply moving, slow-mo organ-drenched head-nod-funky country-ballad. Next up, the breezy "You Got It Wrong" was recorded in Wales with some of Jeb's good friends and neighbours, The Westwood All Stars, featuring Clovis Phillips and Will Barnes. Skanking fiddle-flecked gem "Ring The Bells" was the first thing Jeb recorded when he moved to Wales. A combination of all his loves; country, reggae, soul. It's followed by "Let's Make It Up", a truly sumptuous string-drenched emotional groover. "When Did You Stop Loving Me" is another Nashville track, written and recorded during a time Jeb was spending a lot of time with the Muscle Shoals crew, Donnie Fritts, Spooner Oldham, George Soule and Dan Penn: "It shows, I'm sure, their influence." Oh, you bet it does!

The swaggering country-funk of "Just Beginning" should grace many groove-focused DJs' sets whilst "Wintering Of The Year", again made with Clovis, is pastoral, campfire soul. The glacial, gorgeous "Let It Rain" is from an unreleased record Jeb made with the great British jazz bass player Andy Hamill and "We Tell Each Other Who We Are" is freaky country-soul made by a man with a love for strutting, wonky hip-hop stylings. Rounding out the side, "Trip To You" is pure, uncut amphetamine-propelled drum-machine soul.

The spare, beautiful "Dirt" is from an EP Jeb made with Julian Moore in his house in South London: "All first takes, straight to tape." Swoon! "Heaven Right Here" was a very minor league hit in America: "It was produced by the brilliant and much missed Wayne Nunes. It was started in the countryside of Missouri, finished in the countryside of Wales, and recorded in the countryside of Sussex." Double swoon! "If Later Ever Comes" is electronica meets J.J. Cale business whilst "Remember The Season" is truly wonderful and breezy guitar soul. "A Little Love" was made with Wayne Nunes as well, after a night of listening to Studio One and Northern Soul. Bouncy dub closer "Weary Traveller" was written by Bill Monroe, the hero of Jeb's youth: "Monroe's music was heavily influenced by black southern churches; I've tried to keep some of that feral feel." This was the final recording by Jeb's 1990s Country-Dub band, Fellow Travellers.

The name of this compilation comes from a time when Jeb lived in Peckham, south London and he used to DJ and sometimes perform at a local bar: "The owner of the bar, a Jamaican named Count Percy, once asked me what I called my music. I told him I wasn't sure, I guess just pop music. He thought about it for a minute and then said, 'no, more like mom and pop music'. Rather than call me a country singer or a folk singer he always referred to me as The Music Maker."

With the long overdue deluxe overview of his beloved music, we hope to finally shine a light on the unheralded genius of Jeb Loy Nichols. RIYL Larry Jon Wilson, Townes Van Zandt, Bobby Charles, country got soul artists, dub, deep soul, disco, dancing, heartbreak. This deluxe collection, spellbinding from beginning to end, should hopefully go some way to ensuring Jeb reaches an ever bigger, ever more appreciative crowd of followers. Mastering for this special double vinyl edition was overseen by Be With regular Simon Francis and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. The artwork has been lovingly put together by The Music Maker, himself, Jeb Loy Nichols. "Be With is the perfect home for this mongrel music. I am forever in their debt." The pleasure is all ours, Jeb.

Helsinki based newcomer DJ Sofa debuts on Up Ya Archives Records with the release of 'Lionheart’, the title track to their forthcoming EP, landing on the 12th November 2025.

Drawing inspiration from pioneering duo Digital & Spirit, ‘Lionheart’ channels a moody, mysterious energy. Driven by an organic-meets-machine dub sensibility, the track weaves hypnotic chants and meditative basslines into a soundscape that’s both harsh and mesmerizing. Letting the amen break breathe, ‘Lionheart’ captures an emotional intensity that runs throughout the wider EP.

Rooted in a love for 90s and early 2000s jungle, DJ Sofa’s production pays homage to the era’s raw sound and spirit whilst pushing it forward. Conceptually, the record explores bravery, self-determination, and finding strength in uncertainty. It’s a personal statement of resilience and creative growth from an artist carving out their own path.

Despite operating under this alias for only a few years, DJ Sofa has already made waves with standout releases on Future Retro, with a Tim Reaper collaboration titled ‘Helsinki to London Connection’ and N4, Straight Up Breakbeat, and Ruff n Tuff. Alongside other statement releases which are reminiscent of nineties jungle and their childhood love of The Prodigy, their performances at iconic nights such as Rupture London have cemented their rising status in the scene.

Sealand returns with its fourth vinyl release, bringing together Mykoz, Inqoherent and RVOLT for a fierce and emotional journey through cutting-edge hardcore sounds.
The title track Net runners by Mykoz and Inqoherent has already been tearing up festivals across Europe - a high-impact banger built on distorted energy, razor-sharp percussion and a dark futuristic pulse that defines the Sealand spirit.
Inqoherent's Sense of Touch dives deeper, blending haunting melodies with relentless drive, while Mykoz's I'm Losing My Mind captures the tension between emotion and chaos in pure dancefloor form.
To close the record, RVOLT reshapes Mykoz's There Is A Storm Coming into a powerful, crossbreed/industrial remix - heavy, raw and built to destroy big systems.
Net runners marks a new chapter for Sealand: 12'' format vinyl, high quality full coloursleeve in a protective shrinkwrap sleeve

Sicily's SLV is able to merge technical mastery with emotional resonance. His potent techno sounds have come via the likes of SHWD's Mutual Rytm and Slam's Soma, and unite timeless yet forward-thinking sonics.
On 'Fleeting Dreams', he continues to refine his signature sound while channelling introspection and intensity into a collection of meticulously crafted cuts that balance precision and feeling, energy and space. Each track reveals a different side of his sonic identity: hypnotic rhythms intertwine with evolving soundscapes, while layers of distortion and melody merge into a dreamlike tension between the mechanical and the organic.

'Fading Moments' kicks off with a sleek blend of driving, supple kicks and warm synth ripples, while a euphoric vocal cry is buried deep to amp up the emotion. 'Scenario' then brings icy hi-hats and sinewy synths bring a futuristic feel to the unrelenting, high-pressure drums down low. 'Daruma' has a darker energy with menacing textures and paranoid FX bringing the rolling drums to life, while 'Bass Grit' has a hunched up rhythm, with groaning pads and fizzing static electricity that charge up the party. To close, 'Shimmer' sinks down into a muscular and deep rhythm that's marbled with restless synths and ever-rising tension.

In addition, digital bonus cuts 'Trust' and '1990' offer different perspectives with slamming drums, seductive vocals and feisty synth loops making for two more bold, immersive techno weapons.

E23 Records is an independent label from Amersfoort that releases music moving between electro, wave, EBM, and acid—sounds that feel familiar, but not quite at ease. Each release is built with care, made to be both an object to collect and a small joke at the universe’s expense. Patterns appear where they want to, chance plays its role, and sometimes the numbers line up in ways that feel more than coincidental. Tune in, and see what reveals itself.

E23 Records launches its catalog with three dark electro transmissions from Amersfoort residents Son of 8-Bits, Mavanov, and Law Of Fives. Opening with Son of 8-Bits’ “Deliverance”, the record sets an ominous tone: heavy bass pressure and sharp machine rhythms push forward with a cold, driving pulse built for late hours. Mavanov’s “Dark Romanticism” drifts into sparse, hypnotic territory, where cold mechanics meet faint traces of emotion. Law of Fives’ “Primer” closes the trip with an urgent workout that turns rhythm into a labyrinth—metallic strikes, pulsing bass, and restless sequences coiling together, building toward moments where chaos threatens to take over but never quite does.

Together, the three cuts form a statement of intent: E001 is moody, uncompromising electro with just enough strangeness to keep the floor on edge. A first chapter that hints at many more signals to come.

Gladio Operations continues its expansion into the electro universe and, with this fourteenth release, lands in Viking lands, giving Danish producer Martin Stoffregen his debut on the label.

This artist, who releases his work under the alias Krypton 81, is no stranger to the scene, having released on major labels such as Bass Agenda and Mars Frequency, among others.

On this EP, entitled “Quantum Entanglement”, we sense a breath of fresh air in its three original tracks, which are refined and elegant. With strong sequences and adorned with sublime textures, we encounter “Binary Encoding”, the track that opens the EP and shows us the way to “Particle Proximity” and “Quantum Computing”. These two Kraftwerk-flavoured tracks are imbued with captivating melodies and subtle vocals, transporting us to an infinite emotional state of continuous well-being.

This EP is reinforced with two heavyweight remixes. The first is by producer Univac, who returns to the label and gives us his particular vision of “Binary Encoding”, once again showcasing his unmistakable and classic industrial sound, dark and emotive. The second remix is by German producer Vertical67, who gives “Quantum Computing” more hypnotic tones than the original

„Cloudy Eyes (Dance Tonight)“ marks Reznik’s and Jesse Boykins III’s second collaboration. Remember Rez’ remix for Tiga & Hudson Mohawke’s „Silence Of Love“ from last year? Working with Jesse’s vocals struck quite a few chords, so the next obvious move was to produce an original track together. And that one just hits all the sweet spots. Those piano chords. Those string pads and synth arpeggios. This driving rhythmic footing. Quite the ideal sonic environment for Jesse’s soulful croon to thrive on. „Cloudy Eyes (DanceTonight)“ has become a set-highlight of all the Keinemusik members throughout the summer season and the triggered feedback and ID requests have been no less than overwhelming. Safe to say, this is one of the most anticipated tunes of the year and its unmistakable imperative to dance tonight is about to wreak a lot more of the sweetest emotional havoc on dancefloors worldwide.

After several years of existence Rite Of Passage have naturally progressed into the launch of their vinyl label. Based between Rotterdam & Slovenia the label called on four intriguing characters to assist with the soundtrack of RoP01, "I Want To Shower With Your Emotions". A nod to the Dutch underground as the VA features DJ Tjizza, new kids on the block Young Adults, Nathan Homan and the sought after Eversines.

Matching brooding, tense undercurrents of drone with strained soulfulness, Malcolm Pardon makes a notable shift in his creative approach on his third album.

Leaving his piano behind, the Stockholm-based artist explores the richly varied tones lingering in the background of his past compositions.

Born from his extended live improvisation for Gustaf Broms’ Köttinspektionen exhibition in Uppsala, Flesh & Bonesbecomes a haunting suite of compositions focused on texture and spatial processing, mixed by longtime collaborators Aasthma (Peder Mannerfelt & Pär Grindvik). From Hidden Path’s cavernous wells of low-frequency tone to Under Over’s sustained synth blooms, and the woozy two-chord refrain of Speaking In Tongues, Pardon's seasoned approach to dramatic scene-setting leads his music into its own captivating, compelling sphere, where emotions entwine and conjure strange new plains of expression.

Burgos and Page's sophomore album, A Long Short Story, is a conceptual journey through the rise and fall of a fleeting yet profound love—one that blossomed, thrived, and withered within the span of four seasons. Each track unfolds like a page torn from Johnny's mind, capturing every stage of the relationship's evolution in raw, chronological detail. From the euphoric highs of newfound passion to the crushing weight of unreciprocated love and the bittersweet process of healing, A Long Short Story weaves a sonic tapestry of grand emotions, immersing listeners in the beauty, pain, and impermanence of love.

Dot / Stephan Bazbaz - Split EP Vol. 2 (Depthful002)

Depthful returns with its second release, following the success of the first release by label owner and artist Dotan Bibi aka Dot.

In the second release, Dot returns to collaborate with his close friend and artist Stephan Bazbaz for their second split EP, following the great success of the first one released back in 2017 on Stephan's label, "No waves"

A1. opening With Dot's track 'Hoag’s Object'. is an intriguing fusion of house and dub influences, balancing the pulsating energy of house with the relaxed, spatial vibes of dub. From the start, listeners are greeted with a deep, groovy bassline and lovely acid line, that immediately establishes a rich foundation for the track.The rhythm section and congas is tight and persistent, with the signature rolling beats of Dot's sound laying the perfect backdrop for the track's sonic landscape.

A2. 'Fading Fast' isn't just a track; it's an experience. If Hoag’s Object laid down the groove with subtlety, 'Fading Fast' fully submerges you in its rich, atmospheric depths. From the very beginning, there’s a sense of movement - like something slowly emerging from the mist, with deep, resonating bass frequencies that pull you into the track.The rhythm section feels almost submerged, like you’re hearing it from underwater. The inclusion of short, scattered vocal samples in 'Fading Fast' adds an extra layer of intrigue and emotional depth, without pulling focus from the track's atmospheric core. Rather than traditional, lyrical verses, these vocals appear like fleeting whispers - fragments of a larger story, almost like half remembered phrases.

B1. opening with Stephan's track 'Overload' and it feels like an immediate shift in energy, where the vibe ramps up with pure house power. This track is all about the rhythm, the groove, and, most importantly, that bassline that keeps you locked in.
From the first beat, it’s clear 'Overload' isn’t messing around. The drums hit with a sharp, punchy attack, but it’s the bassline that truly makes this track shine. Deep, low, and relentless, the bassline pulses in a way that feels almost like it’s driving the entire track forward. There’s something about the way the low end sits in this track that makes it feel alive especially with the warmth of the lovely deep pad Holding the whole track underneath.

B2.'Better in Space' is the closing track of the record, it feels like a natural continuation of the vibe that’s been built, but also a final statement that allows the listener to fully sink into the deep, spacious world Stephan is known for. With this track, we’re stepping into a place where dub and deep house collide seamlessly, creating an atmosphere that's both expansive and intimate - taking us out there but also pulling us inward. From the very first moment, 'Better in Space' sets the stage with a warm, enveloping bassline that instantly grounds you.

Mastered By Pheek
Designed By Idan Am-Shalem

A blazing sunset melting into the horizon, an ice-cold cocktail in hand, and the bittersweet feeling of a moment hanging in time. With Love On The Rocks, I Coccodrilli take us on an emotional journey that drifts between nostalgia and euphoria, lazy golden afternoons and bursts of unexpected joy. A '90s-inspired Italo House project produced by R. Arcella and E. Fierro for the catalog of Futuribile, an iconic record store based in Naples and a true hub for local and Italian music.

2025 Repress

“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?
What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?
The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90″s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.
Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.
Hmm sound familiar?

As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.

There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,

Nation 2 Nation a work inspired and that inspired what’s next.

Second Circle is very excited to announce ‘In Dream’, the eight-track debut album from Tokyo-born, Berlin-based producer and DJ Courtney Bailey.

Sonically, 'In Dream' unfolds as a rich, lush soundscape, woven together with expansive digital synth pads, Fairlight-esque stabs, and vibrant acid bass lines. At times the EP leans back horizontally to evoke the balearic spirit of Yello ('Burnt Moon'), at other times it leans more upright towards to dancefloor ('In Heaven'), but what remains throughout is a sense of intimacy, gracefully guided by Bailey’s whisper soft spoken vocals and gentle melodic vocal lines.

Building on an initial spark of inspiration that arose when listening to the work of Japanese artist Dream Dolphin aka Noriko Kodera, ‘In Dream' is Bailey’s direct creative response to new feelings, energy and emotions. Time spent in the outdoors, specifically in the natural landscapes of Australia also had a profound influence on the making of the record; opener ‘Kodou’ was directly inspired by a moment in Melbourne watching rainbow-colored parrots in a pink-flowering tree. Similarly, 'Burnt Moon' captures the essence of watching moonlight shimmer on ocean waters. At its core, 'In Dream' embraces a child-like wonder for the beauty of nature, an act which infuses the music with a radiant, luminous sense of positivity.

Capturing the essence of stepping into the unknown and more importantly, doing it with curiosity and optimism, ‘In Dream’ paints a vibrant, multi-colour vision of life, with Bailey inviting us all to immerse ourselves in it’s wonders.

Sleeve art and design by Michael Willis.

Numbers welcome New York’s Jubilee to the Glasgow based label - Main Character EP features ‘Trippin’’, a collaboration with Jersey club Queen UNIIQU3. One of the most vital voices in American underground dance music for over a decade, Jubilee brings her South Florida rave roots and East Coast sensibilities to the imprint.

Born from the dizzying emotions of love and grief, the EP opens with the cheeky cackle of UNIIQU3 on ‘Trippin’’. Marking their hotly-anticipated first collaborative release, ‘Trippin’’ bridges Jubilee’s Miami bass heritage and UNIIQU3’s Jersey club sound to create a playful lead single featuring tantalizing vocals.

Starting to work on Main Character in 2019, Jubilee revisited the project during an intense period of change and loss. Bringing in further influences from electro, Baltimore club, 90’s dance and techno to create her signature sound, Jubilee channels the fun, drama and chaos that comes hand in hand during challenging times. A deeply personal release, Jubilee looks to her friends and family for inspiration, including a sample of her parents on ‘Lucky’.

Jubilee’s debut on Numbers continues a stand-out year for the dynamic artist who released two stellar EPs earlier this year alongside celebrating 10 years of Magic City - her party series and record label which was awarded DJ Mag’s ‘Best Record Label’ in 2023 - with a run of records, merch and events across the States.

'in a fugue state' finds pedal-steel guitar maestro Joe Harvey-Whyte collaborating with tape loop sound scientist Paul Cousins on a warped ambient excursion into the subconscious. Originally written and recorded in one night, the eight tracks of hypnotic electro-acoustic music explore the concept of memory and time.

The duo study how we remember and misremember things; forming an imperfect reorganisation of time, events and emotional states. This album exists at a cross- section where loss, confusion, trauma and dissociation meet moments of joy, healing, acceptance and groundlessness

Warm, soulful, and deeply musical house with timeless grooves.

Artem Xio delivers a full-length journey that celebrates the essence of soulful house in its purest form. His debut album flows between heartfelt vocal moments, warm keys, and organic rhythms, all woven together with an undeniable groove. Each track radiates positivity and depth, evoking both the golden era of house and a forward-looking, modern spirit.

A record designed not just for the dancefloor but for every moment in between — Artem Xio’s album is a statement of emotion, craft, and soul.

Where music resists becoming personal confession, it creates its own narrative - abstract, precise, and unbound by outside noise. Vibraform by Berlin-based hardware and live artist Peryl provides an analytical yet deeply instinctive view on music. It reflects the duality between flow and restraint, between self-exploration and the healthy act of setting limits. At its core lies a certain nonchalance - a refusal to act on voices and trends while maintaining full commitment to sound itself. Meticulous sound design, unpredictable, morphing basslines and an intentional timeless aesthetic offer a rare window into Peryl's creative state of mind. Even as he tries to sidestep personal narratives, emotions inevitably surface in the music, subtly shaping its character. The result is not a confessional piece of work, but an abstraction that remains universal rather than private, while still carrying a trace of personal truth. Four tracks that are striking a rare balance between novelty, grace and aggressive functionality, including a remix by R?dh?d, offer to find purpose in the act of believing that sooner or later art reveals a logic of its own. ? 2025 The Third Room All tracks written & produced by Dennis Strobel B2 remixed by Mike Bierbach Mastered by Ahmet Sisman Artwork by Daniel Bornmann & Lennard Makosch (STUEDIO.XYZ) Distribution by Clone Pressing by Matter Of Fact