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Sushitech continues its expertly curated mission of uncovering hidden gems adding to its ever-green catalogue with another immersive, rare house classic from the West Coast of the late '90s.

Tim Buna and Eric James (RIP), who produced as E.T.I. and formed part of the solid bedrock of the West Coast sound alongside DJ Garth (together as Rocket) and the Wicked crew, join forces with Tony Hewitt, another titan of the era.

This rare genre-crossing underground record has been treasured by collectors for years, earning support from key players and featuring in the infamous Tyrant mix of Craig Richards and Lee Burridge.

Carefully restored and recut, this monster of a record is now available once again on Sushitech in its full form. Three decades on from its original release, its raw, dirty, high-energy vibe remains hard to match, with authentic, magical sound that stands second to none. Late '90s acid house at its finest.

Glimmers of a missing link in the connective tissue between the hardcore continuum and Dub-Spectrum arts. A tome all its own, as if one is sifting through an archeological dig in aural form, hearing layers of the past, present, and future.

If you know anything about me – as in Andrea, the record label’s head – you know I have a thing for Oi since I was a teenage skinhead.

And with Avant! being a coldwave/synthpop label, our next release couldn’t be more special. No Filter are three children of the French region of Dauphiné, active in the black metal scene for 20 years through different projects.

They created No Filter with the aim of exploring punk, Oi and coldwave sounds. They started by singing in English but after their first demo they decided to opt for French to improve their lyrics by singing in their own native language. Themes addressed in their songs are violence, hatred, party nights, the countryside, their roots and friendship. “Synth punk, bagarre et blousons noirs” in their own words. Musically speaking they somehow fit in the current Cold Oi French scene (Bromure, Syndrome 81, Cran, Kronstadt) but they exaggerate the synth/wave element ending up sounding like one unprecedented, fresh as hell mix between New Order and The 4 Skins.

If you think you’ve heard this one before it’s because one year ago they self-released a 10-track cassette called “Sans Filtre” which is exactly what we are pressing now on vinyl for the first time because this was simply too good to stay only on tape forever.

To make this even more special we have recruited Canadian multi-instrumentalist and artist Nakkabre (Conifère, Spleen, Vespéral, HazeHound) to do a brand new artwork and spice things up for the occasion!

Black vinyl LP edition limited to 400 is out 22 November.

Today’s Youth a collection of Ramtin Niazi’s reworking of some Iran’s most beloved songs. He’s given new life to the music of Googoosh, Kourosh Yaghmaei, Marjan and Artoush. These songs are reimagined for a new generation and are a reminder that great music never goes out of style.

Nice Coordinated Outfit is a journey through history to a time before the internet and social media and before inner city gentrification, when Fitzroy was the beating heart of Australia's avant-garde music and culture. Musically, it showcases the band's incredible range from deep minimal dub to bizarre electronica with elements of shoegaze and experimental noise.

Back then, High Pass Filter were the kings of the Fitzroy underground. Dark, weird improvisers who aimed for something new each performance. Whilst electric guitars and rock n roll dominated Australian airwaves and stages, High Pass Filter were pioneering a sonic revolution in the shadows. The band's indefinable sound saw them sharing lineups with artists from hardcore and punk luminaries like Fugazi and The Boredoms and to dub heavyweights such as Lee Scratch Perry and The Mad Professor.

"Eski style Hardcore reductions, served up from the rave archivist Filter Dread."

DJ Support
Tessela (Overmono), Hodge, Pinch, Laksa, Cosmin TRG, Mr. Mitch, DJ Haram, Jossy Mitsu, Murlo, Solid Blake, Etch, Metrist, J-Shadow, Minimalviolence, Ciel, Photonz +more

Capturing Bubs’ high-energy Italo sound, this EP features a collaboration with iconic Italo master Vanello, alongside progressive house remixes from CLOSE PROXIMITY and Nairless. A bold, high-voltage collision between dancefloor nostalgia and modern club intensity.

Tune in as we join our intrepid hero as he emerges from his sonic bunker , where he’s been in hiding since the dreaded lurgy infected the world. Evil overlords have since taken over our planet with a dictatorship whose prime objective is to erase all creative influences to stop us having fun. Can our hero overthrow them with his sonic arsenal of Electro weaponry?

2024 Reissue

The elusive Rogue Filter is back with some heavy Electro beats for your earholes. Side A finds him fighting with extraterrestrial Robots who are trying to take over our world and the Side B takes a look at our beautiful English language..

Das dritte Album von Filter, The Amalgamut, wurde 2002 veröffentlicht und knüpfte an den Erfolg ihres Platin-Albums Title of Record von 1999 an. Das Album brachte Klassiker wie ”Where Do We Go from
Here” und ”American Cliché” hervor. Das Album hatte einen anfänglichen Erfolg und stieg auf Platz 32 der Billboard 200 Charts ein.
Das dritte Studioalbum von Filter, The Amalgamut, ist zur Feier des 20-jährigen Jubiläums des Titels zum ersten Mal auf Vinyl erhältlich. Nach dem Erfolg des Platin-Albums Title of Record aus dem Jahr
1999 brachte The Amalgamut aus dem Jahr 2002 die Fan-Favoriten ”Where Do We Go from Here” und ”American Cliché” hervor. Die Vinyl-Edition ist ein 2-LP-Set in einer Klapphülle mit bedruckten
Innenhüllen.

cool forward technotools

now back in !

Chris Liebing and Mathew Jonson remix Marco Faraone on ‘No Filter Remixes (Part I)’, landing March on Rekids.

Marking the first remix package from Marco Faraone’s 2020 ‘No Filter’ LP, Radio Slave recruits fellow dance music titans Chris Liebing and Mathew Jonson for a pair of remixes on one of dance music’s most essential imprints. Liebing steps up for the A-side, delivering a knockout take on the original. Creeping ambience and deep bass weight bubble throughout the track as additional percussion and synthesis unravel towards a climactic finish.

On the flip, Jonson turns in a distinctively delicate version, clocking in just shy of twelve minutes. Fluttering percussion swirl around off-kilter chords and vocals to craft a hypnotic, dream-like atmosphere.

UNCAGE’s label owner Marco Faraone drops his second album on Rekids, focusing on an unrestricted, unfiltered soundscape inspired by childhood, entitled ‘No Filter’.

Since his initial appearance on Radio Slave’s esteemed imprint in 2018, Italian artist and label boss Marco Faraone has continued to enthuse techno communities across the globe, playing at the likes of Awakenings, Caprices, Tomorrowland and Kappa FuturFestival. With previous releases on Ovum, Drumcode and Be As One, the Tuscany-born artist has garnered the support of Len Faki, Rodhad, Laurent Garnier and many more.

‘Force Deep’ and ‘Iconic’ give the senses a relaxed flush of ecstasy and lofi-esque rhythm, while tracks like ‘Night Ride’, ‘Addiction’ and ‘No Filter’ lean more on a stripped back, beat focused dub techno tip. ‘Frogface’, and ‘Time Equals Eternity’ then flurry with signature drum programming, and otherworldly synth stabs. Finally, ’Trust Me’, propel forward with after dark atmospheres, giving this versatile and luscious album that mainstay place amongst any unique techno set.

Fresh from the release of their third album ‘Autonomy’ earlier this summer, comes Autonomy Variations: four brand new perspectives from four exciting, innovative kindred spirits of the avant-pop duo.

South London’s Medlar breaks the seal. Following a series of incredible live collaborations with Dele Sosimi (Fela Kuti), he’s has turned ‘Autonomy’ into a minimal, percolating house track. Swapping the acid spikes for analog bleeps, Medlar’s signature can be felt every step through this vivid energetic stomper.

Fabric resident Anna Wall follows with another beautiful subversion as ‘New Politik’ is given a smouldering take. Moody, intimate, downtempo; there’s some serious late night HTRK-esque vibes to Anna’s twist.

Further into the remix trip we glide to find Dischi Autunno, Ombra International affiliate Curses pulling ‘Electric Light’ into the fringes. Taking the upbeat, crystalline pop of Penelope and Stephen’s original and flipping it into a stark postpunk Bauhaus-inspired take, Curses’ live bass and driving new wave beat shine a whole new light on the original and write it a whole new chapter.

Finally, brand new act, Isolating have the honour of closing the EP with industrial modular apocalyptic take on ‘Infinity’. A vast playground of contrasts, at points it’s dirty and pounding. At others it’s quiet and menacing. File under ‘Dystopian Techno.’

Four extensions on one of the most interesting electronic albums released this year, if you haven’t treated yourself to ‘Autonomy’ yet, you’d be wise to. DJ Mag stated it’s The Golden Filter’s best work yet while Clash called a it a bruising return. These remixes follow with complete forward-thinking consistency. Enjoy…