quête:fridge
Gnawa Electro project from Dj Click with some well known oldschool figures like Jahbass... Fatal Style ! Featuting a little skip proof at the end of the EP :) Printed Sleeve
On his debut album kotokid walks you through meandering scenes of jazz fusion and hip-hop infused sonic cinema. While bass guitar is his bread and butter, the Amsterdam-based musician is a multi-instrumentalist in the truest sense of the word. Throughout this album he effortlessly blends together enchanting harmonies, expansive synth-scapes, intimate piano melodies, stanky bass grooves. With ‘ignite’ and ‘early spring’ he captures the emotions of rebirth, renewal, and hope. Energizing the spirit with ‘Fl00t’, ‘floating’ and ‘Titan’ he invites a sense of action, urgency and eventual triumph. Victory’s abound. Sonic meditations in their own right, ‘soil’ and ‘kotokin’ blend cinematic stylized melodies together eliciting introspection and clarity. And whether it's joy, nostalgia, discomfort, pain, grief, longing or happy remembrance - ‘family & death’ - conjures the plethora of these experiences in a life giving dance between piano and cello.
“Suddenly it’s ok to be a square” - Twelve Cubic Feet, a clear case of a band which should have been bigger than The Beatles but, for some malignant reason, became a blurry footnote in the history of underground music. Formed from the ashes of Exhibit A in the Spring of 1981, the band disappeared leaving no trace shortly after 1983. During their brief existence they released a series of stickers, a monthly newsletter, two cassette tapes and their incomparable ‘Straight Out Of The Fridge 10”, which was at the very top of our dream records to release since we started Sealed Records. Twelve Cubic Feet released this perfect 22 minute 7 track album in 1982 on Namedrop Records (home to Doof, Philip Johnson and Cold War and ran by Philip Johnson and 12CF guitarist Paul Platypus). It is a glorious scratchy DIY indie pop gem with a post punk spirit. The sound is naive and fragile yet very addictive. Based around jangly clean guitars, drums that are on the edge of falling apart, haunting keyboards and a female vocalist that has a knack for a golden pop hook. Hard not to fall in love with. It’s beautiful with a ragged charm that deserves to be heard by the masses. Anarcho Indie pop anyone?? The band played a lot of the anarcho punk haunts of the early 80’s - Autonomy Centre in Wapping, Centro Iberico and London Music Collective and were equally heralded by punks (Andy Martin from The Apostles released one of their tapes) and the DIY music crowd. The line up changed after the 10” and they recorded a Joe Foster produced demo and fell in with Alan McGee's Communication Club crowd. Twelve Cubic Feet burned bright for just a handful of years and now it’s time to burn bright again. Hopefully this reissue will help them reverse one of their sticker statements “today we’re nobodies but tomorrow you’ll know who we are”. This reissue comes with the 16 page booklet that came with the original 10". Twelve Cubic Feet feature members who did time in bands such as Khmer Rouge, The Reflections, Solid Space, Doof and What Is Oil? Amongst others. For fans of the Marine Girls, Girls at our Best, Hornsey At War, Swell Maps and Postcard Records
Once again DJ Click will make you travel ! A Dancefloor post-world music killer, melting with House and Electro, keeping the spirit of the original styles alive ! Fat & Crazy stuff !!
The Hamadcha of Fez are dervishes belonging to the very old (XVII) Moroccan Sufi brotherhood Hamdouchiyia. Its members are mystics who sing and dance to trance in honor of the holy founder, the miracle worker Sidi Ali Ben Hamdouch.
During a performance their amazing spiritual and artistic practices transmit to those who approach them their “baraka”, a divine grace.
The audience vibrates and moves to the rhythms of the dervishes songs, tempos, stories and fascinating dances.
Dj Click puts down his suitcases in the heart of the old city. He goes in search of atypical sounds coming from the heart of the streets, soaks up the atmospheres, then offering us a sound postcards where tradition alongside modernity.
He is the first producer to be accepted into their brotherhood for a such meeting!
Kevin Arnemann and Daan Kemp's Taped Artifact label clocks up its fourth release with a three track offering from Outlaw Rec boss and key part of the Italian Serendipity club, namely Matthew Oh. Matthew has previously released on his own label and others like Side Off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes. The opening track 'Psycho Hub' is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. 'Shroud' is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. Finally, 'Get in the Fridge' slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.
- A1: Dj Furax X Fred Baker - The Final Act (Official Anthem)
- A2: Dj Furax - Supersaw (The Dark Horror Remix)
- A3: Dj Furax - Big Orgus
- A4: Fvl - Seigneur
- B1: The Moon - Blow Up The Speakers
- B2: Tranceball - Tranceball
- B3: Dj Greg C - Color Sound
- A1: Ralph Fridge - Angel (Club Mix)
- A2: Blue Alphabet - Cybertrance
- A3: Zombie Squad - A New Decade
- B1: 3Xxx - Tyranny V.x
- B2: Spokesman - Acid Creak (Dj H.s. Contact Mix)
- B3: Tellurians - The Navigator
- A1: Insider - Destiny
- A2: Final Analyzis - El Punto Final (Power Mix)
- A3: T.m.f. - Fx Transmission
- B1: Crash Course In Science - Flying Turns
- B2: Tragic Error - Tanzen
- B3: Hardfloor - Drugoverlord (Overdose Mix)
Special 30th anniversary collector's (Limited) edition: a 3x12-inch Gatefold Green Coloured vinyl. This release offers a carefully curated retrospectiveof Furax' career, bringing together his most influential tracks alongside exclusive selections. Making it an essential piece for fans and collectors alike.
- A.1 Geoffrey Day, Zemlyane – Trava U Doma (Geoffrey Day Remix)
- A.2 Geoffrey Day, Alla Pugacheva – Arlekino (Geoffrey Day Remix)
- A.3 Geoffrey Day, Alla Pugacheva, Ritm – Zvyozdnoe Leto (Geoffrey Day Remix)
- A.4 Bratstvo Atoma, Bassnpanda, Kvashenaya – Zvenit Yanvarskaya Vyuga
- A.5 Alyans, Bratstvo Atoma – Na Zare
- A.6 Particles, Koshechka – Prekrasnoe Dalyoko
- B.1 Geoffrey Day - Lambada (Geoffrey Day Remix)
- B.2 Geoffrey Day – Pt - 1X12
- B.3 Geoffrey Day, Alla Pugacheva - Pozovi Menya S Soboy
- B.4 Geoffrey Day – Cookie Crumbler
- B.5 Yuliya Kogan, Frenetic Virtual Orchestra, Geoffrey Day – V Sinem More, V Beloy Pene
- (Geoffrey Day Remix)
- B.6 Scary On, Bassnpanda – Bea - D Theme
- C.1 Dvrst, Igor Sklyar – Komarovo (Dvrst Phonk Remix)
- C.2 Boogrov, Zoanoid – Inside Nora
- C.3 Øneheart, Atomic Heart – Quiet Dive
- C.4 Boogrov, Zoanoid – Inventory
- C.5 Geoffrey Day, Mariya Pakhomenko – Stoyat Devchonki (Geoffrey Day Remix)
- C.6 Acid Minerale – Karusel
- D.1 Boogrov – To Ostatnia Niedziela
- D.2 Mick Gordon, Palina – A Fridge Called Nora
- D.3 Mick Gordon – Shrouded In Mystery
- D.4 Mick Gordon – Polivoks
- D.5 Boogrov, Zoanoid – P.e.a.r
- D.6 Boogrov, Zoanoid – Pchela
- D.7 Boogrov – Welcome To Kollektiv
To celebrate the launch of the 4th and last DLC of Atomic Heart, Kid Katana Records teamed up with Mundfish to bring you this high quality album for the first time on an exclusive double vinyl.
With over 10 million players since its release, and a nomination at the 14th Hollywood Music in Media Awards, Atomic Heart has kept on bringing new content in the game, enriching the players’ experience with new Stories, Threats and Music to pursue the fight for freedom and progress.
The physical edition is a premium 2LP designed in close relationship with the game's creative team: Track selection handpicked by Atomic Heart team, including tracks from Mick Gordon, GeoffPlaysGuitar and Boogrov, and 1 new track (DLC #4 trailer exclusive) 2-colored vinyls with unique red and black “corona” effect: handmade vinyl effect melting red and black colors to shape a unique vinyl color on each product, mirroring the cover art.
Exclusive cover art with mat finishing and glossy effect on the Twin and motorcycle
- 01: Intro (Dateline Ii)
- 02: Hometune
- 03: Vaders
- 04: Morning Papers
- 05: Dateline Iii
- 06: Tasty Leather Jackets
- 07: All Over London
- 08: Rolls Royce & A Big House
- 09: Beauty Contest
- 10: Dinner & Dance
- 11: Warehouse Experience
- 12: Rhythms Of The Universe
- 13: Roller Skating Session
- 14: Dedications
- 15: Lazerdrome
- 16: Heathens
- 17: Champagne Raffle
- 18: Legal Pulse
- 19: Opposite The Fridge
- 20: Wicked Entertainment
- 21: South East Fourteen
- 22: Kebab House
- 23: Monster Soundsystem
- 24: Family Fun Day
- 29: Big Roadblock
- 30: The Beginning
- 31: Dress To Impress
- 32: Fabulous Riches
- 33: Christmas Hardcore Bash
- 34: Soul & Reggae Alldayer
- 35: Spp
- 36: Come Get It
- 37: Reggae Awards
- 38: Nye & 93
- 39: 100% Niceness Guaranteed
- 40: Spin Offs
- 25: La Plaza
- 26: Stunning Dimension
- 27: Redemption
- 28: Independence Celebration Dance
Vol 1[16,39 €]
The second volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993.
Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
Released in 1984, Steps In Time by British new wave band King was a slow starter. After the release of three singles with minor success, “Love & Pride” was re-released in 1985 and went far beyond the #84 it had reached the year before. The track became a worldwide phenomenon, reaching the top 10 in Australia, the UK, Germany, and the Netherlands.
The album Steps In Time became a classic among pop fans, but despite its success the band split up in 1987.
This year marks the 40th anniversary of the album, which we are celebrating with the first new vinyl release since the 1980s. Steps In Time is available as a 40th anniversary edition of 1000 individually numbered copies on translucent blue coloured vinyl.
PIV serves up the fourth edition of their highly sought-after Amsterdam Dance Event Sampler - collecting tracks from fresh new talent, as well as artists that have been affiliated with the label since the very beginning. 15 tracks, in total, with eight of them appearing on this vinyl edition, that will be sold in Amsterdam during the PIV events and in all good record stores.
Showcasing the true sound of PIV, this is a must-have package of dancefloor weapons.
DJ support:
Chris Stussy, Enzo Siragusa, Sidney Charles, Fabe, Lauren Lo Sung, Hector Couto, Artmann, M-High, Prunk, Darius Syrossian, George Smeddles, Kellie Allen, Dennis Quin, DeMarzo, Archie Hamilton, and more.
- A1: Sorry, No Service
- A2: The 10.23 Am From Amsterdam Lelylaan
- A3: Spontaneous Gathering To Avoid Another Bob Dylan Movie
- A4: I Have Been Doing Some Accounting This Afternoon
- A5: Quidquid Latine Dictum Sit, Altum Videtur
- B1: Sorry, No Silence (Lp-Version)
- B2: Final Exam At The Music Academy
- B3: The High Synths Experiment
- B4: Chairs?!
DJ Marcelle's career has flourished on her own terms, with many critically acclaimed releases: in the past six years alone this Dutch woman has released five albums and numerous ep's. On stage and in the studio she transcends a feeling of freedom whilst always moving forward. Marcelle turns her DJ sets into full-on sonic adventures; she's the g.o.a.t of dancefloor eclecticism.
''Genre-defying and one-of-a-kind are two descriptions that get thrown around a lot in dance music, but DJ Marcelle fits that bill.'' (Resident Advisor)
''A Different Fridge For Cheese: '' An adventurous set that fizzes with vitality, originality and humour.'' (The Wire about her 2024 album)
- Krystal Ball
- Psychosis Is Just A Number
- Ceo Of Personal & Pleasure
- Life's A Zoo
- Red Flag To Angry Bull
- Panglossian Mannequin
- Deep Sight
- When Dogs Bark
- Crocodile Cloud
- Favorite Sun
When NYC-based experimental dance punks Guerilla Toss, active since 2011, were in Vermont recording their new full-length album You're Weird Now, frontwoman Kassie Carlson would prepare what she called 'punk lunch': a communal meal made by raiding the studio fridge for whatever was left and assembling a sandwich from the most random ingredients imaginable. Regularly joining punk lunch were two legends from their own corners of the weird music world: Stephen Malkmus (Pavement, The Jicks) and Trey Anastasio, Phish guitarist and owner of The Barn; the recording studio where Guerilla Toss were making You're Weird Now, with Malkmus in the producer's seat. Engineer Bryce Goggin, who has worked with Malkmus since Crooked Rain, Crooked Rain, and Ben Collette, Phish's longtime engineer at The Barn, were also part of the crew. While the idea of the guy from Phish and the guy from Pavement sitting around with Guerilla Toss, congenially assembling sandwiches from random foodstuffs dug up from the depths of a studio fridge, might seem absurd, it also makes total sense. Because really, if there's any band that serves as the natural bridge between slacker punks who saw Pavement way before you did, wild-eyed wooks who've seen Phish more times than you ever will, and even the eccentrics in '90s drip following former GT tourmates Primus-it's Guerilla Toss. A band so imaginative and unapologetically themselves, they're basically the real-life manifestation of a utopian, post-snob world where all musical ideas are worthy of expression and everyone is welcome. You're Weird Now powers this message. Guerilla Toss' fifth album and second for Sub Pop is a hugely creative and joyful statement about the joy of creativity. With You're Weird Now Guerilla Toss reclaim the word "weird" for everyone brave enough to let their freak flag fly and stay true to their artistic vision no matter what-a way riskier act than it's ever given credit for, and one that requires a certain amount of serene self-confidence that it takes time and effort to cultivate and sustain. And they do so with the enthusiastic support of their musical predecessors: a standout moment arrives with "Red Flag to Angry Bull," which builds to a campfire sing-along-worthy outro featuring Malkmus and Carlson duetting over a chatty, classically Phish-y (there's really no better word for it) solo from Anastasio. The band hopes the message of You're Weird Now will resonate not only with music heads but anyone who struggles with feeling weird in a world where it will always be hard to be different. At the end of the day, it's all about the spirit of punk lunch: there's room for everyone because music is for everyone. "Everyone loves and appreciates music," says Carlson. "If you don't like music, you're kind of an asshole." That's not weird-that's just true.




















