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Vicino O' Mare is the first single from a unique project recorded in Naples, featuring some incredibly talented musicians. Sung in the vibrant Neapolitan dialect, this track brings a fresh blend of funk and disco vibes.

Get your swimsuits ready for those pool parties!

Enjoy the music!

Remix EP of Viken Arman's album "Alone Together" released last year. Featuring remixes from Acid Pauli, Session Victim and Mano Le Tough.

Session Victim brings their signature blend of groove and warmth to "You With Me." This remix transforms the track into a rhythmic journey, balancing soulful elements with crisp percussive textures, all while keeping the essence of Viken's original track. Acid Pauli combines You With Me and Lonely Raver with his characteristic trippy soundscapes and surreal layers. This rework takes listeners on a psychedelic patchwork of samples and modular rhythm, creating a very unique remix full of experimentation. Mano Le Tough crafts a reflective and emotive spin on "Vibrations." With lush synths and a steady groove, this remix captures an intimate dancefloor experience, blending Viken's analog sound with Mano’s penchant for stirring, dynamic builds. This club mix by Mano Le Tough ramps up the energy of "Vibrations" for peak-time dancefloor impact. Pulsating basslines, intricate drum work, and a driving momentum redefine the track, transforming it into an infectious anthem that demands movement.

Wewantsounds continues its extensive Meiko Kaji reissue program - in partnership with Teichiku Records and Kaji herself - with the release of Yadokari, her third album from 1973. This marks the first time the album has been reissued on vinyl, featuring its original artwork and newly remastered audio. Renowned for her iconic 1970s films (Lady Snowblood, the Stray Cat Rock series) and admired by Quentin Tarantino, Meiko Kaji also released a string of outstanding albums on Teichiku, blending Japanese pop with cinematic grooves. Yadokari, is reissued here with its original deluxe gatefold sleeve andOBI plus a two-page insert featuring new liner notes by Hashim Kotaro Bharoocha. As a special bonus, this edition includes a 7" EP single featuring Shura No Hana, famously featured on the Kill Bill soundtrack.

Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales).

In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.

These fifteen tracks are made with only two synthesizers (EMS VCS3 & Farfisa organ) in an experimental and very minimal style.

"It was a crazy album, totally homemade, with rhythms that I made in my student room, with a minimum of equipment and at the same time electronic sounds that I stole from the GRM where I went at night after stealing the keys to the studios. It is a pirate record, in every sense of the word, in which we find what I did afterwards.” JMJ

Audio restored & remastered

The Prince of Fried has brung forth 12 brand new humdingers: all hummable and lyrically compelling and replete with wah-acoustic guitars and beautiful orchestrations of Mellotron 400 from Liverpool’s Blondest. So inhale the garage fuzz dub of 'R in the Hood'; the mantric powerdrive of 'Four Jehovahs in a Volvo Estate'; the sentimental Pete Burns lamentations of 'In Spungent Mansions'… and who could resist the affectionate micro-trolling of 'Will Sergeant’s Blues'?

Stay cosy, defiant and edgy with these 12 fruits of FRIAR TUCK.

Dan Piu and Grant's Theory of Movement project has served up gold for lovers of heady tech and minimal. After something of a hiatus, it is now back on When The Morning Comes with more of the sort of tuneage that is going to quickly sell out and soon become the ID request du jour at your favourite underground parties. These are of course sophisticated sounds from the silky house bumps of 'Now & Then' with its seductive vocal allure to the throwback 90s sounds of 'Over Time' (Acid Mix). 'Basis' (Foundation mix) is another immediately classic house sound with analogue and dusty drums and zippy melodies next to more smooth chords. 'Motion Of Objects' shuts down with a more zoned-out vibe and widescreen melodic architecture for late nights.

Sa Pa's trademark fantastical and thickly textured sound twisted in four new directions, closely treasured and finally released: some of his most delicate and hypnotic work, and fathoms deep. Switch on your sub or find one to borrow!

The first release on Short Span, a new label from Matthew Kent, co-runner of the label Mana before this, and who ran mix music platform Blowing Up The Workshop before that.

A series of longer, dubbed out, ambient and flowing tracks. techno, minimal, bass and groove. Chosen and cut to drop the needle on and just let play for a while. For warming up, coming down, never leaving the house.

Mastered by Miles.

Photography by Will Bankhead, layout by Bene Pooley.

"Thermae" and "The Atrium" have been streamed over 450k times across DSPs since being released in the fall

Support from BBC 2's Jamie Cullum (Best in Jazz), BBC Radio's Huey Morgan (including Huey's Album and Beat of the week), KCRW's Morning Becomes Eclectic, Soho Radio (UK), Paste Magazine and more

With over to 1 million monthly listeners and 75,000 followers on Spotify he's been added to multiple editorial playlists including Jazz Vibes, Mellow Morning, State of Jazz, Jazz UK and more

Additional DSP playlist support includes Apple's Jazz Chill, Jazz Scene: UK, New Latitudes and Amazon Music's Laid Back Jazz and Fresh Jazz

With approximately 10,000 vinyl records sold the world over Robohands is a rising international star with his ambient & cinematic jazz stylings

A prolific producer, Robohands has released five albums since 2018 including his debut LP 'Green' released on Village Live records, incorporating elements of jazz, krautrock and ambient music

Has performed across the globe including Montreal JAZZ Fest, Waking Life Festival in Portugal

Psycho Bummer is thrilled to present our latest release from QUAAD, a leading figure in Seattle’s emerging jungle scene and, in our opinion, one of the finest tracker enthusiasts out there.

Made on an Amiga 1200 with Octamed, QUAAD's “PAULA EP” is a nod to the Amiga's revolutionary sound chip of the same name, as well as a love letter to the primitive sampling techniques and demoscene aesthetics that the Amiga is famous for.

PAULA’s characteristic grime and grit is evident on tracks like EP opener “King Russ”, which cuts up a gorgeously degraded smooth-jazz sample across lethal amen chops and brutal subs. Likewise, the absurdly heavy drop of “Gone Postal” is offset by QUAAD’s particular sense of humor, striking a balance between caricature and dancefloor devastation. “Erb Man Dub” and “Van Nuys Crew” round out the EP, the later switching up the intensity for a more laid back R&B vibe, hinting at QUAAD’s versatility.

We are delighted to present the new 12" maxi on Dubatriation records, two extended tracks for complete immersion! This opus defines the encounter of Panda Dub and Adi Shankara, two artists already signed to the label.

Like buried treasures, these tracks from a joint studio session have been unearthed and reworked for this release.

Infused with the orientalist flavours of French dub, these two tracks elevate the genre with their neat sound design. Panda Dub's ethnic samples and catchy melodies blend with Adi Shankara's rough and hypnotic textures.

Following the label's signature style, this record offers a deep and solemn musical experience. Embark on an introspective journey without further ado!

Opening DNO Records’ 2025, Clearlight returns to the label alongside new signee Sentient, bringing four creepy cuts of insectoid minimalism that reanimate the drum & bass exoskeleton.

On the A-side, ‘Mandibles’ aims to stun. Hurtling forth with hulking drums, this tunnelling rhythm is beset by swarms of glitchy percussion and synth zaps that’ll frazzle minds with their sheer chaotic energy.
‘Suboptimal’ reveals what’s lurking in the deep, as heavyweight bass and incessant kicks burrow through a murky soundscape of croaks and rattles, only to be sprayed by a chirping acid line that cuts through the mix with deadly precision.

Flip over and the Belgian-British pairing delivers two extended jams. The seven-minute ‘Psychodrifter’ is packed with an overdriven low-end that crackles and heaves like it's trying to talk with a mouthful of bees, while globular whoops and twinkling pads squirm and beckon like bioluminescent lures.
‘Kukulu’ is longer still, building and building and building in intensity. Waves of warning bells and skittering background noise, bongo flourishes and spurts of grinding bass come together with hive-mind-like cooperation to form an enrapturing epic.

Another example of visionary world-building from the DNO camp, the ‘Mandibles’ EP will wriggle down your earhole and have you itching for a dark basement full of bass bins.

Rhythms of postmodern realism at the very bottom of the DNO.

Cie embarks on a new sonic expedition with "Adventures II," the successor to the original journey, continuing the musical quest with great intensity and energy.
As the music begins, “Reichenstein” rises on the horizon like a majestic mountain peak, growing ever more imposing as you draw closer. Upon arrival, the towering presence of the castle welcomes you with its raw power. The beat pulses like a force of nature, its multi-layered rhythms and vibrant sounds pulling every dance enthusiast into its depths, much like an adventurer scaling the heights of the mountain itself.
The journey continues through the mystic halls of the castle, leading to "Der Turm".
Here, hypnotic synths scale the tower's heights, while deep pulsating basses push against every wall.
From there, the mountain “Stenzelberg” comes into view, casting its groovy shadows ahead as the next stop on the adventure. Upon reaching the summit, you are immediately drawn into the mountain’s spell by the power of its percussive sounds.
But the journey doesn't end there - deep within the winding gorges, Mar io awaits, leading you through hidden corners and secret paths of the mountain with his powerful remix, finally releasing the soul of the mountain. Four electrifying tracks - perfect companions for any club adventure - are ready to carry you on your own journey. Vinyl only.

Following his previous appearance on Kevin Saunderson’s KMS Records 11 years ago, Tomio Ueda returns with "nonbot EP" and the debut of his own vinyl imprint, bounce connection records.

Each of the four tracks question the boundary between human error and machine precision blending hypnotic basslines, pads reminiscent of 90's Detroit techno, hardgroove-style percussion, and plenty of mind-bending surprises.

Early support from Dax J, Richie Hawtin, Kangding Ray, A Thousand Details, Answer Code Request, Slam, Takaaki Itoh, Perc, Online Narcotics, and HAMY

Hand-stamped black vinyl in white jacket and polyline

Limited pressing of 100 available

3024 is excited to announce "Panta Rei", the long-awaited debut album by London-based, Italian artist Ehua. This album, which comprises a collection of songs crafted over the span of a year and a half, is not just an exploration through sound but also a significant milestone in Ehua's personal and artistic development. For the first time, she explores her vocal expression while also incorporating a range of percussive and other analog and acoustic instruments, resulting in a distinctive set traversing various corners of the bass music continuum.

Accompanied by unique artwork created out of concrete by Jeroen Erosie, a booklet with background and photography and a short eponymous film, 'Panta Rei' represents an intricate 'gesamtkunstwerk'. An exciting blend of various media with contributions from a range of artists, of course all centered around Ehua's beautiful and intimate music.

"Panta Rei" will be released in May, available on vinyl, as well as digitally and in booklet format. 3024 X Planet Wax are hosting a launch event on April 24th in South London.

The in demand breakbeat hardcore debut from the reclusive Synthasy. Engineered by Jezz Wright (the man behind the men behind Liquid’s Sweet Harmony and Lemon D’s Toxic Rhythms and Pursuit Of A Vision EPs) at Blockhouse Studios, a private press white label EP was self-distributed across London record shops and received additional exposure courtesy of Entity Records distribution arm. Growing demand warranted a subsequent full artwork label repress, but the record soon evaporated becoming the thing of legend, and now commands big money.

Badmans doing bad man things. With support from Sully, L major and many more various tracks off this ep have been doing damage across the globe. Shout to Swankout every time, a true gift to our scene

Bristol beat miners The Allergies are back in business with this serious soul stomper of a single.
The boys rework insanely rare wax finds from the deepest Philly funk crates. Bolting on high octane drum breaks, re-sampled vinyl vocals, and live booty-shaking bass.
'Bye Bye Baby' is built for those that like to let loose to uptempo vintage sounds, brought back to life with that modern twist.
This limited 7" single also features 'Heartbreaker' on the B-side – One of The Allergies most requested (and long out of print) 45s. Alright!

Grammy-nominated Canadian ensemble BADBADNOTGOOD present the latest edition of Mr Bongo’s iconic Brazil 45 boxset series.
Hailing from Toronto, the band, which now consists of Alexander Sowinski, Chester Hansen and Leland Whitty, made its name by crossing genres and developing a distinctive amalgamation of jazz, hip hop and psychedelic grooves. Their rise to the forefront of their scene has led to collaborations with icons such as Tyler, The Creator, Kendrick Lamar, MF Doom, Samuel T. Herring (Future Islands) and Ghostface Killah. With a penchant for an earworm hook, their sound takes cues from across the globe, both past and present, not least from the wealth of music that has emanated out of Brazil over the last 70 years.

Beatmakers, musicians and record collectors at their core, the influence of Brazilian music on BADBADNOTGOOD’s productions is clear to see, with previous collaborators including Arthur Verocai and Tim Bernardes. It seemed only right then, to hand them the reins for the next edition of our signature boxset series. As ever, the brief was simple, compile a selection of your favourite Brazilian cuts from the country’s rich musical makeup. A captivating collection of sought-after tracks crossing genres, decades and tempos, offering a glimpse into BADBADNOTGOOD’s eclectic tastes, whilst exploring ever further the richness of Brazil’s musical history.

Trambeat are an original soul band from Croydon, South London, formed in 2012 by songwriting duo guitarist Graham Potter and drummer Des James. The two played together in various bands over the years, eventually bringing together like-minded musicians from the Croydon music scene to form Trambeat. The name "Trambeat" derives from the where the band call home, with all band members living along the tram line that runs through the heart of Croydon. Initially the band operated as a loose collective, recording music and self-releasing it online and on CD. But following the 2013 release of their debut vinyl single, "Walk a Mile In My Shoes", and debut album "Tales From the Comprehensives" on Berlin labels Firestation Records and Sundae Soul Records, things began to move fast. With regular airplay by Gary Crowley on Radio London, offers of gigs began to roll in and they quickly morphed into a tight and exciting live band. Trambeat have supported the likes of Ranking Roger's The Beat, Geno Washington, The Four Aces (Desmond Dekker), Shakatak, The Flatmates and The Popguns and have featured at festivals right across the UK and Germany. Trambeat's debut release with LRK Records in 2023, the uptempo funk/soul crossover song "Don't Hold Back", proved popular at both Northern Soul and Funk clubs and was championed by "Northern Soul Girl" Levanna McLean who released a widely viewed clip dancing to the record. Indeed it became a staple at her very own Bristol Northern Soul Club and Funk Addict nights. The new single, "All Killer, No Filler", builds around a sultry, strutting bass riff bolstered by jazzy horns and a funky Nile Rogers influenced guitar. Vocalist Aimee lays down her manifesto for love without compromise, before building to an anthemic chorus you can't help singing along to.

Fozbee & Cooz were the first artists we approached as Vinyl Fanatiks when it came to re-issuing fantastic music from the early 90’s. They were a big inspiration on us here at the label, with all their original releases sat in the racks here since the 90’s.

Two brothers our of Hertfordshire, they were the link between Jack Smooth and his first release – loaning him their Akai sampler so he could write his first track. They were also round the corner from Bukem, who wanted to work with the guys on music back then. But as the brothers lived at home with their parents and Bukem had a strict weed smoking policy when writing music, the project didn’t take off the ground as their mum would of gone mad!

Fast forward 32 years and we are honoured to be able to share with you the brothers first release under their monicker of Fozbee & Cooz. Two big rave classics that got a lot of pirate radio play back in the day too. And as usual, the original of this release commands a high price on Discogs, so grab a fully authorised copy from us at a fraction of the price!

It's been a long time between drinks for German band Bambi Davidson. "Brunswick", their first outing on Claremont 56, is their first recorded output for 15 years.
It's something of a triumphant return, too. Last time we heard
from them, back in 2000, they were a 'post minimal rock'
duo comprising of guitarist/vocalist Robin van Velzen and
drummer Hans Christian Fuss. A decade and a half of live
improvisation and a multitude of collaborations later, they
return as a Balearic rock four-piece. The band's newest
members, former Mountaineer man Frank Mollena and Sofia
Fuss, were asked to join following a particularly successful
series of live collaborations and improvisational jams.
"Brunswick", the first track from their soon-to-be-released sophomore set, is particularly special. It´s a 13-minute shuffle
through Balearic post-rock territory, with Van Velzen's weary,
emotional vocals riding a wave of vibrant colours, backwards
Hazy, intoxicating and evocative, it sounds like a horizontal
anthem in the making.
One sided, hand numbered, limited to 500

Mudd has been trying to sign this for well over a year now, orginally only available on cd from Blackbelt's album on Full Pupp, it's been given the 12'' release with both original and ambient mixes. The original is a slow chugging house monster, softened by beautiful pads and synths that drop in and out but never let the pace die. The ambient mix is a late night headphone winner which you can easily get lost into. Another winner from Claremont 56.

Vaneese & Carolyn are Vaneese Thomas (daughter of Rufus Thomas) and Carolyn Mitchell who recorded two singles together at Polydor in 1977 and 1978. From these, the 1978 collaboration has been reissued here, the sides reversed. Original copies have exchanged hands for over £300. Both singers had recorded with Disco producer John Davis and his Monster Orchestra the same year on his album “Ain’t That Enough For You”, but both these songs are more sophisticated classic soul stylings with incredible vocal performances.

Lost Desert is back on All Day I Dream with his stunning new Saudade EP. The four-track EP features an appearance from Arsenal as well as a remix of ‘When Sun Rises’ by Volen Sentir. Saudade is rich and sweeping, encompassing the deep, atmospheric essence of Lost Desert’s organic house signature. Ambient melodies and breezy textures unfold over the EP’s serene 30 minutes as Lost Desert transcends the boundaries of melodic and progressive house. From the EP’s titular opener to ‘Dunes Of Alula’, Saudade finds a beautiful balance between the natural world and the underground dancefloor.

No Static / Automatic kick off their 2025 schedule with a new release from a lynch pin of Northern Spain’s electronic music community as Fanzine’s Roi joins the roster with a relentless EP of raw, rave-drenched Electro built for sweat-soaked warehouse floors. Giving us a real feel for how Roi channels the untamed spirit of A Coruña’s rugged landscape, Arise EP is powered by kicking and deep sub-bass and pure raw, untamed energy.

A co-founder of Spain’s much respected Fanzine collective, these tracks were originally written for his live set at the 2023 festival edition. Known for pulling from a wide range of influences, Roi works through a dynamic range of hard-punching rhythms on Arise, ending with a crescendo of dense melodies in closing track Spite.

Function Records has been blessed by the bassline talents of IP, John and Fiona Cunningham, showcasing their impressive skills. I had the pleasure of meeting IP at an education and bass feedback session at Planet Wax.
Choosing the first four tracks for their debut EP was challenging because they have so many bangers!
1) Nowadays, many track names suggest a connection to Jungle or reggae/dub sound systems, but they often deliver squeaky noises when the track drops. That's not the case with "Foundation Ting"; it hits you with all the elements you'd expect from Jungle music and continues to evolve impressively throughout the arrangement.
2) "Look Around" has garnered significant attention because it's one of those warm tracks that always gets a rewind. The bassline tells a story, and the breakdown and second drop are genuinely next-level.
3) "One Step" is the first track I received from IP. It's a heavy, dubbed-out jungle tune that builds into a midsection reminiscent of Spirit.
4 "Can't' Know That" is 8 minutes 37 of dirt. What a journey!

Originally released on a 7' in 2011, Mudd extends the track
for a 12'release with vocal & instrumental version.
Recorded at Can's legendary Innerspace Studio, It's a seedy
late night boogie with sultry vocals from a tempting hostess
and the gentlemanly yet sinister host, the legendary Holger
Czukay. A grinding, guttural bass, rolling groove and slinky good dose of organ comes into the second half and picks up
the step. The results are of the kind when records become
loved for their obscure oddity and otherwordliness. A track

"Underground EP" is an immersive dub experience from Domino Vibes. It's the third release from theyoung but promising romanian label, that stays true to its groovy dub-techno sound.

Especially tailored for the clubgoer, the opener "Soirée Privée" is an odissey into
monotonal synth themes played in a echo chamber, a pumping kick accompanied by syncopatedperccussion accents lost in delay reflections.The whole rhythmic construction drives the dance forward to a hypnotic state that finally locks in an endless loop.

"Night Drive" is recorded with a playful wit, using synth pads with rich chord harmonics all packaged with a rolling beat that drives the dancer to a realm of happiness. A must have for the DJs from the romanian underground scene, "Get Real" is the true banger of the release that will fill any Floor. It is an uncompromising crowd pleaser, with a punching kick, thick bass lines and rich synth chords ready to impress any clubgoer and guaranteed to lead you in a memorable epic state at the peak of afters. The ending act "Warmness Inc." is constructed around a solid groove, a relentless beat, a deep bass line, and a warm synth theme that carries you to an euphoric state of mind.

Preceded by his reputation as a rap experimentalist, Bladee is a prolific and highly inventive entity with work spanning and intersecting the worlds of music, art and fashion.

He began his career as a teenager, trading art and lyrics with close friends. After releasing his first projects, international recognition came quickly and his network of Stockholm innovators soon arrived at the vanguard of a new era in music culture.

Red Light is Bladee's second solo album. Produced by Whitearmor, Yung Sherman, Gud and Ripsquad. The album features two appearances from Ecco2k, and one from Uli K of Bala Club.

Here's a killer disco 12" with a Jazz-Funk edge from new exciting French producer Bisou.

The A side's 'More More More!' gets you from the very first second and sounds like a blend of independent library funk and EU disco...with an edge!

On the B 'Dudule Rocks' continues with more EU disco and comes equipped with big horns, sexy vocals and thumpin' fender Rhodes.

Both tracks guarantee floor action - 100% GAMM approved!

The compositions of Miłosz Kędra (b. 2001) explore synthetic sound, electroacoustic music, and self-built acoustic instruments, seeking diverse timbres, tunings, and textures. His main field of work is the pipe organ. Through minimalist motifs, he has transported the instrument’s sound beyond the church space by synthetically processing its tones. He is currently pursuing a Master’s degree in New Media Music at the Academy of Music in Poznań and recently completed a Bachelor’s degree in Electroacoustic Composition, during which he built his own pipe organ from scavenged pipes.

~ Liner notes ~

Miłosz Kędra - "their internal diapasons"

The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence.

Audiomancy—the conjuring of lost sounds—is the word that lingers when I try to grasp the lore crystallizing with Kędra’s second album.

The resolve with which the musician and composer has inhabited his self-built instrument recalls Witold Szalonek and his search for “unexploited properties of wind instruments in classical music.” Szalonek sought to map these hidden voices into a system of multiphonics, revealing over 160 on the oboe alone by 1968. Some sound eerily alike, yet emerge through distinct gestures—“a particular breath, a precise choreography of levers and apertures, the seamless fusion of the two.”

The splitting of a single note into its spectral fragments—allowing a melodic instrument to speak in two, three, even four voices at once—enabled Szalonek to bend the rigid structures of Western music. "their internal diapasons" follows a similar path: an aesthetic bypass through which Kędra taps into the sacred gravity of the church organ, only to reveal it as a domesticated echo of something far older—the primal theater of transformation. To listen closely to an instrument is to learn its flaws, to turn its imperfections into a new way of speaking.

Each of the nine compositions on "their Internal diapasons" is an invitation—to approach the material world with the intent of letting it speak beyond expectation. An instrument that is at once a sculpture, a performance, and a manifesto of voicing the discarded suggests that its creator—following the path of Didier Eribon (Returning to Reims)—might take as his motto, a principle of asceticism, Sartre’s words: “What matters is not what is made of us, but what we ourselves make of what is made of us.”

Filip Szałasek

Credit 00 is still doing his thing with PUT THE FUNK BACK IN 2 TECHNO, saving you from the horrors of today's life with a bunch of stirring tracks to dance against oppression. On his seventh EP for Uncanny Valley the Leipzig based funkster finds solace in his craft, doing what he does best. And that is to make dance music that is both undeniably catchy and blessed with an ever-surprising range of ideas and styles. What all the tracks have in common is that they have been written by someone who is deeply committed to the roots of dance music. On top of that, he has the enviable ability to find titles that already give you a hunch of sound and message of the tracks, even before you listen to them. Be it the title track with its wild Detroit rhythms and piano sound bits or the closer YOU NEED 2 CHILL, a still highly danceable ode to 90s chill out floors. While the stomping BRAZILIAN BUTT LIFT gets use of Credit 00's own voice, the chords heavy CHURCH FOR THE RENEGADES is a perfect example of inventive use of vocal samples. All in all, it's music you pretty much can't help but love. Also, don't miss a closer look at the front and back cover, which are full of references and iconographies from the history of dance music. In typical Credit 00 style, it's a super entertaining way for the artist to give credit to a lot of his influences.

MM Discos presents 'Freedom Spirit' by Pleasure Voyage: a sonic journey into the essence of Balearic Beat From the sunniest corners of the Balearic imagination, MM Discos opens the doors to a new musical expedition with Freedom Spirit, the highly anticipated vinyl release by Pleasure Voyage. A tribute to freedom, nature, and the connection to the ethereal, this EP encapsulates the spirit of eternal summer with six carefully crafted tracks that move between ambient landscapes, hypnotic downtempo, and immersive grooves. This work is a testament to Pleasure Voyage's talent for capturing the magic of the sea breeze and the ebb and flow of the waves in sound form. From the first chord of Cloud Waves (New Age Balearic Mix) to the deep reflection of Cloud Waves (Ambient Meditation Mix), each track is a gateway to a state of escape and immersive enjoyment. Side A kicks off with Cloud Waves (New Age Balearic Mix), an enveloping anthem with celestial pads and floating arpeggios, followed by Surf Meditation, an ode to the ocean with pulsating basslines and ethereal percussion. Verano Española closes the A-side with a warm groove and guitars that evoke golden sunsets and cocktails by the sea.

Rocket Recordings’ new Black Hole Series is a place where the unorthodox, otherworldly and esoteric can flourish, and there could be no more fitting first release for it than the most powerful metaphysical travelogue yet from Moundabout. Journeying still further into and beyond the landscapes from which this duo have unearthed inspiration, ‘Goat Skull Table’ is a transmission to give flight to spectral visions and include trance-states in abundance.The vibrations and manifestations of the duo of Paddy Shine(GNOD) and Phil Langero (Los Langeros, Damp Howl, Bisect) has always resonated within a very specific sense of place, transcending linear narratives and astral planes in a quest to unite timeless spirits with inner space. This third release for Rocket Recordings sees them colluding with
the landscape of their surroundings, transcending linear narratives and astral planes in a quest to unite timeless spirits with inner space.The title track marks a focal point here; a Shamanic rite on which Langero’s charismatically charged mantras collude with an audial landscape somewhere on the map between the abstract spell-casting of Nurse With Wound and the druidic gnosticism of Julian Cope. This is Moundabout at their darkest and most ritualistic. Elsewhere, the hypnotic repetition of the twin ten-minute extrapolations ‘Blood On My Blanket’ and ‘Wagon’, and the potent incantatory chants of ‘Am I Not’ and ‘Brave New World’ glow with a rugged and
charged dynamism redolent of the Swedish Psychedelia of Träd, Gräs & Stenar, uniting a minimal aesthetic with maximal impact.
Dauntless, feverish, and reaching new heights of primal intensity ’Goat Skull Table’ is a formidable field guide to the earthen and other

We are proud to present the Singapore-based artist Case Woo. Yet unknown here in Europe he started his musical career 10 years ago with 80's New Wave synthetic sounds. Originally released on the Muller offshoot Lifetime Music in 2002, we are happy to offer some original 2004 Muller press copies! Some of these tracks represent a sound that is looked for by DJ's with great interest again today. From more straightforward synth-led Techno to the more Electroclashy sound, it's all in there!

Following Sydenham, Njai and Punchard’s fresh take on Kraftwerk’s classic earlier this year, which picked up support from the likes of Optimo, India Jordan, DJ Bone, and more, Radio Slave recruits a pair of all-star remixers in Ricardo Villalobos and Gerd Janson to deliver a scintillating set of interpretations for his Rekids imprint.

Running Back’s Gerd Janson injects slap bass, funk-laden guitars, and twinkling synths over the original’s vocals for the ‘Dance’ mix, followed by a stripped-back instrumental version to kick off the A side. On the flip, Villalobos delivers a typically trippy affair, bringing constantly evolving strokes of modular mayhem and zapping percussion for over ten minutes, nervously settling into a chugging and deeply satisfying halftime groove.

Brand new 6 track album of "ghetto" house music from Chicago's DJ SLUGO. If Miami bass and Chicago's hip house had a child it might sound like this. The lead track "PUMP" sets the mood with a fast paced beat and heavy bass. Full pic sleeve.

Rafael Marín, best known as Rapha Mundi, is back on Buenobueno Discos with a solid 6 track EP titled Bonanza. The super prolific, hard working hero from the small town of Murchante, in Spain, keeps pushing boundaries on his personal journey through music.

On this record Rapha explores the deeper sides of House and Techno with a minimalistic production and a truly amazing sense for hypnotic grooves. Always club ready, always dj friendly. He also even delivers a beautiful ambient track called 'Otra Luz' as the cherry on top.

Also don't miss his show 'Slaps U' on Relativa Radio where he shines as an incredible record selector.

Nu-Balearica meets deep space club disco. MIRLAQI returns to the STAR CREATURE physical realm. The follow up to his 2019 TELESCOPE BUYERS GUIDE EP on the imprint gets an updated club mix and nu-Balearic remix from label mate A VISION OF PANORAMA

Four of the best tracks from Nug-Net's 2024 crop are here. Deep Speed Garage, multi-bassline wonders, and more highlight this package. As always, you can take the course too at