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CRUMBS - YOU'RE JUST JEALOUS LP

Limited to 500 LPs and 500 CDs. New album from the most danceable post-punk pop band in the UK. It's like something has exploded! CRUMBS have been incubating this, their second album, for a few years now. Who knows how they kept all the energy in check. It must have been like sitting on a volcano. The songs burst out with pure pop fire, sending splinters of guitar, sharp lyrics and snatches of the catchiest backing vocals. The rhythm section (Jamie and Gem): it's like Delta 5 meeting Le Tigre in a dark alley in Leeds, fusing blindly and completely, and then forcing its way into the back entrance of a venue, sending volts through the limbs of the unwitting punters, forcing them to dance. This is TIGHT. And as the lights come on and the indie kids throw themselves around, Ruth's vocals sweetly assault their ears with anger, joy, political intelligence - and all around, Stuart's guitar, sometimes twangly-melodic like the B52s, sometimes sweet and ringing like a memory of Scars, sometimes furious and feeding back, keeps you alert and thirsty for more. These songs do NOT outstay their welcome. Starts and ends are cut hard: no pre-echo, no wistful, drawn-out regretful fade-outs. CRUMBS have imbibed the key lessons taught by The Gang Of Four and The Au Pairs: never let the energy dissipate. But there is more than anger here. The band have smuggled a pop sweetness into the disciplined shapes of their angular songs. You're Just Jealous has sharp edges, but it's generous too. The album will be available as a vinyl LP, CD, download and on streaming services. CRUMBS - a brief history. They are based in Leeds, where they are active movers in the DIY scene that currently thrives in the North of England. They recorded a Marc Riley session in 2016, released their first album (on Everything Sucks) in 2017, toured extensively in 2018 and 2019, playing at the Brudenell Social Club with Swearin' and Jeffrey Lewis, and at plenty of fests such as LaDIYfest and Specialist Subject's birthday all dayer in Bristol, A Real Cool Fest in Bradford, Mousetival in Stockton and the Cambridge Indie pop Alldayer. They spent the pandemic creating these new, tightly-wound, irresistible pop songs. These are the people in CRUMBS and these are their influences: Stuart (GUITAR) - Bauhaus, Gang of Four, Shop Assistants // Gem (DRUMS) - Beat Happening, The Raincoats, Antelope // Jamie (BASS, BACKING VOCALS) - Delta 5, ESG, Chic // Ruth (VOCALS) - The Go-Go's, Mika Miko, Paint It Black Collectively - 80s pop music

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25,00
Various - League Of Legends Worlds Anthems Vol 1: 2014-2023

: League of Legends Worlds is an esports championship like no other — not only prestigious, but gargantuan in scale and chock full of production grandeur. A culmination of each LoL season, Worlds is the place for the very best League of Legends players to come together and compete at the highest level, battling for the Summoner’s Cup, a multi-million dollar prize, and, of course,
eternal glory.

An eminent event like Worlds demands a legendary theme song to match. Each year, Riot Games taps talented superstar musicians to craft a new Worlds Anthem, performed live at the competition and released later with a music video to match. These themes, from incredible artists like Zedd, Lil Nas X, and now, for 2023, NewJeans, have never been collected together on a single vinyl release — until now.

iam8bit and Riot are proud to present League of Legends Worlds Anthems (Vol 1: 2014-2023). It’s a full decade of Worlds Anthems, collected together on two sides of a 1xLP for the very first time. We knew this illustrious release deserved a very special vinyl treatment. That’s why we pressed the record on a Worlds Blue Vinyl. Plus, it wouldn’t be an iam8bit release without fantastic cover

art to adorn your record shelf, so we tapped our pals at Envar Entertainment to craft amazing illustrations celebrating the past, present, and future of the League of Legends Worlds Championship.

Legends never die. Celebrate a decade of Worlds in style with this one-of-a-kind release.

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61,30
KEE AVIL - SPINE LP

Kee Avil

SPINE LP

12inchCSTLP178
CONSTELLATION
24.05.2024

Deluxe 180g vinyl. Art Edition LP includes set of six 12”x12” art cards.



The follow-up to Kee Avil's acclaimed 2022 debut Crease: "A stunning debut" (The Quietus); "A whiplash style of uninhibited exploration" (The Wire); "Kee Avil's debut is a force" (Foxy Digitalis); "A work of Frankensteinian wonder" (Electronic Sound); "A tightly coiled, finely wrought vision of avant-pop" (Exclaim); "A debut of fiendish creativity" (Bandcamp Album Of The Day / Albums Of The Year) Kee Avil's music is both adventurous and intimate, intellectually challenging and emotionally resonant. The Montréal guitarist and producer's 2022 debut LP Crease garnered plaudits from outlets like The Wire, The Quietus, Mojo and Foxy Digitalis, picking up a Canadian Juno Award nomination and Bandcamp Album Of The Day and Albums Of The Year along the way. Its intricate construction, unnerving atmospheres, and knife-edge take on avant-pop prompted comparisons to early PJ Harvey, This Heat, and Gazelle Twin. A remix EP with work by claire rousay, Ami Dang, Cecile Believe, and Pelada brought collaborative perspectives to four Crease tracks, offering new pathways within those songs. With Spine, Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it folk… and while traditionalists might scoff, this is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions that have become the fabric of our day-to-day experiences. There's a hypnotic post-punk somnambulance to it all, using the repetition and fracturing of melodic phrases interwoven with delicate electronics to create curious and persistent hooks. While not a concept album, themes of time's passage, remembrance, and decay crop up across multiple tracks. Each track intentionally only has four elements - guitar, electronics, and two other instruments, with Kee's voice and guitar pushed to the front. Within this minimalist framework, the juxtaposition of beauty and discomfort that is key to the Kee Avil sound stands out in skin-prickling relief. "We're shaped by many versions of ourselves," says Avil. "I was looking back at these versions of myself and what could have been, what didn't end up being and what did end up being, and going back like that through time. Seeing the future, the past." Spine was written in Kee Avil's home studio after a lapse in writing while touring Crease and working on other projects. She is a well-known and respected member of the Montréal experimental scene, and formerly ran Concrete Sound Studio with Zach Scholes, who continues to work with her as a producer on Spine. Compared to the three years that went into making her debut, Spine emerged in a matter of months - a process that may also be a factor in its intensity and sharpness: "This record was much harder, like it was really discovering everything from scratch." In her desire to not simply replicate or extend the sound of Crease, she felt she had to rip up the rule book, write in a different way, and pare back songs against her usual instincts. Sometimes, when we work against our ingrained habits, we get to the core of who we really are. Spine is an exercise in that process. Without over-intellectualizing or being didactic, it hits immediately and emotionally, especially if you are a person who has spent much time in the process of self-examination. Kee's voice hisses, whispers, and chants; her guitar bends and rings; electronics skitter and crackle; violin creaks like a door in the wind. There is something so evocative about the atmospheres she creates that it's easy to overlay one's own feelings onto her work, but to do that wholly would be to overlook one of the most important things about Spine: Kee Avil's clear and thoughtful vision. This isn't just the next step forward in her artistic trajectory; it's a stunner of a record that stands on its own, a bracing and thrilling listen that has much to reveal about the contradictions inherent in being human. - jj skolnik

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24,79
Evildead - Toxic Grace LP

Evildead

Toxic Grace LP

12inch247971
Steamhammer
24.05.2024

Vier Jahre ist es her, dass die amerikanische Thrash-Metal-Band EvilDead ihr Comeback-Album ‚United States Of Anarchy‘ veröffentlicht hat und damit Fans wie Medien gleichermaßen begeisterte. Vier Jahre, in denen sich die Welt stärker denn je verändert hat, während EvilDead – wie ein Fels in der Brandung – an ihren charakteristischen Stärken festgehalten und ihren dynamischen Stil zwar kontrolliert, aber gezielt weiterentwickelt haben. Das Ergebnis nennt sich ‚Toxic Grace‘ und wird am 24. Mai 2024 über Steamhammer/SPV als CD, LP und digitaler Download veröffentlicht. Um die Zeit bis zum Album-Release für die Fans erträglicher zu gestalten, werden bereits vorab mit ‚Raising Fresh Hell‘ und "Subjugated Souls" zwei Singles inklusive Videos ausgekoppelt. Es sind die schwermetallischen Statements einer Band, die über große Erfahrungen verfügt und zugleich den Enthusiasmus und die Energie ihrer Anfangsjahre nie eingebüßt hat. Sänger Phil Flores beschreibt ‚Toxic Grace‘ als ein „Album mit einer Vielzahl verschiedener Stile und Sounds, von Doom bis Melodic Metal, von traditionellem Heavy Metal bis zu unserem signifikanten Old-School-Thrash-Stil.“ Gitarrist Juan Garcia fügt hinzu: „Wir haben uns bewusst auf die Tempi und den durchgängigen Fluss aller Parts und Riffs konzentriert. Wir wollten,
dass die neuen Songs kraftvoll sind, und schnell nicht nur der Schnelligkeit wegen. Ich bin sehr stolz auf das neue Material.“

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30,04
Night Laser - Call Me What You Want LP

Kein Zweifel: Die große musikalische Weiterentwicklung der Hamburger Sleaze-Rocker Night Laser ist auf ihrem neuesten Studioalbum ‚Call Me What You Want‘ in jeder einzelnen Note zu spüren. Die fünfköpfige Band hat die gesamte Erfahrung aus den drei Vorgängerscheiben ‚Fight For The Night‘ (2014), ‚Laserhead‘ (2017) und ‚Power To Power‘ (2020) sowie den mehr als 200 Konzerten gebündelt und in ihre bislang abwechslungsreichste
und kraftvollste Studioproduktion einfließen lassen. Verantwortlich dafür sind – neben den Bandgründern/Brüdern Benno (Gesang) und Robert Hankers (Bass) – die Neuzugänge Felipe Zapata Martinez, Vincent Hadeler (beide Gitarre) und Schlagzeuger Ingemar Oswald, aber auch Produzent Dirk Schlächter (Gamma Ray, Ross The Boss) und Mix/-Mastering-Koryphäe Eike Freese (u.a. Deep Purple, Helloween, Simple Minds). Veröffentlicht wird ‚Call Me What You Want‘ am 24. Mai 2024 über Steamhammer/SPV als CD, Vinyl und digitaler Download. Bereits vorab werden mit den Album-Openern ‚Bittersweet Dreams‘ und ‚Way To The Thrill‘ und der Hymne ‚Don´t Call Me Hero‘ mindestens drei Singles inklusive Videos
ausgekoppelt.

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30,04
LA LUZ - NEWS OF THE UNIVERSE LP

La Luz

NEWS OF THE UNIVERSE LP

12inchSPLPX1610
Sub Pop
24.05.2024

"I was in a dream, but now I can see that change is the only law." With a credo adapted from science fiction author Octavia E. Butler, an album title from a collection of metaphysical poetry, and an expansion in consciousness brought on by personal crisis, guitarist and songwriter Shana Cleveland learns to embrace a changing world with unconditional love on News of the Universe, the new full-length from California rock band La Luz. News of the Universe is a record born of calamity, a work of dark, beautiful psychedelia reflecting Cleveland's experience of having her world blown apart by a breast cancer diagnosis just two years after the birth of her son. It's also a portrait of a band in flux, marking the first appearance for drummer Audrey Johnson and the final ones from longtime members bassist Lena Simon and keyboardist Alice Sandahl, whose contributions add a bittersweet edge to a record that is both elegy for an old world and cosmic road map to a strange new one. But is there any band in the world more suited to capturing the chaos of change in all its messy beauty than La Luz? Formed by Cleveland in 2012, La Luz is beloved for their ability to balance bedlam and bliss, each new record another fine-tuning of the band's mix of swaggering riffs with angelic vocals borrowed from doo-wop and folk; a band so reliably great that it makes the huge step forward in confidence and sheer musicality that is News of the Universe all the more formidable. Cleveland, also a writer and painter, has developed into a truly original songwriter with her own canon of haunted psychedelia. Yet if Cleveland has spent years writing songs about ghosts, what lurks in the shadows of News of the Universe is nothing less than death itself. "There are moments on this album that sound to me like the last frantic confession before an asteroid destroys the earth," says Cleveland. The powerful sense of openness that permeates News of the Universe is at least partially due to the fact that it is a record made entirely by women-from the performing, writing, and producing all the way through to the recording, engineering, and mastering. Working with producer Maryam Qudos (Spacemoth), the all-female environment allowed Cleveland to feel safe tapping into difficult places and expressing hard emotions women are socialized to suppress. Unashamedly vulnerable, unabashedly feminine, and undeniably triumphant, News of the Universe is another knockout record from a band so reliably great that it has perhaps led people to overlook how pioneering La Luz really are: women of color in indie music forging their own path by following their own artistic star into galaxies beyond current musical trends, always led by an earnest belief in the cosmic power of love and a great riff. Never is that more true than on News of the Universe, which might be La Luz's most brutal record to date but also their most blissful.

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25,00
Aventura - Generation Next (25th Anniversary Edition)

Aventura is an American bachata group that broke into the mainstream with their 2002 hit "Obsesión (featuring Judy Santos)". With a line-up comprising Romeo Santos, Lenny Santos, Henry Santos and Max Agende Santos, they are regarded as one of the most influential Latin groups of all time. They have sold out many arenas including the world famous Madison Square Garden. Aventura has been nominated for awards such as American Music Awards, the Latin Grammy Awards, Billboard Latin Music Awards, and Premio Lo Nuestro.

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25,42
Odd Okoddo - Negore LP

"Negore" is the second album by the Kenya-based duo Odd Odokko. After their debut "Auma" saw percussionist Sven Kacirek work with pre-existing recordings of singer and instrument builder Olith Ratego, the two opted for a similar approach for the ten pieces to preserve the expressiveness of the latter"s performance. Further contributions by sound artist KMRU and Angel Bat Dawid on bass clarinet expand the duo"s sonic palette which draws on the dodo music of the Luo people and enriches it with percussive, melodic, and occasionally electronic means. The record"s title translates to "petroleum lamp," signifying the transition from day to night-when the time has come to dance. In this decidedly joyful spirit, "Negore" is dedicated to transitions and venturing into the future. Ratego"s interpretation of the folk tradition is expressly contemporary, while Kacirek uses a rich variety of avant-garde and advanced electronic music techniques to propel it even further.

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25,50
Myeye & JUICEBOX - Psyche Gems LP

Myeye&Juicebox

Psyche Gems LP

12inchJAKARTA190-1
JAKARTA
24.05.2024

Introducing “Psyche Gems”, the Jakarta Records debut LP from LA based Rapper JUICEBOX & Norwegian producer duo Myeye. Debut LP “Psyche Gems,” a collaborative musical venture sparked by an impromptu Instagram jam session in 2021, is poised to mesmerize audiences. The brainchild of JUICEBOX, a versatile artist known for his roles as a singer, songwriter, rapper, and one half of the acclaimed group Figmore (with 10.4 Rog), “Psyche Gems” emerged from JUICEBOX's admiration for Simen Hallset's psych-pop band Gold Celeste (over 20 million Streams on Spotify). After reaching out to Simen, they swiftly connected with Henrik Norbakk, the other half of Myeye, igniting the genesis of the collaborative project. An Instagram jam session in 2021 gave sonic birth to LP “Psyche Gems”. Buttery vocals meet funky, soul-driven beats, meticulously recorded live, then chopped and repurposed to create an experience that transcends sonic definition. From vibrant head-nodding energy to lush beats seamlessly melded with an inimitable vocal delivery, “Psyche Gems” captures the essence of past and present, offering a kaleidoscope snapshot of life reflected through timeless grooves. The album's distinctive sound is characterized by meticulous layering, where each element is meticulously played, chopped, looped, and jammed over until achieving sonic perfection. United by their shared passion for old soul and jazz records, ‘90’s + ‘00’s hip hop, lo-fi indie, and psychedelic music, JUICEBOX and Myeye seamlessly fuse their diverse influences to craft a musical experience that resonates with listeners on a profound level. "We wanted to create something that inspires, provokes, and sheds light on the truths we all carry inside us," explains JUICEBOX. "Psyche Gems is more than just an album; it's an infinite journal entry of reflection, a testament to the power of music to illuminate the human experience."

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19,75
MOUNTAIN MOVERS - WALKING AFTER DARK LP 2x12"

The current lineup of New Haven's long running Mountain Movers (guitarist/vocalist Dan Greene, bassist Rick Omonte, guitarist Kr yssi Battalene, & drummer Ross Menze) have been playing together for over a decade now, making their recorded debut on a slew of singles released from 2011-2013, but it wasn't until 2015's "Death Magic" (released on New Haven label Safety Meeting) that the potential of that iteration of the group became clear; Mountain Movers are a force of nature. The camaraderie & sensitivity to each others playing has only grown over time, cr ystallizing on the group's trio of albums for Trouble In Mind; 2017's eponymous "Mountain Movers" served as a reintroduction of the group to a larger audience, while 2018's "Pink Skies" raged like a group confident in its strengths, and 2020's prescient "World What World" - written & recorded before the world shut down - slightly shifted focus away from the jams & back toward the weight of guitarist/songwriter Dan Greene's poetic tales of magical realism. The band's ninth album "Walking After Dark" finds a happy medium between both aspects of the band's strengths; Greene's lyrical compositions and the group's long-form improvised jams. To those that are tuned in, that feeling of communion is evident in the Movers' playing. The members swap & cycle effortlessly through instruments without missing a beat, utilizing the downtime of lockdown to write & record every jam in their practice space. Those piles of tapes would eventually get edited & sequenced into "Walking After Dark", a tour-de-force double-album that balances fried, stony brilliance with outré excursions of experimental serenity. Consider the opening track "Bodega On My Mind" that ambles in like a road-worn traveller, its lysergic folk strums peppered with acidic lead lines from Battalene's Telecaster, eventually giving way to "The Sun Shines On The Moon, where the group's sizzling guitars are buoyed by Omonte's pillowy bass & Menze's percussion. From there on out, tracks like "Factory Dream" give the listener a taste of The Movers' modus operandi here; a mixture of (more) traditional song craft interspersed between long-form, improvised pieces of modern psychedelia. The group shuffles through instruments; synths, drum machines, auto-harp, various forms of percussion (and whatever else was laying around) as well as the trad guitar/bass/drums configuration to craft a suite of songs that - while not necessarily similar in composition - feel unified in their overall sonic scope. Tracks like the 14-minute "Reclamation Yard", whose deep-space electronic pulse is juxtaposed against side C opener "See The City "s persistent acoustic strum that showcase similar ideas of the `spirituality ' of losing ones self in repetition, but executed differently. In many ways "Walking After Dark"s duality feels like a merger of "On The Beach"-era Neil Young & the collective freak-outs of Amon Düül, taking inspiration in the `incorporeality ' of free music and lacing it with Greene's hazy, haunting lyricism and is an exciting step forward for a band that's already a few steps ahead. "Walking After Dark" is released on black double-vinyl in a full color gatefold jacket & includes an insert with artwork & lyrics by member Dan Greene.

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25,63
Billy Mahonie - Field Of Heads LP
 
8
также имеющийся в продаже

Blue Vinyl[21,64 €]


180GM BLACK VINYL : 500 PRESSED WORLDWIDE.

Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.
Formed in the first wave of British post-rock alongside the likes of Mogwai in the late 90s, John Peel favourites Billy Mahonie are set to return with the first new music from their original line-up in some twenty-four years. Whilst their debut album ‘The Big Dig’, released in 1999 on Too Pure Records, is considered a classic of the post rock genre, Billy Mahonie always crafted their intricate music with memorable hooks and melodies and performed it with energy and gusto. Theirs was not an aimless, meandering sound, instead the songs and attitude were rooted in punk rock, and still are. Billy Mahonie put the rock into post-rock.
Set for release this coming May 24th via Whistling Sam Projects, ‘Field Of Heads’ sees the band returning with their classic original line-up of Gavin Baker (guitar), Howard Monk (drums), Hywell Dinsdale (bass and guitar) and Kevin Penney (bass and guitar). Whilst this line-up has been semi active for a few years, no new material came to fruition. After their last gig in 2017, however, the band decided it was time to get back into the studio, but with two members living abroad new challenges were faced, but ideas were shared, old ones were resurrected and finally in October of 2019, Billy Mahonie were back in the studio.
Recorded over two long weekends on either side of the Covid 19 lockdowns, the band tracked at The Church studios, owned by their former collaborator and front of house engineer Paul Epworth, with senior engineer Luke Pickering at the controls, allowing ‘Field Of Heads’ to quickly take shape.
New single ‘Kaiju’ gives the music world the first taste of ‘Field Of Heads’ and right from the off, it’s classic Billy Mahonie. Immediately bursting into life with the energy and melody that is so unique to their sound, Howard’s driving drums thrust the music ahead as the guitars and synths weave their way around them. Intricate and shifting, but never at the expense of a tune that sticks in your head.
“This one came from a chord progression myself and Gav first tried out jamming in 2010,” explains drummer Howard. “Needless to say, when Hywell and Kev got their hands on it, it became something no-one ever envisaged. Kev's great title is, of course, the Japanese name for the subgenre of monster-based science fiction. A frenetic riff opens the song and for a counter guitar part only two options remain, play in the minimal gaps or find an overarching theme. We chose both. Kaiju films influence the additional Synths, echoes of those early Japanese movie themes. Some people we have played this to in advance have suggested this track is one we should lead with, as it is kind of where we left off. We agree. It rocks pretty hard. And is a bit funky too. What’s not to like?!”
 
Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, set up for global distribution through SRD, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.

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21,64
The Story So Far - Proper Dose LP

Das 2018 erschienene Album "Proper Dose" von The Story So Far in Neuauflage als farbige Vinyl: Blue & Purple Galaxy

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27,10
The Story So Far - The Story So Far LP

Neuauflage des 2015 erschienenen selbstbetitelten Albums der kalifornischen Pop-Punkband The Story So Far auf farbigem Vinyl: Bone & Blue Galaxy

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26,26
Kati Rán - SÁLA LP 2x12"

Kati Rán

SÁLA LP 2x12"

2x12inch6430080235520
Svart Records
24.05.2024
также имеющийся в продаже

Clear/Black Smoke Vinyl[38,87 €]


Svart Records are proud to release the long-awaited full length album "SÁLA" by Kati Rán in May 2024

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, “SÁLA”. Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, “SÁLA” is an act of ‘soul retrieval’, the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, “SÁLA” is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of “SÁLA” is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources “SÁLA” draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. “SÁLA” closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, “SÁLA” is, as all quests must ultimately be, a homecoming.

Album introduction written by Jonathan Selzer.

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34,87
Kati Rán - SÁLA LP 2x12"

Kati Rán

SÁLA LP 2x12"

2x12inch643008023551
Svart Records
24.05.2024
также имеющийся в продаже

Black Vinyl[34,87 €]


Svart Records are proud to release the long-awaited full length album "SÁLA" by Kati Rán in May 2024

If the most profound treasures are often the most deeply buried, the journey to uncover them is vital process of discovery. Five years after the 15-minute single “Blodbylgje” signaled the birth of a new, more primordial, and immersive vision after the dissolution of her band L.E.A.F., Nordic dark folk artist Kati Rán has expanded on its oceanic theme for her long-awaited full-length album, “SÁLA”. Embarking on a far-reaching musical and personal travelogue, it’s a reawakening of both the feminine narratives submerged and fragmented within Norse mythology, and the enduring, healing powers held within.

Named after the Old Norse word for ‘soul’ and ‘sea’, “SÁLA” is an act of ‘soul retrieval’, the shamanic art of trauma recovery, be it illness, death, heartbreak or loss, and the reintegration of a splintered self. Across its 13, wide-ranging, elegantly unfolding tracks, the album is an embodiment of different feminine voices and perspectives – from the Norse nine daughters of the sea, or ‘billow maidens’, through various historical and fictional figures to the late-night voices we hear in our most liminal states – all with tales to tell, riddles to solve, challenges to be accepted and guidance to offer. It’s a multiplicity that, like the ocean itself, belongs to a vast, restless dynamic: a matrix of mysteries, unfathomable depths and ever-shifting currents, accumulating into an elemental, regenerative source of power.

Recorded in a barn in Húsafell, Iceland – home to glacier ice caves and a rare lava stone marimba rediscovered for the track “Stone Pillars” – as well as Finland, Norway and at home in Kati’s native Netherlands, “SÁLA” is as much chronicle of Kati’s own perspective-shifting recording process as it as a pilgrimage through different viewpoints and internal states. That itinerate urge is also reflected in the use of different languages, ranging across Norwegian, Old Norse, Icelandic, and, for the first time, English, her combination of ancient texts, historical reimagining’s and unguarded personal reflection backed up by deep research into the most resonant recesses of Nordic lore.

Spun throughout every thread of “SÁLA” is a sense of communion - with the power of stories to offer moral guidance and the thrill of the unknown; with the element of water, recreated across the album both in field recordings and the agelessly organic nature of the music itself; with the archetypes whose qualities we are called upon to embody at our most critical moments; and with the internal hidden realms forever whispering at us from the far edges of our consciousness.

Appropriately, it’s a collaborative venture too. As well as working closely together with Finnish producer Jaani Peuhu, there are contributions from across the musical spectrum, including extreme metal vocalist extraordinaire Gaahl, the Icelandic female choir Umbra Ensemble, renowned Norwegian jazz musician Karl Seglem, Björk and Brian Eno contrabassist Borgar Magnason, members of pagan folk acts Völuspá, Gealdýr, Heilung and Theodor Bastard and even Napalm Death’s Mitch Harris on vocals.

For all the many sources “SÁLA” draws from, the result is a singular, intimately transformative rite of passage, and a retuning of the heart to the reverent continuity of the sacred. It will take you from the opening title track’s chest-pounding rhythmic pulse emerging from a traditional Norwegian bukkehorn (recorded by Karl Seglem), a galloping horse-rider and Kati’s glacial, velveteen chant, through “Kólga’s” recounting of female persecution through the ages borne on the most gossamer-light yet unbreakable of timbres and “Stone Pillar’s” gently percolating, deep wells of abandonment and incantations to recovery. “SÁLA” closes with the track “Sátta” - Old Norse for ‘peace’ and ‘reconciliation’ – ending the album as it began with the bukkehorn, as it weaves rich drones and experience-stamped poems and prayers, Kati’s vocals the most sensitively tuned of emotional barometers. An album made in dedication, and in thrall to, its own sense of destiny, “SÁLA” is, as all quests must ultimately be, a homecoming.

Album introduction written by Jonathan Selzer.

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38,87
Hitten - Twist Of Fate LP

High Roller Records, reissue 2024, black vinyl, ltd 150, gatefold, lyric sheet, Hitten formierten sich im Jahre 2011 in Murcia, einer Stadt im Südosten Spaniens (nahe Alicante). Im selben Jahr erschien ihr erstes Demo namens »Darkness Queen«. Zwei EPs sowie das vollständige Album »First Strike With The Devil« (2014) folgten, bevor Hitten für die Vinyl-Veröffentlichung ihres Zweitlings »State Of Shock« einen Vertrag mit High Roller Records unterzeichneten.Mit mitreißenden Nummern wie “Don’t Be Late”, “Endless Race” und “Eternal Force” war »State Of Shock« eine klare Steigerung gegenüber dem naiven Erstling. Gitarrist und Bandgründer Dani Meseguer gibt Accept, Iron Maiden, Judas Priest und Saxon als Hittens musikalische Inspirationsquellen an, genauso wie US-Metal-Legenden der Kategorie Fifth Angel, Crimson Glory, Shok Paris und Metal Church.“Wir sind sehr zufrieden damit, wie »State Of Shock« aufgenommen worden ist”, erklärt Dani Meseguer. “Wir haben ein paar coole Festivals gespielt, sind in Europa auf Tour gewesen und sogar in Japan wollte man uns sehen.” Dennoch, die Zeit zwischen »State Of Shock« und dem brandneuen Album »Twist Of Fate« hielt für Hitten auch einen Tiefschlag bereit. Im September 2017 absolvierte Sänger Aitor seinen letzten Auftritt für die Band. Mit Alexx Panza stand aber sofort Ersatz parat. Dani Meseguer: “Alexx ist ein Geschenk des Himmels. Für uns war es einfach perfektes Timing.” “Wir sind mehr als glücklich mit dem Endresultat von »Twist Of Fate«”, fährt Dani Meseguer fort. “Vom Cover-Artwork bis zu den einzelnen Songs erfüllt die Scheibe höchste Qualitätsansprüche. Ich bin der festen Überzeugung, dass die Fans »Twist Of Fate« noch mehr mögen werden als »State Of Shock«. Der Mix (von Javi Félez) und das Mastering (Patrick W. Engel) sind einfach unglaublich. Die Platte hat alles, was ein gutes Metal-Album haben muss: verrückte Twin-Gitarren, emotionale Solos, spitze Schreie, schöne Gesangsharmonien und einen machtvollen Background-Gesang. Alexx als Sänger hat einen fantastischen Job abgeliefert. Seine stimmliche Bandbreite ist einfach enorm. Er ist in den tiefen Tonlagen extrem sicher aber beherrscht auf der anderen Seite auch diese high-pitched Screams, die wir alle so lieben.”

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23,32
Hitten - Twist Of Fate LP

High Roller Records, reissue 2024, black vinyl, ltd 150, gatefold, lyric sheet, Hitten formierten sich im Jahre 2011 in Murcia, einer Stadt im Südosten Spaniens (nahe Alicante). Im selben Jahr erschien ihr erstes Demo namens »Darkness Queen«. Zwei EPs sowie das vollständige Album »First Strike With The Devil« (2014) folgten, bevor Hitten für die Vinyl-Veröffentlichung ihres Zweitlings »State Of Shock« einen Vertrag mit High Roller Records unterzeichneten.Mit mitreißenden Nummern wie “Don’t Be Late”, “Endless Race” und “Eternal Force” war »State Of Shock« eine klare Steigerung gegenüber dem naiven Erstling. Gitarrist und Bandgründer Dani Meseguer gibt Accept, Iron Maiden, Judas Priest und Saxon als Hittens musikalische Inspirationsquellen an, genauso wie US-Metal-Legenden der Kategorie Fifth Angel, Crimson Glory, Shok Paris und Metal Church.“Wir sind sehr zufrieden damit, wie »State Of Shock« aufgenommen worden ist”, erklärt Dani Meseguer. “Wir haben ein paar coole Festivals gespielt, sind in Europa auf Tour gewesen und sogar in Japan wollte man uns sehen.” Dennoch, die Zeit zwischen »State Of Shock« und dem brandneuen Album »Twist Of Fate« hielt für Hitten auch einen Tiefschlag bereit. Im September 2017 absolvierte Sänger Aitor seinen letzten Auftritt für die Band. Mit Alexx Panza stand aber sofort Ersatz parat. Dani Meseguer: “Alexx ist ein Geschenk des Himmels. Für uns war es einfach perfektes Timing.” “Wir sind mehr als glücklich mit dem Endresultat von »Twist Of Fate«”, fährt Dani Meseguer fort. “Vom Cover-Artwork bis zu den einzelnen Songs erfüllt die Scheibe höchste Qualitätsansprüche. Ich bin der festen Überzeugung, dass die Fans »Twist Of Fate« noch mehr mögen werden als »State Of Shock«. Der Mix (von Javi Félez) und das Mastering (Patrick W. Engel) sind einfach unglaublich. Die Platte hat alles, was ein gutes Metal-Album haben muss: verrückte Twin-Gitarren, emotionale Solos, spitze Schreie, schöne Gesangsharmonien und einen machtvollen Background-Gesang. Alexx als Sänger hat einen fantastischen Job abgeliefert. Seine stimmliche Bandbreite ist einfach enorm. Er ist in den tiefen Tonlagen extrem sicher aber beherrscht auf der anderen Seite auch diese high-pitched Screams, die wir alle so lieben.”

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25,17
KHANATE - CAPTURE & RELEASE LP

Largely recognized as their breakthrough album, Khanate was confident enough by the two-song, forty-minute Capture & Release (2005) to peel back its layers of thick mossy droneand reveal the minimalist underpinnings, a change either interpreted as maturity or an implied threat. "It's a grim, avant-garde exercise in tension and paranoia. Dense, leaden drones fill up the spaces between O'Malley's sparse, deeply sustained guitar chords. Vocalist Alan Dubin's anguished vocals seem to convey the tortures of the damned as if there were not a shred of hope left for existence in this world. Capture & Release is not dissimilar to black metal in how it so violently conveys such a bleak and ultra-nihilistic world outlook. But while the standard tempo on a black metal album typically strays into the triple digits in terms of beats per minute, Khanate's plodding pace keeps the BPM soundly within the single-digit range." (Tiny Mix Tapes).

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23,32
Givre - Le Cloitre LP

Givre

Le Cloitre LP

12inchEISEN244LP
EISENWALD
24.05.2024

Suffering can be a borderline experience, opening doors to the divine. Canadian black-metal-outfit GIVRE has dedicated its fourth album to this concept, well known throughout Christian history: On "Le Cloitre" (engl. "The Cloister") the band continues its exploration of the atoning side of pain and the austere aspects of faith through music that goes all the way from elegiac elegance to disturbing outbursts. Even the band deals with Christianity, through a historic lense, they should not be understood as religious band in any way!

The group was founded back in 2010 in Rouyn-Noranda by David Caron-Proulx (Composition, guitars, keys), Jean-Lou David (research, vocals), and Mathieu Garon (bass) when they were just 16 years old. They self-produced a demo album, then moved away from their hometowns. David is now a composer for film and mixed media and Jean-Lou is a writer and historian. In October 2020, ten years after their first collaborative endeavors, they reunited and recorded two more albums: "Le Pressoir mystique" and "Destin Messianique".

The creation of "Le Cloitre" was a lengthy process. While most recordings were made right after "Destin Messianique" in 2021, extensive work was done over an extended period of time to add layers and perfect the album's concept. Each of the six songs corresponds to a holy woman from Christian history. The lyrics are taken directly from their writings or hagiography (an idealized biography), delving into their connection to the divine through suffering. The words are sometimes rearranged, but they are all direct citations without anything new added to them, from the symbolic poetry of Hildegard Von Bingen (1098-1179) to the disturbing and factual depictions of Marthe Robin (1902-1981).

The compositions vary to reflect these different perspectives: sometimes dark and eerie, other times blissful or sorrowful. Therefore, a crucial addition to the album's atmosphere was the inclusion of female vocal performances. Additionally, samples from the French film "Le dialogue des Carmelites" from 1959 are incorporated. Excerpts of a piece by Hildegard von Bingen are used in the song dedicated to her. The album was recorded in the band members'home studios. Mixing and mastering were done by long-time-collaborator Gael Poisson-Lemay (Gris, Sombre Forets, Miserere Luminis), who also contributed guitars to the song about Marthe Robin. Vinyl mastering was done by Greg Chandler (Esoteric) at Priory Recording Studios.

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39,45
Nöle - Electro Bloody Music

Nöle

Electro Bloody Music

12inchBARRO#010
Barro
24.05.2024

Barro Music Label reaches its tenth reference with a tremendous EP in which the protagonist (even of the cover) is Nöle, the label's boss. In Electro Bloody Music, the popular DJ and producer from Pamplona delivers four original tracks accompanied by a fantastic remix by Delectro. The renowned Colombian producer, active since 2006, has released on some of the best international labels and with his 80s EBM, electro and techno influences, he is the ideal person to accompany the label boss on such an important release. As for Nöle, after the success of Mendekua, his previous work released in 2022, he does what he is the best at: dark and frenetic techno with EBM flavor, like the one he played during his long residency at Stardust and does now at Lasociación.

On the A-side of Electro Blood Music we find three originals, the first two could be included in the category of Techno Body Music while the third is more purely techno. The EP starts with BuruHilketa, a dark track with a certain experimental atmosphere endowed with an incisive synth line and disturbing vocal samples that accompany us during most of the composition. Shaktale, shares some of the atmosphere of the first track, as it also includes vocal samples and a eerie synthesizer melody quite catchy. It has quite a complex rhythm and an extremely careful production that we recommend listening with headphones to appreciate in detail. Cementerio caliente is powerufl techno track, with hypnotic synths and an acid touch and tremendously forceful. With this kick drum, you could definitely demolish a house!

On the B-side we find another original track titled Noisebuilder and the remix by Delectro. Noisebuilder, with its fat and aquatic basses starts off more techno but, little by little, it also includes EBM details. The track lives up to its name and the noise builds, little by little, layer by layer while the intensity keeps growing. With a hard-hitting beat, spiced in the background by synthesizers that help to create an atmosphere, it is one of the clearest bangers of the EP. Delectro delivers a remix a little more forceful and darker, a bombshell of pure Techno Body Music that closes this magnificent EP.

Release note: El Garaje de Frank

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13,03

Последний логин: 6 мес. назад
VARIOUS - THE BRISTOL PUNK EXPLOSION VOL 2 (1977-1981)

We are delighted to bring you the follow up to the successful 'The Bristol Punk Explosion (1977-1979) album released in November 2023 - a twelve-track compilation entitled 'The Bristol Punk Explosion Vol 2 (1977-1981).'The sleeve notes are written by Tim Williams author of the 1977 Loaded Fanzine. Tim talks about the transition from Soul to Punk, the demise of Prog Rock and the fashion culture that sat seamlessly alongside the music. There are three previously unreleased tracks never before available on vinyl. The Cortinas were the first. They played the Roxy Club, released two singles on Mark Perry and Miles Copeland's Step Forward label, graced the front cover of Sniffin' Glue and recorded a Peel Session. Taking their cue, bands like Social Security (the first band on Heartbeat Records), The Pigs (whose 'Youthanasia' single was released by Miles Copeland's New Bristol Records), The Media, 48 Hours and Private Dicks gave Bristol one of the strongest provincial early punk scenes. The area of Barton Hill gave us The X-Certs, who by 1978 could already pull audiences of five hundred into Trinity Hall. Though we did not realise it at the time, they effectively bridged the gap between the late 70s Bristol scene and what our American cousins like to term the UK82 bands. In time bands from the suburbs of Bristol started to appear on the scene, Misdemeanor (who were managed by the late Dennis Sheehan U2's tour manager for thirty plus years), Apartment from Downend (whose photo adorns the front cover) and Noiz Boiz from Weston Super Mare, the seaside town just down the road. This compilation is designed to give all fans of Punk a snapshot of what Bristol Punk was all about during that period. We close side Two of the album with The X-Certs Clash infused /reggae single 'Together' and follow it with one of Bristol finest Roots reggae bands Talisman and their single 'Wicked Dem'. The punky/reggae party had truly started as we move into the 80's Bristol Stylee! Bristol Boys Make More Noise!

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26,68
JOEL CORELITZ - EASTWARD OCTOPIA (ORIGINAL GAME SOUNDTRACK)

When Eastward was first announced back in 2018, it was heralded for its pixelated prowess and quirky sense of style. In the three years leading up to its release, the hype train continued to gather steam as more and more was unveiled. Upon launch, it became clear that Eastward was about so much more than just style. It had substance, too. A modern celebration of early '90s video games, Pixpil's Eastward delivers a poignant yet hopeful post-apocalyptic story set in a delightfully dark world. It's a story of tribulation and triumph for a small indie studio and offers a thought-provoking exploration of societal constructs whilst also providing some warm-hearted and good-humoured fun. Eastward's iconic art style is complemented perfectly by its incredible original soundtrack composed by Joel Corelitz. In celebration of Eastward's recently launched and highly anticipated Octopia DLC, Black Screen Records and Lost In Cult Records have teamed up to bring you an exclusive opportunity to secure a series of beautiful Eastward OST items.

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27,52
JOEL CORELITZ - EASTWARD OCTOPIA (ORIGINAL GAME SOUNDTRACK)

When Eastward was first announced back in 2018, it was heralded for its pixelated prowess and quirky sense of style. In the three years leading up to its release, the hype train continued to gather steam as more and more was unveiled. Upon launch, it became clear that Eastward was about so much more than just style. It had substance, too. A modern celebration of early '90s video games, Pixpil's Eastward delivers a poignant yet hopeful post-apocalyptic story set in a delightfully dark world. It's a story of tribulation and triumph for a small indie studio and offers a thought-provoking exploration of societal constructs whilst also providing some warm-hearted and good-humoured fun. Eastward's iconic art style is complemented perfectly by its incredible original soundtrack composed by Joel Corelitz. In celebration of Eastward's recently launched and highly anticipated Octopia DLC, Black Screen Records and Lost In Cult Records have teamed up to bring you an exclusive opportunity to secure a series of beautiful Eastward OST items.

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15,55
Celer - Perfectly Beneath Us

Celer

Perfectly Beneath Us

12inchFIELD32
Field
24.05.2024

Field Records takes a look into the vast catalogue of Celer, the prolific ambient project from Tokyo-based artist Will Long. Perfectly Beneath Us was originally released in 2012 as a CD-R on Still*Sleep, and now it’s being presented as a vinyl release remastered by Stephan Mathieu.

Celer began in California as a collaborative project in 2005 between Long and Danielle Baquet, resulting in reams of self-released work up until Baquet passed away in 2009. Long opted to keep their project going, and Celer has continued to grow as an expansive exploration of purest ambient. Meanwhile Long’s solo work under his own name has been equally accomplished, with scores of releases on DJ Sprinkles’ Comatonse Recordings and respected Norwegian leftfield label Smalltown Supersound.

With such a sizable library of sounds to explore, the reissue of Perfectly Beneath Us serves as an ideal entry point into the Celer catalogue, presenting four pieces of sustained, glacial movement wreaking profound emotional impact from the subtlest methods. Long exercises the utmost patience from the shorter ‘Distressing Sensations’ and ‘Ultra-terrestrial Yearning’ through to the 10-minutes-plus stretches of ‘Slightly Apart, Almost Touching’ and ‘Absolute Receptivity Of All The Senses’.

It’s truly immersive, captivating drone music that rewards the attentive listener as much as it soothes the casual drifter. Originally limited to just 100 copies in 2012, it’s now beautifully framed on a carefully considered reissue which adds to Field’s own repertoire of evocative, subliminal electronics.

About Field Records
Field Records has been publishing versatile electronic music from a string of high-principled artists since 2008. Firmly rooted in minimalism and modesty, the label gained a reputation for its versatile and atmospheric output - which includes works from the likes of Artefakt, ENA, Imaginary Softwoods, Monolake and SUGAI KEN.

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20,97

Последний логин: 23 мес. назад
Atreyu - Congregation Of The Damned LP

In 2009, American metalcore band Atreyu released their fifth studio album Congregation of the Damned. For this album, the band returned to their "heavy hardcore" roots, following 2007's Lead Sails Paper Anchor, while also wanting to "move forward", which resulted in a more melodic approach. It was produced by Bob Marlette (Ozzy Osbourne, Airbourne) and mixed by Rich Costey (The Mars Volta, System of a Down).

Three tracks were released as singles: “Storm To Pass”, “Lonely”, and “Gallows”. The album debuted at #18 on the Billboard 200, selling 26.000 copies in its first week of release.

Congregation of the Damned is available as a limited edition of 1500 individually numbered copies on gold coloured vinyl, housed in a gatefold sleeve and includes an insert. This vinyl edition features the original artwork for the first time.

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32,14
Centaur Jackson - New	World Order LP

A deeper dive into the mind of the mysterious man who gave us Niggajazz at the top of the pandemic. Although only a six song ep, the title song gained traction for its jazz bop, house appeal. The follow up, New World Order is the first full length from the artist and displays a wider scope of that exact sound. Written and produced in 2021 NWO comprises tunes for the floor as well as the ride. With lush ballad Black Apple, The Common Suicides latin flare, The Torus’ obscurity and Ota Benga with its tribute to the worlds most renown human zoo attraction, this release is complete and advanced from the introduction received prior. We are pleased to present New World Order in a time when most needed to reflect and absorb carefully. We hope you enjoy it as much as we do!

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28,53

Последний логин: 22 мес. назад
Crustation With Bronagh Slevin - Bloom

"Bloom is the 1997 album by Crustation, who were formed by Ian Dark, Stig Manley and Mark Tayler. All three were quiet connected in the fertile Bristol trip hop community - they played in bands with Portishead's Adrian Utley during the Eighties and regularly hung out with Massive Attack and Smith & Mighty. With just one album, their debut full-length record Bloom, Crustation became a legendary secret in the galaxy of trip hop music. The charming female voice of Bronagh Slevin, spacey, dreamy atmospheres, sleepy beats: all we love in downtempo music. The album features artwork co-designed by Stanley Donwood, who has created all the artwork designs for Radiohead with Tom Yorke. For the first time since its original release, Bloom is being reissued and is available as a limited edition of 750 copies on translucent purple coloured vinyl. The vinyl package includes an insert."

Bloom by Crustation With Bronagh Slevin, released 23 May 2024, includes the following tracks: "Close My Eyes ", "Reverie ", "Falling ", "Life As One " and more.

This version of Bloom comes as a 1xLP in a(n) Deluxe Sleeve packaging. This release comes with (a) Insert(s).

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31,89
Khanate - Capture & Release LP
 
2
также имеющийся в продаже

Green Vinyl[31,89 €]


Largely recognized as their breakthrough album, Khanate was confident enough by the two-song, forty-minute Capture & Release (2005) to peel back its layers of thick mossy droneand reveal the minimalist underpinnings, a change either interpreted as maturity or an implied threat. “It’s a grim, avant-garde exercise in tension and paranoia. Dense, leaden drones fill up the spaces between O’Malley’s sparse, deeply sustained guitar chords. Vocalist Alan Dubin’s anguished vocals seem to convey the tortures of the damned as if there were not a shred of hope left for existence in this world. Capture & Release is not dissimilar to black metal in how it so violently conveys such a bleak and ultra-nihilistic world outlook. But while the standard tempo on a black metal album typically strays into the triple digits in terms of beats per minute, Khanate’s plodding pace keeps the BPM soundly within the singledigit range.” (Tiny Mix Tapes).

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31,05
Khanate - Capture & Release LP
 
2
также имеющийся в продаже

Black Vinyl[31,05 €]


Largely recognized as their breakthrough album, Khanate was confident enough by the two-song, forty-minute Capture & Release (2005) to peel back its layers of thick mossy droneand reveal the minimalist underpinnings, a change either interpreted as maturity or an implied threat. “It’s a grim, avant-garde exercise in tension and paranoia. Dense, leaden drones fill up the spaces between O’Malley’s sparse, deeply sustained guitar chords. Vocalist Alan Dubin’s anguished vocals seem to convey the tortures of the damned as if there were not a shred of hope left for existence in this world. Capture & Release is not dissimilar to black metal in how it so violently conveys such a bleak and ultra-nihilistic world outlook. But while the standard tempo on a black metal album typically strays into the triple digits in terms of beats per minute, Khanate’s plodding pace keeps the BPM soundly within the singledigit range.” (Tiny Mix Tapes).

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31,89
Steve Hackett - Feedback '86 (Vinyl Re-issue 2024)

Der neueste Titel in der Veröffentlichungsreihe der Steve Hackett-Vinyl-Editionen ist sein 15. Studioalbum "Feedback 86". Das Album erscheint hiermit zum allerersten Mal auf Vinyl! Es ist eine Sammlung von Songs aus dem Jahr 1986, von denen einige ursprünglich für ein zweites GTR-Album gedacht waren, und enthält Auftritte von Brian May (Queen), Bonnie Tyler, Chris Thompson (Manfred Mann's Earth Band) sowie den Marillion-Mitgliedern Ian Mosley und Pete Trewavas. Diese Veröffentlichung wurde speziell für Vinyl neu gemastert und kommt als Gatefold 180g Black LP.

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21,64
Steve Hackett - Till We Have Faces (Vinyl Re-issue 2024)

Der neueste Titel in der Veröffentlichungsreihe der Steve Hackett-Vinyl-Editionen ist sein achtes Soloalbum "Till We Have Faces", das ursprünglich 1984 erschien. Auf dem Album, das in Brasilien und Großbritannien aufgenommen wurde, kollidieren Rock und Weltmusik auf wundervolle Weise mit dem Einsatz von Marimba, etruskischer Gitarre, Rainstick und einer Gruppe von brasilianischen Perkussionisten. Steve wird außerdem von seinem langjährigen Kollegen Nick Magnus und dem Marillion-Schlagzeuger Ian Mosley unterstützt. Das Album wurde speziell für Vinyl neu gemastert und wird als Gatefold 180g LP erhältlich sein.

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20,80
DANIEL JOHNSTON - YIP JUMP MUSIC LP

Yip/Jump Music is the fifth self-released album by singer-songwriter Daniel Johnston, recorded over the summer 1983. From the original 1983 cassette tape made in his brother's garage. The most popular Daniel Johnston album of them all! (Kurt Cobain listed it as #35 is his top 50 favorite albums.)

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26,47
Colin Stetson - All This I Do For Glory LP

“All this I do for glory” is a reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the greek tragedies. As a narra- tive, it exists temporally somewhere between 2015’s “Never were the way she was” (with Sarah Neufeld) and the 1st volume of the NHW Trilogy.

With this, his first solo outing since 2013’s “To See More Light”, Colin Stetson ventures into territory both familiar and strange. Here still, is the dogmatically stripped down approach to performance and capture (all songs recorded live with no overdubs or loops) but there is an immediacy to the album that belies a more invasive and thorough miking of the various instruments being utilized and a seeming influence drawn from the early nineties electronica of artists like Aphex Twin and Autechre, evident in the more pointed role played by the instruments’ many percus- sive elements.

There are ancestries, motivic and timbral, woven through these six songs that plainly anchor them within the shared universe of his Trilogy, though the overall experience is one of extreme intimacy, the sounds and imagery more tangible and immersive than previous offerings. The brief and brutal “In the clinches” recalls (or presages) echoes of songs like “Judges”, though now feeling like one has fallen down the bell of Stetson’s ancient bass sax- ophone itself. “Spindrift”, crystalline and serene, calls to mind the ambient works of Aphex Twin, while “Between Water and Wind” with it’s “Immigrant Song” swagger, relentlessly carves it’s way into the bedrock here, paving the way with an increasing focus on the minute and the minimal, with a deepened sense of patience shared by most of the album’s six tracks.

Engineered and mixed by Stetson himself, this album represents a decidedly independent approach across the entire creative process and finds him at the top of his game, both as a composer and instrumentalist as well as a producer.

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26,85
Anaïs Mitchell - Hadestown LP 2x12"

"After an acclaimed run of performances at the National Theatre in 2018, Hadestown returned to London in February 2024 for its long-awaited West End premiere at the Lyric Theatre, Shaftesbury Avenue.

This Grammy award winning recording represents the Broadway show in its entirety. It features vocal performances by Reeve Carney (Spider-Man: Turn Off the Dark); Tony nominees Eva Noblezada (Miss Saigon), Patrick Page (Spring Awakening), and Amber Gray (Natasha, Pierre and the Great Comet of 1812); and Tony winner André De Shields (The Wiz).

Following two intertwining love stories - that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone - Hadestown, the 8x Tony-winning musical (including Best Score and Best Musical) by celebrated singer-songwriter Anaïs Mitchell, invites audiences on a hell-raising journey to the underworld and back.

Mitchell's beguiling melodies and innovative director and Tony Award nominee Rachel Chavkin's poetic imagination pit industry against nature, doubt against faith, and fear against love.

Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience. This album was produced by Grammy® winner David Lai (the 2009 West Side Story Cast Album) alongside Todd Sickafoose and Anaïs Mitchell, who also collaborated on Mitchell’s celebrated modern folk album Young Man in America. This is a new 2LP version in standard packaging making it cheaper than previous deluxe versions. 2 x 140g discs in a gatefold sleeve"

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28,99
R'N'CS - FLYTRAP IN THE MURDERHOUSE LP

R'n'Cs is the contraction of "Rem and the Courbarians". made up of Rem (drums - Vox) and the Courbarians brothers, Saïd (Guitar - Vox) and Gui (Bass Guitar - Vox). they were formed in the Orléans region at the dawn of the second millennium, combining Punk / Hard Core with overdriven Garage Punk'n'Roll. giving birth to a Rock'n'Roll speed all their own! The years go by. but the cadence remains the same. they are and remain definitively addicted to feedback and BPMs. Their Rock'n'Roll remains fast and furious. You'd think the teats they feasted on from an early age were loaded with nitroglycerine! And these R'n'R aficionados never tire of it! Class, delicacy and refinement have nothing to do with it. even if some music lovers will enjoy it! Their music isn't a poem, it's an ode to sex, drugs and rock'n'roll. all at breakneck speed! Hang on to the handlebars, because no one escapes this infernal spiral that grabs you and sends you straight to the devil's entrails! They became a national benchmark for speed rock'n'roll. and were repeatedly asked to play with bands such as Nashville Pussy, Supersuckers, Discharge, GBH, Unseen, Guitar Wolf, New Bomb Turks, The Cellophane Suckers, The Butchers, Burning Heads, Etc.. Over the years, R'n'Cs has always been backed, produced and supported by labels such as 442ème Rue, Beast Records, Guerilla Vinyl and of course Trauma Social. Their 7th Opus "Flytrap in the Murderhouse" released on Beast Records / Fly House Records (Trauma Social for the CD) saw the light of day in Spring 2024 and still remains in the tradition of Zeke, Peter Pan Speedrock, Mötorhead. This incendiary bomb will not differ from previous productions. Still in sweat, flames and Rock'n'Roll!!!! Hell Yeah!

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21,22
The Unknown - EAST COAST LOW

The Unknown

EAST COAST LOW

12inchDRUNKEN169
Drunken Sailor
24.05.2024

Members of The Chats, second LP in anticipation of their debut Euro Tour, FFO Cosmic Psychos, The Saints, Stiff Richards. Australia never misses. European release of The Unknowns second LP, released on Bargain Bin Records in Australia. "There have already been some monster LPs released in 2023, and the sophomore album from The Unknowns just might be the best of the lot. The Brisbane-based then-trio released one of the greatest punk albums of the roaring twenties (so far) with Nothing Will Ever Stop back in late 2020. Now a foursome following the addition of The Chats' Eamon Sandwich on guitar, The Unknowns have returned with an even better follow-up. East Coast Low manages to take most of the musical genres I hold dear and mash them together in the most delightful way. Basically the sound is classic punk rock with a ton of energy and catchy tunes (what else would you expect from Australia?). Yet at the same time, this album aligns beautifully with modern-day garage punk, power pop, and straight-up rock n' roll. East Coast Low packs ten tracks of punchy sing-along punk rock into 23 and a half minutes of pure fun. Songs like "Dianne," "Rid of You," "Thinking About You," and "I Don't Know" prove once again that there's a certain kind of itch that only old school punk rock n' roll can scratch. These guys are doing nothing new. But man, they do it so freaking well! If we're talking about the cream of the contemporary Aussie punk crop, The Unknowns have earned a place in the conversation." Josh/ Faster and Loude.

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24,58
The Baby Seals - Chaos LP

The Baby Seals

Chaos LP

12inchTARVX130
TRAPPED ANIMAL
24.05.2024

The Baby Seals debut album, "Chaos," is a sonic exploration that blends heavy guitars, a pop edge, and a punk rock garage spirit with a heavy attack. The band, comprised of Amy "Amos" Devine on drums and backing vocals, Kate Shore on bass and backing vocals, and Kerry Devine on guitar and lead vocals, delivers a raw and energetic collection that captures the essence of their live performances. Recorded in March 2023 in Thaxted, just outside of Essex, "Chaos" embodies the DIY ethos that has defined The Baby Seals' approach to music. The decision to minimise post-production sets "Chaos" apart from previous recordings, reflecting the band's commitment to authenticity and a desire to showcase their growth and maturity. The album definitely is about how we feel and experience the world around us in our 30s and 40s. The Baby Seals have grown up? Does not mean sonically lame for sure. The album definitely has themes: inclusivity, gender inequality, the mental load, the motherload, power, body positivity, challenging taboos, liberation. The importance of what to take seriously and what not to take seriously. Title track, Chaos is one of the songs on the album written after a series of events including watching an interview with the late writer Benjamin Zephaniah who said the only way to liberation for all was to tear big governments down and to believe in your community. Further stand-outs are the funny "ID'd At Aldi" and the just classy "Vibrator" The cover artwork sums us up and hopefully gives you a feeling of what the album sounds like.

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28,78
Various - SIHR LP

Various

SIHR LP

12inchSR568V
Sub Rosa
24.05.2024

SIHR: sonic manifesto by a post-anything quartet feat. multi-instrumentalists from the Mediterranean inland Sea. New folklore for a devastated planet, including Frédéric D. Oberland (Oiseaux-Tempête), Grégory Dargent (H), Tony Elieh (Karkhana) & Wassim Halal (Polyphème).

After a few concerts/screenings improvised as a duo in Cairo and Beirut, as well as for the Rencontres d’Arles, the Lille photography center and the Belgian magazine Halogénure, Dargent and Oberland have teamed up with mavericks Elieh and Halal for a puzzling cross-border manifesto. The first sonic moves of this eclectic quartet, made in a bunker studio somewhere between Paris and Berlin, urgently took the form of a quest, that of a neo-folklore for troubled times, a music seeping with many kinds of atavism and experimenting in all directions. A fertile no-man’s-land where trance and contem- plation, jazz and electronica, acoustics and electricity would merge in a stimulating mystical magma.

From the possible emergence of a Babelian language to the shared desire to rediscover music as a ceremonial act, this encounter took place over three days of improvised sound bacchanalia, the phases of which were all recorded by Benoit Bel (Zombie Zombie, Thurston Moore Group, Oi- seaux-Tempête). A hallucinated and generous testimony, SIHR is a synergy of many different worlds and many different possibilities, the sonic vision of a present conjugated in a hybrid tense and exalted by too many tangos danced on the glowing ashes of our days.

Multi-instrumentalist & photographer, Frédéric D. Oberland has been leading the Oiseaux-Tempête collective for over ten years, lying somewhere between avant-rock and free jazz, repetitive music and electronics. Founding member of the bands FOUDRE! and Le Réveil des Tropiques, he’s also perfor- ming solo and composing soundtracks for cinema and installation art. Since 2018, Oberland co-cu- rates the NAHAL Recordings imprint alongside producer Mondkopf.

Electric guitarist, oud player, composer and photographer, Grégory Dargent cultivates his musical schizophrenia and identity through improvised music, trance music, jazz, hijacked maqam, repeti- tive music, pop, electro-acoustic installations and French chanson. From L’Hijâz’Car to Babx, from Berber singer Houria Aïchi to Rachid Taha, from Trio H to Sirventés enragés, from music for images to contemporary choreography, from the most acoustic of ouds to the most nuclear of guitars, he conducts, accompanies, composes, deciphers, questions, delves, makes mistakes, bounces back, ar- ranges, orchestrates and tirelessly shares his creative passions.

Tony Elieh is one of the pioneers of experimental music in Lebanon. A founding member of the first post-rock group of post-war Lebanon, The Scrambled Eggs, he has since developed his unique elec- tric bass skills in various groups and styles of music including collaborating with in groups such as Karkhana, Calamita and Wormholes Electric. Relocated in Berlin in recent years, he has performed a solo set of heavily processed bass generated sounds.

Is Wassim Halal only a darbuka player? Maybe !? But what about his music, compositions, ideas. You can find him with Polyphème playing and co-composing popular-contemporary music with Gamelan Puspawarna, or next to the french bagpiper Erwan Keravec, with the Bey.Ler.Bey trio (w/ Laurent Clouet & Florian Demonsant) working on an improvised-balkan-already-improvised-music, with per- formers and drawers Benjamin Efrati and Diego Verastegui, with Gregory Dargent and Anil Eraslan in H, creating a new pedal generating »Random taksim«, composing his own »Poème Symphonique pour 100 youyou« or composing pieces for ensembles.

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23,11
Various - Banger: Make My Body Shake 2x12"

BANGER MAKE MY BODY SHAKE MAKE THE SPEAKERS SHAKE

It was two and a half years ago when a conversation took place between Sal Carmona and Dj Producer Jovonn Armstrong; talks of which planted a seed in Sal Carmona's ear, which years later would manifest what was once a dream into a reality. No stranger, nor a newcomer in the world of dance music, Sal's experience in the club scene goes way back to the days when his sisters, to whom he credits for helping shape the person he is today, took him to Dave Mancuso's The Loft. An experience that he recalls being nothing short of magical. It was a spiritual encounter that immediately took over thus steering him towards the direction of clubs such as The Paradise Garage, Bentley's, Underground, Red Parrot, Latin Quarters, Roseland, Studio 54, just to name a few. Years later, Sal decided to take on the role, of which he became quite successful at, of promoting his own events in New York City; throwing regular parties at venues such as Park Circle & USA roller skating rinks, Red Parrot, The Palladium, The Copacabana and many others, soon becoming one of the premier go to promoters in NYC. Taking a long and well-deserved hiatus from the club scene, in 2012 Sal decided to make his return back to what he loves. It was around this time that he began thinking what it would be like to venture into creating his very own record label. Envisioning his first release being a bona fide House Music Album, one that would include some of his favorite producers. Not one to let dreams drift into the ether, while recollecting on that conversation with Jovan way back, Sal set out to make that vision manifest into a reality and thus emerged this dope compilation titled Banger "Make My Body Shake" "Make the Speakers Shake"

A great idea which brings together an interesting mix that includes highly sought out and respected veteran producers in the scene, such as Timmy Regisford, Ron Trent, Dj Jovonn, and Joe Claussell. Alongside with up and coming DJ producers who are garnering their own adulation of fans, in the likes of Vick Lavender, Mark Francis, Conway Kasey, and DJ Punch. With valuable directional contributions from friend Joe Claussell, this, to say the least, has become far more than just a seriously dope compilation that consists of a unique coming together of serious dance music. More than the aforementioned, Sal Carmona has manifested a dream into a game changing music scripture that is one of a kind, especially in this day and age where it seems where things are thrown together hoping for something to stick. On the contrary, this is well planned and thought out dopeness at A higher level consisting of all new house music that hasn't been brought together like this in a very long time and probably not for a while afterwards.

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48,53

Последний логин: 10 дн. назад
Jose James - 1978

Jose James

1978

12inchBLONDE065V
RAINBOW BLONDE
23.05.2024

José James - the forward-looking, genre-defying Jazz singer for the hip-hop generation - has done it again. “1978” (his 12th studio album since 2008’s “The Dreamer'') announces an instant classic, combining James’ deep love of jazz and hip-hop with songwriting and production nods to R&B heroes Quincy Jones, Michael Jackson and Leon Ware. Produced by James and featuring an all-star ensemble including Grammy nominees Pedrito Martinez (Camilla Cabello, Eric Clapton), Marcus Machado (Daniel Ceasar, Pharoahe Monch), Jharis Yokley (Sleigh Bells, My Brightest Diamond) Chad Selph (Bilal, FREELANCE) and David Ginyard (Solange, Blood Orange), “1978” pulsates with the socially conscious feel-good vibes of Marvin Gaye, Prince and Stevie Wonder. James also skillfully explores the boundaries of Black music, featuring Brazilian rising star and recent Latin Grammy nominee Xênia França as well as Congolese-Belgian rapper/filmmaker Baloji.

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31,13

Последний логин: 23 мес. назад
Various - BACK TO BLACK: SONGS FROM THE ORIGINAL MOTION PICTURE
 
26
также имеющийся в продаже

Black LP[25,63 €]


The official soundtrack release to the new film of Amy Winehouse, BACK TO BLACK, releasing Spring 2024. Amy Winehouse is widely considered as one of the greatest artists in recent history, selling more than 30 million records worldwide. Her acclaimed self-produced 2006 album Back to Black, propelled her to global stardom, going on to win a (then) record breaking 5 Grammy Awards, including Record Of The Year and Song of The Year for hit single Rehab. Releasing on 140g 1LP Black vinyl, the tracklist comprises a carefully curated highlights collection of Amy's original recordings and tracks from her idols, such as The Shangri-Las, Billie Holiday and Dinah Washington, that are featured in the film, plus a new original track sung by Nick Cave. The vinyl product is housed in a single sleeve with printed inners featuring a personal note from director Sam Taylor-Johnson.

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31,51

Последний логин: 23 мес. назад
Billie Eilish - HIT ME HARD AND SOFT LP

Sie ist zwar vor ein paar Monaten erst 22 geworden, gilt aber schon seit über einem halben Jahrzehnt als die einflussreichste und einzigartigste Künstlerin unserer Zeit, als Stimme ihrer Generation – jetzt ist sie zurück mit neuer Musik: Billie Eilish veröffentlicht am 17.05.24 ihr drittes Studioalbum „HIT ME HARD AND SOFT“.
Wie schon die beiden gefeierten Vorgängeralben zusammen mit ihrem Bruder FINNEAS geschrieben und aufgenommen, zählt das neue Werk jetzt schon zu den absoluten Album-Highlights des Jahres.
Auf die ersten Viralhits mit 14 folgte schließlich das gefeierte Debütalbum „WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?“, das Anfang 2019 in 18 Ländern direkt auf Platz 1 ging – und u.a. auch in Deutschland Platinstatus erreichte. Mit einem GRAMMY-Rekord ins aktuelle Jahrzehnt gestartet, als sie als erste weibliche Künstlerin in allen vier Hauptkategorien abräumte, konnte die US-Sängerin für den Bond-Titelsong „No Time To Die“ auch ihren ersten Oscar mit nach Hause nehmen. Inzwischen 9-fache GRAMMY- und zweifache Oscar-Gewinnerin, ging das zuletzt veröffentlichte Album „Happier Than Ever“ (2021) sogar in 20 Ländern auf die #1 – eingerahmt von gleich 16x Platin und weiteren Gold-Auszeichnungen. Den zweiten Oscar gewann sie für ihren Barbie-Beitrag „What I Was Made For“.
Beim dritten Album „HIT ME HARD AND SOFT“ handle es sich ganz klar um das gewagteste Albumstatement ihrer Karriere, ließ Eilish schon im Vorfeld durchblicken. Vor allem sage der Albumtitel eigentlich schon alles: Es ist ein wahnsinnig emotionales Werk, das berührt, das harte und auch softe Schläge austeilt, indem die 22-Jährige inhaltlich und klanglich immer wieder neue Genre-Grenzen absteckt. Vor allem vertraut die vielfache GRAMMY- und Oscar-Gewinnerin auch dieses Mal auf ihre Instinkte – und unterstreicht genau damit erneut, weshalb sie als die spannendste Songwriterin unserer Zeit gilt.

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28,99

Последний логин: 3 мес. назад
CARLOS NINO & FRIENDS - PLACENTA - LIMITED EDITION PLACENTAL LP 2x12"

Placenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño & Friends music released on International Anthem since 2021. But perhaps more notably for the zeitgeist of today, it is the first new music to be released by Carlos Niño & Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, performing, and co-mixing every song. The announcement of Placenta also comes while Carlos is in the middle of tours with André to support New Blue Sun, where Carlos wields an immense presence as music director, bandleader, and percussionist, and performs alongside many of the same musicians that are present on his recent & Friends albums, including this new one.

Placenta is announced on the 1st solar return of Moss Niño, of whom Carlos and his partner Annelise are Earth parents. Their experience of pregnancy, labor and delivery were all profoundly impactful for Carlos. Becoming a father again (a whole 25 years after the birth of Azul Niño, who has become a regular artistic collaborator for Carlos) he felt total Inspiration for this set of recordings, and hence it is perhaps the most conceptually-grounded Carlos Niño & Friends album we've yet to present–fully connected to the spirit of family, birth, and "how we get here."

In Niño’s words, Placenta is “dedicated to Mothers, Children, Babies, Aunties, Doulas, Midwives, Birthworkers...,” and a short list of track titles includes: "Love to all Doulas!," "Some Rest for the Midwives," "Real Vital Organs," and "Generous Pelvis." The centerpiece of the album, the sprawling "Placenta, Nourishment, New Home, The Galaxy," is an unbelievably vivid immersion in the sonic architecture of Niño's memory-scape...like being present in his energy field...or being present in a birthing room, or maybe even being born yourself. And it just might be the most powerful, unique piece of music Niño has ever created.

Featured artists on Placenta, in order of their entry on the album, include: Nate Mercereau, Jamire Williams, Sam Gendel, Jamael Dean, Dexter Story, Brandon Eugene Owens, Maia, André 3000, Jesse Peterson, Ariel Kalma, Surya Botofasina, Annelise, Haize Hawke, Aaron Shaw, Devin Daniels, Tiffany de Leon, Michael Bolger, Michael Alvidrez, Moss, Iasos, Photay, Deantoni Parks, Adam Rudolph, Andres Renteria, and Cavana Lee.

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28,15

Последний логин: 23 мес. назад
DIE WILDE JAGD - UHRWALD ORANGE LP 2x12"

wieder auf Lager Vor drei Jahren veröffentlichte Sebastian Lee Philipp gemeinsam mit dem Produzenten Ralf Beck (Nalin & Kane, Unit 4) das Debütalbum des Bandprojekts Die Wilde Jagd. Bald darauf zog sich Beck aus dem "operativen Geschäft" zurück. Aber dennoch hat er einen gewichtigen Anteil am neuen, zweiten Album: Er hat dieses nicht nur co-produziert und abgemischt, ohne seine analogen Synthesizer, Drumcomputer und Studiotechnik würde Die Wilde Jagd nicht derart kraftvoll und gleichzeitig fein ziseliert klingen. Nächtelang schloss sich Philipp in Becks Tonstudio Uhrwald Orange ein, um seine ganz eigene, zu Klang gewordene Bilderwelt aufzunehmen. Sie gleicht einem nächtlichen Flug ins Unbewusste durch das Geäst des symbolischen "Uhrwalds", hinein in eine "Fremde Welt" und ihren gespenstigen Protagonisten - den "Sauregaulen", "Flederboys" und "2000 Elefanten". Das minimalistische, spannungsgeladene und düster-hypnotische Werk ist natürlich auch eine Ode an das Tonstudio selbst - an die analogen Gerätschaften und den allgegenwärtigen EMT-Plattenhall. Nur hier konnte Philipp sein Klangideal mit den von Beck erstellten Signalketten aus Kompressoren, Vorverstärkern und Kanalzügen nach seinen Vorstellungen verwirklichen.

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30,88

Последний логин: 23 мес. назад
Creation Rebel / New Age Steppers - Threat To Creation

2024 Repress

Released on Cherry Red in 1981, Threat To Creation spotted the collaboration between two mystical entities: Creation Rebel and New Age Steppers. Forerunners of the british dub scene the two bands shared several members, a who’s who of the On U-Sound school and key figures of the Bristol and London scene. Adrian Sherwood is – obviously – the man behind the desk a craftsman on its own, a character with no borders and one of the most sought after producer of the time. The supergroup is ran by post-punk stalwarts Bruce Smith (The Pop Group) on drums and Keith Levene (PIL) on guitar. Ari Up of The Slits sits on piano and organ, while masters Crucial Tony is both on bass and guitars. Members of African Head Charge – bass player George Oban, Eskimo Fox and Style Scott on drums – are welcomed addition to the line-up. Threat To Creation is still recognizable as an album ahead of its time, a futuristic blend filling the gap between the Jamaican heritage, the so-called (post) industrial revolution and the studio witchery of the whitey man.

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23,49

Последний логин: 23 мес. назад
Rafael Anton Irisarri - Midnight Colours LP

Longtime enthusiasts of ambient music have much to celebrate as Rafael Anton Irisarri's cherished out-of-print cassette, "Midnight Colours," returns in a meticulously remastered edition and makes its inaugural debut on vinyl. The significance of this album's announcement is accentuated by its historical resonance, coinciding with the same day in 1952 when the world bore witness to the first-ever test of the hydrogen bomb.

"Midnight Colours" is far more than a mere album; it's an exploration of the enigmatic relationship between humanity and time. Conceived as a sonic interpretation of the Doomsday Clock, which symbolizes the world's existential vulnerabilities, Irisarri's work beckons listeners to contemplate the gravity of our existence and the delicate balance that envelops it.

"I wanted to capture the essence of humanity's relationship with time, both the anxiety and the serene beauty that coexists within the shadows of the night," explains Irisarri. "The vinyl format adds a tactile dimension to the experience, inviting listeners to physically engage with the music."

Known for his contributions to the ambient and electronic music genres, Irisarri often explores themes of introspection, nostalgia, and the interplay between sound and emotion.

Recorded in 2017, when the Clock was at 2½ minutes-to-midnight (and at the time, the second-closest to midnight since the Clock's inception in 1947), "Midnight Colours" permeates with the melancholy of memories resurfacing as one approaches the end of life: the regrets, the closure, the uncertainties, the anxieties.

Originally released as a limited tape on the beloved Atlanta-based label Geographic North, "Midnight Colours" swiftly garnered praise and acclaim within the ambient music sphere. Now, with this newly remastered edition on his own Black Knoll imprint, fans, both longstanding and newfound, can rediscover the album's captivating beauty in unprecedented clarity and depth.

"I've wanted to release 'Midnight Colours' on vinyl since it first came out, and I'm thrilled to finally be able to. The remastering process, brilliantly done by Stephan Mathieu, has breathed new life into the work, and I'm eager for listeners to experience it in this format."

The reissue of "Midnight Colours" features band-new artwork and design by the renowned Mexican visual artist Daniel Castrejón. A frequent collaborator and friend of Irisarri, Castrejón's imagery impeccably complements the album's mood and themes, extending a compelling invitation for listeners to explore its aural world visually.

This landmark release serves as a testament not only to Irisarri's enduring impact on the ambient music genre but also as a long-awaited gift to those who have patiently anticipated the album's vinyl debut.

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28,36

Последний логин: 23 мес. назад
Billy Mahonie - Field Of Heads LP

180GM BLACK VINYL : 500 PRESSED WORLDWIDE.

Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.
Formed in the first wave of British post-rock alongside the likes of Mogwai in the late 90s, John Peel favourites Billy Mahonie are set to return with the first new music from their original line-up in some twenty-four years. Whilst their debut album ‘The Big Dig’, released in 1999 on Too Pure Records, is considered a classic of the post rock genre, Billy Mahonie always crafted their intricate music with memorable hooks and melodies and performed it with energy and gusto. Theirs was not an aimless, meandering sound, instead the songs and attitude were rooted in punk rock, and still are. Billy Mahonie put the rock into post-rock.
Set for release this coming May 24th via Whistling Sam Projects, ‘Field Of Heads’ sees the band returning with their classic original line-up of Gavin Baker (guitar), Howard Monk (drums), Hywell Dinsdale (bass and guitar) and Kevin Penney (bass and guitar). Whilst this line-up has been semi active for a few years, no new material came to fruition. After their last gig in 2017, however, the band decided it was time to get back into the studio, but with two members living abroad new challenges were faced, but ideas were shared, old ones were resurrected and finally in October of 2019, Billy Mahonie were back in the studio.
Recorded over two long weekends on either side of the Covid 19 lockdowns, the band tracked at The Church studios, owned by their former collaborator and front of house engineer Paul Epworth, with senior engineer Luke Pickering at the controls, allowing ‘Field Of Heads’ to quickly take shape.
New single ‘Kaiju’ gives the music world the first taste of ‘Field Of Heads’ and right from the off, it’s classic Billy Mahonie. Immediately bursting into life with the energy and melody that is so unique to their sound, Howard’s driving drums thrust the music ahead as the guitars and synths weave their way around them. Intricate and shifting, but never at the expense of a tune that sticks in your head.
“This one came from a chord progression myself and Gav first tried out jamming in 2010,” explains drummer Howard. “Needless to say, when Hywell and Kev got their hands on it, it became something no-one ever envisaged. Kev's great title is, of course, the Japanese name for the subgenre of monster-based science fiction. A frenetic riff opens the song and for a counter guitar part only two options remain, play in the minimal gaps or find an overarching theme. We chose both. Kaiju films influence the additional Synths, echoes of those early Japanese movie themes. Some people we have played this to in advance have suggested this track is one we should lead with, as it is kind of where we left off. We agree. It rocks pretty hard. And is a bit funky too. What’s not to like?!”
 
Furthermore, Billy Mahonie now have their own label, Whistling Sam Projects, set up for global distribution through SRD, an almost sold-out London launch show at The Lexington on May 4th, and they are confirmed to play Portals Festival Saturday May 25th in East London. After nearly quarter of a century, Billy Mahonie are very much back.

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21,64

Последний логин: 23 мес. назад
Friedrich Ernst - Breakthrough EP

Attention, Electro-heads! SNC Recs is back with its first vinyl release for 2024, presenting a treat for all breakbeat enthusiasts with Friedrich Ernst's Breakthrough EP. The old-school influenced 12’’ is garnished by two high-grade remixes contributed by none other than the new-wave electro pioneers, DJ MELL G and Viikatory.

Hailing from Dresden, Friedrich Ernst discovered his passion for electronic music at an early age. After relocating to Leipzig in 2020, he co-founded the label "Self Learning System" with DJ Unisex, focusing on releasing electro music and organizing events. Since then, Friedrich has honed his own style and established himself internationally as a label owner and producer, increasingly focusing on live performances.

His second solo EP, marked by his detail-oriented and uncompromising electro sound, fits perfectly into the SNC Recs catalog and brings a dignified start to the tenth series. Completing the release are remixes by DJ MELL G and Viikatory, each bringing their own personal touch to a different track.

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14,08

Последний логин: 19 мес. назад
Al-Dos Band - Doing Our Thing With Pride

Kalita are proud to announce the first ever 7” single reissue of what is possibly the most coveted gospel disco record in existence, the Al-Dos Band’s soulful masterpiece ‘Doing Our Thing With Pride’. This iconic reissue is backed by the band’s previously unreleased recording ‘Love Jones Coming Down’. At long last, Kalita revives this South Carolinian grail single, housed in a limited-edition picture sleeve. Originally penned and produced in 1976 by husband-and-wife duo William and Elizabeth Robinson in Greenville, South Carolina – a city steeped in musical heritage – the record was released in a run of just 200 copies the following year on their own label, Warmer Productions. ‘Doing Our Thing With Pride’ epitomises the best in uplifting crossover gospel disco, equally suited to both peaceful listening and dancefloor action. Despite garnering some attention upon its original release, the single struggled to make headway against the prevailing music forces of the time. Coupled with mounting academic and familial obligations, the release faded into obscurity, eventually becoming a highly sought-after gem, commanding exorbitant prices whenever an original copy surfaced for sale—a rarity that occurred only once every decade. Now, following their successful unearthing of the band’s unreleased album in 2021, Kalita present this remarkable record in a limited-edition 7” picture sleeve single.

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14,50

Последний логин: 23 мес. назад
Papa Romeo - Late Night Load Out LP

Late Night Load Out is the debut LP from Dublin five piece band Papa Romeo.

The release is a collection of work which catalogues their first two years of rehearsing and gigging together around Ireland, a process which has forged their sound. The tracks journey through sound palettes which variously touch on dreamy spaced out indie rock, moments of ambient contemporary jazz, and rougher post-punk influenced sounds.

The ‘Late Night Load Out’, became the term to describe loading gear out of venues late at night after a show, which is a moment to both dread and cherish, the (sometimes) hard work which follows elation.

Now primarily based in London, Papa Romeo’s music has connected with London based DJs and broadcasters. Their debut single ‘Yellow Magic Orchestra’ was supported by Flo on NTS, as well as Avalon Emerson, and appeared as the A1 on a vinyl compilation from All City Records Dublin. Singles from ‘Late Night Load Out’ have also gained early support on BBC 6 Music and from Ross Allen on NTS.

In the meantime the band have been busy on the Irish circuit with appearances at Cork Jazz Festival, Other Voices, All Together Now and Another Love Story, as well as repeat sold out shows at Dublin’s Sugar Club. They have built a reputation as a versatile band who can bring the energy to a packed room, and were named an Artist to Watch for 2024 by Hot Press Magazine.

‘Late Night Load Out’ will be released on digital and vinyl in May 2024.

Papa Romeo is Paddy Rogers, Mark Rogers, Dan Coyne, Rob de Boer and Chris Wong.

Radio Support:

Ross Allen - Soup to Nuts NTS

Colleen Cosmo Murphy - NTS

Lauren Laverne - BBC 6 Music

Esk - Rinse FM

District Magazine (Ireland)

Peter Curtin - RTE

New Music Fix on BBC 6Music

Bill Brewster

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16,77

Последний логин: 2 г. назад
Cv313 - Seconds To Forever (reshapes)

Cv313

Seconds To Forever (reshapes)

12inchECHOSPACE018-RE
Echospace
21.05.2024

2024 repress.

Nearly 10 years out of print, recut and remastered from the analogue tape masters from Alchemy's pristine mastering work; focusing and enriching every finite detail into pure analogue bliss! This remastered edition features epic reworks of cv313's now classic, "Seconds To Forever" released back in 2010.

The first track is a reshape by intrusion, dubbed out live in the mix from the original 8 channel analogue tapes as to summon the spirit of King Tubby. There's also two beautiful remixes from the brilliant Rod Modell (DeepChord). Those touched by his recent output will have a lot to love here. Gorgeous plumes of sound envelope the listener into near hypnosis, subdiving deeper than even the original work could. Sublime and beyond gravity, another exquisite excursion transmitting from the other side of the galaxy. Pressed onto 150 gram crystal virgin blue wax. Tip!

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14,50

Последний логин: 7 мес. назад
SUPERGRASS - LIFE ON OTHER PLANETS LP 2x12"

‘Life On Other Planets’ is Supergrass’ fourth studio album, which peaked at #9 in the UK charts. (Norway#13, Australia #22, France #44).

Released as 1LP black heavyweight vinyl, 2LP white 12”, green and black 10” vinyl and 3CD with demos and live versions.

This 2023 re-issue has been fully remastered from original sources and includes the hit singles ‘Grace’ (UK #13), ‘Seen the Light’ (UK#22), ‘Never Done Nothing Like That Before’, ‘Rush Hour Soul’.

Gatefold 1LP is a faithful reissue of the original album

Сделать предзаказ21.05.2024

он должен быть опубликован на 21.05.2024

24,16
Charizma & Peanut Butter Wolf - Big Shots 2x12"

Ein Hip-Hop Klassiker wird erwachsen: 21 Jahre nach Erstveröffentlichung erscheint das posthum erschienene Album des viel zu früh verstorbenen Bay Area MC’s Charizma und des Stones Throw Gründers Peanut Butter Wolf auf Apple Juice Vinyl, der Farbe von Charizma‘s Lieblingsgetränk.

'Big Shots' 2LP Repress auf farbigem Apple Juice Vinyl. Eine Hommage an Charizma's Lieblingsgetränk.

Stones Throw Records hat eine Apple Juice-Variante gepresst, um an eine der ersten Veröffentlichungen des Labels zu erinnern: Charizmas Hip-Hop-Klassiker Big Shots aus dem Jahr 2003.
Eine Ewigkeit ist seit der Ermordung von Charles "Charizma" Hicks ins Land gezogen, der im Dezember 1993 im Alter von 20 Jahren starb. Trotz seines kurzen Lebens hinterließ Charizma bei allen, denen er begegnete, einen bleibenden Eindruck. Charizmas Tod traf seinen engen Freund und Hip-Hop-Produktionspartner Chris "Peanut Butter Wolf" Manak tief, der nach der Nachricht für mehrere Monate aufhörte, Musik (und alles andere) zu machen. Doch erst der Mord an Charizma gab PB Wolf den Anstoß, weiterzumachen und seine Musik der Welt zu präsentieren - und zu diesem Zweck sein eigenes Plattenlabel zu gründen. 1996 gründete Wolf Stones Throw Records und brachte als erste Veröffentlichung eine 12"-Single von Charizma/PB Wolf mit dem Titel 'My World Premiere' heraus.
Mit dieser posthumen Veröffentlichung können Hip-Hop-Fans nur spekulieren, welche Höhen Charizma hätte erreichen können, wenn er heute noch da wäre.

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27,69

Последний логин: 23 мес. назад
ILIJA RUDMAN - THE GREAT BEYOND  LP

Temples of Jura is proud to present ‘The Great Beyond’, the ninth studio album from Ilija Rudman. The concept of the album is the afterlife with words from Nikola Tesla, Slavoj Zizek, Jim Morrison, JF Kennedy, Charles De Gaulle, WH Auden, Azar Nafisi and Eleanor Roosevelt woven together to tell the story of ‘The Great Beyond’ and what may lie ahead for us all. The voice itself was created by Ai (let’s call him ERIC) and is set beautifully to music that has a timeless cinematic quality. Ilija only uses pure Analogue equipment in the creation of his music, resulting in a rich tapestry of basses, drums, chords and lead sounds. He’s been a prolific producer for over 20 years now with a discography that runs deep with more than 100 Vinyl EP releases and 8 studio albums, but we feel he’s reached the pinnacle with this concept album. We’ll leave the final word to ERIC “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face.”

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20,59

Последний логин: 16 мес. назад
L'APPEL DU VIDE - ABWÄRTSSPIRALE
 
4
также имеющийся в продаже

Album[20,59 €]


"Fast hätten wir gedacht: es könnte gut ausgehen". Zwei nervenaufreibende Jahre lang haben L'APPEL DU VIDE aus Chemnitz an ihrer Debüt-EP gearbeitet, jetzt ist die "Abwärtsspirale" in Gang gesetzt. Ihre selbstgewählte Genre-Zuschreibung Dark Punk kratzt dabei nur an der Oberfläche. Das Spektrum reicht vom aggressiv-düsterem Surf-Punk ("Das bin ich nicht") über spröden, repetitiven Sound mit Noise-Ausbrüchen ("Aufmerksamkeit") bis zu hymnisch-melodischen Post-Punk ("Delirium"). Bei "Das Programm", - einer bittersüßen Romanze in Zeiten totaler Überwachung - , wird es plötzlich ungewöhnlich ruhig-melancholisch dank 60ies-Orgel und Background-Gesang von Mara. L'APPEL DU VIDE beschäftigen sich textlich in knappen Worten mit Verleugnung, Scheitern und Entfremdung. "Delirium" klingt dabei wie der Soundtrack zur Pandemie, wurde aber schon 2019 geschrieben. Die Songs wurden von Flatty aufgenommen und klanglich von Max Herrmann/Gloven Studio Leipzig (Mix) und Mikey Young (Mastering) veredelt.

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8,36
L'APPEL DU VIDE - METRO LP
 
4
также имеющийся в продаже

7 inch[8,36 €]


"Du reitest über die Zwickauer Hügel nach Nordosten. Die Lederzügel schneiden sich in deine gefrorenen Hände, während sich heiss-saurer Sod nach oben brennt. Metaphysischer Katerschweiss sticht sich Pore für Pore durch deine Haut, durch ein verblasstes Sargtattoo auf dem Unterarm. Die müden Füße in den NVA-Stiefeln deines Vaters umklammern die Flanken eines dampfenden, grauen Appaloosa, oder ist es doch nur die frisierte Simson S51? Egal, denn eigentlich ist es deine ur-eigene Mind-Machine, in der du dem Ruf der Leere folgend durch die Ruinen der Selbsterkenntnis irrst. Nach Chemnitz - dem San Francisco des ganz kleinen Mannes. Erwarten wird dich dort allerdings nicht Bernd Spier's einfältige Flowertime, sondern Asbest, Eternit und vor allem die Risse, die sich durch ebendiesen ziehen. Genau da verdichten sich die Songs auf L'Appel du Vide's erstem Full-Length "Metro" jedem Leerstand trotzend zu einem 9 Stories hohen Monolithen aus Post-Punk, Death-Rock, Synth- und Darkwave, der einen - einmal erklommen - über jene Genregrenzen hinwegschauen lässt. Ein schwarz-schimmernder Jengaturm aus (East-)German Angst und kompromissloser Innenschau. So viel aufrichtiger wankend, als ein Campino im einstudierten Seitwärts-Taumeltanz der Mitte der Gesellschaft weismachen will, führt er dich weg von den tief hängenden Früchten des epigonalen (Post-)Punkswindles. Hin zu den aufgehenden Blüten echter Musikliebhaberei. Man hat sich festgebissen und ist drangeblieben, hat geschürft und sortiert, die Linernotes gelesen und vor allem eins: den vielen Platten zugehört. Die Schubladen aufgemacht und offen gelassen. Sänger René klagt sich ohne Allüren, zeigefingerfrei und immun gegen jedes Zeitgeistgeheische ins zunächst eigene Herz. Die Gitarre sägt, klirrt und kreischt vor Hunger und ist doch satt. Die Rhythm-Section knurrt und scheppert und bumst sich geradeaus in den Abyss, aus dem auch analoge Synths hier und da auftauchen um kurz Luft zu schnappen. Überhaupt kann man die Instrumente atmen hören, so ehrlich ist der Sound. Gitarrist Flatty hat die Band Anfang 2023 im Studio Gloom, Chemnitz aufgenommen. Doch da ist nicht nur Sachsen und die zu oft beschworenen, modrigen Wurzeln der Hängengebliebenen. Da ist Detroit, Frisco und Los Angeles. Manchester, New York und Portland. Und genau so wie Poison Idea's "Feel the Darkness" (um dann doch mal eine Reminiszenz zu bemühen) beginnt, endet "Metro" nach 37 Minuten Spielzeit - mit nacktem Piano. Dazwischen: eine Verwandtschaft in Wucht und Haltung, nur ohne Metal- und Gepose. Just Power and Void. Und in der Satteltasche ein altes Foto vom Meer, körnig, schwarz weiss und doch alle Farben widerspiegelnd.

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20,59
Pain - I Am LP

Pain

I Am LP

12inch4065629715816
Nuclear Blast
20.05.2024

Es ist 2021, und eine Pandemie würgt die Welt ab - und niemand scheint Spaß zu haben. Der scheinbar unermüdliche Musikfreak Peter Tägtgren kümmert das wenig, denn er landet einen Volltreffer mit - Entschuldigung für die harte Sprache - einer verdammt eingängigen... naja, Partyhymne.

Wir sprechen natürlich über den Song ?Party in My Head' von Tägtgrens synthinfiziertem Metal-Projekt PAIN. Unser geliebter Planet mag am Ende sein, aber in der Welt von PAIN scheint immer noch nicht viel falsch zu sein, da 2024 schnell im Kalender voranschreitet.

Es kann einfach nicht sein, denn das sehnlich erwartete neue Studioalbum von PAIN, "I Am" ist bald hier - ja, nach acht Jahren des hingebungsvollen Wartens. Das kraftvoll klingende "I Am" ist wirklich eine vielseitige - wenn nicht die vielseitigste - musikalische Rakete in PAINs reicher Diskographie. Die neuen Songs bewegen sich überall mit schweren industriellen Riffs, eindringlichen melancholischen Vibes und groove-gefüllten Rhythmen - ohne Überraschungen natürlich zu vergessen.

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27,31
Ayreon - 01011001 - Live Beneath the waves LP

An enormous production with musicians of the highest calibre combine to create a bombastic spectacle. The show's infrequencies make it evermore unique. In September 2023, Arjen Lucassen sold out five performances of '01011001 - Live Beneath the Waves' at the Poppodium 013 in Tilburg, The Netherlands. Talking about the show Arjen Lucassen says: "When I wrote the 01011001 album back in 2007, it was never meant to be played live.

So I could make it as complicated as I wanted with countless instrumentalists and no less than 17 singers!" Ayreon mastermind Arjen Lucassen and keyboardist Joost van den Broek managed to gather a large number of the original cast of the 01011001 album and many special guests, including Simone Simons (Epica), Damian Wilson (Threshold), Anneke van Giersbergen, Jonas Renkse (Katatonia), Tom Englund (Evergrey), Daniel Gildenlow (Pain of Salvation), Marcela Bovio (MaYan), Brittney Slayes (Unleash the Archers), Hansi Kursch (Blind Guardian), John Jaycee Cuijpers (Praying Mantis). Maggy Luyten (Beautiful Sin), Michael Mills (Toehider) and Wudstik are among other incredible musicians.

Сделать предзаказ20.05.2024

он должен быть опубликован на 20.05.2024

47,86
B-Tech International - BT 26 Phono / Microfone Pre - Amplifier

"BT 26 Phono / Microfone Pre - Amplifier + UK-Power supply
and EU-Adapter"

Designed for use with any amplifier without a phono aux input
IC technology for low noise, high gain pre-amplification
Suitable for use with turntables with magnetic cartridges
Also suitable for use with stereo and mono microphones

TECHNICAL SPECIFICATIONS
Input Impedance: 50K ohms @ 1kHz
Input Level: 0.5mV Mic mode / 3mV Phono mode
Gain: 50 db Mic mode / 34 db Phono mode
Signal / Noise Ratio:
>48 db Mic mode / >55 db Phono mode
Freq. Response (Mic Mode):
+1db to -3 db / 70Hz - 20kHz
Equalisation (Phono Mode):
RIAA +1db to -3 db / 30Hz - 20kHz
Output Level: 150mV RMS
Load Impedance: >10K ohms
Overload Margin: 23 db
Crosstalk: 55 db
Supply Voltage:
12 - 15v DC 100ma. 1.3mm DC socket (centre + ve)

"BT 26 Phono-/ Mikrofon-Vorverstärker
mit UK-Netzteil und EU-Adapter Konzipiert für jeden Verstärker ohne Phono-Aux-Eingang Gefertigt nach RIAA-Spezifikation mit IC-Technologie für weniger Störgeräusche, High-Gain-Vorverstärkung
Auch geeignet für Mono- und Stereo-Mikrofone "

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28,53

Последний логин: 5 г. назад
Florian Meindl - Remixes Part 1 (2x12")

Splattered Vinyl - Limited Edition of 200 - Includes free digital download code for Bandcamp!

On this Remix album, nine visionary producers are taking Florian Meindl's latest tracks into various directions on a journey.

Umwelt delivers a hard-hitting synth treatment, while Shaleen injects a housy, sexy touch into the mix.
Volpe channels the essence of Detroit influenced Techno, Beau Didier unleashes a relentless hardgroove rework, and Decka infuses dub techno vibes into the composition.
Janzon's exceptional vocal work shines through and Schott keeps it classic and pounding as well as GAEL with her dark vibe, while Garb adds a mesmerizing psy-techno leaning touch.

This limited edition splattered vinyl release is not just about the music but also features stunning artwork that complements the album's diverse vibe - one side of each record is missing the paper label so the splattered colors can be seen in the middle of the vinyl.

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22,27

Последний логин: 5 мес. назад
Blitzen Trapper - 100's of 1000's, Millions of Billions LP

Inspired by the Buddhist sutras, Blitzen Trapper’s radiant new album, 100's of 1000's, Millions of Billions, offers a captivating take on rebirth and transcendence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and the production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and you’ve got a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once. This LP is pressed on clear blue vinyl and limited to 1,000 copies worldwide. Launched roughly two decades ago in Portland, OR, Blitzen Trapper broke out internationally with 2008’s Furr, which cemented their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band’s “hazy, psychedelic Americana,” while NPR praised their “explosive live performances and infectious roots-rock swagger.” Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. The band would go on to release six more similarly lauded studio albums, culminating with 2020’s Holy Smokes Future Jokes, which Mojo proclaimed “sounds like the Beatles at Big Pink.”

100's of 1000's, Millions of Billions by Blitzen Trapper, released 17 May 2024, includes the following tracks: "Cosmic Backseat Education", "Cheap Fantastical Takedown", "Planetarium", "Long Game" and more.

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27,94
Blitzen Trapper - 100's of 1000's, Millions of Billions LP

Inspired by the Buddhist sutras, Blitzen Trapper’s radiant new album, 100's of 1000's, Millions of Billions, offers a captivating take on rebirth and transcendence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and the production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and you’ve got a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once. This LP is pressed on clear blue vinyl and limited to 1,000 copies worldwide. Launched roughly two decades ago in Portland, OR, Blitzen Trapper broke out internationally with 2008’s Furr, which cemented their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band’s “hazy, psychedelic Americana,” while NPR praised their “explosive live performances and infectious roots-rock swagger.” Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. The band would go on to release six more similarly lauded studio albums, culminating with 2020’s Holy Smokes Future Jokes, which Mojo proclaimed “sounds like the Beatles at Big Pink.”

100's of 1000's, Millions of Billions by Blitzen Trapper, released 17 May 2024, includes the following tracks: "Cosmic Backseat Education", "Cheap Fantastical Takedown", "Planetarium", "Long Game" and more.

Сделать предзаказ17.05.2024

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27,94
Various - Dskonnect 20 Years 4x12"

Various

Dskonnect 20 Years 4x12"

4x12inchDSKBOX001
DSK Records
17.05.2024

Repress!

Dskonnect Booking Agency is celebrating during 2023 its 20 years in the industry by launching a new label: DSK RECORDS, with the support of the agency´s most relevant and exciting acts. After 20 years working worldwide with bookings, events, and management, now it’s the moment to see the birth of a new angle of the company and keep contributing to the scene with releasing the music we love.

The Vinylbox includes DSK001, DSK002, DSK003 and DSK004

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52,06

Последний логин: 77 дн. назад
RAWSIDE - MENSCHENFRESSER LP

Rawside

MENSCHENFRESSER LP

12inchFFRLP101
FETTFLECK
17.05.2024

MENSCHENFRESSER" heißt das neue Album von RAWSIDE und wird im Mai 2024 über Fettfleck Records erscheinen. Fünf Jahre nach dem wahrscheinlich persönlichsten Album "Your Life Gets Crushed" gibt es neue Songs der Hardcore-Punks aus Coburg. Songs, die wieder politischer, wütender und angriffslustiger sind. Menschefresser meint hier emotionalen Kannibalismus, psychischer Druck, der ausgeübt wird, wie Menschen sich verhalten, Ellbogen auspacken, wenn sie nur versuchen, sich ihren eigenen Vorteil zu verschaffen. Oder Menschen, die denken, sie wären der Mittelpunkt der Welt. RAWSIDE werden nicht müde, den Finger in die Wunde zu legen und sich mit korrupten Wirtschaftsbossen, selbsternannten Verschwörungstheoretikern, rechten Politikern oder stumpfen Wutbürgern anzulegen. Die 13 neuen Songs von RAWSIDE sind eine volle Breitseite, musikalisch kommt es laut und fordernd zwischen Hardcore, Metal und Punk daher. Die Wucht der Songs hat seit dem letzten Album ein neues Level erreicht. Das liegt vielleicht auch an der Frischzellenkur in der Besetzung. Sänger/Shouter Henne ist das einzig verbliebene Gründungsmitglied nach mehr als 30 Jahren Bandgeschichte. Seit Sohn Justin am Schlagzeug ist gerade mal 23 Jahre alt. "RAWSIDE ist zum Glück keine One-Man-Show", sagt Henne. "Das waren wir nie und wollen wir auch nicht sein. 2024 hat die Band beim LOIKAEMIE-Label Fettfleck angeheuert. "Für uns war es ein Schritt in Richtung Selbstverantwortung", erklärt Henne. Bei Fettfleck sind wir in alle Prozesse eingebunden. Und das ist doch die Idee, die hinter dem ganzen Punk- und Hardcore- Gedanken steckt. So bleiben RAWSIDE auch nach über 30 Jahren Bandgeschichte ein Grundpfeiler der deutschen HC/Punkszene. "Menschenfresser" ist ein Biest von einem Album, dass die Vorfreude auf die Open Air-Saison nochmal steigert. Wir lassen schon mal das Dosenbier zischen. - Wolfram Hanke (Ox, Zündfunk, Der kosmische Penis)

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20,38
RAWSIDE - MENSCHENFRESSER

Rawside

MENSCHENFRESSER

12inchFFRLPS101
FETTFLECK
17.05.2024

MENSCHENFRESSER" heißt das neue Album von RAWSIDE und wird im Mai 2024 über Fettfleck Records erscheinen. Fünf Jahre nach dem wahrscheinlich persönlichsten Album "Your Life Gets Crushed" gibt es neue Songs der Hardcore-Punks aus Coburg. Songs, die wieder politischer, wütender und angriffslustiger sind. Menschefresser meint hier emotionalen Kannibalismus, psychischer Druck, der ausgeübt wird, wie Menschen sich verhalten, Ellbogen auspacken, wenn sie nur versuchen, sich ihren eigenen Vorteil zu verschaffen. Oder Menschen, die denken, sie wären der Mittelpunkt der Welt. RAWSIDE werden nicht müde, den Finger in die Wunde zu legen und sich mit korrupten Wirtschaftsbossen, selbsternannten Verschwörungstheoretikern, rechten Politikern oder stumpfen Wutbürgern anzulegen. Die 13 neuen Songs von RAWSIDE sind eine volle Breitseite, musikalisch kommt es laut und fordernd zwischen Hardcore, Metal und Punk daher. Die Wucht der Songs hat seit dem letzten Album ein neues Level erreicht. Das liegt vielleicht auch an der Frischzellenkur in der Besetzung. Sänger/Shouter Henne ist das einzig verbliebene Gründungsmitglied nach mehr als 30 Jahren Bandgeschichte. Seit Sohn Justin am Schlagzeug ist gerade mal 23 Jahre alt. "RAWSIDE ist zum Glück keine One-Man-Show", sagt Henne. "Das waren wir nie und wollen wir auch nicht sein. 2024 hat die Band beim LOIKAEMIE-Label Fettfleck angeheuert. "Für uns war es ein Schritt in Richtung Selbstverantwortung", erklärt Henne. Bei Fettfleck sind wir in alle Prozesse eingebunden. Und das ist doch die Idee, die hinter dem ganzen Punk- und Hardcore- Gedanken steckt. So bleiben RAWSIDE auch nach über 30 Jahren Bandgeschichte ein Grundpfeiler der deutschen HC/Punkszene. "Menschenfresser" ist ein Biest von einem Album, dass die Vorfreude auf die Open Air-Saison nochmal steigert. Wir lassen schon mal das Dosenbier zischen. - Wolfram Hanke (Ox, Zündfunk, Der kosmische Penis)

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22,65
Lab-Tek - Dammed Nation EP

2024 Reissue

This is a very collectable EP within the breakbeat/hardcore scene with copies changing hands in excess of £350.00. Written by London born Mixmaster Max whose first step into public life was that of a breakdancer in the early 80’s when he was just a kid with a crew called The Back Street Warriors, showcasing his talents at the infamous Covent Garden jams of the same era. He then got into DJing and scratching and entered the DMC Championships and is credited as the inventor of the Topsy Turvey – stacking turntables on top of each other for a DJ routine!

As like many DJ’s around the late 80’s in London he gravitated out of hip hop and into the rave culture and from here he started to perform at many events such as Fantazia, The Pirate Club, Turnmills and the Hacienda in Manchester as well as a residency on a Friday night alongside John Saunderson - the General Manager of DMC - at Camden Palace. From his club work he started to play on the London pirates Kool FM and Centreforce and on legal stations Peoples Choice and Avenues FM.

These tracks are precursors to the soon to blossom jungle scene and highlight Max’s musical history with his creative sample play. You won’t find much more authentic hardcore than this EP, which really highlights the sound of London back in 1993.

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15,34

Последний логин: 2 г. назад
PEOPLE - CEREMONY BUDDHA MEET ROCK LP

People's only work in 1971 featuring Outkast's organist Yusuke Hoguchi and guitarist Kimio Mizutani, Adams's Hideaki Takebe, and percussionist Larry Sunaga. Produced by Naoki Tachikawa, it was created with the concept of Buddha + Rock.



It is full of unique psychedelia sounds, such as the sutra chanting "Nam-myoho-renge-kyo" backed by a fuzz guitar, the sound of monk's geta, bells, wooden fish, sitar, etc.

Although it uses a lot of sound effects reminiscent of Buddhism, it doesn't feel like a religious idea, and the work is overall easy to listen to.

In recent years, this album has been highly desired by DJs as a breakbeat material and as a spiritual record.

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37,19
Insanity Alert - Moshemian Thrashody

In einer Welt, die sich oft bedrückend anfühlt, sind Insanity Alert wild entschlossen, zu feiern, als gäbe es kein Morgen. Skifahrer besuchen Österreich wegen der pulvrigen Pisten, aber als sich diese Adrenalinjunkies 2011 in Innsbruck zusammenfanden, hatten sie eine viel krassere Art des Shreddens im Sinn. Ihr zerstörerischer Appetit auf 80er-Jahre-Crossover-Thrash wird nur noch von einem unstillbaren Durst nach eiskaltem Bier und guten Bud(s) übertroffen. Moshemian Thrashody hält die Party in Schwung. Insanity Alert geben vier bekannten Klassikern, darunter Guns 'N' Roses und Iron Maiden, einen schnellen und spritzigen Dreh. Einer von ihnen könnte Sie allerdings überraschen. Die Leadsingle "Beerless Fiesta" parodiert... George Michael? "I'm never going to drink again / Poor old lives has taken a beating" schreit Heavy Keevy in rotznasiger Agonie, als würde er sich an die Toilette klammern. Aber Insanity Alert werden sich nicht so bald in den Mosh-Ruhestand begeben. Der Titeltrack packt die Queens-Theatralik auf ein Clownmobil voller Scherze. Don Melanzani schmettert Blast-Beats herunter. Die Ganggesänge sind lauter als eine deutsche Bierhalle. Wenn Special Guest Hauwitzer auf der Party vorbeischaut, geht sein Gitarrensolo ab wie eine Flasche Champagner. Nach mehr als einem Jahrzehnt harter Partys gehen Insanity Alert immer noch überall hin, wo das Gras weht.

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28,53
Insanity Alert - Moshemian Thrashody

In einer Welt, die sich oft bedrückend anfühlt, sind Insanity Alert wild entschlossen, zu feiern, als gäbe es kein Morgen. Skifahrer besuchen Österreich wegen der pulvrigen Pisten, aber als sich diese Adrenalinjunkies 2011 in Innsbruck zusammenfanden, hatten sie eine viel krassere Art des Shreddens im Sinn. Ihr zerstörerischer Appetit auf 80er-Jahre-Crossover-Thrash wird nur noch von einem unstillbaren Durst nach eiskaltem Bier und guten Bud(s) übertroffen. Moshemian Thrashody hält die Party in Schwung. Insanity Alert geben vier bekannten Klassikern, darunter Guns 'N' Roses und Iron Maiden, einen schnellen und spritzigen Dreh. Einer von ihnen könnte Sie allerdings überraschen. Die Leadsingle "Beerless Fiesta" parodiert... George Michael? "I'm never going to drink again / Poor old lives has taken a beating" schreit Heavy Keevy in rotznasiger Agonie, als würde er sich an die Toilette klammern. Aber Insanity Alert werden sich nicht so bald in den Mosh-Ruhestand begeben. Der Titeltrack packt die Queens-Theatralik auf ein Clownmobil voller Scherze. Don Melanzani schmettert Blast-Beats herunter. Die Ganggesänge sind lauter als eine deutsche Bierhalle. Wenn Special Guest Hauwitzer auf der Party vorbeischaut, geht sein Gitarrensolo ab wie eine Flasche Champagner. Nach mehr als einem Jahrzehnt harter Partys gehen Insanity Alert immer noch überall hin, wo das Gras weht.

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27,52
The Mavericks - Moon & Stars LP

Die aus Miami stammenden und seit langem in Nashville ansässigen Americana-Ikonen The Mavericks melden sich mit ihrem mit Spannung erwarteten 13. Studioalbum "Moon & Stars" zurück. Es ist die erste Veröffentlichung seit dem erfolgreichen Projekt "En Español" aus dem Jahr 2020 und die erste englischsprachige Veröffentlichung seit dem gefeierten Album "Brand New Day" aus dem Jahr 2017.

The Mavericks, die bereits für ihre unverwechselbare Americana/Roots-Fusion aus Alternative & Outlaw Country, Rock, Blues, R&B und Tejano/Tex-Mex-Einflüssen bekannt sind, nahmen die Tracks von "Moon & Stars" passenderweise kreuz und quer durch die USA auf: In den Blackbird Studios (Nashville, Tennessee), den Frogville Studios (Santa Fe, New Mexico) und dem Dockside Studio (Maurice, Louisiana). Das Ergebnis ist ein lang erwartetes Album, das sowohl das zeitlose Gefühl einer klassischen Mavericks- eröffentlichung hervorruft, die sich nahtlos in die Reihe der Werke
ihrer Karriere einreiht, als auch einmal mehr Genre-Konventionen herausfordert und die Grenzen ihres Schmelztiegel-Sounds immer weiter verschiebt.

Zu den Gästen auf dem Album gehören Sierra Ferrell, Maggie Rose, Nicole Atkins und das "Fantastic Five"-Mitglied der Band, Max Abrams. Zu den Songschreibern gehören Bernie Taupin, Sam Hollander, Wally Wilson und andere.


b Live Close By (Visit Often) [with Nicole Atkins]


[b] Live Close By (Visit Often) [with Nicole Atkins]

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28,53
Earth Ball - It’s Yours

December 2012 I showed up totally exhausted in Vancouver BC after touring stupidly and relentlessly for however many straight months and got a job at a call centre raising money for the Red Cross. It was a scent free office but one time this woman cooked a piece of fish in the microwave for 10 minutes on low and hot boxed the whole office - we got sent home early no pay. There was the other woman I named the Call Centre Coltrane because her pitch and routine usually involved improvised flights of fancy that went off in both directions at once somehow landing back down with a credit card number and a donation. I used to sleep under the desk. I was there a few months and at the time I reconnected with John Brennan who I had played with briefly in Montreal at the Mutek Festival. In Montreal John was running an experimental music night at a burrito shop downtown called Garbage Night. While in Vancouver I began connecting with the music scene there and would go hang out with the Shearing Pinx lads who I think lived with Sydney the bass player at the time. I knew Nic and Jer from an AIDS Wolf Tour and was so stoked to get to know them both better. I really fell in love with that era of Vancouver's music scene.
Fast Forward to today. 2024
Actually it was the dying days of 2023 but you get it and John asks if I'll sit in with Earth Ball and I keep thinking about Earth Balance, the vegan butter everyone eats here. I brought my aching bones and my ipads on the beautiful ferry named the Queen of Oak Bay and out to Nanaimo BC, home of the nanaimo bar (a dessert treat - special to this region - that seems to be more popularly found under the weird glass sneeze guards in office building deli's out east in Ontario.... anyhoops ). No one in Nanaimo wants to talk to me about the famous treat. I asked a couple of people. Silence. Nanaimo is like London, Ontario but more fried and by the sea. The town is filled with blown out old sea dawgs with tin coffee pots and loose leaf tobacco, then there's the usual streetfolk you find in this part of the Canadian Pacific Northwest and a bunch of bohemians who I guess have left Vancouver behind - that fine city having become uninhabitable for those not making over 100k a year. And then up the way are all the retirees.
Yup Nanaimo is a strange one. They mined the shit out of this region and Nanaimo is surely haunted by those buried in mining shafts or maimed by the heavy machinery or blown up by accident in the explosives store house. And when Earth Ball fire up the amps in Izzy and Jer's basement you can hear the voices of the ghosts hum through electrical lines and out the speakers, Kellen's hued feedback, Izy's sturdy basslines, Jer's paperbag guitar tone and rumble pack zaps, Liam's (aka the Kid) sheets of sound and Brennen's multidirectional drums.
You wouldn't guess Earth Ball was auto-composing and from what my rat brain can tell - the lyrics are improvised too...Improvising lyrics and singing them is the hardest thing to do in all of music.. Izzy and Jer are pros. And their attitudes are pro too.
The live show is scorched and without naming names they've been known to make headliners nervous. Lucky ones will get to see them live as they tour this beast of a record entitled ‘It’s Yours’ (out May 17th on Upset The Rhythm) and I hope I'm one of them.
But now you, fan of fun but totally fucked up music, have the opportunity to Ball with them thanks to Upset The Rhythm. Enjoy
-Alex Moskos, Montreal QC, Feb 2024

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16,77
Barry Adamson - Cut To Black LP

"Es ist kein Gospel, kein Soul, kein Blues, kein Rock'n'Roll. Es ist alles davon - und das aus gutem Grund.", sagt der Künstler selbst über sein neues Album 'Cut To Black', sein erstes Studioalbum seit 'Know Where To Run' von 2016 und sein insgesamt zehntes. Wenn man so will die musikalische Fortsetzung seiner im September 2021 erschienenen Memoiren "Up Above The City, Down Beneath The Stars".

Nach neun Studioalben, darunter das 96er Werk 'Oedipus Schmoedipus', (mit Gastperformances von Jarvis Cocker, Nick Cave und Billy McKenzie (The Associates)), das Mercury Prize nominierte 'Soul Murder' (1999), und sein jüngstes Album, 'Know Where To Run', das durch eine US-Tour mit Nick Cave & The Bad Seeds - nach 23 Jahren - inspiriert wurde, bewegt sich das neue Album des Magazine, The Birthday Party und ehemaligen The Bad Seeds Bassisten, das Elemente aus Soul, R&B, Hip-Hop und Funk mit künstlicher Intelligenz kombiniert, Stilistisch von hedonistischen Limousinenfahrten durch die Disco der frühen Achtziger ('Manhattan Satin') bis zur futuristischen Klanglandschaft eines Stücks wie 'Was it a Dream?'. Im Zentrum stehen drei Tracks, die mit dem alten Aberglauben an den Blues als Musik des Teufels und der Kirche als Zentrum von Beichte und Erlösung aufräumen: 'These Would Be Blues', 'Please Don't Call On Me' und 'Amen White Jesus'. Wie immer erfreut sich Adamson an raffinierten Wortspielen und assoziativen Klang- und Bildwelten.

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26,01
Various - BACK TO BLACK: SONGS FROM THE ORIGINAL MOTION PICTURE

The official soundtrack release to the new film of Amy Winehouse, BACK TO BLACK, releasing Spring 2024. Amy Winehouse is widely considered as one of the greatest artists in recent history, selling more than 30 million records worldwide. Her acclaimed self-produced 2006 album Back to Black, propelled her to global stardom, going on to win a (then) record breaking 5 Grammy Awards, including Record Of The Year and Song of The Year for hit single Rehab. Releasing on 140g 1LP Black vinyl, the tracklist comprises a carefully curated highlights collection of Amy's original recordings and tracks from her idols, such as The Shangri-Las, Billie Holiday and Dinah Washington, that are featured in the film, plus a new original track sung by Nick Cave. The vinyl product is housed in a single sleeve with printed inners featuring a personal note from director Sam Taylor-Johnson.

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25,63
Tzompantli - Beating The Drums Of Ancestral Force LP

Mit ihrem ersten Album "Tlazcaltiliztli" haben Tzompantli einen durchdringenden Death- und Doom-Metal wie einen vergifteten Pfeil durchs Herz geschossen. Das Fundament der Band in indigenen Ritualen, Geschichte und Überlieferungen und die Einbindung traditioneller Instrumente in ihren Sound sorgten für eines der stimmigsten Metal-Alben des Jahres 2022.

Jetzt steigen Tzompantli wieder aus dem Rauch der alten Feuer auf und bringen eine neue Gabe auf dem Altar der Menschenopfer dar: 'Beating the Drums of Ancestral Force'. Furchterregend brutale Märsche aus kriegerischem, perkussivem Death Metal werden kontrastiert mit sehnsüchtigen, melancholischen Passagen und mitreißenden zeremoniellen Anrufungen der Ahnen. Der Stamm der Tzompantli hat sich auf diesem zweiten Album stark vergrößert und mehr als 10 Musiker für die Beschwörung zorniger Gottheiten und das Sammeln von Invasorenschädeln angeworben.

In den letzten Jahren gab es keinen Mangel an fantastischen Death/Doom-Platten, und Tzompantlis neuester Eintrag in den Pantheon des Genres demonstriert dessen kontinuierliche Expansion in weitere musikalische und thematische Bereiche. Das Herzstück von Beating The Drums of Ancestral Force" erhebt sich in Blut und Asche von Imperien und Möchtegern-Eroberern, eine feurige Klage über Jahrhunderte der Auslöschung.

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25,00
Tzompantli - Beating The Drums Of Ancestral Force LP

Mit ihrem ersten Album "Tlazcaltiliztli" haben Tzompantli einen durchdringenden Death- und Doom-Metal wie einen vergifteten Pfeil durchs Herz geschossen. Das Fundament der Band in indigenen Ritualen, Geschichte und Überlieferungen und die Einbindung traditioneller Instrumente in ihren Sound sorgten für eines der stimmigsten Metal-Alben des Jahres 2022.

Jetzt steigen Tzompantli wieder aus dem Rauch der alten Feuer auf und bringen eine neue Gabe auf dem Altar der Menschenopfer dar: 'Beating the Drums of Ancestral Force'. Furchterregend brutale Märsche aus kriegerischem, perkussivem Death Metal werden kontrastiert mit sehnsüchtigen, melancholischen Passagen und mitreißenden zeremoniellen Anrufungen der Ahnen. Der Stamm der Tzompantli hat sich auf diesem zweiten Album stark vergrößert und mehr als 10 Musiker für die Beschwörung zorniger Gottheiten und das Sammeln von Invasorenschädeln angeworben.

In den letzten Jahren gab es keinen Mangel an fantastischen Death/Doom-Platten, und Tzompantlis neuester Eintrag in den Pantheon des Genres demonstriert dessen kontinuierliche Expansion in weitere musikalische und thematische Bereiche. Das Herzstück von Beating The Drums of Ancestral Force" erhebt sich in Blut und Asche von Imperien und Möchtegern-Eroberern, eine feurige Klage über Jahrhunderte der Auslöschung.

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26,26
Elvellon - Ascending In Synergy LP

Rund sechs Jahre nach ihrem Debütalbum kehrt die aufstrebende Symphonic Metal-Band ELVELLON mit ihrem zweiten Werk und Napalm Records-Debüt zurück: Ascending in Synergy enthält zehn brandneue Tracks der deutschen Symphonic Metal-Hoffnung.
Ascending in Synergy ist der Nachfolger des hochgelobten Erstwerks Until Dawn (2018), das auf die 2015 erschienene EP Spellbound folgte. Das offizielle Musikvideo zum Track „Born From Hope" zählt bis dato über 1,3 Millionen Aufrufe, die EP-Version des Songs wurde weit über 2,5 Millionen Mal auf Spotify gestreamt und im Metal Hammer wurden ELVELLON bereits als „Helden von morgen“ gefeiert. ELVELLON teilten die Bühne bereits mit bedeutenden Szene-Bands wie Visions of Atlantis, außerdem konnten sie ihre einnehmende Live-Präsenz auf zahlreichen Festivalbühnen im Inund Ausland unter Beweis stellen, wie etwa dem RockHarz, M'era Luna oder dem Rock Fest Barcelona.
Das neue Album Ascending in Synergy beweist das herausragende Feingefühl der Formation um Sängerin Nele Messerschmidt, stilistisch gekonnt zwischen den frühen Anfängen des Symphonic Metal auf der einen, und einem modernen, zeitgemäßen Ansatz auf der anderen Seite zu balancieren. Dabei vereinen sie beide Welten zu ihrem ganz eigenen, Sound, der sowohl Genre-Liebhaber als auch neue Fans in den Bann ziehen wird.

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27,10
Nurse With Wound - Thunder Perfect Mind LP 3x12"

One of the most essential works from Nurse With Wound, coming in an extended luxury 3x picture LP and 2CD edition, with many unreleased, alternative versions and songs.

This album is the sister album to Current 93’s same titled album and it’s a crownjewel for collectors of avantgarde and experimental music.

The original release of Nurse with Wound’s gargantuan “Thunder Perfect Mind” in 1992 coincided with that of Current 93’s homonymous genre-defining album. Legend has it that the gnostic name initially appeared to Steven Stapleton in a dream as the title of Tibet’s then still nameless upcoming album. Both records feature contributions from David Tibet, Colin Potter, Rose McDowall, John Balance of Coil, Alan Trench of Orchis and Joolie Wood amongst others. The title and the partial overlap of the personnel on both albums isn’t quite where the similarities end, both albums have since become undisputed milestones in their respective artists’ oeuvre. At the core of the definitive 2023 Infinite Fog re-release fully overseen by Steven Stapleton are the two original tracks “Cold” – a classic unsettling rhythmic Nurse collage-fest, significantly closer to jittery psychelia than the oft-cited “industrial feel” and the epic “Colder Still”, easily one of the most mind-bending breathtaking NWW compositions up to this point and well beyond. The track soothes ghostly atmosphere and reveals new surprises with every listen, not least of which is a direct link to its sister release from c93 as well as the first appearance of the signature rhythm loop that would mutate and re-emerge on several later tracks. The album also is the first full-length collaboration with genius sound wizard Colin Potter who has since become a ubiquitous sidekick both on Nurse albums as well as in live performances. As a follow-up to what is widely acknowledged as one of the best-loved exercises in drone of the 20th century “Soliloquy for Lilith”, TPM is a much more varied but at least equally rewarding experience. Infinite Fog are beyond pleased to be able to offer a significantly enhanced, remastered and extended 3 LP version for old and new fans alike.

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56,51
Ka Baird - Bearings: Soundtracks for the Bardos LP

For more than twenty years, Ka Baird has explored the outer dimensions of sound through performance. Extending far beyond their roots in the psychedelic folk movement of the early aughts, Ka is known for their raw, boundary pushing solo performances that bridge experimental sound, performance art, and ritual. Their tool set in the live arena includes extended voice and microphone techniques, electronics, flute and piano. Bearings follows their 2017 debut Sapropelic Pycnic and Respires, their acclaimed 2019 album.

Initially conceived as a twenty minute composition and presentation commissioned by Lampo in Chicago in the spring of 2022, Ka first explored the concept of “bearings” through a series of intimate performances where they shifted guises between magician, shaman, clown, and athlete, all enduring ongoing states of groundlessness through a physically demanding performance that entailed both play and struggle. This piece, in tandem with the heaviness of caring for a dying parent during the subsequent year, laid the groundwork for Bearings, with the album’s final narrative structure revealing itself in the months after their mother’s death the following September.

Enlisting a cast of contributors including Andrew Bernstein (alto saxophone), Max Eilbacher (flute processing, electronics), Greg Fox (percussion), gabby fluke-mogul (violin), Henry Fraser (contrabass), Joanna Mattrey (viola), John McCowen (contra clarinet), Camilla Padgitt-Coles (bowls, waterphone) Troy Schafer (strings), Chris Williams (trumpet), Nate Wooley (trumpet), and their beloved cat, Nisa (purrs) to create a collective hum and thrum, Ka and company create sprawling minimalist densities, punctuated by abrupt starts and stops, complex harmonics and textures, percussive flourishes, and a single, cyclical lyrical phrase: “Here. Disappear. Poof!”

Ka considers the album to be a deviant nod to a song cycle, throughout which certain motifs are repeated in different configurations. In the album’s sonic lexicon, a trumpet blast signifies a birth or death, or a distant string motif denotes a memory. Bearings is a durational work of profound abstraction and focus, within which sonorous elements, structure, and meaning reach a single, unified form. This amounts to nothing short of a creative high-water mark for one of the most dynamic and uncompromising artists working in the landscape of music today.

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24,79
THE LOVELY EGGS - EGGSISTENTIALISM LP

Mit "Eggsistentialism" kehrt das Psych-Punk-Pop Duo The Lovely Eggs nach einer fast vierjährigen Pause seit ihrem Indie-Nummer-Eins-Album "I am Moron" zurück. In dieser Zeit haben sie ihre eigene Fernsehsendung Eggs TV gemacht (mit Ian McKaye, Stewart Lee, Katie Puckrik, Maxine Peake, David Shrigley und anderen), ein Duett mit Iggy Pop gegeben, eine Menge ausverkaufter Konzerte und Festivals gespielt und eine Kampagne zur Rettung der Lancaster Music Co-op (ein gemeinschaftlicher Proberaum und Aufnahmestudio, in dem sie leben) geführt.Wie der Titel schon andeutet, erforscht "Eggsistentialism" eine viel persönlichere, introspektivere und nachdenklichere Seite der Welt von The Lovely Eggs und lässt die Eggs neue Klänge erforschen und in unerforschten musikalischen Gebieten experimentieren."Wir haben seit 2020 keine neue Platte mehr veröffentlicht und in der Zwischenzeit haben wir hier versucht, das Recht auf einen Lebensstil zu verteidigen, den wir hier in dieser Stadt in den letzten 30 Jahren als arbeitende Musiker genossen haben, die sich weigern, einen "normalen" Job zu bekommen. Es geht darum, an etwas zu glauben und nicht loszulassen. Aber dieser Unwille, aufzugeben, fordert letztendlich seinen Tribut. Es fängt an, dich zu zerstören, und das Album ist eine Art Dokumentation dieser Zerstörung und des Zusammenbruchs sowie der Stärke, die wir haben, um das alles zu überstehen. Letztendlich ist dies ein hoffnungsvolles Album über das Überleben." Aufgenommen zu Hause in Lancaster, produziert zusammen mit Dave Fridmann (u.a. MGMT, Sleater Kinney, Mercury Rev sowie Grammy für Flaming Lips), wurde das Album in den Tarbox Road Studios in New York mit von ihm und der Band abgemischt. Atemberaubendes Artwork wieder von Illustrator Casey Raymond.

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23,49
DEVILTRAIN - SONIC FEVER LP

Goldenes Vinyl, limitiert auf 100 Exemplare. DEVILTRAIN - Eine explosive Mischung aus Energie, Leidenschaft und ungebändigtem Rock. Seit 2015 bringt das Quartett aus Bamberg mit seinem einzigartigen Sound jede Menge Power und eine Prise Rebellion auf die Bühne. Nun steht der fränkische High-Energy-Schnellzug endlich mit dem dritten Studioalbum "Sonic Fever" in den Startlöchern. Musikalisch schlagen Simmi (Vocals/Gitarre), Heiko (Leadgitarre), Basti (Bass) und Simon (Drums) in eine ähnliche Kerbe wie einst die Vorreiter der skandinavischen Rockwelle in den 90er/00er-Jahren, The Hellacopters und Gluecifer. Aber auch Einflüsse aus dem Garage-, Southern- und Bluesrock sind nicht von der Hand zu weisen. Über allem thront dabei die ausdrucksstarke Stimme von Frontsängerin und Gitarristin Simmi, welche zusammen mit energiegeladenen Leadgitarren-Parts, einem donnernden Bass und treibenden Drums zum unverwechselbaren Stil von DEVILTRAIN führt.

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24,79
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