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If this LP exists it is thanks to the vision, energies, work and perseverance of Thomas M. Lopez, aka Meatball Fulton. He is the president and one of the founding members of the ZBS Foundation (ZBS stands for Zero Bullshit), where the audio dramas written by Lopez himself were born. Dramatic programs with stories that blended noir, comedy and science-fiction genres such as Ruby The Galactic Gumshoe or Jack Flanders were produced to critic and public acclaim. It was in Ruby The Galactic Gumshoe that the Android Sisters, who would later have their own spin-off series, first appeared. The characters represent two robotic siblings that Tom Lopez created under big influence from Do Androids Dream of Electric Sheep?, the Philip K. Dick novel that was taken to cinema by Ridley Scott in Blade Runner. The Androids were performed by actresses Ruth Maleczech and Valeria Wasilewski.



The big success of these “cosmic and comic” sci-fi series, as they are described in the ZBS Foundations website, led to the releasing of cassette tapes, CDs, USBs and podcasting of the stories. Along with these, several music albums were also released in different formats. One of them is Songs Of Electric Despair, the first of two released by the Android Sisters. The songs contained are written by Tom Lopez and his long time collaborator experimental musician Tim Clark.



The Android Sisters Songs Of Electronic Despair LP was originally released as a ZBS Foundation cassette and also as a vinyl LP on Vanguard in 1984. It featured 11 compositions (two bonus tracks not on the original LP have been added to the Wah Wah reissue) on which the experimental synthesizer music of Tim Clark finds a perfect counterpoint in the deliciously surrealistic, cosmic social satire of Tom Lopez’s texts, magically performed by the robotic, yet sensual voices of the Android Sisters as performed by Maleczech and Wasilewski. Clark composed and performed the backing tracks on the Synclavier II synthesizer.



The Wah Wah reissue comes with two bonus tracks not on the original 1984 LP, respects the beautiful original album artwork and enhances it with a 4 pages full colour insert with notes and lyrics of the songs.



BARBARELLA MEETS PHILLIP K. DICK!



RIYL : SYNTH POP CYBERPUNK with DEVO’s sense of humor, LOGIC SYSTEM, FRANK CHICKENS or even some 1990s things to come such as LIKE A TIM or ARPANET.

If this LP exists it is thanks to the vision, energies, work and perseverance of Thomas M. Lopez, aka Meatball Fulton. He is the president and one of the founding members of the ZBS Foundation (ZBS stands for Zero Bullshit), where the audio dramas written by Lopez himself were born. Dramatic programs with stories that blended noir, comedy and science-fiction genres such as Ruby The Galactic Gumshoe or Jack Flanders were produced to critic and public acclaim. It was in Ruby The Galactic Gumshoe that the Android Sisters, who would later have their own spin-off series, first appeared. The characters represent two robotic siblings that Tom Lopez created under big influence from Do Androids Dream of Electric Sheep?, the Philip K. Dick novel that was taken to cinema by Ridley Scott in Blade Runner. The Androids were performed by actresses Ruth Maleczech and Valeria Wasilewski.



The big success of these “cosmic and comic” sci-fi series, as they are described in the ZBS Foundations website, led to the releasing of cassette tapes, CDs, USBs and podcasting of the stories. Along with these, several music albums were also released in different formats. One of them is Songs Of Electric Despair, the first of two released by the Android Sisters. The songs contained are written by Tom Lopez and his long time collaborator experimental musician Tim Clark.



The Android Sisters Songs Of Electronic Despair LP was originally released as a ZBS Foundation cassette and also as a vinyl LP on Vanguard in 1984. It featured 11 compositions (two bonus tracks not on the original LP have been added to the Wah Wah reissue) on which the experimental synthesizer music of Tim Clark finds a perfect counterpoint in the deliciously surrealistic, cosmic social satire of Tom Lopez’s texts, magically performed by the robotic, yet sensual voices of the Android Sisters as performed by Maleczech and Wasilewski. Clark composed and performed the backing tracks on the Synclavier II synthesizer.



The Wah Wah reissue comes with two bonus tracks not on the original 1984 LP, respects the beautiful original album artwork and enhances it with a 4 pages full colour insert with notes and lyrics of the songs.



BARBARELLA MEETS PHILLIP K. DICK!



RIYL : SYNTH POP CYBERPUNK with DEVO’s sense of humor, LOGIC SYSTEM, FRANK CHICKENS or even some 1990s things to come such as LIKE A TIM or ARPANET.

Nach seinen Megaerfolgen der letzten Jahre mit der erfolgreichsten Radiosingle 2021 „Save Your Tears“ (Platin) und dem erfolgreichsten Song 2020 „Blinding Lights“ (3x Platin) beginnt The Weeknd nun sein
nächstes Kapitel.
Dieses kündigte der Superstar bereits im Herbst 2021 mit “The Dawn Is Coming” auf seinen Social-MediaKanälen an und bestätigte die Gerüchte für ein neues Album dann an Neujahr. Der erste Vorgeschmack auf sein neues Album erfolgte mit der Single „Take My Breath“. Diese stieg direkt in die Top 20 der deutschen Charts ein und erreichte Platz 2 der Airplay Charts.

Sein letztes Studioalbum „After Hours“, welches u.a. die Erfolgshits „Blinding Lights“, „Save Your Tears“ und „After Hours“ enthält belegte Platz 5 der Albumcharts. Seine anderen Alben „Beauty Behind The Madness” (2015) und “Starboy” (2016) sind in Deutschland beide mit Gold ausgezeichnet. Sein neues Album „Dawn FM“ erscheint nun am 07.01.2022 digital und enthält Feature-Artists wie Jim Carrey, Tyler The Creator und Lil Wayne.

Am 28.01.2022 erscheint es auch auf CD und wird ab dem 29.04.2022 auch als Vinyl erhältlich sein.

Following on from the heritage-focused Iliads Series, Andy returns to the musical style that he developed across his previous 3 E.P.s on the label; where dark breakbeat Jungle-Noire meets Drum & Bass.

The E.P. features 3 tracks; two darker Jungle-Noire breakbeat-focused tracks complimented by a rather special Jazz-infused track that has a poignant political message.

WOW. Daniel O'Sullivan's transcendent new album, Eros, is one of the greatest things we've ever heard. A simply stunning song cycle of hypnotic, experimental contemporary chamber music composed for a 14-piece ensemble. Combining minimalism, complex syncopation, detailed acoustic textures, weird intervals and samurai precision, this record will elegantly blow your mind. When Daniel first sent us this, he pitched it as “Liquid Swords meets Michael Nyman”. Trust us, he wasn't wrong. A "unique hybrid orchestral music", it presents a confluence of Daniel's longstanding fixations; indeed, there's elements of Nyman, Antonio Carlos Jobim, Magma, Aaron Copland and RZA. But this is wholly O'Sullivan's. Originally commissioned for the Sonoton Music Library in Munich, Eros now receives a deluxe vinyl release courtesy of Be With Records, bringing this meticulously crafted work to a wider audience. Limited to just 500 copies for the world, these are gonna fly.

An English composer and multi-instrumentalist, Daniel O'Sullivan’s career has been marked by versatility and innovation. In addition to his work with Sonoton, he has composed extensively for the legendary KPM music library, contributing to its storied legacy of production music. As a deep virtuoso and collaborator, O'Sullivan has also played in a number of influential projects, including Ulver, Sunn O))), This Is Not This Heat, Grumbling Fur and Miracle (with Steve Moore), leaving an indelible mark on the contemporary experimental music landscape.

O’Sullivan’s first foray into classically informed chamber music, Eros is a culmination of his long-standing fixations and expansive musical influences. The album features arrangements that are as detailed as they are emotionally resonant, showcasing his unparalleled ear for intervals and mastery of counterpoint. The music brims with complex rhythmic syncopation and a sensitivity to texture and space, resulting in a soundscape that is both intoxicating and dauntingly precise.

Recorded June 2023 and February 2024, in Brussels, London and Carmarthenshire, Wales, Eros features members of Echo Collective (Neil Leiter and Margaret Hermant), Thighpaulsandra (from seminal post-industrial band Coil), and jazz pioneer Oren Marshall. Daniel's sonic weapons of choice, in his own inimitable words, were "Big Bad Drum, Pee Anne Oh, Low End Brass, Willowy Winds & Samurai Strings." You get the picture. As a cyclical suite, this is a record that really needs to be heard in its entitreity, from start to finish, to truly appreciate the genius at work here.

A jaw-dropping statement of intent, the minimalist "Golden Verses" sets the tone with its complex cue which has your neck snapping right when it feels like it needs to. Listen and you'll understand. A syncopated tangle of sharp strings, crunchy bass, drums percussion and bright piano and mallets vie for position with French horn and woodwind melody in the most compelling and unexpected ways. Quite simply, it's one of the finest album openers I've ever heard. It's followed by the atmospheric rippling minimalism of "Lyre Lyre", a gorgeous gem with shimmering chimes, bright melody, human percussion and syncopated pizzicato strings. It kinda comes on like a less-abstract Boards Of Canada, bursting with typical wonderment. The piano and string-drenched "Dolorous Stroke" effortlessly builds its warm, pastoral orchestration with flowing piano arpeggio, steadfast drums, expressive string quartet, rich low brass, woodwind and lyrical flute. Just sublime.

The insistent frenetic propulsion of "Plain Paper" is utterly beguiling, featuring a determined string motif, urgent drums and percussion, driving low brass and breathless, energetic flute. The haunting, interweaving string arpeggios that propel "Grapes Draped" presents a claustrophobic minimalism for chaos and darkness, with growling low woodwind and brass, spiky harpsichord, skittering flutes and tight drums. Up next, "Xanix Annum" is a stately minimalist waltz with expressive lyrical string quartet and delicate woodwind, anchored by drums and percussion. "Painting Rose" is a bouncy stop-start track with angular syncopated strings and a piano pulse underneath bright harpsichord and flutes. "Rotunda Garden" presents ethereal textural minimalism for landscapes and reflection with flowing string arpeggios, warm, low woodwind drones, floating choir and cymbal swells. Closing out this extraordinary side of music, the glowing, flowing minimalism of "Flowry Orb" features urgent organ, piano and woodwind arpeggios, half-time drums with shimmering cymbals, a soaring, beautiful violin solo and hypnotic vocal chant.

Side 2 opens with "Theia Mania" a determinedly off-kilter, angular track featuring low wind, brass and drum stomp in dialogue with lively string trio, woodwind and solo horn. The light, airy minimalism of "Painting Percy" is built around an interplay of rhythmic motifs for piano, low brass, bassoon, fluttering flutes, urgent strings, drums and percussion whilst "For Archetypes" is a delicate, gently syncopated chamber cue for nostalgia, nature, reflection and moments of calm, with steady piano motif, intimate woodwind and French horn, and warm, graceful strings. The urgent Ars Memoriae is a propulsive march for progress, processes and industry, underpinned by driving tuba, with determined strings, resolute drums, and vivid, expressive flute, clarinet and French horn.

The syncopated energetic minimalism of "Mirrored Seven" presents layers of melodic and cyclical piano, drums, low brass, harp, flute and strings. "Pure Ornament" follows, a slowly evolving chamber cue with flowing clarinet, string and harp arpeggio, plodding tuba and percussion, fluttering flute and graceful, lyrical solos. Stunning! Up next, "Brave Boy" moves from its tender, warm, lullaby-like intro with lyrical flute, clarinet and strings before opening into a playful backend driven by a bouncy tuba riff and syncopated piano, woodwind, string trio, and drums and percussion. Rounding out this astonishing piece, "Waxen Waned" is a warm, pastoral chamber cue with light lyrical woodwind, tender French horn and subtly pulsing string trio.

The album's title is a reference to Plato’s conception of Eros, which is more than romantic or physical desire. It is a dynamic and creative force that drives individuals to seek perfection whether in art, relationships, philosophy or the pursuit of truth. Wholly appropriate, here, we think. When asked what his influences were in making this astounding record, he answered thusly: "Non-musical: Householding, Pythagoras, Goethe, Grail romances, Hermeticism, Doctrine of Signatures (Parcelsus, Bohme, Pliny), Eric Rohmer, John Stezaker, Yasujiro Ozu. Musical: Duke Ellington (late suites), Smile-era Brian, early RZA, Wagner (Parsifal Overture), Magma, Mancini, Axelrod, YMO, Hildegard, Nyman, Penguin Cafe Orchestra, Jobim (Stone Flower), Alessandro Alessandroni, Tavener, Moondog, Orthodox Music, Secular Music." That's some pretty deep shit. Makes you want to dive in, no?

Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry. Truly, Eros is a work of extraordinary depth and sophistication. It invites listeners to immerse themselves in its intricate layers, to lose themselves in its hypnotic rhythms, and to marvel at the precision of its execution. With this release, O’Sullivan reaffirms his position as one of the most inventive and uncompromising voices in contemporary music. Do. Not. Sleep.

The original line up of all women featured Sally Sweet of Minneapolis garage bands THE CAVEGURLS and THE BLUE UP. After some time the original line up morphed into a mixed band of men and women and the group released a 45 on Ramo Records. This caught the attention of Boston record label RUM BAR RECORDS, who would release the BEEBE GALLINI album 'Pandemos', a collection of material made during the worldwide pandemic. A well-received collection ranging from garage nuggets to 60's BEE GEES' hit and original material.

For their next project producer and drummer for the group Travis Ramin brought the group into the legendary Kay Bank Studio in Minneapolis. A studio rich in musical history where everything from DAVE DUDLEY's Six Days on the Road and THE FENDERMEN's Muleskinner Blues to THE TRASHMEN's Legendary Surfin Bird and all of Soma Records' Big Hits Of Mid America were recorded. The early GUESS WHO recorded there and decided on their name in the building even ... the list goes on and on!

Travis' idea for a record was to re- record some Minnesota garage classics that were originally recorded there in the same room and invite some of their garage rockin' friends to join them. Run Run Run by THE GESTURES and Why by THE ACCENTS would feature on lead guitar Keith Patterson (formerly of THE FUNSEEKERS, THE SPECTORS, and THE CONQUERORS). I Believe from THE HIGH SPIRITS would feature Melanie Vammen of THE PANDORAS organ solo and Russell Quan famously of THE MUMMIES, FLAKES and DUKES OF HAMBURG would take lead vocal on THE KAN- DELS raucous Cry Girl. The session was so successful that it expanded into the full- length album "Begged, Borrowed and Stealed" and batch of material expanding beyond the Minnesota borders, with tunes from DAVE DEE, DOZY, BEAKY, MICK & TICH, OTIS REDDING, BEEBE themselves and more! Recording in the sacred space made for a special rock and roll party album which also features the artwork of legend Cliff Mott! So, get ready for an all-star cast and a little dose of Minnesota Garage Rock and Soul!

THEE ALLYRGIC REACTION are a fuzz'n'Farfisa-powered 60's garage punk outfit from San Diego, CA USA! While they specialize in fuzz stompahs that will move your feet, they will also melt yer mynd with minor key psych madness! They are also leaders in the emerging "protest garage" scene, with songs that address the import topics of today's over aged teen scene!They have a maraca-breaking wyld live set, but also managed to sit still long enough to record their debut LP for Soundflat Records As every band does, they argued over the title for the LP, and finally settled on one that NO ONE likes, simply, "Thee Allyrgic Reaction"! All four lads grew up in the 80s Charmkin Scene, witnessing first-hand groups like the Unclaimed, The Primates, The Miracle Workers, The Tell- Tale Hearts, The Cynics, The Gruesome, Lyres, The Chesterfield Kings, The Fleshtones and The Brood! (and about a 100 more not named here!) The boys are THRILLED with their new LP on Soundflat, which was recorded over a two day period, and required nine California burritos, three pizzas, two cases of beer, and several cans of wine.

The record features 11 original compositions, as well as their own version of their favourite UNCLAIMED-song. One of the originals is an ode to Peter Maniette of the Crimson Shadows and Wylde Mammoths. So what do they sound like? They certainly pull from the farfisa'n'fuzz blasters of the past, but also employ some 12 string, harpsichord, harp and a few other surprises. They are a little folk, a little psych and LOT of garage punk! The group records at Earthling Studios in the San Diego area, which features an array of vintage gear, including an 8- track from Sunset Sound that was used on Forever Changes. That's how you say "MO-JO"!!!

Sophia Kennedy, the Baltimore-born, Hamburg-based artist, returns with her new album in May. Known for her genre-blending innovation and distinct vocal style, she has collaborated with DJ Koze and earned praise from The Guardian, Iggy Pop, and Resident Advisor.

Following her self-titled debut (2017, Pampa Records), a radiant dance between the glamour of the Great American Songbook, electronic textures, and clubland influences, earning her international acclaim, Kennedy released her second album, Monsters (2021, City Slang), and delved deeper into surrealism and transcendence. Now, on Squeeze Me, Kennedy and her long-time musical collaborator and co-writer Mense Reents sketch a more disillusioned commentary on the status quo of the world at large. The complexity of interpersonal relationships, questions of power dynamics, and the quest for self-determination—longstanding themes for Kennedy—run as a cohesive narrative throughout the album.
More minimalist than her previous works, Squeeze Me brims with Kennedy’s gift for catchy melodies with a certain pop appeal and psychedelic hues. The first single, "Rodeo," features hypnotic piano chords, shimmering synth basses, and glimmering choirs. 2025 will see Kennedy back on tour in Europe, supported by an international PR campaign to expand her global presence.

Figūras is a project of the artist Kaspars Groševs , Based in Latvia Kaspars is an Artist, Musician , Gallerist and Activist. He works in many mediums and has been creating in this way for many years . This record LP is a collection of early works by him , previously released on small editions of cassette tapes and now made available to buy in this small collection pressed and selected for vinyl by Kaspars Groševs & Michael Holland .

Two tracks feature other artists , Buer & Andromalius is a project with Gatis Ziema and Andrei Jastrebinski! Untitled (Feat Vivienne Griffin) features the multimedia artist Vivienne Griffin.

Covers are all hand-painted and handmade by Kaspars Groševs and are unique artworks made on recycled covers . Limited to 300 copies only .

Producer powerhouse duo Crate Classics release their electric debut album, Green Lanes. With a plethora of features from fresh talent to dance music veterans, Crate Classics are working with the likes of Pesolife, Liam Bailey, Bay-C, Jodian Natty, LA Salami, Omar+, Nia Chennai, Not3s, Cres, Joe Cain, Tills & Aphrah. Green Lanes brings an eclectic mix, from dancefloor bangers to sweet melodic bops, spanning the rich practices of Jungle, RnB, Afrobeats and Reggae.

This vinyl includes a sample of tracks from Green Lanes, remixes from the likes of Missing, Potential Badboy & Tyke, and 2 exclusive bonus tracks. Featuring an exclusive Congo Natty Remix of Crate Classics & Jodian Natty's 'Anything'.

NICKY NITE TIME & FELIX DA HOUSECAT join forces to flip the 1984 WHAM! classic "FREEDOM" on this cheeky refix, shifting the uplifting vibe of the original into darker, pounding dance floor territory. B-side features NICKY's dub version and an acapella. Printed labels.

" New collector Blue Turquoise Vinyl repress, following November 2024 Crystal Clear LP reissue sold out.

" What Are You Going to Do with Your Life?' is the eighth studio album by British post-punk legends Echo & The Bunnymen, released on April 16, 1999. The album saw the band continue a trajectory set with 1997's 'Evergreen', embracing more introspective themes and melodic approach to its arrangements.

" Featuring an inspired selection of collaborators including strings from the London Metropolitan Orchestra and two songs featuring the American rap rock band Fun Loving Criminals, 'What Are You Going to Do with Your Life?' featured two singles, the title track, and the atmospheric fan favourite 'Rust', which would mark the band's final Top 40 UK single.

" Celebrating 25 years of 'What Are You Going to Do with Your Life?', the album is issued on vinyl for the very first time.

Brooklyn-based musician and producer Eliot Lipp has spent the last two decades crafting a signature sound that fuses hip-hop, synthwave, glitch, and electro. His breakthrough came in 2004 when Prefuse 73 released his debut album on Eastern Developments, a then-subsidiary of Warp Records. Since then, he has built an extensive discography across influential independent labels like Hefty Records, Mush Records, Pretty Lights Music, Young Heavy Souls, and his own Old Tacoma Records. Lipp's music, described by Billboard as "funky and experimental, crunchy and distorted, romantic, thoughtful, and all around playful," blends vintage and modern influences, with Kaltblut Magazine noting his inspiration from "sci-fi soundtracks and '70s and BDs funk" to create "weird, high-definition, melodic beats." His work has been featured by Bandcamp, Magnetic, XLR8R, and major radio stations like BBC Radio 6, KEXP, and KCRW. A seasoned performer, Lipp has toured extensively for over 15 years, playing in cities like New York, Los Angeles, Seattle, and Denver, as well as major festivals such as Electric Forest, Forecastle, and SXSW. With a career rooted in both classic beat-making and forward-thinking electronic production, Eliot Lipp remains a vital force in the independent music scene.

On his first release with Bastard Jazz, veteran Brooklyn producer Eliot Lipp delivers Kona, a bright blend of guitar samples, breakbeats, and his signature Korg MS-20 synth lines, evoking the feeling of kicking back on a beach at sunset. The beat hits hard from the start, but as the track unfolds, it eases into a more laid-back, summery vibe. Lipp's signature fusion of retro synth textures and crisp modern rhythms shines through, capturing an effortless, sun-soaked energy perfect for a night drive or a rooftop party. The B-side, Silver Bass, takes a different approach—starting with live drums, electric bass, and a groovy guitar and piano arrangement before morphing into a futuristic, digitally sequenced version of itself. With dueling saxophone and Moog melodies weaving between organic and electronic elements, the track transforms into a breezy electro jam that feels both nostalgic and forward-thinking, solidifying Lipp's ability to craft timeless, genre-blending sounds.

The Ramones were punks before punk rock was even invented. With their catchy, sing-along tunes, iconic hair styles and outfits, Joey, Dee Dee, Johnny and Tommy rewrote rock history and are now, as part of the first wave of US punk, firmly considered part of the subcultural world heritage. In the DUB-cultural world, on the other hand, their footprint has been pretty slim, particularly if one considers their stomping, three-chord songs, instantly recognizable chants (“Gabba gabba hey!”) and laconic humour. There are a few reggae and Latin versions of their songs online, but never before have the Ramones been honoured with an entire album in early reggae style…until now, bang on time for the band's 50th anniversary in 2024. The label Echo Beach, a bit of a specialist for missions such as these with a string of releases including “Bad Brains in Dub”, “Dubby Stardust”, got together with André Meyer (production, bass) and Manougazou (production, guitar). Both were part of the 2008 Echo Beach New Wave/Dub project DubXanne and were involved in the production and subsequent live shows. Also back in the team is keyboarder and DubXanne mastermind Guido Craveiro, who plays Hammond organ and piano on half of the tracks. The other two additions to the core team are singer and all-round instrumentalist Sebastian Sturm and drummer Raul Pfeffer. Together they homed in on the 11 most iconic Ramones three-minute-singalongs, including "Blitzkrieg Bop", "I Wanna Be Sedated", "Pet Sematary" and "Rock'n'Roll Highschool", and treated them to a reggae make-over. The whole process was kicked off by a slightly off-beat question (reggae music does that to you): What if Joey, Johnny, Tommy and Dee Dee had gotten together not in NYC, but in Kingston? And then stepped up to the mic alongside local singing and deejay greats? In musical terms the answer is surprisingly plausible and the line-up is sensational, even for a label like Echo Beach with its unrivalled connections. From up-and-coming youngsters to living legends, everyone is included, albeit with a focus on the elder statemen and stateswomen: the vast majority of the guests are over 60 and look back on deeply impressive careers! The artists come from Jamaica, the USA, the UK and Germany. All contributed one or two songs, and all of them tackle the songs in pairs with infectiously good humour, transforming legendary punk rock bangers into unpredictable dub tracks. Ramones’ classics such as "Blitzkrieg Bop" with its trademark battle cry "Hey! Ho! Let's Go!", "Sheena Is A Punkrocker" and "The KKK Took My Baby Away" are slowed down and underpinned with roots and rocksteady riddims. It almost goes without saying that the lyrics have been adapted to everyday Jamaican life with a great deal of fun and creativity. And amidst all the icons of early reggae, the Ramones also make an appearance: in the opening track "Pinhead", for example, we learn that the Ramones did actually listen to reggae and had even been planning a reggae album. Features guest vocals from Susan Cadogan, Ranking Joe, Ranking Ann, Prince Alla, Welton Irie, U Brown, Earl Sixteen, Dennis Alcapone and more

We are pleased to present again this wonderful and highly sought-after album, born from a promotional campaign by the U.S. Army to encourage recruitment. The recording perfectly captures the spirit of young America through songs written by Sly Stone, Curtis Mayfield, Funkadelic, and Burt Bacharach (via Isaac Hayes, of course). High-level soul and funk performed by brilliant anonymous musicians. Virtually impossible to find in its original edition, we are now reissuing it once again thanks to a collaboration with Now Again. Pressed on 180g vinyl. Often, the most prized records by collectors hold unexpected stories. When they also feature incredibly high musical quality and only a few original copies are available, they become the holy grails of collecting. This is the case with this album, recorded by American soldiers stationed in Germany in the early 70s. During the Vietnam War, the U.S. Army organized a band competition among its soldiers. The winners would record a promotional album that would be distributed for free to encourage enlistment during such a turbulent time. The result was a double LP shared between the bands SOAP and East of Underground. Although East of Underground's repertoire consists of covers of soul and funk hits, the quality is surprisingly high: raw guitars, crushing drums, brilliant vocal harmonies... The result perfectly captures the spirit of young America through songs written by Sly Stone, Curtis Mayfield, Funkadelic, and Burt Bacharach (via Isaac Hayes, of course). High-level soul and funk performed by anonymous musicians whose final fate has yet to be confirmed. When the label Now Again tried to reconstruct the story of East of Underground, they only managed to contact one of its members after digging through documents in the New York Library and collaborating with the U.S. Army. We are now pleased to present this wonderful and highly sought-after album once again, a surprising case where the covers rival the originals, creating a unique recording that justifies its immense appeal among collectors.

The band is guitarist and vocalist Zedek, bassist Winston Braman, and drummer Gavin McCarthy (Karate), now joined by newest member, pedal steel guitarist Karen Sarkisian. On The Boat Outside Your Window, Sarkisian"s counter melodies and oblique augmentations created with non-traditional tools like an ebow, add an otherworldly quality to songs. The grit of Zedek"s guitar and drive of Braman and McCarthy are met with synth-like swells and more harmonic density. The album features guests Nancy Asch (percussion) and Beth Heinberg (piano) whose subtle touches are added to "Shoes" and "Aliyah". The record was recorded with Andy Hong, mixed by Seth Manchester, and mastered by Sarah Register. Zedek"s mastery of songwriting is on full display on The Boat Outside Your Window. Her unique musical voice remains potent and pointed. Cultivating her sound with purpose and an unflinching view of humanity, Zedek"s words and music are both invigorating, and capable of deep emotional complexities. The Boat Outside Your Window is Thalia Zedek reaching new heights, reinforcing her status as a peerless songwriter and voice.

Lately, if you blink you may miss Goose fly by. Attributing much of their success to a dedicated and exponentially expanding fan base, steady creative output, and a collective commitment to improvement, the band is now universally recognized as a premier musical act nationwide. Dripfield, Goose's forthcoming studio offering, is a tale of introspection, carefully dissecting the details of the journey. Produced and engineered by D. James Goodwin at The ISOKON in Woodstock, NY, Dripfield is the band's first full-length project completed exclusively with an executive producer. Known for his unconventional recording style and eclectic equipment collection, Goodwin guided Goose through an entirely new process of album creation. Undoubtedly the product of multiple sold out concerts and consistent recording and songwriting, Dripfield is anchored by the theme of balance. Fittingly, the project features a mix of unheard originals and re-imagined catalog staples.

The band is guitarist and vocalist Zedek, bassist Winston Braman, and drummer Gavin McCarthy (Karate), now joined by newest member, pedal steel guitarist Karen Sarkisian. On The Boat Outside Your Window, Sarkisian"s counter melodies and oblique augmentations created with non-traditional tools like an ebow, add an otherworldly quality to songs. The grit of Zedek"s guitar and drive of Braman and McCarthy are met with synth-like swells and more harmonic density. The album features guests Nancy Asch (percussion) and Beth Heinberg (piano) whose subtle touches are added to "Shoes" and "Aliyah". The record was recorded with Andy Hong, mixed by Seth Manchester, and mastered by Sarah Register. Zedek"s mastery of songwriting is on full display on The Boat Outside Your Window. Her unique musical voice remains potent and pointed. Cultivating her sound with purpose and an unflinching view of humanity, Zedek"s words and music are both invigorating, and capable of deep emotional complexities. The Boat Outside Your Window is Thalia Zedek reaching new heights, reinforcing her status as a peerless songwriter and voice.

After his critically acclaimed EP LOOP (national press coverage, playlist support, a sold-out tour with Odezenne, opening for Zaho de Sagazan and Pomme, winner of the 2024 iNOUïS of Printemps de Bourges), Jean unveils an ambitious and cohesive debut album, conceived as a complete work of art. Created without guest features or compromise, this 12-track record delves deep into introspective songwriting, raw yet poetic, at the crossroads of rap, melancholic pop, and modern French chanson. Jean isn’t trying to please, he exposes himself with no filter.



The album stands out for its strong narrative and visual identity, where each track plays like a film sequence, a resurfacing memory. It explores universal themes: love, solitude, escape, addiction, aging, through a deeply personal and always lucid lens. The imagery reflects this universe: the album cover, shot in a movie theater, introduces an ambiguous character, somewhere between absurdity and allegory, perhaps a manifestation of the artist’s inner demon. A disturbing yet familiar presence, intentionally open to interpretation, like a key without a lock.



Musically, the album spans multiple aesthetics without losing its coherence: each track asserts a distinct tone and balance. Jean positions himself within a new, demanding francophone scene, free from cynicism or affectation. He delivers a unique, sincere project, both accessible and profound, that invites listeners to experience it in one sitting, from start to finish.

Übercode Ouvre is the eagerly awaited album from Panzerballett, a unique jazz-metal quintet that fuses intricate metal riffs with jazz improvisation, humor, and high-level musicianship. The album pushes genre boundaries, featuring contributions from legendary drummers Virgil Donati, Marco Minnemann, Anika Nilles, Morgan Ågren, and others. It offers a thrilling listening experience for jazz fusion and progressive metal enthusiasts alike. Included are covers like "Bleed" from Meshuggah, "Alien Hip Hop" from Virgil Donati; re-imaginations of classical pieces like Beethoven's "Ode to Joy" and Vivaldi's "Summer"; as well as originals like "Seven Steps To Hell". They all showcase the band's blend of complex rhythms, virtuosic drumming, and unconventional arrangements. The album's diversity makes it stand out in the progressive metal and jazz scenes. Panzerballett, led by guitarist Jan Zehrfeld, has earned a cult following for their "Headbanging with Brain" approach to music, delivering not only technically advanced compositions but also humorous, organic reconstructions of well-known pieces. Their live performances are legendary for their energy and complexity, and Übercode Ouvre is poised to continue that legacy with tracks that balance intense technicality with an accessible groove. Übercode Ouvre is a musical journey and a perfect workout for developing brain-muscle connections with its meticulously constructed beats. If you want to experience one of the most innovative bands in progressive jazz and metal, having this album is a chance to own a piece of modern music history that challenges the boundaries of what metal can be and how jazz can speak to the heavy music world. Übercode Ouvre is the highly anticipated jazz-metal album by Panzerballett. A world-class line-up pushes genre boundaries more than ever. FFO The Aristocrats, Virgil Donati, Marco Minnemann, progressive metal etc, features legendary drummers Virgil Donati & Marco Minnemann

Originally released in 2018 on CD and digital stores, Los Angeles emcee Pawz One and Dutch producer Robin Da Landlord release their album "Sell Me A Dream: Flowstalgia" on vinyl.

After meeting on tour in Europe, Pawz One and Robin Da Landlord began working on their first single "It's Like That". Both the single and video were well received and the two went back to work on a full project. Their efforts blend creating a sound reminiscent of an era when style and substance were supreme. With a collaborative mix of sharp rhymes schemes and gritty drums, Pawz One and Robin Da Landlord are here to counter the trends on "Sell Me A Dream". The album is entirely produced by Robin Da Landlord and includes guest features by Prince Po of Organized Konfusion, MED and VegaMonster.

Deraps's sophomore album ''Viva Rock N' Roll'' is a trip back to the greatest years of Classic Rock music. The album features a nostalgic but unique sound & vibe, with dominant guitar riffs & solos, angelic vocal harmonies, deep & emotional, as well as fun lyrics, catchy musical hooks and choruses, and a variety of songs & styles that will keep you excited from beginning to end. With it's raw feel & mix, Deraps bring back authenticity, liveness & groove to Rock N' Roll, topped with a fully hand drawn cover artwork that delivers a powerful message. A breath of fresh air in the Rock genre, and in today's music.

At a time when post-ambient electronica and bedevilled folk music are co-habiting, and the public’s interest in Pagan rites and rituals has been sparked by a new generation of fans. The bizarre storyline of Whistle And I’ll Come To You seems even more pertinent… and strangely haunting.
The Jonathan Miller-adapted 1968 ghost story was originally part of BBC’s Omnibus series and featured Michael Horden as a fussy professor who discovers an ancient whistle which summons up the spirits. A black and white folkloric tale in the style of The Wicker Man, the original TV programme received rave reviews.

The esoteric live score was recorded at the Hypnos Theatre in Malmö. The 42-minute soundtrack utilises stuttering tape loops on ‘Intro’ before breathing new life into the primitive John Carpenter-like drum machine on ‘Supernatural Breakfast’, while ‘Walk On The Beach 2’ sounds like a hauntological rendition of a Broadcast classic. Indeed, that effect is amplified on ‘Nightmares’, with its swirling wind and other-worldly choral effect, before the feeling of some supernatural presence is suggested on the penultimate cut ‘Evidence Of Spiritualism’

Beat Revolution is the new 14-song album by MUCK AND THE MIRES available April 25 from Dirty Water Records (London), featuring their smash radio singles “Cool Imposter” and “Beat Revolution” + 12 brand new revolutionary tracks.
On BEAT REVOLUTION, their 7th full-length album, we find the band marching forward into the sounds of Powerpop (“Overnight Delivery”), Punk Rock (“Julia’s Got a Boyfriend”), and pure Nuggets-era Garage Rock (“She’s Too Good For You”).
“With a blend of ‘50s kitsch, late ‘60s garage rock guitar and one of the most repetitious hooks ever, ‘Cool Imposter’ quickly marked out a place as one of their strongest tracks to date.”- Real Gone
“Now here's a political campaign we can all get behind! “ ‘Beat Revolution’ features the signature Muck sound — recalling '64 era Beatles if they'd somehow time travelled into the future and heard the Ramones. Be sure to volunteer today! Faster and Louder
“’Beat Revolution’ is pure classic early garage rock 'n' roll, and who doesn't need that sound more often? - If It’s Too Loud
Boston's Muck and the Mires, have been described as a blend of the HAMBURG era BEATLES and the CBGBs era RAMONES. They have built a worldwide following through relentless touring, radio and satellite airplay and a string of recordings (considered by many to be cult classics) produced by Kim Fowley and Jim Diamond. The band gained worldwide recognition when they were featured on MTV as the winners of Little Steven Van Zandt's (E-Street Band/Underground Garage) national battle of the garage bands contest. Beat Revolution is the followup to their highly successful album, Greetings From Muckingham Palace, which earned a Coolest Song in the World (“I’m Your Man”) on the Underground Garage SIRIUS XM show.

Forrest VanTuyl is a Western songwriter, poet, and working cowboy based in the Inland Northwest. His work has been featured in the New York Times, at The National Cowboy Poetry Gathering, and he has written music for the US Forest Service.

Collodion is the follow-up to Andrew Rumsey's 2023 solo debut Evensongs, which won widespread praise (from Mark Radcliffe on the BBC Radio 2 Folk Show, among others) as an unexpected gem of pastoral psych-folk 'An enchanting, enthralling album', according to Shindig! magazine. Next came Andrew's involvement with the Ghostwriter collective, whose September 2024 release on the Subexotic label Tremulant was described by Folking as 'hypnotically beautiful' and championed by author Sir Ian Rankin as a 'unique and spiritually enthralling listen ... with a touch of Bright Phoebus'. Collodion was (like its predecessor) recorded on a single day, in the historic setting of Rushall Church in Wiltshire, by RealWorld Studios'chief engineer Katie May. It features eight songs and a poem, with Andrew being joined by longtime collaborator David Perry on guitar and organ, plus jazz musician Cameron Saint on double bass. Collodion is a chemical used to develop images in early 'tintype' photography: these short songs, likewise, capture fleeting moods and moments before they fade.

UK death metal gods Cancer burst onto the UK extreme metal scene over thirty five years ago, & quickly amassed a strong global following over the course of their early careers which later resulted in a stint with major label EastWest under Warner Music. After a period of inactivity, Cancer returned for 2018's Peaceville debut, 'Shadow Gripped', followed up by 2025's new opus, 'Inverted World'. 'To The Gory End' was Cancer's debut studio album & was released in 1990. Along with sophomore opus 'Death Shall Rise', 'To The Gory End' became a firm genre classic with its influential display of sonic savagery containing fittingly shocking topics to match.

The album swiftly established Cancer as one of the highlights of the rising UK death metal scene alongside such bands as Bolt Thrower & Carcass. 'To The Gory End' was recorded at Loco Studios in the winter of 1989, with legendary producer Scott Burns (Death, Obituary, Sepultura) overseeing the recording & also mixing duties, which subsequently took place at Morrisound in Florida, itself synonymous with the creation of many classics of the genre. The album also notably features a guest appearance by John Tardy of Obituary on the track 'Die Die'. This edition of 'To The Gory End' marks the album's 35th anniversary & is presented on limited red galaxy vinyl.

Inspired by Abba, early AC/DC, Beefheart and the dark heart of outsider pop, The Beyond and the Better Way is a record featuring warped orchestrations, extended autobiographical rants and sumptuous performances by a collection of Glasgow's (and Ireland's) finest musicians and singers The Gorgeous Pouting Mr AR is a pseudonym for Ronan Breslin - a recording studio owner, composer and academic who teaches sound and music at The Glasgow School of Art.

Ronan comes from an Irish family of musicians, with the most notable being his brother Niall Breslin, who helmed the iconic Irish band "The Blizzards" before becoming a highly regarded mental health podcaster and now presenter on BBC Radio 3. Niall's stellar guitar playing features on many of this record's tracks. The recording will be released on the 23rd May via Strength in Numbers Records on vinyl and digital platforms and will be accompanied by an online collection of song- related essays (aka rants). The album is distributed by Last Night From Glasgow. "The songs explore OCD, politics, anxiety, grief, regret, rage, lost love, but also reflect on joyous moments that define the transition from fearful child to fuck- you adolescence and finally reluctant adulthood. The album title song 'The Beyond and the Better Way' is morbidly confessional; however, it is also a statement of resilience, positivity and optimism for the human condition. There is always a better way." - Ronan Breslin

Three years after the release of her successful debut album 'Alma', Munichbased singer, pianist, and composer Alma Naidu unveils her long-awaited self-produced new album 'Redefine' She presents 13 original songs that showcase remarkable emotional depth, musical diversity, and intensity. The album features a wide range of arrangements, from classic band settings to string orchestras and intimate voice-and-piano solo pieces. It explores themes such as friendship, love, personal growth, and thought- provoking topics like equality and the redefinition of gender roles. The record is further enriched by collaborations with renowned artists, including Mark Lettieri (Snarky Puppy), Raphaela Gromes, Nils Landgren, Jason "JT" Thomas, Lisa Wulff, and Simon Oslender.

Side-A features Alex Désert and Deston Berry of Hepcat, in addition to Malik Moore of The Lions. Side-B features Asdru Sierra, vocalist of Ozomatli. Produced, Mixed, and Recorded by Dan Ubick (The Lions, Connie Price and the Keystones). Previous steady radio play on BBC Radio 6, KCRW, SoHo Radio, etc... Very popular among DJ’s and collectors worldwide. To round out their second wave of 7" singles, Night Owls bring the heat once again with their signature sound and vision.

Re-imagining two Aaron Neville classics, “Hercules” feat. Alex Désert and The Lions b/w “Tell It Like It Is” feat. Asdru Sierra from Ozomatli, Night Owls up the ante by bringing in some heavy hitters for both sides of this 45. Side A's "Hercules" features long-time collaborators and bandmates from The Lions (Stones Throw, Ubiquity, NYCT) - the soulful tenor of Alex Désert (also Hepcat) on lead blending seamlessly with the familiar voices of Deston Berry (Hepcat) and Malik Moore (Ocean 11) on backing harmonies. The Lions front line locks in tight from the many years performing together on top of a darker and grittier interpretation of Allen Toussaint’s masterpiece complete with fuzzed-out guitar, Space Echoes and rhythm drops. On the flip, "Tell It Like It Is" keeps the momentum going and hips swaying with added Colombian percussion elements and California lowrider vibes. Featuring L.A. family and multi-talented vocalist of Ozomatli, Asdru Sierra, on lead and Night Owl Dan Ubick on backing vocals Side B creates a unique blend of reggae and Cumbia into a very fresh take on this multi-generational hit

Repress!

This is the fourth release in the critically acclaimed Environments series and continues where the third left off. It is a fourteen track journey from the river's delta to no-man's land where murmurations lead across supercontinents and back to the clear light of reality. Strings meet choirs - cascading down to the glass valleys of synthesised biophany.
'Murmurations' was the track featured on an exclusive vinyl 10' release for Record Store Day in 2012, it coincided with the CD version of this album's release that year. The album also has collaborations with Riz Maslen (Neotropic) and Ivor Novello award winning composer Daniel Pemberton.

La Pambelé Unveils Nací Mestizo, A Bold New Album Reviving Salsa with a Contemporary Twist Bogotá’s heavy guaguancó orchestra, La Pambelé, proudly presents their highlyanticipated second studio album, Nací Mestizo, now available on all major digital platforms as of November 27th. This album pays tribute to the golden era of salsa, particularly the 1970s, while breathing new life into the genre with modern lyrics and stories that resonate deeply with Latin communities.

All while maintaining a distinct Bogotan essence that highlights the city’s unique cultural flavor. Nací Mestizo seamlessly blends the timeless salsa brava sound with contemporary themes, reflecting the everyday lives of people across Latin neighborhoods. The album’s songs capture the struggles, passions, and joys of ordinary people, presented through the vibrant rhythms of salsa, creating a musical experience that connects the past with the present. Building on Their Rising Popularity Prior to the album’s release, La Pambelé debuted the singles “Amargura” and “Perdí mi Corazón”, which quickly captivated audiences and set the stage for the full album's success. The band’s electric performance of these tracks at the MedPlus Coliseum in Bogotá, before an audience of 22,000 attendees awaiting Marc Anthony, was met with enthusiasm as fans danced and applauded.

This moment marked a significant milestone for the orchestra, cementing their place as a rising force in the global salsa scene. Additionally, La Pambelé’s growing visibility has been marked by their appearances at major festivals such as Salsa al Parque and features on prominent radio stations, including Radio Nacional de Colombia and Latina Stereo. These platforms have helped introduce La Pambelé’s signature sound to a wider audience, building anticipation for the release of Nací Mestizo and reaffirming their influence in Colombia’s tropical and alternative music scenes. A Contemporary Salsa Sound with Classic Roots La Pambelé’s unique blend of traditional salsa brava and contemporary Latin storytelling is showcased through their distinctive nine-piece orchestra, which includes piano, conga, flute, trumpet, trombone, timbales, bongos, and baby bass. The dynamic vocals of Miguel RoRebolledo and Lorena Contento elevate the album’s themes, creating a sound that invites listeners to their feet and onto the dance floor. Under the direction of Camilo Toro Morato, the orchestra has honed its signature style, pushing the boundaries of salsa while staying true to its roots. As a proud defiance of stereotypes about Bogotá’s musical abilities, La Pambelé’s name pays homage to legendary Colombian boxer Kid Pambelé, symbolizing resilience and strength.

The name also draws from the Bantú language, meaning "defender of one's own," reinforcing the band’s connection to their Colombian heritage and pride in their distinctive sound. Global Recognition and Continuing Influence Since the release of their self-titled debut album in 2022, La Pambelé has gained international recognition, especially within the vinyl collector community. Theirdebut album was released in both 45” and LP vinyl editions, further solidifying their unique position in the contemporary salsa movement. Influenced by salsa greats such as Markolino Dimond, Eddie Palmieri, Edy Martínez, and Ismael Miranda, La Pambelé has carried forward the torch of salsa brava with passion and innovation. Nací Mestizo marks a significant evolution in the orchestra’s journey, melding the old and the new, and cementing La Pambelé as a driving force in the future of salsa music. A Collector’s Dream With their 2022 debut album garnering international recognition, La Pambelé’s vinyl releases—including 45” and LP editions—have become coveted items for salsa collectors worldwide. Their music is a bridge between classic salsa traditions and a modern vision, appealing to seasoned fans and new listeners alike. About La Pambelé La Pambelé is a heavy guaguancó orchestra from Bogotá, Colombia, known for their vibrant, rhythm-driven sound that blends 1970s salsa brava with modern Latin influences. With a unique nine-piece lineup and powerful vocals, the band continues to break boundaries, defying expectations and inspiring audiences around the world

Drummer and Composer Nadav Schneerson, based in London has been making moves in the UK Jazz scene having already played with the likes of Charlie Stacey (Yussef Dayes), Steamdown, Dargz, Finn Rees (Allysha Joy), Don Glori and many more across the UK scene and beyond. Highly in demand as a drummer, he's been bubbling as a bandleader with his full 7 piece ensemble gracing many stages in and around London. Having met many of his musical collaborators through Tomorrows Warriors such as Sultan Stevenson, his ensemble line ups feature musicians who have played with many great artists such as Ebi Soda, Levitation Orchestra, Hak Baker, Moses Boyd and much more. Nadav's music is a unique blend of contemporary jazz with various influences from around the Middle East and all being informed by the bustling UK Jazz styles which surround him.

Nadav Schneerson's debut album, Sheva was recorded over two days at the Fish Factory Studio in London. All tracked live, the impressive 7 piece outfit shines through the dynamic range of tracks on the album. Featuring Drums, Double Bass, Grand Piano & Fender Rhodes, Trumpet & Flugelhorn, Tenor Sax, Trombone & Live FX and Oud, there are tracks that are more modal and freeform, allowing the soloists to really let loose. Whereas there are compoisitons more thoroughly arranged, with intricate parts intearweaving through each voice.

We no longer need to introduce the Cortex group and its leader Alain Mion!
So here's the double single in 45rpm format from the “Inedit' 79” project, which came out of the drawers in 2006 and features recordings from 1979 and 1981 that were unpublished before 2006.

The track “I Heard A Sigh” has been sampled by a number of hip-hop artists, while “Where Do You Come From” will not appear on the LP due out at the end of April 2025.

NOW is proud to present the next instalment in our ongoing ‘Yearbook’ series, and the final one representing an individual year from the 1980s: NOW – Yearbook 1989. 78 tracks across 4CDs – celebrating a magnificent and eclectic year in pop! This release is available as a standard 4-CD set, and as a special edition 4-CD set in ‘hardback book’ packaging, which includes a 28-page booklet packed with notes about all of the 78 featured tracks. Also available as 42 tracks across 3LPs, pressed in stunning pink vinyl…celebrating a magnificent and eclectic year in pop!

The James Reese & The Progressions – "Throwing Stones" (Kenny Dope Mix) 7-inch vinyl is a rare gem for collectors of soul and breaks. Released on Kay-Dee Records in collaboration with Now-Again Records, this edition features a Kenny Dope Mix From Original Master Tapes that enhances the deep soul energy of the original with signature break-heavy production.

This release blends vintage soul with modern breakbeat sensibilities, making it an essential pick for soul lovers, breakbeat collectors, and DJs looking for timeless grooves

Vocals by Marlene King

This edition explores identity, presence and the fragmentation of self.
It features a standout work by iconic Los Angeles photographer Parker Day, whose hyper-saturated portraits dissect the construction of persona and the tension between surface and essence.
Design is handled by legendary New York illustrator Braulio Amado, injecting the project with bold typographic energy and haunting visual language.

The zine includes poetry by Cristiano Grim, alongside original music by:
Foie Gras – drone and reimagined Americana from San Francisco / Los Angeles
Machino – Mexican electronic producer out of LA, blending distorted guitars, psychedelic riffs, and cinematic pulse into a sound that feels like driving through a neon fever dream
Valley Latini – dark Latin pop performer from New York
David Oliver Rose – post-punk rude boy from New York
Nick Hadad – dark ambient producer based in New York

FAKE4-MASK VS PERSONA presents a 25-page, 11x11” offset-printed, paired with a 12” 180g vinyl record featuring all contributing artists.
Audio mastering by Spaventi Studio.
It operates as both an aesthetic object and a critical inquiry, merging the disciplines of literature, music, photography, and design into a single act of publication as performance.

Ten years on from its release on in 2015 on the Super Weird Substance label, ‘Summer Came My Way’ is issued as a limited edition 7-inch, b/w with a previously unreleased ambient mix. Written and produced by DJ Greg Wilson, mixed by Luxxury, featuring Merseyside vocalists, The Reynolds, the track gained much Balearic kudos and became a festival favourite, the 12-inch quickly selling out, as did the ‘Substance Select’ 12-inch on which it featured three years on. A smouldering groover for sure, right on time for a summer of ’25 revival.

PHONOLAB is the new collaborative project from Anglo-Italian musician, solo artist and producer Gaudi and experimental electronica composer Eraldo Bernocchi Both fearless creators known for pushing the boundaries of sound for almost four decades, the duo's new album 'Disturbia' is set for release on the 11th April via Subsound Records and features contributions from heavyweights including Gerald Casale (Devo), Flowdan, Bill Laswell and the late Mark Stewart (The Pop Group).

With its eclectic blend of electronic innovation, deep basslines, and cutting- edge sound design, 'Disturbia' challenges and captivates listeners with its bold, genredefying vision, resulting in a deeply immersive and forward-thinking sonic experience. The title of the album was created by late post-punk pioneer and lead singer of The Pop Group, Mark Stewart, who was recording with PHONOLAB, shortly before he died. Some of the disruption and creative defance Stewart embodied can be heard throughout the album including tracks such as the glitchy 'Lapis Lazuli' and album title track, 'Disturbia.' The album acts as a homage to one of the most infuential post

12-inchers from Dublin disco messers Fatty Fatty only come along once in a while, but this summer they've got 2 biggies lined up for festival messing, sunset disco joy and eyes-down dirty basement feel...

Pablo and Shoey's 'Raw Human Emotion' EP features 3 tracks never before seen on vinyl and showcases the range of their productions neatly. First up you've got 'Raw Human Emotion Part 2', a track they provided for a Paper Disco compilation many moons ago. Chopping up sections of an old disco-soul stomper and getting deep inside the loops before rising to a joyous hands in the air climax, this is a peak-time winner that brings everyone together.

Flip over for two lost gems from the 'Do It Backwards' EP for Sprechen, which got lost in the chaos of the first Covid lockdown.

'Shoey's Acid Trip' is a peak time, hands aloft, laser reacher - acid preacher style slammer that builds like a bastard, while Pablo's 'Air Raid Dub' of the title track melds a wonky as heck bassline with a wicked boogie breakdown before slamming back in, rave sirens and all. Serious 3am tackle all round...And the likes of Justin Robertson and Severino of Horse Meat Disco agreed at the time, with the latter proclaiming 'Now this is something different...'. The whole EP fits that bill, and should do some serious damage around the place this summer...