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SAYA GRAY - SAYA LP

Saya Gray

SAYA LP

12inchDH02048
Dirty Hit
10.03.2025

"For Toronto outsider pop auteur Saya Gray, music is a glittering mosaic of endless influences. Her debut album is akin to a sonic chimera; its limbs assembled from disparate, but complimentary musical organisms. Does she make pop? Folk? Rock? R&B? The moment you think you’ve got her pinned, she’s gone like a flash.
Gray’s often collage-like sonicspheres, blanketed with layers of riffs upon layers of electronic chatter, demonstrate the limitless potential of music as an art form.
Saya Gray has received support from Pitchfork, The Guardian, The Times, Colors, The New York Times, BBC Radio 1, BBC Radio 6, NTS, Fader and has recently recorded an incredible Tiny Desk session to be release around her new album. "

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26,85
Herman Kelly & Life - Percussion Explosion!

Source of an all-time 'Breaks and Beats' classic, Mr Bongo reissue Herman Kelly’s timeless 1978 album Percussion Explosion!. Immortalised in hip-hop folklore, when the anthemic 'Dance To The Drummer's Beat’ was featured on the influential Ultimate Breaks & Beats compilation series in 1986.

Percussion Explosion! was the brainchild of drummer, percussionist, producer and arranger, Herman Kelly and his percussive disco-funk group from Miami, 'Life', that featured Aaron McCarthy, Oliver Well, John DeMonica, Michal Cordoza and Travis Biggs. The album houses a collection of disco, funk and Latin-inspired cuts that were destined for greatness. Nestled within the grooves is the B-Boy and B-Girl’s anthem, 'Dance To The Drummer's Beat’, which contains a now legendary break. A cursory glance at Whosampled will show that it has been sampled in over 125+ songs. These include Double Dee & Steinski on their groundbreaking 1985 production 'Lesson 3 (History Of Hip Hop Mix)', as well as by DJ Shadow, N.W.A, Masters At Work, Run D.M.C. and a whole host of heavyweights across hip-hop, dance and pop music.

When the album was released in 1978 it came out on two different labels, Alston Records and Electric Cat. Each label pressed different versions of 'Dance To The Drummer's Beat’, with the former featuring a 4:12 version and the latter a longer 5:09 version that has a different structure, crowd noise at the start and overdubbed percussion.

For this Mr Bongo reissue, we have chosen the classic 4:12 version from the Alston Records release, which would later find its way on to the illustrious Ultimate Breaks & Beats compilation. To make matters even more confusing the Alston version art on the back cover also states the track length as 5:09, whilst the centre label lists it correctly as 4:12.

Aside from the much celebrated 'Dance To The Drummer's Beat’, the album includes a range of other fantastic overlooked cuts. From the percussive soul stepper 'Share Your Love', to the beautiful Latin-flavoured 'A Refreshing Love' or the party disco-funk groover 'Who's The Funky D.J.?'.

This wonderful and inspirational record features an important piece of hip-hop heritage and deserves a place in every collection.

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28,99
Insolate - Full Disclosure LP 2x12"

Insolate unveils the 'Full Disclosure' album, arriving 7th March 2025 on her Out Of Place Records, released on digital and double record vinyl. It's the Croatian artist's second full-length release, already supported by the likes of Rodhad, Stephanie Sykes, and Nastia, following 2019's 'Order Is Chaos' on the label and its subsequent remix album, which featured reworks by Ben Sims, Pfirter, Sev Dah, Amotik, Under Black Helmet, Volster, ASEC, and Flamina.

"'Full Disclosure' is a reflection of who I am today. It represents the music I love to play, featuring high-energy bangers alongside functional tracks while experimenting with chords, vocals and melodies. As the title suggests, Full Disclosure is about openness, transparency, and revealing the full truth of who I am as an artist" - Insolate

'On Your Knees' starts Insolate's 'Full Disclosure' LP with rolling dub-infused rhythm drenched in a subtle but potent 303, an otherwordly vocal providing a tripped-out vibe. Closing out the A-side is 'Stand Strong', a pacey groove with an effective vocal sample and well-swung drums shot through with razor-sharp stabs.
On the flip, Insolate teams up with Croatian guitarist PEP for 'The Proof', a real banger that marks his debut in Techno production featuring mind-melting arpeggio sequences and a shadowy atmosphere. This is before 'Survival Symphony' strips things back via minimal drum work and electrifying synthlines that build in intensity.

The title track of Insolate's 'Full Disclosure' album, perfect peak-time cut 'Full Disclosure', continues with glitchy sequences, a bass bin-shaking groove, and another high-impact vocal sample. The aptly named 'Playground' then picks up speed with racing drums and rattling percussion while synths wriggle around playfully, followed by 'Big City', which features hauntingly enchanting melodies laid over bubbling arps and a steady beat. Insolate's 'The Biggest Fan' is another rave-ready trip with carefully crafted polyrhythms which won't fail to hypnotise the dancefloor before 'Ocean of Tears' closes out Insolate's stellar long-player via a captivating vocal harmony and acid-soaked 909s.

Since 1997, Insolate has become synonymous with the Croatian Techno scene via her HUSH! and TRAUM event series and her Osijek-based Out Of Place record label that's spotlighted artists like Anne, Francois X, and many more. She has built an impressive international career that's led her play at Berghain, Rex, and Tomorrowland, while her productions have seen her win the support of titans like Laurent Garnier and Ben Klock and join labels such as Luke Slater's Mote-Evolver and Bpitch.

'Full Disclosure' is a masterful body of work that shows the complete wealth of Insolate's talent and two-decade-long experience in Techno.

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20,59
Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

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22,90
Nick Viola - A Ghost In Your World LP

This album represents a significant evolution in the musical journey of Nick Viola, transitioning from the powernoise and heavy industrial sounds of his previous project, Fractured Transmission, into a techno-framed landscape. Spanning seven tracks, including remixes, the album features recurring sounds sourced from machinery, field recordings, and personal travels. These elements create an uneasy atmosphere oscillating between slight discomfort and absolute dread, offering a dystopian sonic experience fitting for the times we unfortunately live in.

The opening track, ‘A Ghost in Your World,’ sets an intense tone with distorted atmospheres and ‘It’s Still Real’ follows with a relentless pulse and swirling mechanical sounds, seamlessly flowing into Kenny Campbell’s remix of ‘A Ghost In Your World’, providing a cathartic release for the A side.

‘Drop Out,’ guides listeners on a psychedelic journey into the B side of the record, while ‘Negative Nancy’ ramps up the energy with an aggressive industrial techno assault offering an antagonistic jab at the current trend within the genre. Substencia’s remix of “Drop Out” delves deeper into psychedelia, offering an immersive trance-like experience relieving the tension of “Negative Nancy”.

The digital-only bonus track, ‘Tensor,’ maintains the album’s heavy industrial techno feel of a well-oiled machine, ready to pummel any underground sound system.

About Artist:
Nick Viola is a versatile electronic music producer known for his distinctive blend of industrial and techno music, drawing inspiration from a wide range of influences spanning from the gritty sounds of powernoise to the pulsating energy of techno.

Born and raised in Los Angeles, Nick began his musical journey immersed in the industrial club scene, where he cut his teeth performing at the legendary Los Angeles industrial club Das Bunker. Here, he honed his craft and developed a deep appreciation for the raw, aggressive textures of industrial music. As the driving force behind the project Fractured Transmission, he made a name for himself with his uncompromising approach to power and rhythmic noise, earning recognition for his intense live performances and relentless sonic assaults.

However, Nick was always drawn to the rhythms and sounds of techno, and in a bold move, he embarked on a new chapter in his musical career, transitioning from the abrasive sounds and rhythms of powernoise to recontextualizing those sounds into a more techno landscape. With this album, “A Ghost In your World”, he showcases his evolution as an artist, seamlessly blending the industrial aesthetics of his past with the pulsating energy and frame of techno.

Spanning six tracks, “A Ghost In Your World” is a sonic journey through dark, dystopian landscapes and pulsating dance floors, where distorted atmospheres and mechanical rhythms collide to create a mesmerizing and immersive experience. From the haunting textures of “A Ghost in Your World” to the relentless energy of “Negative Nancy,” each track offers a unique glimpse into Nick’s sonic universe, inviting listeners to explore new depths with each listen.

Written + Produced by: Nick Viola

Mastered by: Tim Vitek

Artwork: Permian Designs

Design by: Elaine Stam

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19,75
Macé - Digital Heaven

Macé

Digital Heaven

12inchSKKB025
Sakskøbing
07.03.2025

For our musical village named after an epic dutch town Sakskøbing we are welcoming fresh face Macé who loves house music just as much as we do and ready to prove it. Made and based in Germany the artist has been living and breathing house music for a while and now is ready to present the world his first solo EP. Digital Heaven consists of five tracks which showcases the artists influences in the genre and dives deep into discovering it. From more club-oriented A side to the more relaxed approach filled with deep pads on the B side this record has shown to a very wholesome and soul soothing approach. Being a while in the making it is great to finally seeing it a light of day with its mission to enter the DJ bags of likeminded individuals around the globe for the love of house.

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11,98
Pale Jay - MY DIRTY DESIRE / DREAMING IN SLOW MOTION

his new 45 from Karma Chief Records showcases two tracks from Pale Jay's latest LP, Bewilderment. The A side, My Dirty Desire is a warbling slow-disco tribute to the introvert. Pale Jay acknowledges that society rewards extroverts, but he embraces his introverted nature and the benefits of solitude. The B side, Dreaming In Slow Motion' has silken falsetto vocals that float on top of a dusty rhythm section driven by a pulsing bass and laid-back drums. Accompanied by a catchy guitar and a grand string arrangement, Pale Jay invites the listener on a soulful trip to the early morning hours floating between dream and reality. Pale Jay's latest opus showcases his remarkable ability to craft sonic tapestries that transport listeners to a world of profound introspection and sonic bliss. This 45 from Karma Chief Records serves as a tantalizing glimpse into the depths of Pale Jay's musical genius, leaving you craving for more. So sit back, relax, and let the ethereal melodies whisk you away on an extraordinary sonic odyssey.

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10,50
Infradisco - Aqua Cheta (Beyond The Remixes)

Archeo Recordings serve a special delight with two extended and alternate reworks from the all star cast behind the recent AR025 Aqua Cheta remix 12”. Dipping into the cool waters of Infradisco’s original LP once again, Hear & Now and Manu Archeo look to the horizon and channel the horizontal with a couple of ambient suites, new age dreamscapes and day trippers, each awash with positive vibrations and healing frequencies.
Perugia's peerless Hear & Now open the 12", cultivating pulsing chords, hazy reverb and elegiac fretwork for a White Isle romance steeped in the sunset lineage of the Café Del Mar. Heart-swelling piano and restrained bass throbs conspire to see the rest of the world melt away, with occasional percussion the only reminder that time is still passing. Though radically different from their dance-floor driven revision on the 12", this is no less impactful, swapping the club sonics for the sensation of sheer beauty.
Not content with making a spectacular production debut via his dubbed out diversion of "Dulcis" last time out, Manu Archeo makes further waves with a meditative masterpiece - spaced out and sprawling through a sultry thirteen minutes. An echo drenched meditation script gradually sinks into the immersive ripple of balmy horn, delicate hand percussion and watery pads, making room for a succession of stunning lead-lines and glistening sequences. If you thought the new age of New Age was over, it's time to open your mind.

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19,96
Konerytmi - CMYK EP

Konerytmi

CMYK EP

12inchGMN09
Gamine
05.03.2025

For our ninth release, we are glad to have Konerytmi with a 5 tracker EP. Konerytmi?s CMYK is a dedication to the 80's. This is not a just simple tribute but own interpretation of the tastes of 80's generation. All tracks are homage to the musical fashion of those years. Timbres & drum sounds & melodies & harmonies takes you back to those times. If you don't have a time machine and you miss the 80's just listen to this 12.

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12,56
Fred again.. - ten days

Fred Again..

ten days

12inch5054197696855
Atlantic
03.03.2025

● Most recently Fred sold out the Coliseum in LA (his first ever stadium show)

● This upcoming album “ten days” includes single ‘adore u’ (now platinum record with over 600K+ UK sales), 'ten' and 'places to be'

● Fred will be headlining Reading & Leeds festival at the end of August weekend before album release

● HIS LATEST ALBUM USB IS CERTIFIED SILVER ALBUM IN THE UK

● FRED'S BOILER ROOM IS ONE OF THE MOST VIEWED BOILER ROOMS TO DATE, SURPASSING OVER 36 MILLION VIEWS.

● NOMINATED FOR BEST DANCE/ELECTRONIC ALBUM, NEW ARTIST AND DANCE RECORDING FOR THE GRAMMY AWARDS 2024.

● ACHIEVED HIS FIRST TOP 10 SINGLE IN THE UK SINGLES CHART WITH 'ADORE U' - NOW CERTIFIED PLATINUM IN THE UK.

● ACTUAL LIFE 3 REACHED #4 ON THE UK ALBUM CHARTS, AND BECOME THE HIGHEST-STREAMING RELEASE GLOBALLY ON SPOTIFY ON ITS FIRST WEEKEND.

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45,80
Dedos - Dedos (Fingers) / Doce Y Diez (2025 Reissue) (7")

Here comes a true South American LATIN JAZZFUNK treasure from Argentina!!!
Sound Essence is more than proud to present these lost recordings from 1974 to music lovers again in all their glory.
CARLOS FRANZETTI, who has once again been in the spotlight in recent years thanks to the re-release of his strong late 70s JazzFusion record "Graffiti", was also in charge of this record called DEDOS. The story behind:
In 1974, after CARLOS FRANZETTI was living in Mexico and worked as the musical director of FERMATA International, he returned to Argentina. In Buenos Aires his friend MOCHIN MARAFIOTTI was recently appointed A&R at the local recording label MUSIC HALL . Marafiotti asked Carlos if he wanted to record some of his music and he answered that he had in mind a group playing LATIN JAZZ . After a couple of meetings they came out with the idea of covering the RUBEN RADA tune DEDOS recently recorded in the US by AIRTO MOREIRA along with the OPA TRIO. Carlos contributed his own composition "Doce y Diez" . He selected the group consisting of his friend and member of the uruguayan Band TOTEM, Ruben Rada on percussion, Ricardo Lew on guitar , Emilio Valle on bass and Osvaldo Lopez on drums covering keyboards and vocals himself . This formation recorded tracks and vocals in a three hour session and the next day the track was mixed. Music Hall released "Dedos" and "Doce y Diez" on a single record and after months of discrete airplay and not so good sales the project for an album was draped.
"It is a rewarding experience to see a re-release of this two songs a half century after the original release.
It was hot and it looks and sounds even hotter now. I love it!" (Carlos Franzetti, New Jersey, December 2024).

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19,12
Ivan Conti - Poison Fruit LP

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature the previously released remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

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23,11
Persian - Questions EP

Emotional Especial returns to the music of Peter Reilly aka Persian, with a second EP diving into his extensive catalogue to celebrate this cult artist and evaluate his recent decision to retire from music production.

For over 20 years Reilly has been an exemplary electronic producer, a producer’s producer, a DJs producer, releasing over 50 EPs that crossed genres, from Breaks to Digidub, Electro to Garage, House to Jungle and on and on.

If this release is to act as an epitaph, then its exploration of Reilly’s wonderful programming, sampling and understanding of emotions is laid bare. Spread across a series of self-released edits hidden within limited run EPs, Questions appeared as something akin to beats interludes, across numerous releases over the last 10 years.

Bringing the best versions together on one EP, Questions 1, 2, 5, 3 and 7 have been re-edited, extended and sequenced into a continuous mix especially for this finale. Starting with the ambient breaks of Questions 1, this is a Balearic beginning where bubbling acid meets haunting refrain, before segueing effortlessly into the sunrise breaks of Questions 2. A nod to Carl Craig’s classic Incognito remix, the solo keys add a touch of jazz to a glide by shooting melody.

Side 2 rises. Question 5 heralds a half stepper Dub bassline riding the Amen breaks, the now familiar Brando sample, a wormhole in your brain that ties the EP together, joining the dots as strings float skywards, allowing Questions 3 break it all back down. Herbie Handcock inspired Funk Boogie beat, shouts out to his own Existence To Resistance label, leads to the pure ambient closing of Questions 7. A showcase again of Persian’s multi-genre dexterity and maybe, just maybe brings an influential music chapter to a close.

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18,28
Parade Ground - The Hidden Side

Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring collaborative partnership. In 2011, Dark Entries released The Golden Years, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. The Hidden Side continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles - all cold, dark, and brooding. Tracks like “Riddle in the Stain Glass Window” and the previously unreleased “Looking Through Keyholes” see the band in menacing coldwave mode, rocking chorus-drenched bass guitar and blasts of analog synth. The band’s dancier proclivities shine elsewhere, like on “Off-Balance” or the supremely funky “Hollywood (The Sexiest Fish),” a floor-filler driven by bass guitar and thumping digital drum machine beats. Also included is “Marble Mind,” a previously unreleased latter-period track from the band recorded by Patrick Codenys at 242 Studio. The Hidden Side includes liner notes featuring lyrics and a photo of Jean-Marc and Pierre Pauly. Additionally, a newly remastered edition of The Golden Years will be released along with The Hidden Side.

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20,59
Various - Finding Bliss in the Madness

After a long radio silence we are excited to finally share with you, La Luna 006.
This eight track VA is an epic sampler showcasing the sounds of La Luna. 
With tracks from AD4, Anderson, Aspetuck, Dream Terrains, Exit 47, Gloved Hands, and DAS, aka JD Typo.
This will be a special record to get you through the coming winter featuring moody ambient, downtempo, IDM and modern classical sounds.
This pressing features beautifully crafted artwork from Sonia Malpeso, which will include inner and outer pantone sleeves!
This release will be limited to 100 copies on black vinyl
Snag one while you can, and sit back and enjoy the journey.

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21,64
In Glass - Changes

In Glass

Changes

12inchIG001
Phaaar
28.02.2025

Phara presents, 'In Glass'. The first release under this new moniker, moving at a softer and more harmonic cadence.
Expect layered, mesmerising soundscapes inspired by cold winter days, held together with the more familiar tensions and textures you might expect from Phara.

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12,56
Franco & Grimm - Fairytail Tracks 3 To 6

Forgotten in the mists of Dutch electronics, when Anacalypto Records began their quest for Fairytails, they uncovered more than they bargained for. Dusting off a 1994 DAT, lettering began to reveal itself—four tracks from the original release and two unheard, unreleased works! A decision was made: two tracks from the original 12” for Side A, and the two new discoveries for Side B.

The spellbinding Fairytail Track 3 opens the record. Rich basslines and ruffled beats dance as strings soar and swoop in this fantastical floor-filler. That touch of fantasy twinkles throughout the entire EP, with dreamy mellowness weaving through key shifts and stepping grooves. This dreamy atmosphere carries into Fairytail Track 4, where snares rasp and snap above delicate notes and mischievous pads.

The flip is dedicated to the DAT discoveries. Fairytail Track 5 is a joyous romp through twilight woodlands and sweaty basements, with cascading chords and lively piano lines reveling over earthy patterns of percussion. The journey concludes with Fairytail Track 6, a bright and magical finale. Overtones of rave energy glow in this ageless, tongue-in-cheek melody, infusing the EP with a timeless vibrancy.

Four trance-dipped house treasures returned to the faithful on this remastered gem that will sprinkle happiness on any floor.

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18,28
Stevie Cox - My Lover Cindy EP

2025 kicks off a new year with a new artist for Klasse Wrecks, it is with great pleasure we welcome Glasgow based DJ and producer Stevie Cox to our ranks. Stevie's second full length release is one of deep cerebral breaks and evolving technicoloured techno, 4 tracks that surprisingly weave an already defined and recognisable sound from the young artist. Dont expect over-thought and over-cooked musings though, Ms. Cox keeps it fresh, to the point and relevant with most tracks clocking in around 5 minutes. There is enough playfulness to keep the gurners smiling and enough well-thought out drumwork to keep the feet moving, this tight selection will most likely find its way into a variety of record bags during its lifespan.

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14,08
DARKSIDE - NOTHING LP

Darkside

NOTHING LP

12inchOLELPE2115
Matador/Beggars Group
27.02.2025

In ihrer bisher zwölfjährigen Band-Historie veröffentlichten Nicolás Jaar und Dave Harrington, zusammen bekannt als DARKSIDE, die beiden Alben ""Psychic" (2013) und ""Spiral" (2021). Mit ihrem langjährigen Freund und Kollaborateur Tlacael Esparza als neues Bandmitglied und Schlagzeuger kommt jetzt ihr drittes Album ""Nothing". Das Ergebnis ist faszinierend und vielschichtig. DARKSIDE schmücken ""Nothing" mit prägnanten Rhythmen, verzerrten Vocals und kreieren eine ganz eigene, wie ungewöhnlichen Ästhetik.

Um die Entwicklung zu verstehen, muss man die Hintergrundgeschichte kennen: Jaar und Harrington lernten sich in den frühen 2010ern während ihrer Schulzeit in Providence kennen. Während der Tour zu Jaars Solo-Debütalbum fand eine spontane Aufnahmesession an einem freien Tag in einem Berliner Hotelzimmer statt. Die Session war wortwörtlich brandheiß, denn sie endete mit durchgeschmorten Lautsprechern. Der Raum füllte sich mit Rauch und der an diesem Tag entstandene Song wurde ihre erste gemeinsame Single ""A1", DARKSIDE war geboren.

Zwischen den ersten beiden Alben legte das Duo eine sechsjährige Pause ein. In dieser Zeit verfolgten Jaar und Harrington jeweils eigene kreative Wege: Jaar etablierte sich als Solokünstler und Produzent, während Harrington als innovativer Gitarrist und Experimentalmusiker die Underground-Szene in L.A. aufmischte und die Rock-Band Taper"s Choice gründete. Die Geschichte setzt sich dann im Herbst 2022 in Los Angeles fort als das Duo eine Reihe von Shows buchte, um sich nach acht Jahren erstmals wieder als Live-Band zu vereinen. Esparza kam als festes Mitglied hinzu und veränderte grundlegend den Klang und die Energie der Band. Die Idee von ""Nothing" entstand während der Suche nach Achtsamkeit und Harringtons stillen Momenten mit seiner neugeborenen Tochter, in denen er Schönheit im Nichtstun fand. Für Jaar wurde ""Nothing" zu einem Symbol für die allgegenwärtigen, wie überwältigenden Probleme, unausgesprochene Gefühle und den Stillstand in globalen Krisen wie Klimawandel, politischer Heuchelei und wiederkehrender Gewalt.

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23,49
Mytron & Zongamin - Congregate

Mytron&Zongamin

Congregate

12inchMCLP008
Multi Culti
26.02.2025

Zongamin and Mytron reunite on Multi Culti with an album of collaborations. Exploring the depths of leftfield outer nationalism these two mainstays of our global family serve up a colorful array of mind-altering disco and interdimensional dub. Tribal motifs merge with field recordings while synthesized animals call out over exotic hand percussion. Jams on vintage synths meet 8-bit sampling bounced onto spring reverbs and digital delays from the 80s. Started mid-pandemic, this collaboration ignored the surrounding havoc and social distancing, instead focusing on Good Vibes TM and positivity with a genre-defying approach belying trans-continental origins. The result is a playful symbiosis that is Phatter than the sum of its elements. Mytron is Jacek Janiszewski, a pan-European multi-instrumentalist, producer and DJ, born in Poland, raised in Holland and Germany, and now living in London for the best part of a decade, his releases, for labels including XXX, Codek, Bordello A Parigi, Multi Culti, Nein and Les Yeux Orange, herald a similar nomadic spirit. Zongamin, Susumu Mukai is a composer, producer, and illustrator based in London. He has released records on Multi Culti, Flesh Records, XL recordings, Ed Banger, ESP Institute, and AD93, and has remixed for Air, John Cale, Trevor Jackson, Sandro Perri, and others. He is a member of groups Vanishing Twin, V/Z, Holy Tongue, and Stalactite.

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20,80
Mustafa - Polygamy

Heavyweight Black Vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Insert with 10 pages Booklet 30 x 30 cm printed on Gmund Colro Felt Red Purplea d 90 Gram Favini papers with detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session, lyrics and exclusive pictures.


Colored Vinyl Details:
Heavyweight "A side - B side solid purple + transparent blue" vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Insert with 10 pages Booklet 30 x 30 cm printed on Gmund Colro Felt Red Purplea d 90 Gram Favini papers with detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session, lyrics and exclusive pictures.

Peronnel:
Mustafa Abdul Rahman - Tenor Saxophone, Percussion, Producer
Ahmed Abdullah - Trumpet
Malachi Thompson - Drums
Gregory Bufford - Bass
Richard Radu Williams - Piano
Rafik Abdur Rahim
Tony Smith - Guitar
Larry Banks - Synthesizer
Khalil Abdullah - Congas
Babafumi Akunyon - Percussions
Odell Grier Backing Vocals – Fred Harley, Hilda "Asia" Richbow , Linda Hall

Notes:
In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.

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34,03
Alix Brown & Louis Fontaine - Tormento

Alix Brown&Louis Fontaine

Tormento

7"-VinylFLIES4561
Four Flies
25.02.2025

Imagine a nocturnal rendezvous between the lyrical playfulness of Serge Gainsbourg and the infectious yet smooth danceability of Daft Punk. Tormento is a sexy soft disco odyssey that weaves a contemporary fantasy where dilemmas and desires—torments of the heart and flesh—are bathed in the sultry glow of classic erotic cinema.

Recorded in Los Angeles and Paris, the song is a collaborative effort between composer and multi-instrumentalist Louis Fontaine, DJ and music supervisor Alix Brown, and lyricist and writer Margo Fortuny. This sonic tale of longing and uncertainty, ignited by the trio's shared love for 1970s sounds, cinema, and style, draws inspiration from the cinematic soundscapes of François de Roubaix and from French and Italian chanson.

Tormento pairs a haunting, nostalgic melody with a late-70s disco arrangement featuring a mix of vintage synthesizers, driving basslines, and rhythmic percussion. Alix Brown's ethereal vocals convey the electrifying thrill of an immediate, magnetic attraction.There's seduction, mystery, the poetry of a moment, the allure of transgression, indecision, and all the things that happen late at night. When faced with temptation, what do you do? Perhaps, yousurrender to the sweet, intoxicating rhythm of the forbidden.

Adance song for night owls, loners, and romantics, Tormento is out on 7" and digital on February 14th, 2025, courtesy of Four Flies.

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17,61
Duc In Altum - Midnight Sun

Duc In Altum

Midnight Sun

exclRHZ005
Rhizome
24.02.2025

RHZ005 Duc In Altum:
Midnight Sun
Release Notes

The Brazilian-Serbian duo Duc In Altum returns to Rhizome following their 2020 digital mini-album As Above So Below. Our fifth vinyl EP on the label, Midnight Sun, finds Duc In Altum experimenting with dance floor acid rhythms and breakbeat-house grooves. The relentless remixes come from two other music friends, the Romanian icons Priku and Sepp.

“Midnight Sun” demonstrates the duo's acidy reflexes. Clever chords both center and accent the melody. The 303 line expands into the seething bass beneath as the track progresses into a deep dance floor burner.

Priku remixes “Midnight Sun” with his signature groovy, breezy style. Light chords drift above transformed 303, now a monster tech house bassline. The sun beckons.

The second side begins with “Yanomamis” and a journey through the inner worlds of Duc In Altum. The track begins with winding pads, effects, and an initial silvery breakbeat. The center of the track shifts perspectives to unveil a dreamy house groove before the breakbeat returns to call us back.

A remix of “Yanomamis”by Sepp closes out the record as the dance floor psychic yet again crafts the perfect rolling groove. It's a fitting Sunwaves-savvy party track and only gets better each time that glorious groove breaks the tension.

Tracklisting
A1: “Midnight Sun”
A2: “Midnight Sun (Priku Remix)”
B1: “Yanomamis”
B2: “Yanomamis (Sepp Remix)”

written and produced by Eric Frizzo Jonsson and Arjana Vrhovac Jonsson in São Paulo, Brazil;

remixes by Priku and Sepp

mastering by Ednner Soares

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10,88
Iam JDP - Now Eh!  (7")

Iam Jdp

Now Eh! (7")

7"-VinylFBFWD002
INTRAUTERIN
24.02.2025

Define: Global Bass Culture. What initially started out as a remix request from the South African Sneja Recordings label for a tune written by Colombian artist Juan Diego Pedroza a.k.a. Iam JDP ended up as the second limited edition vinyl release on the German underground label Freebreakz.FWD. Embracing influences from Chicago's Footwork x Juke sound as well as UK Bass Music, IDM and other electronic subcultures Sascha Müller and baze.djunkiii deliver a sparse, tense and wildly hypnotic take on the 160 bpm freeform movement, continously fusing and layering intermingling rhythmic patterns with ethereal vocal snippets, Trap- and Drill-infused hi-hats, an ever floating minimalist synth motif and deadly low end attacks for some of the most advanced dancefloors out there. This is crime scene music. Mastered by Frederic Stader.

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10,04
bad lsd trips - ultrafest

Bad Lsd Trips

ultrafest

12inchENMB-17
enmossed
24.02.2025

Oversized custom cut LP jackets (13” / 33.02 cm width)
Silkscreened with bespoke iridescent citrus green ink by Mark Rice
Short story by Natalia Zuluaga

Flexi 7”:
steaming mescaline (extended mix by bad lsd trips)
Citrus green metallic foil stamp
Pressed in full stereo
Edition of 150

I.

bad lsd trips is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On ultrafest, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On ultrafest (this album) something different occurs. The space and events are built around you as you move through the record.

II.

The name of the album is ultrafest, which should effectively provoke your mind's eye the imagery of young people dancing, salivating, grinding, and imbibing chemical compounds to the perversely formalized musical genres of “Electronic Dance Music” and latter-era Dubstep often heard in European Uber rides and energy drink commercials. A far distance from the icy and machinic reverie of Techno’s finest rave eras or the notable historical contributions of Miami’s cerebral producers to IDM’s global output, ultrafest is a libidinal catharsis as festival scaled to a multinational corporation of hedonistic excess. The festival has been a hallmark of Miami cultural industry production and optical enticement for tourism, purportedly bringing in nearly a billion dollars in revenue to the city since 2012. Scores of documentation exist wherein this decadent escapism leaves the concertgoer, usually in some neon garment on a near nude body potentially adorned with fluffy faux fur leg warmers, facing a comedown from the combination of volume, sun, dehydration, and methylenedioxy-methylamphetamine. This MDMA experience characterizes an aspect of the way bad lsd trips employs vocals and pitch on this album. The detached, high octaved longing of a high pitched vocal is decoupled from its typical auditory body of song. High-pass clicks and pops touch the (h)air on the back of the neck, promising goosebumps and teasing towards euphoric rushes of dopamine, yet also exist decoupled from the body of song. As the dopamine depletes and the sun imposes itself, Miami’s downtown of skeleton real estate is your company as you meander towards your parked vehicle to rest your fatigued senses, elevated heart rate, and quench the need for air conditioning on your skin. The immediacy of bombastic social immersion to architectural alienation palpable here.

III...

- Nick Klein

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32,35
Q LAZZARUS - GOODBYE HORSES: THE MANY LIVES OF Q LAZZARUS (MUSIC FROM THE MOTION PICTURE)

Der Einstieg in die Musik von Q Lazzarus erfolgte für fast alle über „Goodbye Horses“. Der Song tauchte erstmals 1988 in Jonathan Demmes „Married to the Mob“ auf, aber er sollte sich erst dann vollständig im Bewusstsein der Menschen verankern, als er 1991 in Demmes „The Silence of the Lambs“ wieder auftauchte. „Goodbye Horses“ fühlte sich an wie ein in sich geschlossenes Universum - traumhaft und völlig ungewöhnlich, ein sofortiger Klassiker, der die Zuhörer fesselte und neugierig auf die geheimnisvolle Stimme dahinter machte. Diese Stimme gehörte Diane Luckey, einer einzigartig talentierten Künstlerin, deren Musik ihrer Zeit voraus war und die letztlich zu Lebzeiten weitgehend unerkannt bleiben sollte. In Verbindung mit der Veröffentlichung des Dokumentarfilms „Goodbye Horses: The Many Lives of Q Lazzarus“ von Aridjis Fuentes veröffentlicht Sacred Bones eine Sammlung von Songs, die die gesamte Karriere von Q abdecken und die verschiedenen Epochen ihres Schaffens und die ganze Bandbreite ihrer Persönlichkeit zeigen. „Goodbye Horses“ ist die erste Musiksammlung, die den Segen von Qs verbliebener Familie erhalten hat, und hat die Besonderheit, ihre erste und einzige Albumveröffentlichung in voller Länge zu sein. Aufgenommen zwischen 1985 und 1995, spiegelt diese Fundgrube bisher unveröffentlichter Musik einige der interessantesten Facetten der Popmusik der letzten vier Jahrzehnte auf eine Weise wider, die sowohl versiert als auch wild eklektisch wirkt Das titelgebende „Goodbye Horses“ bleibt ein einzigartiges Stück gespenstischer New-Wave-Perfektion, und man könnte sich ein ganzes Q-Lazzarus-Album vorstellen, das sich um diese Ästhetik dreht, aber ähnlich den Gesangsikonen Alison Moyet, Annie Lennox oder Lisa Gerrard eignet sich Qs chamäleonhafte Stimme perfekt für eine Vielzahl von Stilen und Settings. Ihre Coverversion von Talking aHeads' „Heaven“ verwandelt den Song in eine aus voller Kehle gesungene Power-Ballade mit klimpernden Klavierverzierungen, während ihre Interpretation von Gershwins „Summertime“ wie eine dubbige Club-Reduktion klingt, die zu einem Grace Jones Stück der Nightclubbing-Ära hätte passen können. Tracks wie „My Mistake“ und „Hellfire“ flirten mit House-Musik und zeigen, wie frech und glockig Qs Stimme sein kann, wenn sie sich richtig austobt, während „Don't Let Go“ wie eine bombastische Radiosingle klingt, die Cher vor einigen Jahrzehnten hätte veröffentlichen können. Andere Songs wie „Bang Bang“ und „I See Your Eyes“ sind von einer gitarrenbetonten Alt-Rock-Sensibilität, die in einem Paralleluniversum auch auf MTVs 120 Minutes Show hätte laufen können. „Goodbye Horses“ verkörpert das Potenzial für so viele verschiedene Arten von Karrieren, die, aus welchen Gründen auch immer, nie vollständig verwirklicht wurden. Dass wir jetzt diese Songs in der Welt haben und ein klareres Bild von der Person dahinter, ist nichts weniger als ein Segen.

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22,27
B.AI - Hope

B.AI

Hope

12inchMOTIVATION01
Motivation
21.02.2025

Since launching her own club night, “Motivation,” back in 2018, B.AI has played a key role in bringing the underground’s club sounds to her home country, China. While introducing some of the scene's most exciting artists to her local audiences, she emerged as one to look out for as well: first as a DJ and quickly thereafter as a producer. Her original takes – a sensitive, highly personal approach to melody and a knack for playing with expectations – crystallized in a slew of A+ releases and a couple of international tours. This trajectory, shaped by taking matters into her own hands and self-empowerment, now sees a logical next step, with the inception of a label that will also operate under the “Motivation” banner and features her own “Hope” EP as its first release.

Sparkling mallets, with synth-pop quality catchiness, open the title track. Rather than further evolving, their two-bar arrangement gets looped over and again, serving as the foundation for a slick FM bass rhythm and a variety of hooks. Although these incline to the bright, the overall vibe is melancholic. In vintage B.AI style, the aptly titled “Hope” is more ambiguous than its patches suggest. Similarly, the vocal this type of palette would call for ultimately comes in the form of aloof, covert musings. A bit buried in the mix, they are most efficient – just like the tension that keeps brooding underneath the surface.

“Murderbot Diaries 1991” turbocharges four-to-the-floor synthetic drums with an arpeggiated rolling bass. The blue note melody on top feels sequenced via a pocket calculator, and the dissonant, electroclash-reminiscent stabs that follow might sound even more angular. The tune is frantic, sinister – and perhaps above all tongue in cheek. It reaches fever pitch with the arrival of a tubular bell theme between the two breaks.

“Once”’s slomo cutoff modulation on the 16th note mid-bass instantly creates a sultry atmosphere that meshes greatly with the pastel cool of the gently delayed DX7 leads. The energy drifts between effortless control and uncertain outcome. These contrasts are amplified as the drums alternate amidst moderation and beat-repeat rendered havoc.

On “Only We Know,” a progressive sine lead lays out the central motif. Yet as briskly as it appears, it makes way for detuned, gliding square waves taking on the same theme. This outlines the track’s structure: as slightly morphed repetitions keep getting introduced almost haphazardly, a dreamlike, mesmerizing ambience unfolds. Techy drum rhythms and a 101-type bass make sure everything stays fuelled. Within the ingenious tapestry of melodies and new twists, it never loses touch with the dance floor. It illustrates B.AI’s club savvy neatly and is therefore a perfect closer for this EP.

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13,99
Cali Lanauze - Borderline EP

Cali Lanauze makes label debut on Crosstown Rebels with his ‘Borderline’ EP.

The three-tracker, landing on 14th February 2025, features a first-time collaboration with Cari Golden alongside two solo cuts.

Hailing from the vibrant shores of San Juan, Puerto Rico, Cali Lanauze has spent over a decade carving out his space in the global electronic scene. A trailblazer since his teens, Cali’s rich, eclectic grooves reflect both his Caribbean roots and his deep connection to underground music. Now, with his debut on Damian Lazarus’ Crosstown Rebels, he follows an impressive outing via sister label Rebellion with his ‘Borderline’ EP, cementing his position as one of his nation’s finest electronic exports.

The title track sees Cali team up with LA-based singer/songwriter Cari Golden, whose credits include collaborations with Groove Armada, Camelphat, Anja Schneider, Audiofly, and more. Having debuted on Crosstown Rebels with Fur Coat on ‘You and I’, Cari’s second appearance sees her soulful, evocative vocals intertwine effortlessly with Cali’s melancholic yet uplifting production. On the flip, Cali showcases his solo prowess. ‘Temple of Confessions’ takes listeners on a hypnotic journey with trippy grooves inspired by the otherworldly energy of Hï Ibiza’s Club Room, while ‘Talk To My People’ delivers a heady mix capturing the essence of his dynamic artistry.

Cali’s journey from a young producer in Puerto Rico has welcomed releases on labels like Flying Circus, Visionquest, and My Favorite Robot, garnering support from legends such as Carl Cox, Radio Slave, and DJ Sneak. Curating groundbreaking events in Puerto Rico, gracing iconic venues like Hï Ibiza and Brooklyn Mirage, and heading up his own label, Opulenc, Launauze has created a platform for his innovations and genre-spanning productions.

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13,66
Odd Occasion - JUKEBOX

Dubstep and garage pushers Hotflush make a surefooted return, welcoming Perth producer Odd Occasion to their roster with an al dente next-gen garage cookoff. This 'Jukebox' offers six choices to the discerning listener, though you'd be hard-pressed to find a pub owner who'll take them on in toto - unless the landlords happen to be real heads, that is! All's well that this is a machine with niche appeal, with its formal calculations and dark contusions tempting fans of all things bass-led. Though the record begins on a volatile yet minimal note, the A3 'Simple' takes a glassy dubstep turn, virtifying the mix with hollow sound design and a stealthy grime vocal sample. The B-side betrays a sacrifice of genre focus, with 'Salt' bringing brutal trade zone techno via experimental trap sound design, and 'Tape' progressing through tender zithers, which help uptick the mix to reach a snappy folktronic finish.

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15,08
Lucas Moss - Prelude (Nu Zau & Vlad Arapasu Remix)

We are very excited to present our first release "Prelude" RU001. This exceptional record marks the beginning of a new era in minimal electronic music, fusing the creativity of Lucas Moss with the unique interpretations of Vlad Arapasu and Nu Zau. "Prelude” is more than an album; it is a testament to our commitment to change and evolution in musical culture. This journey of original sounds reveals our vision of embracing art in all its forms, contributing to a cultural change on a global level. On the two original tracks by Lucas Moss, we explore the depths of change and transformation. Vlad Arapasu brings his unique perspective with a remix that captivates, while Nu Zau features a vibrant and joyful remix that redraws the boundaries of the dancefloor. “Prelude" symbolises a trip where change and purification can be achieved by bringing just a little bit of light into the darkness. The vocals symbolize the intuition we all have but which is sometimes dormant. Cumacanga express our shadows; we recognize that without them, the light would not shine as brightly. This release is our call for change, innovation and the continued support of art in all its forms. Join us on this journey, where minimal electronic music becomes the way to transcend barriers and create a permanent impact on the world of art. Together, we start the journey with "Prelude" RU001, and this is just the beginning...

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15,08
Johnmon - Abrupt Chaos EP

Johnmon

Abrupt Chaos EP

12inchPWRLDR03
PWRLDR Records
14.02.2025

Powerloader Records returns from the graveyard. Serving spooky tunes that will gather all ghouls ’n ghosts onto those dusty, haunted dance­oors. Turn into a freak to the A side, get romantic to Glass Skin or just show them what kind of ghoul you are.

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13,87
Charlotte de Witte - Formula EP

Charlotte de Witte

Formula EP

12inchKNTXT010
KNTXT
14.02.2025

Repress!

Just six months after her huge Rave On Time EP, Charlotte de Witte is back on her own KNTXT label with another standout release featuring three thrilling new tracks.

Despite the global pandemic, Charlotte did not let up in 2020. Her label continued to serve up techno from the cutting edge, she held down various high profile streams during lockdown and also got voted as the World's Number 1 DJ by DJ Mag's Alternative Top 100 poll. After picking up the Best Producer title at the Red Bull Elektropedia Awards, her Selected EP picked up the silver medal in the Best EP category and she was awarded bronze in the Artist of the Year category. She ended the year with a spectacular set on the virtual Main Stage of Tomorrowland on New Year’s Eve and now races out of the blocks with yet another vital EP.

Says Charlotte, "I've always been fascinated by the high adrenaline racing world. Rapid movements, living in the moment, racing through life, eyes on the future. As far as concepts go for an EP, this is one of my favourite ones so far."

That plays out across the electrifying tracks, starting with ‘Doppler,' a heavyweight techno weapon with shuffling drums and urgent alarm like synths shooting over the bulky groove. It's one to keep you on edge as the strobes flash on a vast dance floor. 'RPM' ups the ante further with blistering acid lines flashing about the mix. Rooted drums roll on in unrelenting fashion and a lead synth takes you down a deep, dark rabbit hole. 'Formula' then rounds out in urgent fashion with the sound of revving engines, hammering hits and haunting melodic loops all making for a vast and vital wall of techno sound.

With this arresting and powerful new EP, Charlotte de Witte once again remains in techno's pole position.

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15,76
BLAWAN - BOUQ

BLAWAN

BOUQ

12inchXL1498T
XL Recordings
14.02.2025

Blawan returns with ‘BouQ’, the follow-up to his acclaimed 2023 “Dismantled Into Juice” EP; one that was heralded by Pitchfork as “dazzling… part of a long, proud tradition of UK club tracks that turn the dancefloor on its ear” and Resident Advisor as “mind-melting… truly unchartered territory.” “Fires”, the first single revealed from his freshly-announced new EP, has received global support from the likes of Four Tet and Skrillex over the summer, and sees Blawan push his distorted, syncopated productions into a new broken-pop lane, his own vocal creating an intense, visceral hook that rips through the track's multi-layered, pulsing beats.



a A1 NPCs Making Hot Dinner 2m 35s
b A2 Fires 3m 39s
[c] B1 Done Eclipse [3m 30s]
[3m 23s]

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13,03
Aniano - Una Serie De Crimenes Sonoros

Círculo Cerrado welcomes its first sub-label, E.T.D.G., where sound becomes a story.

Aniano invites you to an immersive auditory experience with Una Serie de Crímenes Sonoros. This first concept EP, weaving between fiction and reality, is predominantly driven by Techno, following the sonic direction previously explored in El Terror De Gáldar on Time To Panic. Naturally, it also features the hints of Electro and Minimal that have become hallmarks of Aniano’s music.

The record’s mysterious and spatial atmospheres draw heavily from 1980s sci-fi cinema and retro video game aesthetics. Rhythms from the iconic TR-909 and intricate synth work from the Nord Lead 2 crown this 12-inch release.

More than just a collection of tracks, Una Serie de Crímenes Sonoros is an exploration of human darkness through electronic soundscapes—a must-have for collectors of conceptual and boundary-pushing music.

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13,40
Various - The Special Request Volume 1 (2x12")

These are all tracks that were available digitally as part of the artists single sales, and that people wanted us to press on vinyl. This is a very limited album, and like all Kniteforce White, it will never be repressed. It comes on glorious clear blue vinyl.

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29,62
Aric - I Love Your Love

Lost tracks don’t stay lost forever. Running Back is proud to present the reissue of Aric’s I Love Your Love – a long-forgotten gem from the good-time party days of the early dance era. Originally created in the spirit of celebration and groove, these tracks disappeared into obscurity until a few dedicated DJs and dancers across the globe began bringing them back to life.

When Elado stumbled upon the songs and saw the magic they still held for modern dancefloors, he tracked down Aric – now better known as Dr. Aric, a paediatric public health professional – to bring the music back to the world. What followed was a journey through memory, music, and rediscovery.

The result is here: the original cuts, plus fresh remixes from Elado, Pete Blaker, and Gerd Janson. Nostalgia meets new energy, and the dancefloor wins again.

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13,24
DEMO DC - MEIOSISTOSIS EP PT 1

Welcome to the kickoff of DemoDc's 5-EP series, where he reflects on the complexities of our times. Coining "Meiosistosis" from mitosis and meiosis, DemoDc creates a unique vocabulary to express his deep perspective. Released through Heart Heart Records, the music follows a non-linear, cyclic journey, with each track standing independently, guiding listeners through an evolving experience.

"A1 - Awake" opens the series, celebrating those brave enough to face their flaws in a world of false promises. With introspective melodies and harmonies, the track encourages self-discovery and reflection, urging listeners to seek their own truths.

"A2 - Not From Around Here" embraces individuality, using its ethereal tones to highlight the strength found in being different and celebrating the alien within us all.

"B1 - Glimpsed (Original Mix)" offers a brief taste of the profound mysteries of the present, reminding us that truth is personal and elusive.

"B2 - Glimpsed (Metapattern Mix)" the remix by Berlin's Metapattern transforms the original track into a deep, pulsating techno piece perfect for DJs, adding a powerful twist to this captivating musical journey.

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13,03
7th Voyage - The Return Voyage

7Th Voyage

The Return Voyage

2x12inchPRTR35
Pariter
11.02.2025

Founded by Matt Hodgson in the mid 90s, 7th Voyage quickly became a cult imprint.
 Despite a modest catalogue, the label earned a devoted following among vinyl collectors. Revered for its raw energy and timeless quality, these records have become treasured, often commanding hundreds of euros on the second hand market - some of the rarest electro tracks out there for those who know…

London based Hodgson, a passionate music lover and vinyl purist, poured his heart and soul into every release, crafting records that resonated deeply within London’s underground scene of the 90s. Following the recent reissue on Sushitech, Matt and Yossi have joined forces to present a
retrospective 7th Voyage release on Pariter, a label sharing a natural synergy with the ethos of 7th Voyage, this release honours the legacy of Matt’s work while breathing new life into these rare and sought-after tracks.

‘The Return Voyage’ is a carefully curated compilation of seven standout tracks from the label’s back catalogue, encapsulating its signature sound and unique musical journey.

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20,97
Biffy Clyro - Opposite / Victory Over The Sun LP

To celebrate the 10th anniversary of Biffy Cyro’s sixth studio album ‘Opposites’, the band are releasing the four EPs from the era ‘Black Chandelier/Biblical’ and ‘Opposite/Victory Over The Sun’ on vinyl for the very first time. These LPs will also be the first 12” to be pressed on sustainable ‘BioVinyl’ material globally by WMG. BioVinyl is an innovative product using bio-based PVC in the production process, without losing any of the acoustic quality of a conventional vinyl record. This release features the singles ‘Opposite’ and ‘Victory Over The Sun’.

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15,34
Howie Lee - At The Drolma Wesel-Ling Monastery

Beijing-based artist/producer Howie Lee interprets Tibetan Buddhist chants on his new album 'At The Drolma Wesel-Ling Monastery', the follow up to 2021's critically acclaimed 'Birdy Island'.

Recorded over two weeks at Drolma Wesel-Ling Monastery in the mountains of north-eastern Tibet, Beijing-based multi-disciplinary artist/producer, Howie Lee combines Tibetan Vajrayana Buddhist singing with Kode9-channeling bass/footwork science, glitched-out hyper-rhythms and sampled Chinese-Tibetan instrumentation for his latest album on Mais Um.

Invited to contribute and interpret chant recordings from the sound archive of monastery founder and master, Tuga Rinpoche's self-built recording studio, Howie Lee connects parallels in electronic music, deep meditation and devotional chanting to present eight reconstructed, IDM-warpedVajrayanamantras, journaling the beginnings of his journey into buddhism, and to continue Lee's career-long threading of ancient, cross-generational practice, modern Chinese history and experimental club-futurism.

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23,49
Various - Basement Grooves Vol. 3

After the big success of Call Edan , Sounds Better collective comes back with 4 banger tracks from the crew Pop Panic , Aut Zebel , DJ GLC and G PUNX. Mix of 2000's vibes with electro and uk tech house , absolutely don't miss limited copies!

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13,99
Dominik Eulberg - Diorama 2x12"

2025 Repress

Nach seiner "Heimischen Gefilde" CD vor zwei Jahren auf TRAUM, die den Preis der deutschen
Schallplatten Kritik gewann und als erste CD mit Moderation in die Techno-Geschichte einging, hat Eulberg
jetzt mit klarem Ziel vor Augen ein Album geschrieben, bei dem er alle Facetten elektronischer Musik ins
Visier genommen hat.
"Diorma" ist somit wieder etwas völlig eigenständiges und neues, eine Rückführung in den Urzustand
Eulbergscher Klangkunst und das mit höchstem Anspruch und zeitgemäßem Sound-Kolorit
Played by... Monika Kruse, Sebastien Leger, Gregor Tresher, DJ Sasha, Mauro Picotto, Alexi Delano, Ryan Davis, Marc Marzenit, Max Cooper, Morris Cowan, Steve Lawler, Fra Soler, Mihalis Safras, Igor Tchkotoua (pig and dan), Paco Osuna, Sebbo Suckfuell, Ekkohaus, Deepgroove, Tom Wax, Alland Byallo,
Grünbox, Scott Byrne, Axel Bartsch, SQL, Taster Peter, Goldfish & Der Dulz, Intu:itiv, Beatamines, Freska, Zidan, Sebastian Russell

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26,85
Various - DIG003 Various

***** AUGMENTED REALITY COVER *****

For the third release on Dust In Grooves, Olivia Mendez curates a compilation EP that honours the boundary pushing spirit of the vinyl-only imprint and presents a collection of mind bending tracks by emerging and established techno producers. The first VA instalment on DIG showcases adventurous, challenging, and dynamic cuts while maintaining the groovy and raw signature sound of the label. Bridging the analog format with a forward thinking design is the animated cover created by visual artist Deniz Bicer, she is also known as Ojelibalon.

LKY - Bitter
Bitter by Manchester based producer LKY is a direct immersion in the atmospheric depths conveyed within a minimalistic tool track. With trippy loops and changing beats, this opener leaves a bitter taste of the sweaty, trance-infused 90s.

Deluka - R.A.W
R.A.W glistens with a mind-bending sound design, produced by the No Signal Records founder Deluka. He delivers a visceral, hypnotising track with quirky highs and stomping, rhythmic lows, captivating the attention all throughout the end.

Metapattern - Tamakotuma
On the B side, the relentlessly driving and layered Tamakotuma by Metapattern, beams with melting synths, intense rhythm and skewed melodies. After joining the Mord and HAYES families, Metapattern contributes a dynamic track with evolving retro-futuristic design, journeying across dimensions.

Dotdat - Take me to Detroit
An homage to the roots of timeless sound and community, Take me to Detroit by Dot Dat is a soothing dance-floor energy tamer, filled with melodic arpeggios and spacious drums. After his release on Truncate records, Dot Dat closes out the DIG VA with a slower-paced track, laced with classic synths.

Words by Lora Mateeva

Animation - Deniz Bicer
Master - Nihad Tule
Graphist - Ferdinand Prat

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14,08
Phatness - Fillerkiller (LP)

A beautiful strange beast suddenly spawning at the centre of the Studio Barnhus universe: Here comes Phatness, the mysterious side project of two Stockholm producers with connections to Trensum Tribe, Soft Pace, Otonos and other more or less shadowy institutions of Swedish soundsystem culture.
On their joint debut Fillerkiller, true-school junglist rhythmics scatter around in a glorious haze of sounds sourced from the most unexpected places. Fillerkiller arrives on 12’’ vinyl in early 2025, set to increase the momentum of any pre-, main or after parties in the near and far future.

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19,12
Paranoid London - Arseholes, Liars, and Electronic Pioneers LP 2x12"

repress !

Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously.

Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE.

Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted.

In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others.

As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.

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25,17
Various - Invaders - Floating Around in the Sun 1970-1974 LP

We are overjoyed to present this album, another one from our bucket list and another one to set the record straight and illuminate the history of another much loved, but until now mysterious group. The Invaders made some of our all time favorite records - back in 2013 we issued five 45’s of their brilliant, sometimes plaintive, sometimes hopeful and sweet early roots music. Their sound touches folk and gospel in lovely subtle ways that elevate them above the many harmony groups of the early roots reggae era. Since the start of DKR we were striving to learn more about the group - and despite being able to license a portion of their output for reissue, and get anecdotes about them here and there, we were never able to connect with the group themselves. But we never gave up asking about them, and finally in 2024 we were able to link with Delroy “Bongo Pat” Forde, the surviving member of the group. Unfortunately other Invader, Lloyd “Paddy” Campbell passed on several years back. To hear and learn their full story, you need to check out this album and read the liner notes. This 13 song LP corrals much of their output - some of the tracks we previously issued but have been long out of press, some more never before reissued, and some great related solo works by the duo. And to cap it all off we’ve added two new voicings on a couple of our favorite vintage rhythms, by Invader Bongo Pat himself, live in 2024, singing two Invaders songs written way back in the early 1970s but never recorded back then. All together this is a long overdue document of one of the 1970’s finest groups and one dear to our heart.

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27,69
STAVROZ - GOLD TOWN EP

Stavroz

GOLD TOWN EP

12inchMFV001
MOODFAMILY
05.02.2025

(repress on black vinyl, originally released in 2019) Supported by many deejays worldwide, most notably Solomun. Moodfamily's favourite four-piece returns home after many journeys. Impatient as we are, we had to hear their stories. Skilfully combining influences, sounds and experiences from east and west, they translated their stories into a new EP oozing with drama, melancholy and determination. The EP describes itself as the soundtrack for an adventure to mysterious outskirts around the globe, starting with 'Whale Parade'.



This prelude takes you to a hidden land after wandering through forests for many months. Guitar, piano and percussion gently move in and carry you away. By the second track, 'All Day I Zama', a slow beat dictated by a banket of percussion evolves to a vigorous and groovy track with moaning vocals as the main theme. In title track 'Gold Town' you will settle yourself in a covered wagon, heading for dodgy settlements on a misty mountain range, accompanied by a grieving trumpet. As the wagon slows to a crawl, 'Ghajar' emerges; a downtempo emotion-filled song, where the piano and a scorching synth interchange melodies and tales.

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10,88
Bash Man - Bash to Basics EP

Bash Man

Bash to Basics EP

12inchSTEPBACK007
Stepback Records
05.02.2025

Bash Mans ‘Bash to Basics’ EP marks a major milestone for Scotlands Underground Techno scene.

Edinburgh, Scotland - Stepback Records proudly announce the highly anticipated release of ‘Bash to Basics ‘ EP the debut 12” vinyl from Glasgows own BASH MAN, aka Jamie Morrison. Dropping on Jan 31st 2025, the records captures the essence of raw, unfiltered techno and embodies Bash Mans unwavering dedication to the underground music scene.

With previous digital releases on labels like Scott-Fear Es Posh End Music, and Tom Carruthers Non Stop Rhythm and Data Sync labels, Bash Man has already carved out a name in the dance music world. However, this 12’ release promises to be a transformative highlight, cementing his reputations a force to be reckoned with in the techno community.

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14,08
Dufi - Glow EP

Dufi

Glow EP

exclLMML23
Lowmoneymusiclove
04.02.2025

LowMoneyMusicLove is back, with a killer new record from Dufi. Created between Dublin and London and driven by the rich textures & glitches of hardware, it’s a deep yet fun exploration of the warmer ends of the party experience. A space filled with groove, emotion, and timeless dancefloor energy.

Fresh from successful releases on Small Moves and his own imprint, Nurture, Dufi brings a refined touch to this latest contribution. Big tip!

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10,46
Dr Packer - Different Strokes

Dr Packer

Different Strokes

12inchGLITS006
GLITTERBOX
31.01.2025

Ahead of a full-length album coming on Glitterbox Recordings, the king of disco re-edits Dr Packer presents four of his versions of soulful dancefloor favourites old and new, giving a flavour of what's to come from the LP. 'Different Strokes' kicks off with a re-rub of the MK-produced LaTrece 'I Want To Thank You', itself a house cover of Alicia Myer's soul classic from 1981. Dr Packer pulls back on the tempo, making way for keyboards that echo the vocal melody and enhanced percussion. Next, he remixes 'Still In Love' by Shuya Okino, a contemporary nu-disco classic with gorgeous string instrumentation and a tight guitar riff. In true Dr Packer style, his version has plenty of extra funk, fleshing out the bassline to suit a dynamic disco set. A remix of ATFC's 'Bad Habit' is next, again given the effortlessly laidback, groove-laden Dr Packer treatment. Finally it's Soul Rebel's 'I'll Be Good', a vocal house classic from the mid-noughties, reinterpreted masterfully for today's Glitterbox dancefloor.

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14,24
The Orb - Okie Dokie It's The Orb On Kom LP 2x12"

“Okie Dokie It´s The Orb On Kompakt“ is already the 13th album of one of Britian's most prized cult bands. We feel it's better that way, because the music of The Orb only has an intensive effect when taken in as a long playing full length. And it proves with this lovingly conjured collection of songs brought together like a collage. The first half of Okie Dokie showcase The Orb´s love for minimal Techno and Schaffel/Shuffle as it is so obviously present in the foreground, while the second half is only reserved to the classic Orb-ish ancestral domain. There are wonderful guest appearances by Schneider TM and Kompakt´s ambient-guru Ulf Lohmann. As many of you know, there is so much history about The Orb you could write a book. Since Jimmy Cauty and Alex Paterson, in the flush of euphoria invented Chill Out and Ambient House in the first summer of love 1988, an incredible amount of things have occurred. The following timeline should give you a rough idea. - Alex Paterson gives up his job as roadie for Killing Joke. - “A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld” is not only the record with the longest title of the world, but it also marks the departure into the new sonic worlds of post-Rave Ambient. - While Cauty goes different ways with The KLF, The Orb re-form themselves and have a big hit with Little Fluffy Clouds in 1990. - The debut album “The Orb´s Adventures Beyond The Ultraworld“ hits the Top 30 in England. - The Orb produce “Higher Than the Sun“ for Primal Scream. - The Orb perform “Blue Room“ as chess-playing aliens at Top Of The Pops. Everything goes. - “Blue Room“ clocking in at 39:58 minutes goes into music-history as the longest time for a chart single ever. - The Orb achieve great success in Glastonbury '92 + '93. - The Copenhagen double concert “to the sunrise and sunset” is eternalized on record: “Live 93“ - Previously a floating member of The Orb, Thomas Felmann becomes a fix member in 1997 - No joke: Robbie Williams takes part of The Orb for a short time. The collaboration “I started A Joke“ is released on a benefit compilation - After 2002 The Orb found with Kompakt a new ambient-loving partner and release a row of singles and play live, as the trimmed-down version as Le Petit Orb. And one more for the extra hush-hush: The Orbs first album “A Huge Ever Growing Pulsating Brain...” was actually a Kompakt release. You can check it out. Besides the actual label Wau! Mr. Modo you can read... Kompakt Discos. Ha!!
Mit „Okie Dokie It´s The Orb On Kompakt“ liegt nun das circa 13. Album der britischen Kultband vor. Das ist gut so, denn The Orb's Musik wirkt eigentlich erst im Longplay-Format so richtig intensiv. Die Stücke sind, wie man das von ihnen kennt, liebevoll collagenhaft miteinander verwoben. In der ersten Hälfte tritt The Orb's Liebe zu Minimaltechno und Schaffel in den Vordergrund, während die zweite Hälfte ausschliesslich der Orbschen Ur-Domäne Ambient vorbehalten ist. Es gibt wunderbare Gastauftritte, wie etwa Schneider TM und Kompakt's Ambient-Guru Ulf Lohmann. Zur Geschichte von The Orb könnte man ganze Bücher schreiben, denn seit Jimmy Cauty und Alex Paterson im Rausch der Euphorie des ersten Summer of Love anno 1988 Chill Out und Ambient House erfunden haben ist viel passiert. Extrem viel. Die folgende Auflistung soll einen ungefähren Eindruck davon vermitteln. -Paterson hängt seinen Job als Roadie für Killing Joke an den Nagel -„A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld“ ist nicht nur bis dato die Platte mit dem längsten Titel der Welt sondern markiert den Aufbruch in die neuen sonischen Welten des Post-Rave Ambient. - Während Cauty mit The KLF andere Wege geht, reformieren sich The Orb und landen 1990 mit “Little Fluffy Clouds“ einen Riesenhit. -Das Albumdebut “The Orb's Adventures Beyond The Ultraworld“ geht Top30 in England -The Orb produzieren „Higher Than The Sun“ für Primal Scream -The Orb performen „Blue Room“ als schachspielende Aliens verkleidet bei Top Of The Pops. Alles geht. -“Blue Room“ geht mit 39.58 Minuten als längste Chart-Single ever in die Musikgeschichte ein - The Orb legen 92 + 93 Glastonbury flach - Ein Copenhagener Doppelkonzert zum Sonnenauf- und Untergang wird auf Platte verewigt: „Live 93“ - Bisheriges „floating member“ Thomas Fehlmann wird 1997 festes Mitglied - Ohne Scheiss: Robbie Williams wird für kurze Zeit The Orb-Bestandteil. Die Kollaboration „I Started A Joke“ erscheint auf einer Benefiz-Kompilation. - Ab 2002 finden The Orb mit Kompakt einen neuen ambientverliebten Partner und veröffentlichen eine Reihe wunderbarer Maxis und treten live, vornehmlich in abgespeckter Form als Le Petit Orb in aller Herren Länder auf. Ein kleiner Treppenwitz am Rande für Erbsenzähler : Schon The Orb's erste Platte („A Huge Ever Growing Pulsating Brain...“) war eigentlich eine Kompakt-Veröffentlichung. Ihr könnt nachschauen. Neben dem eigentlichen Label Wau! Mr. Modo stand nämlich folgendes ...Kompakt Discos. Ha!

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23,49
Tony Iommi - Fused LP 2x12"

Tony Iommi ist ein englischer Musiker. Er war Mitbegründer der bahnbrechenden Heavy-Metal-Band Black Sabbath und war über fünf Jahrzehnte lang Gitarrist, Bandleader, Hauptkomponist und einziges ununterbrochenes Bandmitglied der Band. Er gilt als einer der Wegbereiter und Pioniere der Heavy-Metal-Musik und hat zahlreiche Subgenres des Metal inspiriert. Er gilt weithin als einer der größten Rockgitarristen aller Zeiten. Iommi hat eine Reihe von Preisen gewonnen. Dazu gehören Q Awards, Kerrang! Awards sowie drei Grammy Awards, die er als Mitglied von Black Sabbath gewonnen hat. Glenn Hughes ist ein englischer Musiker, der vor allem als Bassist und Sänger in der Hardrock-Band Trapeze und in den Mk. III- und IV-Besetzungen von Deep Purple bekannt ist. Außerdem war er Mitte der 1980er Jahre kurzzeitig Frontmann von Black Sabbath. Neben seiner Tätigkeit als aktiver Sessionmusiker verfolgt Hughes auch eine bemerkenswerte Solokarriere. Derzeit ist er Frontmann der Supergruppe Black Country Communion und war von 2013 bis 2015 Frontmann von California Breed und von 2019 bis 2023 Frontmann von The Dead Daisies. 2016 wurde Hughes als Mitglied von Deep Purple in die Rock and Roll Hall of Fame aufgenommen. Dies ist eine Neuauflage des zweiten Soloalbums des legendären Black Sabbath-Gitarristen Tony Iommi, das ursprünglich 2005 veröffentlicht wurde. Das Album enthält auch Gesang und Bassgitarre des ehemaligen Sabbath-Frontmanns Glenn Hughes. Diese Veröffentlichung enthält 3 Bonustracks.

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34,41
ADRIAN MARTH - LABYRINTH MIND EP

Schrödinger’s Box welcome Catalonia’s Adrian Marth into the fold. The Iberian artist has been drawing crowds and turning heads with his analogue inspired productions and dancefloor inhibitions.

This five tracker sees the Italo Moderni founder explore the glittering angles and brooding shadows of his machines. The punishing percussion and beaming laser lights of “Labyrinth Mind” give way to the tumbling drums and racing synthlines of the addictive “Sex Tonight.” The flip opens with the sleazy grandeur of “Beverly Hills”, looming melodies and retro flourishes combine in this operatic ode to the 1980s. Speaking of the 80s, the inspiration for the penultimate comes from a figure who symbolised the bombastic bravado of the era. “Divine on the Late Show 88” is a tribute to the Pink Flamingos legend, beats sparkle as her sequenced dresses and larger-than-life attitude screams into the present. Danny Wolfers takes the helm to close. Donning his familiar Legowelt moniker, the behemoth of all thing electronics delivers a saturated and spiralling rework of “Divine on the Late Show 88” to the close.

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13,03
ALBERTO MELLONI - LAGO LUNGO EP

The multi-faceted and multi-talented Alberto Melloni returns once more to Bordello A Parigi to unveil his musical multi-verse. “Lago Lungo”, the title piece, sets the tone for the quartet of tracks. Steady kicks thud next fizzing hi-hats as a rich and full-bodied piano melody takes hold, Melloni’s instrumentation creating sheer peaks and creamy amber plains. “Promised Land” offers a different audio topography. Key stabs are bolstered by incising beats as a late-night italo infused romp undulates from speaker cones. Underscoring the EP are influences from both disco and house, sun-kissed chords countered by textured percussion. These twin inspirations combine in the groove laden “Paradise Pie”. Clean notes are refracted in neon, undercurrents of acid lurking just below the vibrating hardwood floor. The mirrorball takes the limelight for the finale. Breathy, smokey vocals orbit funk dipped lines of “Only You”, warbling vocoders dancing under the glittering beams to the close.

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13,40
Various - PARANOID

Various

PARANOID

12inchIZVA006
Interzeak
31.01.2025

Glad to present you this hard industrial techno vinyl called PARANOID, with a fast (160 to 170bpm approx.), hard, raw and industrial techno, with talented artists from the Netherlands, Germany and Russia.

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17,61
Quiroga - French Kiss

Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.

Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.

The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.

'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms.

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14,08
Callisto - True Nature Unfolds LP 2x12"

Celebrating the 20th anniversary of Callisto's impactful debut album, Svart Records is proud to bring it to you for the first time ever on wax! Callisto is a post-metal band from Turku, Finland formed in 2001. They've headlined several tours in Europe, opened for High On Fire on their UK tour, and showcased in Canada and the United States. Whilst their early works are hardcore and metal, the debut album True Nature Unfolds has a strong sludge metal and doom influence. It was recorded in 2004 by the late Mieszko Talarczyk (Nasum) and introduced to Earache Records a year later through Johannes Persson (Cult Of Luna), earning the band worldwide distribution. True Nature Unfolds was originally released only on CD in 2004 by Fullsteam Records in Finland and Earache Records in the US and UK a year later. The album delivers a breathtaking mix of atmospheric soundscapes, heavy riffs, and haunting melodies. Each track invites you on an emotional journey, blending post-metal intensity with introspective lyricism. Don’t miss this powerful musical experience—let the journey begin! The 20th anniversary edition of True Nature Unfolds is presented on double vinyl in a glorious gatefold cover, with new album art by the band's drummer Ariel Björklund. Available versions are the Svart exclusive green/red/black marble vinyl, limited golden yellow vinyl, and classic black vinyl. Release date December 13th, 2024.

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34,41
TWICE AS NICE - OVERTURE

Embark on a timeless musical journey: "Overture", one of the most iconic works from the golden era of progressive trance, is making a grand return.

Released in 1999, this Dutch masterpiece quickly established itself as a quintessential classic, starting in Belgium before taking dance floors across the globe by storm. A resounding success, played not only by club and trance DJs but also by those with a broader musical range, "Overture" is a track with a unique aura. Over 25 years after its release, it continues to electrify retro parties and remains an elegant, timeless standard.

To celebrate this legendary track, we are proud to present a special reissue, elevated by an exceptional remix from the talented Maxim Lany, the mind behind the iconic hit "Renaissance". The Belgian DJ and producer, renowned for reimagining classics with his modern touch, delivers a 2025 version that will resonate with both nostalgic fans and a new generation of listeners.

Maxim Lany shares:

"Reworking this epic classic has been an exciting creative journey. Inspired by the depth of the vocals and the power of the original strings, I set out to transform this track into a version worthy of 2025's dance floors while staying true to its timeless essence."

This exclusive vinyl release is a must-have for collectors, progressive trance enthusiasts, and DJs seeking a centerpiece for their collection. And as always, the Serious Beats touch ensures the original has been fully remastered to deliver an incredible sound, especially for vinyl purists.

Don't miss this chance to relive history while looking to the future. Act fast before it's too late!

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16,77
The Snuts - W.L. LP

The Snuts

W.L. LP

12inch0190295059798
Parlophone
28.01.2025

After a ferocious start to 2020, which saw the band land a top 15 album chart position with their debut Mixtape EP, a #1 spot on the UK vinyl chart, #1 in the Scottish album charts, an appearance and sync in a UK-wide multimillion pound Strongbow ad campaign, FIFA21 soundtrack sync and over 30 million streams, The Snuts have announced their raucous, hook laden debut album, W.L. – out 2nd April on Parlophone Records.

The campaign has gone from strength to strength with the band amassing over 100,000 social followers and daytime support from Radio 1 as well as creating an incredible heartfelt video for single Somebody Loves You in partnership with The Scottish Refugee Council with the video’s production budget and all proceeds from downloads of the track going to the charity.

Adored up and down the country for their uninhibited, sweat-drenched live shows, the band have also announced a UK tour for the end of 2021 – totalling over 30,000 tickets including 3 sold out nights at the legendary Barrowland Ballroom in Glasgow with tickets selling out for that and multiple other dates on the tour in minutes.

Hailing from Whitburn, West Lothian, The Snuts have well and truly found their stride on W.L.. Produced by Tony Hoffer (Beck, Phoenix, M83) and recorded at the Firepit London, the album encapsulates the band’s journey from four working class kids growing up with a dream in Whitburn, to becoming one of the UK’s most exciting and vital bands of the new decade. The album opens with the poignant ‘Top Deck’, winding through a voyage of genres including the raw, rousing, hip-hop driven ‘Elephants, heart-wrenchingly honest ‘Boardwalk’, the undeniable pop banger ‘Somebody Loves You’, the hauntingly heartfelt anthem ‘Always’ and the main stage festival ready hymn, ‘All Your Friends’.

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27,69
KHRUANGBIN - Hasta El Cielo 12" + 7"

Globetrotting Texan trio Khruangbin are set to release ‘Hasta El Cielo’, the band’s glorious dub version of their second album ‘Con Todo El Mundo’. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.

The band’s exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won’t fnd this a surprising release. Dubs of tracks from their frst album ‘The Universe Smiles Upon You’ appeared on limited vinyl releases of ‘People Everywhere’ for Record Store Day 2016 and ‘Zionsville’ on the Boogie Futuro remix 12”. The especially eagle-eared willhave caught a dub of ‘Two Fish And An Elephant’ playing over the credits of the track’s celebrated video.

“For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The frst dub albums we listened to were records mixed by Scientist featuring the music of the Rootsb Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo.”- Khruangbin.

Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018’s follow up ‘Con Todo El Mundo’, which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.

Since the album’s release, the band have continued their almost non-stop approach to touring, playing over 130 dates in 2018 alone. They return to the UK this summer for festival shows at Green Man, Latitude, Mostly Jazz, Funk & Soul Festival and Barclaycard British Summer Time.

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27,31
Mary Halvorson - Cloudward LP

Mary Halvorson

Cloudward LP

12inch0075597902334
NONESUCH
28.01.2025

‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise

‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times

‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut

Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.

Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.

“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”

The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”

Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

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33,57
Trentemöller - Into The Great Wide Yonder 2x12"

2025 Repress

Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create

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20,13
Avatarium - Between You, God, The Devil and The Dead (LP)

Als Meister des melancholischen Heavy Metal sind Avatarium seit 2013 eine einzigartige und beeindruckende musikalische Kraft. Ursprünglich als außerschulisches Projekt der Candlemass-Legende Leif Edling gegründet, haben sich die Stockholmer Doom-Ausreißer seither weit über ihre Wurzeln hinaus entwickelt und sind zu einer der kreativsten Hardrock-Bands des Planeten geworden. Unter der Leitung ihrer Lebenspartner, der Sängerin Jennie-Ann Smith und dem Gitarristen Marcus Jidell, haben Avatarium ihren einzigartigen Weg fortgesetzt und sind auf diesem Weg noch stärker geworden. Vom gefeierten Doom-Purismus ihres selbstbetitelten Debüts bis hin zum detailreichen Rock-Genuss von "Death, Where Is Your Sting?" aus dem Jahr 2022 war jedes Kapitel der Bandgeschichte ein Maßstab für Substanz und Seele in der Heavy-Musik.
Am 24. Januar 2025 veröffentlichen die Schweden nun ihr sechstes Studioalbum, "Between You, God, The Devil & The Dead". Wie bei jedem ihrer vorherigen fünf Alben offenbart das neue Werk bisher unbekannte Schattierungen und Texturen in ihrem klassischen, aber formbaren Sound. Voller gigantischer Riffs und erstaunlicher Melodien, ist "Between You, God, The Devil & The Dead" in den letzten 18 Monaten gereift. Das Album wird auf drei verschiedenen und limitierten Vinyls, als CD-Jewelcase und als limitierte Doppel-CD-Earbook-Edition, mit 36 Seiten exklusivem Inhalt erhältlich sein.

Limitierte orange/weiße Vinyl, in einer Kastentasche mit rauer Haptik und einem glänzendem Silberlack auf Vorder- und Rückseite! Limitiert auf 800 Einheiten.

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27,31
THE WAILERS - Back Out / Can't You See

Jamwax Records proudly presents this historic reissue, featuring two timeless tracks from The Wailers’ legendary album The Best of The Wailers: "Can't You See" and "Back Out". While these songs have long been cherished as classics, this marks the first time they have ever been available on a 7-inch vinyl single. Even though some books about Bob Marley & The Wailers list them as having been released on 7-inch, I have never seen a copy for sale.

Produced by the visionary Leslie Kong with co-producer Warwick Lyn, the album captures The Wailers at their soulful, raw best. These songs predate the group’s later partnership with Lee Perry and Island Records, offering a purer, more unembellished sound. The harmonies are flawless, the arrangements simple yet deeply powerful, and the performances utterly timeless. "Back Out" highlights Bob Marley's unmistakable voice, brimming with the confidence and charisma that would later make him a global icon. Bunny Wailer and Peter Tosh's harmonies add depth to a track that perfectly embodies the spirit of early reggae. "Can't You See" showcases Peter Tosh on lead vocals, supported by the sublime harmonies of Bob Marley and Bunny Wailer.
These recordings, crafted with a four-track setup and featuring some of Jamaica’s finest musicians—including Mickey ‘Boo’ Richards on drums, Jackie Jackson on bass, and Winston Wright on organ—are testament to a moment in time when reggae was still raw, revolutionary, and evolving.

Recorded at Dynamic Sounds Studios (Kingston, Jamaica), from 29th April until 19th May 1970.
Originally released on August 9th of 1971 by Beverley's Records, 135 b Orange Street, Kingston, Jamaica, West Indies.

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11,98
Multicast Dynamics - Soundtrack For Something That Does Not Exist LP 2x12"

Samuel van Dijk steps forward as Multicast Dynamics to present his next full length of mesmerizing deepness on A Walking Contradiction. As ever, when van Dijk puts on his Multicast Dynamics disguise, he abducts his listeners to places where breathtaking soundscapes and pitch black ambience take over. When you are in these imaginary places he creates a compelling story that is both exhilarating and soothing at the same time. Soundtrack for Something That Does Not Exist is nothing less. It's a journey across dark scapes and icy glitches, richly detailed with topnotch sound design that creates a spacious flow throughout. The subtle rhythms that appear once in a while show some overlap with recent VC-118A productions, which makes this a very complete piece of work that shows the excellence of a producer that never stops improving himself.

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25,42
Various - Inside Out 002

Various

Inside Out 002

12inchINSIDEOUT002
Inside Out
23.01.2025

Following Anna Kohlin & Basement Space’s bold split EP on her recently formed Inside Out imprint, the Stockholm native brings a smörgåsbord of delectable treats from fellow Swedes - Basement Space & Måns Glaeser, Eric OS, Baby Rollén and Anna Kohlin herself. 002 is packed with quirky dancefloor tones that span from Anna’s own inimitable techy-house sounds, through to the experimental melodics of Basement Space. Baby Rollén brings a dusty balearic track with moving pads and Eric OS dishes up a punchy club workout!

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11,35
Basic Need - Nocturnal

Basic Need

Nocturnal

12inchSNR14
Sisternoise
23.01.2025

We are excited to announce the release of "Nocturnal", the latest album from Basic Need, the collaborative project of electronic music veterans Alexi Delano and Pablo Sánchez. The 10-track album was recorded between Alexi’s studio in Stockholm and Pablo’s studio in Barcelona, with their signature blend of deep techno, immersive soundscapes and jazz improv approach.

With over three decades in the electronic music scene, Alexi Delano, a driving force in Sweden's electronic music scene, is known for his balance of minimalism, deep house and dark techno. Pablo Sánchez, one of Venezuela's top electronic music exports, has captivated global audiences with his versatile approach to music, combining dancefloor energy with left of field elements.

Together, they continue their artistic partnership under Basic Need, after several EP releases on Culprit, Hafendisko and Seven Villas Records among other labels.

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19,29
Ulrich Troyer - Transit Tribe MC (TAPE)

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!

Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. Mystica Tribe is the musical alias of Tokyo-based dub/techno producer Taka (Takafumi) Noda. He collaborated with Vienna's own Vegetable Orchestra on 2020's "Transplants (Mystica Tribe Version)". After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, vibraphone, marimba, djembe, contra-alto clarinet, melodica, Farfisa - all bound together by organic live-drums and dub effects.

Liner notes by Steve Barker

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14,92
Various - 13 LP VOL 2

Various

13 LP VOL 2

2x12inchDIAG050LP2
DIAGONAL
23.01.2025

Diagonal celebrates 13 years inbusinessvia a 4 x 12" run featuring label stalwarts and influential collaborators. This is LP2, the second in the series. Like LP1 before it, this 12" comes with a coloured, elastic H band. All four LPs will be accompanied by these meaning customers can combine the records and complete their own 4 x 12" set!

This plate welcomes Regis back tothe label he inspired into existence, this time turning his attention toPowell's "Nomad". The result is techno bliss! Streetwalker (Beau Wanzer & Elon Katz) offer up a gloomy ballad, StabUDown Productions, a label mainstay, delivers the beats we love him for. There's a gripping and unsettling DJ tool from Patino and a beat-fest from Novoline. DIAG050 LP2 has it all.

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27,69
Maur vs Dave Spoon - At Night

Maurvs.Dave Spoon

At Night

12inchTOOL1304
Toolroom Records
23.01.2025

Starting life as the most asked about ‘ID’ in Maur’s DJ sets during the Summer, to now finally being released on Toolroom, this stone-cold classic from 2006 gets an update from Maur. Maintaining much of the original vibe but adding their trademark big room melodic twist with bundles of energy. Already causing a huge stir at club level with Gorgon City, Danny Howard, Adam Beyer and Nicky Romero all providing early support. On the flip is the 2006 original in all its glory.

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14,71
Kit Sebastian - Melodi

Kit Sebastian

Melodi

12inchMRBLP227
Mr Bongo
21.01.2025

Follow-up album to cult-classic debut, Mantra Moderne.

‘Melodi’ is the second album from captivating duo Kit Sebastian (aka Kit Martin and Merve Erdem). Those familiar with the band's cult classic 2019 debut record 'Mantra Moderne' will instantly recognise their unique sound that blurs boundaries of world music, jazz and psychedelia. Not to be content replicating the same album, sonically the feel of ‘Melodi’ is a maturation. It is more diverse and provides glimpses into many different worlds from the Italian Riviera to the mountains of the Caucasus, the beaches of Bahia to the city streets of Istanbul and Paris. This joyous merging of soundscapes evokes a borderless planet with music as an international language, belonging everywhere and nowhere.

‘Melodi’ is imbued with Kit Sebastian's love of vintage records and world cinema, but it is not a retro homage. It celebrates its influences but is very much a modern record, being simultaneously brand new and retro. This is a credit to the duo's craft as musicians and songwriters, presenting their influences as a circular interaction between the present and the past rather than a linear one.

The music was written during the first UK lockdown and recorded that summer, a time of opening up that only briefly existed. In a world with a slower pace than before the Covid crisis, the band were able to spend more time experimenting in the studio. The album’s range of instrumentation has expanded from the previous record to include zithers, harpsichords, congas, bongos, bulbul tarang, and a mock-up choir on top of the synthesizers, balalaikas, organs, and saxophones. Session musicians and friends were also booked to introduce trumpet and string sections giving the album an added depth and orchestral texture. Despite the added complexity, the album was recorded using the same techniques employed for the previous album with various tape machines, bouncing back between cassette and ¼” tape for practicality and sonic abstraction. To pierce through this abstraction, the vocals are intentionally more expressive. Merve took cues from the Turkish singers of her youth, adding a slightly more melancholic, darker and more reflective style than 'Mantra Moderne’. Rooted in observations from everyday life, they speak often about the worlds and thoughts that arise from the end of the night.

Like with many of the best albums, the record seems over all too soon and has you instantly wanting to play it again. On each listen you decide on a track that you think is your favourite from the album only for it to be replaced with a different one on the next listen. The songs and production have hidden depths that seem to evolve and morph the more you devour them. Moments of pure pop, moments to fall in love, moments to contemplate. This journey is rich in musical vitamins and nourishment, but like all the best things still leaves you wanting more.

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25,63
Dominic Waxing Lyrical - Diminuet LP

RIYL: Sufjan Stevens, Pearls Before Swine, Richard Dawson, Incredible String Band, Scott Walker. When Dominic Harris started work on the follow up to 2017’s “Rural Tonic”, he had a different kind of landscape in mind than the bucolic inspiration he’d mined for that album and its predecessor (2013’s “Woodland Casual”). Instead it was nostalgia for winters of a youth (mis)spent in 90’s Berlin.

With a lucky find of a Hohner Guitaret, (a 1960s electric thumb piano), Harris began writing lyrics around its sparse and austere accompaniment. And after reconnecting with an old friend from Edinburgh, Ricky White, now living in the USA, the plan became clearer: a winter-journey to the rural Mid-West to write and record an LP. Convening in White’s new hometown of Bloomington IN, Harris would work each morning in the county library, the pair then venturing out on long, aimless drives down country roads before returning to put their ideas and conversation into music. With songs written over two weeks, Harris and White headed to a small studio space in a derelict strip mall in Indianapolis, to capture the album in as minimalistic a form as was fitting to the wintry feel of much of the music; glimmers of pedal steel and recorder shining out amid the dual acoustic guitars and piano arrangements. After the pandemic cut its swathe through all plans, the recording sessions decamped to Scotland.

By then Harris’s longtime collaborator Robert McFall had written string arrangements for each song, effortlessly capturing the spirit of the original vision whilst elevating each song towards the universal. Still there were the frosty hedgerows and abandoned factories of the rural Rust Belt. But also now the sandstone architecture and cobwebs of Edinburgh, and the cold grey of the Firth of Forth. Diminuet, the cover artwork showing a catheter transformed into a flower, captures that fragile moment where the world seems forever frozen in time, even as the Spring prepares to transform us all once again

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24,33
Yazmin Lacey - When the Sun Dips 90 Degrees

Back in stock soon !

First Word Records is very proud to present a brand new EP from Yazmin Lacey - 'When The Sun Dips 90 Degrees'.

This EP follows on from her two recent singles, '90 Degrees' and 'Something My Heart Trusts', both of which are included here, along with three previously unreleased tracks, 'Heaven', 'Body Needs Healing' and 'Burn & Rise'. This set illustrates again Yazmin's candid songwriting delivered in her uniquely laidback soulful style, whilst a glorious fusion of neo-soul and jazz performed by Pete Beardsworth and her trusty band rides throughout.

In recent times, Yazmin has made live appearances on Jazz FM, BBC Radio 4, 1Xtra and NTS, & received widespread acclaim across the airwaves, including BBC Radio 2, BBC 6 Music, Worldwide FM and Mi-Soul, plus Spotify love from the likes of The Independent and heavy support from DJs such as Gilles Peterson, Jamz Supernova, Tom Ravenscroft, Huey Morgan and Jamie Cullum. Yazmin appeared heavily in The Guardian / The Observer's recent extensive feature on the UK's new Jazz movement too.

Initially a Brownswood 'Future Bubbler' graduate, Yazmin self-released her debut EP, 'Black Moon', last year. This lead to a Maida Vale session late 2017 with Jordan Rakei, Moses Boyd, Oscar Jerome and now label-mates, Children of Zeus. She kicked off the year with a performance at the Worldwide Awards with Skinny Pelembe, and has recently done shows with artists such as Ezra Collective, Tall Black Guy and Fatima. Yazmin has a UK tour scheduled for later in the year, as well as several festival appearances across Europe locked in. There's a lot more to come from this Notts-based Londoner yet.

In Yazmin's words: "'90 Degrees' is about that time of the day / night when there's a shift in pace and energy. When you decide to lock off from the 'outside' world and create your own atmosphere, take some time to give thanks for what's breathing love into your life and smoke off the fuckeries. Everyone needs a little routine for self preservation."

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12,19
Sylvester - Dance (Disco Heat)

Repress!

LOUIE VEGA RE-IGNITES THE DISCO CLASSIC 'DANCE (DISCO HEAT)' BY SYLVESTER
Grammy awarding winning producer & 5 time Grammy nominated Louie Vega continues to send dance floors into a peak hour frenzy with his remixes of disco classics on Nervous Records. The inspiration to delve into masters from this era began when he started remixing masters from the SAM Records catalogue, which is owned by Nervous Records, and with whom Louie has a long history going back to Nervous' early 90's origins. Louie is that unique producer who has had success in multiple genres of music including House, R&B, & Freestyle and he has brought that talent to help re-ignite New York disco classics like Vicky D's "This Beat Is Mine" and Convertion's "Let's Do It" featuring Leroy Burgess, as well as charting topping disco hits from John Davis & The Monster Orchestra "Bourgie Bourgie" & "Up Jumped The Devil".
This time, Louie put his focus on a track outside of the SAM Records catalogue, and one that was an international disco hit that also crossed over to becoming a 1978 pop hit, namely Sylvester / Dance (Disco Heat). Using elements from the 1978 version and combining them with his own original musical and percussion contributions, along with new vocal performances from renowned singer Cindy Mizelle, Louie has refashioned and reignited this 39 year-old production into a 2018 club anthem.
This past year has seen Louie continue to fortify his position as one of the industry's most prolific producers. Remixes from his Grammy - nominated best dance album "Louie Vega Starring...XXVIII' have consistently sold out on its vinyl release and hit number 1 on charts on multiple digital platforms. 2018 will see collaborations with Kenny Dope under their legendary and world-renowned Masters At Work and Kenlou monikers, as well as co-productions with The Martinez Brothers and Joseph Capriati.
Louie along with Anané Vega recently created one of the summer's premier club destination at their Ibiza summer residency The Ritual with Anané & Louie Vega at Heart. He continues to cross the globe from Europe to South Africa to Asia and back as one of the world's most sought after DJ's, and incredibly is able to maintain a weekly radio show on WBLS for the last 8 years and his NYC residency at Cielo under The Roots NYC moniker for over 13 years.

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Pablo Bozzi - Fantasy

Pablo Bozzi

Fantasy

12inchDA038
Dischi Autunno
17.01.2025

DISCHI presents Pablo Bozzi's new EP, Fantasy. After releasing multiple singles, the Berlin-based producer and DJ is back with three fresh tracks. Saddle up and get ready to ride with Sunday Rodeo, opening the EP with upbeat bouncy bass, hard-hitting 90s synths and a piano-driven melody. On Fantasy, an alluring voice leads, accompanied by potent kicks and zesty lines, sprinkled with a touch of acid. Closing the EP is Siempre, a dreamy, gleaming synthwave journey scattered with distant yet intimate voice samples. Once again, Bozzi demonstrates his undeniable ability to get dancefloors moving.

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Jodey Kendrick - EDMZ1

This 12" contains the first sounds from EDM Z album, which will complete Jodey's 'Electric Dance Music' series. Very limited strictly no repress handstamped piece of Braindance. In the realms of imagination and creativity, there exists a man whose life is as diverse and eclectic as the beats he now produces. Born in the picturesque landscapes of Cornwall in 1953, Jodey Kendrick's journey began with the wind-swept cliffs as his backdrop and the crashing waves as his symphony. As a young lad, Jodey was drawn to the world of cinema. Inspired by the likes of Bruce Lee and Jackie Chan, he found solace in the art of martial arts and action-packed storytelling. With determination in his heart and a fire in his eyes, Jodey ventured into the realm of acting, honing his skills on the stages of local theaters before making his mark in the bustling streets of Hong Kong. It was in the neon-lit alleys of Hong Kong that Jodey Kendrick found his true calling. Embracing the vibrant energy of the city, he immersed himself in the world of Hong Kong action films, earning acclaim for his daring stunts and charismatic performances. With each role, he etched his name deeper into the annals of cinematic history, becoming a beloved figure in the hearts of moviegoers across the globe. But as the years passed and the reels of film kept spinning, Jodey felt the stirrings of a new passion within him. Beyond the glitz and glamour of the silver screen, there lay a world of pulsating rhythms and electronic melodies, waiting to be explored. Intrigued by the allure of electronic music, Jodey embarked on a new chapter in his life, one that would see him swap his martial arts moves for the dancefloor beats of Jungle Tekno and Drum and Bass. In the bustling metropolis of Hong Kong, Jodey found himself amidst a thriving music scene, where the streets throbbed with the rhythms of the underground. Fuelled by his love for music and driven by a desire to create, he immersed himself in the world of music production, crafting beats that reverberated through the city's concrete jungle. Today, Jodey Kendrick stands as a testament to the power of reinvention and the boundless possibilities of passion. From the silver screen to the dancefloor, his journey has been one of constant evolution and exploration. With each beat he creates, he pays homage to the winding path that brought him here, a path that weaves together the worlds of cinema and music into a tapestry of creativity and inspiration.

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Danish National Symphony Orchestra - Hollywood Gala

Glamouröse Hollywood-Gala mit den besten
oscarprämierten Filmen aus Hollywood
Das Dänische Nationale Symphonieorchester rollt den
roten Teppich für eine funkelnde Hollywood-Gala aus, mit
einem musikalischen Feuerwerk aus den besten
Hollywood-Filmen wie The Bodyguard Moulin Rouge, Die
Regenschirme von Cherbourg, Gladiator, Harriet, A Star
Is Born, Alfie

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