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cream coloured vinyl, black poly-lined inner sleeve, heavy card outer sleeve, shrink-wrap and external sticker.

Following 2015's 'album of the year' The Habit of a Lifetime (And How To Kick It), ATIC Records is proud to present the next instalment in the AIM & QNC saga. The How It All Got Started Curt Cazal Remix EP boasts two instant classic re-workings from super-producer Curt Cazal (JVC Force, Strong Island), an all-new, Aim produced track, Lyrical Expert, and the all-important, DJ-friendly instrumentals. The EP is presented on delicious C.R.E.A.M. coloured 140g 12" vinyl with sleeve art by AFU.

Love Notes from Brooklyn offers up this platter from a very exciting new Brooklyn artist, Subtenant. As it says on the tin, The Artisanal Acid EP is heavy on the 303 squelches and emotional content. Each track has a unique pairing of soul and heavy acid funk. Evergeen Soul is the clear lead track here, using a female snippet to keep this otherwise tough little number dancefloor friendly. This track is then reworked by Detroit underground darling, D'Marc Cantu, who pitches things up into funky rave territory. The flip side sees the title track feature the most soulful chords on the entire record, and then on the B2 the artist himself takes to the mic on Know How It Feels. This whole EP feels live and direct from the Brooklyn underground.

portland based producer strategy is back on endless flight.
strategy have been released from kranky, 100%silk, further records and name a few.
we always enjoy his unique house music and ambient stuff.
this new ep contains four killer low-fi house stuffs.
it's probably his most club friendly record.

after excellent debut album on mule musiq,oskar is back with four remixed tracks.
legendary osunlade remixed most club friendly track on the album and it's more dj tool jazzy deep house.
oskar's buddy edward remix is simply epic.very imaginative breakbeats track.
frankfurt's bodin&jacob's remix is kind of mash up of some tracks on the album. it's kind of early electro stuff.
metamatics is well known in the end of 90's.we like his moniker norken.
hope you dig some of remixes!

With the release of fourth album Crown Posada, Smoove & Turrell cement their position as one of the UK's most exceptional soul acts with their innate ability to deliver hard times social commentary in a dancefloor friendly medium. Proudly working class as a band - this album celebrates love, life, politics and the lows and the highs of growing up and raising families in the North East of England.

Gritty and powerful, the band make no attempt to sound or look like anyone else - not for them the sharp suits and trumpet twirls of some of their peers. Instead you get a wildly talented and vital crew of larger than life Geordie lads taking their rightful place on the international soul scene having already become figureheads within the UK.

The DBA DUBS series returns with a fresh tropical house roller from Samrai backed by a remix from Michigan resident James T. Cotton. Khadi brings together Samrai's tough drums and ethereal sun-kissed fx with a helping of keys from an anonymous local collaborator. On the flip JTC, the artist behind Dabrye, Sound Murderer and a host of other cult catalogues reinvents Khadi as a Detroit house stepper.

Manchester resident via the Midlands, Samrai makes up 50% of the Swing Ting production unit. He's released with distinguished labels such as Keysound, Niche & Bump and UTTU as well as collaborating with Ruf Dug, Murlo, Brackles & Hyperdub's Okzharp. His DJ sets take in x-amount of styles, always system-friendly with an emphasis on the soulful side of things.

As Claremont 56 speeds towards its' ten-year anniversary, label founder Paul Murphy continues to champion little known producers and previously unheard artists. Over the past 12 months, the label has showcased material from rising talents
such as Bella Figura, Simon Peter, Paraiso and Oma & Amberfame. Now, Claremont 56 is adding another new name to the roster: Statues. Essex-based trio Bradley Lucke (production/bass/percussion/keys), Mark Crooks (keys/production) and Grant Carruthers (vocals/guitar) has been making music on-and-off together since they were teenagers, and last year decided to come together under the Statues alias. They submitted a number of demos to Paul Murphy, who was so impressed by what he heard that he offered to help produce and write an album with them. As debut singles go, 'Alaula' is stunning. Reminiscent of many softly spun
moments from the Claremont 56 back catalogue, it builds slowly and breezily via subtle waves of organic and electronic instrumentation. Carruthers' impassioned vocals pop in and out of the mix at opportune moments, peeping above alluring acoustic guitar, bass, synthesizer and Rhodes parts. Throw in
tumbling, life-affrming piano lines and swelling cello parts - both provided by friend-of- the-family Robin Lee of Faze Action - and you've got another near- perfect chunk of sunset-friendly, horizontal brilliance. On the fip, Murphy dons his familiar Mudd alias to provide a superb Piano Dub. Building the action around a sparse, delay-laden percussion track, Murphy teases out the track's most potent moments, in the process creating something
that lingers even longer in the memory. Lee's superb piano and cello work naturally takes pride of place, as Murphy expertly emphasizes the track's impeccably atmospheric nature.

In the summer of 2014, producers Frankie Valentine and Thomas 'T-Ash' Sciurpa bumped into each other in a London shoe shop. Over a fine selection of brogues and loafers, the conversation drifted onto music. The duo quickly realized they had much in common, and a plan began to form: they would get together and make music as Vitruvians, using the alias as a vehicle for their collaborative work.
Some 18 months and numerous recording sessions in England and Italy later, the first Vitruvians record is ready for release. Dropping on Paul Murphy and Simon Purnell's Leng Records imprint, 'Spaghetti Saloon' is a banjo-pickin' hoedown at the last drinking hole in the Milky Way. Propelled forwards by a restless drum machine rhythm, the duo's original version expertly combines winding synthesizer melodies, wild honky-tonk piano solos, clanging 'closing time' bells, and the most loved-up banjo player in the galaxy. Ennio Morricone, eat your heart out.
The flipside of the 12' features a pair of tasty, DJ-friendly revisions. There's the chugging Banjo Dub, where delay-laden bells and undulating banjo lines rub shoulders with a throbbing, space disco groove, and the even more psychedelic and alluring Piano Dub. As the title suggests, this pushes the duo's distinctive keys work to the fore, stretching out the life affirming solos in a bid to incite even greater dancefloor abandon. Down a glass of bourbon, grab a partner, and get dancin

Completing a quick fire trio of new EPs, Constant Sound hits release number six with a pair of new tracks from VRSION that come with a dance floor friendly remix from Persuader. VRSION is a German producer who has already made a big impact with his release on Craig Richards' excellent The Nothing Special label. Following up that in fine style is the opener here, 'Torn', which is a hurried and urgent track that sits on the divide between house and techno. It is driven and slick, rubbery and hypnotic but has plenty of nuance and funk in its well programmed drums. Some occult sounds and wordless vocals embellished the whole thing and it really is the sort of track that blows dance floors apart and will stand out in any set. 'Capricorn Meet Leo' then toys with kinked drum patterns, rattling percussion and fathom deep bass that sucks you right into VRSION's world. It's a restless place where harmonies ride up and down the scale, cause claps come at you from odd angles and dark vocals add a sense of paranoia. Remixing this one is Persuader, who does so with a stripped back sense of restrain. he retains the original's weirdness, but layers in serene pads and tripped out atmospherics that really make it ripe for playing at 4am. This is the most adventurous release yet for Constant Sound, and is sure to prove one of its bets as a result.

The multi-talented musician/producer Bing Ji Ling (Tummy Touch Records/Ubiquity Records/Lovemonk Records/Claremont 56) and DJ Alex from Tokyo are very excited to share with you a brand new, collaborative track Not My Day', that encapsulates their experience in New York, as well as their friendship. It's been a few years in the making, but well worth the wait! Alex and Bing moved to New York around the same time, and met in a bar (filled with Loft heads) after one of David Mancuso's Loft parties. Bing recognized Alex's voice from his weekly Shibuya FM radio show in Tokyo, and went up to introduce himself, being a fan. Turns out, they have many friends in common in New York, Tokyo, and beyond. They were instant friends, family. The track came out of several listening sessions from Bing's basement studio in the East Village, where Alex shared some tracks he'd be digging, across a wide range of genres, eras, tempos, etc.. Everything was very easy, very natural...Back in Tokyo Alex and Isao bring their club vibe and remix the funky and groovy Not My Day' into a magnifique electronic deep house anthem!


On the flip is Bing's version of Lil Louis' club classic Lonely People' Alex has been playing non stop, providing along here his own DJ friendly Tokyo Black Star retouch club version. Bing's version was originally recorded for his covers album called Sunshine For Your Mind' that was first released in Japan on the label Rush Production. This album came about, after years of playing solo/acoustic covers with a looping pedal in Japan. Bing has since performed the song live in New York, London, and at Croatia's Garden Festival with rave reviews!


Bing Ji Ling and Alex now live just minutes from each other in New York City as well as the Catskills, and enjoy frequent meals, music and mountains. We hope you enjoy...Happy Spring!

Following two EP releases on Delusions Of Grandeur the time felt right for thatmanmonkz to get working on his debut LP. The Sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon's StarTime.
With his first musical love being Hip Hop it's easy to understand how his approach to house turns out so refreshing. Inevitably MPC's, big, bold samples, Jay Dee inspired grooves and a raw, underproduced sound all play a big part and never one to shy away from an interesting collaboration he has enlisted the skills of several vocalists including Detroit MC Ta'raach (whose credits include Slum Village and Jill Scott), Erik Rico (collabs include Ron Trent and DJ Spinna), Khalil, Dave Aju, Pete Simpson (as A Brother Is...) and Malik Ameer.
Things kick off with a low-slung soul jam entitled Air featuring Kahil Anthony complete with sparkling Rhodes arps and a dub-wise bassline underpinning a beautifully lazy groove. Jus Anutha Wunna Deez follows with a rough and ready house jam that clearly doffs its cap to those old Sound Signature and Mahogoni Music releases we know and love so much. Next up we have Boogie Down with Erik Rico rocking some Parliament inspired vocal business bringing the feelgood vibes to this rolling P-Funker. Some Ol' Nex' Ish goes for a jazz samba meets house fusion whilst A Fly New Tune goes strictly old school with a classic combo of dusty break, filtered fusion rhodes n bass sample, movie dialogue snippets and a masterful flow delivered by Ta'raach. Dave Aju steps up next on Turn It Out laying down a unison vocal refrain to compliment the bumping disco groove complete with a call and response section for some singalong party participation!
As we continue, Another Night Under The Glitterball sees thatmanmonkz back in familiar territory with a rock solid, deep jazz-house jam. On I Can Hardly Breathe we're treated to a downtempo gospel-infused affair which leads us perfectly into the most bumpy club- friendly track of the LP For Bae. Moon On The Hill is a collaboration with Italian DJ Kali and his Raw Standard crew and treats us to some distinctly mid 90's Kruder and Dorfmeister vibes to zone out to before heading off in an altogether more bonkers, psychedelic dancehall direction on Vampires. Baked is another classy thatmanmonkz take on Hip Hop featuring Malik Ameer on the mic. Take U 2 My House sounds like something Prince might have made in the mid-80's if he'd just come off a 3 day bender at Panorama Bar. And closing the show in perfect style and fashion we have For Those I've Lost Along The Way which is a blunted yet beautifully optimistic number that has echoes of Lonnie Liston Smith and a brilliant spiritual vocal sample which provides the perfect closer to an amazing debut LP.

For the fifth installment in the Common Thread series we're launching our series of Various Artists EP's called ''Knives Replace Air''. For the first effort in this series we have the likes of Chinaski, MangulicaFM, 33.10.3402 and Gitchell Moore cooking up stuff.

Expect an odd mixture of genres all sharing a common thread in terms of feel. Maybe not the most dancefloor friendly record but definitely some kind of miniature soundtrack in it's own right.

12" with transparent sleeve, 180g Vinyl First 12 from The Press Group from co founder Rupert Marnie
Hamburg based label The Press Group spreads 300 copies of fine, raw and modern house cuts. 'Masala EP' is not only the labels first release, but also the debut of Press Groups co founder Rupert Marnie. The record brings three tracks for the dancefloor. Starting with some dubbed out 115bpm, followed by more peak time friendly material to a melodious track for after hours.

Volf's second EP for Dolly and it's on! Two fierce but club friendly rolling techno tracks featuring an epic Luke Hess remix. With their warm and euphoric chords 'Hydro Funk' and 'Shadow Section' will take you right back to the golden days of techno, reminding a bit of Aril Brikha and the likes. Detroit's Luke Hess on remix duties takes 'Hydro Funk' into even deeper territories. An hypnotic and melancholic, yet very driving detroit techno tool. Pure bliss on Dolly number 23.

U2XProductions presents, "I'm Yours" - written by Niko Marks and featured artist, Sadiqua. Niko expresses true Detroit deepness while allowing room for a sultry female vocal to carry a bit of melody throughout each mix. A1 starts off low tempo and very dance friendly while B1 delivers a very funky baseline and leans to a more aggressive beat. B2 gets really deep and plays down to a minimal pulse. This release is a definite Dj record with smooth and rich grooves that will make a great fit into your playlists!

'In The Beginning' is the inaugural release of Romanian vinyl­only imprint We Play Wax
that joins the italian Giovanni Damico and his close english friend Tomson for a special
12" release that has both artists remixing each other's original tracks. With a vocal
featuring by Keter Darker and a beautifully designed dj­friendly package by Romanian
artist Lar Pavel, 'In The Beginning' is already making a buzz. Out on the first day of summer on heavyweight 180­gram black vinyl!

Apotek Records strides firmly into 2015 armed with the freshman minds of Janne Tavi and Non Reversible hailing from Finland and Berlin respectively bearing the fresh fruits of their uncompromising Techno attitude. The mood and compulsion speak for itself it yet another turntable friendly Apotek release.

Revered Belgian DJ and producer Mugwump proudly presents his longawaited debut album on his Subfield imprint. An impeccable nine track LP, informed by two decades as a globe-trotting DJ, producing tracks that have inspired everyone from Andrew Weatherall to Mr. Scruff. A mainstay from the Belgian club scene, on the ground in Ibiza in the early 90's, behind the cult Food Club in the late 90's, now running his own Leftorium clubnight in Brussels, with releases on the highly influential Kompakt label but also on R&S, Gigolo, Cocoon, Gigolo, Eskimo, Permanent Vacation or Throne of Blood... Mugwump has the CV to deliver one of the year's most eclectic and inventive studio albums, a timeless excursion into modern-day, leftfield dance-pop and mutant disco with heavy New-Beat influences. Produced with his partner Olivier Grégoire, it also gathers a solid list of collaborators : Circlesquare's Jeremy Shaw (!K7/Output), Brussels guitar wizard Raphael Lee (aka Spookhuisje), Luke Jenner (ex-The Rapture), Norway 's cosmic disco lords Päl Nyhus of Mungolian Jet Set and Tore Gjedrem from Ost & Kjex, Belgian multi-instrumentalist Stephan Fedele, Philip Janzen (frontman of Cologne's Krautrock-Disco band Von Spar) and Sami « Morpheus » Birnbach from 80's cult punkfunk/new-wave band Minimal Compact.

KEY POINTS
-Mugwump's SF001 and SF002 releases have been supported by Pachanga Boys, Ivan Smagghe, Horse Meat Disco, A Love from Outer Space, Huxley, Jack Savidge (Friendly Fires), Sasha, Ben Pearce, Groove Armada, Andrew Weatherall, Erol Alkan and featured in Mixmag, Clash, Ransom Note, Resident Advisor, DJ Mag, Phuturelabs, Insomniac and repeatedly in France's prime-time news show Le Petit Journal (Canal +)

-This album will be supported by a 4/5 piece live band, with SF002 collaborator DC Salas plus Raphael Lee (Spookhuisje), Stephan Fedele and Mugwump, plus a live drummer when possible. Early tryout dates already scheduled in Brussels (23.01 Maison du Peuple/20.02 Central)

-Freeman PR will be handling the full album UK campaign targeting all the major blogs, webzines, specialist and mainstream print medias with also tba UK plugger targeting radios. Two original videos are being finished right now.

-Mugwump co-runs and resides at the highly-rated Leftorium clubnight in Brussels and has a weekly radio show on FM Brussel, running for 10 years now.

Our 14thDubplate in the series sees young recruit Bopperson step up to the plate for the very first time. His unique approach, recording 45s at 33 RPM and then editing from there, delivers dance floor friendly results.

Side A sees Harry Coade's version of Michael Jackson's Remember The Time get the slow & synthy treatment. While on the flip, chesty country legend Dolly Parton gets deep as her voice and those strings are slowed and stretched by Bopperson for a cunning take on the heart wrenching Jolene.

Federsen returns to Fifth Interval for another sublime instalment of dance floor friendly dub-techno. Dewpoint is an altogether tighter affair when compared to the label's first release, Point Reyes.

The drums are taut and razor-sharp, propelling the listener effortlessly through a dense fog of ferric clouds, swelling to fill the outer-reaches of the echo chamber. A highly polished metallic production style that can be compared to some of Andy Stott's early and classic works.

Tomas Rubek remixes Dewpoint for the B-side, remaining faithful to the original track's structure but viewing it through a tinted lens. Dewpoint's chords become iridescent, kick drums fall into a straighter pattern and are backed by further dusty percussion, shifting the original into spheres inhabited by the likes of Rod Modell and Fluxion.

12" 180g vinyl with printed sleeve.

Mastered by Lewis at Stardelta.

"Original mix is dope." - Brendon Moeller (Beat Pharmacy)

"Really digging this remix. It's been on repeat this morning." - Silent Season

"Full support, I will play it, love Federsen's work!" - Fingers in the Noise

"Played on BBC Radio" - Steve Barker (The Wire)

After a two year gap Clio is back on Metroline Limited after producing two of the most successful releases from the label's extensive catalogue: For Sure Baby (2010) and Do It EP (2012). In the opening track, The Beautiful Forces, Blade Runner soundscapes morph into post-rave stabs and combine with heavy subs and sci-fi effects to create the soundtrack to a rave in an abandoned space station. On a more Chicago tip, Something Like That is a collaboration with French groove master Loquace. The result is a loose, flowing house jam, which as the lyrics tell you, is all about vibe - it doesn't have to be planned... it's just how you feel! The legendary Thomas Schumacher turns out a serious burner on the flip with his remix of The Beautiful Forces, bringing the vocals up in the mix and throwing in a pumping b-line to keep things moving nicely. Swiss rising star Yvan Genkins takes on marginalising the Chi-town flavour of the original and working the elements up into a eyes-down Tresor-style techno monster. Classic 909 hits, a satisfying low-end rumble... it doesn't get more floor-friendly than this.

"Teilstueck" (German for part or segment) is the next excerpt of Jacob Stoy's ongoing attempt to translate his surroundings into music. It's his second EP for Uncanny Valley and is even more multifaceted than his debut "Redenswart" from 2012. With "OMG" you'll get the feeling that something sublime will happen right from the beginning. It's one of those tracks whereby time stands still until a mighty synth-line unfolds in all its glory. "CFM" comes in the same musical vein with a similar and slightly melancholic bass-synth dominating the drumming. By far more cheerful is "MKM". Based on a catchy bass line foundation, Jacob Stoy showcases wonderful synth-effects and sound with the beautifully oscillated pad making the cut. This is House music for machine lovers. The flipside starts with "HIM" and probably the most floor-friendly track on the record. The slowly but steadily rising organ chords prepare things and when the carefully targeted percussion elements come in, it feels like summer will never end. In contrast, "QFL" lives from its mysterious atmosphere and is very good example for Jacob Stoy's preference to use Electronica-like sounds for his House Music. The record is rounded up with "HHM" and a little nod towards past times when he used to play in a Jazz band. With its Delay effects, a fuzzy guitar and a great bass melody it's not far away from Krautrock either. For the artwork Jacob Stoy teams up with fellow student Chris Dietzel.

Optimo Music is usually known as a 12" label, but occasionally something rare and dangerous comes our way that compels us to release a full length album...

It's not exactly a dance album, although there is music you can dance to on it. It's more filmic in nature, with gads of references to wonderful directors like Kubrick and Carpenter that will enthrall a film buff, particularly if they're interested in electronic and dance music. There's a sleazy and unsettling feel to much of the tracks ("Tina Weymouth" is a sleaze-floor monster groove...), but we hope it will intrigue and delight!

The film references are directly relevant as Felizol and The Boy are film directors Yiannis Veslemes and Alexandros Voulgaris, who live in Athens, Greece and have composed music for numerous feature films. They also perform live in house clubs, heavy metal dungeons and hippy-friendly festivals...

They have this to say about their release: "We had a loose concept for this album and we compiled tracks that we've recorded the last 3 years that have to do with the cannibalism. Literally but also as a metaphor for the blessing and the tyranny of paying homage and influenced from music and films (and directors and musicians).

So these are songs about the agony of creating something new and personal when so much information and influences are fused in them."

New York City, USA, 2014. A community filled with amazing shit and amazingly fucked up shit. This Yin Yang is an ever-present part of life, and it is this contradiction that Isaac Basker seeks to take on with Swishin' & Dishin,' his sophomore release on Play It Say What Records.

On A1, 'Swishin' & Dishin',' Isaac references NYC basketball legend, Walt 'Clyde' Frazier to define the city's Yin. Starting off like a certified banger; a simple 'bleep' blasts the track over a thumping kick and rhythmic percussion, as if attacked by a penetrating crossover dribble. Yet Isaac then drops his trademark melodic chords to turn the track into an authentic deep house groove.


With A2 Plan B Recordings boss DJ Spider provides his latest remix for Isaac, helming 'Swishin' & Dishin' (DJ Spider Mix).' The original is then obliterated into his classic raw, deep sound. Hard kicks, obscure female vocals, hats and snares form the basis of the track as we then get slowed chords to tease us until deeper sounds and syncopated percussion elevate the listeners mood before bringing the track back to the remix's original rawness.


B1, 'Slumlord Billionaires (5Pointz Of Light Mix),' Swishin' & Dishin's most dance floor friendly track, takes on the Yang of the city, using the to be demolished graffiti mecca 5Pointz as a point of reference. Yet, this is an uplifting build up banger of a track emphasizing human resilience in the face of doom. Booming drums start the song off until a single fluttering melodic chord drops. Then syncopated claps, and vocal hits arrive challenging 'the powers that be' to further enhance the song's call for dance floor resistance.



Then there is 'American't.' With B2 Isaac, takes dark analog keys and syncopated techno sensibilities over a simple eerie baseline to further emphasize the Yang. A manipulated vocal later emphasizes this further and another layer of angry, reflective keys drive the operatic finale of this definite New York release.

Pink marble vinyl / Sleeve artwork by ' The 'Warm'
Friendly Feeling Embodied in a Red-Pink One 1961 by Mcdermott & McGough.

ISNISNT offers it's second release of forward leaning electronics with a diverse group of modern techno from label head Jesse Siminski. Acting under his Heartthrob guise, Jesse initiates the release with 'Someone Called Again' a tough, but funky, bass driven tune that marries detailed production with his signature ominous melodies to great effect. Subtle modulating percussion work against harder, swung snare and synthetic drums workouts, as surprising analog synth bursts glue things together. Building smoothly into a headfirst groove, the track pressurizes and never loses it's drive as heady synth riffs keep things musical and emotionally interesting. In an even funkier tangent the two mixes of 'Cougar Juice' draw together an irresistible bass line with pushing breakbeats and precise synth stabs. These horn like synthesizer bursts mark surprising turns and recall similar moments in classic Hip-Hop jams or even tracks from Detroit's Anthony Shakir or Robert Hood- two of Jesse's production heroes. The 'Driving Past the Jail Mix' incorporates these synth stabs hypnotically within the melodic structure, while the 'Reduced Dub Mix' dials things back and focuses on the bass line, drums and dubbed out flourishes. With their funk driven momentum constantly moving forward, either mix will bring something unique to either a house or techno set. And finally 'Let Them Go' rounds out the group in a deep, yet still driving fashion. It splices sub bass pulses, a melancholic synth atmosphere, absurd bleeps and submerged voices amongst stripped down drums into a steadily building hybrid cut- not quite house and not really techno.

Vocal driven electronica, pop sensibilities and a touch of melancholia is a tried and tested recipe of SILENCE MUSIC cuisine. A new release titled My Holy Senses is no exception. This creative venture joins together a renown Lithuanian multi-instrumentalist and composer Vygintas Kisevicius, an up-and-coming singer and songwriter Markas Palubenka and a versatile SILENCE producer Few Nolder. Original acoustic versions come under the name of Kurak, a project which Vygintas started a couple of years ago with a goal of bringing together some of the most talented young Lithuanian singers and songwriters for something new and exciting. And indeed they managed to produce some well worthy musical material generating quite a few waves of interest and success back home. Few Nolder picked out a couple of tracks from an ever-expanding Kurak's repertoire and threw them onto the sweaty dance floor. Included in the package are two DJ friendly adaptations from David Krasemann aka Dave DK and Vidis. My Holy Senses is a short modern day Love story about Acoustics giving an adoring kiss to Electronica in a dim light of a nightclub.
- Early support from Âme, Tim Paris, Alex Barck, Michael Rainboth, Hannes Fischer and many others

Following on from his contribution to the various artists Multi-Dimensional World EP (ASG/DE002) Stanny Franssen returns to the De:tuned stable for a solo release with 4 tracks of floor friendly yet versatile techno.
Stanny has been one of the key players in the Belgian techno scene. Starting out as a DJ in the infamous Montini club, he soon ventured into production; first as part of Propionic and later on solo. Stanny used the moniker 'G-Force' or simply 'GF' for most of his earlier productions. Under this name he released two albums which were very well received at the time: Electronic Lesson Part 1 and 2.
The tracks on offer here are very much in the same vein as the Electronic Lesson albums. Multi-Vintages 2 and 3 have that distinct psychedelic and otherworldly groove that is typical of Stanny's tracks from the 90s. Multi-Vintages 4 reminds us of Umek's old output and features a pounding kick accompanied by a twisted synth stab. Stanny goes wild on the effects in the breakdowns making this a track for the peak-time hours. On the last track Stanny goes into 303 mode. Multi-Vintages 5 is a bubbling, funky acid cut that has all the qualities of a well-produced Hardfloor track.
This release will be available on sturdy 180 gr black vinyl and is limited to 250 copies, stay tuned!

Mathias Kaden's project with japanese vocalist debut release on mule musiq. Incl. Lawrence remix
mathias kaden's project with japanese vocalist debut release on mule musiq.
mathias and tomomi have already collaborated on mathias's latest album and maybe you remember excellent dj koze remix of the song.
main version on a side is atmospheric dub techno tune with mysterious japanese voice.
on b side, lawrence made deeper and club friendly remix and beats version is simple dj tool.

Together Old-Skool Acid House Alert! These tracks were recorded by Jordan Fields in Chicago during the late 80's. Just recently re-discovered on reel to reel tapes and as soon as we heard these beauties, we knew the world needs to have these on vinyl! Starting off with 'Among The Kloudz' which is a very raw & mental analog groovin' acid-house track. On the flipside you'll find 'Keepin' It Together", a warm soulful but yet club friendly Mr Fingers, Virgo Four alike track. This EP is for all the true Chicago heads, enjoy!

True house music on The A side with Self Enemy and huge house beat also on the A2 with DJ Aakmael. SEEKER'S BAND with remixes by JACK THE BOX & CORES FOR SPIN !
Self Enemy aka as Parisian Professor Inc & Detroiter Kris Wadsworth play it slow here. Picking on some classic sample, highly tweaked synth and dj friendly structure. Second opus of this raw collaboration.
Dj Aakmael picks another Billie's song, This time it's heavy orchestra chords on a hard kick singing the blues on the house core.
On the B Side, the SEEKER'S BAND aka Miguel Benavides composes with at Vocals: Mathieu Boko, Percussion: Eric Konnert (plays with St Germain, Martha Galarraga..), Bass: Francois Barbe, Tenor & Soprano Sax: Stephane Becarie, Keys: M Benavides and produced by Professor Inc & Miguel Benavides ; inspired by the first house school, jazz accents, afrocuban classic percussion, a tasty radio version right here !
It comes with a remix by the Berliners Tyree Cooper & Bobby Star aka JACK THE BOX. Dj friendly and deeply rooted with one of the pioneers perpetuating the style.
To conclude this ep, a special short dub version by CORES FOR SPIN

Welcome reisssue for monster soul-funk LP 'Disconnection', one of the most obscure and sought-after releases from top 70s disco label, Prelude. Ridiculously expensive and hard-to-find in the original, this album is stuffed full with killer tracks spanning warm, soulful disco, high-stepping groove and boogie-heavy funk all written and produced by Robert Holmes. Standouts include the jazzy free-style 'Dead On The Case', later reworked for the mysterious French Skyline project, cool jazz-funk groover 'Bay City', recently edited by none other than Balearic maestro Lexx, and the floor-friendly chunky funk workout 'Cash Money'. However no track is a filler on this superb album which fully deserves its 'holy grail' status with collectors. Essential!

new nasty boy release on underground...
after a long break we welcome back nasty boy on underground ltd...

four dj-friendly housetracks which fits in almost every sets.
check them out and convince yourself...

5 KING'S "Love & Then Sum" : 5 KING'S is five motherfuckers and this one from Chicago shows once again his very natural heritage/memory of Ron Hardy. Taking you into a more than 11 minutes deep house classic blend, classy, spiritual and dj friendly. Once again, core and essence of house music in its purest form ; continuity of & by the pioneers.
Tracklisting:

Second time out on All City Dublin for Krystal Klear following on from his recent excursion on Eglo, upping the pace for a two tracker with a French house feel. A side 'We're Wrong' is a piano-led house explosion with chopped vocals and hypnotic boogie grooves. Flipside 'From The Start' is an infectious filter house slow builder, and both tunes combined make this the most outright floor-friendly release of ACD's eight years in business. Comes in picture sleeve with free download code.

After releases and remixes out on Lovemonk Records and Nickodemus' Wonderwheel label Pablo Sanchéz is currently throwing out hot jams from his studio in Barcelona.
For GAMM he sorted us with a blazin' discoish dub of Pointer Sisters 'Yes We Can Can' that gives the original a more dj friendly push.
On the b-side 'Monkiez' delivers a classic meltdown of hip hop beats Thelonius Monk jazz samples.