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For Fans Of... El Michels Affair, Adrian Younge, Roy Ayers, Karriem Riggins, The Roots, Khruangbin. Producer "Grimez" has been making music for 20 years deep. Grimez has ghost produced tracks for 50 cent, Hi-Tek, Kool Keith, Stick man (DEAD PREZ), Killah Priest, Sadat X, MOOD & Talib Kweli, and Mighty Diamonds to name a few. Gritty & raw analog instrumentals Deep, Hard Hitting Soul-Jazz Meets Dub Instrumental Analog Grooves For Your Psyche. In few words, Doctor Bionic can be described as Instrumental b-movie psych-hop. But that doesn't tell the whole story. Doctor Bionic is the brainchild of Cincinnati's Jason Grimes, formerly the producer of the hip-hop group MOOD (with emcees Main Flow & Donte). Having grown up in the Scribble Jam scene here in Cincy, and running in circles that included artists like Hi-Tek & Talib Kweli, Grimes' music has continued to evolve from sample-based loops, to live instrumentation with deep layering; provided by a revolving door of local musicians. The common thread in most Doctor Bionic tracks are the neck snapping drum breaks, but the tempo adjustments and varying instrumentation lends itself to a collection of non-genre specific songs - held together in unity by the flawless drums, often provided by Josiah Wolf (of indie-rock band Why?). The result of these recording sessions are a masterclass in musical juxtaposition. Spacious yet clustered. Futuristic nostalgia. Ideal for long car rides or setting the vibe during a laid back gathering of friends. Also Available From Doctor Bionic: Animal Totem LP, The Invisible Hand LP

SDEM’s debut LP for Mancunian electronic music imprint Skam Records.

VORTICES 9 tracks continue SDEM’s current prolific flow after a steady series of drops via his own
MEDS label & other like-minded operators (CPU, Opal Tapes, Seagrave, Superpang etc..)

Informed by hiphop & computer music and steeped in Northern England's post bleep+bass
mutations, VORTICES operates in its own lane, rooted as much in the by-hand manipulations of
musique concrete and free improv as the studio-as-an-instrument innovations of electro, hiphop, dub and bass weighted electronica.

Evolved out of hardware jams, the pieces showcased here crackle with emotion and colour,
repeated plays reveal suggested and subliminal depths. Neither shackled to the grid nor enslaved to linearity, the LP expands & finesses SDEM's dynamic & forward facing approach

An essential part of the European disco history... "Livin' Up" and "Stop" by B.W.H., these two tracks are true 'milestones' and Italo-Disco in the purest form. The sound that only the most virtuous and innovative young Italian DJs and arrangers were able to create in the early 80s. B.W.H is Stefano Zito (aka Black Way), Stefano Galante, and the late Carlo Favilli, "Stop" is dubbed "the best B-side ever!", but "Livin' Up" is also incredible, making this vinyl the hottest 12" ever assembled in the Italo Domain and for decades incredibly underrated.

It was I-f's Mixed Up The Hague mix that brought this to the attention of a wider audience and have been considered one of the holy grails of Italo ever since. Here the 2 original versions from 1983 remastered with care and passion by Dom Scuteri and Claudio Casalini (Best Record) in two different editions: the classic one in black vinyl and the strictly limited one in gray vinyl. Two essential tracks available in a high quality edition.

Questions will inevitably have to be asked here as to how / why Hooj have shamelessly broken the informal UN backed agreement to NOT REMIX / RE RELEASE C*F* D*L M*R, EVER AGAIN. But after the Hooj Catalogue owners cajoled the old A +R team into a Hooj Electronic Orchestra album in 2021, the then up and coming Borai + Denham Audio were enlisted for remixes, and fast forward a couple of years, the Bristol duo are smashing it in 2023, and vinyl does indeed beckon.

And with some justification it has to be said, as the Bristol duo took chunks of the original Wim Mertens melody and somehow still managed to drag it into new terrain, introducing rough breaks and hardcore sensibilities into proceedings, for the first time in the track's 30 + years journey.

On the B - side, another star turn from the early 90's get's the BDA treatment, as Transformer 2's Fruit of Love get's a more polished/ musical approach on the Audio Redux mix ( though with no compromise on bottom end / beats dynamics) , and Borai contributes a rolling, percussive 4/4 dub.

Kombinat 100, the suspiciously band-like live act from northern shores, are set to unleash their eagerly awaited debut album ‚Wege Übers Land’ (ways across the land). Here, everything we know and love about these notorious dancefloor smashers reemerges from the studio, squeaky clean and freshly rinsed, polished and arranged. An irresistible retrospective of Kombinat 100’s countless live gigs, there is no other way this album could have come about: All of the four Mecklenburgers’ tracks have their origins on stage.

So don’t be surprised if you find yourself moshing along from beginning to end! Kombinat100’s eclectic mix and match of influences touches on more genres than you could possibly think of, from techno, house, dub and pop to jazz and beyond, interspersed with plenty of lovingly crafted moments of homemade bliss. And it is precisely those moments, when the boys reach for their acoustic sidekicks, from accordion and melodica to congas and hammond organ, that our hearts miss a beat. Unafraid to flaunt grand emotions, melancholic opener ‚Flieg kleine Taube’ (fly away, dove’) and the sun-drenched sounds of ‘Hanne Nüte’ meet their match in the rocking grooves of ‘Out Of My Space’. In-between, the boys invariably return to their gig-inspired dancefloor roots – ‘Woterfitz’, ‘Del Maritim’ and ‘Der Pomel’ are set to move your heart, feet and mind. So, finally: a breath of fresh, Open Air for your living room!


Kombinat 100, der bandverdächtige Liveact aus dem Norden, veröffentlicht nun mit "Wege übers Land" sein lang erwartetes Debüt- Album. Das, was bisher den Dancefloor zum Einstürzen brachte, bekommen wir nun sauber im Studio aufpoliert und arrangiert. Dabei handelt es sich um eine Retrospektive der unzähligen Live-Gigs der vier Jungs aus Mecklenburg. Ihre Tracks entstehen auf der Bühne, sind für die Bühne konzipiert. Deshalb muss es auch niemenaden verwundern, wenn man von Anfang bis Ende mitgeht. Kaum ein Genre wird ausgelassen, wenn Kombinat 100 seine Einflüsse aus Techno, House, Dub, Pop und Jazz reflektiert. Aber auch die heißgeliebten handgemachten musikalischen Augenblicke dürfen natürlich nicht fehlen. Denn genau dann, wenn sie ihre akustischen Instrumente, wie Akkordeon, Melodika, Conga`s und Hamond Orgel zum Einsatz bringen, schlägt unser Herz am höchsten. Diese Tracks stehen zu ihren großen Gefühlen, wie der melancholische Opener-Track "Flieg kleine weiße Taube" oder das sonnenverwöhnte Stück "Hanne Nüte". In der Mitte wirds dann mit "Out Of My Space" shufflig und rockig. Dominiert wird das Album jedoch durch die Tracks "Woterfitz", "Del Maritim" oder "Der Pomel", welche ganz klar für den großen Floor zugeschnittenen sind. Endlich: Kombinat 100 gibt uns ein Stück Open Air-Feeling für's Wohnzimmer!

Death Is Not The End sub-label 333 hit again with a reissue of a rarely encountered piece of prime UK digi, courtesy of Franklyn Bernard aka Frankie B - mixed at Fashion's A Class Studio in Clapham, and released on the Ital Stuff label in early 1986.

Frankie B began his recording career with producer Bert Douglas, first releasing on his Reggae City label in 1984 with the No More Tears 7" under his birth name Franklyn Bernard. In 1985 he then linked up with Ital Stuff - a production team consisting of three brothers who also helmed the Sweet & Bitter Band. Operating a small eight track studio in the basement of their house in Balham, Ital Stuff had recently been responsible for putting together and laying down the backing track to Dixie Peach's classic Pure Worries, released on the Jah Tubbys label in 1985. Upon playing Pure Worries to Frankie he was immediately inspired to lay down his own vocal on the track, which too features Dixie Peach contributing vocal harmonies - it was recorded late 1985 and mixed down along with a ferocious dub side at South London's A Class Studio, eventually seeing release in early 1986.

Very limited white label VIP mixes of Glimmerman's Step Mode featuring a cut from the artist himself and fellow Dublin native Sputnik One.

UK artist David Duncan recorded only one EP as Ability II but it is one of those which has become an utter cult classic and much sought-after 12". The story goes that the bassline on this one was so deep the mastering engineer had a problem cutting it.

There is no evidence of it on this reissue though - that bassline powers the tune perfectly as the plunging kick drums and dancing synths get you moving your body. Perfectly deployed vocals bring heart-aching soul as this most warm and dubby cut drowns you in timeless deep techno. Next to the gorgeous original mix is an extended dub for even more drawn-out late-night dance floor pleasures.

Looooooongish Cat and Davecoin have come together for their debut album Realizer on Adeen. It is a record that swings from the dark and mysterious to the more upbeat and playful as it explores a range of techno styles. The material originates from the pair's live set so has a real dynamism to it as well as it moves through ever-evolving psychedelic soundscapes.

Vocals, synth lines, and guitars have all been laid down on tape and then resampled and deconstructed to "create an analog patchwork which floats over the hard-hitting beats and fat analog synths and bass lines." It's an immersive and inventive record that also has a fresh cover design.

Rupture are proud to present the debut album from Double O entitled 'Firm Meditation'.

Co-founder of Rupture alongside Mantra, Double O has long been an understated pillar of the crew. After a prolific run of singles, EPs, remixes and Lost Tape releases, the time has come for his first LP.

The album has formed organically; built with honesty and passion - not for money, validation or from any time pressure, but as an illustration of who he is and what he does. Double O approaches creativity straight from the heart and the studio is more than just a daily retreat for him; its been a routine, a necessity and a firm meditation since the early 90s.

Deeply rooted in his history and culture, influences in dub, techno and hardcore are felt throughout. Double O is revered highly amongst the Rupture crew, but he remains humble, true and has returned this respect straight back into his music, to create a body of work that’s spiritual and straight from the soul

DJ Jus-Ed is a real house g. The New Jersey man has been keeping it deep for decades, mostly on his own Underground Quality label and that's what he does once more here. As is often the way, his own vocals infuse the opening track 'That First Touch' which is a happy house cut laced with feel-good pianos.

'The Freshness' hits the sweet spot between classic Chicago depths and dubby new school house with sustained chords and lo-fi drums. 'The Walk & Talk' has elastic bass and tumbling drums with zoned-out vocal musings and 'When I Met You' brings some cosmic synth radiance into Ed's smoky house basement.

Celebrating dubwise origins, Mole Audio delivers two fresh remixes of their very first release: Andy Martin ft. Gavsborg’s Plato & Caves.

Gavsborg is a towering figure in Jamaica’s dancehall scene. So when Andy found an acapella, he set to work on a renegade edit. Subsequently approved and embraced by Gavborg himself, Andy’s interpretation provided the launch point for Mole Audio – and is re-envisioned twice more here.

Paired with the original A-side, the first B-side remix comes courtesy of Dub War’s legendary Bill Fuller. A progenitor of London bass music, Bill’s records as Dubwar are prized among collectors. Pairing hypnotic beats with spacious textures, an insistent analog bass line weaves its way through an infectiously dystopian atmosphere.

Taking a minimalistic house-driven approach, Andy’s all-new Mad Magnetism Version brings Gavsborg’s original vocal to a prime time environment. Sizzling high hats and diving bass drops combine to keep the dancefloor in motion before insistent dub chords further elevate the urgent atmosphere.

Combined with the original and Nit Yardman’s remix, the resulting package once again showcases Mole Audio’s unique approach to modern dub aesthetics.

'Blowout', das neue Album von John Carroll Kirby - GRAMMY Award nominierter Produzent, Komponist und Keyboarder aus Los Angeles - wurde von den Menschen, der Musik und der Natur Costa Ricas inspiriert.

'Blowout' enthält alle Merkmale des charakteristischen Sounds, den John Carroll Kirby im Laufe von sechs Soloalben und Dutzenden von Kollaborationen entwickelt hat - Verspieltheit, Humor und Überschwänglichkeit.

Kirby hat mit Superstars wie Solange, Frank Ocean und Harry Styles sowie mit Indie-Künstlern wie Yves Tumor, Liv.e, Remi Wolf, Eddie Chacon und YuSu zusammengearbeitet. Für seinen Beitrag zu Steve Lacys Gemini Rising und die Leadsingle 'Bad Habit' wurde er für einen GRAMMY nominiert.

Healing Force Project continues its sonic journey towards territories of dub/reggae derivation. In this case, creating for Analog Versions, two tracks with a dark flavor, introspective but never banal. In the piece "The Bathysphere Stalks The Ganja", which gives the title to the 10inch record, there is a well-defined rhythmic gait, obviously with a markedly dub timbre and a structure that almost transforms into a jungle mantra, almost giving the listener a feeling of sensory loss. Continuing on this type of production and composition, "Jah Connection" develops on a slow groove in the first bars of the track, and then opens up to contexts close enough to the breakbeat and with a voice that repeatedly punctuates the riddim that is created step by step. Bottom line: whoever listens to this project just has to let themselves be carried away by these timeless sounds.