Data Music proudly presents Various Artists "Levitate EP" - the label's first-ever vinyl release!
Staying true to the core vision, we've carefully selected four deep and atmospheric drum & bass cuts from the label's key artists and close friends.
"Levitate EP" embodies the diverse identity of Data Music - a perfect soundtrack for home listening, long journeys, and dark, smoky dancefloors alike.
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Sauna Radio presents its first compilation, a sonic snapshot of Stockholm's vibrant underground.
Born from the weekly community radio and event series hosted on a floating sauna in the city center, the compilation brings together local and international artists connected to the project - including Peder Mannerfelt, MOLØ, Abstraxion & Bella Sarris, Staffan Lindberg, Julia Wallin, and more.
Blending hypnotic techno, leftfield house, and introspective electronica, the release captures the raw, emotional, and communal energy of Sauna Radio.
Limited to 100 vinyl copies, Sauna Radio Compilation SR001 will be released on December 12th, 2025 via Biologic Records.
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LOSOUL is back on SLICES OF LIFE with two minimal house gems!
Frankfurt-based DJ and producer legend LOSOUL is renowned for his unique sonic language and deep, captivating grooves.
On his latest release for the Berlin imprint, the tracks take us on a journey back to the roots of minimal house - raw, stripped-down, and deeply immersive.
"Post Service Pop" on the A-side flows deep and funky, spreading pads like hot oil, topped with subtly modulated vocal snippets.
"Modesty Bump" on the B-side dives into rawer territory with high-energy sounds and edgy sonic sparkles, while maintaining that minimalistic, steady, driving groove we all love in Losoul’s work: groovers and grinders for the long-distance runner’s soundtrack.
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On Stock and ready to ship
Phonica AM welcomes long-time friend of the shop Voigtmann, appearing under his A Thousand Futures alias with a release that feels perfectly at home on the imprint. Known for precision engineering and playful groove work, he delivers a 12″ that’s subtle, characterful and built for repeat play.
Across four tracks, Voigtmann moves between sleek, futuristic club moods with ease: from the ghostly, cosmic drive of “Leftfoot Lover” and the acid-flecked momentum of “Outer Edge,” through to the jacking electro-funk tension of “No Room For Squares.” The record closes on “Sunshine Capital,” a warm, chord-led cut that still carries his trademark grit - a deeper moment without losing focus.
Curated by Phonica’s Luther Vine, the AM series champions the stranger, more late-night corners of the dancefloor, and this release fits the ethos with style. Touching lightly on progressive house, tech house and electro-leaning minimal, the record avoids strict genre lines and instead prioritises feeling: trippy, functional and made for DJs.
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In early 2025 Oakland-based Jerod S. Rivera released his second full length Dot-Dash, featuring a collaboration with CST co-founder Cat Lauigan and Jonathan James Carr. From the beginning we were mesmerized with the result, a perfect melding of Cat's processed spoken-word and Jerod's Buchla experimentations.
The thought of remixes presented immediately, the material extra ripe for interpolation. Enlisting friends from geographically and sonically disparate locations to present an ideal remix 12". Something for everyone, something for every setting, a tool with multiple functions...
The mysterious dub/techno/leftfield mastermind behind False Aralia dives further into territory explored on iri.gram, uptempo and dancefloor-ready in a more maximal Perlon-ish way while still embracing a half-time dub feel. Philipp Otterbach (Music from Memory, Offen, RIO) goes deeper into the guitar zone he’s been exploring, channeling Earth 2, Boris, and the like for some heavy drone. Oakland duo DJ ML and Wonja adopt their Motoko & Myers moniker (Future Times, Soda Gong), zeroing in on some choice vocal snippets that mesh perfectly with a live drum break and bassline for a Seefeel-esque version that could have come from a 90’s UK studio. Finally, Slowfoam embraces the more experimental elements of the original with a remix that starts sparse and minimal but builds into a glitchy rhythmic climax.
The 12” includes a 2-sided riso insert and a download code with access to an additional remix by close collaborator Jon Carr that twists the vocals into a throbbing industrial caucaphony.
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Following on from the November release of the Material Things / Pike album Rain & Cymbals, 12th Isle enter the new year with a limited vinyl edition of Through Global Frequency, a prescient work of ambient synth, electro-acoustic music and voice recordings by long-standing Dutch multimedia artist Michel Banabila (b. Amsterdam, 1961). Structured around a poem largely composed of titles from recordings he has made over the years, and written during a period marked by new Dutch migration policies, the genocide in Gaza, and the rise of the far right across Europe, Banabila enlists the voices of friends and family, each reciting the poem back to him in their native language. These voice recordings are set within a unique composition that works with the tonality, cadence and rhythm of the vocals, encompassing languages such as Arabic, Spanish, isiZulu, German, French, English, Japanese, Turkish, Ukrainian, and Dutch. Contributions come from Scanner (Robin Rimbaud), Ines Kooli, Sebastian Lee Philipp (Die Wilde Jagd), Yuko Kobayashi, Simone Eleveld, Cengiz Arslanpay and more.
“I felt the need to create something warm, something that embraced diversity. Every voice here is uniquely recognisable and reflects how I know them. I truly enjoyed working with these recordings, focusing on their personalities and the distinctive sound of their languages. For me, making music has always been a way to stay sane, and I have always loved working with voice recordings.”
Music, mix and poem by Michel Banabila,
track 3 featuring Robin Schaeverbeke,
track 8 featuring Cengiz Arslanpay,
track 10 featuring Machinefabriek.
Cello on track 9 by Peter Hollo.
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Isa Gordon and Tony Morris were first brought together through their individual releases on Optimo Music, which established mutual respect within the label’s community. While they had not previously performed live together, they were invited to take part in a fundraiser hosted by Queen’s Park Arena in support of Glasgow NW Foodbank and later for JD Twitch’s end-of-life care. Tony asked Isa to contribute guitar and backing vocals to his set, including a track then called Last Night I Had a Dream. That performance became the seed for their collaboration.
The first phase of fleshing it out, recalls Tony: “Somebody said Isa sang like Shania Twain. That got me thinking about country music and call and response, prompting me to come up with alternative lyrics.” Isa remembers: “I cycled over to Tony’s house with my guitar, and we spoke about what the tune meant. It was about him being wrapped up in dreamland, luxuriating in his subconscious, while my character — impatient and trapped in her own routines — barely had time to remember her own dreams.” Tony continues: “Brilliantly I realised that I could never collaborate with anyone in situ and so I sat in the garden for two hours watching my wife tend to plants. Every now and again I would creep up the stairs and put my ear to the door. I could hear Isa warbling away and so would resume my garden watch. After two hours I went back upstairs to see how she was getting on, only to find that she had written one of the greatest songs I’d ever heard. I still think that.” Tony adds: “My overwhelming sentiment about Wake Up Baby is pride. I can honestly say that I’m more proud of it than anything else I have done. It ticks a whole load of boxes. Isa’s singing in various Scottish modes is unique. The way her electric guitar adorns the dance beat makes it a rock song as well as a dance and a C&W song — truly multi-genre.”
The B-side of the 12” release, Syringe Moustache, is a surreal, darkly playful counterpart to Wake Up Baby. The track was inspired by a dream Tony had: “I was in a shopping mall, in a two-level shoe shop, and my attention was taken by a little girl with a syringe taped beneath her nose like a moustache. She went about her business trying on shoes, confident and wise beyond her years. In the dream, I imagined her as the daughter of cultured, intelligent parents determined to raise her independently. I was struck by my own feelings of inadequacy — I knew I could never have coped with such a contraption myself.” Isa’s take on the meaning of this song somewhat differs: “Tony sent me the tune over Instagram months before I met him, and I was spooked — as far as I knew, he didn’t know anything about me, but the story felt like it was written about me as a little girl, growing up around heroin addiction. The syringe beneath the girl’s nose became a symbol of the inescapable constraints of that environment, literally written on her face, yet something you just have to carry on through. On a buzz from the serendipity, I added a full instrumental backing to this most bizarre of works.”
The result is absurd, unsettling, and strangely empowering, staking out its own surreal, cinematic space. The 12” dance single is a format Tony had long wanted to explore — a tangible artefact to leave for family, a medium that celebrates the physicality of sound and the ritual of listening. It allowed the artists to maximise the format’s potential: a strong, multi-genre A-side, a surreal B-side, and remixes that expanded the record’s sonic world. Glasgow music staples Auntie Flo and 100% Positive Feedback were invited to reinterpret the tracks, bringing their distinctive touch — Auntie Flo transforming the A-side into a luscious, dancefloor-ready meditation, and 100% Positive Feedback twisting Syringe Moustache into absurd, playful shapes with false-start drops and over-the-top vocal editing.
The cover photograph, taken at the University Café by Harrison Reid, captures Isa and Tony embodying the characters they brought to life in the songs — a visual reflection of the record’s narrative and emotional stakes. The Café also holds personal significance: it’s where all of Isa’s meetings with Keith McIvor took place, where she first remembers visiting Glasgow as a child, and a place Tony fondly likes to go to drip egg yolk down his tie and watch the world go by. Together, the 12” format, the remixes, and the artwork create a cohesive, tactile experience, amplifying the duality, theatricality, and emotional breadth of the collaboration.
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„10 Jahre Bunte Träumerei“ is a selection "Best Of" from our catalogue released so far - pressed into black gold and packed into a full print cover artwork
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Mysterious Label From Moscow
Vinyl Only
Limited Edition
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Pixl has been sending me so much of the music that he's been doing solo as well as his collabs with Duburban, Ark X & Peeb. I've been playing quite a few of them on my shows on NTS Radio & it only made sense to eventually put together a full release of them, so here is Old Citrus by him & Peeb, representing the atmospheric style of jungle that they are both excellent at.
Big up to both of them on this release & to Equinox for his fantastic remix of Old Citrus.
He runs a label called Western Lore which I've featured on previously, with 2 different remixes I did of Plastic Face by Response & Pliskin, as well as a track featured on the first Blunted Breaks compilation. It only made sense to eventually work on a joint label project as his label is a key figure in the current wave of jungle music, plus I hadn't put any music from him on Future Retro London yet so now I can finally tick him off the list!
Big up to Dead Man's Chest for his work on the collaborations & for his involvement in making this release a reality.
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Danny Krivit pays tribute to the royal family of soul with a double A-side of classic house remixes from Michael and Janet, both appearing on 7-inch for the first time. Standouts from the revered era of ’90s house, these tracks have remained a steady presence in Krivit’s sets, a testament to their timeless appeal.
Mr. K’s edit of ‘Remember The Time’ takes E-Smoove’s punchy Late Nite remix from the original 1992 12-inch single — already considered the strongest mix on the release — and carefully condenses it to fill a 7-inch, retaining all the best elements while adding a highly mixable intro and a unique acapella ending. This edit might now be the definitive version of this classic club tune! The original mix of Janet’s ‘Any Time, Any Place’ hit radio in 1993, but it wasn’t until the following year when Darryl James and David Anthony’s smoothly uplifting and funky remix really took off in all the clubs, and it’s this D&D remix that Krivit turns his attention to for the flip side of this new MEU 45. A favorite of Frankie Knuckles, and Body & Soul, ‘Any Time, Any Place’ has remained a go-to cut for Mr. K, who shares his personal edit here on the compact format for the very first time.
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Neue Grafik has steadily built a strong reputation in recent years with releases on esteemed labels such as Rhythm Section, 22a, CoOp Presents, and Wolf Music. His sound is a distinctive fusion of jazz, house, and hip hop, infused with his African heritage, Parisian background, and a deep appreciation for London genres like broken beat and grime.
Neue Grafik first made a lasting impression on the community at Total Refreshment Centre (TRC)—the heart of London’s thriving jazz scene—during a spontaneous after-hours jam. Since then, there has been collaborations with notable artists including Nubya Garcia, Emma-Jean Thackray, Brother Portrait, Lord Apex and Allysha Joy.
The new album, ”Rachael”, is set for release on January 30th 2026. It stands as Neue Grafik's most ambitious project to date. Developed over the past year, the album explores themes inspired by the character of Rachael from the movie Blade Runner, representing the journey of love in all means, intimate, raw, tough, organic and honest offering a rich, emotional journey that balances lightness with depth—an introspective dive into the artist's evolving musical identity.
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The Andromeda EP by Hobzee & Response features four beautiful and expansive tracks comprised of two collaborations (Kioto and Andromeda) alongside solo offerings from each artist (Civilised Drinking by Response, and Undo by Hobzee, featuring vocals by Onde). As with previous Wilderness releases, the Andromeda EP flows from track to track and works together as a whole to take you on a journey.
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Four Hardcore rave classics remastered and pressed at ISL-egendary label :
A1 comes from ISR27 (1994), AKA Sal Mineo.
A2 was unreleased on vinyl so far.
B1 used to be a Bastard Loud 06 (1995) killer !
B2 comes from Industrial Strength 11... in 1993.
Enjoy Lenny Dee's selecta for this third Hardcore Rave Classics Volume 3 !
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Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's.
They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine.
This special 4 track EP includes some of the absolute evergreen, stellar and downright soulful tracks they are most known for. It's all here. Influential, uplifting, inspiring and soulful music that will touch everyone. From the string laden and lush extended proto Disco joy of 1975's 'I Love Music', to the deep and soulful Philly stylings of 'Back Stabbers', 'Message In Our Music' & 'My Favourite Person', all of the music contained within this amazing collection is utterly essential if you dig Soul, Funk, Disco, Gospel and even House music. This is it. The real deal. These are some of the roots of contemporary dance music, the building blocks. On top of that, it's simply great music, a solid and essential addition to any record collection from one of the greatest vocal groups of the era, not to mention the world calls production, arrangement & execution from the legendary Gamble & Huff. A real no brainer this one.....
This is a fully legit reissue, made in conjunction with Above Board distribution and Sony music, sourced from their vaults using original source material and remastered and repressed to the highest standard for 2018 and featuring all original PIR label artwork.
Here's your chance to own yet another essential stone cold classic from the archives!
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Black Vinyl[31,05 €]
Set sail for the next leg of the journey! Diggers Factory is thrilled to present the One Piece: Into the Grand Line (Soundtrack from the Netflix Series) Deluxe Vinyl Boxset.
Following the Straw Hat Crew as they finally move Into the Grand Line, the soundtrack captures the epic, high-seas energy of the hit series. Composed by the powerhouse duo Sonya Belousova & Giona Ostinelli, the score blends orchestral scale with pirate folk-rock grit, now pressed on stunning colored wax.
Whether you're dodging Baroque Works or looking for a giant whale, this box set is the ultimate treasure for any Straw Hat at heart.
2LP Black Audiophile Vinyl: Two black vinyl representing the fiery spirit of adventure and the deep mysteries of the Grand Line.
Custom Die-Cut Jackets: Two single jackets featuring a central die-cut hole that reveals the beautiful map-work of the inner labels.
16-Page Booklet: A deep dive into the production with exclusive set stills and behind-the-scenes imagery from Season 2.
Double-Sided Poster (20" x 27"): Choose your vibe with the cinematic group shot of the crew or the iconic "Grand Adventure Awaits" sunset art.
6 Exclusive Postcards: Vintage-style travel postcards from legendary stops like Loguetown, Little Garden, and Drum Island.
Sticker Board: A collection of high-quality stickers including Laboon, the Going Merry, and Luffy's legendary $30,000,000 Wanted Poster.
Collector's Box: All contents are housed in a premium, wooden-textured outer box.
Netflix's epic high-seas pirate adventure, ONE PIECE, returns for Season 2-unleashing fiercer adversaries and the most perilous quests yet. Luffy and the Straw Hats set sail for the extraordinary Grand Line-a legendary stretch of sea where danger and wonder await at every turn. As they journey through this unpredictable realm in search of the world's greatest treasure, they'll encounter bizarre islands and a host of formidable new enemies.
expected to be published on 18.09.2026
