Suche:extra classic

Bs As deep brings us his latest work, where the sounds he uses in the three tracks are the faithful expression of achieving music that transcends time.

In this album of three original tracks BS AS DEEP clearly goes through a range of very classic house sounds, and at the same time it presents us with a fresh sound.

As an extra track, Maxi Iborquiza participates, who presents us with one of the tracks included in his digital album Delayed, released on compact disc by Omward Recordings.

Repress 2024

Servus everybody!

Why "the hell" didn't anyone think of this before? It was so obvious: When the same music goes the same way, the truth always lies on the turntable.

KOMPAKT presents the long-awaited "two-tracker", cold-pressed and remixed. The Voigt brothers meet Helmut Geier and vice versa, or: Kölsch meets Löwenbräu, because we stand by you, star of the south.

So let's welcome the megahit "W.I.R." by Wassermann from 2000 in a brand new DJ Hell remix, and a remix by Voigt & Voigt of DJ Hell's "Anything Anytime" anthem from 2017. Two classics that go down like liquid gold. It comes from the heart.

Ja, Servus mitanand!

Warum ist da eigentlich niemand vorher d’rauf gekommen, es lag doch immer auf der Hand: Wenn gleiche Musik denselben Weg geht, liegt die Wahrheit immer auf dem Plattenteller.

KOMPAKT präsentiert Euch den lang erwarteten Zweiteiler, kalt gepresst und geremixt. Die Voigt-Brüder treffen auf Helmut Geier und vice versa, oder: Kölsch trifft auf Löwenbräu, denn mer stonn zo Dir, Stern des Südens.

Begrüßen wir also den Megahit "W.I.R." von Wassermann aus dem Jahr 2000 im neuen DJ Hell-Remix und den Remix von Voigt & Voigt zu Hells "Anything Anytime"-Hymne aus dem Jahr 2017. Zwei Klassiker, die runtergehen wie flüssiges Gold. Et kütt vun Hätze, oder wie der Bajuware sagt: ’S kimmd vo Herzn.

The first outing of the new label Way to France records, born in Leipzig and raised in Cologne (including an extra long puberty), comes from none other than Robert Johnson legend Lauer.
The title track Law High heads straight for peak time in classic Lauer style between synth-pop, wave and house. Extraordinary DJ Charlie from Berlin transforms Law High into an analog-sounding EBM-Italo stomper with her first remix ever.

On B1 Lauer shows his other side with Enso: Techno Soul in the melody-man manner. Enso got the remix treatment from Leipzig's highly talented Janthe, who (another remix premiere) pulls off a modern, froggy, timeless version that's playable on any occasion. WTF Records headquarter is more than proud (and happy) to have so much talent on their versatile catalog number 001.

Club U Nite Records is excited to announce the 4 Track EP "Deep Trax Volume 2"

Side A, Track 01: Blak N Orange - Feeling Real Good
Blak N Orange delivers a deep house masterpiece with "Feeling Real Good." This track features a mesmerizing baseline that harkens back to the old-school era of house music. The irresistible vocal example “Feelin’ real good” will make you feel really good on the dance floor!

Side A, Track 02: Black Chunes - Don't Hold Back!
"Don't Hold Back!" by Black Chunes is a house-stomper that combines minimalism with a powerful punch. Its dope and dirty beat is a secret weapon that will ignite dance floors, making it a standout track on this release.

Side B, Track 01: Black Chunes - Feel The Flow
Black Chunes returns with "Feel The Flow," a track that exudes a jazzy, soulful, and groovy vibe. It's a feel-good masterpiece that is sure to bring positive energy to any dance floor, setting the mood for a night of musical delight.

Side B, Track 02: DMA - That Crazy Thang
DMA's "That Crazy Thang" takes us on a journey through classic organ house territory. With a straight, deep, and kicking groove, this track is both timeless and contemporary. Jazzy vocal samples add an extra layer of dopeness to this minimal yet highly effective dance floor weapon.

"Deep Trax Volume 2" is a testament to the enduring appeal of classic house music. Club U Nite Records is proud to present these four tracks, each offering a distinct experience while paying homage to the roots of the genre.

SPEICHER is going back to its classic double header split EP format. HUNTER/GAME are no strangers to KOMPAKT, having released a number of singles and the “Adaptation” album back in 2016. “Reload” was written in cooperation with Buenos Aires based U S H N U and it’s a total corker of a proto trance inspired track – the kind of trance that would have graced Dorian Gray’s Sunday morning dancefloor.

We’re extremely happy to finally welcome the ever excellent BAWRUT to our family. Hailing from Madrid, he has been one of the most creative forces in recent years, carving his own niche of percussion-heavy, psychedelic techno. “CLAP” is an unpredictable monster, taking so many twists and turns, causing such confusion that your synapses will give up making sense out of the chaos and book a flight to the Bahamas.
SPEICHER kehrt mal wieder zum klassischen Doppel-A-Seiten-Split-EP-Format zurück. HUNTER/GAME sind bei KOMPAKT keine Unbekannten, denn sie haben seit 2016 eine Reihe von Singles und das Album “Adaptation” veröffentlicht. “RELOAD” entstand in Zusammenarbeit mit U S H N U aus Buenos Aires und ist ein großartiger Proto Trance Smasher – jene Art von Trance, die Sonntag morgens den Dancefloor im Frankfurter Dorian Gray geziert hätte.

Wir schätzen uns sehr glücklich, endlich den unglaublichen BAWRUT in unserer Familie begrüßen zu dürfen. Der Madrilene ist eine der kreativsten Kräfte der letzten Jahre und hat sich unlängst seine eigene Nische des percussionslastigen, psychedelischen Techno geschaffen. “CLAP” ist ein unberechenbares Monster, das so viele Wendungen nimmt und so viel Verwirrung stiftet, dass deine Synapsen irgendwann aufgeben dem Chaos irgendeinen Sinn zuzuordnen und einen Flug auf die Bahamas buchen.

This is the second time out for the Wormholes on AllChival following on from their You Never See the Stars When it Rains anthology release. This one is a previously unreleased album recorded in a concise burst of seven nights in Dublin’s Sun Studios in the spring of 1996. It was originally envisaged as being The Wormholes’ second album, the follow up to their 1994 debut Chicks Dig Scars. Unfortunately the end result of the sessions - Parijuana - would not only be ignored by their label of the time (Roadrunner Records) - but would also just as quickly be dismissed by the band themselves.

Eamonn Crudden, the manager of the band, had manged to extract some money from Roadrunner to record demos of new tracks as soon as the release cycle for their debut was over. The budget was so tight that it covered studio time but was not even enough to buy the master tapes. With things going south with the label – a classic 90’s tale of the A&R man who championed their cause heading off elsewhere the minute they signed - the intention was to go in and aim to record an album rather than demos - with the intention of releasing it on another independent label to keep the momentum around the band going.

However by this stage the Wormholes were totally wrapped up in listening to Can, Faust and generally exploring music based on casual recording, improvisations and extemporization. For them the album was too ‘rock’ and – having been dropped by Roadrunner - they no longer felt under any obligation to release it. To them it was time for a fresh start. Their next recordings would not be ‘for’ anyone but themselves. Today bassist Anto Carroll admits that “at times we were our own worst enemies” and with the benefit of hindsight both he and guitarist Graham Blackmore wish they had gone ahead and released this album at the time. However, back then, they thought they could do better and they did go on to make inventive and unique sounding versions of some of these songs with Stan Erraught producing just a short time later. These recordings were eventually released by Dead Elvis in 1999 - along with a couple of ‘adjusted’ tracks from the Sun Studios sessions - on Parijuana: 4 Years in Captivity.

It’s highly unlikely that listeners today will share the band’s view that the abum was too ‘clean’. This version of Parijuana is dirty, raw, messy with plenty of experimentation and extemporisation. The songwriting is as strong as that on their Chicks Dig Scars debut. The music is played with a new confidence and swagger, very much the sound of a band rooted in a wave of US ‘lo-fi’ finding their own sound. It’s the missing link between their conventional Pavement/Sebadoh influenced debut to the more drawn out, free roaming and extemporised second album proper Scorpio The Album.

The latest Greyscale vinyl release is here and is destined to be a dub techno club staple. Featuring one of the best current dub techno producers in Federsen. This physical release is jam packed with club tracks as the flip side features remixes by the amazing Deadbeat and our own grad_u.

Federsen is elite with making catchy grooves like in the first featured track 'Penumbra'. The hypnotic sounds work terrifically in unison to form one of the most seductive tracks we have heard recently. Subtle movements and engrossing tribal rhythm make this a sure-fire dancefloor groover.

'Viridis' focuses more on the melodic chord side while it balances a wonderful deep dub bassline. Spatial and hypnotic are words that come to mind when we heard this for the first time. This is one of those tracks you sway and close your eyes too. Pure dream state stuff.

Deadbeat's dancehall dub Penumbra is magic. This has classic stamped all over it. The Dancehall description might put some classic dub techno fans off. Just come listen and experience this unique song. You just can't deny this! Sick.

Knowing that he is sharing a side with legendary Deadbeat, grad_u puts some extra muscle into his remix of 'Viridis'. Flighty and techy, we just love this futuristic fast-moving sound and we can't get enough of it. An awesome way to end the record.

Also, for an extra treat, there will be a 2 special remixes by Basicnoise of each main track added as bonuses to those who purchase the vinyl.

Greyscale vinyl #11 is sure to be one of the hottest techno records out this year!

The dance-floor attack of Mr Mangiadischi continues with the 3rd episode of the label.

On the logo side, A1 with a hip-house interpretation of a late 80’s classic hip hop bad ass tune, and on the A2 with a perfect fusion between early 80’s electro synth-pop and early 90’s minimal tech.

On the back side, an early night/afterparty/umbrellacocktail/ poolside smoother, to complete and add an extra hint of diversity to the release.

Wir setzen unsere Compilation-Serie “80s Techno Tracks” für alle Schallplattenliebhaber als Vinylausgabe fort.

Der Technosound der 1980er Jahre hat weiterhin viele Fans, die sich hier auf weitere Kultsongs aus den damals angesagten Clubs freuen dürfen.

Auf dieser Vinyl gibt es 8 handverlesene Techno-Klassiker in extra langen Versionen. MCL, Hypnopedia , Aircrash Bureau dürfen auf dieser Zusammenstellung nicht fehlen.

For all record lovers, we continue our compilation series „80s Techno Tracks“ in form of a vinyl edition.

1980s techno sound has more fans than ever, and they can look forward to a variety of cult tracks straight out of the hottest clubs of the glittering decade.

This vinyl features 8 expertly handpicked techno classics in
extra-long versions.
Get down to tracks by MCL, Hypnopedia , Aircrash Bureau and more!

TN Edits 001
Is based on an old jazz and child song from Denmark with danish child vocals - and now cult classic from Lotte Kærså - titled: "Prøv og Gør li'som Jeg" rediscovered by a dj collective from UK, heavily plaid by eclectic dj's and on the acclaimed collection.

The take on an edit is a straight up techno remix from the Danish techno wizard and genius Bjørn Svin doing his edit of the edit for the first and one time only.

Capturing the soul from the original this is a classic and a hands in the air floorfiller!

Symphony Orchestra is a new group from Maximilian Turnbull and Michael Rault. Both Rault and Turnbull are accomplished songwriters, performers and producers in their own right, with Turnbull leading The Badge Epoque Ensemble, playing with the group Darlene Shrugg, and once releasing records under the name Slim Twig and Rault having released several psychedelic rock & roll classics under his own name in the past decade. The pair have worked together in various capacities for many years, writing and recording together on U.S. Girls' In A Poem Unlimited, and contributing to each other's releases, but the debut LP from Symphony Orchestra (due out May 12th on Telephone Explosion) marks their first release as an official entity.

Needless to say, there is a potent creative chemistry between Rault and Turnbull and Radiant Music showcases the alchemy between their distinct skill sets. The album is an exercise in pure collaboration. After years spent focusing on solo projects and working as hired guns on other projects, the duo came together with no specific intentions other than to work free of boundaries and direction. Freeing themselves from the familiar pressures of deadlines and expectations, they found a sense of discovery through togetherness. Duties on this project were split between Rault acting primarily as a one-man rhythm section and lead vocalist with Turnbull bringing chord sketches and his trademark aphoristic lyrical musings to the table. Trading off roles on guitar and keys from song to song, the duo's deft approach to melody bleeds through their instrumental parts as much as it does through Rault's vocal melodies. The majority of this album was self-engineered over the course of three sessions in 2018, at Michael's Montreal studio. Dormant during the pandemic, Rault's move to Los Angeles and the birth of Turnbull's twin sons, work reignited in 2022. The latterly tracked instrumental 'Concerto' and ballad 'Unthink The Thinkable' provide a dynamic depth to the album perhaps attributable to this tumultuous pause. Mixing came courtesy of Steve Chahley & Tony Price (U.S. Girls, BÉE, Jane Inc, etc).

In all of their work, Rault and Turnbull have made a hallmark of elaborately precise production and arrangement, Radiant Music is no different, though its pared-back simplicity provides a streamlined directness. The pairing of Rault's soulful, elastic vocal with Turnbull's evocatively cerebral lyrics provides a thrilling sensation unlike anything else in their respective catalogs. With an explosive, groove-forward approach, kaleidoscopic walls of vocal harmony and technicolor displays of guitar work, these 31 minutes of music will most certainly stimulate the mind of any fan of classic pop rock and funk. The blown-out breakbeats, winsome woven vocal melodies and propulsive wah-wah guitars of the title track evoke memories of an after-school cartoon special that never really existed outside of a lysergic daydream. "Harp In The Wind" is a perfect moment of overcast melancholy complete with ribbons of weeping synthesizers and velcro-fuzz guitar that could rip a clean line through Kevlar. "Know Thyself" and the harmony-rich "Intersection" are standout tracks that find a kinship in Stereolab's space-age effervescence. "Concerto" is a slab of beaming, mischievous funk that nods to Billy Preston's extraterrestrial keyboard explorations.

Radiant Music, like the best pop music, is life-affirming, confectionary, and enticing. Symphony Orchestra have created an album that hits you right where you need it, anchoring heady, adventurous sonic ideas down to a solid foundation of masterful songcraft, virtuosic instrumental performances and undeniable groove. Not a bar, nor beat is wasted.

Originally released in 1994 on Calypso Records / Irma Records in a triple vinyl promo white label version, Don Carlos's album Aqua is the
second album by the Varese-based DJ producer, already then known for his first two singles Alone and Mediterraneo, then both included in
his first album entitled Mediterraneo and released only in Compact Disc format in 1992 for the American market printed and distributed by
IRMA U.S.A., the American subsidiary of IRMA Records Italy.
The same fate will also have the Compact Disc format of the Aqua album, again printed only on the American market.
But the triple vinyl, printed in a limited edition of 500 copies in a white generic envelope, was never reissued and has become a rare record
over the years.
After almost thirty years, after countless requests for reissues, especially in the last few years in which the name and music of Don Carlos
has made a comeback, Irma Records has decided to reissue the vinyl in exactly the same original triple version.
DJ Don Carlos (born Carlo Troja) with his productions in the 90s has become one of the cult producers for DJs around the world.
His track Alone released in 1991 for Calypso was and still is one of the classics of House Music, played by all the major American and British
DJs.
At the time of its publication it was considered an underground song and therefore did not sell very much, but over the years its myth has grown
thanks to its subsequent productions as for example his second single, the EP entitled Mediterraneo, title which it will then inspired his first CD
album printed in the USA with the same title.
Several other singles followed, another album, always printed only in the USA, entitled Aqua, from which a triple promo vinyl was extracted which
today is one of the artist's most requested rarities.
In Italy his third album was released in 2002 entitled The Music In My Mind where Kim Mazelle, Michelle Weeks, Taka Boom and Kevin Bryant
were present as vocal guests. In 2009 a collection of the first two albums released in the USA titled Mediterraneo-Club Favourite Collection '90-
98 and in 2010 his fourth album entitled The Cool Deep which reproduced the sounds closest to his first productions.
Also active as a remixer for Italian and international labels, one of his most important works is the remix of Byron Stingily of the song You Make
Me Feel of which he made a worldwide hit. As a producer he also used other pseudonyms such as Montego Bay, Aquanuts, Sotterranea and
Love 2 Love Orchestra. He has played and plays in different countries such as London, New York, Miami and at various festivals, such as the
Robot and the Stickermule Festival in an evening with Apparat, Derrick May, DJ Koze, Lil 'Louis, Young Marco and Ellen Allien, LTJ Xperience

If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – 'A Lifetime In Dance Music' highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.

The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades.

Within this first volume you’ll find signature and standout remixes for all-time greats such as Diana Ross, Depeche Mode and Degrees of Motion alongside Kupper classics both new and old under his own name and the legendary K-Scope alias.

'A Lifetime In Dance Music' will be available across three separate vinyl and digital release packages including a full collectors CD release in 2023.

Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Curtis Mayfield, Diana Ross, Earth Wind & Fire, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.

Having worked on over 100 Billboard #1 ‘Dance’ records and mixed two records that have received the ‘Dance Record of the Year’ Grammy award, it is safe to say Eric Kupper’s hugely successful career underpins house music.

After our last release titled “jazz Baileys” we are back with House Experience Vol.2., this time in Ep format, presented by Bs As deep.
The previous volume was clearly dedicated to being a various artists, also with the participation of Bs As deep.

We have been working since vinyl number 4 with musicians, who have a participation in almost all the tracks released.

When we talk about musicians, we are including keyboardists, saxophonists, percussionists, guitarists or bassists.

Our goal or common thread has always been to achieve a warm and forceful sound, so that it can be heard in any environment, and at the same time be used at any time of the night, on a dance floor.
With those involved in both past and current releases, we share a common idea, which guides us in the interpretation of each song.
We also base ourselves on house influences from the late 90s (96,97,98,99)

Personally, we are moved by those times in which the sounds become more sophisticated, more elaborated in detail, and that is when we believe that the house that we listen to today with soul and jazz sounds, take on more relevance.

They also promote Afro and Latin percussion, leaning towards that New York and Puerto Rican fusion.

For all this, we like to include classic instruments, such as roland rhodes, the much-loved Juno, or korg packages with their inevitable M1.

Many shots are made live through a session expressed by the musician, who improvises for a while, from there we extract some part, which can be used several times in several tracks.

It is always necessary to do an editing job to adapt and correct any dissonance or variation in time that implies desynchronization in the beat. All this working in the sequencer of the daw to use.
On this album you will be able to hear soulful house sounds strongly impacted by keyboards, flutes and session basses, as well as some perfectly adapted percussion samples.

Detroit's deep techno master, Deepchord, makes a more than welcome return to Soma after 5 years. With a brand new album dropping, Rod Modell delves deep into his ethereal sonic world to bring you 'Functional Extraits 1'. The first single to be taken from the forthcoming album. Built in a way that only Deepchord can, he transports you to different realms with lush soundscapes and perfectly processed electro-acoustics giving you an insight to the mind of the unique artist.

Shale glides across a field of electo-static noise, guided gently by cisps, fleeting percussion and gently warping synths. Lateral begins awash with waves of sound and glistening dub stabs while rolling beats acts as the heart beat of the track with a building intensity adding a sense of urgency. The uplifting yet dystopian sounds of Mapping spiral into existence urging you down the rabbit hole as more classic techno percussion manoeuvres this track on it's journey. Modell seeking out his roots as yet more traditional dub techno prevails via the final track, Ricochet. Pumping kicks and sub set to a perfect pace and ambience is a perfect, contemporary nod to the time honoured Deepchord sound.