Search:g dub
Repress
+ DJ Sotofett Ultra Vires Dub
SAFT is proud to present the official re-issue of the 1986 Joan Bibiloni Band classic 'The Boogie'. The vocals by Deborah Carter still sound as relevant and uplifting as ever. The sought after guitar licks of Bibiloni have appealed to a lot of generations ever since he started making name for himself in the early eighties. While in recent times some of the more experimental work has been re-issued and compiled through some respected labels, the dancefloor classic 'The Boogie' still remains the pinnacle of the guitarist more dancefloor oriented work.
In this re-release package you can find an original version (A1), that is exactly the same as on the 7" that first appeared through Bibiloni's own Blau imprint in 86'. Also on the A side, an extended DJ-friendly version that spans just over five minutes is present.
For the flipside, Norwegian dancefloor expert DJ Sotofett has crafted a surreal dub tainted experience from the original which spans over 13 minutes and touches a lot of ground. Whilst starting with a percussive intro, Sotofett uses a lot of FX and dub style delays to work slowely towards an intense dancefloor experience. Around eight minutes some grandiose synth work is being introduced while the dub elements keep on singing. DJ Sotofett's version is called Ultra Vires Dub for a reason.
4
You Carved Your Soul To Shreds In Servitude To An Evil Entity, But False Promises And Betrayal Were Your Only Reward. Now You've Got A Score To Settle And It Will Be Measure In Blood.
7
Raving Ragga Jungle remixes. Well done !
6
This debut album, by prodigious keys player, composer and producer Joe Armon-Jones, is buoyant, celebratory and welcoming. With a background in jazz, he draws from influences in dub, hip-hop and soul. Different traditions are infused and commingled together. Soulful brass arrangements are coloured with carefully-tuned atmospherics, individual flashes of brilliance are bound into the album's bigger picture.
He's part of London's young, jazz-influenced music scene. Drawn from that same close-knit circle, the album features the likes of Moses Boyd, Nubya Garcia and Oscar Jerome. It's playing with those - along with Ezra Collective, which he co-founded, and touring with the likes of Ata Kak and Pharoahe Monch - which has honed his playing and grown his ideas.
It's made for a record with an unmistakable depth. He draws on deep musical understanding, making music which is warm and has a feeling of joy. A document of his vision for bringing together his different influences, it's also a testament to hard-earned, head-turning musical virtuosity.
Aussie house maestro, Matt Meler debuts on House Puff with a tasty club-focused four track release. The A-side kicks of with 'The Looker' full of freq'd 'n' filtered stabs and pads that'll get the juices flowing. A2 strips a few layers off for a hypnotic bumper, 'Rub- A-Dub'.
Incognito Cognito, thumps us with a heavy hearted groove with etherial textures and psychedelic atmospheres. Closing out the B-Side is 'Nice Things', Saturated with classic deep influences, wonky LFO's and hats for days. Wrap your head around this all class EP.
VINYL ONLY. Second release of ORIGINE REC including three Original Tracks from II FACES (SAULL & BEN WEISS) and a crazy 303 remix from Guiliano Lomonte.
5
2
LOFTSOUL x Miruga release cover version for Nina Simone's masterpiece See Line Womanon
10inch vinyl format. LOFTSOUL is the project by DJ/Producer UCHIKAWA MASAHIKO well known as Rhythm Of Elements (R2 Recordings/UK).For this Nina Simon's cover song,LOFTSOUL collaboration with Miruga (Moods & Grooves/Detroit) And featuring London's JAZZ/SOUL singer Fae Simon.
Also there include great "DUB" version by DJ D a.k.a Dominic Dawson (well known as release from Noid Otherand Reel Houze project with Rob Mello).
Marking the 15 year of Nina Simone's death,LOFTSOUL release cover version of her masterpiece See Line Womanas tribute.
See Line Womanis fantastic afro percussive number.This song is popular for club scene by 98's Kerri Chandler(Songstress)'s remake and 07's Feist's cover. LOFTSOUL x Miruga cover this song vibrant
Jazz/Soul Number. Original Versionis superlative Jazz/Soul version. There features beautiful harmony with Fae Simon's vocal and Soul-T's piano on the afro mystic groove (about BPM 90)
On the flips side ,Dominic Dawson a.k.a DJ D deliver fantastic "Dub Version" as (Dominic Dawson Dub Reversion)with afro percussive rhythm and dub wise sound&groove.
Release from UNKNOWN season x Jazzy Sport as special limited 10inch issue.
9
Courtesy Of Balance Recordings presents their 10th Release to date. A compilation of 9 pieces of timeless house music that will rock the underground parties and twisted after hours alike. Showcasing the talent of artist hailing from Chicago, Montreal, London and Geneva and France, this triple pack is bound to become yet another classic on the Balance Catalogue. Dont Snooze Baby!!!
4
In 1978 Lord Creator returned to the Black Ark to re-record his in 1968 in Randys studio recorded song, "Such is Life". One of the highlights of the 70s Black Ark era now finally available again on 12".
Project Runaway brings together two of Tel Aviv's new breed of talented DJ / producers in a meeting of tripped out, expansive, psychedelic, club music. Landing on Especial to expand horizons is Met, their debut EP of deep, percussive dubs for late night tribes. A name on many leftfield lips, Alek Lee's journey continues following two acclaimed solo releases for the wonderful Antinote crew and new project, Shame On Us (alongside Naduve and Yovav Arzi) for that brightest star, Hivern Discs. Teaming up with the sound production skills of Stephan Bazbaz they create Project Runaway. Holding down his own citywide residencies, Bazbaz has developed a studio mastery of minimal dub, crispy house and trippy techno via a growing stream releases on numerous labels, as well as setting up his own No Wave records in 2016. After their welcoming, simple, yet wall quacking remix of Persian (EES031), Met, or 'dead' in Hebrew, bring their strands together as one sound. In original form, a vibrating drum takes on bass backbone is broadened with tight layers of percussion overtones and warped vocal interplay. Lee's psychedelic imaginings are a perfect fit across Bazbaz's wide production expanse, before horns raise the heat to extreme. For deeper DJs and big system dwellers, Met (Dub) does as it should, stripping away and opening wide. Hand percussion and vox ride the channels, coming in and out of the mix, while dub stabs transfix and could run for days. A meeting of minds, drums, psychedelics and pure club love.
2
The second Keep on Wankin EP continues Hell Yeah label boss Marco's on going quest for the perfect remixes. This time out he serves up the most Balearic Gabba influenced material yet and takes you on a trip to the clouds with Bjorn Torske and Fango both stepping up.
First up is Bjorn Torske's take on everybody's favourite Luminodisco tune 'Oh Mary.' It's an impossibly adventurous 11 minute epic with buoyant chords dancing over trilling guitars. Lush, multi-layered and brimming with musicality, this is the sort of dubbed out yet percussively lively masterpiece that will mark the high point of any set as it washes over you time and time again.
Then it's to Fango's chunky and spaced out take on Somerville & Wilson's 'Yantar.' It's been the final track of all recent Fango sets around the world for a while now and that won't change any time on thanks to the slow build to a colourful dub disco peak. It takes you ever higher on wandering lead synths as the fat drums pump away below. Essential stuff.
Press:
Resident Advisor New Tracks Review
"This unhurried, euphoric bit of cosmic disco will bowl over a daytime festival crowd in just about any country"
DJ Support:
Andrew Weatherall (A Love From Outer Space), Kolsch, DJ Tennis, Tim Sweeney (Beats In Space), Benjamin Frolich, Front De Caseaux, Gerd Janson...
10
Explorer Series Vol.4, Original ethnic music of the peoples of the world
Berlin 2019
In welthistorischer Einmaligkeit erscheint auf dem Berliner Label Nonplace die erste ethnologische Edition der musikalischen Traditionen Zentraleuropas, am Beispiel Berlins der Gegenwart, zusammengefasst von Burnt Friedman. Nachdem House und Techno, oder Clubmusik, zum Kulturphänomen geworden war, und seit 30 Jahren bei festlichen Anlässen und fortwährend in allen Kulturstätten erklingt, wurde es Zeit für eine Aufarbeitung, für diese musikethnologische Bestandsaufnahme des kreativen Spektrum Berlins im Licht Zentraleuropas.
Bisher konnte der geneigte Hörer im Fach "Weltmusik" die entsprechenden Tondokumente finden, die einen direkten akustischen Einblick in Kultur und Tradition der seltensten Volksgruppen und entlegensten Landstriche geben konnten. Doch die Traditionen und Bräuche weisser Zentraleuropäer blieben bei diesen Bestandsaufnahmen nicht selten aussen vor. Dieser klaffenden Lücke in den Musikarchiven wird mit dieser Neuerscheinung endlich gerecht. Im Zuge der Musealisierung von bedrohtem Kulturerbe, können der Gemeinschaft aller, die besonderen Beispiele westlicher Prägung im Bereich Musikerzeugung, Techno, Jazz, Dub, usw., nicht mehr vorenthalten werden.
''For ECK003 we celebrate Data Room's debut release on Planet Earth.
This EP sees a future-thinking take on the beloved Junglist movement of the past 30 years.
Data Room delivers 3 tracks of different pace & style, centred around the aforementioned influence. Class, sophistication & bass weight can be expected from this 12".
Accompanying DR on the A-side is V Recordings' Jumpin Jack Frost, one of the original pioneers of jungle/drum & bass. Born & raised in London, growing up in the heyday of rare groove, acid house, hardcore & jungle, JJF brings a fast paced 4/4 driven breakbeat track that delivers the goods 20 beats per minute either side of it's original 158 tempo mark - taking the A2 spot to perfectly adrenalize this release.''
