quête:ep 2

More classic sounding early 90's housegrooves by Böhm on the follow up for Land of Lost.

Andrea Ferlin provides 4 beautiful cuts for new HAZE release. Modulated stabs, rumbling pads, sliding baseline make OPIA a great tool for main hours, while ORGO is perfect for after-hours due to complex percussion polyrhythms and delayed sound structures. B-side flips the mood with DORF. B2- Morning Sunshine makes you feel like classic orchestra will start an interlude in a minute. Vinyl Only.

2025 Repress

***
it dies
it demands
it will not say no.
***

If you prefer things sweet and concise, here is all you need to know about Morphena and Narciss and their Lingua Erotica release on Running Back: a project of passion made while living across the globe thousands of miles apart from each other while falling in love, sensuality, tenderness, longing, authenticity.
Making waves on the festival and club circuit and meticulous productions like Forbidden Fruit or the Immer Remix for Running Back, Narciss found the perfect partnership with Morphena and their multitalented artistry between DJing, music making and vocal work.
Informed and inspired by a mutual enthusiasm for Italo blueprints, new romantic mannerisms, synth pop poetry and an uncanny knack for subtle and yearning dance floor euphoria (see Paradise and the club version of Per Aspera Ad Astra for further proof). it works like a mix tape or love letter to the listener or any of their adored ones. While the obvious club cuts Mi Amor and Fleeing Into You are sandwiched between the ambience of Per Aspera Ad Astra and Cocoon Cracking, one cannot help to be mesmerized by the coherence and monolithic magnetism of Lingua Erotica.
Captivating, catchy and confident. Here’s to many more.

Hibernation is over, and the good times are here! The Alec Falconer & Harry Wills duo under their alias Snoozin' B release a 4-track banger with only one quote : Some swingin’, some thumpin’, all groovin’… still snoozin’.

A steady and sure buzz has been building around Steve Young’s ‘Scarper’ project over the past few years, particularly since his acclaimed 2017 debut album ‘Warmer Squares’ and subsequent dancefloor favourite ‘E-Funk', which won over fans from Skream to Carl Craig with its genre-crossing appeal.

Marking a noticeable shift in direction and a new sense of focus, Scarper returns with four tracks of varying styles and influences. Drawing from dub, techno, breakbeat and rave, he mainly shoots for the floor (with a clear emphasis on bass weight), although as always, there is ample headphone fodder.

Opening with ambient intro 'Wavecrush,' Scarper moves through dub- infused downtempo with the Weatherall-esque chugger 'Metadub,' swiftly picks up the energy with the chunky beats and deep bass of

‘Metadome,’ and concludes with high-octane face melter 'Slab,' which throws tech-breaks, dark garage and jungle/hardcore vibes into the pot.

More quality from Scarper.

Jerome Hill returns to the long running Don't label (24 years strong) with a four tracker of big boned Techno/Booty music that swaggers along, at times with tongue in cheek and mainly giving no fucks.

On the A side, taking inspiration from Relief and Dance Mania records, 'All My Friends' meets the bombastic New-New-Beat rave stylings of 'The Ghost Of New Beat' while over on the flip, you're faced with 'Dog Booty', an obscenely filthy Ghetto Techno track that only your dog will understand, before finishing off with the Miami Bass apocalypse that is 'Blip Trick Track'.

2024 Repress

Numinous records presents their first release with five tracks from the profound producer Halbert. From the depths of Mallorca.

Limited to 300 copies.

First released over 30 years ago, this EP, as with Volumes 1 & 2, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. “Calcium” transcendental and otherworldly, “Owl” described as ‘one of the greatest breakbeat hardcore tracks ever created’. This edition of The Pulse EP is the first reissue in this original vinyl form since 1991, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time.

Repress.

DARK VEKTOR is the new signing for the Madrid label INDUSTRIAS MEKANIKAS, a very consolidated artist within the Spanish ELECTRO scene and very well known internationally.

SIEGA LAS CADENAS, is the name with which the Catalan artist, presents this new work, a title that undoubtedly carries a very direct message about the times of repression and bias of freedoms that we came today.

This new work presents 6 tracks, three original tracks of DARK VEKTOR, along with three remixes, of the hand of some of giants of the international ELECTRO scene.

ASSEMBLER CODE, COSMIC FORCE and CESTRIAN, are in charge of finishing off this incredible reference, full of pure power in each beat, demolishing bass, and hypnotic sequences and above all a message of vindication that is the common thread of the whole EP.

Straight out of Tokyo, the illusive Guchon steps up for the next release on Feelings Worldwide.

One for the heads who like to stay up late and get down with their games consoles, the EP is packed with dance floor curveball material.

Super fun vibes throughout, a slab of Japanese bubblegum pop-house with some bonus breaks and a remix from cult hero Chrissy of Chicago Smartbar fame.

This is a Raving Disorder... A Carbon Roma Dancefloor Techno-Core EP.

A future vision.. a RIOT weapon !

ENJOY :)

Hardcore Aube-joie style, but more in a Gabba vibe... It had to be done : As an eye-blink or... much more... like a BIG UP !!

Enjoy this restroom monster :)*

From 180 to 140... find you crazy way !

We are very happy to welcome back Mr. Rick Wade on the 25th RAWAX MOTOR CITY EDITION!
It's almost the 4th release form Rick Wade on this series, which is dedicated to the Love for Detroit Music and
in our opinion the strogest so far!

The music industry, once revered as a realm of artistic expression and creativity, has gradually transformed into a breeding ground for commercial nonsense. The rampant commercialization of music has resulted in an environment where genuine talent often takes a backseat to profit-driven motives. It’s high time we unmask and challenge the prevailing commercial bullshit that plagues the music scene today.

In the midst of all this commercial nonsense, it’s essential to recognize that there is a thriving underground and independent music scene where authenticity and creativity still flourish. Listeners can play a vital role in reshaping the music industry by supporting independent artists, seeking out diverse sounds, and rejecting the homogenized offerings of major labels.

To combat the commercial bullshit in the music scene, we must prioritize artistry over profit, diversity over uniformity, and creativity over conformity. Only by championing these values can we hope to revive the music industry as a bastion of authentic expression and genuine talent, free from the shackles of commercial exploitation.

At 15 years of age Danny aka DJH worked at Dance Force Records, his Dad’s record shop, at the weekends in Kings Lynn. He also built himself a basic studio in the back of the shop where he linked up with a local customer and started to make music. These tracks would form an EP called The Bass Project which went on to be one of the most sought after hardcore records, being offered for up to £750 a copy. Not bad for a 15 year old kid who made his one and only release back in 1993.

This is the 3rd and final release for the DJH series whilst he takes a sabbatical from music, leaving us with 4 heavy hardcore tracks, with that authentic early 90’s feel with ‘Bad Boy Sound’ being a firm favourite of Jay Cunning over recent months on his Kool FM show. Sourcing original samples and memories from his time embedded in the scene as a teenager, this whole EP pays respects to the analogue dance scene that paved the way for all forms of UK bass music that followed.