Mit weltweit über 3Mio. verkauften Einheiten & 10 Studioalben hat die schwedische Modern Metal Band In Flames ihr Genre nicht nur neu definiert, sondern sich auch weit über dessen Grenzen hinaus etabliert. Nach der Gründung durch Jesper Strömblad 1990 gelang ihnen mit ihrer 2. LP "The Jester Race" der Durchbruch und gleichzeitig ein gefeierter Genre-Klassiker.
Nach ihrem mit Gold ausgezeichneten letzten Studioalbum "Sounds of a Playground" kündigt die Band jetzt ihr neues Album "Siren Charms" an. Dieses dokumentiert ganz genau, wo In Flames 2014 stehen.
Die LP wurde in den legendären Berliner Hansa Studios eingespielt und bietet neben der ersten Auskopplung "Rusted Nail" 10 weitere Tracks, die sowohl alteingesessene Fans begeistern werden ("In Plain View") als auch Crossover-Potential haben ("Through Oblivion").
"Siren Charms" sichert In Flames die Stellung als Metal-Band, die niemals still steht, und es ist zweifellos eine Band, die immer wieder Risiken eingeht, Grenzen überschreitet und sich selbst ebenso herausfordert wie ihre Zuhörer. Dass die Hindernisse die Band nicht umgebracht haben, ist offensichtlich - aber die Frage ist, ob In Flames jemals so stark gewesen sind
quête:g 23
- 1: Le P'tit Jardin
- 2: Petite Blonde Du Bld Brune
- 3: La Valse À Sale Temps
- 4: Les Mille Paillettes
- 5: Il Faut Manger
- 6: Helno Est Mort
- 7: J'ai Besoin De La Lune
- 8: L'automne Est Làs
- 9: Si Loin De Toi... Je Te Joue
- 10: 0.000 Remords
- 11: Trop Tôt, Trop Tard
- 12: Te Tromper
- 13: Madame Banquise
- 14: Les Rues De L'hiver
- 15: Sibérie Fleuve Amour
- 16: Les Petites Planètes
- 17: Te Souviens Tu
- 18: J'ai Besoin De La Lune (Remix)
- 19: Dans Mon Jardin
- 20: Merci Bonsoir
- 21: Fou De Toi
- 22: Les Yeux Turquoise
- 23: Sibérie
Hypnotischer Tiefgang kann auch hell und freundlich sein, wie Marcus Sur einmal mehr unter Beweis stellt. Die melodiöse Eingängigkeit seiner Produktionen schwingt irgendwo zwischen Deep House und Dub Techno, wobei er das Beste aus beiden Welten mit organischer Eleganz verwebt und mit seiner ganz eigenen Note versieht.
Da ist das stimulierende Pochen und entrückte Klingeln von The World In Small Doses. Da ist die hintergründige Dramatik und perfide Vielschichtigkeit von Masquerade. Da ist die verträumte Stimme von Ann Jasmund, die sich über den warmen Wogen eines wabernderen Klangteppichs ausbreitet. Und da ist der verspielte Basslauf von Magnetic Ribbons, dessen schwerelose Synthesizer- und Piano-Zitate Mollono.Bass zwischen die perkussiven Rhythmen seines wundersamen Frequenz-Universums entführt. Das dubbig glitzernde Original gibt es als Zugabe für die Digital-Version. Leicht verdaulich und doch sehr gehaltvoll - wie gute Musik für den Sommer sein sollte!
- A1: Turn To Stone 03:48
- A2: It's Over 04:09
- A3: Sweet Talkin' Woman 03:47
- A4: Across The Border 03:54
- B1: Night In The City 04:04
- B2: Starlight 04:32
- B3: Jungle 03:51
- B4: Believe Me Now 01:21
- B5: Steppin' Out 04:38
- C1: Standin' In The Rain 03:59
- C2: Big Wheels 05:31
- C3: Summer And Lightning 04:13
- C4: Mr. Blue Sky 05:04
- D1: Sweet Is The Night 03:28
- D2: The Whale 05:05
- D3: Birmingham Blues 04:23
- D4: Wild West Hero 04:40
LIMITED EDITION : first 1000 will be numbered & limited transparent blue vinyl !
Home to E.L.O.'s world hit 'Mr. Blue Sky', Out Of The Blue is a multi-Platinum selling double album by the iconic pop rock band from Birmingham. Renowned for Jeff Lynn's elaborate productions and arrangements, Electric Light Orchestra proved they were able to expand on their success formula of Beatlesque classic rock songs. The album yielded classic E.L.O. songs such as 'Turn To Stone', 'Sweet Talkin' Woman' and 'Wild West Hero', all becoming hits in the UK. A nine-month tour followed its release in 1977 that set new visual standards for stadium rock acts, incorporating a giant space ship, fog machines and laser displays. Music On Vinyl celebrates the European rerelease of Out Of The Blue with a limited run of 1.000 on transparent blue vinyl.
5 KING'S "Love & Then Sum" : 5 KING'S is five motherfuckers and this one from Chicago shows once again his very natural heritage/memory of Ron Hardy. Taking you into a more than 11 minutes deep house classic blend, classy, spiritual and dj friendly. Once again, core and essence of house music in its purest form ; continuity of & by the pioneers.
Tracklisting:
- A1: Signe" (Eric Clapton) - 3:13
- A2: Before You Accuse Me" (Ellas Mcdaniel) - 3:36
- A3: Hey Hey" (Big Bill Broonzy) - 3:24
- A4: Tears In Heaven" (Clapton, Will Jennings) - 4:34
- B1: Lonely Stranger" (Clapton) - 5:28
- B2: Nobody Knows You When You're Down And Out" (Jimmy Cox)
- B3: Layla" (Clapton, Jim Gordon) - 4:46
- B4: Running On Faith" (Jerry Lynn Williams) - 6:35
- C1: Walkin' Blues" (Robert Johnson) - 3:37
- C2: Alberta" (Traditional) - 3:42
- C3: San Francisco Bay Blues" (Jesse Fuller) - 3:23
- D1: Malted Milk" (Robert Johnson) - 3:36
- D2: Old Love" (Clapton, Robert Cray) - 7:53
- D3: Rollin' & Tumblin'" (Muddy Waters) - 4:10
This is the last ever album from legendary German rock quartet Scorpions. This new x12 trk album will be supported by a three year world tour, including UK dates. Strong press support across specialist mags including Classic Rock & Metal Hammer, with ads, features, interviews & reviews. Database & Ecard mailout. Specialist radio plays across ILR, Kerrang. Student & rock club promo. MTV vid plays across MTV2. National poster & flyer campaigns. Ltd vinyl format (500).
- A1: Talking To My Scale By Paper Route Empire & Young Dolph
- A2: Blu Boyz By Young Dolph, Key Glock & Paper Route Empire (Feat. Snupe Bandz)
- A3: Beat It By Paper Route Empire, Bigg Unccc & Young Dolph
- A4: I Do This By Paper Route Empire, Key Glock & Gucci Mane
- A5: Back To Back By Paper Route Empire & Bigg Unccc
- A6: Remember By Paper Route Empire & Snupe Bandz
- B1: Mister Glock 2 By Paper Route Empire & Key Glock
- B2: Bandaid By Paper Route Empire, Key Glock & Snupe Bandz
- B3: Non Stop By Paper Route Empire & Big Moochie Grape
- B4: Dance By Young Dolph, Paper Route Empire & Key Glock (Feat. Snupe Bandz, Kenny Muney, Joddy Badass, Jay Fizzle & Big Moochie Grape)
- B5: 333 By Paper Route Empire & Joddy Badass
- B6: Standing Ovation By Paper Route Empire & Big Moochie Grape
- C1: Big Ol Racks By Paper Route Empire, Paperroute Woo & Key Glock
- C2: Dead Body By Paper Route Empire, Young Dolph & Bigg Unccc (Feat. Paperroute Woo)
- C3: Broccoli & Cheese By Paper Route Empire & Key Glock
- C4: Trust Nobody By Paper Route Empire, Young Dolph & Paperroute Woo (Feat. Snupe Bandz)
- C5: Here We Go By Paper Route Empire, Young Dolph & Jay Fizzle (Feat. Snupe Bandz)
- D1: Show Out By Paper Route Empire, Snupe Bandz & Young Dolph
- D2: Freeze Tag By Paper Route Empire & Key Glock
- D3: Nothing To Me By Young Dolph, Snupe Bandz & Paperroute Woo
- D4: South Memphis Rugrats (Remix) By Paper Route Empire, Young Dolph & Snupe Bandz (Feat. Paperroute Woo)
- D5: Illuminati Business By Paper Route Empire & Big Moochie Grape
PAPER ROUTE iLLUMINATi is the compilation album from Paper Route EMPIRE, the label founded by late Memphis legend, Young Dolph, and home to the equally iconic Key Glock and an impressive roster of additional artists including Snupe Bandz & Big Moochie Grape. Including the hit songs, "Talking To My Scale," "I Do This," & "Mister Glock 2," as well as deep cuts like "Broccoli & Cheese," this album is a must have for Southern rap fans and encapsulates a time when PRE was at the height of their game, shortly before Young Dolph's untimely passing. 2xLP pressed on Red Snake Eyes Galaxy vinyl, and housed in a gatefold jacket. Long Live Young Dolph.
- A1: Watashi No Kareshi Ha 200 Sai
- A2: Rainbow Sealine
- A3: F. W. Y
- A4: Youi Ha Iikana
- A5: Night In L. A
- B1: High Times
- B2: Itoshino Mary
- B3: Super Market
- B4: Paradise
- B5: For Jun
Hiroshi Sato’s landmark solo debut album, recorded at Electra Studios in California with the support of local musicians including Amos Garrett and Joe Carrello.
The album features a self-cover of “Rainbow Sealine”, originally written for Minako Yoshida, as well as “F.W.Y.”, later covered by Chu Kosaka.
Original Release: LQ-7008 (May 25, 1976)
Melchior Productions Ltd. returns to his own My King Is Light imprint with a brand-new 12″—this time alongside Romanian-Russian pianist-producer Mischa Blanos, one third of the acclaimed Amorf trio, Jupiter Tracks pt. 1 is a beautiful record, deep and emotional, as if beamed in from another world—yes, Jupiter.
Across “Push,” “First Eva,” and “Spirit Of 23,” the pair interlace meticulous programming and crystalline sound design into an ever-shifting strain of minimal house. Dispensing with overt drama, the EP zooms in on nuance: textures flicker between digital shimmer and tactile grit, while Melchior’s trademark restraint leaves ample space for Blanos’s melodic Midas touch to radiate quietly.
REPRESSED !
Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960's in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.
In 1983, 'Dance It Down/Jamaica Running' 12' EP was released on Moment Productions. Based on response from D.J.'s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of 'Dance It Down' came out of the studio as 'Dance In Dub', with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we've added two bonus European remixes from the 1984 12' of 'Dance It Down/Jamaica Running', released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.
The American rock band was formed in 1996 by lead singer and guitarist Alex Band and guitarist Aaron Kamin. They’re best known for their hit single “Wherever You Will Go”, which topped the Adult Top 40 for 23 consecutive weeks, making it the second longest running #1 hit in the chart’s history. The track featured on their debut album Camino Palmero, which was released in 2001. At the time, the band’s lineup included Band, Kamin, Sean Woolstenhulme, Nate Wood and the Grammy Award-nominated multi-instrumentalist Billy Mohler.
Camino Palmero was a commercial success and was certified with a Platinum status in several territories. In addition to the hit “Wherever You Will Go”, the band spawned two more singles, “Adrienne” and “Could It Be Any Harder”. The album features several guest performances; Whitesnake member Paul Mirkovich, who is also the band leader of Cher; session musician Bob Glaub, who played with artists such as Bruce Springsteen, Journey, Bob Dylan and many more; producer Ron Fair, who produced multiple #1 hits.
A few words for the album
Moment’s Aeternity:
a 12/8 composition celebrating the raw power of the “moment”, marked by whirling improvised moments between drums, bass clarinet and Harris P’s Armenian duduk.
Pajko, fire in the forest on the mountain:
in Sokratis own words: “I have a really vivid memory as a child. I was staring at the Djena mountain from my window in Archangellos which sits on the Pajko mountain. A little beam of light shone far in the horizon; it was a fire that in my little eyes looked as if the giants of Almopia were trying to communicate with each other using phryktoria (a way of contacting through fire in Ancient Greece).”
Footprints of some Giant Steps:
While the classic compositions of two true Jazz Giants- Wayne Shorter and John Coltrane- are certainly different, they do both connect in a mystical way. Rearranged in 5/8 combining half of each melody and half of each one’s chord progression, keeping the form of the piece for improvisation, still in 5.
Oson Zeis Fainou (Seikilo’s Epitaph):
found in a tomb stone in the Northeast of Greece, this is the only melody saved from the ancient times. It is accompanied by lyrics contemplating the meaning of life:
Ὅσον ζῇς φαίνου
μηδὲν ὅλως σὺ λυποῦ πρὸς ὀλίγον ἐστὶ τὸ ζῆν τὸ τέλος ὁ xρόνος ἀπαιτεῖ.
‘’While you live, shine
don’t feel blue for anything because our life is short and time demands an end.’’
Here is to Oghene K:
’’Hey man, where is the groove?’’, he would say, just to trigger another wave of inspiration for Sokratis. Oghene was a true force of nature, a well of kindness, a masterful artist that left this world too early. This one is for him.
Balkan Riff (for Milcho Leviev):
Milcho Leviev (1936-2019), was a long-time friend and collaborator and a true inspiration for expression, creativity and colorfulness. Expressing the deep sentiments evoked by the Balkan sound and history, this is a sorrowful dialogue between bass clarinet and contrabass.
Spirits of Djena:
one of the most esoteric and personal moments of the album. Composed and recorded during the challenging times of the COVID-era, you can hear the baritone and tenor saxophone firmly grounded on a crispy, hypnotizing contrabass groove.
Sokratis Votskos Quartet
Kostas Anastasiadis / Giorgos Klountzos - Chrysidis: Drums
Leandros Pasias: Piano
Vaggelis Vrachnos: Contrabass
Sokratis Votskos: Soprano Saxophone, Bass Clarinet and Compositions
Sokratis Votskos is a jazz saxophonist, clarinetist, composer, educator, and bandleader from Greece. Deeply invested in unearthing the folk sounds and heritage music of Greece and Eastern Europe, he weaves these into modern jazz compositions though the use of melodies, polyrhythms, and his reedy, timeless tone. He leads the Sokratis Votskos Quartet, he is one half of Kolida Babo and member of the Reggetiko Project. A highly regarded sideman and ensemble player, he has worked extensively with renowned jazz musicians with several highly acclaimed releases (MiC, Jazzman, Walt Disney and now Fair Weather Friends Records).
He has performed his music in numerous venues and festivals worldwide from Vinterjazz in Copenhagen, to the EFG London Jazz Festival where he performed at the legendary Ronnie Scott’s alongside Greg Foat.
He is also an archaeoacoustics researcher and enthusiast, having completed his Master studies on the field of ancient ritualistic caves of Greece research.
Leandros Pasias was born in Thessaloniki, Greece. At age 10 was introduced to piano, continuing his studies at the Modern Conservatory of Thessaloniki and later at the Conservatorium van Amsterdam in the department of jazz piano.Ηe holds a classical harmony diploma and a BA at the Department of Music Studies at the Aristotle University of Thessaloniki. In 2020 he received jazz improvisation lessons from Aaron Parks.
With a series of appearances in multiple international jazz festivals, Leandros has collaborated with a wide range of musicians from Nicolas Masson and James Wylie to Marina Osk, Ivo Papasov and Haris Lambrakis, among others.
A member of the Yako Trio, he released “OdesSea” on Fair Weather Friends Records (2021).
Vangelis Vrachnos was born in Thessaloniki, Greece, in 1989. While he started playing the bass at the age of 12, alongside his brother, his studies would commence a few years later. Introduced to double bass at the age of 23, he undertook jazz double bass studies at the Codarts Αcademy of Rotterdam. He has participated in several festivals such as the Technopolis and Odessa international jazz festivals. Since returning to his hometown, in 2015, he has been a founding member of Mordana and Yako Trio and has collaborated with a series of musicians like James Wyllie, Sokrates Votskos and Dimitis Agelakis, among others.
Kostas Anastasiadis is a tireless researcher, that has been diligently studying Tradition and its evolution, creating a fresh amalgam of sound moods. His mature improvisational virtuosity highlights a uniquely individual artistic expression and was recognized with the ̈Unique Individual Stylist" award by the PIT (Percussion Institute of Technology) in Los Angeles, California. He has been associated with various ensembles that have garnered significant interest in the global music scene. As an educator, he is the founder of "The Harmony of Rhythm" musical method, which aims to explore and establish the elements that constitute the concept of rhythm.
Giorgos Klountzos-Chrysidis was born in Thessaloniki in 1991. Following studies at the Modern Conservatory of Thessaloniki, he moved to France and the Conservatoire de Nice. With performances at well-known festivals like Nice Jazz Festival, Nuits du Sud and Jazz à Vienne, he had the opportunity to meet the American drummer Leon Parker, who encouraged him to move to Paris, where he spent the next two years under his tutoring and guidance.
In 2016, came a defining moment in his career as he traveled to New York for the first time. He participated in the quartet of saxophonist Diego Rivera for a series of performances and attended lessons by Rodney Whitaker and Randy "Uncle G" Gelispie at Michigan's State University.
Collaborations include Xavier Davis, Ricky Ford, Nicolas Masson, Diego Rivera, Craig Bailey, Baptiste Herbin, Marc Abrams, Pantelis Stoikos, Antonis Anissegos, David Lynch, Ziad Rajab and Ivo Papasov, among others.
“Onomatopeikoa II” follows on from Irazoki's 2017 Gitarra Onomatopeikoa release, and that album's sense of untethered, questing curiosity is not only carried over but expanded upon even further here. Combining a fully committed approach to the guitar with an almost egoless lightness of touch, this album builds upon the already impressively scopious range of Gitarra Onomatopeikoa to dizzying effect.
Irazoki makes full use of an impressively broad palette. Yet nothing feels forced, nothing is for show – there’s just a sense of open-hearted generosity.
In lesser hands such a whirlwind tour of style and form might risk failing to get its hooks in deep enough, yet not only does Irazoki have the imaginative scope to tackle these varying approaches to the instrument, he has the technical chops to pull it off. Each composition seems to have an openness of intent that is utterly disarming; all cards are on the table and nothing is held back, resulting in a creative tour de force that builds, piece by piece, to a unifying cohesiveness that makes the whole far greater than the sum of its parts.
Featuring contributions from long-time OTO favourites Rhodri Davies and Raphael Roginski,
“Onomatopeikoa II” is nevertheless unmistakably a work of singular craft and vision.
FFO: Jeff Parker, Loren Connors, Keiji Haino
Limited edition vinyl of 250 copies
presented by Hegoa with a cover designed by Pablo Mirón.
- A1: Echi Tribali 2:01
- A2: Danza Della Pioggia 2:31
- A3: Totem 2:51
- A4: Danza Della Morte 3:14
- A5: Rito Della Fecondazione 2:45
- A6: Danza Di Guerra 2:29
- B1: Rito Nuziale 1:55
- B2: Iniziazione 2:09
- B3: Rito Del Sole 1:14
- B4: Invocazione 1:07
- B5: Rito Della Fertilità 1:23
- B6: Danza Dello Stregone 2:28
- B7: Rito Di Propiziazione 2:35
- B8: Adorazione 1:58
Black Vinyl[23,74 €]
“Alle Sorgenti Delle Civiltà Vol. 3 - Africa, Australia, Nuova Zelanda” (1971) is the third and final chapter of a triptych of folk-based sound recordings released by Folkmusic. The album contains a total of fourteen tracks by Braen and Raskovich, i.e. the a formidable multi-instrumentalists Alessandro Alessandroni and Giuliano Sorgini, each grappling with seven different compositions characterised by a tribal mood. Among the grooves of this record, repressed on vinyl for the first time by Musica Per Immagini, it is possible to discern an in-depth study of one of those forms of popular culture referring to a specific geographic area, comprising the types of traditions often handed down orally and concerning knowledge, beliefs, fairy tales, legends, myths, narratives linked to the dimension of the fantastic, customs and traditions, namely music. Festivals and propitiatory rites, fights and dances, magical and sacred representations were all expressions of life whose sound and rhythm contributed to an appropriate description of the environment. Alessandro Alessandroni and Giuliano Sorgini have chosen some of the most significant musical characters that even belong to specific ethnic realities scattered across two distant continents, where the use of some of the typical instruments has favoured the realisation of sonorities of considerable interest.
- Éire Go Deo
- Smugglers & Scholars
- Carnival
- Palestine (Feat. Fawzi)
- Liars Tale
- Fenian
- Big Bad Mo
- Headcase
- An Ra
- Éire Go Deo
- Smugglers & Scholars
- Carnival
- Palestine (Feat. Fawzi)
- Liars Tale
- Fenian
- Big Bad Mo
- Headcase
- An Ra
- Cold At The Top
- Occupied 6
- Gael Phonics
- Cocaine Hill (Feat. Radie Peat)
- Irish Goodbye (Feat. Kae Tempest)
BLACK Vinyl[19,29 €]
KNEECAP return to bend genre, language, and rules. The most talked about artists in the world are turning the page. A new chapter, new sounds, new manifestos.
A blistering album that revels in darkness while bursting through the void with illuminated revery. This is FENIAN.
Produced by Dan Carey (Fontaines D.C., Kae Tempest, Wet Leg), FENIAN upends expectations with an expansive sonic palate, traversing acid house, trip-hop, dubstep, and more - Masters of rave and rap theatre, FENIAN represents Kneecap’s most sophisticated exploration of language and sounds.
More darkness. More confrontation. More craic. More energy. More solidarity. More absolute bangers. And more fuel for the unrelenting engine that powers this unstoppable force. For their remarkable second album, Kneecap have come out fighting.
Throughout, the sirens and alarms ring, and the chorus’s blast. Revolutionary and rebellious, confrontational and impossibly catchy, inescapably intelligent and brilliantly rendered, FENIAN doesn’t just represent the next phase in Kneecap’s trajectory but stands as a remarkable record that thrills as much as it surprises. The mayhem of their breakout year is a memory now. But Kneecap are neither dwelling on that nor merely persevering through it. In FENIAN they excel, reaching a new peak that is undeniable in its mastery.
Pressure makes diamonds, and FENIAN glistens with Kneecap’s uncut gems.




















