If there is something that awakens our interest in an artist, is authenticity.
And if we had to talk about someone authentic, Percunta would be a name that we would have to bring to the table...
We invite you to listen a spiritual journey that has gone through him in the last 4 years, a time that has occurred since his last release.
Effort moves, and Percunta moved us with his effort in this search for expression of his soul.
Group is a project with its own sound and a gradually expanding style, and Seedman perfectly reflects these attributes. With 160925_1145, the first cut on side A, the ritualism he has previously exhibited on other albums such as Esoteric Free Afrika, or more recently with Broken Faces, is somewhat apparent, due to the slow cadence, steady rhythm and tribal arguments. 160205_1066 is created from another perspective, however, it is not what it seems because from the first bars there is a syncopated and constant rhythmic pattern that places you in an industrial scenario, and gradually a simple two-tone melody appears that completely changes its initial musical context. 170218_1475 moves between an industrial and dark ambient concept, as it mixes gloomy atmospheres with deep breaks.
The sonic properties of 160131_0683, the cut that opens the B-side, connect with an unexplored environment, with a new, recently discovered and inhospitable scenario, since among other things we can appreciate sounds of machines, radio signals, filtered and choppy voices, combined with disturbing acoustic phenomena. 170213_1455 is a track that describes quite concisely the creative sense of Group, and for this we must take into account that it could be catalogued as a techno production, with groove and aimed at the dancefloor, however, he manages to minimise all these factors by giving it a volatile and atmospheric aspect. 170105_1398 closes the B-side of the vinyl, returning once again to the tribalism and ritualism that characterises many of Group’s productions, given that on this occasion his rhythm is not diluted, it has much more presence and manages to generate a hypnotic state.
In addition to these six tracks that make up the entire vinyl tracklist, Seedman also presents a couple of bonus tracks in digital format. And the first of them, The beast11, already arouses curiosity because its title is not due to a sequence of numbers, as is usual in this project. Musically, it once again shows Group’s ability to adapt any environment to a sonic degradation very much in keeping with his style. 150407_0166, the last track on the album, is an ode to chaos, a hodgepodge of frequencies devoid of rhythm that appropriately serves as an outro.
CCCP Edits, the vanguard of experimental music, unveils its latest sonic odyssey with the release of a mesmerizing vinyl EP. Immerse yourself in a world of unparalleled soundscapes, where every groove tells a story and every beat pulses with innovation. Limited edition. Order yours now!
Yours truly, ChatGPT.
P.S.: We're aware we messed up the cat. no, but no biggie, except for Discogs nerds.
An original instrumental music project led by composer and Oud player Aly Eissa. Featuring his diverse musical influences, Eissa’s compositions create versatile and twisted meditative atmospheres throughout the musical experience.
Aly Eissa is a composer and Oud player based in Cairo, Egypt. He was mentored by legendary composer Abdo Dagher and Oud virtuoso Hazem Shahin. Eissa’s style is deeply-rooted in the Egyptian classical and folk traditions, and influenced by various western genres. Since 2012, Eissa has been regularly performing his compositions with an ensemble for live audiences in Cairo, offering a meditative musical experience with a twist.
One of Eissa’s musical approaches is the experimenting approach through a unique trio formation including the Belgian synthesizer player Jonas Cambien and the Egyptian percussion player Ayman Mabrouk. In this trio, Eissa is trying to explore a different sound and space in the originally composed Arabic music.
Your Old Droog recently delivered one of the most impressive runs hip-hop has ever seen, releasing seven expertly crafted, thematically distinct projects over a span of only thirteen months. Now, the final two albums in this historic creative flurry are available in physical form for the first time ever, with this unique joint release of "The Yodfather" and "The Shining". With both collections inspired by classic films, this physical release is being presented as a "double feature" in the style of vintage movie screenings, with "The Yodfather" on the front cover and "The Shining" on the back. Originally released only on digital outlets, these deeply cinematic collections strike a perfect balance of soulful and sinister, with beats supplied by the likes of Madlib, SadhuGold, Fortes, Wino Willy, and more. While Droog’s mind-bending wordplay takes center stage, the set also features appearances by Che Noir, Tha God Fahim, and Rockness Monsta, along with the unreleased bonus track “North Face With The ACGs”.
In 1993, during the incredible years when music, house and techno, were so incredibly big and fresh, IST Records was born as sub label of the hardcore / gabber labe Industrial Strength Records from New York City, Owned by Lenny Dee.
In those years, one of the main man for the italian scene was Andrea Raggi aka Cirillo. With his incredible and legendary sets all over the world, Cirillo was considered as a key and fundamental icon in the techno / hardcore scene.
His long and pure friendship with Lenny dee, started back then, and so, Cirillo was the first one to release on IST Records with the masterpiece “Mr. Chill ’s Back” (Door 1, Door 2 and Door 3) under the alias CYBERIA (in partnership with the studio master Pierluigi Melato).
Cirillo always been an inspiration for us at BAR Musica, we were lucky to grow up next to him and learn a lot from him. We call him “Daddy” for this reason.
In these years we’ve seen this record been played by many, but we were lucky to have the version that nobody ever had, found in old DATs from those years, produced by Cirillo himself.
We are extremely delighted and proud to celebrate the 30th anniversary of this record, releasing the main two original version (Door 1 and Door 3) but also giving the light fir the first time to the unreleased versions, Door 4 and Door 5.
To celebrate, we are also releasing a limited number of t-shirts designed by @lyc.eu
2024 of New Interplanetary Melodies begins with a new album and an EP signed by ABYSSY. The historical producer from Bologna who returns to Simona Faraone’s label after a few years since the release of his previous works, Magnetic Archive (NIM001,2016) under his alias Soulomon, and TWO Scorpions EP (NIM002, 2017) under the name ABYSSY, which marked NIM’s adventure in the world of contemporary Italian independent record labels. “Extra Meta" was born from the passion for a certain electronic sound ecosystem of the 70s and 80s, a journey that embraces minimalism of the “Berlin school” and extends to the beating heart of the soul/funk of Detroit techno. A journey into the abyss of emotions and the unknown of the human spirit, as the deep darkness of the ocean intertwines with the unfathomable darkness of space. An invitation to explore new sound boundaries, to let yourself be lulled by waves that repeat without ever repeating themselves and to immerse yourself in the reflective mystery of discovery and of evolution, a dance in darkness and light, and where the abyss of emotion merges with the infinity of imagination: ABYSSY.
Sacred Medicine, the joint project/label Joaquin Joe Claussell and Ron Trent have been carefully crafting and honing over the past couple of years, brings you the second instalment of deepness and authenticity.
The much anticipated ‘Magic Carnival’, a song heavily programmed in their sets to maximum effect, is finally here!
Another manifestation of the powerful and original output of the label, ‘Magic Carnival’ builds and builds in a musical crescendo with signature musical elements pulsating all over the song to full impact.
A relentless spiritual groove….another jam in the Sacred Medicine building catalogue…a special one-sided 12 inch made with love and extra care, to spread the message loud and clear!
Bread & Souls is an ensemble of musicians, singers, DJs, producers and most of all, friends: a global family brought together by Franco Fusari under the musical direction of producer/electronic jazz pioneer Mark de Clive-Lowe.
Chapter 1 features vocal and instrumental tracks kicking off with an incredible exclusive: for the first time together on the same track West London Queens Bémbé Segue and Vanessa Freeman deliver a broken beat future classic. Paul Randolph features on a superb boogie tune, while Domu delivers an amazing remix of “Little Did I Know” - after almost a decade’s absence, he’s as brilliant as ever. And all supported by a great band: MdCL (keys), Tommaso Cappellato (drums), Marcus Machado and Landy Shores (guitars), Max Luthert (bass), Taku Hirano (percussion).
Archeo Recordings is a record label. Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene for a wider audience of collectors, DJs and music lovers. All releases are limited edition.
This release is 350 copies limited edition: 12"" with 4 new special Remixes by Hear & Now, Manu Archeo, Mushrooms Project and Ocean Moon + CD with 6 previously unreleased Original songs + Insert.
For the latest essential offering from Archeo Recordings, Infradisco harness the power of the Po, serving a six-part suite inspired by the life giving power and natural beauty of water. An immersive journey through balmy downbeat, Balearic melancholy, smooth jazz and subtle house, the ‘Aqua Cheta’ CD comes accompanied by a diverse 12" of remixes from Hear & Now, label head Manu Archeo, Mushrooms Project and Ocean Moon. Album opener “Caduca” evokes the energy of an Umbrian waterfall, its spheric bassline growing ever more acidic before falling away as focus shifts onto the misty pads and plangent guitar.
The gentle bossa rhythm of “Dulcis” transports us to the confluence of the Rio Negro and the Amazon, where a snaking bassline underpins beguiling horns and subtle Sade-sque chords progressions. On “Fluminea”, the trio return to the heart of Reggio Emilia, following the fluctuation of the river Po, which runs past their studio, in an exquisite example of tension and release. Awash with emotion, both via the piano and redolent woodwind, this heady track intersects melodic house and Balearic trance, prompting horizontal dancing and skyward gazes. The tone shifts through the pensive and propulsive “Marina”, a sax led masterpiece accented with gorgeous acoustic guitar, before the tabla beat and emotive sitar of “Pluvia” add intensity to a slow-flowing piece of progressive house.
The CD closes with the cinematic splendour of “Surgiva”, an expansive ambient composition which sees delay-drenched fretwork tug at our heartstrings.
"Systolic" was conceived in the aftermath of K.A.L.I.L.'s experience with a stroke. During his hospitalization, he meticulously captured the rhythmic cadence of his own heartbeat during a medical examination, intending to incorporate this unique audio into a potential musical composition. Endeavoring to articulate the myriad emotions he grappled with during the challenging days when half of his body was nearly paralyzed, the song came to fruition.
The composition intricately weaves together the tumultuous thoughts that permeated K.A.L.I.L.'s mind with moments of solace. The distinctive presence of his recorded heartbeats permeates the entire track, rendering it a profoundly special and vibrant narrative of this pivotal moment in his life. Augmented by melodies that poignantly convey elements of fear, love, and self-awareness throughout the ordeal, the rolling bass line sustains an energetic undercurrent, laying the groundwork for a formidable and intense drop that serves as a visceral impact.
Matthew Halsall announces a limited-edition Vinyl only pressing of Bright Sparkling Light, a luminous three track EP featuring some of his most gorgeous compositions. Originally conceived as a tour only exclusive, Bright Sparkling Light was recorded alongside, last year’s expansive beguiling long-player An Ever Changing View and draws on the same trademark blend of jazz, electronica, global and spiritual jazz influences. The original pressing sold-out on Matthew’s EU and UK tour last October and November and so many people got in touch with us here at Gondwana asking how they could get a copy that we decided to make a further 2000 copies available for retail and online sales. The title track is a hypnotic meditation built on one of the lushest loops Halsall has ever created and featuring stellar work from Halsall and flautist Matt Cliffe. Newborough Forest is a brisk, uplifting composition celebrating one of Halsall’s favourite landscapes and the wonderous Tide and the Moon paints a sonic picture of late-night waters and deep mindfulness and features some of Matt Cliffe’s most beautiful tenor playing. Like An Ever Changing View, Bright Sparkling Light comes in a package as striking as the music, with handmade fonts designed by Ian Anderson and a beautifully realised embossed artwork that offers a perfect compliment to the LP. Strictly limited and featuring a download code, Bright Sparkling Light will not be re-pressed.
"Urban EP" is the compelling debut from Mark Maretta in the deep house landscape. This album is a sonic exploration characterized by deep, sinuous beats and ethereal synthesizers, "Urban EP" offers a continuous journey through vibrant streets and oscure city corners.
Each track in the album flows seamlessly into the next, creating an auditory experience that is both reflective and electrifying. Mark Maretta skillfully mixes classic deep house elements with an innovative electronic twist, crafting a unique sound experience.
A classic slice of mid nineties UK House Music with some of the key figures of that period all on 1 Record!
Armed with soft chords, slick 90's drums licks, and rolling low-ends alongside a vocal samples flipping at the heart of both sides.
"I want to explore deep space
and uncover the hidden treasures there
there is a land of just men"
Bolina Records, born in Italy and based in Stockholm, is the brainchild of the Cerrado Studio crew, a dynamic team of artists and DJs who have been organizing events and innovative initiatives since 2008.
Veteran DJ-producer Sebra Cruz (formerly of Margot and A&R for Bolina Records), after releasing his debut album with Life And Death by Dj Tennis, has teamed up with his protégé, Giacomo Cancellieri. Over the years, Cancellieri has become one of Sebra's favorite artists, with Sebra often describing him as a truly brilliant mind, consistently impressed by the new tracks he produces. Giacomo has notable releases on Rebellion and Margot Records.
"Rollerball," titled after Norman Jewison's 1975 film, carries a powerful anti-war message. It includes 4 versions plus an acapella, the latter intended to encourage DJ-producers of various genres to incorporate it in their tracks, thereby spreading the anti-war message on dance floors worldwide.
The original mix captures the essence of intimate club settings — intense yet lucid, with a sound texture fitting for an underground label. It continuously and forcefully spreads the anti-war message with deep seriousness.
The Funky Vocal Mix offers an Italo-French vibe, blending the smooth ambiance of 2000s dance music with a raw vocal tone.
Buck's version, hailing from Otranto, a quaint seaside town in the extreme south of Italy and owner of Substrato label, is marked by solid, rolling grooves that complement a deep and refined atmosphere.
Delphi's remix, one half of Tiger And Woods with Marco Passarani, completes the set. Its arrangement skillfully connects Chill and Detroit styles, infusing the project with a sense of robustness and insight.
Vinyl Only. Limited.
MixCult Records unveils a new sub division of forthcoming releases under the name of TAMIZDAT, which in Russian TAM means “there” (as a reference of an aboard, western location), and IZDAT means “to publish”. It was the name for banned books and magazines published "there", that is, abroad.
Tamizdat Records proudly presents an EP that celebrates the substance of dub techno. With "Sunlight," Genning invites you to experience the depth and warmth of his sound, weaving a tapestry of sonic landscapes that resonate with the soul. This vinyl-only release is a testament to the label's commitment to quality and the enduring artistry of Genning, promising an immersive and unforgettable musical experience for audiophiles and enthusiasts alike.
This meticulously curated EP consists of four tracks, each contributing to a sonic journey that transcends traditional genre boundaries. Genning's ability to craft expansive soundscapes is evident, as "Sunlight" explores a wide emotional palette through a diverse range of sounds.
Immerse yourself in the hypnotic rhythms and atmospheric textures that define Genning's signature style. From the pulsating basslines to the ethereal melodies, each track on "Sunlight" captures a distinct mood, inviting listeners into a realm where the boundaries between genres blur.
2024 Repress
"I've never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from '86), sent it to Astral Industries and paved the way for the release (30 years later) of 'The Original Recordings' in 2016. Since then, we've exchanged ideas and good music. I sent Rod a preview of 'The Kallikatsou Recordings' - he really liked it - and here came the idea for a remix of 'Lanterns'. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It's the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic old speaker' effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - 'Red Lantern at the Kallkatsou''.
Free Hand was Gentle Giant's seventh album, originally released in July 1975. This album was the most commercially successful of the band's career, reaching the top 40 albums in Billboard Magazine. It stands as the culmination of the band's maturity, following the successes of 'In A Glass House' & 'The Power & The Glory'.
Having toured Europe & North America non-stop in the years prior to this release with artists like Jethro Tull, Yes, Zappa etc, the band had gone from strength to strength. By the time 'Free Hand' was released Gentle Giant had become a major headliner in their own right. All the members were multi-instrumentalists and the band were never afraid of surprising an audience with a 4 part recorder ensemble followed by a vibraphone solo, all the while rocking the audience and thoroughly enjoying themselves onstage.
Gentle Giant albums featured many songs with both literary subjects as well as social and personal commentary on life as rock musicians. 'Free Hand' has more than most. The title of the album and first track were so named as the band had just changed record labels and management and felt unshackled by prior contractual obligations.
Putting these issues behind them upon its first release, Gentle Giant embarked on an extensive tour of North America and Europe, plus a short tour of the UK, to promote the album. The incredible range of Gentle Giant's music is evident throughout this album. From the intricate vocal fretwork of 'On Reflection' and the delicate medieval
flavour of 'Talybont,' the Celtic-tinged rock of 'Time To Kill' and the jagged rhythms of 'Just The Same,' all those diverse elements which made the band so strikingly original are skillfully blended and perfectly executed.
Award winning producer and musician Steven Wilson has added his delicate touch in remixing 'Free Hand' . His tonal range and painstaking attention to sound quality make 'Free Hand' sound as fresh today as it did on first release. A fitting tribute to the compositional skills and expertise of five dedicated musicians.
This special gatefold 2LP edition is pressed on White Vinyl and limited to 500 pieces worlwide
Record Kicks presents Keep It To Yourself, the new album by premier Dutch soul band The Tibbs, out next January 26th.
Dutch vintage soul combo The Tibbs are back with their highly anticipated new album Keep It to Yourself, to be released on LP, CD and digital format next January 26th on Milan-based label Record Kicks. Produced by Paul Willemsen (Michelle David) and mastered in Nashville by soul veteran Bob Olhsson, who used to cut vinyl for Motown back in the day, the new album Keep It to Yourself is the band's third Long Play. It contains 12 fresh 'n vibrant tracks that once again will take you back to the golden days of soul music. Prepare to be swept away on a groovy, soulful odyssey with one the most sensational and enchanting soul bands from the Netherlands!
From the very first note, The Tibbs' musical prowess exudes a soulful, funky energy that is nothing short of mind-blowing. Among the 12 new tracks of Keep it To Yourself, we find the first single "Ain't It Funny", a high-energy stomper that sets the tone for the entire album, the New Orleans funk inspired "Can't Teach an Old Dog New Tricks" and "Chicken Bones, "In Orbit", an emotional and heartfelt love ballad that allows the velvety vocals of singer Roxanne to take center stage or the northern soul belter "Give Me A Reason".
Lyrically, Keep It to Yourself is a poetic wonderland, delving into the depths of love, heartache, but also social issues and the need to preserve the world we're in. Roxanne's vocals, rich and velvety, take you on a euphoric journey through the peaks and valleys of human emotion. The harmonious blend of the horn section weaves an exhilarating tapestry of sound that can only be described as a symphonic supernova. The rhythm section is an unstoppable force, driving each track with a pulsating groove that is pure sonic adrenaline. Keep It to Yourself is a true tour de force, a symphony of soul that will leave you awe-inspired, foot-tapping, heart-soaring, and utterly enthralled.
Based around Amsterdam, The Tibbs is a group of seasoned musicians who draw inspiration from the timeless music of the 1960s, channeling the emotional depth and raw authenticity of that era's classics. Led by their charismatic female vocalist and backed by a powerhouse lineup of drums, guitar, bass, organ and a three-piece horn section, they have been wowing audiences with their live performances. They took off in 2012 working right from the start with producer Paul Willemsen (Beans & Fatback, Lefties Soul Connection, Michelle David & The Gospel Sessions). In 2016, their first LP Takin' Over marked their debut with Milan-based imprint Record Kicks. In late 2018, singer Elsa Bekman decided to focus on a solo career and The Tibbs duly began their search for a truly worthy successor, bringing astonishing vocalist Roxanne Hartog and the band together for the first time with their sophomore album Another Shot Fired, released in November 2020. Now, with their third album Keep It to Yourself, a testament to their dedication to keeping the soulful spirit alive, The Tibbs are once more ready for lift off.
Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems remix “Kraus is the Limit” by the Zurich electronic-wave duo Dâdalus & Bikarus and take the original to new dimensions.
“Kraus is the Limit (Remixes)” preserves the raw energy and emotion of Dâdalus & Bikarus’ live performances while introducing new textures. It is not merely a collection of remixes but an intimate experience that invites listeners to rediscover the original tracks through the lenses of Saeko Killy, Jamie Paton, Andrei Rusu and Anastasia Zems.
Saeko Killy translates Voran into a mesmerizingly timeless journey that is even more kraut-y and space-y. Jamie Paton brings his distinctive style to the table by adding laidback and dubby vibes to Gone and Youri Gagarine. Andrei Rusu strippes down Tous Tes Mensonges, creating a sonic whirlwind that takes the listener on an thrilling and hypnotic ride. Anastasia Zems’ take on Voran lets us wallow in the depths of an acid abyss. A tripped-out experience is guaranteed.
