Search:ep 4

LIMITED WHITE COLOUR

Zwei Jahre nach ihrem mehrfach zum Album des Jahres gekürten Debüt für das Label Epitaph ("On The Impossible Past", 2012) veröffentlicht die Punkrockband The Menzingers ihren vierten Longplayer. "Rented World" entstand in Philadelphia, Pennsylvania. Erstmals an den Reglern: der Produzent Jonathan Low, dessen unverwechselbarer Americana-Sound schon die Werke von The War On Drugs, Sharon Van Etten, Kurt Vile und The National bereicherte. In der Vergangenheit haben The Menzingers bereits mit Bands wie Against Me! und Anti-Flag gespielt. Label-Boss und Bad-Religion-Gitarrist Brett Gurewitz über die 2006 gegründete Band: "Die Jungs spielen genau den reinen Punkrock, mit dem ich aufwuchs." Für Fans von Title Fight, Tigers Jaw, The Lawrence Arms, Frank Turner und Against Me!

Exclusive to INDIE STORES: Hiss and Shake Records to release ‘Logically Yours’ – a limited edition, 5 x LP boxset of 50 essential recordings from seminal post-punk icon Lora Logic including 2 classic Essential Logic albums, early single releases, EPs, B-sides, rarities, vinyl exclusives + first new Essential Logic studio album in 43 years! Includes the classic Rough Trade Records releases ‘Beat Rhythm News (Waddle Ya Play?) + ‘Pedigree Charm’ + 2 retrospective compilations of early single releases, EPs, B-sides, rarities + vinyl exclusives ‘Aerosol Burns & Other Misdemeanours’ + ‘No More Fiction’ + new studio album ‘Land of Kali’ (first in 43 years) + 20 page booklet with introduction from Celeste Bell + Lora Logic Q+A. Susan Whitby, aka Lora Logic was one of the most distinctive talents from the post-punk era known for her intoxicating, rough-around-the-edges, yet exhilarating sax playing and haywire vocal style. Her offbeat, occasionally arresting lyrics tackled alienation, sexism, poverty and urban isolation, and with a complete disregard for convention, she carved her own path not only in her short-lived music career but also personal life. She was still in her teens when she answered an ad in Melody Maker “Looking for young punks,” and in 1976, with her friend Marion Elliot (aka Poly Styrene), she formed the punk band X-Ray Spex and acquired the pseudonym, Lora Logic. The duo soon achieved notoriety with the irresistible feminist protest single, ‘Oh Bondage Up Yours’ (1977) – Logic arguably stealing the show with her thrilling punk sax. “X-Ray Spex was my first band, I happened to be accepted, It happened to work, I happened to get famous overnight. I’d been playing sax in a cupboard in my room; I thought I better do something.” However, just prior to recording 'Germ Free Adolescents' (1978), X-Ray Spex's debut album, she found herself unexpectedly ousted from the band. With abundant enthusiasm and encouragement from Geoff Travis, founding director of Rough Trade Records, she went on to form Essential Logic, creating some of the most liberating and exciting music of the early post-punk era, not only as Essential Logic, but also as a solo artist. Hiss and Shake Records are pleased to present a limited edition boxset of 50 essential recordings from the irresistibly engaging Lora Logic archive, allowing for a new generation to become aware of her incredible creative output. Across 5 LPs, ‘Logically Yours’ includes in their entirety, the classic Rough Trade Records releases ‘Beat Rhythm News (Waddle Ya Play?) (1979) – Essential Logic’s sole studio album, and Lora’s solo album, ‘Pedigree Charm’ (1982) – her last studio album before turning her back on the music business, sad and disillusioned and fighting drug addiction, which saw her turn to a Hare Krishna lifestyle, alongside Poly Styrene, embracing a fresh new chapter. This totally absorbing and definitive collection also includes two retrospective compilations; ‘Essential Logic – ‘Aerosol Burns & Other Misdemeanours’, which comprises early single releases, B-sides and oddities including the gloriously chaotic ‘Aerosol Burns’, the essential punk/disco ‘Music Is A Better Noise’, and ‘Fanfare In the Garden’, showcasing Lora at her most pop. In addition, ‘Essential Logic – ‘No More Fiction’; contains 10 vinyl exclusives, including ‘Do You Believe in Christmas?’, recorded with the Krishna Kids Choir in 1985, alongside tracks recorded circa 1997, with Martin Muscatt, Dave Farren (Bad Manners) and Gary Valentine (Blondie), forming the basis of what would have been Essential Logic’s third studio album, ‘No More Fiction’. Having recently returned to the studio refreshed and rejuvenated, ‘Logically Yours’ also includes ‘The Land of Kali’ (co-produced by Youth), the first new Essential Logic studio album in 43 years, and features the forthcoming new single ‘Prayer for Peace’, a re-imagining of the X-Ray Spex track from the tragically overlooked album, ‘Conscious Consumer’ (1995) on which Lora also played sax. “Poly Styrene and I were living in a Krishna community in Worcestershire in the early 80s. We came together for the first time musically after X-Ray Spex to record the original version of this song. In 2019, I decided to record my own take as a tribute to the special times we shared. I hope Poly likes this new version too.” Further tracks penned for release from the album include the dystopian, lockdown-inspired ‘Alien Boys’ and ‘Sky Rocket’, written with daughter Malini, about the fairground of life. Despite her short-lived career in the music business, Lora still managed to perform and appear on releases with many artists including US experimental rock band Red Crayola between 1978 and 1981, and also appeared on recordings by The Stranglers, The Raincoats, Kollaa Kestää, Dennis Bovell, Swell Maps and later, Boy George. Undoubtedly an iconic figure of the UK post-punk scene, Lora Logic’s boldness, adventurousness and sense of fun can be seen as an influence on numerous female artists today including Karen O from Yeah Yeah Yeahs, Peaches and St. Vincent among others. Tracklisting: Essential Logic ‘Beat Rhythm News (Waddle Ya Play?)’ (1979). A1 ‘Quality Crayon Wax OK’ A2 ‘The Order Form’ A3 ‘Shabby Abbott’ A4 ‘World Friction’ B1 ‘Wake Up’ B2 ‘Albert’ B3 ‘Alkaline Loaf in the Area’ B4 ‘Collecting Dust’ B5 ‘Pop Corn Boy (Waddle Ya Do?)’…… Lora Logic – ‘Pedigree Charm’ (1982). A1 ‘Brute Fury’ A2 ‘Horrible Party’ A3 ‘Stop Halt’ A4 ‘Wonderful Offer’ A5 ‘Martian Man’ B1 ‘Hiss and Shake’ B2 ‘Pedigree Charm’B3 ‘Rat Allé’ B4 ‘Crystal Gazing’…..Essential Logic – ‘Aerosol Burns & Other Misdemeanours’. A1 ‘Aerosol Burns’ (1978) – Debut single A2 ‘World Friction’ (1978) – ‘Aerosol Burns’ B-side A3 ‘Eugene’ (1981) – Single A4 ‘Tame the Neighbours’ (1981) – ‘Eugene’ B-side A5 ‘Music Is A Better Noise’ (1981) – Single A6 ‘Moontown’ (1981) – ‘Music Is A Better Noise’ B-side B1 ‘Fanfare In the Garden’ (1981) – Single B2 ‘Stereo’ (1982) – ‘Wonderful Offer’ single B-side B3 ‘Rather Than Repeat’ (1981) – ‘Wonderful Offer’ single B-side B4 ‘The Captain’ (1979) – ‘Fanfare In The Garden’ B-side B5 ‘Soul’ (1983) – Previously unreleased on vinyl B6 ‘Stay High’ – Previously unreleased on vinyl….. Essential Logic – ‘No More Fiction’. A1 ‘Essential Logic’ (1991) – Vinyl exclusive A2 ‘On The Internet’ (1998) – Vinyl exclusive A3 ‘Under The Great City’ (1997) – Vinyl exclusive A4 ‘No More Fiction’ (1998) – Vinyl exclusive A5 ‘Love Eternal’ (1997) – Vinyl exclusive B1 ‘Barbie Be Happy’ (1998) – Vinyl exclusive B2 ‘Not Me’ (1998) – Vinyl exclusive B3 ‘The Beautiful and the Damned’ (1997) – Vinyl exclusive B4 ‘Marika’ (1997) – Vinyl exclusive B5 ‘Do You Believe in Christmas?’ (1985) with the Krishna Kids Choir – Vinyl exclusive……Essential Logic – ‘Land of Kali’ (2022). A1 ‘Prayer For Peace’ A2 ‘Alien Boys’ A3 ‘Mother Earth’ A4 ‘Never Know’ A5 ‘Charming Every Cupid’ B1 ‘Sky Rocket’ B2 ‘Serious’ B3 ‘Fallible Soldiers’ B4 ‘Land of Kali’ B5 ‘Beyond’

“Arguably his generation’s best lyricist” – Mojo // “The year’s stand-out album for me” – Stewart Lee // “A sort of modern-day pastoral” – Simon Armitage, Poet Laureate // The follow-up to last year’s first volume, English Primitive II continues the themes introduced previously in a harder, more electric and psychedelic style. The songs were mostly recorded during the same sessions but, if EPII showcased the ‘songs of innocence’, this new set comprises ‘songs of experience’. Callahan's lyrical themes here are frequently the sleaze and corruption of our ‘betters’, the intentional and unintentional brutality meted out on those weaker and the sometimes perverse ways in which this happens. There are moments of reflection among the broken mirrors, but they allow scant solace or reassurance. Dressed in another of Scottish artist Pinkie McClure’s witty and detailed stained glass creations and recorded at home and under a railway arch, EPII rises above its origins and invades the wider world, in all its colour, gritand glory. Each song serves as a monument to its internal tale – in fact, the whole LP is as much a collection of musical short stories as it is an album of songs. Opening with Invisible Man, the impression of a regular person with hidden grievances, biding his time and waiting to lash out is given. Waves of distant samples ebb and fall as the warped guitars swell and crash behind the main themes. We don’t know when this explosion will happen – we only know it will. A sleazy celebration of Britain’s position as the laundering capital of the world follows in the form of Beautiful Launderette. It’s good that we keep everything nice and clean for the whole planet, isn’t it? Business as usual, keeping the globe turning – that’s our role and we love it. The Parrot rocks like only a prolonged evisceration of governmental mouthpieces and their court stenographers can. It’s a thankless task making sure that the powers that be retain their authority in all things and patrolling the borders of what is allowed to be said and believed, but somebody’s got to do it. If you’re providing a service, you’ll need to present a united front against the grievances of the public, so you’ll need The Scapegoat. Mistakes and accidents can’t be the company’s fault, so you’ll need to pay someone to be publicly and repeatedly sacked to make it appear as if you’re solving problems and getting better. Lessons will be learned, going forward. The disturbing tale of Bear Factory begins side two and is the real-life story of the murder of one of the singer’s primary-school classmates in the 1970s, and true in every detail. The victim’s body was never found but the killer justifiably imprisoned for life. A more ancient scent of death pervades The Burnet Rose. This ground-hugging plant covers the graves of the victims in a seventeenth-century plague village on the Yorkshire coast to this day, commemorating their sacrifices when all around have forgotten. It’s this particular songwriter’s favourite flower. Orgy of the Ancients describes the intimate intricacies of ageing politicians and the press as they decide whether to go to war. In grotesque scenarios worthy of Caligula, they decide the fates of our children. And it’s not even half the truth. To finish, the songwriter looks back to an admired predecessor, when he sets William Blake’s famous poem London in a groovier setting than we’re used to – in the form of London by Blakelight. If London swings, it’s from the Tyburn tree. Tracks: Invisible Man / Beautiful Launderette / The Parrot / The Scapegoat / Bear Factory / The Burnet Rose / Orgy Of The Ancients / London By Blakelight

2022 Repress

After a few nice but largely unnoticed 12"s for lower-profile labels, Dürerstuben is ready to make a serious maneuver, and Pampa is pleased to provide them with the proper platform. The Sheets of Rane EP is the Berliner duo's most sophisticated statement yet, imbuing cold programmed sounds with a glowing human touch and a penchant for melody. A1 'Gscheids Planet' unfolds with a deceptive intro, click-clackety downtempo stomps and crunchy snares beneath a tender vocoder coo, just when some muted guitar plucks crescendo into a burst of robo-synths. Although three minutes have passed, only now does the song reveal its true nature, a summery tune with rich synths that billow in the wind. Then, as its title indicates, 'Haeckles Kosmos' further explores Dürerstuben's fascination with the unlimits of outer space. This star system in particular has a very tropical flair, punctuated with bouncy parallel fifths straight out of the Italo Orient. In between movements, the duo makes some brief non sequiturs into piano balladry, the kind that force a smile (and a record deal) out of DJ Koze. Finally, venturing even further into jacking territory, 'Freiherr in der Wall' hinges upon syncopated, sometimes faltering beatbox rhythms, a swaggering bassline and fluttering arpeggiation. Coupled with hand-played chords, this is a prime example of how Dürerstuben can tame the beast machine and let irregularities be strengths. If you can get down with Metro Area, Zapp, Tensnake, and yes, even Survivor, then pick this one up.

The Mixtapers land on the newborn Angis Music - founded by Bakerboy - with a warm-sounding and futuristic EP which stems from jam session recordings in which acoustic instruments interact with electronic ones. The path begins with the title track Sun Metaphors, driven by an enveloping bassline which leads us to exotic and surreal landscapes, dominated by a vibrating groove. The glorious vocals of the singer ALO sound like a tribute to the Sun and more generally to warm, bright energies, like a Gospel choir. The same spirituality resonates in Trinity, a cosmic funk trip with flute and keytar interludes. Side A serves also Smokey Reflection which is pure sensuality in its most deep form while Stay (Away From Me) is the epilogue of a fervent journey, where the sounds of drum machine and congas recall the atmosphere of bossa nova, also because of the presence of Sara Lima's voice.

Michele Manzo - musician and producer who boasts international collaborations with Omar Lye-Fook, Georgia Anne Muldrow and Declaime - is the man behind the second release of Angis Music, italian label curated by DJ Samuele Pagliai. The EP presents 3 different scenarios resulting from a spontaneous live session, which reflects the multiple influences and symphonic approach of an artist with various styles. This work, inspired by the science fiction novels of William Gibson - godfather of the cyberpunk genre - opens with the song "Burning Chrome", conceived as a nighttime escape taking you at lightening speed through the alleys of a city that is galaxies away. Continuing on to the B side we have "Chiba City Park", where the broken beat and abstract harmonies create an ambience similar to that of those in Neuromancer. Finally, "Nebula's Grace" is a cosmic jam where time slowly floats away in dub echoes and disappears into the depth of space.

First trained in his church choir, Print played in R&B bands in high school and later developed a reputation as a standout rapper. On Adventures in Counter-Culture, he experiments with the synths, keyboards, and drum machines that connected the musical dots of those early days.

Print began pursuing his career as a musician in 2001, working on several hip hop projects including his collaborative project Soul Position with DJ/Producer RJD2. Releasing The Unlimited EP & 8,000,000 Stories on Rhymesayers Entertainment with RJ, Blueprint began work in 2004 on what would become his first solo album, 1988. The success of that album allowed him to tour extensively throughout North America and Europe, before returning home to focus on writing and recording his next album. When he sat down to work on this sophomore effort, Print began with the dark, soulful and sample heavy hip hop of the early 90's, but soon found himself hitting a creative wall. What shook him loose was a new mission: to create an album that encompassed every facet of music he knew, blurring genre lines and bringing it back home as one cohesive listening experience. The more he worked to pair new found interest in rock & electronic music with his love of hip hop, the more he was able to break down that creative barrier.

Thus began his Adventures in Counter-Culture, a monumental undertaking that would involve reinventing himself as a musician and person. His growing cynicism with the world, his disdain for pop culture, the state of politics, and an apathetic, uninspired society, all worked as fuel to inspire this sophomore album. Moved by the impact that sampling lawsuits were having on the music community, Blueprint also decided to return to his roots and began writing and producing his own original content.

First trained in his church choir, Print played in R&B bands in high school and later developed a reputation as a standout rapper. On Adventures in Counter-Culture, he experiments with the synths, keyboards, and drum machines that connected the musical dots of those early days.

Print began pursuing his career as a musician in 2001, working on several hip hop projects including his collaborative project Soul Position with DJ/Producer RJD2. Releasing The Unlimited EP & 8,000,000 Stories on Rhymesayers Entertainment with RJ, Blueprint began work in 2004 on what would become his first solo album, 1988. The success of that album allowed him to tour extensively
throughout North America and Europe, before returning home to focus on writing and recording his next album. When he sat down to work on this sophomore effort, Print began with the dark, soulful and sample heavy hip hop of the early 90's, but soon found himself

hitting a creative wall. What shook him loose was a new mission: to create an album that encompassed every facet of music he knew, blurring genre lines and bringing it back home as one cohesive listening experience. The more he worked to pair new found interest in rock & electronic music with his love of hip hop, the more he was able to break down that creative barrier.

Thus began his Adventures in Counter-Culture, a monumental undertaking that would involve reinventing himself as a musician and person. His growing cynicism with the world, his disdain for pop culture, the state of politics, and an apathetic, uninspired society, all worked as fuel to inspire this sophomore album. Moved by the impact that sampling lawsuits were having on the music community, Blueprint also decided to return to his roots and began writing and producing his own original content.

The current moment in music is an interesting one: electronic music is more popular than ever, but at the same time there is a growing counterworld of new bands and musicians who are inventing new styles by reinterpreting old styles and combining live music with electronic production. Many of these new musicians are switching between "scenes" and styles - just like many young listeners do today. Kryptox, the sub-label of Toy Tonics, is a platform for these new hybrid musicians. Noah Fürbringer is one of these new talents. Moving in these intermediate worlds - a virtuoso drummer, composer and busy band leader who is at home in many genres and besides writing his own great music which he debuts on this album he also is a side musicians for some big names of the German rap and indie pop scene.

Deestricted strikes again with its third vinyl EP with a trippy excursion into Georgian landscapes and sounds. Techno beats in favor of oppressed cultures, bring new light and freedom for all

Sobald ein Song mit einer auf mehreren Spuren aufgenommenen Kakophonie des Kotzens beginnt, liegt die Vermutung nahe, dass er auf der dunklen Seite des musikalischen Spektrums zu verorten ist. Dies trifft bei TCHORNOBOGs epischen Track 'The Vomiting Choir' genau ins Schwarze. In 24:08 Minuten windet sich eine absteigende Spirale in eine schier bodenlose Grube, die mit einem größtenteils dissonanten Klangmiasma aus purer Negativität, aber auch überraschender Komplexität gefüllt ist. TCHORNOBOG wandeln weiterhin auf verschiedenen Wegen gleichzeitig, die von und zu ihrer mutmaßlichen Position in der Mitte der Kreuzung von Death, Doom und Black Metal weg- und hinführen. Freunde von DEATHSPELL OMEGA, THE RUINS OF BEVERAST und ULCERATE erkennen wahrscheinlich die allgemeine Richtung, aber die amerikanische Band aus Portland, Oregon schlägt einen ganz eigenen Kurs auf diesen stockdunklen musikalischen Gewässern ein. Wer in ihrem Kielwasser segelt, begegnet neben vielen anderen wundersamen Erscheinungen vielleicht auch dem Geist der frühen MOTORPSYCHO. TCHORNOBOG wurden 2014 von dem in der Ukraine geborenen Multiinstrumentalisten Markov Soroka ins Leben gerufen, der auch für andere Projekte wie AUREOLE, DROWN und KRUKH bekannt ist. Der ukrainische Name "Tchornobog" basiert auf einer rekonstruierten slawischen Gottheit, für die es kaum Belege gibt; außer einer Notiz in der "Chronica Slavorum", die der deutsche Chronist Helmold von Bosau im 12. Jahrhundert verfasste (und die später kopiert und phantasievoll angereichert wurde). Dieser vermutete Verursacher von Pech und Unheil, der in zahlreichen Schreibvarianten mit der Bedeutung "Schwarzer Gott" auftaucht, schaffte es als "Czernobog" untere anderem auch in Neil Gaimans Roman "American Gods" sowie dessen anschließender TV-Adaption. Das selbstbetitelte Debütalbum "Tchornobog" erschien im Jahr 2017 unter großem Beifall von Fans und Kritikern und wurde mittlerweile von Lupus Lounge weltweit wiederveröffentlicht. Derzeit arbeitet Markov Soroka an seinem zweiten TCHORNOBOG-Album. Als ersten Vorgeschmack auf die bevorstehende musikalische Dunkelheit dürfen wir alle aus vollem Hals in 'The Vomiting Choir' auf dem Split-Album einstimmen.

Sobald ein Song mit einer auf mehreren Spuren aufgenommenen Kakophonie des Kotzens beginnt, liegt die Vermutung nahe, dass er auf der dunklen Seite des musikalischen Spektrums zu verorten ist. Dies trifft bei TCHORNOBOGs epischen Track 'The Vomiting Choir' genau ins Schwarze. In 24:08 Minuten windet sich eine absteigende Spirale in eine schier bodenlose Grube, die mit einem größtenteils dissonanten Klangmiasma aus purer Negativität, aber auch überraschender Komplexität gefüllt ist. TCHORNOBOG wandeln weiterhin auf verschiedenen Wegen gleichzeitig, die von und zu ihrer mutmaßlichen Position in der Mitte der Kreuzung von Death, Doom und Black Metal weg- und hinführen. Freunde von DEATHSPELL OMEGA, THE RUINS OF BEVERAST und ULCERATE erkennen wahrscheinlich die allgemeine Richtung, aber die amerikanische Band aus Portland, Oregon schlägt einen ganz eigenen Kurs auf diesen stockdunklen musikalischen Gewässern ein. Wer in ihrem Kielwasser segelt, begegnet neben vielen anderen wundersamen Erscheinungen vielleicht auch dem Geist der frühen MOTORPSYCHO. TCHORNOBOG wurden 2014 von dem in der Ukraine geborenen Multiinstrumentalisten Markov Soroka ins Leben gerufen, der auch für andere Projekte wie AUREOLE, DROWN und KRUKH bekannt ist. Der ukrainische Name "Tchornobog" basiert auf einer rekonstruierten slawischen Gottheit, für die es kaum Belege gibt; außer einer Notiz in der "Chronica Slavorum", die der deutsche Chronist Helmold von Bosau im 12. Jahrhundert verfasste (und die später kopiert und phantasievoll angereichert wurde). Dieser vermutete Verursacher von Pech und Unheil, der in zahlreichen Schreibvarianten mit der Bedeutung "Schwarzer Gott" auftaucht, schaffte es als "Czernobog" untere anderem auch in Neil Gaimans Roman "American Gods" sowie dessen anschließender TV-Adaption. Das selbstbetitelte Debütalbum "Tchornobog" erschien im Jahr 2017 unter großem Beifall von Fans und Kritikern und wurde mittlerweile von Lupus Lounge weltweit wiederveröffentlicht. Derzeit arbeitet Markov Soroka an seinem zweiten TCHORNOBOG-Album. Als ersten Vorgeschmack auf die bevorstehende musikalische Dunkelheit dürfen wir alle aus vollem Hals in 'The Vomiting Choir' auf dem Split-Album einstimmen.

grey marbled vinyl

Two young British producers share their skills for this thoughtfully constructed futuristic two-tracker. Jasper Tygner, who has been championed by Radio 1's Jamz Supernova, Jaguar and Sian Eleri, is a rising star crafting blissed out electronica. Meanwhile fellow Londoner Joe Hertz has also skyrocketed to success, especially since last year's soulful jazz-inflected Current Blues EP.

These two collaborative tracks are delicate soundscapes that borrow and reimagine club sounds. 'Equals' forms a slowly swelling early hours pulse with futuristic melodies, at once gentle and danceable. 'Second Thought' has a hazier beat, with swooping post-rave synths to ease you from the clubnight out into the morning light.

In celebration of legendary prog-rock band Emerson, Lake & Palmer’s 50th anniversary, BMG are releasing ‘Black Moon’ as a limited edition Picture Disc vinyl.

Formed in 1970, Emerson, Lake & Palmer were torchbearers of the progressive rock sound and one of rock’s first super-groups. The world-conquering, stadium-filling prog giants helped to broaden the audience for the genre from hundreds of thousands into tens of millions and were one the most commercially successful rock bands of the 1970s.

Their first 7 album releases all made the U.K. albums chart top 10 and U.S. top 20. Black Moon is ELP’s eighth studio album. It was released in 1992 when the band re-formed after 14 years, having split-up after their previous album, ‘Love Beach’ in 1978, and represents a real return to form.

The music is a stripped-down, amped-up, more mainstream rock format, though in many places retaining the feel of their 70s prog epics. Expertly re-mastered in 2017 by celebrated rock studio engineer Andy Pearce.

Swords and metal go hand in hand. That’s what crossover thrash band High Command say, having turned heads with their debut album Beyond The Wall of Desolation (2019). But it’s not solely metal music which influences the band, who cite the lustful violence of Robert E. Howard, Michel Moorcock, Jack Vance and many other legendary pulp writers of the 20th century as an impetus for their expansive storytelling.
“People would also be surprised to hear we drew quite a bit of inspiration from the music of Ennio Morricone, especially in regards to writing some more of the epic, grandiose passages and chord progressions.” says the band.
Now, with their second album, Eclipse of the Dual Moons, the band take their love of storytelling a step further, deepening and widening the world of Secartha, the realm of High Command’s songs. The band place themselves as omniscient narrators of the world they have created, and say that they are inseparable from Secartha and its people. “It’s one thing to make a good metal record, but it’s another to put on top of it a sort of overarching story that makes sense to listeners. The whole High Command project is enriched by lyrics articulating characters, a world, and trials faced within it. We want our records to be immersive and leave listeners with a feeling they’ve experienced something bigger than the music.”
It’s not just a question of widening the world, which the band first started exploring on The Secartha Demos (2016); Eclipse of the Dual Moons sees High Command honing their process to a fine art “it’s like we started with chiseling a rock… this record is the moment the rock in question begins to look like an actual sculpture.”

BeNeLux Streetpunk Outfit Bent Out Of Shape sind zurück mit ihrem ersten Full-Length-Album. Bent Out Of Shape ist eine im Oktober 2019 gegründete Streetpunk/Oi-Band aus Fryslân (Niederlande) mit (ehemaligen) Mitgliedern von Icepick, Spirit 84, DSS, No Denial, Dead Horse Running, de Hûnekop. Anfang des Jahres veröffentlichten sie ihre CD "Demo 2020" mit 7 Songs. Ende 2020 wurde die EP von Who Laughs veröffentlicht. Im Jahr 2021 veröffentlichten sie eine Split 7" mit Boldness aus Indonesien und im Mai 2022 veröffentlichten sie eine Split Picture Disc 7" mit ihren Freunden Skroetbalg.

Nice Girl is back with 4 Tracks sitting somewhere between chillout, club & experimental. Fans will already know about her unique approach to sound, always surprising & fresh very hard to categorize. Although the 4 tracks can very much be viewed as an extension of her debut album „Ipsum“, the overall tone of the EP is somewhat brighter with more light, at times almost euphoric! Glad to be sharing these, hope you enjoy!

At the turn of the century and after three albums, Karate’s tenure within the insular east coast indie rock scene had expired, but the band was just getting started. Collected here is the band’s spacious, adventurous, and sometimes difficult second half presented in fastidious detail. This five LP box includes the trio’s Unsolved, Some Boots, and Pockets albums, a first time vinyl pressing of their Cancel/Sing EP, and recently unearthed rehearsal recordings of two unreleased tracks, all annotated by Geoff Farina’s account of Karate’s adulthood and Andy Hong’s insights into the trio’s recording process.

At the turn of the century and after three albums, Karate’s tenure within the insular east coast indie rock scene had expired, but the band was just getting started. Collected here is the band’s spacious, adventurous, and sometimes difficult second half presented in fastidious detail. This five LP box includes the trio’s Unsolved, Some Boots, and Pockets albums, a first time vinyl pressing of their Cancel/Sing EP, and recently unearthed rehearsal recordings of two unreleased tracks, all annotated by Geoff Farina’s account of Karate’s adulthood and Andy Hong’s insights into the trio’s recording process.

Swords and metal go hand in hand. That’s what crossover thrash band High Command say, having turned heads with their debut album Beyond The Wall of Desolation (2019). But it’s not solely metal music which influences the band, who cite the lustful violence of Robert E. Howard, Michel Moorcock, Jack Vance and many other legendary pulp writers of the 20th century as an impetus for their expansive storytelling.
“People would also be surprised to hear we drew quite a bit of inspiration from the music of Ennio Morricone, especially in regards to writing some more of the epic, grandiose passages and chord progressions.” says the band.
Now, with their second album, Eclipse of the Dual Moons, the band take their love of storytelling a step further, deepening and widening the world of Secartha, the realm of High Command’s songs. The band place themselves as omniscient narrators of the world they have created, and say that they are inseparable from Secartha and its people. “It’s one thing to make a good metal record, but it’s another to put on top of it a sort of overarching story that makes sense to listeners. The whole High Command project is enriched by lyrics articulating characters, a world, and trials faced within it. We want our records to be immersive and leave listeners with a feeling they’ve experienced something bigger than the music.”
It’s not just a question of widening the world, which the band first started exploring on The Secartha Demos (2016); Eclipse of the Dual Moons sees High Command honing their process to a fine art “it’s like we started with chiseling a rock… this record is the moment the rock in question begins to look like an actual sculpture.”

Storyteller's two albums were released by Britain's then foremost folk label, Transatlantic, their eponymous debut LP in 1970, and their last will and testament, 'More Pages', in 1971. This Svart reissue of 'More Pages' comes after the successful reissue of the band's debut album last year, and this one is likewise restricted to 500 copies on black vinyl. 'More Pages' has been hard to find as a full album, because the Storyteller CD reissue consists of the full first album and only a portion of the second. No longer confined to being coveted by collectors and those in the know, this lush remastered reissue via Svart Records comes on gatefold vinyl with updated liner notes and interview. If you treasure Folk, Prog and Psychedelic Rock, make sure this is a tale you don’t miss out on!

Chuck Sherwood von INCANTATION präsentiert seine neue Band und diese knallt gewaltig. 6 hammerharte
Death Metal Songs hat Chuck zusammen mit Daniel Gonzalez (POSSESSED), Alex Bouks (IMMOLATION)
und weiteren Gastmusikern eingespielt, die nun mit der EP ”Augurium Senarius Umbrae” auf die MetalGemeinde losgelassen wird. Ein Feuerwerk derber Metal-Riffs, krassen Vocals und mega-schnellen Drums!
- jetzt auch als 12” Vinyl

70 or so minutes of boogie funk from Germany, recorded live at the band's peak in their hometown Saarbrücken in 1987. Never heard before songs, now remastered. Limited to 100 copies.

During their short but intensive almost four years of existence Citro played about 50 shows and composed 32 songs that got performed live. This cassette holds 14 songs that draw a broader picture and captures their energetic and playful performance on stage. A band in great harmony that had developed its own sound.

This time capsule is the perfect addition to Citro's extended Smile EP reissue on funkscapes a few months ago. Encore!

Originally recorded to cassette at Jugendzentrum Saarbrücken, 30 April 1987.

Bettina Kümmel - lead & backing vocals, keyboard
Volker Schmidt-Hildebrandt - lead & backing vocals, guitar
Willy Walinsky - keyboard, backing vocals
Andy “Lemon“ Meyer (1963-2004) - bass
Kurt Landry - drums
Ralf Schmidt - live engineering

Mineral Goldwyn-Mayer proudly presents: the Guatemalan James Bond (aka Antonio Bonderas). His cover? Andres Remis, a talented and intuitive music producer releasing his debut EP. The catch? It was stolen by the KGB…

Amsterdam's much-tipped seven-piece Personal Trainer return today with news that their debut album, "Big Love Blanket", is landing on November 4th. It follows two excellent singles this year, and a debut EP "Gazebo" that landed mid-pandemic on tastemaker label Holm Front (Walt Disco, Krush Puppies, Sports Team).

The ten tracks of "Big Love Blanket" display a playful diversity of sounds and influences, landing on one all of their own that has been championed as "rapturously fun" by Ones To Watch, "incredibly catchy indie-led pop" by Record Of The Day, "curious and endearing" by Steve Lamacq, "remarkable" by CLASH and even compared to LCD Soundsystem by Marc Riley. The first song to be released ahead of the album, "Key Of Ego", was one of NME's New Bangers too, and rightly so.

A relatively new name in the world of hard edged techno, Irish DJ & producer sjush made his presence felt with a string of selfreleased EPs and an appearance on SPEED'S free download series in 2021. The young up and comers' taste for raw, bewitching techno combined with a penchant for rave has left listeners in hypnotic euphoria, making him one to watch and gaining support from Manni Dee, Yasmin Gardezi, Pelin Vedis, Riot Code & more. Now on his first vinyl release, sjush produces four relentless and brooding cuts of late-night techno on TITDM.

'Aura' sets pace with an array of pounding kick drums and its commanding sensibility; inducing primal states through carefully selected grooves and propelling synths. 'Burner' then enters the fray with bone crushing percussion, also underlining sjush's solid grasp of mixing both aggressive techno with a 90s sheen. 'Cataclysm' feels more detached and spacey, still engrossed in powerful low end and foreboding pads, before the EP comes to a cinematic close with 'Grain Feeder'. Marching kick drums meet with equally relentless leads, while percussion that could easily replicate the noises from predator form to create a mindexpanding, sensory experience best heard under the cover of darkness.

Having already made her name in different UK scenes and subcultures, Eva has previously collaborated with Swindle, Mungo’s Hi Fi, Gardna, Benny Page and Zed Bias. Through Brandy Kisses, she explores an amalgamation of sounds and genres that have shaped her artistry. Effortlessly jumping from soulful croons to punchy rap verses, Eva showcases all avenues of her incredible singing and songwriting ability to create a seamless body of work. The album is entirely produced by UK Hip Hop Stalwart and beat maker extraordinaire, Dirty Dike - Adding to his already very impressive list of production credits, having produced LPs & EPs for names such as Rag'n'Bone Man, Ocean Wisdom, Ronnie Bosh, and more... it is safe to say that the production on this is top notch.

With endorsements from MTV UK, Clash Magazine, Line Of Best Fit, Crack Magazine, an epic album launch party at Rough Trade Bristol as well as a mesmerising acoustic set on BBC Radio 4 - ‘Brandy Kisses’ is tipped to to be one of the R&B albums of the year.

LP is black vinyl + LP3 insert for full album Download. Check out the first 18 or so seconds of “Can I Ride”, the title track on the first release by Polvo, the two-guitar juggernaut that represented the other side of Chapel Hill indie rock (more on that in a moment). That two-note riff, and the guitar twang that follows, recalls the opening notes on another monster song: “The Sprawl”, a key track on Sonic Youth's epochal Daydream Nation, an album released in October 1988, less than two years before Polvo formed. This compilation's nine tunes—the first seven from the Can I Ride double 7” EP (1990), the last two from the “Vibracobra” b/w “The Drill” 7” (1991) are not quite the sound of a torch being passed, but they were a sign that Sonic Youth's weird tunings, the hardcore punk and proto-indie rock on SST Records, and R.E.M.'s hazy rock (three big influences on this era of Polvo) were changing lives. Even back then, the impossibly catchy roar from Merge’s flagship act Superchunk was known to outsiders as the sound of Chapel Hill. But Polvo was something different from the same region. While the band never cottoned to the “math rock” tag (and it’s hard to disagree with them), there is no question that there was a distinct “how can we make guitar rock sound different from all the other guitar rock” vibe going on in the mid-Atlantic, from Richmond (math rock’s true home, don’t @ me) to the North Carolina Triangle over to Louisville and down almost to Atlanta. (If the Mastodon dudes aren’t down with Polvo, I’ll eat your shoe.) No, Polvo were their own brand of squall, not afraid of big hooks (“Leaf ”), odd tempos and textures (“Lull”) and rolling thunder (“Totemic”), and answers to the musical question, “What if the Feelies grew up on Dinosaur Jr.?” (“Tread on Me”). Indie rock? Not the 2022 kind. Math rock? Eh, not really. This was the sound of a new Southern rock, of a pre-internet guitar storm that looked at what came before and said, “What's next?” Track listing: Side A 1. Can I Ride 2. Leaf 3. Lull 4. Totemic 5. Tread on Me. Side B. 6. Teen Dream 7. Snake Fist Fighter 8. Vibracobra 9. The Drill

“Toisten Todellisuus” compiles two 7”s by Helsinki, Finland’s YLEISET SYYT: their self-titled EP, originally released in 2019, and 2021’s “Umpikujamekanismi”. Despite members playing in well-known underground Finnish bands like KOHTI TUHOA and FORESEEN, YLEISET SYYT has flown under the radar in the Anglophone world, with only a small fraction of their records’ tiny pressings making it outside Finland. Fortunately for you, the hardcore fanatics at Sorry State and La Vida Es Un Mus have our ears to the ground, and we agreed that a band this killer deserves a much wider audience. YLEISET SYYT’s sound is both blistering and anthemic, moving nimbly from full-throttle rippers like “Hygieeninen Ruumis” to tracks like “Hyväntekijä” and “Luovan Keskiluokan Takapihalla,” whose big chorus hooks could have anchored a Riot City or No Future A-side. The combination of ferocious performances and songwriting chops might remind you of older Finnish bands like LAMA, MELLAKKA, and APPENDIX, but MINOR THREAT, THE FIX, and NECROS are equally apt comparisons. If you like your early 80s-style hardcore tightly-wound, razor-sharp, and bristling with hooks, you’re gonna love “Toisten Todellisuus” as much as we do (Daniel Lupton) Side A recorded in Helsinki, February 2019. Side B recorded in Helsinki, March 2021. Recorded, mixed and mastered by Ville Valavuo. Artwork by Fetal Brain. Genre: Alternative / Punk

Last 30 copies in stock now. The album is now in the Scottish album of the year shortlist. LP on very Limited HILL FOG CLEAR vinyl. Co-produced by Stephen McAll and Shimmy-Disc founder Kramer. First pressing on “Hill Fog” Colored Clear Vinyl, limited to 500. RIYL: Mazzy Star, The National, Will Oldham / Bonnie “Prince” Billy, Nick Drake. Constant Follower’s debut album "Neither Is, Nor Ever Was" was borne out of a respect for change, and the inevitable passing of time that frightens, comforts and humbles every one of us at once. It is a haunting testimonial to the temporary joys and fleeting moments that define the human experience no matter the individual passages it takes. The name of the outfit itself is a reflection of those things that we carry through life, for better or worse, that ultimately make us who we are. The current band consists of Stephen McAll (vocals, acoustic guitar, electric guitar, synth, bass), Andrew Pankhurst (electric guitar), Amy Campbell (backing vocals and synth), and McAll’s partner Kessi Stosch (backing vocals, synth and bass). "Neither Is, Nor Ever Was" co-produced by Scottish singer-songwriter Stephen McAll and the legendary record producer Kramer. The recording for the album began in early 2020 at La Chunky studios in Glasgow with engineer Johnny Smillie. This was interrupted by the birth of McAll’s daughter. If you listen closely, her cries are just audible during some of Kessi’s backing vocals, and shortly afterwards by Covid 19 restrictions. McAll began recording the rest at his own CFFC studio in Stirling. The recording was then beautifully mixed by Kramer. Once the LP was complete Kramer also did the final mastering. The videos for the release are truly short films that have been submitted to film festivals. They are enchanting, ethereal and immersive, the band’s visuals are as moving and cinematic as their sound. Martin J Pickering, who is renowned for his work with Dua Lipa, Paloma Faith and Lethal Bizzle, is behind their latest music video for “Set Aside Some Time”. The result - intense pangs of emotion interspersed with moments of reflection and acceptance, an ephemeral ode to the passing of time. Tracks: Side A 1. I Can’t Wake You 2. The Merry Dancers On TV 3. Set Aside Some Time 4. Spirits In The Roof Tree 5. Altona Side B 6. Weave of the World 7. One Word Away 8. Little Marble 9. What’s Left To Say 10. WEICHA

We are thrilled to bring you the brand new 4 track EP from Trashcan
Sinatras, featuring the brand new single "Lay Of The Land" pressed on
Orange Vinyl and CD

Stripped down versions of tracks from Flicker. “On my debut solo album The View From Halfway Down I did all of my promotion via Zoom and pre-recorded interviews and acoustic sessions,” explains Andy of the EP. “I enjoyed making the acoustic versions and decided to do some more for this album.” “‘Something Like Love’ is the most popular song from Flicker and one of the oldest, starting life in the ’90s. It’s probably the only one that dates back to the Ride era. "The riffs for ‘World Of Echo’ were written while I was on tour with Oasis, at the height of my La’s obsession. It went through a few iterations from then onwards, but never had a final melody until last year. ‘She Calls The Tune’ was the first song I wrote after I joined Oasis, ending a period of writers’ block which I had started going through some time in 1999. The very first performance of it was to an audience of Liam Gallagher, Gem Archer and Richard Ashcroft in a Milan hotel room. No pressure! I don’t think I ever saw this as an Oasis song, but I have them to thank for the fact that I was able to write songs again at all.” ‘Lifeline’ was another riff I came up with while on tour with Oasis. I remember being on a UK tour with Shack, and sitting around backstage on acoustics with Mick and John Head jamming around the Simon & Garfunkel version of ‘Scarborough Fair’. The riff for ‘Lifeline’ followed soon after. It was always called ‘Lifeline’ but I never found the right lyric for it until recently. A1 Something Like Love A2 World Of Echo B1 She Calls The Tune B2 Lifeline

“It was so great to see what came back when I gave these tracks from Flicker to various comrades, friends and heroes to play with,” says Andy. “They’ve given them a new technicolour life.” “David Holmes requested the opening track as he had formed a bit of a connection with it, and what he came up with turns the song into an hallucinogenic beast, taking pride of place here as the opening track but in a whole different way to how Flicker opens. “James Chapman AKA Maps has taken ‘It Gets Easier’ to a bigger, brighter and shinier place, he’s given quite a downbeat track a euphoric and epic sheen. James is an absolute master of electronic production and he’s taken the same care and attention over this remix as he does with his own wonderful music. “I couldn’t put Richard Norris’ lovely widescreen take on ‘Something Like Love’ better than the man himself – in his own words he found the ‘hitherto undiscovered sweet spot between ‘Roscoe’ and ‘Outdoor Miner’’ and he tapped into the melancholy euphoria at the core of the song. “bdrmm’s remix of ‘Way Of The World’ is one for headphones. There are so many great moments to love, all held together by a bassline worthy of Jah Wobble (by way of Andrew Weatherall). Astonishing!” A1 The Sky Without You (David Holmes Radical Mycology Remix) A2 It Gets Easier (Maps Remix)B1 Something Like Love (Richard Norris Remix) B2 Way Of The World (bdrmm Remix) Reworkings of songs from Flicker by David Holmes, Maps, Richard Norris and bdrmm.

In 1998 The Wave Pictures started carving out their own path in search of the lost essence of British Indie, since their acclaimed “Instant Coffee Baby” -nominated for The Guardian New Album Award and present in many lists of the best albums of the last 15 years– , until the most recent “When The Purple Emperor Spreads His Wings”, always giving their best in countless electrifying performances. Now The Wave Pictures are once again allied with Acuarela to release an exclusive double 7” with five songs (one, “French Cricket” included on their new album and the other four totally exclusive) and show that they are still an indie rock band without indie rock influences, a trio with its own style that doesn't want to be a blues group, but with blues –and soul, and country, and folk-, as the invisible core of everything they do. The Wave Pictures began their career in 1998. Since then the British trio hasn't stopped: at the frenetic pace of their concert schedule, they add a stakhanovist record production, which advances at the rate of almost one album per year. Example: “Great Big Flamingo Burning Moon”, which came out in February 2015, was already their thirteenth official LP (without forgetting that they have also released a large number of singles, EPs, rarities and unofficial material). But it is that in February 2016 the fourteenth album, “A Season In Hull” was released -which they recorded with a single microphone and only released on vinyl-, and in November of that same year its successor, “Bamboo Diner In The Rain” came out. In June 2018 they returned to the fray with another LP, “Brushes With Happiness”, and that November also dropped “Look Inside Your Heart”. The pandemic has made them slow down a little bit until May 2022 when they finally returned with "When The Purple Emperor Spreads His Wings". “When The Purple Emperor Spreads His Wings” is a double album dedicated to the cycle of life and in which each of its four sides (in the old fashioned way) is focused on one of the seasons of the year. The title refers to spring and its splendor. The result is pop in the style of The Wave Pictures, with all the essence of the band: those intense guitar solos by Dave, his acoustic plucking, the solid writing… in addition to the mandolin, the bluesy harmonica...you name it! All the band members, David Tattersall (vocals, guitar), Franic Rozycki (bass) and Jonny “Huddersfield” Helm (drums), are avid fans of rock'n'roll, classic country, 70s rock, soul and folk, and this album celebrates with joy all those musical loves of them, some rediscovered in recent times. Moreover, they have pointed out that Guided By Voices have also been a great source of inspiration on this recording, as well as re-listening to Sun Records’ rockabilly, African guitar records, the more country side of Neil Young, the crazy fun of The Who and some moments from The Yardbirds. The Wave Pictures are still playing what Modern Lovers did back in the day -and then Herman Dune or Hefner-, only they play it as if Rory Gallagher was their lead guitar. With the lo-fi pop-rock label as an amicable stigma, they never deny the maxim that places attitude before technique and they are always vaccinated against fashion. Years go by and they are still the same sly alley-cats, only sounding more and more classic. Tracklist: 1. French Cricket/ 2. From A Buick 6/ 3. Porcupines/ 4. Rufus Thomas/ 5. Cincinatti Flow Rag

REPRESS ON PURPLE VINYL. New edition of the third Warthog EP. Raging hardcore punk from the hyped NYC group.

. It's 2021 and Vancouver’s Bootlicker are back with their first full length. Experimenting with various lineups and sounds since 2017, these 14 original tracks flesh out their most realized expression. Following four EP’s and two demos, their self-titled debut stays true to the noise cultivated in the previous offerings. That raw, blown-out production countered with clean guitar sound and Internationally-informed take on a UK82 delivery remains. Everything that made the band what they were on their previous output is polished into a ball of fire that will not be contained. Their mid-tempo, menacing posture of tracks like "Herd The Sheep" and "State Of Fever" give way to the D-beat totality of "Master" or "Two Faced" proving there are still ideas in the tank. There won’t be much left but scorched earth by the time it comes to rest. FFO: Mau Maus, Discharge, SSD. Every copy of this LP comes with 16 page zine-style lyric insert full of illustrations by band member and visual artist Athena.

Für Fans von Entombed, Edge Of Sanity, Bloodbath, Invocator.
Es ist offiziell. Die Pause von Maceration ist vorbei und die dänische Death Metal Band wird ihr neues Album "It Never Ends..." veröffentlichen.
am 25. November mit der Death Metal Legende Dan Swanö - Edge Of Sanity, Bloodbath etc. - als Vokalist. Dies geschieht 30 Jahre nach der Ver-
öffentlichung ihres ersten und bisher einzigen Studioalbums. Die dänische Band spielte eine Schlüsselrolle in der lokalen Death Metal-Szene und
gehörte zu den Pionieren des Stils in Dänemark. Ihr Album "A Serenade Of Agony", auf dem auch Dan Swanö am Gesang und Mitglieder der
Pioniere Invocator zu hören sind, ebnete den Weg für eine ganze Generation dänischer Death-Metal-Bands, die folgen sollten.
Die Band spielte bereits auf wichtigen Festivals in Dänemark wie Metal Magic und Death Coast. Und sie haben immer noch Zeit, ein neues Album
zu schreiben und aufzunehmen. Auf diesem Album, das im Herbst über Emanzipation erscheinen wird, bei denen Maceration gerade einen Plattenvertrag unterschrieben hat, ist Dan Swanö (ex-Edge Of Sanity, Bloodbath) wieder als Session-Sänger dabei, genau wie auf dem Debütalbum,
und auch als Produzent. Das Album wurde von Dan Swanö in seinem eigenen Unisound-Studio gemischt und gemastert, wo er auch die Vocals
aufgenommen hat.

Für Fans von Entombed, Edge Of Sanity, Bloodbath, Invocator.
Es ist offiziell. Die Pause von Maceration ist vorbei und die dänische Death Metal Band wird ihr neues Album "It Never Ends..." veröffentlichen.
am 25. November mit der Death Metal Legende Dan Swanö - Edge Of Sanity, Bloodbath etc. - als Vokalist. Dies geschieht 30 Jahre nach der Ver-
öffentlichung ihres ersten und bisher einzigen Studioalbums. Die dänische Band spielte eine Schlüsselrolle in der lokalen Death Metal-Szene und
gehörte zu den Pionieren des Stils in Dänemark. Ihr Album "A Serenade Of Agony", auf dem auch Dan Swanö am Gesang und Mitglieder der
Pioniere Invocator zu hören sind, ebnete den Weg für eine ganze Generation dänischer Death-Metal-Bands, die folgen sollten.
Die Band spielte bereits auf wichtigen Festivals in Dänemark wie Metal Magic und Death Coast. Und sie haben immer noch Zeit, ein neues Album
zu schreiben und aufzunehmen. Auf diesem Album, das im Herbst über Emanzipation erscheinen wird, bei denen Maceration gerade einen Plattenvertrag unterschrieben hat, ist Dan Swanö (ex-Edge Of Sanity, Bloodbath) wieder als Session-Sänger dabei, genau wie auf dem Debütalbum,
und auch als Produzent. Das Album wurde von Dan Swanö in seinem eigenen Unisound-Studio gemischt und gemastert, wo er auch die Vocals
aufgenommen hat.

Das ikonische belgische DJ-Duo 2ManyDJs, bestehend aus den Brüder Stephen und David Dewaele, feiert das 20-jährige Jubiläum ihres Albums 'As Heard on Radio Soulwax Pt. 2' mit einer besonderen Re-Issue. 2002 erschien es ursprünglich nach einer Reihe von Radioshows der beiden Brüder, damals vor allem bekannt als die Köpfe hinter der Electronic/Indie-Rock Band Soulwax. Die Re-Issue erscheint mit dem Foto von Richard Young auf dem Cover, das ursprünglich als Cover vorgesehen, aber nach Rechtsstreitigkeiten mit Tipp-Ex verfremdet wurde.