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WITCHCRAFT - A SINNER'S CHILD EP

Nach dem großen Erfolg des Comeback-Albums "IDAG" aus dem Jahr 2025 kehrt die legendäre schwedische Heavy-Rock-Band Witchcraft mit einem eindrucksvollen und intimen neuen Kapitel zurück, das den Titel "A Sinner's Child" trägt. Gründer, Sänger und Visionär Magnus Pelander reduziert den Sound auf dieser neuen 5-Track-EP auf seine reine Seele. Zwischen der melodischen Proto-Doom-Tiefe von ,Drömmen Om Död Och Förruttnelse" und ,Själen Reser Sig", über den leuchtenden Folk der Lead-Single ,A Sinner's Child" und deren Fortsetzung ,Sinner's Clear Confusion" bis hin zum gefühlvollen akustischen Klagelied ,Even Darker Days", bewegen sich diese Songs, welche von dem Multi-Instrumentalisten aus einem persönlicheren, unmittelbareren Ansatz heraus gedacht wurden. Die Songs präsentieren Pelanders Songwriting in seiner bewegendsten und verletzlichsten Form - ein direkter Zugang zu den eindringlichen Melodien und der emotionalen Tiefe, die das Vermächtnis von Witchcraft seit über zwei Jahrzehnten prägen. Sie sind Beleg für die zeitlose Kraft einer Stimme, einer Melodie und der Rohstoffe des Rock, destilliert zu ihrer Essenz - ein starker Epilog zu "IDAG". CD sowie LP erhältlich

pré-commande13.03.2026

il devrait être publié sur 13.03.2026

26,68
CRAWDADDYS - Crawdaddy Express LP
  • 1: I'm A Lover Not A Fighter
  • 2: You Can't Judge A Book By Looking At The Cover
  • 3: Down The Road Apiece
  • 4: Let's Make It
  • 5: Rainin' In My Heart
  • 6: I'm Movin' On
  • 7: Mystic Eyes
  • 8: Oh Baby Doll
  • 9: Bald Headed Woman
  • 10: Come See Me
  • 11: Got You In My Soul
  • 12: Times Are Getting Tougher Than Tough
  • 13: Down In The Bottom
  • 14: Crawdaddy Express
  • 15: I Wanna Put A Tiger In Your Tank

"Formed in San Diego at the tail end of the 1970s, The Crawdaddys stood apart from the punk explosion surrounding them, reviving the raw rhythm & blues spirit of the early British Invasion with unshakable devotion. Their debut album Crawdaddy Express, originally released in l979 on Voxx Records, captures the band at full throttle, gritty guitars, swirling organ, and a ferocious live energy straight out of a sweaty basement club circa 1965. Reissued to celebrate BOMP!’s 5Oth anniversary, this essential slab of garage revival magic remains a timeless reminder of when rock & roll was wild, loud, and gloriously untamed"

pré-commande13.03.2026

il devrait être publié sur 13.03.2026

19,75
Period Music - Period Music (10")

Period Music is a research process involving Susanna Gonzo, Merma Suelo, Tuce Alba, Elizabeth
Gallon Droste, Agnese Menguzzato, and Farah Hazim. The six artists aim to attune to the different
temporalities experienced through our bodies, drawing from multiple meanings of period – from the
menstrual cycle to musical repetitions and astronomical revolutions.

r'tu
A central meaning of the Sanskrit word for ritual, r'tu, is menstruation, the original ritual. The root of
r'tu is in arithmetic and rhythm/.

Period Music has been staying with essential matters on how we listen to time and rhythms in our
bodies and in the world. Questioning the tempo of everyday life in an accelerated system like that of
modern society, the group has opened up co-creation spaces to listen to embodied memories.
Through dialogue, improvisation and jam sessions, the six artists attuned to e ach other’s processes,
composing music, word scores and drawings – ultimately sounding together.

This work embodies other notions of community through archetypes, embracing the impermanence
that reveals the countless rhythms of life. Period Music speaks of friendship and connection, and
invites you to take on a journey of interconnectedness between our rhythms and the broader social
structures influencing our lives.

The project emerges from conversations that began in Berlin in the fall of 2023, including a one-week
residency at Atelier Josepha in Ahrenshoop by the Baltic Sea in April 2024. The first physical iteration
of this project will consist of a book and a vinyl. The album features looping improvisational compositions encoded with messages about multiple temporalities. The accompanying book gathers poetic memories, letters, photographs, symbols, and drawings that emerged during the process

pré-commande13.03.2026

il devrait être publié sur 13.03.2026

23,40
Period Music - Period Music Book

1. Special remarks: 116 pages A5 format, risograph printing with thread binding, exposed spine

2. GENRE/S: Poetry/Art/Photography

3. SHORT INFO:

Period Music is a research process involving Susanna Gonzo, Merma Suelo, Tuce Alba, Elizabeth Gallon Droste, Agnese Menguzzato, and Farah Hazim. The six artists aim to attune to the different temporalities experienced through our bodies, drawing from multiple meanings of period – from the menstrual cycle to musical repetitions and astronomical revolutions.
r'tu
A central meaning of the Sanskrit word for ritual, r'tu, is menstruation, the original ritual. The root of r'tu is in arithmetic and rhythm1.

1Judy Grahn, Blood, Bread, and Roses: How Menstruation Created the World (Boston: Beacon Press, 1993), 45.Period Music has been staying with essential matters on how we listen to time and rhythms in our bodies and in the world. Questioning the tempo of everyday life in an accelerated system like that of modern society, the group has opened up co-creation spaces to listen to embodied memories.
Through dialogue, improvisation and jam sessions, the six artists attuned to each other’s processes, composing music, word scores and drawings – ultimately sounding together.
This work embodies other notions of community through archetypes, embracing the impermanence that reveals the countless rhythms of life. Period Music speaks of friendship and connection, and invites you to take on a journey of interconnectedness between our rhythms and the broader social structures influencing our lives.

The project emerges from conversations that began in Berlin in the fall of 2023, including a one-week residency at Atelier Josepha in Ahrenshoop by the Baltic Sea in April 2024. The first physical iteration of this project will consist of a book and a vinyl. The album features looping improvisational compositions encoded with messages about multiple temporalities. The accompanying book gathers poetic memories, letters, photographs, symbols, and drawings that emerged during the process

pré-commande13.03.2026

il devrait être publié sur 13.03.2026

25,00
Joao Gilberto - Luz de Corcovado LP
  • Corcovado
  • Chega De Saudade
  • Samba De Uma Nota So
  • Saudade Da Bahia
  • Insensatez
  • Meditacao
  • Brigas, Nunca Mais
  • Se E Tarde Me Perdoa
  • Trevo De Quatro Folhas
  • O Pato
  • Desafinado
  • Outra Vez
  • Coisa Mais Linda
  • Voce E Eu
  • Rosa Morena
  • Samba Da Minha Terra
  • O Nosso Amor
  • A Felicidade
  • Bim Bom
  • Morena Boca De Ouro
  • Discussao

Gathering his most iconic early recordings, this collection captures the pure essence of the man who laid the foundations of Bossa Nova. From the tender intimacy of "Corcovado" and "Chega de Saudade" to the gentle swing of "Desafinado" and "Bim Bom", widely considered the very first Bossa Nova song, every track radiates Gilberto's unmatched grace and rhythmic subtlety. Pressed on high- quality vinyl, Luz de Corcovado invites you to rediscover the soft pulse and poetic warmth that changed Brazilian music forever.

pré-commande13.03.2026

il devrait être publié sur 13.03.2026

20,13
Asha Puthli - Disco Mystic: Select Remixes Volume 1 LP

2026 Repress

Turbotito and Ragz's electrifying Naya Beat label has curated a cultured list of remixers to add their spin to the work of legendary Indian vocalist Asha Puthli. This essential remix album features Yuksek, Maurice Fulton, Psychemagik, Kraak & Smaak, Jitwam, and Turbotito & Ragz.

Naya Beat, which translates from Hindi as 'new beat', is focused on uncovering foundational electronic sounds from the subcontinent and South Asian diaspora through reissues, remixes and compilations. It found quick success with its first release, 'Naya Beat Volume 1: South Asian Dance and Electronic Music 1983 - 1992', followed by a rare 1985 Hindi New Wave album by Pinky Ann Rihal and more recently a ground-breaking compilation ‘Awaaz’ uncovering Bollywood electro and leftfield 80s original soundtrack recordings.

Hot off their highly sought after EP of Dimitri From Paris’ seminal remixes of Asha Puthli’s iconic track ‘Space Talk’, the label now offers up the first of two full-length releases based around her music. Cosmic disco pioneer, Studio 54 icon and jazz improviser Asha Puthli has recorded, sung or shared the stage with the likes of Roy Ayers, Alice Coltrane, Grace Jones, Barry White, Andy Warhol and many more. From David Mancuso's The Loft, to Giorgio Moroder's early work with Donna Summer, to hip-hop where she has been sampled extensively, Asha's musical influence and impact is profound. She was the first artist of South Asian descent to successfully crossover and make a mark on dance, jazz and pop culture in the West.

For this LP, Naya Beat tracked down the long mythologised original stems and recordings of Puthli's most seminal albums, including ‘The Devil is Loose’, and working closely with Asha, they have tasked a series of producers inspired by her work to remix her music.
Yuksek opens up with a pumping disco remix of 'I Am Song (Sing Me)' awash with uplifting synths and big claps next to the original vocals, which soar to the heavens. The seminal 'Space Talk' is remixed by Maurice Fulton into super steamy and late-night territory. The live drums and jumbled percussion are lit up with soulful chords as Puthli's carefully delivered vocals seduce up top. 'Lies' (Kraak & Smaak Remix) rides on fat-bottomed drums and bass that unfold with a dub swagger beneath a nebulous eco-system of cosmic synths and dramatic vocals. Label heads Turbotito & Ragz flip 'One Night Affair' into a leggy disco celebration with sweeping synths and bright effects, and Psychemagik's 'Right Down Here' is a pulsating mix of dark, snaking bass and drums with deep space ambience and raw hits making for a turbulent and tense atmosphere. Lastly, Jitwam closes out with a smooth disco sound laced with dynamic drums and cruising chords next to another sensuous top line from Asha Puthli.

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18,28

Derniere entrée: 4 jours
Various - The Sound Of Sub-Urban Volume 3

Four classic US house vocals. Four club-ready remixes. One essential Sub-Urban EP.

Sub-Urban returns with Volume 3 in its much-loved vinyl series, a four-track, vocal-driven house EP built for DJs who want real vocals, real soul and real dancefloor impact.

Featuring iconic voices including Kathleen Murphy, Helen Bruner & Terry Jones and Ceybil Jefferies, this release delivers timeless house songwriting reworked into modern, club-ready cuts by respected underground producers.

This is a no-filler DJ tool, every track works in warm-ups, sunset sessions, peak-time soulful moments and late-night deep floors.

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13,87

Derniere entrée: 12 jours
Pete Blaker - Swimming Limbs 2x12"

Now, with a new chapter in his musical journey, Pete Blaker presents his first-ever LP of Original Music, an eight track 2x12" masterpiece on the esteemed label Love Universal.

This isn't a collection of edits, but a deep, personal exploration of the Balearic/Deep House sound, a testament to his decades-long immersion in its eclectic and free-spirited essence.

The album invites listeners on a sublime journey, where laid-back grooves and atmospheric synthesisers create a rich mix of sound. It’s an album that perfectly captures the "anything goes" spirit of the Balearic beat, where elements of funk, jazz, ambient, and world music swirl together to create a sound that is both transportive and timeless. A1. RICHIE

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32,35

Derniere entrée: 59 jours
Groove P / The Shapeshifters / Lost In - PAP Wax 01

This first outing from the newly minted Pleased As Punch serves up sounds that are packed with the true essence of house. Groove P's 'Are They Real' sets the tone with an infectious underground bounce that's playful and deep, leading in to a new cut from the chart-topping UK crossover stars The Shapeshifters. Bringing their trademark disco-infused flair, 'Body Music' is uplifting and built for the dancefloor. Then, on the flip, Lost In & Arnold Jarvis elevate things further with 'Look Around,' a deeply soulful cut enriched by live instrumentation and Jarvis' unmistakable vocals. Seems like this label is going to be essential for house heads.

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13,87

Derniere entrée: 42 jours
WITCHCRAFT - A SINNER'S CHILD EP
  • Drömmen Om Död Och Förruttnelse
  • A Sinner's Child
  • Even Darker Days
  • Själen Reser Sig
  • Sinner's Clear Confusion
également disponible

OXBLOOD RED VINYL[24,58 €]

YELLOW-RED W/ PURPLE SPLATTER Vinyl[26,68 €]


Nach dem großen Erfolg des Comeback-Albums "IDAG" aus dem Jahr 2025 kehrt die legendäre schwedische Heavy-Rock-Band Witchcraft mit einem eindrucksvollen und intimen neuen Kapitel zurück, das den Titel "A Sinner's Child" trägt. Gründer, Sänger und Visionär Magnus Pelander reduziert den Sound auf dieser neuen 5-Track-EP auf seine reine Seele. Zwischen der melodischen Proto-Doom-Tiefe von ,Drömmen Om Död Och Förruttnelse" und ,Själen Reser Sig", über den leuchtenden Folk der Lead-Single ,A Sinner's Child" und deren Fortsetzung ,Sinner's Clear Confusion" bis hin zum gefühlvollen akustischen Klagelied ,Even Darker Days", bewegen sich diese Songs, welche von dem Multi-Instrumentalisten aus einem persönlicheren, unmittelbareren Ansatz heraus gedacht wurden. Die Songs präsentieren Pelanders Songwriting in seiner bewegendsten und verletzlichsten Form - ein direkter Zugang zu den eindringlichen Melodien und der emotionalen Tiefe, die das Vermächtnis von Witchcraft seit über zwei Jahrzehnten prägen. Sie sind Beleg für die zeitlose Kraft einer Stimme, einer Melodie und der Rohstoffe des Rock, destilliert zu ihrer Essenz - ein starker Epilog zu "IDAG". CD sowie LP erhältlich

pré-commande13.03.2026

il devrait être publié sur 13.03.2026

20,97
LOS ROGER'S - ¡QUÉ ARDIENTE!

LOS ROGER'S

¡QUÉ ARDIENTE!

12inchVAMPI345
Vampisoul
11.03.2026

"¡Qué ardiente!" combines the best of Los Roger's limited discography, one of the most influential Amazonian cumbia bands from Iquitos, Peru.Their discography dives deep into Cuban-influenced sounds, where the guitar shares the spotlight with powerful percussion and-with tracks like 'Descarga Roger's'-with the vocals as well. A thorough look into one of the most essential Psychedelic cumbia bands in Peru. Iquitos, one of Peru's most remote cities and the capital of its Amazon region, was the epicenter of the psychedelic cumbia movement. Countless bands emerged from this place, each with a different fate in their musical journeys. Some rose to become international stars and flag bearers of cumbia, while others remained local legends, their fame never traveling far beyond the Amazon jungle. Los Roger's achieved great success in Iquitos and served as the foundation and inspiration for many local bands that emerged in the late 1960s and early 1970s. "¡Qué ardiente!" combines the best of the band's limited discography. The recordings come from their first 45 RPM single and their two mini Long Plays for the FTA label, as well as their only elusive LP from 1971, "¡Qué ardiente!", ("How Burning!") recorded for the prestigious IEMPSA label. Los Roger's came to an abrupt end just one year after the release of their LP, at the peak of their career, due to their disappointments with the music industry.

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22,27

Derniere entrée: 54 jours
Jerome feat. Sonya Zlo - The Night We Had

For its inaugural vinyl release, Saudi-based imprint Gabu steps boldly into the analog era with The Night We Had, a landmark record from Jerome (of Foehn & Jerome) in collaboration with Sonya Zlo. Heralding the start of the label’s physical catalogue, this first pressing introduces Gabu’s deep, groove-led ethos through an evocative vision of deep that balances emotional depth with dancefloor intuition.

Named after the Arabic word for basement, Gabu represents a space where sound is felt as much as it is heard, intimate, grounded, and conceived from the roots upward. The Night We Had embodies this spirit in full, capturing the essence of late hours, close rooms, and music that thrives in the underground

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13,03

Derniere entrée: 6 jours
André Kronert, Kronert - André Kronert, Kronert LP

ORANGE BLACK SPLIT VERSION! With no compromises on sound quality and an exclusive pressing designed for true vinyl enthusiasts, KRONERT002 is more than just a record—it's a collectible statement of artistry and innovation. Don’t miss your chance to own a piece of this journey.
Pushing sonic exploration even further, KRONERT002 embodies the raw essence of underground house music, capturing its energy, groove, and timeless appeal. This limited Coloured Splatter/Split vinyl is more than just a record—it’s a statement, a collector’s piece for those who live and breathe the rhythm.
Kronert crafts a hypnotic blend of rolling basslines, shuffled drum patterns, and atmospheric pads, seamlessly fusing classic house elements with a forward-thinking approach. The EP’s warm textures and intricate grooves ensure its versatility—whether igniting peak-time dance floors or setting the tone for deep, late-night sessions.

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11,72

Derniere entrée: 53 jours
Keefy G / Joejoemojo / Kerouac / Geeson3003 - Audial VA1

Audial is a party in Leeds that has made great moves in recent times and has become an essential night out for those who like heady underground sounds. It now takes the natural next step by branching out with a new label and a fresh VA to kick it off. City mainstay Keefy G serves up the first cut 'After Diz' - a raw, gritty garage house slammer with naughty bass. Joejoemojo's 'Moneymaker' spins out on dusty breaks and warped low ends that bring the filth and on the flip Kerouac drops the late night and eerie tech of 'Broken' with bleepy synths and sultry spoken words. Geeson3003 shuts down with a rework of a Streets classic that hits hard with a UKG twist.

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13,87

Derniere entrée: 52 jours
ROSENAU & SANBORN - TWO

ROSENAU & SANBORN

TWO

12inchPSYLP67
PSYCHIC HOTLINE
06.03.2026
  • 1: Ghost Sub
  • 2: Harm
  • 3: Deltas
  • 4: Kay
  • 5: Walrus
  • 6: Two

Nachdem sie sich schon fast 20 Jahre kannten, schien die Zusammenarbeit zwischen Nick Sanborn und Chris Rosenau irgendwie vorprogrammiert, kam aber eher zufällig zustande - bei einem Musikfestival in Eaux Claires, wo die Chemie sofort stimmte. Während sie probten, merkten sie, dass sie schon dabei waren, ein Album aufzunehmen. Sie behielten die Arbeitsmixe und Titel bei, auch die Vogelstimmen und Verkehrsgeräusche, die ins Mikrofon kamen. Das Ergebnis war ,Bluebird" aus dem Jahr 2019, ein kleines Wunderwerk mit fünf Titeln, bei dem man das Gefühl hatte, mit ihnen im Raum zu sitzen und zu lächeln, während sie ihre wortlose Harmonie fanden.Zwei Jahre später trafen sich Rosenau (Volcano Choir, Collections of Colonies of Bees) und Sanborn (Sylvan Esso, Made of Oak) wieder. Sie hatten Spaß bei Runde zwei, aber die Sessions waren weder so unbeschwert wie beim ersten Versuch noch so fokussiert, dass sie sich spannend und neu anfühlten. Die beiden legten diese Stücke beiseite, um es zu einem späteren Zeitpunkt erneut zu versuchen. Dann kam die Pandemie. Es gab Tourneen. Es gab andere Platten. Es gab das Leben im Allgemeinen. Als Rosenau sich wieder zu Betty's (Sylvan Esso's Studio in den Wäldern von North Carolina) wagte, um es erneut zu versuchen, waren vier Jahre vergangen. Und Sanborn baute sein Live-Equipment von Sylvan Esso auseinander, ordnete es neu und fügte neue Teile hinzu, in der Hoffnung, jegliche Muskelgedächtnis für einen Echtzeitaustausch zu vermeiden. Sie wussten sofort, dass es funktionierte, ohne die Zweifel der Vergangenheit im Schlepptau. An diesem ersten Tag, einem Donnerstag, entstanden ,Ghost Sub" und ,Harm". Am zweiten Tag hatten sie einen Fehlstart mit einem Stück namens ,Kay", bei dem Sanborns Synthesizer nicht ganz zu Rosenaus Riff passten, bevor sie mit ,Deltas" weitermachten. Es gab einen Fehlstart, der hier erhalten geblieben ist, aber was folgte, war eine erhabene Morgenmelodie, als würde man müde aufwachen und von dem plötzlichen Licht draußen überwältigt werden. Es ist der Klang des Erwachens zum Leben und der Liebe zu diesem Leben, und es ist das kleine Juwel in der Mitte der sechs Songs, die sie an diesem Wochenende aufgenommen haben, die sechs Songs, die hier in der Reihenfolge präsentiert werden, in der sie entstanden sind. Sie beendeten ,Two" kurz bevor Rosenau zum Flughafen aufbrach; es ist ein langer Abschied, süß und sentimental und traurig, ein letztes Gespräch zwischen zwei Freunden, die ihre gemeinsame Zeit genossen haben. Das Band bricht ab, aber man muss nicht hören, was er sagt, um zu wissen, was er sagt. Das war gut, perfekt, genau das, was wir gesucht haben, genau richtig, Kumpel. So fühlt sich ,Two" von Anfang bis Ende an - zwei Freunde, die fest miteinander verbunden sind und sich in ihren schönen Austausch vertiefen.

pré-commande06.03.2026

il devrait être publié sur 06.03.2026

22,27
MAIK BRÜGGEMEYER - WIE JEDER WEIß, IST DAS HIER DAS NIRGENDWO

Vom Ende der Pop-Utopien Mit Ende vierzig wird Peter Justen von der Zeit und dem Leben in der großen Stadt überrollt und zurück in die Gegend seiner Herkunft geworfen. Ein ungewolltes Comeback, das im wahrsten Sinne des Wortes nach hinten losgeht. Er hatte sich in der großen Stadt eine Welt aufgebaut, in der er sich wie ein Jemand fühlte. Eine Welt aus Liedern, Romanen, linker Theorie, Memoirs und Essays über Herkunft und Geschlecht, Manifesten zum Klimawandel, klugen Feuilleton-Beiträgen und langen Gesprächen über Popkultur in angesagten Bars, postdramatischen Theateraufführungen, japanischen Filmklassikern und aufrührenden Konzerten. Dazu Begegnungen mit interessanten Künstlerinnen und kuriosen Hochstaplern, narzisstisch Gestörten und anregend Größenwahnsinnigen. Nun verblasste diese Welt und er war wieder der Niemand, als der er vor langer Zeit aufgebrochen war. "Wie jeder weiß, ist das hier das Nirgendwo" ist ein melancholisch-komischer Roman über die Versprechen der Popkultur und die Frage, ob sie diese jemals eingelöst hat.

pré-commande06.03.2026

il devrait être publié sur 06.03.2026

18,07
Xenosaga Piano Collection - Across the Kosmos LP 2x12"
  • A1: Prologue
  • A2: Shion -Kako No Kioku
  • A3: Battle & Sentô Suru Kos-Mos & Sentô Shûry?
  • A4: Fuan
  • B1: Life Or Death
  • B2: Gnosis
  • B3: Kanashimi
  • B4: Kokoro O Tozashita Shôjo
  • C1: Kookai Foundation
  • C2: Nephilim
  • C3: Nukumori
  • C4: World To Be Born
  • C5: Albedo
  • D1: Kyomu No Hamabe
  • D2: Last Battle
  • D3: Pain
  • D4: Kokoro

Released in February 2002 on PlayStation 2, Xenosaga Episode I marked the beginning of an unforgettable video game saga created by Tetsuya Takahashi, accompanied by a majestic soundtrack composed by Yasunori Mitsuda.

The latter is still considered an essential milestone in video game music. We wanted to pay tribute to these cult classics with Across the Kosmos ~ Xenosaga Piano Collection and Jazz in Kosmos, two albums of officially licensed arrangements featuring the best tracks from the game.



This album was created in collaboration with some of the most talented figures in Japanese video game music. It includes 17 piano tracks arranged by Mariam Abounnasr, Akio Noguchi, Hiroyuki Nakayama, and Benyamin Nuss, carefully recorded on a Steinway D Grand Piano.

pré-commande06.03.2026

il devrait être publié sur 06.03.2026

39,08
Elvis Presley - That's The Way It Is (4x12")
  • A1: I Just Can't Help Believin
  • A2: Twenty Days And Twenty Nights
  • A3: How The Web Was Woven
  • A4: Patch It Up
  • A5: Mary In The Morning
  • B1: You Don't Have To Say You Love Me
  • B2: You've Lost That Loving Feeling
  • B3: I've Lost You
  • B4: Just Pretend
  • B5: Stranger In The Crowd
  • C1: The Next Step Is Love
  • C2: Bridge Over Troubled Water
  • C3: I've Lost You (Single Version)
  • C4: The Next Step Is Love (Single Version)
  • C5: You Don't Have To Say You Love Me (Single Version)
  • C6: Patch It Up (Single Version)
  • D1: How The Web Was Woven (Take 1)
  • D2: I've Lost You (Take 1)
  • D3: You Don't Have To Say You Love Me (Take 2)
  • D4: Patch It Up (Take 1)
  • D5: Bridge Over Troubled Water (Take 1)
  • E1: That's All Right
  • E2: I Got A Woman
  • E3: Hound Dog
  • F1: I've Lost You
  • F2: I Just Can't Help Believin
  • F3: Patch It Up
  • F4: Twenty Days And Twenty Nights
  • F5: You've Lost That Lovin' Feelin
  • F6: Polk Salad Annie
  • F7: Introductions
  • F8: Blue Suede Shoes
  • F9: You Don't Have To Say You Love Me
  • F10: Bridge Over Troubled Water
  • F11: Suspicious Minds
  • F12: Can't Help Falling In Love
  • E4: Heartbreak Hotel
  • E5: Love Me Tender

After being out of print for a good number of years, we are making 15 titles out of our Elvis Presley back catalogue available again between August 2025 and February 2026. Each title will see two different editions: one on regular-coloured vinyl and one very limited on mix-coloured, marbled vinyl, both housed in deluxe sleeves with a linen look and feel.

That’s The Way It Is is Elvis’ 12th studio album, consisting of eight studio tracks recorded at the RCA studios in Nashville and four songs performed live at The International Hotel in Las Vegas. It accompanied the theatrical release of the eponymous documentary film, although it is not generally considered a soundtrack album.

Added to this definitive 4LP legacy edition are four single sides from the period and a selection of fly-on-the-wall outtakes from the June Nashville sessions that produced the majority of tracks for the LP. Disc 3 and 4 feature the first complete release of a concert from Elvis’ 1970 "Summer Season” recorded on August 12. The 20-page booklet features an insightful essay, photos and memorabilia.

That’s The Way It Is (Legacy Edition) is available as a limited edition of 500 individually numbered copies on yellow and black marble vinyl.

pré-commande06.03.2026

il devrait être publié sur 06.03.2026

89,29
Oronzo De Filippi - Meccanizzazione LP
  • 01: Architettura Industriale
  • 02: Fabbrica - I Versione
  • 03: Fabbrica - Ii Versione
  • 04: Termomeccanica
  • 05: Dinamica
  • 06: Raffineria
  • 07: Dinamica - Ii Versione
  • 08: Meccanizzazione Agraria
  • 09: Industria Metallurgica
  • 10: Chimica Industriale

First-ever official reissue - 180g black vinyl edition

In the late 1960s, a distinctive musical movement began to flourish in Italy—while also gaining momentum abroad, particularly in France and the United Kingdom. Known as library music (or sonorization), this genre consisted of genuine music libraries created specifically to accompany audiovisual productions such as television programs, commercials, documentaries, and films.

Produced under conditions of complete artistic freedom, these recordings often defy clear categorization, as they are not tied to any single musical genre. This creative independence allowed composers—frequently working in total anonymity—to experiment boldly, crafting avant-garde and forward-thinking sounds that, in many cases, anticipated musical trends that would only become widespread years later.

Oronzo De Filippiis known not only for his contributions to library music, but also for being part of the projectThe Braen's MachinealongsideAlessandro Alessandroni, one of the most significant figures in this field.

Meccanizzazione is a fully instrumental album—as is typical of the genre—literally dominated by the distinctive sound of the harpsichord. The record essentially alternates between two main compositional approaches: on one hand, more accessible and "friendly" tracks with a refined jazz-lounge and bossa nova flavor; on the other, darker and more hypnotic pieces, whose repetitive structures vividly evoke the rhythms and mechanical pulse of the industrial world.

pré-commande06.03.2026

il devrait être publié sur 06.03.2026

28,36
Makèz - Arriving Home Elsewhere LP 2x12"

DJ Support: Laurent Garnier, Dennis Cruz, Girls Of The Internet, Horse Meat Disco, Stacey Pullen, Elliot Schooling, Solomun,Marco Carola, Joseph Capriati, The Martinez Brothers, Dam Swindle, Soul Clap, Luke Solomon, Riva Starr, Franky Rizardo, Archie Hamilton, Silvie Loto, Fouk, Austin Ato, Salomé Le Chat, Blackchild, Jean Pierre, Black Loops, Kassian, Seamus Haji, Melvo Baptiste, Rimarkable, Sophie Lloyd

In-demand Amsterdam-based duo Makèz step into new ground with the release of their album ‘Arriving Home Elsewhere’, via ANOTR’s No Art label. A kaleidoscopic project that moves between deep house, cosmic jazz, R&B, broken beat, and club-ready energy, the record is both a declaration of identity and a dissolution of boundaries - proof of the duo’s rare ability to merge worlds without diluting or compromising their true essence.

Where most albums that span electronic realms lean on functionality, ‘Arriving Home Elsewhere’ reaches for something much more expansive. The project is a true hybrid: half shaped for the intimacy of a headphone listen, half designed for the electricity of the dancefloor. together forming a seamless continuum between reflection and release. Tracks like ‘REARRANGE YOURSELF’, ‘BE REAL’, and ‘LOOKS LIKE IT (SPACE TALK)’ are stripped to the core of house music’s driving pulse, made for bigger systems and peak-time release. In contrast, ‘Dreams’, ‘Fruits of the Universe’ (with douniah), and ‘Without The Sun’ (with Oliver Night) explore lush, textured arrangements where live instrumentation and improvisation carry equal weight to rhythm and groove.

Collaboration is at the heart of the LP, with Makèz inviting a constellation of voices who each expand the project’s palette. Ben Westbeech, Liv East, and SANITY bring soulful intensity; 30/70 and dreamcastmoe connect Amsterdam to Melbourne and DC; Cor.Ece and Oliver Night weave delicate threads of emotion; Goya Gumbani and Javonntte guide the production with their vibey, groove-led performances; while Life on Planets reprises his role as a core creative partner, appearing across the album on tracks including the standout ‘BE REAL’ and the previously released ‘ILLUSIONS’ alongside rising Amsterdam talent AVA LAVÁ. Together, these contributions shape an album that feels less like a singular statement and more like a living, breathing ecosystem.

For Makèz, ‘Arriving Home Elsewhere’ is as much about philosophy as it is about music. The title encapsulates a tension central to their art: the feeling of belonging to multiple worlds without ever being confined to one. Jazz, house, soul, and experimental club sounds are not separate influences but parallel languages, and in merging them, the duo has created a record that mirrors the fluidity of contemporary identity and expression. And while it may speak in many voices, the LP tells one clear story - that of Makèz, arriving, again and again, home elsewhere.

En stock du12.05.2026

31,89

Derniere entrée: 41 jours
DJ Blendah & The Printz & Del Gazeebo - Studio 45 Volume 2 (7")

Straight outta Gothenburg, DJ Blendah & The Printz blur the lines between remixes, edits and reworks, and “Get Funky in the Heart” is no exception. Taking the finest elements from Teddy Pendergrass, Dee-lite & Q-Tip, and adding fresh live bass and beats, this is a tried and (road)tested floor-filler! 122 BPM
On the flip, Studio 45 gaffer Del Gazeebo has relented to years of public demand to finally release “Know How to Shake?” to the public - a staple of his party sets over the years that has never since a vinyl release until now. Not only that, he's completely rebuilt it, with more sonic twists, turns and "party tricks" than ever before. It's the Young MC/Jacksons blend you never thought you needed, but essential all the same. 118 BPM

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11,98

Derniere entrée: 13 jours
Daniel[i] - Induction

Daniel[i]

Induction

12inchSY02
Slippery Yard
04.03.2026

Slippery Yard’s second ecosystem lands with “Induction”, a delicate hypnotic pack from Berlin based producer Danieli. With remarkable tribal sound aesthetics, the EP is an evolution of polimetrics and driving essence. This time Utrecht based fellow producer Vand provide us another trancy perspective of the surface of Slippery Yard biome. Biggest mention to our beloved ecosystem designer @fredonne for delivering such a high quality 3D exploration of the new discovered ecosystem, incredible match!

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14,50

Derniere entrée: 68 jours
Anna Prior - Firefly EP

Having transitioned between London, Lisbon and back again as a DJ and producer, as well as across the world as the drummer in beloved pop group, Metronomy, Anna Prior remains an essential and independent force in alternative and electronic music culture. The current epicentre of this creativity is undoubtedly Prior’s own label, Beat Palace. Established in 2021, it has showcased the talent and diversity of FLINTA producers carving an esoteric space within alt-pop and electronic music.

Returning to the imprint for the first time since its inception, Anna Prior utilises this vital platform to refine her own craft across the five-track ‘Firefly’ EP, exploring new moods and styles, balancing playfulness with vulnerability, shadow and light. Prior describes ‘Firefly’ as, “a collection of moments - some fleeting and some stubbornly lingering.... Each track came together almost by accident, but now feels to me like they've always belonged together.”

Lead single ‘True For You’ pulsates with soft euphoria, as Prior weaves softly cascading synths with her own earnest declarations, composing a sensual, sophisticated drama about “letting other people's differing truths sit alongside your own” that nonetheless carries a distinct club energy. In contrast, title track ‘Firefly’, written alongside co-producer Matt Karmil, unfolds as a spoken-word piece, investigating memory, “the tricky mirror that reveals more than it conceals”. Throughout, Prior’s inquisitive, native Yorkshire accent anchors a wide-eyed soundscape that gradually, impressively escalates into the cinematic.

Centerpiece track ‘Silence’ turns this approach inside out, escalating the tempo and revealing a DnB-influenced shade of Prior’s work that is certain to surprise and impress, scattering elegant syllables amongst serious soundsystem pressure as Prior navigates the feeling of being ghosted; by friends, lovers and even her own work. ‘No More Drama’ returns to pop, presenting a bold cover of Mary J. Blige’s classic that inverts the original’s unmatched intensity for a more serene, but no less affecting rendition.

Finally, ‘Beside You’ delivers one last, sublime blend of Prior’s songwriting and sequencing instincts, a simple pop incantation that coaxes dancers into a soft trance while concluding with a reminder from Prior that “amid life’s unanswered calls and fleeting highs, there is always space to feel safe and unjudged.” Concluding this sublime EP, Prior finds new ground to settle into her talents.

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14,50

Derniere entrée: 69 jours
BOMBYE - BOMBYE LP

BOMBYE

BOMBYE LP

12inchCNCT-010
CONNECT RECORDS
01.03.2026
  • Side A: “Deadbird”, “Robought”
  • Side B: “Grant Urismo”, “5Yago”

Straight from Honolulu, Bombye is a newly found Hawaiian soul trio led by Nick Kurosawa, one of Hawaii’s most captivating voices. Known for his rich,
velvet tone and vintage-inspired phrasing, Nick and his band channel the essence of 1970s soul, funk, and R&B into a deeply organic soundscape that feels both nostalgic and new.
The EP features four tracks that showcase the band’s musicianship and emotional depth.
Mixing by Andrew Garma and mastering by Wax Alchemy deliver exceptional clarity and analog warmth, while Shiro Ishihara (SNEA) provides the minimalist yet evocative artwork
that perfectly complements the record’s soulful aesthetics. This limited-edition vinyl includes a bonus “Bombye” sticker exclusive to CONNECT RECORDS. Each copy is pressed with
care for collectors, DJs, and analog enthusiasts seeking authentic, heartfelt soul music with timeless groove and depth.

pré-commande01.03.2026

il devrait être publié sur 01.03.2026

41,98
Arthur Russell - Another Thought 2x12"

2026 Repress


Another Thought was the first collection of Arthur Russell’s music to be released after his death in 1992. Released in 1993 on Point Music it marked the beginning of nearly 30 years of work to let the world hear the enormous archive of unreleased recordings Arthur left behind. Be With revisits this first compilation for a new gatefold double vinyl version and a triple-fold digipak CD reissue.

Both versions of Be With’s 2021 reissue of Another Thought have been mastered by Simon Francis and the vinyl cut by Pete Norman. The original artwork has been restored and tweaked at Be With HQ for the gatefold sleeve and the triple-fold digipak, with the essential help of Janette Beckman. Each version comes with an insert reproducing the liner notes and lyrics from the original CD release.

Together with Calling Out Of Context, Soul Jazz’s World of Arthur Russell, and much of the ongoing work of Audika, Another Thought is absolutely essential for even the most casual Arthur Russell collection. In fact we’d argue it’s essential for any fan of non-obvious pop music. This is the only place where you can hear some of Arthur’s most recognisable tunes and it’s an album that absolutely deserves to be kept in press.


We’ll assume that by now you’re all at least a little familiar with the story of Arthur Russell, the farm boy from Iowa who moved to 1970s New York. Arthur Russell the genuine musical genius who died just 40 years old, leaving behind a wealth of music that dwarfed the few 12"s and LPs that were released during his short life.

Although Arthur had been working on an album for Rough Trade during his last years, with the label no-longer operating it was Point Music (Philip Glass and Michael Riesman’s label set up together with Philips) who stepped in to help Arthur’s partner Tom Lee start working out exactly what Arthur had left behind.

Tom suggested that Arthur’s friend Mikel Rouse was the right person to make the first catalogue. Working in Tom and Arthur’s apartment he had only two weeks to go through what turned out to be around 800 tapes.

As Tom explained “at the end of each day he would generally wait for me to come home and I would, to the best of my knowledge, name and identify pieces in question from that day’s work. As he worked Mikel compiled about a dozen cassettes that he thought would present the most finished sounding songs for Don/Point to use. As Don listened he would then suggest and ask me and thus we collaborated on the choices.”

Don is Don Christensen, Another Thought’s producer. With a final selection of songs from recordings made between 1982 and 1990, including sessions with some of Arthur’s regular collaborators Peter Zummo, Steven Hall, Mustafa Ahmed, Elodie Lauten, Julius Eastman, Jennifer Warnes and Joyce Bowden, it was then Don’s job to turn these into a finished album.

Another Thought is a little different from the compilations of Arthur’s music that came out since. In our conversations with Steve Knutson (who founded Audika Records and who manages Arthur’s estate together with Tom), he explained that “more than any project released by Arthur during his lifetime or posthumously by Audika, ‘Another Thought’ is the most worked over. The material was significantly edited and rearranged from the original source tapes”.

If the aim was to release a comprehensive exploration of every facet of Arthur’s music, from the most avant-garde of his avant-garde compositions through to the most disco-not-disco of his disco-not-disco tunes then the project was a spectacular failure. But as a coherent album of non-obvious pop music Another Thought is wonderful.

Starting with the sparse voice-and-cello of the title track, A Little Lost adds some guitar along with the sneaking suspicion that we’re listening to something nowhere near as simple as it first sounds. By the time we get to This Is How We Walk On The Moon - it could be the moment you notice the congas, or the percussion that’s been building behind them, or maybe it’s that blast of trumpet and trombone - we realise we’ve gone from splashing around to being completely submerged in the musical world of Arthur Russell.

From here the album heads off on its journey around the sounds of the left-field contemporary classical music of the time, re-directed towards pop ears, with minor detours through the swirling woozy disco of the half-remembered night before on In The Light Of The Miracle and My Tiger, My Timing. Whether it’s just Arthur, his cello and some bleeps on Just A Blip, or whether he has some vocal help as he does on the bounding Keeping Up, this is difficult music made so, so easy. And through it all is Arthur’s voice and cello. Sometimes drowned in distortion and sometimes clear as a bell, but always there somewhere.

A Sudden Chill finally returns us to the calmer waters we started in and this last track closes the album with a melancholy that’s not surprising given how soon after Arthur’s death the album was put together.

Whilst Another Thought holds together with the consistency of a proper album, there’s still no getting away from the fact that this was put together from audio recorded in different ways, in different places, with different people at different times. Those with keen ears will hear traces of tape hiss, the occasional blown-out note and some digital fuzz, all fingerprints of those original recordings as well as of the 1990s digital equipment that was used to piece Another Thought together.

Add to this Arthur’s obvious pleasure in making music from the sort of sounds that can make microphones, speakers and ears uncomfortable, it’s no surprise that Another Thought isn’t glossy and pristine. Don Christensen’s productions have been careful to not scrub up those original recordings so much that they lose their original vibe, understandable given that Arthur wasn’t around as a guide. We’ve applied a similarly light touch with the mastering for these Be With versions, just working to make sure they sound like they should on both the vinyl and the CD.

Despite the Discogs rumours, Another Thought was never originally released as an LP. So when it came to the sleeve for this Be With vinyl version we took the original CD artwork as a starting point to come up with something that looks like it could have been in the record racks back in 1993.

We have to thank Janette Beckman for helping us reproduce her iconic photograph of Arthur in his newspaper boat hat. One of many photographs she took of Arthur, Janette shot this in her New York studio back in 1986 for a short article in the January ’87 issue of The Face Magazine. Those with eagle-eyes will notice we’ve used an ever-so-slightly different shot from the one that appeared in The Face and then again on the original cover of Another Thought. The original has long since been lost so we’ve worked with what is left in Janette’s archives. And we also have to thank Tom Lee for giving us permission to reproduce his liner notes from the original CD booklet, together with Arthur’s lyrics.

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28,19

Last In: 4 years ago
SHITKID - THE ESSENTIAL (VOL. 1)

SHITKID

THE ESSENTIAL (VOL. 1)

12inchPNKSLM131
PNKSLM
27.02.2026
  • 666:
  • I Wanna Go To La
  • Sugar Town
  • Alright, 5. Oh Me L'm Never
  • High Way
  • Romance
  • Get Jealous
  • Feels Like The Movies
  • Dream Sequence
  • Freak
  • Dirty Guy
  • Downtown Apartment
  • Kill Rocken Roll
  • Runt Pà Stranden
également disponible

Transparent Purple Vinyl[25,00 €]


Seit ihrem Durchbruch im Jahr 2016 ist Söderqvists ShitKid eine der interessantesten Bands überhaupt, die immer wieder Erwartungen übertrifft und Konventionen bricht. Nachdem sie das Projekt 2020 plötzlich beendet hatte und komplett aus der Musikszene verschwunden war, kommt ShitKid jetzt mit Compilations und einem Live-Comeback im Jahr 2026 zurück. ,The Essential (Vol 1)" bringt die rohen, rockigen Highlights ihrer Karriere zusammen.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

22,27
SHITKID - THE ESSENTIAL (VOL. 1)

SHITKID

THE ESSENTIAL (VOL. 1)

12inchPNKSLM131LPC1
PNKSLM
27.02.2026

Seit ihrem Durchbruch im Jahr 2016 ist Söderqvists ShitKid eine der interessantesten Bands überhaupt, die immer wieder Erwartungen übertrifft und Konventionen bricht. Nachdem sie das Projekt 2020 plötzlich beendet hatte und komplett aus der Musikszene verschwunden war, kommt ShitKid jetzt mit Compilations und einem Live-Comeback im Jahr 2026 zurück. ,The Essential (Vol 1)" bringt die rohen, rockigen Highlights ihrer Karriere zusammen.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

25,00
NOTHING - A SHORT HISTORY OF DECAY
  • Never Come Never Morning
  • Cannibal World
  • A Short History Of Decay
  • The Rain Don't Care
  • Purple Strings
  • Toothless Coal
  • Ballet Of The Traitor
  • Nerve Scales
  • Essential Tremors
également disponible

CANDY CORN VINYL[23,49 €]

Cassette[14,08 €]


Nothing waren schon immer Regelbrecher. Shoegaze-Rebellen, die das typischerweise leichtgewichtige Genre nach ihrem eigenen, knallharten amerikanischen Image neu erfunden haben. Outlaw-Poeten, die existenzielle Ängste auf kilometerbreiten Leinwänden aus Fuzz und Hall ausbreiten. Angefangen als Solo-Projekt in einem Schlafzimmer in Philadelphia im Jahr 2010, hat die Musik von Nothing immer die ganze Bandbreite des Menschseins eingefangen, sowohl die schreiende Wut als auch die flüsternde Traurigkeit. ,A Short History of Decay", das fünfte Soloalbum von Nothing und das erste für Run For Cover Records, erweitert diesen Horizont noch weiter und bietet die bisher hochauflösendste Darstellung von Nothing. Die Band hat noch nie so kolossal geklungen, sich noch nie so intim angefühlt, war noch nie so ehrlich. Mit dem stärksten Arsenal in der sich ständig verändernden Besetzung von Nothing - Gitarrist Doyle Martin (Cloakroom), Bassist Bobb Bruno (Best Coast), Schlagzeuger Zachary Jones (MSC, Manslaughter 777) und dem dritten Gitarristen Cam Smith (Ladder To God, ebenfalls von Cloakroom) - wusste Singer-Songwriter Domenic ,Nicky" Palermo wusste, dass er die nötige Manpower hatte, um das bisher ambitionierteste Album der Band aufzunehmen. Mitgeschrieben und produziert wurde es zusammen mit Whirr-Gitarrist Nicholas Bassett, zusätzliche Produktions- und Mixing-Arbeiten übernahm Sonny Diperri (DIIV, Julie). a short history of decay ist das musikalisch ausgereifteste Statement im Katalog von Nothing. Songs wie ,Cannibal World" und ,Toothless Coal" sind katastrophale Ausbrüche mechanisierten Industrial-Gaze, die wie My Bloody Valentine klingen - nur extremer. Am anderen Ende des Spektrums steht das kunstvoll-düstere ,Purple Strings" mit einem wunderschönen Streicharrangement, an dem die Harfenistin und zweifache Nothing-Mitwirkende Mary Lattimore beteiligt ist. Diese barocke Zartheit durchdringt auch andere Höhepunkte von ,A Short History of Decay", insbesondere ,The Rain Don't Care", eine beschwingte Ballade, die die abgenutzte Eleganz von Mojave 3 kanalisiert, sowie ,Nerve Scales", ein prasselnder Bop, der in seiner Verbindung von jenseitiger Atmosphäre und tödlicher Präzision an Radiohead erinnert. Palermo bezeichnet das neue Album als ,letztes Kapitel". Nicht das Ende von Nothing, sondern der Abschluss einer Geschichte, die mit dem Debütalbum von Nothing aus dem Jahr 2014, Guilty of Everything, begann - einem weiteren Album über Zeit, Reue und die Konfrontation mit unangenehmen Wahrheiten - und nun mit A Short History of Decay ihren Abschluss findet. Es ist ebenso sehr eine Momentaufnahme von Palermos Vergangenheit wie ein Sprung in die Zukunft von Nothing.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

22,65
NOTHING - A SHORT HISTORY OF DECAY

NOTHING

A SHORT HISTORY OF DECAY

12inchRFCLPC5295
Run For Cover Records
27.02.2026

Nothing waren schon immer Regelbrecher. Shoegaze-Rebellen, die das typischerweise leichtgewichtige Genre nach ihrem eigenen, knallharten amerikanischen Image neu erfunden haben. Outlaw-Poeten, die existenzielle Ängste auf kilometerbreiten Leinwänden aus Fuzz und Hall ausbreiten. Angefangen als Solo-Projekt in einem Schlafzimmer in Philadelphia im Jahr 2010, hat die Musik von Nothing immer die ganze Bandbreite des Menschseins eingefangen, sowohl die schreiende Wut als auch die flüsternde Traurigkeit. ,A Short History of Decay", das fünfte Soloalbum von Nothing und das erste für Run For Cover Records, erweitert diesen Horizont noch weiter und bietet die bisher hochauflösendste Darstellung von Nothing. Die Band hat noch nie so kolossal geklungen, sich noch nie so intim angefühlt, war noch nie so ehrlich. Mit dem stärksten Arsenal in der sich ständig verändernden Besetzung von Nothing - Gitarrist Doyle Martin (Cloakroom), Bassist Bobb Bruno (Best Coast), Schlagzeuger Zachary Jones (MSC, Manslaughter 777) und dem dritten Gitarristen Cam Smith (Ladder To God, ebenfalls von Cloakroom) - wusste Singer-Songwriter Domenic ,Nicky" Palermo wusste, dass er die nötige Manpower hatte, um das bisher ambitionierteste Album der Band aufzunehmen. Mitgeschrieben und produziert wurde es zusammen mit Whirr-Gitarrist Nicholas Bassett, zusätzliche Produktions- und Mixing-Arbeiten übernahm Sonny Diperri (DIIV, Julie). a short history of decay ist das musikalisch ausgereifteste Statement im Katalog von Nothing. Songs wie ,Cannibal World" und ,Toothless Coal" sind katastrophale Ausbrüche mechanisierten Industrial-Gaze, die wie My Bloody Valentine klingen - nur extremer. Am anderen Ende des Spektrums steht das kunstvoll-düstere ,Purple Strings" mit einem wunderschönen Streicharrangement, an dem die Harfenistin und zweifache Nothing-Mitwirkende Mary Lattimore beteiligt ist. Diese barocke Zartheit durchdringt auch andere Höhepunkte von ,A Short History of Decay", insbesondere ,The Rain Don't Care", eine beschwingte Ballade, die die abgenutzte Eleganz von Mojave 3 kanalisiert, sowie ,Nerve Scales", ein prasselnder Bop, der in seiner Verbindung von jenseitiger Atmosphäre und tödlicher Präzision an Radiohead erinnert. Palermo bezeichnet das neue Album als ,letztes Kapitel". Nicht das Ende von Nothing, sondern der Abschluss einer Geschichte, die mit dem Debütalbum von Nothing aus dem Jahr 2014, Guilty of Everything, begann - einem weiteren Album über Zeit, Reue und die Konfrontation mit unangenehmen Wahrheiten - und nun mit A Short History of Decay ihren Abschluss findet. Es ist ebenso sehr eine Momentaufnahme von Palermos Vergangenheit wie ein Sprung in die Zukunft von Nothing.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

23,49
NOTHING - A SHORT HISTORY OF DECAY (TAPE)

NOTHING

A SHORT HISTORY OF DECAY (TAPE)

CassetteRFCCASS295
Run For Cover Records
27.02.2026

Nothing waren schon immer Regelbrecher. Shoegaze-Rebellen, die das typischerweise leichtgewichtige Genre nach ihrem eigenen, knallharten amerikanischen Image neu erfunden haben. Outlaw-Poeten, die existenzielle Ängste auf kilometerbreiten Leinwänden aus Fuzz und Hall ausbreiten. Angefangen als Solo-Projekt in einem Schlafzimmer in Philadelphia im Jahr 2010, hat die Musik von Nothing immer die ganze Bandbreite des Menschseins eingefangen, sowohl die schreiende Wut als auch die flüsternde Traurigkeit. ,A Short History of Decay", das fünfte Soloalbum von Nothing und das erste für Run For Cover Records, erweitert diesen Horizont noch weiter und bietet die bisher hochauflösendste Darstellung von Nothing. Die Band hat noch nie so kolossal geklungen, sich noch nie so intim angefühlt, war noch nie so ehrlich. Mit dem stärksten Arsenal in der sich ständig verändernden Besetzung von Nothing - Gitarrist Doyle Martin (Cloakroom), Bassist Bobb Bruno (Best Coast), Schlagzeuger Zachary Jones (MSC, Manslaughter 777) und dem dritten Gitarristen Cam Smith (Ladder To God, ebenfalls von Cloakroom) - wusste Singer-Songwriter Domenic ,Nicky" Palermo wusste, dass er die nötige Manpower hatte, um das bisher ambitionierteste Album der Band aufzunehmen. Mitgeschrieben und produziert wurde es zusammen mit Whirr-Gitarrist Nicholas Bassett, zusätzliche Produktions- und Mixing-Arbeiten übernahm Sonny Diperri (DIIV, Julie). a short history of decay ist das musikalisch ausgereifteste Statement im Katalog von Nothing. Songs wie ,Cannibal World" und ,Toothless Coal" sind katastrophale Ausbrüche mechanisierten Industrial-Gaze, die wie My Bloody Valentine klingen - nur extremer. Am anderen Ende des Spektrums steht das kunstvoll-düstere ,Purple Strings" mit einem wunderschönen Streicharrangement, an dem die Harfenistin und zweifache Nothing-Mitwirkende Mary Lattimore beteiligt ist. Diese barocke Zartheit durchdringt auch andere Höhepunkte von ,A Short History of Decay", insbesondere ,The Rain Don't Care", eine beschwingte Ballade, die die abgenutzte Eleganz von Mojave 3 kanalisiert, sowie ,Nerve Scales", ein prasselnder Bop, der in seiner Verbindung von jenseitiger Atmosphäre und tödlicher Präzision an Radiohead erinnert. Palermo bezeichnet das neue Album als ,letztes Kapitel". Nicht das Ende von Nothing, sondern der Abschluss einer Geschichte, die mit dem Debütalbum von Nothing aus dem Jahr 2014, Guilty of Everything, begann - einem weiteren Album über Zeit, Reue und die Konfrontation mit unangenehmen Wahrheiten - und nun mit A Short History of Decay ihren Abschluss findet. Es ist ebenso sehr eine Momentaufnahme von Palermos Vergangenheit wie ein Sprung in die Zukunft von Nothing.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

14,08
ANDREW	BIRD - THE MYSTERIOUS PRODUCTION OF EGGS (20TH ANNIVERSARY) LP 3x12"
  • =
  • Sovay
  • A Nervous Tic Motion Of The Head To The Left
  • Fake Palindromes
  • Measuring Cups
  • Banking On A Myth
  • Masterfade
  • Opposite Day
  • Skin Is, My
  • The Naming Of Things
  • Mx Missiles
  • =/=
  • Tables And Chairs
  • The Happy Birthday Song
  • Sovay
  • A Nervous Tic Motion Of The Head To The Left
  • Blood
  • Measuring Cups
  • Banking On A Myth
  • Masterfade
  • Opposite Day
  • Skin Is, My
  • The Naming Of Things
  • Mx Missiles
  • Capital I
  • Right On Time
  • The Happy Birthday Song
  • Measuring Cups
  • Knapsack
  • Fake Palindromes
  • A Nervous Tic Motion Of The Head To The Left
  • The Happy Birthday Song
  • Tables And Chairs
  • Tables And Chairs
  • The Happy Birthday Song

Im Jahr 2005 war Andrew Bird eine bis dahin unvorstellbare Kombination aus virtuosem Violinisten, Singer-Songwriter, Gitarristen und Pfeifer. Mit seinem Album ,The Mysterious Production of Eggs" aus diesem Jahr schuf Bird einen neuen Sound, der bis heute nachgeahmt wird. Anlässlich des 20-jährigen Jubiläums von ,The Mysterious Production of Eggs" veröffentlicht Andrew Bird ein ganz besonderes Boxset mit einem 54-seitigen Buch mit Fotos, besonderen Überraschungen und zwei Essays: einen von Andrew selbst und einen von Anders Lindall, der den verschlungenen und faszinierenden Prozess untersucht, den Andrew und seine Mitstreiter bei der Aufnahme des Albums durchlaufen haben. Das Boxset enthält außerdem die Originalveröffentlichung des Albums sowie zwei LPs mit bisher unveröffentlichtem Material auf schwarzem Vinyl. Auf einer LP befindet sich eine vollständige Wiedergabe des Albums, jedoch mit Demos, Live-Aufnahmen und alternativen Versionen. Die dritte LP enthält weitere unveröffentlichte Raritäten auf Seite A und eine Auswahl von Songs aus dem Originalalbum, die von Andrew mit dem Nu Deco Ensemble gespielt werden. Der ursprüngliche Cover-Künstler hat ein völlig neues Artwork für das Jubiläumswerk geschaffen.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

111,72
SKA FLAMES - MUN DUN GU / MUN DUN GU (MIGHTY MASSA DUB MIX) 7"
  • A.mun Dun Gu
  • B.mun Dun Gu (Mighty Massa Dub Mix)

Celebrating their 40th anniversary in 2025, Japan's ska scene pioneers The SKA FLAMES - still going strong and continuing to exert a huge influence
both domestically and internationally - will release five 7-inch singles over three consecutive months!!
The third installment concludes with a cover of SOUND DIMENSION's “MUN-DUN-GU,” featuring guest artist mi-nepercussions.
Additionally, the B-side includes a DUB MIX by MIGHTY MASSA.
This release is essential for selectors and collectors alike!

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

27,52
EXEK - PROVE THE MOUNTAINS MOVE

EXEK

PROVE THE MOUNTAINS MOVE

12inchDFALP2731
DFA Records
27.02.2026out soon
 
2

Seit etwas mehr als einem Jahrzehnt hat sich EXEK ganz leise zu einer der faszinierendsten Bands der Welt entwickelt, die sich von Album zu Album verändert und weiterentwickelt und sich nach und nach geöffnet hat, ohne jemals diese seltsame, unergründliche und insgesamt essentielle Eigenschaft zu verlieren, die sie so großartig gemacht hat - so EXEK-mäßig. Nun bringt die Post-Punk-Band aus Melbourne - Sänger und Chefarchitekt Albert Wolski, Gitarrist Jai Morris-Smith, Schlagzeuger Chris Stephenson, Synthesizer-Spezialist Andrew Brocchi, Trompeterin und Sängerin Valya YL Hooi und Bassist Ben Hepworth - ihr siebtes Album und erstes für DFA raus: ,Prove The Mountains Move". Es ist, wie Wolski sagt, ,ein bisschen epischer" als alles, was er bisher aufgenommen hat, ein üppiges und unverhohlen melodisches Set surrealistischer Popmusik, das sich in Widersprüchen suhlt. ,Dieses Album ist in seiner Machart experimentell", sagt Wolski, ,aber es klingt nicht unbedingt experimentell." Dafür gibt es einen guten Grund. Die Arbeit begann an einem kalten Nachmittag im Juni 2023, als Wolski und Stephenson sich in den Pelican Refill Studios in Melbourne trafen, um die Drums aufzunehmen - das erste, was sie immer machen. Danach ging Wolski alleine nach Hause und fing an, die aufgenommenen Beats und Breaks durchzugehen, wobei er sich von den Drum-Sounds zu Melodien und Basslines leiten ließ, Loops und Layers erstellte und so die Grundlage für ,Prove The Mountains Move" schuf. ,Ich fühle mich wohl dabei, alleine wie ein verrückter Wissenschaftler herumzutüfteln", sagt er. ,Ich habe es auch genossen, ohne klare Absicht auf Aufnahme zu drücken. Meistens führte mich das in eine interessante Richtung, die mein Bewusstsein wahrscheinlich nicht gesucht hätte." Und doch gelangte Wolski irgendwie zu seinem direktesten Werk seit Beginn des Projekts, neu inspiriert von der Klarheit und Prägnanz des Mainstream-Pop, der starken und unbestreitbaren Anziehungskraft einer einfachen Gesangsmelodie. Nachdem die berühmt-berüchtigten strengen COVID-Lockdowns in Melbourne beendet waren, wollte er einfach draußen bleiben. ,Die Arbeit an neuer Musik trat gegenüber dem Feiern mit Freunden in den Hintergrund", sagt er. ,Und diese Partys waren voller großer Hits als Soundtrack - Sachen, die ich selbst nicht wirklich hörte, Sachen, denen ich seit meiner Jugend nicht mehr begegnet war. Aber in den frühen Morgenstunden des Sonntags klingt ,Alive" von Pearl Jam, als würde man mit Gott sprechen. Genauso wie ,All I Wanna Do" von Sheryl Crow und ,Feel" von Robbie Williams. Krautrock und Dub waren immer noch in meiner DNA, aber die Musik, die ich zu machen begann, war vielleicht etwas unbeschwerter und vielleicht auch etwas emotionaler." Das heißt nicht, dass man hier Spuren von Eddie Vedder in Wolskis Gesang erwarten sollte, aber die Einsätze fühlen sich auf ihre eigene Weise ähnlich an - so klingt es, wenn EXEK wirklich alles geben. Nimm zum Beispiel die schwebenden Synthesizer des Openers ,Sidestepping" oder die gewaltigen Gitarren von ,Arriverderci Back Pain", die pyrotechnischen Klavierklänge von ,Don't Answer (When They Call)" oder die Bowie-artige Melancholie von ,You Have Been Blessed". Die Arrangements wirken offener, der Sound fokussierter. Es fällt nicht schwer, Wolski zu glauben, wenn er sagt, dass er viel Zeit damit verbracht hat, seine Mixe von ,Prove The Mountains Move" mit einigen der wichtigsten Alben, die je aufgenommen wurden, darunter ,Abbey Road", zu vergleichen. Aber alles ist relativ. Und textlich bleibt Wolski weiterhin verschlüsselt. ,Jeder Song ist eine Vignette in einem abstrakten Milieu, sei es ein experimentelles Chiropraktik-Geschäft am Flughafen oder spärlich bekleidete Kreaturen aus Staub in einem Food Court. Egal wie verrückt das auch sein mag, es gibt Themen und Motive auf dem gesamten Album, sowohl textlich als auch musikalisch, die sich in verschiedenen Songs widerspiegeln und aufeinander Bezug nehmen." Diese Dissonanz zwischen direkt und indirekt, glatt und strukturiert, schattig und glühend, verrückt und ausdruckslos ist die treibende Kraft im Herzen dieser Songs, seiner bisher besten.

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23,49
ARJAN RIETVELD - HYPNOTISED: A JOURNEY THROUGH TRANCE MUSIC (1990–2005)

332 page paperback
Size: 13,7 x 20,8 x 3,0 cm

Label Text:
"Trance has been the flagship for electronic music across the globe during the nineties and early zeroes. The sound’s trademark optimistic and euphoric aspects has brought some of the most compelling musical pieces of its time, and undoubtedly had a significant influence on future electronic music to come. Yet, its historical significance has been highly overlooked. Hypnotised is the first encyclopaedia to cover the global trance movement during its most prolific years. The 332-page book spans a near-complete discography of supposedly essential albums, labels and releases, alongside exclusive photos and in-depth interviews with influential artists and label owners."

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23,11

Derniere entrée: 73 jours
Damily - Fanjiry LP

Damily

Fanjiry LP

12inchBJR119LP
Bongo Joe
27.02.2026
  • 1: Fanjiry
  • 2: Alohotsy
  • 3: Sikilony
  • 4: Kalavabitiky
  • 5: Zongoya
  • 6: Zipo Tralala
  • 7: Tsapatsapao
  • 8: Roro Soa
  • 9: Alakarabo

After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn — not away from trance, but deeper into its core.

Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely — bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark.

There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title — the last star before dawn — captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

24,79
RUIDO SELECTO - CANONAZOS EN DUB (7")
  • A1: Cumbia Saramuya (Rebajada Dubmix)
  • B1: Mosaico Y Descontrol

ON MANZANITA RED COLOUR VINYL A heavyweight slice of Caribbean DUB! Between 2021-2023 Ruido reworked original Discos Fuentes masters with vintage gear, transforming Colombian tropical classics from the 60's into raw, energy-dubbed, remixed, and reimagined for today. An essential 45RPM for dub heads and tropical groove lovers worldwide.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

13,66
Catching Flies - Beats & Pieces II LP

CATCHING FLIES ANNOUNCES BEATS & PIECES II - A Bold, Dancefloor-Driven Follow-Up to Acclaimed Mixtape

The Limited Edition Orange Vinyl releases a month before the digital release, and contains exclusive Vinyl versions of some of the tracks, which will not be available anywhere else. Following a run of celebrated releases on Cercle Records and Anjunadeep, alongside a widely praised BBC Radio 1 Essential Mix, London-based producer Catching Flies returns with Beats & Pieces II — a dynamic, dancefloor-focused counterpart to his previous mixtape, Beats & Pieces. Described as its "uptempo sister," the new project signals a confident shift in energy while preserving the organic textures and emotive detail that define his distinctive sound. Beats & Pieces II has already notched up a series of notable milestones.

• The track "Iajo" has been featured on the EA Sports FC 26 soundtrack (FIFA).• Catching Flies will deliver a BBC Radio 1 Chill Mix during the album's release week.• He has been named the cover artist for Spotify's Altar playlist.• Tracks from Beats & Pieces II have received support and praise from artists including Bonobo, Diplo, Solomun, and MJ Cole.• This summer, Catching Flies will perform live at festivals across Europe.• He will join melodic house artist Monolink on a North American tour coinciding with the album's release.• Catching Flies will perform at Anjunadeep's London Open Air event at the iconic Naval College in Greenwich this summer.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

22,48
DAMILY - FANJIRY

DAMILY

FANJIRY

12inchBJRLP119
LES DISQUES BONGO JOE
27.02.2026
  • Fanjiry
  • Alohotsy
  • Sikilony
  • Kalavabitiky
  • Zongoya
  • Zipo Tralala
  • Tsapatsapao
  • Roro Soa
  • Alakarabo

After decades spent shaping the sound of southern Madagascar and becoming one of the defining voices of tsapiky, Damily returns with Fanjiry, his most intimate and focused record to date. Known for electrifying village ceremonies and carrying the fever of Toliara across continents, he takes a sharp turn - not away from trance, but deeper into its core. Recorded in just three days at Studio Black Box with analog wizard Peter Deimel, Fanjiry strips the tsapiky band down to a single guitar and a single heartbeat. Damily plays alone, yet fills the space completely - bass, rhythm, melody, pulse, and breath merging into a dense and vibrating sound. Every riff is architecture, every harmonic a door opening onto memory, childhood landscapes, and nights where music heals, binds, and exhausts the dark. There is no nostalgia here, no museum of tradition. Fanjiry is a new frontier for tsapiky: raw, precise, suspended between earth and sky, born from craft and necessity. The title - the last star before dawn - captures its essence: a quiet moment before the world awakens, where a single guitar can hold an entire history and still point forward.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

22,65
Mark Vernon - Sounds of the Modern Hospital (Tape)
  • 01: Full Blood Count Analyzer
  • 02: Automated Instrument Rinse System
  • 03: Mri Scanner
  • 04: Anaesthetic Machine
  • 05: Meti Human Patient Simulator - Mannequin Breathing
  • 06: Simman Essential Mannequin
  • 07: Cardiac Monitor
  • 08: Lee Silverman Voice Treatment
  • 09: Haemoglobin A1C Analyzer
  • 10: Anaesthetic Machine 2
  • 11: Infusion Pump (Alaris Plus)
  • 12: Heater Fan
  • 13: Phacoemulsifier – Suction And Ultrasound During Cataract Surgery (Two Perspectives)
  • 14: Robotic Pharmacy - Manually Restocking Supplies
  • 15: Ct Scanner
  • 16: Pharmacy Label Printer
  • 17: Dialysis Machine
  • 18: Draeger Oxylog 3000 Plus
  • 19: Meti Human Patient Simulator – Powering Up Of Bellows That Control Mannequin&Apos;S Artificial Lungs
  • 20: Orthopantomograph Op 00
  • 21: Helium Cooler For Mri Scanner
  • 22: Coagulation Analyzer
  • 23: Meti Hps Mannequin
  • 24: Ophthalmology
  • 27: Ultrasound Scanner
  • 28: Operating Theatre
  • 29: Beckman Coulter Access 2 Analyzer
  • 30: Geiger Counter (Berthold Lb124)
  • 31: Automated Mailroom (Opex Mail Matrix)
  • 32: Wall Mounted Suction Unit
  • 33: Dialysis Machine 2
  • 25: Sysmex Sp1000I Automated Slide-Maker
  • 26: Agv (Automatic Guided Vehicle)
également disponible

Vinyl[22,48 €]


Death Is Not The End reissue Mark Vernon's sought-after 2013 collection Sounds of a Modern Hospital on vinyl & cassette formats.

Whilst every effort has been made to record the subject in as great a degree of isolation as possible, the sound recordings you will hear on this record were made in a real working hospital and not under controlled conditions. Therefore, on occasion, you may hear some unavoidable background noise, conversations and other extraneous sounds.

All recordings were made by Mark Vernon at Forth Valley Royal Hospital, Larbert, Stirling Community Hospital and Falkirk Community Hospital between 2011 and 2013.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

13,66
Lance Ferguson - Dominoes / Cold Bear (7")

New Zealand–born, Melbourne-based guitarist, producer, songwriter, DJ and recording artist Lance Ferguson returns with a killer follow-up: two new 7" releases from his third instalment of the acclaimed Rare Groove Spectrum series, offering a fresh set of reimagined and reworked classics. From '70s Australian jazz-funk and Latin-fusion to big-band soul and golden-era funk, Ferguson blends crate-digger sensibilities with modern studio craft.

The "Dominoes / Cold Bear" 7" features the exclusive track "Cold Bear", a fiery reinterpretation of The Gaturs' New Orleans funk classic. Sitting alongside it is a fan favourite among modern funk and soul lovers: Jungle's "Dominoes", stripped back, amped up and played live with an unpolished, authentic feel that pays homage to the essence of the original.

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

16,39
Thelonious Monk & John Coltrane - Thelonious Monk With John Coltrane LP
  • Ruby My Dear
  • Trinkle Tinkle
  • Off Minor
  • Monk's Mood
  • Nutty
  • Epistrophy
  • Functional
  • Off Minor

After being fired by Miles Davis and traveling to Philadelphia to combat his drug addiction in 1957, John Coltrane accepted an invitation from Thelonious Monk to join his quartet. They famously played at New York's Five Spot Cafe and despite the exquisite quality of the band's music, it yielded few recordings and Coltrane's tenure with Monk only lasted six months. Produced by Orrin Keepnews for his label Milestones, the album is compiled from sessions recorded during April, June, and July of 1957. It wasn't released until 1961 though, four years after the sessions took place, and after Coltrane had become a leader and jazz star in his own right.



[c] OFF MINOR [tk 4]


[f] EPISTROPHY [alt tk]
[g] FUNCTIONAL [alt tk]
[h] OFF MINOR [master]

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

21,43
Nina Simone - The Essential Collection LP
  • A1: Little Girl Blue
  • A2: My Baby Just Cares For Me
  • A3: You'll Never Walk Alone
  • A4: I Loves You Porgy
  • A5: He's Got The Whole World In His Hands
  • A6: For All We Know
  • B1: Willow Weep For Me
  • B2: Solitaire
  • B3: Black Is The Colour Of My True Love's Hair
  • B4: Summertime
  • B5: Wild Is The Wind
  • B6: Memphis In June
  • B7: I Got It Bad (And That Ain't Good)
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10,50

Derniere entrée: 73 jours
Rikk Agnew - All by Myself

Rikk Agnew

All by Myself

12inchMR496
MUNSTER
27.02.2026
  • 1: O.c. Life
  • 2: 10
  • 3: Yur 2 Late
  • 4: Everyday
  • 5: One Shot
  • 6: Falling Out
  • 7: Surfside
  • 8: It's Doing Something
  • 9: Fast
  • 10: Section 8

Rikk Agnew's All by Myself is one of those records that feels like a secret you're lucky to stumble upon -- a raw, weird, totally personal snapshot of a restless artist at a pivotal moment. Originally released in 1982 on Frontier Records, the album stands apart from most of what was coming out of Southern California at the time, even though it was born right in the middle of the exploding hardcore punk scene. By 1982, Rikk Agnew was already a big deal underground. As the guitarist for Adolescents, he helped shape the sound of Orange County hardcore with sharp riffs, surf-inflected melodies, and a sense of urgency that became hugely influential. He also played in bands like D.I. and later Christian Death, moving fluidly between hardcore punk, post-punk, and darker, more experimental territory. Agnew wasn't just a fast, aggressive guitarist -- he was a songwriter with range, curiosity, and a strong DIY instinct. All by Myself lives up to its title in the most literal way. Agnew recorded the album largely on his own, playing all the instruments and handling vocals himself. Instead of delivering another straight-up hardcore record, he went inward. The result is a lo-fi, home-recorded collection of songs that blend punk energy with new wave, post-punk, psychedelic touches, and even moments of pop sensitivity. It's rough around the edges, but that's exactly the point -- the album feels intimate, unfiltered, and honest. In the early '80s, Southern California punk was loud, fast, and often confrontational. Bands were pushing against the mainstream and even against each other, racing toward more extreme sounds. While All by Myself shares that DIY spirit, it doesn't fully play by hardcore rules. The tempos shift, the moods wander, and the songs feel more like personal experiments than scene anthems. That made the record a bit of an outlier at the time -- but also what gives it lasting appeal. Frontier Records was the perfect home for a release like this. The label was known for supporting artists who didn't quite fit into neat categories, and All by Myself captured that ethos perfectly. Today, All by Myself is often seen as a cult classic. For fans of early punk, post-punk, or anyone interested in the roots of DIY recording culture, this album is essential listening

pré-commande27.02.2026

il devrait être publié sur 27.02.2026

23,11
DHÆÜR - COLLATERAL PLEASURE EP

(Early support by Ben Klock, DVS1 & Rene Wise) DHÆÜR makes his debut on Dustin Zahn's Enemy Records with 4 stripped down Techno tools ranging from "relentless and heavy" to "grooving and introspective." Each track offers a different approach to minimalistic Techno, all rich in moody atmospherics.

In classic A1 fashion, "Bayes Theorem" is the heaviest track on the record. Throbbing sub bass meshes together with pedaling hi hats while vocal chops and modulating synth work cover the top end. It's sinister and pounding, yet retains a sense of groove without becoming too aggressive. "Perception" closes the A side with a deeper and more introspective approach. The bass fills in only where necessary,leaving the pads and bleepy synths to do all the heavy lifting.

"Scanning" kicks off the B-side, defined by a rolling bass line and moody chord stabs. It gives the dance floor exactly what it needs and nothing more. The record comes to a close with "5th Avenue." It's deep, steady, rolling, and dripping in polymeter synth pulses. Brief glimpses of vocal phrases offset the darkness, giving it a bit of funk and playfulness...making it essential for deeper late night sets.

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12,40

Derniere entrée: 61 jours
Bohm - Jack Tracks

Bohm

Jack Tracks

12inchCJFD46
Clone Jack For Daze
25.02.2026

Stripped bare and driven hard - this is Jack at its most physical. Filthy, saturated drum work meets crunchy, uncompromising samples as Bohm channels the genre's raw core across four relentless tracks. Each cut is engineered to whip crowds into a frenzy and lock the dancefloor in. Pure warehouse ammunition. Essential addition to any serious recordbox.

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14,08

Derniere entrée: 66 jours
Finlay Shakespeare - Directions Out Of Town LP

Directions Out Of Town is the latest and teased as (possibly) the last LP by DIY electronic abstract pop wizard Finlay Shakespeare.

Directions Out Of Town is a fierce mix of headstrong pop bangers. Fact. There is simply no one else traversing the field that Shakespeare is exploring. It can be lonely in the desert, Simon says. Lyrically, Directions Out Of Town is dealing with loss; personally, geographically, politically, culturally - a general decay of everything.

This new record is heavily inspired by structural film where the results unravel a method where metaphor is removed from the act of sound synthesis, production and mix of the tracks. Fiercely independent and brimming with integrity this is a deeply effective journey through machines of the human experience.

The track titles are telling: 'Away', 'Get', 'Direction', 'I go for a walk', etc

This is sentiment via complex synthesis wrung through patterns of pop. One also finds ways out that only turn out to be false/untrue.

"I essentially don't know where I belong any more. This record is the precursor to that."

What is ostensibly an electro pop record reveals a multitude of layers and depth as one man and his machines wrestle with the reality of this tangled matrix. If the charts had brains this would be album of the year.

Finlay Shakespeare is an electronic musician working in the UK. His fascination for synthesized sound was born out of his parents' record collection, leading him to explore the electronic music of decades past throughout his teenage years. While starting to write and record his own tracks, he also began learning analogue electronics, which led him to design and build his own equipment. To date, he has released work on Editions Mego, Superpang, and his own GOTO Records.

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22,65

Derniere entrée: 76 jours
iO (Mulen) - Hyperspace EP

iO (Mulen)

Hyperspace EP

12inchPTN027
Partisan
24.02.2026

Partisan’s stacked catalogue continues to evolve with another spaced out whirlwind. Heading up the release is jack-of-all-trades iO (Mulen), whose versatile sound and consistent craftsmanship have long defined his reputation for distinct, high-calibre production. His Hyperspace EP delivers four high-energy, acid-tinged cuts that pay testament to his trademark precision — modern in execution yet infused with a nostalgic rave soul. Leaning into techno, new beat, and gritty tech house with attitude, each track feels purpose-built for peak-time impact. It’s no surprise that a label as established as Partisan and a timeless producer like iO (Mulen) have crossed paths, exceeding the high expectations their names evoke.
Another essential addition to Anthea’s Partisan artillery.

En stock du13.05.2026

13,03

Derniere entrée: 6 jours
TX2 - END OF US

TX2

END OF US

12inchHR17492
Hopeless
23.02.2026
  • Feed (Feat. Deathbyromy)
  • Nice Guy (Feat. Ekoh)
  • Reject Vampirism (Interlude)
  • Hostage (They Will Not Erase Us)
  • The Resistance
  • 6: Shots Left
  • The Rain
  • Singing Along
  • Lost Souls
  • Die Alone
  • Murder Scene (Feat. Magnolia Park)
  • Mad (Feat. Ice Nine Kills)
  • The End Of Us (Feat. Black Veil Brides)

End of Us, ist das 13 Tracks umfassende Debütalbum von TX2, mit Features von DeathbyRomy, Ekoh, Magnolia Park, Ice Nine Kills und Black Veil Brides. Die Wahrheit ist simpel: TX2 polarisiert. Es gibt Kräfte in dieser Welt, die versuchen, das zu zerstören, wofür gekämpft und was hart erkämpft wurde, und zu einer Zeit zurückzukehren, in der die Menschen ihr wahres Ich versteckten. Es gibt Künstler wie TX2 - den Anti-Ronald Radke -, die dir zeigen wollen, dass du in diesem Kampf gegen den Hass nicht allein bist. TX2 hat Politiker namentlich genannt, schwenkt auf der Bühne eine Trans-Flagge, thematisiert in seinen Songs Waffengewalt, Essstörungen, Trauer und Depressionen und verspottet die Gatekeeper, die offensichtlich noch nie einen Punk-Song gehört haben. Der Sänger ist bereit, mit seiner Musik ein wenig Chaos zu verursachen, wenn es nötig ist, um die Aufmerksamkeit auf wichtige gesellschaftliche Themen zu lenken. So hat TX2 unter seinen Fans eine Bewegung ins Leben gerufen, die als ,X Movement" bekannt ist und deren Ziel es ist, das Bewusstsein für psychische Gesundheit zu schärfen und einen sicheren Raum für diejenigen zu schaffen, die jemanden zum Reden brauchen. In den letzten 24 Monaten tourte TX2 um die Welt, trat mit Ice Nine Kills, Hail the Sun, Dark Divine, tiLLie, In This Moment, Magnolia Park, Warped Tour & Summer of Loud Tour auf, wurde auf SiriusXM Octane gespielt, erreichte über 1 Million monatliche Hörer, gab über 50.000 Autogramme und erhielt 42 Millionen Likes auf Tik Tok. End of US ist ein lauter, unverblümter Aufruf zum Handeln. Beherzigen Sie den Aufruf oder treten Sie beiseite.

pré-commande23.02.2026

il devrait être publié sur 23.02.2026

24,33
NAT KING COLE - THE VERY BEST OF LP
  • A1: Unforgettable
  • A2: Mona Lisa
  • A3: Nature Boy
  • A4: Smile
  • A5: Too Young
  • A6: (Get Your Kicks On) Route 66
  • A7: Straighten Up And Fly Right
  • A8: When I Fall In Love
  • B1: It's Only A Paper Moon
  • B2: Ramblin' Rose
  • B3: A Blossom Fell
  • B4: Walkin' My Baby Back Home
  • B5: Pretend
  • B6: Send For Me
  • B7: Answer Me, My Love
  • B8: Those Lazy, Hazy, Crazy Days Of Summer

Nat King Cole was one of the most distinctive and beloved voices in popular music, whose warmth, elegance and effortless phrasing defined an era. Very Best Of Nat King Cole brings together a superb selection of his most enduring recordings, from timeless ballads like Unforgettable, Mona Lisa and When I Fall In Love to upbeat classics such as (Get Your Kicks On) Route 66, Straighten Up And Fly Right and Ramblin’ Rose. Showcasing his remarkable range as both a romantic crooner and a swinging entertainer, this vinyl LP offers a perfect introduction to his extraordinary legacy. Pressed on highquality 180g black vinyl, it is an essential collection for long-time fans and new listeners alike.

pré-commande23.02.2026

il devrait être publié sur 23.02.2026

15,08
PRESTi - As We Move EP

PRESTi

As We Move EP

12inchTIN077
Time Is Now
23.02.2026

London's PRESTi lands on Shall Not Fade's Time is Now imprint with four dancefloor weapons that feel like they forked from the hardcore continuum at the point El-B, Horsepower and Artwork's dark garage was becoming proto dubstep.

EP title Track 'As We Move' is everything that is special about that time; bassweight, space and rudeboy swing. On "Big Ting" PRESTi reaches for more classic UKG groove but fuses it with yet more spacious wobbling low end precision. "Baile Pulse" pivots... channeling in grimey pulse basslines and 4/4 baile funk techno this time. "Get Back" is just the fait accompli for a producer clearly enjoying such fertile ground, a peak time speed garage warper ready to cause damage at any function.

Essential dancefloor gear from a producer growing tall and widening the cracks.

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14,92

Derniere entrée: 17 jours
K.A. Posse - trikes Again

K.A. Posse

trikes Again

12inchDE-336
Dark Entries
23.02.2026

Chicago legend K. Alexi returns to Dark Entries with K.A. Posse’s Strkes Again, an EP of preleased unreleased acid and house mayhem. K’Alexi Shelby’s illustrious career has included releases on legendary labels such as Trax, DJ International, and Transmat, as well as collaborations with high-profile artists like Marshall Jefferson and Pet Shop Boys. But his musical journey began at the young age of 12, when he befriended Ron Hardy and Frankie Knuckles while frequenting the Music Box and Warehouse. In high school, he began to write songs and hone his poetic craft. “I recognized I had a gift to say what I was thinking. I would study Prince and Marvin Gaye, figure out what they meant and put my spin on it. The power of the word. I was writing love notes for all my boys in high school and making a killing. I would know what to say and what they should do.”

Dark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Strikes Again brings us six tracks recorded in Chicago between 1988 and 1990, which come courtesy of Mike Dunn’s personal archive. This record showcases the rawer, more immediate side of Shelby’s sound, with tracks full of overdriven 808’s, careening sirens, and dangerously funky breakbeats. “Imported Taste” brings Shelby’s signature deep pads to the front of wild congo-laced percussion. “Suckas Be Ready” is a slamming hip-house cut featuring vocals from MCD-TA, while disco-samples duel with crunchy 909s on the jacking “Muzic Box.” Strikes Back showcases the real underground sound of Chicago, where sonic abstraction meets full-body kinetics. The record comes housed in a retro-styled sleeve designed by Eloise Shir-Juen Leigh.

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15,92

Derniere entrée: 20 jours
K. Alexi - Warehouse Trax

K. Alexi

Warehouse Trax

12inchDE-331
Dark Entries
23.02.2026

Chicago legend K. Alexi returns to Dark Entries with Warehouse Trax, an EP of previously unreleased acid and house mayhem. K’Alexi Shelby’s illustrious career has included releases on legendary labels such as Trax, DJ International, and Transmat, as well as collaborations with high-profile artists like Marshall Jefferson and Pet Shop Boys. But his musical journey began at the young age of 12, when he befriended Ron Hardy and Frankie Knuckles while frequenting the Music Box and Warehouse. In high school, he began writing songs and honing his poetic craft. “I recognized I had a gift to say what I was thinking. I would study Prince and Marvin Gaye, figure out what they meant and put my spin on it. The power of the word. I was writing love notes for all my boys in high school and making a killing. I would know what to say and what they should do.”

Dark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Warehouse Trax follows with six tracks recorded in Chicago between 1991 and 1994. The material here has all the hallmarks of classic K’Alexi. Salsa-inflected rhythms, emotive basslines, and hip-house vibes are displayed on tracks like the high-octane “Jungle Line” or the low-key tearjerker “Protect and Survive.” There are also some unexpected surprises in store. “Aaaah” comes out of the gate swinging with hard-hitting beats and apocalyptic ravey vocal pads evocative of the edgier material on Saber Records or Djax Up Beats, and the surprisingly contemporary-sounding “Klub Dred” delivers half-time dub with stuttering vocal samples. Warehouse Trax comes in a retro-styled sleeve designed by Eloise Shir-Juen Leigh. This is essential material for devotees of classic house sounds.

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15,92

Derniere entrée: 11 jours
Human Being Human & Chris Cheek - Being LP
 
3

Denmark s forward forward-thinking trio Human Being Human return with a luminous new collaboration featuring acclaimed American saxophonist Chris Cheek. Rooted in lyricism, groove, and connection, Being captures the essence of what it means to create music as a shared act of humanity. Formed by bassist Torben Bjornskov, pianist Esben Tjalve, and drummer Frederik Bülow, Human Being Human have quickly earned a reputation as one of Europe s most distinctive piano trios. Their blend of Nordic lyricism and modern rhythmic vitality has drawn international acclaim for its compositional voice and cohesive ensemble sound. On Being , the trio expand their world through the unmistakable voice of Chris Cheek - a player known for his warm tone and intuitive lyricism, whose credits include work with Paul Motian, Brad Mehldau, and Charlie Haden. A long long-time admirer of Cheek s work and humility, Bjornskov reached out and invited him to Denmark to collaborate with the trio. In the studio, the chemistry was undeniable, as most of the album s tracks were captured in just one or two takes, preserving a sense of immediacy and spontaneity. Reflecting on what it means to be human, our capacity to make decisions and shape the world around us, as well as the damage our species has done to our planet, the quartet channels a spirit of contemplation and rediscovery through elegant, organic compositions. Tracks like Human Rights showcase the group s deft interplay and melodic clarity, while the tender ballad Being highlights Cheek s burnished tone and Tjalve s spacious harmonic sense. On Filia , a duo between bass and saxophone, the music unfolds in weightless dialogue and pure musical empathy. True to the group s name, Being reflects on what it means to live, connect, and create as humans in a complex world. The essence of music is working together, being open, being positive, and wanting to experience new things, things," says Bjornskov. That s essentially what jazz is - it s influenced by any and every culture in the world, every kind of music and race, and every person is part of it.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

23,11
The Roots - Do You Want More?!!!??!

The Roots

Do You Want More?!!!??!

3x12inch0743911
UMC
20.02.2026

Do You Want More?!!!??! Is the second studio album and the major-label debut from The Legendary Roots Crew. The album, recorded with the original crew, including Scott Storch, was released January 17th, 1995, and was immediately welcomed with open arms by critics, the Chicago Tribune wrote, “This is an impressive display of skills, intelligently arranged and performed.” Do You Want More?!!!??! prepped fans for what The Roots were capable of, and would later show on their magnum opus, Things Fall Apart.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

56,26
Slam - Dark Channel 2x12"

2026 Repress

As electronic music pioneers and co-founders of Soma Records, Slam have continually shaped the landscape of underground techno. With their forthcoming album, Dark Channel, they present a raw, club-focused record that stands as both a reflection of our turbulent times and a celebration of the dance floor's enduring power.

In 2025, the world feels fractured, dominated by division and extremism. Amidst this chaos, the dance floor remains a rare sanctuary-one of unity, self-expression, and collective escape. Dark Channel is an unapologetic tribute to this sacred space, where rhythm dissolves barriers and music serves as a universal language. Through relentless energy, deep textures, and hypnotic grooves, the album embodies the essence of club culture: a place where we reconnect with ourselves and each other.

Slam make no mistake when it comes to the sonic tone of the album as it opens with the tribalistic Use It, Lose It before the discordant sounds of title track Dark Channel hints at the relentless nature of things to come. The intensity continues with Parametric Factor & Glide - both pushing a pulsating, synth driven trip; the later leading on a more traditional Slam percussive workout. The dance floor warping Morganatic pursues dark territory while Infinit Spaces adds trippy FX to an already animated synth hook. The beautifully crafted Kuture Version delves into a more immersive sound as more direct, chord driven elements take the lead. The pace quickens yet again with Ghost Dancer highlighting sub tones whilst still crafting ominous intonations with its modulating FX. Approaching the conclusion, the ferocious Beat On The Drum delivers a lesson in rhythm and energy before the contorted Irregular Object completes proceedings in a suitably hypnotic fashion.

Mastered By Conor Dalton @ Glowcast Mastering

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20,59

Derniere entrée: 33 jours
Enji - Sonor (LP)

Enji

Sonor (LP)

12inchSQM033C
Squama
20.02.2026

For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of colour, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor.
Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar.
Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape us.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

24,33
Alex Rex - The National Trust LP

Alex Rex, the project of acclaimed musician and former Trembling Bells bandleader Alex Neilson, is set to release his fourth and final studio album, The National Trust, on March 28th. Written in the wake of the sudden death of his younger brother, Alastair, the album is a poignant reflection on loss, love, and renewal, deeply rooted in the landscape of Carbeth—a cabin community in the Scottish countryside that Alastair called home. For Neilson, the cabin became both a physical and emotional project, a symbol of restoration and reconnection.

"For the first four years after Alastair died, his cabin lay empty and exposed to the remorseless Scottish weather. It came to look like a rotten tooth in a beautiful mouth. Cladding was dropping off its veneer, the ashen baubles of dead wasps nests clung to the rafters, all his possessions were just as he'd left them but eaten by mice, moths and time. Ashtrays still carried the crushed centimetres of his old tab ends. The cabins are so joyfully animated by their host's specific personality and this one looked like a haunted house. Guilt, unrealised hopes and encroaching nature yoked together in a wandering sadness. Combined with the fact that I didn't know the right way round to hold a hammer made the project of its restoration seem hopeless.”

Neilson, however, gradually began chipping away at the task, determined to transform the cabin into something he hoped would resemble “a National Trust site occupied by a psychopath,” with a little help from some friends, including Lavinia Blackwall and Marco Rea.

“They poured love into the cabin and helped restore Alastair's original vision. The project also helped restore my relationship with Lavinia which had fractured after Trembling Bells broke up in 2017. Alongside long-term Rex lieutenant Rory Haye, we applied the same intensity of dedication that we did in renovating the cabin, into creating The National Trust.”

As with Neilson’s previous albums, the recording process was intentionally unpolished, with songs presented in the studio with no rehearsals and captured in just a few takes. This raw, immediate approach amplifies the emotional weight of the album, which Neilson describes as being at a “personal apex of sour self-reflection, mock misanthropy, and self-exposure.” Longtime collaborators Lavinia Blackwall, Marco Rea, and Rory Haye return, alongside guest musicians like Jill O’Sullivan (Jill Lorean) and Trembling Bells guitarist Mike Hastings, to bring Neilson’s vision to life. The result is a deeply personal and multifaceted work, blending acid wit with haunting introspection.

The songs on The National Trust traverse a wide emotional and thematic range. The title track opens the album with a sharp and confessional edge, exploring love, loathing, and cultural critique with Neilson’s signature wit. “Boss Morris” pays tribute to the all-female Morris dancing troupe that reinvents British folk with vibrant energy, while “Two Kinds of Song” turns self-referential humour into an avalanche of remorse, culminating in the unforgettable chorus: “I’ve got two kinds of song. Which one will it be; one where I hate myself or one where you hate me?” Elsewhere, tracks like “Psychic Rome” draw from the decadence and hysteria of ancient Rome, while “The Coward in the Tower” breaks new ground as the only song Neilson has composed on an instrument before recording.

Throughout the album, Neilson’s lyricism is as vivid as ever, transforming personal tragedy into poignant and often darkly humorous art. Yet, there is a sense of finality to this work. "Songwriting has encouraged me to see the whole world as a resource. The things people say and throw away can be chiselled and polished and plopped into a lyric. It’s the same with building the cabin- scouring the edges of society for pallets, discarded wood, ornaments for the garden. But while song writing brings to life orphaned parts of my personality, the cabin is a synthesis of all my interests – nurturing my emotional health instead of exploiting it. With that in mind, I think this will be my last album as Alex Rex.”

With The National Trust, Neilson closes a significant chapter of his career, blending masterful musicianship with deeply personal storytelling. Known for his collaborations with artists such as Bonnie "Prince" Billy, Shirley Collins, and Current 93, as well as his decade-long tenure leading the psych-folk outfit Trembling Bells, Neilson has long been celebrated for his eclectic and uncompromising vision. This final album serves as a fitting culmination of his journey as Alex Rex, capturing the essence of his artistry while offering a profound exploration of loss, renewal, and the enduring power of love.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

19,12
BILLY BOND & LA PESADA DEL ROCK & ROLL - BILLY BOND & LA PESADA DEL ROCK & ROLL VOL. 1
  • Salgan Al Sol
  • Divertido (Reventado)
  • Verdes Prados
  • Buen Día Señor Presidente
  • El Parque
  • Cada Día Somos Más
  • Dueño De Tu Piel
  • Voy Creciendo
également disponible

VOL. 2[23,49 €]


Reissue of the classic debut of Billy Bond & La Pesada del Rock & Roll, a legendary and historic Argentinian Rock & Hard Rock masterpiece from 1971. Recorded with an absolutely impressive list of musicians that includes legends such as Pappo, Luis Alberto Spinetta, Héctor "Pomo" Lorenzo, Vitico, David Lebón or Javier Martínez, and led by acclaimed singer Billy Bond, the band creates an amazing album fed by Hard Rock, Blues, Rock'n`Roll and a nice touch of Psychedelia that absolutely justify the cult status this album carries. A monster of a record and an absolute milestone in South American rock music. An essential release for the hugely important Argentinian label Music Hall, licensed by the label and re-released in close cooperation with the iNAMU, Argentina's National Music Institute. Includes classic heavy weight hits such as "Salgan Al Sol", "El Parque" or "Divertido Reventado". Gatefold cover, includes insert with extensive notes and rare photos.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

23,49
BILLY BOND & LA PESADA DEL ROCK & ROLL - BILLY BOND & LA PESADA DEL ROCK & ROLL VOL. 2

Reissue, at last!, of Vol. 2, second album by legendary Argentinian Rock outfit Billy Bond y La Pesada del Rock and Roll, a Hard Rock classic originally released in 1972. Leaning on the heavier side of their Hard Rock, Blues, Rock'n`Roll and Psychedelic influences, and keeping their playful spirit intact, the band created another masterpiece. Includes bonafide classics of their repertoire such as "La pálida ciudad", "La máquina" or "Para qué nos sirven". Their tongue in cheek adaptation of the patriotic song "Marcha de San Lorenzo" got them heavily censored by the government. An essential release for the hugely important Argentinian label Music Hall, licensed by the label and re-released in close cooperation with the iNAMU, Argentina's National Music Institute. Gatefold cover, includes insert with extensive notes and rare photos.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

23,49
JUEGOS NOCTURNOS - TRAUER

JUEGOS NOCTURNOS

TRAUER

12inchMRLP494
MUNSTER
20.02.2026

Juegos Nocturnos is the new project from two essential musicians of the '80s Spanish scene, coming from iconic bands like Décima Víctima and P.V.P. In this new musical venture, they deliver nine guitar-centered, refined pop-rock songs that reflect influences developed over 40+ years, recorded between 2020 and 2022. Jesús Amodia (guitar, vocals, programming, and keyboards) was a founding member of the punk-rock group P.V.P., a band often compared to The Clash and other British acts of the era thanks to their blend of punk energy with Jamaican influenced sounds. The project also features Per Mertanen (bass), member of cult band Décima Víctima, known for crafting a very distinctive sound with echoes of Joy Division, The Cure, and other British post-punk groups. Now united in this new musical adventure called Juegos Nocturnos, they present nine guitar-driven, sophisticated pop rock tracks that showcase influences shaped over more than four decades of musical career, recorded between 2020 and 2022.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

22,27
Sofia Jernberg - Voice

Sofia Jernberg

Voice

12inchSTSLJN408LP
SMALLTOWN SUPERSOUND
20.02.2026
  • Multiphonic I
  • Gurgle
  • Air Hand Whistle
  • Inhale Exhale
  • Birds
  • Multiphonic Ii
  • Mouth Synthesizer
  • Multiphonic Iii
  • One Pitch
  • Throat
  • Whistle Pitch

Un-easy listening from »anti-singer« and improviser Sofia Jernberg, a celebration of the voice in its rawest, most malleable form. Jernberg was born in Ethiopia and grew up in Vietnam and Sweden, so one can only imagine these diverse languages opened up a wealth of phonetic possibilities before she entered academia to study jazz and composition. If you dive into her catalogue you’ll clock her startling range – working as a jazz soprano and as an improviser, collaborating with everyone from Stefan Schneider to Mats Gustafsson, as well as appearances on the stage and screen, most notably in Matthew Barney, Erna Ómarsdóttir, and Valdimar Jóhannsson’s »Union of the North«.

On »Voice«, Jernberg provides a ground-level entry point to her work, meticulously running through a litany of unconventional techniques (non-verbal vocalisation, split tones, toneless singing, and distortion) without any effects, just pure batshit sonics designed to show off the voice’s scope as an experimental instrument. On »Mouth Synthesizer« she purses her lips to make ratcheting pops like some analog oscillator, hoarsely mimicking the sort of blustery, Merzbow-coded distortions you might get if you patched a RAT pedal into a broken guitar amp. It isn’t an act of caricature, it’s Jernberg’s way of demonstrating that expensive modular rigs aren’t an essential tool for experimental music, before throwing a side-eye to the field recording industrial complex on »Birds«, transforming her vocal chords into a nightmare aviary. But it’s Jernberg’s startling »multiphonic« experiments that hit hardest. The album opens on »Multiphonic I«, and it’s difficult to tell that you’re listening to a human voice at first – you could just as well be on Colin Stetson’s overblown sax airstreams. Jernberg creates a captivating spiral of crooked, phased tones and hoarse, guttural croaks that she develops over three movements. On »Multiphonic II«, her voice is turned into a storm of pained shrieks, and on the third and final segment, it almost resembles Arve Henriksen or Jon Hassell’s muted brass curlicues. Each track pulls a different musical muscle, whether it’s »One Pitch« with its unsettling yodel-like quivering drones or »Gurgle«, sounding like a close mic-ed recording of a small pot gently simmering.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

33,19
Augustus Pablo - Rockers United! LP
  • 1: Jacob Miller – Keep On Knocking
  • 2: Junior Delgado – Away With You Fussing And Fighting
  • 3: Hugh Mundell – Africa Must Be Free By 198
  • 4: Jacob Miller – Baby I Love You So
  • 5: Delroy Williams – Think Twice
  • 6: Spliffy Dan – No Justice Place
  • 7: Tetrack – Let’s Get Together
  • 8: Sister Erica – One In The Spirit
  • 9: Dillinger – Brace A Boy
  • 10: Jacob Miller – Who Say Jah No Dread
  • 11: Earl Sixteen – Changing World
  • 12: Paul Blackman – Earth Wind & Fire

As the meteoric rise of reggae began to captivate listeners around the globe in the 1970s, innovative artist Augustus Pablo emerged as vital creative force pushing the genre forward. An important figure in the Jamaican music scene during this remarkable era, Pablo was not only a skilled musician but an influential producer who shaped the sound of countless classic recordings. While his instrumental work and legendary dubs remain essential, Pablo was also responsible for iconic vocal tracks from a wide range of local talent, many of which were released on his own label Rockers. Now, Nature Sounds is proud to present Rockers United!, a collection of classic and rare vocal selections from the Rockers archives, all produced by Augustus Pablo. Deeply rooted in hypnotic, bass-heavy instrumentation, the album features remastered audio transferred from the original master tapes, with vocals by Jacob Miller, Delroy Williams, Hugh Mundell, Tetrak, Junior Delgado, Earl Sixteen, Spliffy Dan and more.

pré-commande20.02.2026

il devrait être publié sur 20.02.2026

26,68
Stones Taro - Foglore #1

Stones Taro

Foglore #1

12inchSTNTR001
Stones Taro
20.02.2026

Kyoto-based Stones Taro is a producer and DJ who has established a unique standing within the global dance music scene. After operating the NC4K label since 2017, he embarks on a new challenge by launching his own self-release series.

The inaugural release, titled "Foglore," is characterized by its foggy sound design and timeless arrangements reminiscent of folk tales.

In this four-track release, Stones Taro explores a fresh interpretation of the fusion between Dub, Techno, and Deep House. These tracks capture the essence of contemporary music in intriguing ways, yet feel as familiar as if they have existed since ancient times.

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11,56

Derniere entrée: 54 jours
Sylvain Chauveau - Politique du silence LP 3x12"
  • A1: Des Plumes Dans La Tête (Variation 1) 1:15
  • A2: Situation Initiale 1:20
  • A3: Pour Les Oiseaux 1:16
  • A4: Feu 0:24
  • A5: Le Brasier De Tristesse 3:36
  • A6: Ferme Les Yeux 1:08
  • A7: Des Plumes Dans La Tête (Variation 2) 1:15
  • A8: Les Débutants 1 1:50
  • A9: Pour Les Oiseaux (Variation 1) 1:17
  • B1: Anthracite 1:28
  • B2: Nocturne Urbain 2 0:59
  • B3: Pour Les Oiseaux (Variation 2) 0:39
  • B4: Sinon Le Vent Qui Passe 0:41
  • B5: Noir 1:19
  • B6: Ferme Les Yeux (Variation) 0:42
  • B7: Les Débutants 2 1:16
  • B8: Pour Les Oiseaux (Variation 3) 0:36
  • B9: Blanche Comme L'infini 1:58
  • B10: Situation Finale 2:02
  • B11: Des Plumes Dans La Tête 1:20
  • Un Autre Décembre Lp
  • C1: Minéral 3:28
  • C2: Sous Tes Yeux Probablement 1:16
  • C3: Granulation 1 1:38
  • C4: Neuf Cents Lunes 3:56
  • C5: Alors La Lumière Vacille 1:07
  • C6: Granulation 2 0:56
  • D1: Il Fait Nuit Noire À Berlin 2:12
  • D2: La Lettre Qu'il N'envoya Jamais 2:00
  • D3: Granulation 3 1:35
  • D4: Un Autre Décembre 2:24
  • D5: Granulation 4 1:26
  • D6: Du Rève Dans Les Yeux 1:30
  • Nocturne Impalpable Lp
  • E1: Blanc 2:23
  • E2: Cet Enfer Miraculeux 2:59
  • E3: Radiophonie N°1 2:54
  • E4: Doucement, Le Grain De Sa Peau 3:41
  • E5: 0:36
  • E6: Ocre 2:47
  • E7: 0:35
  • E8: Radiophonie N°2 3:15
  • E9: Adieu Miséricorde 1:14
  • E10: 0:31
  • E11: Léger 2:25
  • E12: 0:40
  • F1: Le Monde Intérieur 4:01
  • F2: Arachnéenne Encore 1:29
  • F3: 0:27
  • F4: Je Me Suis Bâti Sur Une Colonne Absente 4:04
  • F5: 0:33
  • F6: Radiophonie N°3 2:07
  • F7: Nocturne Urbain 4:56

Minority Records is releasing a unique boxset Politique du silence with three early albums from Sylvain Chauveau, French composer of minimalist neoclassical music.
“When I made my first albums as a composer, I was obsessed with minimalism, and this quote from the film director Robert Bresson summed up my state of mind. I set myself three principles: 1) Use silence as a starting point, 2) Only add sound when it's absolutely essential, 3) Don't imitate the Anglo-Saxon musicians I admired, but draw on the musical culture of my country, France which lead me to listen intensively to Satie, Debussy and Ravel.” Chauveau explains the background to his work.

The collection Politique du silence contains the recordings of Des plumes dans la tête (2004), Un autre Décembre (2003) and Nocturne impalpable (2001) on coloured 180 gram vinyls. The cover features artwork by French photographer Valéry Lorenzo.

“When I discovered the simple and powerful black and white pictures by Valéry Lorenzo, in the 90s, I immediately fell in love with them. We became good friends and since then I ask him to let me use one of his photos for most of my album covers, or to make my portrait for press shots. It has become a real collaboration, music and images, for more than 25 years. It was then logical to ask him again for the cover of this boxset, like a gentle reflection on my piano and strings era. It's a true honour for me to see my early music recollected, repackaged, remastered after all this time. Which gives me hope that this music, in which I've put all my soul and heart during the years 2001 to 2003, is maybe not forgotten yet.” Chauveau himself adds of his collaboration with Valéry Lorenzo.
Nocturne impalpable and Un autre Décembre were re-issued by Minority Records in 2014 and 2015 and both titles completely sold out. This year’s release also includes the album Des plumes dans la tête in its world premiere on vinyl.

Nocturne Impalpable is a world of minimalism, abstraction, and contemporary rendition of classical music with variations for the piano, clarinet, strings, and accordion which are often compared to the compositions of composers Harold Budd and Claude Debussy. Here, Chauveau partially reveals his versatility as a composer by connecting electronic elements, noises, and ambient planes with monumental strings and piano preludes. The
album of piano variations Un autre Décembre is interspersed with field recordings and electronic noises. The inspiration for the recording of the album and for its name was the song Jaurès by the Belgian singer and composer Jacques Brel. This song tells the story of the grandparents’ generation who toiled in the mines. “Comfort and health won’t protect our generation from sadness and discontent. We also live through winter times, even if these are slightly warmer due to the current climate.” An album of 20 short instrumental sketches with several delicate intermezzos for the piano, string quartet, and the clarinet, Des plumes dans la tête, was composed for the eponymous film by director Thomas de Thier.
Sylvain Chauveau was born in 1971 in the French town of Bayonne and currently lives in Barcelona. His extensive discography of mainly meditative neo-classical recordings for the music labels FatCat, Sub Rosa, Sonic Pieces, and Flau is enriched by several collaborations and his participation in the Ensemble 0, Arca, and On projects. Chauveau has also composed many film soundtracks as well as music for the theatre. He has presented his works in Prague several times, most recently in the spring of 2024 at the Spectaculare festival. His compositions get tens of millions of streams on streaming services, and he’s been called the French king of minimalism.

pré-commande19.02.2026

il devrait être publié sur 19.02.2026

105,84
Atom Tm - Ich Bin Meine Maschine

RASTER MEDIA 30 YEARS ANNIVERSARY EDITION REPRESS / 180 G VINYL
Ich bin meine Maschine features remixes by Boys Noize, Function and AtomTM himself.
to underline this tryptic statement (and to demonstrate the diversity) of one of atom™'s compositions that appeared on his 2013 'HD' album, raster-noton now releases a vinyl ep featuring remixes by boys noize, function and atom™ himself. 'ich bin meine maschine', in an elaborate manner, illustrates uwe schmidt´s main musical concern - the exploration of electronics in pop music. inspired by a statement of the cybernetician heinz von foerster, atom™ constructed/generated a message that is playing around with a widely-cited kraftwerk quotation, turning 'ich bin eine maschine' into 'ich bin meine maschine' (i am my machine). besides the album version of 'ich bin meine machine,' the ep features some dominantly techno infuenced versions that perfectly connect the pop attitude of 'HD' with dancefoor functionality. the boys noize remix shows off alexander ridha´s deft skills for translating atom™´s futuristic pop into his own rough and driving electronic language. on the other hand, atom™'s 'linear remix' breaks down the original structure of the song and turns it into a reduced and much straighter, forward looking composition. function - one of techno's true underground heroes - provides a remix that is breathing the air of solid and hypnotic club music, in which just the essential elements are streamlined and ondensed into perfection. all 3 remixers adapt the track to their particular universe. by doing so, they prepare the 12' vinyl for its fnal destination - the club.

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15,92

Derniere entrée: 27 jours
Various - French Post-Punk & New Wave: 1984-1987 (TAPE)
également disponible

1988-1990[16,39 €]


DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 2 of 3, focusing on 1984 to 1987.

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16,39

Derniere entrée: 81 jours
Hinako Omori - studies on a river

»Ka ora te awa. Ka ora te iwi. The river is well, so the people are well«, says artist and writer Hana Pera Aoake. »In a Māori worldview, everything is connected and contains mauri, the life spark or essence inherent in all things, as they contain the residue of ancestors through whakapapa, or genealogy. Within Western environmental histories, there is a gap in knowledge around what we can learn through an act of listening.«

Hana Pera Aoake’s words resonated with Hinako Omori when they were invited by the Serpentine Gallery to write a piece of music for their »Serpentine Reader« publication on the theme of circulation. Aoake’s essay about listening to the river and other bodies of water parallels Omori’s own Japanese cultural view of water as a sacred source.

»studies on a river« places these two notions side by side, with Omori’s recordings of water sources and elegant 3/4 synth compositions matched to extracts from Aoake’s writing. The first side presents the music alone, while the second is where the project really clicks, with Aoake’s themes and Omori’s gentle, washing sounds completely in sync.

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32,35

Derniere entrée: 82 jours
E/I - explicit isolation

E/I

explicit isolation

12inchMAP052LP
Mappa Editions
18.02.2026

Explicit isolation is the third album by the international collective E/I, led by composer and percussionist Szymon Pimpon Gąsiorek. The group’s seven core members came together while studying at Copenhagen’s Rhythmic Music Conservatory and the Royal Danish Academy of Music. For this latest release, they are joined by Slovenian musicians Samo Kutin (hurdy-gurdy) and Kaja Draksler (organ), alongside Danish tuba player Rasmus Svale.

The three compositions distill sound down to its essential elements, drifting freely through space. The material is minimal, moving in the geological rhythm of endless cycles of tension and release, formation and dissolution, density and lightness. Pimpon acts here more as a guide than a creator with a master plan. He is a navigator, leading us to the most crucial moments where sonic emissions merge into vibrating drones, building to an inevitable leap—an explosion after which the particles rearrange themselves once again. It feels like futuristic temple music infused with intergalactic spiritual jazz, the extensions of drone music, and acoustic ambient textures, all highlighted by the jolly grin of the navigator.

“I wrote the scores and asked each of the musicians to record their parts individually. What’s interesting for me about doing it this way is that it removes the element of immediate interaction and introduces a factor of randomness. I then edited and mixed it myself, also adding my own parts. Previously, it was strictly acoustic music, and the recordings were ‘live,’ meaning they were captured in one room at the same time, with no subsequent edits.” Pimpon has also incorporated electronics, which make the album even more airy and organically complement the sounds of the hurdy-gurdy and organ, recorded in Trboje, the small Slovenian village.

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22,06

Derniere entrée: 82 jours
Ryan Adams - Self Portrait (2x12")

Ryan Adams

Self Portrait (2x12")

2x12inchPAXAM112LP
Pax Am
18.02.2026
  • A1: Virginia In The Rain
  • A2: Please, Shut The Fuck Up
  • A3: Bye Bye Balloons
  • A4: Someone On My Mind
  • A5: I Am Dracula
  • A6: Saturday Night Forever
  • B1: Take The Money
  • B2: Fools Game
  • B3: Not Trash Anymore
  • B4: Blue Monday
  • B5: Too Old To Die Young
  • B6: Stormy Weather
  • C1: I Am A Rollercoaster
  • C2: Thunderstorm Tears
  • C3: Lovers Under The Moon
  • C4: Honky Tonk Girl
  • C5: Try Again Tomorrow
  • C6: Theo
  • C7: The One I Love
  • C8: Throw It Away
  • D1: Castles In The Sand
  • D2: Look What I Did
  • D3: Shiny Happy People
  • D4: At Dawn

Introducing Self Portrait, the latest chapter from the endlessly inventive one-man force Ryan Adams — a brand‐new, 24-track album that brings together fresh, unheard originals alongside spellbinding reinterpretations of classics by R.E.M., New Order and more.Capturing restless creativity and emotional depth across the two dozen songs, this bold collection once again proves why Ryan Adams is one of the most distinctive voices in modern music. Self Portrait shows Adams at his finest – poignant, unpredictable and sonically rich. For long-time fans, it’s another essential chapter in a prolific career, for newcomers, it is the perfect entry point into the world of Ryan Adams. This project isn’t just another album from Ryan Adams—it’s a dual‐mission: hear where he’s been, and where he’s going.

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30,46

Derniere entrée: 82 jours
Various - French Post-Punk & New Wave: 1988-1990 (TAPE)
  • 1: Face
  • 2: Face
également disponible

1984-1987[16,39 €]


DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1988 to 1990.

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16,39

Derniere entrée: 81 jours
ESSAIRA - FROM THE GUTS OF ESSAIRA LP

From the Guts of Essaira claims space in body and time. It follows the path announced with the single ‘Dramla / Xirxe’, expanding its tensions and guiding them towards a more layered, conscious expressive form. It is an album to be listened to without respite, allowing the sonic material to dilate.

The tracks move across a punkstrial terrain rich in synths held in constant tension; sharp guitars and industrial rhythms alternate drive with suspension. The vocals, multiple and layered, do not seek centrality but co‑presence: they enter, disappear, pursue one another, dig deep and steer the listening through zones of friction and release.

The album is released during a period of widespread instability and reflects that mood. The ten pieces construct a compact journey, with darkness and urgency alternating with more rarefied, introspective moments. Nothing is accidental: every segment is functional, every tension is permitted to resonate until the end. From the Guts of Essaira is a physical, visceral record; it works by accumulation and subtraction, strengthened by the fracture between control and abandonment. It breathes, listens, spreads.

pré-commande16.02.2026

il devrait être publié sur 16.02.2026

20,97
PappEdits - Excursions 009

PappEdits

Excursions 009

12inchET009
Excursions
16.02.2026

Julius Papp’s “Excursions" series returns with six hot edits for the dance floor! An Integral part of the scene since the mid 90’s, Julius's “PappEdits” digs deeper into Disco, Afro and Jazz-Funk to rework them into DJ friendly gems. Essential!

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14,08

Derniere entrée: 12 jours
Imarhan - Essam LP

Imarhan

Essam LP

12inchSLANG50606X
CITY SLANG
13.02.2026

From the heart of Tamanrasset in South Algeria, Imarhan transcend Tuareg tradition, weaving hypnotic synths into desert blues. The result is a timeless work—deeply respectful of their roots, yet alive with a stirring sense of modernity.

ESSAM is the band’s fourth album, recorded with the same core lineup, but marks a significant shift in their sound and approach. Musically, it marks a departure from the rocky, bluesy, psychedelic Tuareg guitar-driven sound influenced by Tinariwen’s heritage — moving toward something more open, modern, and exploratory.
For the first time, their long-time sound engineer Maxime Kosinetz stepped in as producer. He travelled to Tamanrasset with Emile Papandreou (of the French duo UTO), a multi-instrumentalist who introduced electronic elements by sampling live instruments and reprocessing them in real time with a modular synthesizer — subtly reshaping the band's sonic identity.
The album was recorded mostly live, in one big room at Aboogi Studio — the band’s own rehearsal and recording space in Tamanrasset. The studio, a converted concert hall, has become a kind of cultural hub for the local youth. Friends dropped by during the sessions to contribute handclaps, vocals, and just be part of the energy. It’s a space where people gather, hang out, play dominoes, smoke chicha — a rare communal spot in a city that doesn’t offer many for young people, somewhat like a youth and community center.
This context — the creative shift, the live recording process, the atmosphere around Aboogi — might be interesting threads to explore in the conversation.

pré-commande13.02.2026

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27,02
Banda Black Rio - Saci Perer LP
  • Saci Perere
  • Miss Cheryl
  • Melissa
  • De Onde Vem
  • Subindo O Morro
  • Amor Natural
  • Profissionalismo E Isso Ai
  • Broto Sexy
  • Tem Que Ser Agora
  • Zumbi

Banda Black Rio is a Brazilian musical group from Rio de Janeiro that was formed in 1976. They were one of the first to undertake the fusion of Essential Brazilian Music with International Black Music. The songs are based on funk but also including samba, jazz and Brazilian rhythms. Compared to other soul-funk groups, such as Kool & the Gang and Earth, Wind and Fire, Banda Black Rio developed a particular style of instrumental soul music fusing together elements from a number of genres. With saxophonist Oberdan Magalhães, trumpet player Barrosinho, Cristovão Bastos on keyboards, Claudio Stevenson on guitars, Jamil Joanes on bass and Lucio Silva on trombone. Arrangements are from Cristovão Bastos and Claudio Stevenson. The album “Saci Pererê” was originally released in 1980.

pré-commande13.02.2026

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30,21
O.C. & PF CUTTIN - Opium LP

O.C. & PF CUTTIN

Opium LP

12inchRRC098
RRC Music Co.
13.02.2026
  • Sit Yourself Down
  • Moonshine
  • Beneath The Planet Apes
  • 88:
  • Easy Work
  • Get In Line
  • Higher Learning
  • O.p.m. (Feat. The Real Shakar)
  • Searching

After decades deep in the game, few names carry the same weight as D.I.T.C. veteran O.C. and East New York’s own PF Cuttin, the DJ and producer behind countless underground classics. Long respected for their consistency and craftsmanship, the two finally joined forces for Opium — a nine-track masterclass that channels the essence of true-school hip-hop.

Originally released to remind heads of what the real sound of the streets was, Opium plays like a time capsule from the era of block parties, 40s, and cipher sessions on the corner — where bars mattered and the beats hit hard. PF Cuttin’s rugged, sample-driven production perfectly complements O.C.’s sharp lyricism and timeless flow, delivering a record that bridges nostalgia with enduring relevance.

Reissued in 2025 with the same iconic artwork by Scarful, this edition celebrates a collaboration that captures the raw soul of New York hip-hop — pure, uncut, and eternal.

pré-commande13.02.2026

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26,01
SCHNTZL - FATA MORGANA

SCHNTZL

FATA MORGANA

12inchVIERNULVIER014
VIERNULVIER RECORDS
13.02.2026

Belgian electronic duo schntzl, known for their fearless live improvisation and playful fusion of jazz, Dada, and ’90s trance kitsch, invite listeners to hear sound anew with their latest album.



On their new album Fata Morgana, an illusory trip of emotion and confrontation, Belgian duo schntzl conjure mirages of fleeting realities while diving headfirst into a trance-driven, confrontational digital sound.



Fata Morgana unfolds like a hyper-visual journey, constructing enveloping dreamworlds through trance-infused live electronica. Yet trance here is present not in form but in essence—an intensity, a state of being. It may stir the same emotions as club music, but schntzl express them in a language entirely their own. Kitsch loops, improvisation, and distortion bend their music into illusions that dissolve and reappear, creating sonic worlds that never settle into habitual patterns.

pré-commande13.02.2026

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21,64
DAVID ZÉ - MUTUDI UA UFOLO / VIúVA DA LIBERDADE (REISSUE)
  • Mama Ku Dile - Mama Nao Chores
  • As Cinco Sociedades - O Isangela Itanu
  • Tambi Mua Ngola - Obito Em Angola
  • Ngongo Mua Ngola - Sofrimento Em Angola
  • Tribalismo - Katungu
  • Ufolo - Liberdade
  • Katete Ngila - Catete É Um Passaro
  • A Luta Continua - O Nvunda Ki Ia Bue Lua
  • Mona Ku Jimbe Manhenu - Filho Nao Esqueca A Sua Mae
  • Undenge Uami - A Minha Infância
  • Nguma - Inimigo
  • Kamba Diami - O Meu Amigo

David Zé - Mutudi Ua Ufolo / Viúva da Liberdade is a major milestone in Angolan music, intensely blendingsemba, rumba, and bolero, recordedat the height of the country"s liberation struggle. Both soulful and political, the album resonates far beyond Luanda, carrying a universal spirit akin to that of Bob Marley. Originally released on CDA with Conjunto Merengue, it captures David Zé at his creative peak. Sung in Portuguese and local dialects, it combines rhythmic elegance with deep commitment, weaving links between Afro-Brazilian and Latin American traditions. After his assassination in 1977, the album was banned for several years, before being reborn as an essential work of resistance and beauty. In 2008, his legacy found a new echo when Damian Marley and Nas sampled "Undenge Uami" on Distant Relatives.

pré-commande13.02.2026

il devrait être publié sur 13.02.2026

28,53
SOUL CAPSULE - Law Of Grace

Collecting Orders For 2026 Repress

As Soul Capsule, Baby Ford and Thomas Melchior made some of minimal techno's most accomplished records. It has been many years since they stopped turning out new material - sadly - but their archive tracks are still in hot demand and undeniably relevant. While 1999's 'Lady Science' might be their most famous offering, this EP from 2001 on Aspect Music is no less vital and it will currently cost you well over L250 on second-hand markets. It is Ford's Trelik label who reissues it here in all its glory: the entirety of the a-side is taken up with 'Law Of Grace,' a delightfully deep and breezy minimal dub house roller with pensive chords draped over the frictionless drums. 'Meltdown' has a more experimental feel with brushed metal drums beneath a wordless vocal musing. The cult 'Lady Science' (Tek Mix) is also inched with the whole package being remastered by D&M to make this one utterly essential.

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16,60

Derniere entrée: 20 jours
Sachi Hayasaka - Free Fight

Sachi Hayasaka

Free Fight

12inchBBE807ALP
BBE Music
13.02.2026
  • 1: The Song Of Yamato-Minzoku
  • 2: Free Fight
  • 3: The Thrilling Corner
  • 4: Ellen David
  • 5: Yellow Monk
  • 6: La Pasionaria
  • 7: Nbagi
  • 8: Monster's Teardrops
  • 9: Another Country

BBE Music’s acclaimed J Jazz Masterclass returns with its 20th release, a super rare private press from one of the more laudable female jazz figures of Japan, saxophonist and composer Sachi Hayasaka, together with her band, Stir Up! Released in 1988 on the private label Mobys, Free Fight was Hayasaka’s debut album and announced the arrival of an essential and primal force onto the Japanese jazz scene. Part free jazz, part post-bop, and part heavy groove, Free Fight is one of the most varied yet engaging albums BBE Music has reissued in the J Jazz Masterclass Series, showcasing Hayasaka’s inventive and muscular playing as well as her highly original and surprising compositional powers. Given the album’s eclectic yet cohesive sound, it’s no surprise that it originally found a home at Mobys, the label established by esteemed jazz critic and promoter Teruto Soejima. Mobys only issued a handful of albums from some of the leading free and open players including J Jazz Masterclass alumnus, pianist Aki Takase, as well as free jazz guitar icon Masayuki Takayanagi, and free jazz figureheads Itaru Oki and the great Masahiko Satoh. Born in Tokyo in 1960, Hayasaka took lessons from saxophonist and recording artist Toki Hidefumi and fully immersed herself in the jazz life, working part-time at various jazz kissas including Peter-Cat, a kissa managed by novelist Haruki Murakami. She has performed regularly across Japan at venues like the famous Pit Inn and formed a strong alliance with the classic Tokyo jazz kissa Paper Moon, which continues to this day. Heavily influenced by players such as Roland Kirk, David Murray and Ornette Coleman, Hayasaka has played with free jazz legend Yosuke Yamashita and performed around the world (as well as up Mount Fuji!). In the late 1980s she moved to New York for several years and worked with notable musicians including drummer Pheeroan akLaff and pianist Cliff Korman. She has recorded a number of albums to her name for Japanese jazz labels such as Three Blind Mice and Kitty as well as leading European imprints such as Enja.

pré-commande13.02.2026

il devrait être publié sur 13.02.2026

32,14
THE MICE - FOR ALMOST EVER LP
  • 1: Downtown
  • 2: Felicia
  • 3: Rescue You Too
  • 4: Not Proud Of The Usa
  • 5: Pharaoh
  • 6: Down In The Catacombs

Originally released in 1985, the debut EP by The Mice still stands as one of the finer song-oriented rock records of that era. Drawing inspiration from both mid 1960s British Invasion groups and the energy of punk, For Almost Ever is about as scorching as an essentially pop record can be. Although vocalist / guitarist Bill Fox would go on to release several much-loved mostly acoustic solo records, here he is joined by his younger brother Tommy, a veritable monster on the drum kit, bashing away with both finesse and the manic energy of a high school kid. And let’s talk about the song “Not Proud of the USA.” Conceived as an answer to The Clash’s “I’m So Bored with the USA,” this track is packed with such overwhelming hooks, righteousness, and adrenaline that it’s irresistible. During the war in Iraq, it took on a new life on college radio and online when it was reissued on CD. And with this vinyl reissue, it would seem the timing is sadly spot-on once again. Mastered by John Golden, this new pressing crackles with The Mice’s spirit, reproduced in big 45 rpm sound for deeper low end and greater definition than the original, which has been commanding a steep price for quite a while now. We’ve also been able to restore the colors of the handcolored cover photograph to their original vibrancy.

pré-commande13.02.2026

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21,81
Alistair Colling vs. Tortured Soul featuring Sabina - When You Find Your Love…Hold On  25th Anniversary Mixes

25 years ago, at the turn of the millennium, downtown NYC was spoiled with record stores. In this pre-digital age, vinyl was king for club DJs, and shops such as Downtown 161, Dance Tracks, and Vinyl Mania peppered lower Manhattan, thriving businesses that supported an expanding scene of local and international DJs. Perhaps the largest and most established of these was Satellite Records, an institution of club sounds that also spawned multiple record labels, including the deep-house imprint Central Park Recordings.

At this time, Central Park Recordings and Satellite Records owner Scott Richmond signed a demo in need of a vocal from young British producer Alistair Colling, and enlisted John-Christian Urich to write it, who had just had a massive hit with “I Might Do Something Wrong” the debut Tortured Soul single on Central Park. He in turn brought in Sabina Sciubba of then newly-formed band Brazilian Girls to record the vocal, and with Jon Cutler on remix duties the record was complete. Tortured Soul went on to release numerous deep house classics like “Fall In Love,” “How’s Your Life” and have continued to tour as a groundbreaking live-house act to this day (of which RNT co-founder JKriv was bassist and collaborator for 10 years).

For the 25th anniversary of this turning point release, Razor-N-Tape has rebooted and remastered the original and classic Jon Cutler mixes, which have never been reissued in any format since the original release. RNT also commissioned two new exemplary remixes from DJ Spinna and musclecars, connecting the dots between the deep-house lineage of the past and present. Presented in a gorgeous jacket that calls back to the graphical style of the original Central Park Recordings aesthetic, this 12” is an absolute essential for any lover of soulful club sounds or purveyor of NYC dance music history.

En stock du13.05.2026

14,24

Derniere entrée: 66 jours
Hyunhye Seo - Continuation

Hyunhye Seo

Continuation

12inchUBK002
Ubi Ku
13.02.2026

For over a decade, Hyunhye Seo a core member of Xiu Xiu, in her solo work navigates the precarious edges where composition dissolves into pure gesture. Through ecstatic piano improvisations, restless percussive attacks and an expansive use of acoustic space, she constructs layered sonic environments that move across the boundaries of noise, avant-garde jazz, ambient and contemporary classical music. Her performances reveal an unfiltered process of listening and creation - a practice in which thinking becomes the enemy, and surrender the only viable strategy.

Continuation captures one such surrender. Recorded live at MAO - Museo d'Arte Orientale in Turin during the exhibition Rabbit Inhabits the Moon – The Art of Nam June Paik in the Mirror of Time, this cascading piano improvisation unfolds as a dialogue between performer, space and the particular acoustics of a museum built to house contemplative objects. Jamie Stewart processes the sound in real time; Giuseppe Ielasi shapes the final mix. What emerges is a work of charged immediacy - restless gestures giving way to passages of unexpected tenderness, noise and silence trading places in continuous exchange. The title is precise: this is music that refuses conclusion, that exists in a state of perpetual becoming. On Side B, Continuous Extension offers an unprecedented response. Phew - the pioneering figure of Japanese avant-garde music since the late 1970s - was invited by curators Chiara Lee and Freddie Murphy to reinterpret Seo's performance. Working with synthesizer and subtle processing, Phew distills the resonances of Continuation into a new electronic landscape - waves of abstraction that echo like reflections in sound, tracing the harmonic tensions of Seo's playing into territories she herself did not visit.

The accompanying booklet includes an essay by Bruno Lo Turco exploring the deep connections between improvisation and Buddhist thought, and a written reflection by Seo on her own practice of surrender and listening.

Continuation is released on Ubi Kū, the record label of the Unione Buddhista Italiana. The cover reproduces Avalokitesvara "Water and Moon" from the Museo d'Arte Orientale "E. Chiossone" in Genoa - the bodhisattva of compassion gazing at the reflection of the moon in water. Like that reflection, this music exists fully in the present, complete and unrepeatable.

pré-commande13.02.2026

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31,72
B.B. King - The Essential Collection LP
  • 1 3: O'clock Blues
  • 2: You Know I Love You
  • 3: Woke Up This Morning (My Baby She Was Gone)
  • 4: Please Love Me
  • 5: Please Hurry Home
  • 6: When My Heart Beats Like A Hammer
  • 7: You Upset Me Baby
  • 8: Every Day I Have The Blues
  • 9: Ten Long Years
  • 10: Crying Won't Help You
  • 11: Sweet Little Angel
  • 12: On My Word Of Honor
  • 13: Please Accept My Love
  • 14: Sweet Sixteen Part 1 & 2
  • 15: Good Man Gone Bad
pré-commande13.02.2026

il devrait être publié sur 13.02.2026

9,45
Chet Baker - The Essential Collection LP
  • 1: Moonlight Becomes You
  • 2: Love Walked In
  • 3: What A Diff'rence A Day Made
  • 4: But Not For Me
  • 5: Time After Time
  • 6: There Will Never Be Another You
  • 7: Stella By Starlight
  • 8: The Night We Called It A Day
  • 9: What Is There To Say
  • 10: It Might As Well Be Spring
  • 11: It Could Happen To You
  • 12: The More I See You
  • 13: Old Devil Moon
  • 14: How High The Moon
  • 15: I Could Have Danced All Night
pré-commande13.02.2026

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9,45
Etta James - The Essential Collection LP
  • 1: The Wallflower (Roll With Me, Henry)
  • 2: Good Rockin' Daddy
  • 3: If I Can't Have You
  • 4: Spoonful
  • 5: All I Could Do Was Cry
  • 6: My Dearest Darling
  • 7: At Last
  • 8: Trust In Me
  • 9: Fool That I Am
  • 10: Don't Cry Baby
  • 11: Seven Day Fool
  • 12: Something's Got A Hold On Me
  • 13: Stop The Wedding
  • 14: Fools Rush In
  • 15: Next Door To The Blues
  • 16: Would It Make Any Difference To You
pré-commande13.02.2026

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9,45
Muddy Waters - The Essential Collection LP
  • 1: I Can't Be Satisfied
  • 2: Rollin' Stone
  • 3: Long Distance Call
  • 4: Honey Bee
  • 5: Still A Fool
  • 6: Mad Love (I Want You To Love Me)
  • 7: I'm Your Hoochie Coochie Man
  • 8: Just Make Love To Me (I Just Want To Make Love To You)
  • 9: I'm Ready
  • 10: Manish Boy
  • 11: Trouble No More
  • 12: Forty Days And Forty Nights
  • 13: Got My Mojo Working
  • 14: Close To You
  • 15: Tiger In Your Tank
  • 16: You Shook Me
pré-commande13.02.2026

il devrait être publié sur 13.02.2026

9,45
Sister Rosetta Tharpe - The Essential Collection LP
  • 1: Just A Closer Walk With Thee
  • 2: Strange Things Happening Every Day
  • 3: Singing In My Soul
  • 4: Beams Of Heaven
  • 5: Precious Memories
  • 6: Up Above My Head I Hear Music In The Air
  • 7: Nobody's Fault But Mine
  • 8: Silent Night, Holy Night
  • 9: White Christmas
  • 10: Tell Him You Saw Me
  • 11: Crying In The Chapel
  • 12: What Have I Done
  • 13: I'm So Glad
  • 14: Let's Be Happy
  • 15: If I Can Help Somebody
  • 16: This Is A Mean Old World To Live In
pré-commande13.02.2026

il devrait être publié sur 13.02.2026

9,45
Elvis Presley - The Essential Collection LP
  • 1: Heartbreak Hotel
  • 2: I Want You I Need You I Love You
  • 3: Hound Dog
  • 4: Don't Be Cruel
  • 5: Love Me Tender
  • 6: Too Much
  • 7: All Shook Up
  • 8: Jailhouse Rock
  • 9: (Let Me Be Your) Teddy Bear
  • 10: Hard Headed Women
  • 11: Big Hunk O' Love
  • 12: Stuck On You
  • 13: It's Now Or Never
  • 14: Are You Lonesome Tonight
  • 15: (Marie's The Name) His Latest Flame
  • 16: Can't Help Falling In Love
  • 17: Return To Sender
  • 18: Good Luck Charm
pré-commande13.02.2026

il devrait être publié sur 13.02.2026

9,45
Black Swan - Paralyzed LP 2x12"
  • 1: When The Cold Wind Blows
  • 2: The Death Of Me
  • 3: Different Kinda Woman
  • 4: If I Was King
  • 5: Shakedown
  • 6: Fire And The Flame
  • 7: I'm Ready
  • 8: Paralyzed
  • 9: Carry On
  • 10: Battered And Bruised
  • 11: What The Future Holds

BLACK SWAN Return with Third Album “Paralyzed” — A Masterclass in Melodic Hard Rock Robin McAuley (McAuley Schenker Group), Reb Beach (Winger, Whitesnake), Jeff Pilson (Foreigner, The End Machine, ex-Dokken), and Matt Starr (Ace Frehley, Mr. Big) — collectively known as BLACK SWAN — are back with their explosive third album, Paralyzed. Following the critical acclaim of their previous releases, the supergroup once again delivers a powerful statement in modern hard rock. With all songs written and composed by McAuley, Pilson, and Beach, and expertly produced by Pilson, Paralyzed showcases Black Swan at their peak performance — offering a dynamic mix of towering vocals, razor-sharp riffs, and hook-laden melodies. The band’s chemistry continues to shine, elevating their songwriting and musical delivery to new heights.

Tracked at Pilson’s Los Angeles studio, the album reflects the tight-knit synergy among its members. McAuley’s commanding vocals remain as ageless, while the instrumentalists deliver with precision and fire. Much like its predecessors, the new record is a testament to the individual and collective talents of these seasoned musicians. Far from being a patchwork of their previous bands, BLACK SWAN has firmly carved out its own identity. Paralyzed is fresh, heavy, and melodically rich — a cohesive and compelling album that feels both classic and contemporary. Building upon the blueprint laid by their debut, Shake the World, the band expands their sonic universe. The result is a record that not only meets but surpasses expectations, cementing BLACK SWAN as a formidable force in the modern hard rock scene. Whether you’ve followed these legendary musicians since the heyday of '80s rock or you’re just now discovering their magic, Paralyzed is essential listening — a masterclass in melodic hard rock delivered by artists who continue to defy time and expectations.

pré-commande13.02.2026

il devrait être publié sur 13.02.2026

27,10
Kisschasy - The Terrors Of Comfort LP
  • 1: Lie To Me
  • 2: Parasite
  • 3: Your Girlfriend
  • 4: Uncomfortably Numb
  • 5: Digital Saviour
  • 6: The Quiet Sound
  • 7: Bad News Baby
  • 8: Radiowaves
  • 9: Mystery Misery
  • 10: Better

They disbanded in 2015, much to the chagrin of their dedicated fanbase, leaving behind a highly influential body of work, including two gold- selling albums (United Paper People and Hymns for the Nonbeliever) and a slew of hit singles such as "Opinions Won't Keep You Warm at Night," "Do-Do's and Whoa-Ohs," and "Dinosaur." In mid-2025, alongside the vinyl reissue of Hymns for the Nonbeliever-- which reentered the Australian Album and Vinyl charts at #1-- Kisschasy released their first new music in sixteen years. "Lie to Me" and follow- up single "Parasite" both offer a modern edge to the band's trademark sound: blistering guitars, hammering drums, razor-sharp lyrics and, of course, irresistible hooks. It can now be revealed that these two songs form part of a larger body of work: a long-awaited fourth album.

Titled The Terrors of Comfort, the collection of ten brand-new songs finds Kisschasy at the peak of their creative powers. Band member Daz Cordeux describes the album as "raw, alive and commanding" and "the closest you're ever going to get to the true essence of our band." The Terrors of Comfort, Kisschasy's first new album since 2009, will be released on February 13, 2026

pré-commande13.02.2026

il devrait être publié sur 13.02.2026

30,67
Truncate & Pushmann - Like This LP

Truncate & Pushmann

Like This LP

12inchLILA001
LILA
13.02.2026

This release represents the musical union of two friends who, despite the distance, have always found in music the place where they stay close. This EP is the proof that when the connection is real, sound becomes common ground - a space to share moments, ideas, and energy beyond geography.

Both artists have been devoted to physical formats from the very beginning, especially vinyl. They have always been record collectors, and that passion shapes the intention behind this project: a work conceived with the depth, respect, and materiality that only vinyl can convey. This EP is more than music; it is a cultural object that preserves a way of understanding techno.

Creatively, Truncate and Pushmann set out to merge their sonic identities. The result is an EP charged with strength, built for the dancefloor, and defined by a clear aesthetic: raw energy, firm rhythm, and a contemporary reading of hardgroove and jackin. These are intense, direct tracks - the kind that emerge when two visions complement each other effortlessly.

In a scene often driven by speed and overstimulation, this release stands out for its authenticity. It is fast, funky techno, yes, but crafted with soul, intention, and emotional depth. It does not chase trends; it delivers groove, substance, and a recognisable sonic character from the first bar.

Inspired by rave culture and the pure roots of hardgroove, this EP offers a journey that blends functionality, sensitivity, and force. A project that reinforces LILA's philosophy: preserving the essence of techno and supporting those who create it with passion.

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11,72

Derniere entrée: 26 jours
Goldie B - Who Says Night’s For Sleeping? EP

A rising and genre-defying figure in the French electronic scene, Goldie B continues her ascent with Who Says Night’s For Sleeping?, a five-track EP that asserts her distinctive signature: an instinctive blend of club energy, cinematic storytelling and UK rave influences. Conceived as the soundtrack to a night lived in full intensity, the record moves through the fire of the dancefloor, the collective trance, and those suspended moments where one floats between dream and wakefulness.

“I imagined this EP as the soundtrack to a night experienced in its entirety. From the first rush of adrenaline on the dancefloor to that floating walk home, still carried by the music. My influences range from Moby and Air to Floating Points and Joy Orbison, artists who know how to combine power and emotion. I love connecting the raw energy of the club with more dreamlike textures, because you can absolutely dream while dancing. Each track is an instinctive snapshot of my inner world.” Goldie B The EP’s opening act, “The Space Between” blends ethereal pads, organic strings and a steady crescendo, recalling the elegance of Air or Moby. It opens a suspended space, equally suited to inner drift or physical release. “I wanted it to feel like a threshold, a gentle hand pulling you into a trance state.”

On “U Make Me Feel So Good”, a sensual and narrative breakbeat track, a flowing bassline gradually tightens into trancier energy. Seductive female vocals weave through broken rhythms, creating a piece that is as tactile as it is hypnotic. “It’s about contrast, the softness and caress at the start, then a tension that rises and electrifies.”
Instagram | Youtube | TikTok | SoundCloudAt the heart of the project, “Rêve de Rave” channels 90’s breakbeat spirit with old-school samples, an euphoric central break and voices urging to move your feet. Urgent and liberating, it embodies the dreamlike essence of the rave. “It’s how I imagine the rave: a lucid dream where joy and collective energy feel almost unreal.”

Next comes the most incisive cut of the EP, “Purple FX”, driven by a grating central bassline that evolves relentlessly until its explosive drop. Minimalist yet implacable, it captures the sheer force of a peak-time track. “I wanted a track purely designed for the club, where the tension just keeps rising until it explodes.”

Closing in chiaroscuro, “Snake Waves” shifts from breakbeat into a half-house, half-techno 4/4 groove, carried by a sinuous, hypnotic bassline. The track plays on tension and release, with a rich harmonic break before fading like a suspended farewell, where the party recedes but the energy lingers. “It’s a farewell piece that keeps the intoxication alive, like a final vertigo before slipping back into the night.”

Goldie B is a multifaceted force on the French electronic scene. A producer, multi-instrumentalist, singer, MC, DJ, and co-founder of the label Omakase Recordings, her sets blend bass, jungle, UKG, and breakbeat, captivating audiences with their contagious energy. Based in Marseille, she has released music on renowned labels such as D.KO, Banoffee Pies, and YUKU, and has performed on some of the biggest French stages and festivals: Peacock Society, Astropolis, NDK, Marsatac, Delta, Le Bon Air, and even the Festival d’Avignon. In 2024, she was selected by Apple Music for its Women In Electronic series. Her new Who Says Night’s For Sleeping? EP confirms her status as an instinctive and distinctive artist to watch on the French electronic scene.

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15,92

Derniere entrée: 88 jours
SOUTHSIDE SPINNERS - LUVSTRUCK

SOUTHSIDE SPINNERS

LUVSTRUCK

12inchARMNWSV006B
Armada
11.02.2026

First released in 1998, Luvstruck became an instant house anthem and a defining track of the era. This limited edition red vinyl celebrates that legacy with four essential old school remixes: Marco V & Benjamin, TimoMaas, Alex Trackone, and Klubbheads 2005 Remix. Each version brings its own flavour, from deep underground grooves to peak-time euphoria. A true collector's piece, this pressing pays tribute to the track's timeless impact on dance culture.

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18,91

Derniere entrée: 34 jours
Roman Lindau , Sascha Rydell, ROSA - Colorful Selection Part I LP

Rosa is a new project from two long established Berlin-based artists, Roman Lindau and Sascha Rydell, and ColorCode is the new label they have minted together. Building on the success of their first three EPs is this fourth collaborative offering that is essential once more. As close friends with more than 20 years of experience DJing and producing, this pair know a lot about crafting weighty grooves that make floors move. They have done so many times over on labels like Berlin's well regarded
Fachwerk and this new project is rooted in the belief that you should "not take yourself too seriously, and have fun doing what you love." First up is 'Just Wanna' with its galloping, rubbery kick drums and incendiary hi hats. Whirring vocal loops and heavy hits builds the pressure and lock you in this most chunky and funky of techno grooves. The excellent 'Flash' then traps you deep in the dance floor amidst the smoke and the lasers, with well sequenced chords panning about the mix and brooding bass sucking you in from below. It's is suspensory techno with a real emotional quality.

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11,72

Derniere entrée: 33 jours
JACK WEST - Essential Curvature (2x12")

Between 1996 and 2003, Jack West released five remarkable albums with his evolving band Curvature. The recordings showcased West on 6 and 8-string acoustic guitar in small, acoustic ensembles including marimba, second acoustic guitar, saxophone, percussion, and pedal steel. Essential Curvature is a Best-Of Collection. Jack West’s music is a new genre of American acoustic music influenced by jazz, rock, folk, and funk, in equal measure - one that features extraordinary acoustic guitar playing.

pré-commande06.02.2026

il devrait être publié sur 06.02.2026

30,67
Tom Esselle - WOLFEP083

Tom Esselle

WOLFEP083

12inchWOLFEP083
WOLF MUSIC
06.02.2026

WOLF proudly welcomes the return of Tom Esselle to the label. Fresh from his latest release on Rhythm Section, Tom follows up his 2022 Praise Bes EP on WOLF with a new four-track collection of deep, dancefloor-ready cuts.

Opening track Livewire sets the tone immediately, pulling you in with a heads-down, UK garage influenced groove. A-side follow-up Don’t Have To is a strong contender for standout moment, pairing luscious keys with a sweet vocal for peak-time soulful impact.

On the flip, Small Talk delivers a quirky vocal sample over an undeniable groove, before EP closer Spaced Out dives deeper, unfolding beautiful, emotive chords. Another standout release that oozes quality from a producer hitting their stride and firmly establishing himself as one to watch.

En stock du12.05.2026

14,24

Derniere entrée: 21 jours
Louie Vega - Last Night A DJ Saved My Life feat. Anané & Tony Touch

The world renowned “Maestro” of the dancefloor Louie Vega continues to deliver Dance Floor gems at a rate almost impossible to conceive, given that he also maintains a weekly touring schedule that regularly takes him around the world. Louie’s upbringing in the Boogie Down Bronx exposed him to the entire evolution of Disco and Funk at a time when those genres were at their peak in the 80’s, and he brings that wealth of knowledge and passion when it comes to remakes of the classics. His remake of “Last Night A DJ Saved My Life” featuring Anané and Tony Touch in its original version on the NYC Disco Album was a masterful update that kept the essence of the original classic, but was imbued with the irresistible House Music energy that Louie and featured vocalists Anané and Tony Touch can bring to a project like nobody else. The remix from Louie himself gives this peak house groover even more pump, while the Dub from Anané demonstrates that this talented performer has a big future as a producer as well. The bonus track on the B-side “In Search Of Peace Of Mind” shows Louie once again creating a unstoppable groove that respects the foundation of House Music but once again inspires an originality that places him firmly at the forefront the Dance Music Producer community.

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16,18

Derniere entrée: 19 jours
Islaja - Angel Tape LP

Islaja

Angel Tape LP

12inchACU02LP
Other Power
06.02.2026

Islaja presents her new album ”Angel Tape”, her debut release on the new Helsinki-based label Other Power. Drawing inspiration from childhood epiphanies while listening to an alleged recording of angels singing, Islaja has crafted an album that stands out as a major work in her expansive and celebrated catalogue, which includes previous releases on labels such as Ecstatic Peace!, Fonal and Svart.


Islaja, aka Finnish artist Merja Kokkonen, describes her new album as a “counterwork” to her most recent albums, where the mode of composing was more song-based. This time around, she goes more in the direction of vast fields of sound where the human voice is a key ingredient of music that breaks free of strict stylistic guidelines and traditional song forms. Rough around the edges, atonal and otherworldly, "Angel Tape” is the result of a lifetime of inspiration from something beyond the immediate realm of our experience, an attempt to catch the elusive essence of musical otherness.


”As a child, I listened to the ’angel tape’ my mother played, and I never thought that the human voices I heard on it were angels singing. Instead, all the aural debris lying just beneath the surface caught my attention as I thought it was mysterious and something from a different world than ours, and so that was probably what was referred to as the ’angels’ so miraculously caught on tape”, Kokkonen explains. ”I think this was one thing that led me on this lifelong quest to find new sounds and forms in music.”



The tape she is referring to, a mid-80s church recording, was passed around in religious circles. Each time the tape was copied, it became slightly more distorted. It was believed that this recording of religious music had accidentally captured for the first time the voices of actual angels singing. The tape was rumoured to have originated in Kansas City and to have made its way to Finland.


Whereas Islaja has often thought of albums as being collections of recent songs presented together, ”Angel Tape” has a strong sense of conceptual coherence. The music comes from a place. That doesn’t mean that one must take a single path from one place to the next, as close listenings of the album reveal layers upon layers of not only sound but also of mood and meaning. From the human voice in its barest form, to the rising dense walls of sound moving and reshaping, ”Angel Tape” is a captivating album that unveils new contours with each repeated listening.

pré-commande06.02.2026

il devrait être publié sur 06.02.2026

21,82
3TM - Lake LP

3TM

Lake LP

12inchWJLP16WHITE
WE JAZZ
06.02.2026
  • 01: Seven Keys
  • 02: Lake
  • 03: A Pile Of Broken Dreams
  • 04: Woods
  • 05: Contrail
  • 06: Laws Of Life
  • 07: World Loop
  • 08: Suburban Portraits
  • 09: Model Two

Drummer/producer Teppo Mäkynen's 3TM returns with a new album, "Lake", on 29 November on Helsinki's We Jazz Records. The album is the much awaited follow up to 2017's successful 3TM debut "Form", which was awarded as the "Jazz Album of the Year" in Mäkynen's native Finland. "Lake" was preceded by the ambient electronic album "Abyss" in August, which set the mood for what's to come next: A compact yet far-reaching body of work bringing together the trio's acoustic jazz sound and ideas rooted in abstract electronic music in a remarkably boundless way.

"Lake" is a collection of 9 Mäkynen-penned originals ranging from the looping, hypnotic compositions such as first single "Laws Of Life" to the delicacy of tracks such as "Woods". There is a sense of long form narrative here, evident in glorious, slowly evolving tracks such as "Lake" and "A Pile Of Broken Dreams". The overall sound is swinging, melodic, deep and futuristic. It's acoustic jazz and abstract electronic music understood deeply and used as the base of a new sound, which goes beyond the usual distinctions of "acoustic jazz" or "electronic music". This is music for the present day, moving forward.

3TM's "Lake" will be available as white and black vinyl versions, complete with printed inner sleeve featuring Mäkynen's essay about the theme of the album. On vinyl, "Lake" will also be available as a 2LP bundle with "Abyss", and the CD version includes both discs, "Lake" and "Abyss".

In the 3TM trio formation Mäkynen is joined by sax man Jussi Kannaste and bassist Antti Lötjönen, both Finnish scene mainstays. The band will celebrate their new release at Helsinki's We Jazz Festival on 7 December.

pré-commande06.02.2026

il devrait être publié sur 06.02.2026

11,13
Petter Eldh & Koma Saxo - LIVE LP

Petter Eldh & Koma Saxo

LIVE LP

12inchWJLP28
WE JAZZ
06.02.2026

Koma Saxo, the explosive quintet led by Berlin-based Swedish bassist/producer Petter Eldh, returns on We Jazz Records with their new album, cut live at We Jazz Festival in Helsinki, December 2019. Whereas their lauded debut was a triumph of remapping the goal posts for an acoustic jazz combo for the 2020's, "LIVE" takes you right to the heart of the actual ensemble sound, with 5 musicians tearing the place down, no post production. From the fiery opening sequence kicking off with "Euro Koma", on to the much calmer beauty of "Waltz Me, Waltz Me Baby, All Night Long" and the first single "Fiskeskärsmelodin", the 8-song set is pure fire, never failing to convey the extraordinary intensity of the group: Eldh on bass, Otis Sandsjö (Y-OTIS), Jonas Kullhammar and Mikko Innanen on saxes, and Christian Lillinger on drums.

An excerpt of liner notes by Peter Margasak:

"When I first saw Petter Eldh's quintet Koma Saxo in Berlin in September of 2019 I was floored. The raw, sprinting energy of the band was both infectious and astonishing, but what I most remember was a sense of cognitive dissonance. Was this the same combo that recorded a fantastic eponymous 2019 studio album that represented one of the most convincing, pleasurable, and driving hybrid's of searing post-bop and the production ethos of hip-hop? There have been endless stabs by producers trying to remap the machinations of an organic, all-acoustic jazz band with electronic post-production, but Eldh, channeling a sonic language heavily informed by J Dilla, nailed it in a way I'd never experienced before. Having the trust of his three imaginative, high-octane saxophonists—Jonas Kullhammar, Otis Sandsjö, and Mikko Innanen—he used their grainy sound as raw material, smudging and smearing it like a painter creating new hues on a palette, and then extending, editing, and powering it up within the imperturbable grooves meted out by he and drummer Christian Lillinger. He didn't really alter the essential core of the band's performances. There's no question that a seriously burning quintet had laid the tracks down, even if the performances reflected the kind of concision many jazz groups adapt for a studio endeavor. But the way his jacked-up bass lines and Lillinger's impossibly peripatetic, stuttering rhythms buffeted the massed saxophones elevated Koma Saxo to plane all its own, and I repeatedly returned to that place—half the time trying to figure out what the hell Eldh had done, and the other half lost in giddy ecstasy.

The live show, on the other hand, featured the band without any production tricks. Its soaring, pithy repertoire came alive in a different way, and this excellent live recording from the 2019 We Jazz Festival, has reminded me of how fun and visceral that experience was."

Koma Saxo "LIVE" is released by We Jazz Records on 30 April 2021 on two vinyl editions (silver + black), as a bundle with an unreleased 7" (+ silver vinyl edition), on CD and digitally. The vinyl versions plus the CD come complete with silver embossed lettering. The vinyl is delivered on heavy-duty tip-on sleeve, complete with an insert featuring liner notes by Peter Margasak, Andreas Müller, Matti Nives and Petter Eldh.

a 01: Euro Koma (Live) feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger
b 02: Puls Koma (Live) feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger
c 03: Fanfarum for Komarum III (Live) feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger
[d] 04: Waltz Me Baby, Waltz Me All Night Long (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[e] 05: Otis and Christian (Live) [feat. Otis Sandsjö & Christian Lillinger]
[f] 06: Blumer (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[g] 07: Fiskeskärsmelodin (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]

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20,80

Last In: 4 years ago
Petter Eldh & Koma Saxo (Silver Vinyl) - LIVE

Petter Eldh & Koma Saxo (Silver Vinyl)

LIVE

12inchWJLP28SILVER
WE JAZZ
06.02.2026

Silver Vinyl

Koma Saxo, the explosive quintet led by Berlin-based Swedish bassist/producer Petter Eldh, returns on We Jazz Records with their new album, cut live at We Jazz Festival in Helsinki, December 2019. Whereas their lauded debut was a triumph of remapping the goal posts for an acoustic jazz combo for the 2020's, "LIVE" takes you right to the heart of the actual ensemble sound, with 5 musicians tearing the place down, no post production. From the fiery opening sequence kicking off with "Euro Koma", on to the much calmer beauty of "Waltz Me, Waltz Me Baby, All Night Long" and the first single "Fiskeskärsmelodin", the 8-song set is pure fire, never failing to convey the extraordinary intensity of the group: Eldh on bass, Otis Sandsjö (Y-OTIS), Jonas Kullhammar and Mikko Innanen on saxes, and Christian Lillinger on drums.

An excerpt of liner notes by Peter Margasak:

"When I first saw Petter Eldh's quintet Koma Saxo in Berlin in September of 2019 I was floored. The raw, sprinting energy of the band was both infectious and astonishing, but what I most remember was a sense of cognitive dissonance. Was this the same combo that recorded a fantastic eponymous 2019 studio album that represented one of the most convincing, pleasurable, and driving hybrid's of searing post-bop and the production ethos of hip-hop? There have been endless stabs by producers trying to remap the machinations of an organic, all-acoustic jazz band with electronic post-production, but Eldh, channeling a sonic language heavily informed by J Dilla, nailed it in a way I'd never experienced before. Having the trust of his three imaginative, high-octane saxophonists—Jonas Kullhammar, Otis Sandsjö, and Mikko Innanen—he used their grainy sound as raw material, smudging and smearing it like a painter creating new hues on a palette, and then extending, editing, and powering it up within the imperturbable grooves meted out by he and drummer Christian Lillinger. He didn't really alter the essential core of the band's performances. There's no question that a seriously burning quintet had laid the tracks down, even if the performances reflected the kind of concision many jazz groups adapt for a studio endeavor. But the way his jacked-up bass lines and Lillinger's impossibly peripatetic, stuttering rhythms buffeted the massed saxophones elevated Koma Saxo to plane all its own, and I repeatedly returned to that place—half the time trying to figure out what the hell Eldh had done, and the other half lost in giddy ecstasy.

The live show, on the other hand, featured the band without any production tricks. Its soaring, pithy repertoire came alive in a different way, and this excellent live recording from the 2019 We Jazz Festival, has reminded me of how fun and visceral that experience was."

Koma Saxo "LIVE" is released by We Jazz Records on 30 April 2021 on two vinyl editions (silver + black), as a bundle with an unreleased 7" (+ silver vinyl edition), on CD and digitally. The vinyl versions plus the CD come complete with silver embossed lettering. The vinyl is delivered on heavy-duty tip-on sleeve, complete with an insert featuring liner notes by Peter Margasak, Andreas Müller, Matti Nives and Petter Eldh.

a 01: Euro Koma (Live) feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger
b 02: Puls Koma (Live) feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger
c 03: Fanfarum for Komarum III (Live) feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger
d 04: Waltz Me Baby, Waltz Me All Night Long (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[e] 05: Otis and Christian (Live) [feat. Otis Sandsjö & Christian Lillinger]
[f] 06: Blumer (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[g] 07: Fiskeskärsmelodin (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]

[a] 01: Euro Koma (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[b] 02: Puls Koma (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[c] 03: Fanfarum for Komarum III (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[d] 04: Waltz Me Baby, Waltz Me All Night Long (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[e] 05: Otis and Christian (Live) [feat. Otis Sandsjö & Christian Lillinger]
[f] 06: Blumer (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[g] 07: Fiskeskärsmelodin (Live) [feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]
[feat. Otis Sandsjö, Jonas Kullhammar, Mikko Innanen & Christian Lillinger]

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21,64

Last In: 4 years ago
Various - BODO-ACE VA 005

Various

BODO-ACE VA 005

12inchBODOACEVA005
BOBBY DONNY
06.02.2026

Frits Wentink’s Bobby Donny returns for the fifth various artist 12” vinyl release in the Ace Series. Welcoming new additions, Glenn & Derrick for some peak time dancefloor business as well as Leigh Hunt who joins forces with label favourite Rico Scott. On the flip Dominic Oswald returns with two soulful and deep cuts. Six heavy heaters for house fans of the deeper persuasion. Another essential release from Bobby Donny!

En stock du12.05.2026

14,24

Derniere entrée: 21 jours
Kaosophia - Beyond the Black Horizon LP

Emerging from the Ukrainian darkness in 2011, Kaosophia blend the raw energy of black metal with dissonant tones and emotionally resonant melodics. Their music is a sonic tapestry woven with intricate guitar riffs, powerful vocals, and haunting arrangements.
The band recorded their first demo “Towards The End” which was self-released by them in 2012 on a limited edition cassette.

2013 saw their first album “The Origins of Extinction” released on CD and cassette and the band followed up with many shows across Europe. 2017 saw Kaosophia expand and deepen their abyssal sounds even further with the monumental “Serpenti Vortex”, with lavish cover art produced by occult master artist Dávid Glomba, it rose Kaosophia to the upper echelons and forged their name as one the best and most formidable black metal acts in the scene at the time.

After a long period of silence, bloodletting and transformation, Kaosophia return with their darkest, most mature and powerful work to date. 2025 sees the return of Kaosophia with their new album “Beyond The Black Horizon”.
A dark and malevolent opus that explores themes of darkness, existentialism and the human condition. Delving deep into the complexities of the mind, the fragility of existence and Death itself.
Kaosophia preach orthodox ideas of Satanism in the most straightforward and ruthless form - total unconditional worship. Self-destruction as the overcoming of human essence and the cognition of pain to gain access to another level of reality's perception.
It is time to enter the end of days and venture beyond the Black Horizon…

pré-commande06.02.2026

il devrait être publié sur 06.02.2026

26,85
Nic David - Magnetic EP

Introducing Human Behaviour Records, a vibrant new realm where music meets the soul, a home for fresh, innovative sounds and frequencies that resonate with the very essence of what makes us uniquely human. A journey into the deep, timeless grooves of dance music, blending rhythms and harmonious beats that transcend space and time. Our mission is to create a profound, unforgettable connection with all those who hear it, inviting listeners to lose themselves in the universal pulse that binds us together. We hope to spark a sense of unity, bringing together individuals from all walks of life and fostering a community built on shared experience and creative expression.

First up one up on the label is Nic David with his highly anticipated EP “Magnetic”. It pushes and pulls the boundaries of house and electro, connecting frequencies that attract positive feelings and inspire irresistible movement on the dance floor. Followed by A2 we have “The Feelin” a track that takes you on a journey with no destination, an ever-evolving ride through funky basslines and enlightened melodies. B1 taking a turn into the harder sounds with “Work it (Listen up)” capturing the mind with heavy drums and mind altering sounds through peak moments. And for the final track we are proud to have none other than Nate S.U for the remix of “Work It”. A forward thinking human known for his hypnotic sounds, creating timeless music that sits on its own throne. His take on “Work It” fuses electronic textures and a rock inspired rhythm, pushing the boundaries from the ordinary.

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13,03

Derniere entrée: 27 jours
Special Characters - Subsurface Incantations LP

Special Characters, the acclaimed deep house project hailing from New York, comes to uswith "Subsurface Incantations"-a sonic journey that pays heartfelt tribute to the classicgrooves and textures that defined house music's golden eras. This latest record is astatement piece for the Based Faith imprint, and features a captivating remix from Berlin'sIron Curtis, a favorite among DJs and collectors for his deep, analog-driven interpretations.Blending evocative pads, intricate drum programming, and his signature in transforming abassline, Iron Curtis's take on the B-side seamlessly bridges the timeless with the modern,making this EP an essential addition to any discerning selector's crate.
Committed to the art of vinyl culture, "Subsurface Incantations" will be pressed strictly as avinyl-only release, with no represses planned.

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12,56

Derniere entrée: 89 jours
&me - In Your Eyes

&me

In Your Eyes

12inchPAMPA032
PAMPA
05.02.2026

2026 Repress

Do you know what time it is It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.

There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.

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11,72

Derniere entrée: 4 jours
Sam Slater - Lunng LP

Sam Slater

Lunng LP

12inchMBD_LP003V
MT. BRINGS DEATH
05.02.2026
  • 1: Heatsick (Feat. Hilary Jeffery)
  • 2: Plastic Fascist
  • 3: Praya (Feat. Bendik Giske, Maria W.horn)
  • 4: Past Blast
  • 5: Mancini Sighs
  • 6: Black Metal Rewind (Night Drive Astra, 200)
  • 7: Death By Nostalgia, 1688
  • 8: Passengers (Feat. Bendik Giske, Maria W Horn, Adam Betts)

Loaded with tension and anchored by bold textural and stylistic contrasts, Sam Slater’s third solo full-length finds the British sound artist, composer, and engineer grappling with his creative contradictions head-on.

Having spent a life time in bands and producing records, Sam transitioned somewhat by accident through his work with Johan Johansson into working as a composer on high profile projects such as his collaboration with Hildur Guðnadóttir on the Grammy Award-winning Joker and Chernobyl, and with Pulitzer Prize-winning journalist Mstyslav Chernov on the soundtrack to the lauded 2000 Meters to Andriivka. Having a vast set of interests and influences is an asset when helping realise a directors vision for a soundtrack, but one's own musical voice can end up being constrained. In Lunng, Slater has gone back to his wildly divergent range of influences and rather than shy away from the extremes, he's used them to create a singular vision.

Take the opening track “Heatsick”: Slater imagines an extravagant fusion of 2000s drone metal and vintage British brass, welding ear-splitting overdriven drones and blown-out choral vocals to stirring trombone swells from veteran player Hilary Jeffery. On paper, it’s hard to imagine—but Slater’s intentionality conducts these polarizing elements into a surreal blur of sonic extremes, with the guitars’ relative harshness softened by Jeffery’s eerily nostalgic colliery echoes.

His last solo album, I do not wish to be known as a Vandal (Bedroom Community, 2022), showcased this breadth by assembling a team of collaborators including Sam Dunscombe and Yair Elazar Glotman. On this record he’s linking up with acclaimed multi-instrumentalist Maria W. Horn, idiosyncratic sax virtuoso Bendik Giske, versatile percussionist Adam Betts, and the aforementioned Jeffery, Slater ushers these players toward a lattice of calculated confutations.

Working to explore the tension between the divergent practices of his collaborators—Lunng was meant to be challenging. On “Praya”, Giske’s familiar overblown horn phrases are almost vaporized, vanishing among Slater’s weightless synths and Horn’s chillingly hoarse vocals. There are traces of Horn’s Funeral Folk project, but Slater shifts the emphasis, letting her voice brush past the other elements like a hallucination.

Slater’s use of extremes isn’t just in the micro; dynamics drive the album’s overall flow. “Praya” sets the stage for the record’s heaviest, most prickly moment: “Passengers”. Here, Horn’s voice cracks, rasps, and gurgles over serrated synths and Betts’ ritualistic drums. Slater turns an industrial symphony into a folk opera—dark, dramatic, and strangely beautiful—etched with Giske’s fluttering phrases.

But the mood soon shifts. Slater careens toward chaos, unleashing double-time rhythms and piercing textures familiar to anyone with a soft spot for classic black metal. These grotesque incongruities are deliberate; Slater surveys years of musical conflict and leans in, using dissent as fuel to build kinetic energy.

The weight of sentimentality bears down on “Black Metal Rewind (Night Drive Astra, 2006)”, melting teenage memories into hypnagogic ambience—shoegaze dreams whirled with angelic choral delusions. On “Death by Nostalgia, 1688”, he ventures further into polarizing territory, distorting AutoTuned voices with cryptic strings and medieval tonalities, unsettling any stable sense of past or present.

In this record Slater focuses on pure energy, color, and mood. Lunng distills years of listening into a bracing brew—boiling each sound down to its essence, then serving it with unflinching intent.

John Twells, 2025

pré-commande05.02.2026

il devrait être publié sur 05.02.2026

26,01
Various - Invites 04

Various

Invites 04

12inchANA004
Anaoh
05.02.2026

One more year and a new edition of our ANAØH INVITES vinyl series.

As is tradition, in this third volume, Dig-It and Fixon, hosts of the label, invite two artists to join them and release four original tracks on a special edition 12′ vinyl.

For this new edition, we have two artists whom we truly love and respect.

On one hand, until a few months ago, the mysterious BLK_BETTY an artist with few appearances but undoubtedly a powerful and forward-thinking producer, a true representative of that jacking and energetic sound.

On the other hand, we are honored to welcome the legendary The Advent, a living icon of pure Techno, who has delivered a track that gives us goosebumps and brings back the essence of his early 2000s sound, the most aggressive and powerful The Advent.

We are honored to celebrate 9 years of work with this 12′ vinyl edition alongside artists we deeply admire, and we hope you love it as much as we do.

From México with Love. Fixon & Dig-It

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17,61

Last In: 3 months ago
Dj Rasoul - Soul Searching Vol. 3

Dj Rasoul

Soul Searching Vol. 3

12inchLARV042
Large
04.02.2026

2024 Repress

One of the defining releases on Large Music gets a special re-issue after a 16 year wait. Considered by many to be one of the top 3 packages in the early Large catalog, this EP set the trajectory for what would quickly become known as the "West Coast" sound of American House. The main vocal on side A also became a venerable classic at the Shelter in NYC and was played consistently by Timmy Regisford throughout his tenure there. The darker, more disco filtered tones on the flip side were also highly praised and played at the time by French DJs such as Daft Punk, Phil Weeks, Cassius and many others. Rasoul is often overlooked as one of the chief architects of modern Deep House, yet this release certainly secures his elite standing in the annals of House Music history. Essential!

En stock du13.05.2026

12,56

Derniere entrée: 13 jours
Shye Ben-Tzur & Jonny Greenwood & The Rajasthan Express - Junun (2x12")
  • A1: Junun
  • A2: Roked
  • A3: Hu
  • B1: Chala Vahi Des
  • B2: Kalandar
  • B3: Eloah
  • C1: Julus
  • C2: Allah Elohim
  • C3: Ahuvi
  • D1: Azov
  • D2: Junun Brass
  • D3: There Are Birds In The Echo Chamber
  • D4: Modeh

Junun is the debut collaborative album by composer Shye Ben Tzur, Radiohead guitarist Jonny Greenwood, and the Indian ensemble the Rajasthan Express. Originally released in November 2015, the album was recorded in a makeshift studio within the 15th-century Mehrangarh Fort in Jodhpur, India. Radiohead's longtime producer Nigel Godrich worked on the album, creating a 2LP/CD release. World Circuit is set to reissue Junun on 16th January 2026, marking the album's 10th anniversary. This special edition will be available as a 2LP Gatefold Yellow & Orange Marble vinyl and a CD digisleeve. The album features Ben Tzur's compositions, which incorporate devotional Sufi qawwal musicians singing in Urdu and Hebrew. Greenwood contributed guitar, bass, keyboards, ondes Martenot, and programming, aiming to use chords sparingly and instead focusing on North Indian ragas. The recording process sought to capture the ""roughness"" of Indian music, avoiding the high fidelity often found in world music recordings. The making of Junun was also documented by acclaimed filmmaker Paul Thomas Anderson, offering an intimate look at the creative process and vibrant daily life during the album’s production. His film, also titled Junun, debuted at the New York Film Festival in October 2015. Junun (an alternate spelling of ""junoon,"" meaning ""mania"" or ""the madness of love"") received widespread critical acclaim—including Album of the Year honors from The Sunday Times, who called it “one of the most inspired releases of the year” and “intriguing, sinuous, and essential listening”. The group also supported Radiohead's 2018 Moon Shaped Pool tour, performing under the name Junun.

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35,71

Last In: 3 months ago
The Mad Geezers - Genius of Love b/w Genius of Dub (7")

The Mad Geezers are basically F-Spot mainstays Night Owls’ Dan Ubick, Dave Wilder, and Roger Rivas, but with long-time friend and drum guru, Oliver Charles (Ben Harper & The Innocent Criminals, Gogol Bordello) behind the kit. It’s safe to say that these four musicians love their Ska, Rocksteady, roots, and dub, but for this lineup, the four Mad Geezers collectively decided to explore their other obsession... early Jamaican Dancehall.

First on producer Dan Ubick’s To Do list was to channel the fun, attitude, and natural talent on records by Jamaican legends like Yellowman, U-Roy, Sister Nancy, Barrington Levy, Bunny Wailer, and Freddie McGregor. Secondly, find a song that no Jamaican artist has covered, but every DJ on the planet loves, and flip it into a Dancehall groove. Hmm… What about Tom Tom Club’s “Genius of Love”? Ooh! That’s it! So, The Mad Geezers broke out synths, Syn drums, and invited some friends to the party, stepping up to the plate with the brand-new F-Spot Records 45 “Genius Of Love” b/w “Genius Of Dub (Roger Rivas Dub Version). Featuring vocals by one of Jamaica’s shining jewels, Ranking Joe & Oakland’s chosen daughter, Destani Wolf (who many will recall from top-selling Night Owls singles such as “After Laughter” and “Let’s Stay Together,”) this 7” is a sure shot.

With its iconic bass line and catchy synth hook, this 1981 decade-long crate essential is in the collective unconscious at this point. Whether you found it as a Talking Heads fan, or as a rap music fan via Dr. Jeckyll & Mr. Hyde’s “Genius Rap” or Grandmaster Flash and the Furious Five’s “It’s Nasty,” the groove is infectious. It’s hard to imagine no one had yet infused this punk-disco powerhouse with a dancehall injection… until now.

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12,82

Last In: 3 months ago
ORCHESTRA SUPER MAZEMBE - THEIR GREATEST HITS LP
  • A1: Kasongo
  • A2: Shauri Yako
  • A3: Kayembe
  • B1: Nabimakete
  • B2: Salima
  • B3: Atia-Jo

Super Mazembe's "Greatest Hits," serves as a definitive collection celebrating the band's remarkable contributions to East African music. Released in 1986, this compilation features a carefully curated selection of the band's most iconic tracks, encapsulating their vibrant sound and the infectious energy that made them a household name. Highlights include fan favorites like "Shauri Yako" and "Kasongo" each track showcasing the band's skillful musicianship and unique ability to blend traditional rhythms with contemporary styles. "Greatest Hits" not only pays homage to their illustrious career but also introduces new audiences to the timeless music of Super Mazembe, solidifying their legacy as significant figures in the African music scene. This LP remains a cherished collection for both long-time fans and newcomers alike, capturing the essence of a band that defined an era and continues to inspire musicians and music lovers across generations.

pré-commande31.01.2026

il devrait être publié sur 31.01.2026

19,75
Lucy Kitt - Telling Me LP
  • Blink
  • Waiting Game
  • Telling Me
  • Lonely Rose
  • Sweet Time
  • Tides
  • Like This
  • What Would I Do
  • Without Her Loving You
  • Missing Out
  • Resting Blues

British singer-songwriter Lucy Kitt unveils her highly anticipated second album, Telling Me, a deeply personal collection that shifts focus from introspection to storytelling, capturing the lives and struggles of those closest to her. Drawing from her love of 70’s Laurel Canyon folk, 90’s indie rock, and country music, Kitt crafts narratives that blend her own experiences with compassionate observations of loved ones. Based on a raw acoustic “three chords and the truth” style of songwriting that ripples throughout, the album expands with full-band arrangements that give a huge range and richness to the sound.

Though influenced by American musical traditions, the Essex-native maintains her distinctive voice and authenticity, ensuring the music remains unmistakably her own. Following her 2018 debut Stand By, this new record represents a more mature approach to songwriting, written during her early 30s and completed in the 2021 lockdown – a storybook of songs capturing that moment in time.

Musically, Telling Me showcases Kitt's stripped-down acoustic foundations, while incorporating fuller arrangements that blend her love of Nick Drake, Bob Dylan, Gram Parsons, Joni Mitchell and Joan Baez, with music she loved as a teenager such as The Lemonheads and Veruca Salt. The album features collaborations with an impressive roster of musicians, including Jay Starkey on drums, Nashville-based pedal steel virtuoso Spencer Cullum, Treetop Flyer’s Sam Beer and longtime collaborator Pat Kenneally on drums and piano.

Recorded between 2021-2023 at London's Lightship 95 studio at Trinity Buoy Wharf, the album was co-produced and engineered by Dave Holmes, with some musicians contributing remotely from Nashville and London.

Kitt's commitment to authenticity extends to every aspect of the album, from the down-to-earth, home-based album artwork which represents her life right now as a musician and a working mum, with all the wonderful chaos that comes along with it. Also her decision to maintain her natural accent throughout her vocals. "I have always retained my authentic self in my songs," she explains. "Always singing with my own accent, despite the influences of all the bands and artists over the years."

Kitt has been songwriting and performing for over 20 years, starting in a riot grrl band in her teens in her hometown of Romford, Essex, before evolving into the thoughtful folk storyteller she is today. A semi-finalist at the BBC Young Folk Awards in the early 2000s, she has performed at major festivals including Glastonbury and Cambridge Folk Festival, building a reputation for intimate, lyrically-focused performances.

Telling Me is a resplendent collection of songs, capturing the human experience with great empathy, honesty and musical sophistication that has become Lucy Kitt's signature.

pré-commande30.01.2026

il devrait être publié sur 30.01.2026

19,20
THE ESSEX GREEN - EVERYTHING IS GREEN
  • Primrose
  • The Playground
  • Mrs. Bean
  • Grass
  • Saturday
  • Big Green Tree
  • Tinker (She Heard The News)
  • Everything Is Green
  • Sixties
  • Sun
  • Carballo

Originally released in 1999, Everything Is Green is the debut album from Brooklyn based The Essex Green, a seminal band within the Elephant 6 collective. Combining chiming guitars, warm harmonies, and subtle psych-pop textures, the album stands as a timeless document of late-90s indie pop creativity. This official vinyl reissue brings back the band's beloved debut in a beautiful transparent lime pressing, giving fans and collectors a chance to experience its delicate, sun-drenched melodies on wax for the first time since their original release in 1999. A must-have for those discovering the Elephant 6 universe or revisiting a modern classic of indie pop. For fans of: The Apples in Stereo, The Olivia Tremor Control, Camera Obscura.

pré-commande30.01.2026

il devrait être publié sur 30.01.2026

29,83
Golden Earring - Essential Earring LP
  • 1: Radar Love
  • 2: Back Home
  • 3: She Flies On Strange Wings
  • 4: Just A Little Bit Of Peace In My Heart
  • 5: Weekend Love
  • 6: Long Blond Animal
  • 7: Twilight Zone
  • 8: The Devil Made Me Do It
  • 9: When The Lady Smiles
  • 10: Quiet Eyes

Five years after legendary Dutch rock band Golden Earring called it a day (after 50 years of recording and touring), their ten most loved songs and worldwide biggest hits have been brought together on one album: Essential Earring

pré-commande30.01.2026

il devrait être publié sur 30.01.2026

28,15
Sweatmaster - More!

Sweatmaster

More!

12inchSVART359LP
Svart Records
30.01.2026
  • 1: Dirty Water
  • 2: Destroyer
  • 3: Scream Out Loud For Love
  • 4: Police Bastard
  • 5: More!
  • 6: Hole In The Ground
  • 7: We Take All
  • 8: Eazy
  • 9: Spring That Never Ends
  • 10: Sad Song Man
  • 11: Chevy Van
  • 12: Tail Down
  • 13: Leather
  • 14: All Right, All Night
également disponible

Orange/Black Smoke Vinyl[29,37 €]

Transparent Orange/Black Smoke Vinyl[24,33 €]


Sweatmaster releases a new full-length album after a 15-year hiatus via Svart Records Sweatmaster, one of the aristocrats of Finnish garage rock, is making a big comeback with the release of their fifth album More! in January 2026. After the release of their 2010 album Dig Up the Knife, the band took a long break, which ended a few years ago with live performances both domestic and abroad. At the same time, new material began to emerge in the rehearsal room, and the band quickly found a common strategy for working on it. "We were unanimous about the strengths of our band and decided to get to the heart of the matter. The main idea was to make straightforward songs carried by the vocals. The kind that would work well live with our aggressive playing style," says the band's drummer Matti Kallio. Svart Records will release Sweatmaster's fifth album early next year. More! is a sharp package of fourteen songs that has not been polished to death. "We wanted a raw and electric sound for the new album, built tightly around the three of us playing. The aim was to stick to Sweatmaster's original energy and not spread ourselves too thin. However, despite our efforts, the intervening years brought some new tones with them," guitarist Mikko Luukko explains the background of the new album. The album's first single will be released on Friday, September 19th, and according to singer-bassist Sasu Mykkänen, Destroyer is the essence of Sweatmaster. "The drum fill draws you into the pull of the electric triangle. The guitar taps at the ballads and wants nothing more than to drive the rhythm until the passionate vocals take over. The song doesn't lead anywhere, it's already there. 2 minutes, 37 seconds. Wham bam. Here you go." More! is available for pre-order now at Svart’s webstore on Svart exclusive vinyl, limited coloured vinyl, classic black vinyl, and CD. Release date January 30th, 2026.

pré-commande30.01.2026

il devrait être publié sur 30.01.2026

23,49
Various - Highway of Diamonds - Black America Sings Bob Dylan (2x12")
 
20

Ace’s small but ever-evolving “Black America Sings…” series has been quiet of late, but it springs back into action this month with the 2-LP and CD releases of “Highway Of Diamonds” – a second dip onto the catalogue of Bob Dylan, as reimagined by some of the foremost African-American artists of the 20th century.

From almost the start of his songwriting career, Dylan’s words and music have impacted on black American music, with ‘Blowin’ In The Wind’, speaking to an America that was still mostly segregated and becoming an anthem for all colours and creeds. As Dylan’s own career progressed, so did the number of covers he received, with a significant amount coming from what might be termed ‘non-traditional’ sources such as those heard here.

The 20 songs on “Highway Of Diamonds” continue the story that was told in part on the earlier “How Many Roads” compilation, with an almost entirely different selection of artists lending their voices to some of the best songwriting of the 20th century, and an almost entirely different selection of songs (with the exception of ‘Blowin’ In The Wind’ itself, which provides a common thread linking the story told across the two sets).
Big names from the worlds of soul, gospel and jazz, timeless songs and, for many, new ways of appreciating ever-durable material make “Highway Of Diamonds” as essential a purchase as its predecessor.

As ever, the great audio is complemented by a handsomely illustrated package on both CD and double vinyl, with a plethora of illustrations and in depth song-by-song-and-track-by-track annotation by Ace legend Tony Rounce.

pré-commande30.01.2026

il devrait être publié sur 30.01.2026

31,72
Sweatmaster - More!

Sweatmaster

More!

12inchSVART359LPB1
Svart Records
30.01.2026

Sweatmaster releases a new full-length album after a 15-year hiatus via Svart Records Sweatmaster, one of the aristocrats of Finnish garage rock, is making a big comeback with the release of their fifth album More! in January 2026. After the release of their 2010 album Dig Up the Knife, the band took a long break, which ended a few years ago with live performances both domestic and abroad. At the same time, new material began to emerge in the rehearsal room, and the band quickly found a common strategy for working on it. "We were unanimous about the strengths of our band and decided to get to the heart of the matter. The main idea was to make straightforward songs carried by the vocals. The kind that would work well live with our aggressive playing style," says the band's drummer Matti Kallio. Svart Records will release Sweatmaster's fifth album early next year. More! is a sharp package of fourteen songs that has not been polished to death. "We wanted a raw and electric sound for the new album, built tightly around the three of us playing. The aim was to stick to Sweatmaster's original energy and not spread ourselves too thin. However, despite our efforts, the intervening years brought some new tones with them," guitarist Mikko Luukko explains the background of the new album. The album's first single will be released on Friday, September 19th, and according to singer-bassist Sasu Mykkänen, Destroyer is the essence of Sweatmaster. "The drum fill draws you into the pull of the electric triangle. The guitar taps at the ballads and wants nothing more than to drive the rhythm until the passionate vocals take over. The song doesn't lead anywhere, it's already there. 2 minutes, 37 seconds. Wham bam. Here you go." More! is available for pre-order now at Svart’s webstore on Svart exclusive vinyl, limited coloured vinyl, classic black vinyl, and CD. Release date January 30th, 2026.

pré-commande30.01.2026

il devrait être publié sur 30.01.2026

24,33
CELIBATE RIFLES - BLIND EAR

CELIBATE RIFLES

BLIND EAR

12inchBANGLP189
BANG!
30.01.2026
 
9

This remastered vinyl reissue of Blind Ear reintroduces The Celibate Rifles' urgent, socially aware punk-rock energy, cementing its place as a cornerstone of Australian alternative rock. 1989 is where The Celibate Rifles take their punk instincts to the next level-garage muscle, surgical precision, and a rock'n'roll pulse that sounds more urgent than ever today. Formed in Sydney ten years ago, the band appears here in full flight: two guitars in constant dialogue, a rhythm section with newfound dynamic range, and a razor-edged vocal that bites without losing melody. The remaster opens up the stereo image, sharpens the six-string detail, and restores to the turntable the physical punch this record demanded from day one; it's the definitive way to (re)discover a key title from the Australian school. The tracklist is pure traction: "Some Kind of Feeling" hits the ground running with speed and focus; "Wonderful Life '88" nails an instant hook and a clear-eyed critique of yuppie culture; and the closer, "O Salvation," lands as an expansive, cathartic statement of intent. Two tracks unusual in Australian rock for their subject matter-"Sean O'Farrell" and "Belfast"-tackle the Northern Ireland conflict head-on and underscore the band's social gaze, while the rest of the album maintains a no-filler intensity. This edition preserves the original LP sequence (the two bonus tracks existed only on the period CD) and stands as an essential piece for collectors and front racks alike: ideal for in-stores, listening bars, and classic alternative rock playlists. If your audience connects with BORED!, Radio Birdman, The New Christs, or The Saints, Blind Ear is an unequivocal yes.

pré-commande30.01.2026

il devrait être publié sur 30.01.2026

23,49
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