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Gazpacho - Night (2x12")

Gazpacho

Night (2x12")

2x12inch2981927KSC
SNAPPER
01.08.2025
  • Dream Of Stone
  • Chequered Light Buildings
  • Upside Down
  • Valerie's Friend
  • Massive Illusion

Night ist ein Konzeptalbum von über 50 Minuten Länge, das in 5 Segmente unterteilt ist, die fließend ineinander übergehen. Mit der konzeptionellen Anlage, den episch ausgreifenden Strukturen und der z.T. immensen Länge der einzelnen Stücke kommen Gazpacho dem, was der Proggie mag, so nah wie nie zuvor.

Dennoch ist Night sicher kein Neo-, Retrooder sonst-was-Prog, sondern die Band bleibt ihrem im Laufe der vorangegangenen Alben entwickelten Stil treu. Die Songs klingen wie eine Mixtur aus späten Talk Talk und späten Marillion.

An Talk Talk erinnert auch, dass sich die Stücke sehr gemächlich entwickeln. Das ist ein Novum für die bislang stärker songorientierte Band.

pre-order now01.08.2025

expected to be published on 01.08.2025

37,40
VARIOUS - RED LASER RECORDS LP 2x12"

Red Laser Records switches on the smoke machine and strobe light, dishes out the high grade poppers and continues with the most unprofessional approach in the biz as they celebrate their FIFTIETH fuckin' release - a double disc photon torpedo diving into the label's roster and featuring all new tracks from RL stalwarts across the ages.

Marking this half century milestone, their in-house graphics team have been on a strict diet of kryptonite and engine oil, conjuring up one of the most lavish (and budget destroying) gatefold sleeves to date; alongside personal insights (and an in-depth cigar review) on their 13 year journey from label heads Il Bosco and Pharaoh Brunson.

Eight, sizzling, white hot MANCTALO jams that'll have knickers dropped, shirts lifted, fists pumping and your room stinking of fried circuit boards quicker than you can say #inabiteveryoneelse.

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29,83

Last In: 7 months ago
Gazpacho - March Of Ghosts

Gazpacho

March Of Ghosts

12inchKSCOPE1180
KSCOPE
18.07.2025
  • Monument
  • Hell Freezes Over - I
  • Hell Freezes Over - Ii
  • Black Lily
  • Gold
  • Star
  • Hell Freezes Over - Iii
  • What Did I Do ?
  • Golem
  • The Dumb
  • Hell Freezes Over
  • Iv

Formed in Oslo in 1996 by childhood friends Jon- Arne Vilbo & Thomas Andersen
along with Jan-Henrik Ohme (later joined by Mikael Kromer, Lars Erik Asp & Kristian
Torp), Gazpacho have honed their unique sound over a string of critically acclaimed
albums & numerous tours, including several with long-time supporters Marillion.
'March Of Ghosts' was the band's follow-up to 'Missa Atropos', which was released on
Kscope in 2011 along with the live album, 'London'. 'London' was recorded on the
band's European tour & the success of this tour helped provide the genesis for 'March
Of Ghosts', as Jon-Arne explains: "the previous tour gave us lots of inspiration. So, the
week after returning we went straight into the studio to capture whatever came." This
material was then honed, dissected & refned throughout the summer & autumn of
2011 to create a coherent whole.
While 'Missa Atropos' can be viewed as a concept album, 'March Of Ghosts' is much
more as a collection of short tales; "The idea was to have the lead character spend a
night where all these ghosts (dead & alive) would march past him to tell their stories.
They are short stories. They are a March Of Ghosts. They are tales that need to be
told."

pre-order now18.07.2025

expected to be published on 18.07.2025

28,99
TGZ - Long Shape

Tgz

Long Shape

12inchOSO007
O Sótão Records
15.07.2025

Transitioning from the successful 2 Years EP (O Sótão Records, 2023), Tiago Fonseca became an up and coming Producer and DJ based between Lisbon and Porto. On the back of gigs at some of the best clubs in the country, he also transitions from Tiago A.F. to TGZ (sounding Tigz) as his moniker for what’s to come ahead. Long Shape, his latest project, is O Sótão’s first vinyl release, and the first to be delivered with higher standards of professionalism. Learning the trade, the processes, the timeframes, the costs, and having just completed 10 years of existence. A good time to go a bit deeper.

In the summer, Tiago sent me a golden playlist of unfinished projects for a second opinion. The idea for a new record started there, and from the bunch we handpicked a selection that ended up making really a lot of sense for us. We were looking for wet deepness and eternal warm ups, pulling up the fader slowly. An invitation to leave our mental capsules and divert attention towards a seductive bassline cliff-hanging a dream. Progressiveness and jazz. Long shapes and melodies in the last frontier between nostalgia and hope.

To help, we invited Miguel Tenreiro (a.k.a. Gazpa) to master the tracks, with him adding a smooth-extra-delicious pump on the beautiful original elements. Miguel also picked up the title-track for a remix treatment, breaking up the tempo with a hip-hop-electronica finale, sprinkled by a guitar solo from Zé Nuno - another great musician stemming from Mr. Bean’s bar, where we held a residency for the past year.

Long Shape will drop on March 21st. Vinyls might be only available a bit later. It will be a landmark moment for us, being Tiago’s most complete work to date, and a better representation of his rich musical influences, expanding it, as we speak, to another level. It’s also been 10 years for O Sótão, so there’s that too. To sum up, I’m just very glad that Long Shape sounds exactly where we would like to be after all this time, with a quick image of a nite-lit skyscraper cutting into a couple of rocks being dropped in the coolest whiskey glass, and the people warming up to a dream.

Edition of 100 Vinyl 12’’, Cover 3mm spine

pre-order now15.07.2025

expected to be published on 15.07.2025

25,84
John Foxx And The Maths - Evidence LP

John Foxx And The Maths

Evidence LP

12inchMETA31LP
Metamatic
11.07.2025
  • A1: Evidence (Featuring The Soft Moon)
  • A2: That Sudden Switch (Featuring Xeno & Oaklander)
  • A3: Talk (Beneath Your Dreams) (Featuring Matthew Dear)
  • A4: Changelings (Featuring Gazelle Twin)
  • A5: My Town
  • B1: Have A Cigar
  • B2: A Falling Star (Featuring Gazelle Twin)
  • B3: Walk
  • B4: Only Lovers Left Alive

Originally released in late 2012, the third John Foxx And The Maths album brings together collaborations with The Soft Moon (the post-punk psychedelia of the title-track); Gazelle Twin (including the strikingly beautiful 'Changelings'); New York duo Xeno & Oaklander and Ghostly International's Matthew Dear, plus a Pink Floyd cover and some new Foxx/Benge material. This includes the rich analogue glow of 'Walk' and apocalyptic ballad 'Only Lovers Left Alive'. Meanwhile, regular Maths live band member Hannah Peel plays violin on 'My Town’. This new vinyl reissue includes only the vocal tracks from the album.

pre-order now11.07.2025

expected to be published on 11.07.2025

23,49
RADWIMPS - Arutokoroni No Teiri LP 2x12"
  • A1: Tayuta
  • A2: Oshakasyama
  • A3: Bagpipe
  • A4: Nazonazo
  • B1: Nana No Uta
  • B2: One Man Live
  • B3: Socratic Love
  • C1: Mergen Und Gretel
  • C2: Rain Sound Child
  • C3: Order Maid
  • D1: Magic Mirror
  • D2: Shout

This is their first new album in almost two years, which is rather short considering the time it took them to prove this theorem.
The songs coexist with a vast amount of musical information, including funk, hip-hop, hard rock, gospel, southern rock, and electronica, and sound open in all directions.

Noda's talent is astonishing, but at the same time, he also uses the metaphor of word play to poke at the truth. Noda's sensitive gaze toward
love and life, which exist side by side with despair, nihilism, and death, cannot be faulted in a work that carefully and skillfully translates such detailed sensitivities into sound. It is an unquestionable masterpiece.

pre-order now11.07.2025

expected to be published on 11.07.2025

54,20
Gary´s Garage - Gary´s Steak Baked Garage Bakes EP

It’s been a mere two months since Gaz released his first EP after coming back from a debilitating addiction to Greggs sausage rolls. Despite this long road of recovery, he has kept himself out of trouble and returned to furnish us with four more slabs of Steak Baked Garage Bakes!
Gary Loves Garage is a track of such pure Garage that if you knew how to take a m7/9 chord and pitch it about a bit you would be in the same ballpark. A lot of the Deep Garage Dads from his area Whatsapp Gary and on occasion, sit outside his house desperate for the library of m7/9 pad samples which Gaz has lovingly built up over many years on multiple Zip Disks. Of course, Gary would never share these m7/9’s as they form the backbone of his productions and if they got into the wrong hands there would be implications.

Gary gets a rare trip to NYC on Gary Visits NYC (BA Premium Economy). As the name suggests, Gaz splashed out on a British Airways Premium Economy ticket from Heathrow Terminal 5C but unfortunately Gaz got hammered in the Wetherspoons and didn’t realise that a 5C departure meant you had to get on the underground rail connection. He missed his flight.

Gary’s SP1200 - still a bone of contention for Gary with the lack of funds in his current life meaning an SP1200 is way out of reach. He has multiple ex-wives and various children which prove a drain on the monthly finances.

Finally -Gary’s Pad Patterns could be a paean to the aforementioned Zip disc, one of Gaz’s favourites! Zip disc 4 of 8. This has his best m7/9 chord samples on it and actually has not left the Zip reader since 1999 - apart from that one time when Gaz had to change the SCSI cable.

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16,77

Last In: 7 months ago
Various - Chocolat OST

Various

Chocolat OST

12inchMOVATM027M
Music On Vinyl
04.07.2025
  • A1: Minor Swing
  • A2: Main Titles
  • A3: The Story Of Grandmere
  • A4: Vianne Sets Up Shop
  • A5: Three Women
  • A6: Vianne Confronts The Comte
  • A7: Other Possibilities
  • A8: Guillaume’s Confession
  • A9: Passage Of Time
  • B1: Boycott Immorality
  • B2: Party Preparations
  • B3: Chocolate Sauce
  • B4: Fire
  • B5: Vianne Gazes At The River
  • B6: Mayan Bowl Breaks
  • B7: Taste Of Chocolate
  • B8: Ashes To The Wind/Roux Returns
  • B9: Caravan

Chocolat is the 2000 British-American romantic comedy-drama film directed by Lasse Hallström (The Cider House Rules) starring Juliette Binoche, Judi Dench and Johnny Depp. The film’s enchanting atmosphere is brought to life by the original score from Academy Award-winning composer Rachel Portman. The soundtrack features “Minor Swing” by Django Reinhardt and Stéphane Grappelli, and “Caravan”, the 1936 jazz standard by Duke Ellington and Juan Tizol. The soundtrack was nominated for an Academy Award, next to the four other Oscar nominations.

Chocolat is available as a 25th anniversary edition of 750 numbered copies on mint chocolate marbled vinyl and includes an insert.

pre-order now04.07.2025

expected to be published on 04.07.2025

36,93
The Beths - Jump Rope Gazers LP

VERY LIMITED 2025 REPRESS ON BEAM OF LIGHT VINYL .

Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music.

Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home.

"If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.”

With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings.

“It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.

pre-order now27.06.2025

expected to be published on 27.06.2025

22,65
DJ Marcelle & Another Nice Mess - SORRY, NO SILENCE

"High urgency music with a very personal expression of the artist: in one way or another", this has always been the important or maybe even the core factor of every Cortizona release so far.

So it was just a matter of time until DJ Marcelle/Another Nice Mess, longtime fan of The Fall and Jiskefet, topnotch producer, dj wizard with three turntables (and a lovely person in general) - and myself - would collaborate towards a Cortizona release.

I guess the initial idea of working together with DJ Marcelle/Another Nice Mess dates back to 2019. One day she called me four times in five minutes just to hear Mark E. Smith's voice message on my phone. Since then there has been no going back. I mean: what's not to love about her?

Some time ago, she sent me the digital files of her new LP 'Sorry, No Service'. One of the tracks, 'Sorry, No Silence', features the Nan Goldin sample: 'this is clearly ethnic cleansing', taken from Goldin's impressive speech to which the audience cheered in support at the opening of her exhibition at the Neue Nationalgallerie in Berlin end of 2024.
Two weeks later Marcelle contacted me again: her German label refused to release the track. This was the moment we had both been waiting for: at last Cortizona and Marcelle would work together!

The album is due to be released later this year, but, with things as they are in Gaza, it is important to issue 'Sorry, No Silence' as a stand-alone track as soon as possible.
Talking about urgency!

'Sorry, No Silence' resonates feelings of global despair over the genocide in Gaza and the moraland political bankruptcy of 'western values'. It does so over a repetitive, militant tribal beat, complete with heavy basslines. The spirits of Mark Stewart, On-U Sound and Muslimgauze loom over the track, but as is always the case with Marcelle, both on stage and in the studio: she has an authentic style of her own, where playfulness meets courage and - also in this case - anger meets rhythm.

'Sorry, No Silence' is a track I didn't know I was waiting for. A track reflecting the sign of the times. The 12'' also features an even more heavy (and faster) dub version and the avant garde track 'Never Again Means', featuring more Nan Goldin samples: 'never again means never again for everyone'.
For obvious reasons the proceeds of this 12 inch and the digital Bandcamp release will be donated to PCRF, Palestine Children's Relief Fund.

Support more than welcome.


(written by Philippe Cortens)

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18,91

Last In: 9 months ago
OSMIUM - OSMIUM

Osmium

OSMIUM

12inchINVLPC1336
INVADA RECORDS
20.06.2025
  • Osmium 0
  • Osmium 1
  • Osmium 2
  • Osmium 3
  • Osmium 4
  • Osmium 5
  • Osmium 6
  • Osmium 7

Limited edition white vinyl (800 copies) The self-styled ritualistic electro-mechanical ensemble OSMIUM is a veritable supergroup. Made up of Oscar-winning composer and instrumentalist Hildur Gudnadóttir, veteran engineer and producer James Ginzburg, Senyawa's idiosyncratic vocalist Rully Shabara and Grammy-winning sound designer / producer Sam Slater, while each member brings along a laundry list of accolades, the project is far greater than the sum of its parts. Alloying burnished electroacoustic soundscapes with dense, metallic drones, barbed rhythms and buckled, bio-mechanical vocalizations, OSMIUM's eagerly awaited debut album doesn't try to cast a rigid future. Rather, it tempers a viscous flow of unorthodox speculations that smolders through the distant past, blazing a trail all the way to the frontier of fate. Absorbed by questions about the relationship between humans and technology, tradition and progression, the individual and the group, OSMIUM channel their experience and expertise into a set of forward-thinking sonic interrogations that skewer established cultural preconceptions. And although genre is acknowledged - the album draws from folk, doom metal, 20th century minimalism, industrial music and extreme noise - there's never a sense that it's riveted firmly in place. Widely known for her soundtrack work (including `Joker' and `Chernobyl') Gudnadóttir plays the halldorophone, a unique cello-like electroacoustic instrument designed by Halldór Ulfarsson that allows the performer to harness unstable feedback loops. Taking his cues from this process, Slater (who has worked alongside Jóhann Jóhannsson, Ben Frost and others) generates rhythms using a self-oscillating drum he designed with KOMA Elektronik and Subtext boss and Emptyset member Ginzburg responds in kind, producing booming tambura-like sonorities from a device he developed himself based on the monocord, an ancient single- stringed resonator. OSMIUM synchronize the three unique instruments using a custom system of robotics to generate basic rhythms that underpin their improvisations and experiments, and Shabara's alien tones supply the band with their conceptual fulcrum. The vocalist is one of South Asia's most recognizable underground artists, and the sounds he's able to create using exhaustively rehearsed extended techniques are so distinctive that he's been studied by scientists back home in Indonesia. Never weighed down by needless sound design or modish ornamentation, it's music that feels authentically experimental; OSMIUM have figured out an awkward symmetry between their discrete approaches, concentrating their gaze on the outcome rather than the process. The result is a work of science fiction that's driven by interaction, conversation and sensation.

pre-order now20.06.2025

expected to be published on 20.06.2025

24,79
THE DIASONICS - ORIOLE / CHICHADEE

THE DIASONICS

ORIOLE / CHICHADEE

7"-VinylRK45LP1111
RECORD KICKS
20.06.2025
  • Oriole
  • Chickadee

Cinematic funk visionaries The Diasonics drop a new disco-funk 45 vinyl with two killer tracks tailor made for DJs and cinematic funk fans. Only 500 copies pressed wordwide, instant collector's item. From the snowy streets of Moscow to the crates of vinyl diggers worldwide, cinematic instrumental combo The Diasonics unleash a new limited edition clear vinyl 45 with two killer tracks taken from the upcoming new album "Ornithology", set to drop worldwide on October 3 via Record Kicks. On the A side "Oriole" is a vintage disco-funk stormer taking inspiration both from the Soviet-era disco and jazz fusion records, as well as from 70s European library music and synth-funk movement. A minimalist synthesizer melody echoing the song of the oriole, paired with a steady disco-funk groove reminiscent of a train in motion ("Oriole" is also the name of a popular Russian electric train) lay the foundation of their most danceable track to date. The b-side holds the equally strong "Chickadee" a funk stomper with bold bassline and heavy b-boy breaks and percussions and a NY early 80 vibe able to set every dancefloor on fire. A peerless party-starter that you just don't want to miss it. Formed in 2019, this four-piece instrumental unit _ Daniil Lutsenko (electric guitar), Kamil Gazizov (keyboards), Maksim Brusov (bass), and Anton Moskvin (drums & percussion) _ quickly gained cult status through a series of sought-after 45s on Mocambo and Funk Night Records. Their critically acclaimed debut album "Origin of Forms" mixed by Henry Jenkins, producer of the Australian cult band Surprise Chef, came out on Record Kicks in 2022. The vinyl went sold out in few weeks and is now in-demand on the international cinematic funk scene.

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12,56

Last In: 8 months ago
ARESKI - LONG COURRIER

Areski

LONG COURRIER

12inchKUROLP1
Kuroneko
20.06.2025
  • Un Pays
  • Une Reine Et Un Roi
  • La Nuit Me Mord
  • Buisson Ardent
  • Mon Amie
  • Et J'en Oublie
  • Entre Le Oui, Le Non
  • Dans Les Gares
  • Tout Ce Que Je Sais De Toi
  • La Sentence
  • Faut-Il
  • L'onde

Few lovers stay together for life-and beyond. Just as rare are the artists who manage to keep alive the burning flame of their creative desire. Areski Belkacem is one of those who nurtures in his heart a fire that never dies out, a passion that burns just as intensely for music as it does for his beloved. As long as the message eventually reaches its intended recipient, he cares little for how long the journey takes. His new album, Long courrier, is proof of this: twelve unreleased songs that flow like a love letter set to music. In nearly 60 years of career, Areski Belkacem has released only three solo albums-intimate and deeply personal works that feel like whispered confidences to a loved one. In an era where commercial demands shape much of music production, these records exist solely to fulfill his need for expression. The late music lover and producer Jean-Philippe Allard once said, "Areski goes against the tide-he always seems to enjoy taking forbidden paths!" In Long courrier, Areski tenderly expresses love for his homeland and his beloved. He believes in the power of sensuality, the sacredness of pleasure, and the hidden beauty in every person despite life's hardships. He shows a fraternal gaze toward outsiders and sings of inner journeys, doubt, vows, eternal bonds-with a voice as warm and bright as a loving smile. He honors the mystery of the union between music and the French language. Blending his familiar chaabi rhythms and guitar with piano, accordion, bass, and electric guitar, he plays alongside the same musicians who have accompanied him for over two decades on stage-supporting the woman he shares both stage and life with: the incomparable Brigitte Fontaine.

pre-order now20.06.2025

expected to be published on 20.06.2025

26,68
GAZELLE TWIN - Shadow Dogs

Gazelle Twin

Shadow Dogs

12inchINV331LPC1
INVADA RECORDS
20.06.2025
  • 1: Black Dog (Gary Numan & Ade Fenton Mix); Remix – Ade Fenton, Gary Numan
  • 2: Two Worlds (Keeley Forsyth Mix); Remix – Keeley Forsyth
  • 3: Fear Keeps Us Alive (Beak> Mix); Remix – Beak>
  • 4: Sweet Dream (Mark Jenkin Mix); Remix – Mark Jenkin
  • 5: This House (Sealionwoman Mix); Remix – Sealionwoman
  • 6: A Door Opens (Marta Salogni Mix); Remix – Marta Salogni
  • 7: Author Of You (Penelope Trappes Mix); Remix – Penelope Trappes
pre-order now20.06.2025

expected to be published on 20.06.2025

36,60
Italo Brutalo - Heartware LP 2x12"

2025 Repress

A tale of paramount love for machines and the inextinguishable power of subjugation that lies in these button-studded boxes teeming with cabled bowels that feel so intimidating to the uninitiated, Italo Brutalo's longed-for debut album "Heartware" is a 12-track voyage across 25 years of intense synth collecting, fiddling,
composing and endless loving for audio synthesis and the art of how robots make human bodies jack.
Throughout the twelve cuts that compose "Heartware", a feeling of retro-gazing, candidly playful glee prevails. Looking right in the eye of the era when dazzling flipper visuals and static-filled VHS glitches
reigned supreme, Italo Brutalo invites us to witness first-hand his own textbook smorgasbord of fast-wheeling arpeggios and vocodized hoodoo ("Heartware", "Reach Horizon"), dystopian digital sunsets by the beach ("I Feel Lonely"), early hip-hop-informed whackin' n' thumpin' ("Analog Bars") and the slo but hard churn of a robot heist score ("Nobody Moves").
A lush tapestry of woozy exotic pads set in contrast with a deft and aggro drum programming ("As Above So Below"), followed by a new-beat oriented hammer-drop that shall leave no raver unscathed ("Heat of the Knight"), Italo Brutalo shifts the scope to radical effect whilst maintaining that cohesive headspace flush with the iconic 80s-to-90s-sourced assets. The hardware used in the making of "Heartware" is obviously the star here, and the inner sleeve pays tribute to that: the ideas behind the album have been there waiting to find their way out for over twenty years!
From adrenalin-boosting fractals of keyboard razzle-dazzle ("Chemical Element") to straight out pumping EBM primed for hi-octane mosh pits down the basement ("You Are Welcome"), via polyrhytmic percs-driven assaults and sizzling hot synth-smithery ("Into a Sampler"), the pressure levels never falter. Yet, Italo Brutalo sure knows how to weave further oneiric, softer narratives for your mind to frolic in unhindered ("Dream Machine") and rounds it all off with a total, space-opera'esque epic bound to have you spinning out of orbit into the great unknown ("Eternia").
"Heartware" is released in a neat double-vinyl gatefold package presenting the concept and machines involved in its making, including a twelve-page booklet featuring Italo Brutalo's key pieces of gear.

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27,31

Last In: 10 months ago
COMPUMA - HORIZONS

Compuma

HORIZONS

12inchSA008LP
SOMETHING ABOUT
30.05.2025

COMPUMA's new new album “horizons”now available on vinyl via his own label Something About!

The album “horizons” is a further development of COMPUMA's “horizons EP”, which was released in July 2023 as a digital-only EP on his Bandcamp. The songs are inspired by the scenery and environment of Lake Ezu, Kumamoto, where the artist's roots lie, and by his walks in various places around Japan.

Horizons 1”, in which the undulations of electronic sounds seem to represent a leisurely walk across a clear expanse of sky and lake scenery, and the vocoder voice somewhat reminds us of people's activities, and the piece changes to a more minimalistic play of rhythms and electronic sounds, as if focusing on introspection in the midst of walking. The album also includes “horizons 2,” which changes with exquisite salinity, “horizons 3,” which pays homage to early electronic music, and “horizons 4,” a more stoic minimal electro-dubwise piece that seems to be immersed in the act of walking, The last track on the album, “horizons 5,” is a non-beat ambient track with a hint of the waterfront, as if the artist is gazing at the vast sky, as if the steps of the first half of the album are expanding into a faint memory, and is accompanied by a field recording. The album includes “horizons 5”, a non-beating ambient taste that is covered by field recordings and depicts the atmosphere of a wandering waterfront, and five versions of “horizons” that remind us of the days of “walking”, sometimes immersed in the scenery and walking, sometimes lost in thought, with “horizons interlude” in between, which reminds us of the surface of a bobbing lake, and is a self-titled version of “View 2” from the previous album, “A View”. The album contains seven songs in total, including a self-remix of “View 2” and an electro version of “view 2 electro”, reminiscent of the shimmering surface of a lake.

Personally speaking, this work reminds me somewhat of Kraftwerk's “Autobahn,” which depicted the countryside of West Germany with minimal electronic sounds, and this work also seems to depict a scene of a “walk” with electronic sounds. However, what is different from “Autobahn” is that there is an element in the middle part of the album that seems to go into introspection in the midst of walking, and it is a work that shows various views (including feelings) throughout the album. From a macro perspective, this album is a new response to the recent environmental music revival and generalization of ambient music, which he has introduced as a DJ and record buyer for a long time.
The album was co-produced by hacchi, who also works with Deavid Soul, Urban Volcano Sound, and as a recording/mastering engineer, and mastered by Nakamura Soichiro of Peace Music, a studio that has produced many masterpieces, including Shintaro Sakamoto's solo work. The package artwork is by designer Seiichiro Suzuki. The package artwork is by designer Sei Suzuki. (The package artwork was designed by designer Sei Suzuki.)

******

Compuma is a Tokyo-based log-serving DJ whose extensive knowledge of obscure and left-field music across so many genres and different regions of the world established himself as one of the most respected record buyers in Japan,
a country well known as record collectors’ paradise. While he built his career in record business over decades, he has also been sharing his expertise in music as a DJ just as long. Not only the breath and the depth of where his selection derives are hard to compete, the way he blends them all together is also a state of art. Often intricately layered and collaged, Compuma is capable of sculpting something entirely new with bits and pieces of existing tracks in various forms such as ambient soundscapes to dubbed out club sets. In 2017, his unique ability caught the attention of Berlin Atonal directors and he was invited to play at the festival in Berlin.

He extends his skills into remixing which can be heard on the released from EM Records - “Compuma meets Haku” (2015) and “Bangkok Nights” (2017.) In June 2022, he released his first solo album, A View.
He is also an active member of a DJ trio called Akuma No Numa (which translates to “devil’s swamp”) in which he explores darker and more psychedelic periphery of dance music.

pre-order now30.05.2025

expected to be published on 30.05.2025

34,03
Sage Martens - Chamber Music for Lawn Mowers (TAPE)

Stereogum: »Here’s a cool new musical project that feels both out-there and extremely mundane. In 2022, the great Colorado experimentalist M. Sage teamed up with Lieven Martens (Dolphins into the Future) under the name Sage Martens. Their album, »Riding Fences«, was an ambient classical exercise designed to explore the idea of ›Western‹ music. They’re back this year with another conceptual offering (...)«

»Chamber Music for Lawn Mowers« is the second album by Sage Martens. This time, Matthew Sage (RVNG, Fuubutsushi) and Lieven Martens (Edições CN, Dolphins into the Future) sing the lawn.

Did you know a clean-cut lawn is a desire we inherited from the British?

Yes, the British dumped this pleasure into our collective consciousness. Those humorless Victorians who enjoyed having their black pudding on the lawn. They came to this uninspired impression while mis-looking at Italian paintings. Yes indeed, while gazing at these paintings they mistook green lanes for green lawns. Thus it became hip. Every stuffed truffle commanded his gardener to cut the grass.

As a result, this Victorian lust for sterile gardens with pretty green lawns nudged our world into water spillage and pesticide clouds. This new priority produced exhaust clouds and prudish monocultural landscapes. Just by looking at Italian paintings.

As with most of Western history, the practice was exported to America and then turbocharged. By shearing clear the prolific brush of pastures, prairies, forests and glens, biodiversity becomes an aesthetic casualty with long-suffering ecological ripples. An inherited practice narrows the bandwidth of experience.

And so, the childhood habit of humming along in key to the drone of a gas-powered mower while trimming a suburban lawn extrapolates into something expanded — an unanswered question about the harmonics of landscape practices.

M. Sage: Bb clarinet, alto saxophone, sine wave, lawn mowing, processing L. Martens: computer, analog synthesis, digital processing With W. Van Gils: lawn mowing

pre-order now27.05.2025

expected to be published on 27.05.2025

15,08
Surface Detail - Marea Nera LP

The first in a proposed series of transmissions, Surface Detail's mystifying debut introduces an incorporeal body that exists only through sound and sensation, prompting listeners to discern a spiritual realm beyond the physical. Its surging electro-acoustic compositions push past the material world to plunge into deeper sonic dimensions, slowly revealing a philosophy borne of near-death and out-of-body experiences that challenges perception itself.

Overhauling vintage experimental techniques with their bespoke modern methodologies and processes, Surface Detail rearrange the musical timeline, merging vastly different concepts to hint at questions rather than provide solid answers. Their uniquely immersive soundscapes use texture, rhythm and tonality to help brush away the superficial and contemplate the unknown, approaching its delicate, controversial subject matter with sensitivity and sensuality. Not just an auditory experience, 'Surface Detail' tests the potential of sound itself, eliciting visceral physical reactions with its uncanny subtleties.

Those principles are divulged immediately on opening track 'Marée Noire', as breathy saxophone notes loops and swirl over cosmic oscillations and microtonally tuned drones. It's music that cracks open a passage that snakes through various genres, suggesting silhouettes rather than affirming banal musical preconceptions. Skeletal rhythms appear in the ether for only a moment, disappearing into the sonic landscape, and Surface Detail's bespoke instrumentation materializes just to bring out the cellular intricacy of the music, concentrating the gaze on microscopic textures and irregularities that discompose the senses. As the album drifts forward, it bends material reality even further: on 'Southern Breach', warm, lower-register organ tones intermingle with sinewy guitar twangs, evaporating into warped, hypnotic oscillations and eerie echoes; and by 'Superbook of the Dead', the conspicuous details have almost disappeared completely, replaced by subterranean clangs, industrial ambience and other-worldly electrical interference.

It's in this way that Surface Detail softly assert their convictions, insinuating a narrative that subliminally ushers listeners down an hypnagogic River Styx by removing all traces of the familiar. On closing track 'Broken Silicates', distant lullabies, dissociated stutters and ghostly woodwind sounds blot fractal patterns on the wide open space, reincarnating the album in a liminal zone that's not constrained by somatic logic. Whisper quiet and utterly beguiling, it transcends material existence, dissolving barriers between surface and depth.

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26,60

Last In: 10 months ago
Margaux Gazur - Blurred Memories LP 2x12"

Margaux Gazur presents her debut album „Blurred Memories“ on Smallville- almost 70 minutes into a very special search for her musical origins.
Margaux Gazur is a French-Vietnamese composer, musician, producer and DJ, now based in Berlin. Having lived in Vietnam for 5 years from 2012, she found herself searching for the sounds of her roots, played-back in form of field-recordings combined with traditional instruments and the sounds of her blurred childhood memories.
The tracks of her debut-album unfold the magic in a very subtle way, filled with vivid rhythms of Hanoian street sounds, evolving layers of mesmerizing tones and organic textures to create an intimate and unique atmosphere. Each track offers yet another something to discover while listening- mysterious voices and fragile elements next to beautiful melodies and trippy glitches, organic grooves and hypnotic wonkiness- and a lot of magic moments implemented. Woozy pads meandering and moving along – there is so many things to discover within „Blurred Memories“.
Margaux released her first track on vinyl on Smallville 55 back in 2019 and she has played endless live-sets and DJ performances at amazing spaces like Panorama Bar/Berghain, Heideglühen, Club der Visionäre, Berlin, La Station, Paris, Giegling events, Smallville and Kann Parties as well as beautiful festivals such as Waking Life in Portugal, Fusion, Berlin Atonal, Meakusma Festival or Equation in Vietnam amongst others.
Smallville is extremely happy to present „Blurred Memories“, music to stay with you.

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22,27

Last In: 3 months ago
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