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Various - Akasaka Soul Funk 1969-1977

Various

Akasaka Soul Funk 1969-1977

12inch180GWALP07
180g
11.03.2025

At the start of the 60s, a new wave of gospel-influenced jazz started to emerge, with hits such as Art Blakey & The Jazz Messengers' "Moanin'" and Cannonball Adderley's "Work Song" epitomizing this evolution in the genre. The terms "soul jazz" and "funky jazz" were coined as a way to describe this new sound that was making an impact in the US and also on the other sides of the Atlantic and Pacific oceans.

In 1964, Ray Charles made his first visit to Japan. Then, in 1968, Martha & The Vandellas and Stevie Wonder set foot in the country, followed by Sam & Dave in 1969, Ike & Tina Turner in 1970, and B.B. King in 1971. The TV show "Soul Train" also began airing in Japan in the early 1970s. A watershed moment happened in 1973 when Sammy Davis Jr. was cast in a TV commercial for Suntory whisky — and the influence of the US Black entertainment world had really landed, with soul, jazz, and funk artists becoming household names.

Nippon Columbia played a pivotal role during this turning point. The company had contracts with Buddah Records and Blue Thumb Records, releasing notable works by artists such as Gladys Knight & The Pips, Curtis Mayfield, The Crusaders, and The Pointer Sisters. At the same time, the label was also releasing several Japanese soul, jazz, and funk projects under the lead of music director Jiro Inagaki. Inagaki, a saxophonist who began his professional career in the early 1950s, honed his skills at U.S. military camps, where he shared his love of music with the Black servicemen. In the 1960s, he played with drummer Hideo Shiraki's band, which was widely considered to be Japan's representative group of the funky jazz movement. Later, Inagaki went on to pursue more cutting-edge sounds with his Soul Media project, including being a pioneering figure in the "jazz rock" genre. By working closely with Inagaki and his various musical projects, Nippon Columbia really placed the company at the center of an exciting and important period in Japanese music.

In 1965, Nippon Columbia opened a recording studio in Tokyo's Akasaka neighborhood. Akasaka was also home to the first ever discotheque in Japan, the legendary MUGEN, which ran from 1968 to 1987 and where many acts performed, including Con Funk Shun, the Bar-Kays, Ike & Tina Turner, B.B. King, Sam & Dave, Three Degrees, and Edwin Starr, as well as many local Japanese singers and musicians. This melting pot of creativity in the area led to the recording of many singles and albums by Japanese artists that were infused with the sounds of soul and funk. Most of these recordings were not available outside of Japan and remain rare and unknown musical gems. The selection you are holding in your hands is an explosive collection of 10 essential tracks released by the legendary Nippon Columbia label between 1969 and 1977, capturing the raw, unapparelled energy that was flowing through the air of the Akasaka streets at this electrifying time. Enjoy!

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180GWALP07 - Manufactured and distributed by 180g.

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28,99 €
Babs Robert & The Love Planet - Babs Robert & The Love Planet LP

360 mcn white-white light cardboard paper / one side only hand plasticization / 2 separated parts prints / hand gluing / PVC outers / original artwork / gatefold sleeve / Bandcamp limited edition 30x60 cm insert with extended liner notes by Tony Higgins and Interview with Babs Robert and Sébastien Gorlé with exclusive pictures and self-portrait by Babs Robert himself printed on GF Smith "Takeo Tant Select" Canvas Paper tip-on left jacket panel / Exclusive never released Memorabilia from Babs Robert's vault.

Personnel:
Babs Robert - alt sax, tenor-sax, electric tenor-sax, Bin Recorder, Acme siren, Chinese-bell, sleigh-bells, maracas, tambourine,hand-rattle,claves)
John Van Rymenant - baritone-sax, fluegelhorn, Bala, tambourine, sleight-bells, cowbell, triangle, claves
Johnny Peret - vibes, bongo's, cowbell, maracas, castanets, rattle-snakes, tambourine, drums, woodclock, trinagle
Johnny Brouwers - piano, prepared-piano, triangle, cowbell, sleigh-bells, maracas, caves,hand-rattle, guiro, woodblock, tambourine
Paul Dubois - bass, triangle, cowbell, claves, rattlesnakes, hand-rattle, woodblock, tambourine
Michel Gobbe - bass,Chinese-bell, claves
Robert Pernet - drum, tambourine, seven-notes M'Bichi, guiro, alarm-siren, home-made metal xylophone, African telephone-drum, triangle, sleigh-bells, Siku

Notes:
Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reinhardt, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

The Love Planet performed in the main clubs of Brussels, such as Blue Note, Pol's Jazz Place, and Smog as well as in major musical events throughout Belgium including to big festivals in 1969 - the Avant-Garde Festival in Ghent and the First International Jazz Event in Liege – where the Love Planet shared the bill with Miles Davis - and the Bilzen Jazz Festival in 1970. The contrast between the musical architecture of the themes and sonic freedom in the improvised playing perfectly illustrated the polymorphism – an order within disorder – which the Love Planet aimed for.

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (dru- ms). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion. This is the first official re-release
of the 'Babs Robert and the Love Planet'. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resona- tes some fifty years later. Come with us to the Love Planet. (Tony Higgins)

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33,82 €
Blendreed - Tales Of Tides LP

Unter seinem Pseudonym Blendreed lässt der französische Saxophonist Musina Ebobissé den Erfolg seiner ARMAUN EP aus 2024 mit einer überarbeiteten Neuauflage seines zweiten Albums "Tales Of Tides" auf Vinyl folgen, das Ende 2022 nur im digitalen Eigenvertrieb erschien. Als Konvergenz akustischer und elektronischer Elemente erkundet Blendreed die Schnittstelle zwischen Jazz, Ambient, Post-Rock und experimenteller Musik. Der Hörer wird in einen hypnagogischen Zustand versetzt, die ihm eine Reise der psychischen Flucht bietet, die das Gleichgewicht der Seele wiederherstellt. Wie ein Raum, in dem sich Macintosh Plus und La Monte Young auf Augenhöhe begegnen.

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21,64 €
Jorja Chalmers - Midnight Train

Jorja Chalmers enjoys a quiet life. The Australian born mother of two lives in Margate, the Kent coastal town that is turning into something of a cultural hub. Yet there’s another, shadow version of Jorja Chalmers, one that resides in a liminal realm; a saxophonist & composer, a brooding, vampiric, twilight soul who yearns for some sense of aesthetic transformation.

New album ‘Midnight Train’ comes close to severing the two. Constructed during the long winter lockdown, Jorja would put her kids to bed before closing the door in the spare room, building lengthy, undulating passages of cinematic terror, patching together European art-pop glamour with outsider electronics. It’s composed, intense, & challenging – but it’s also utterly exhilarating.

“I feel incredibly proud of this album,” she says. “It feels like a life’s work squeezed into one space. It feels like I’m saying something.”

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33,19 €
SAYA GRAY - SAYA LP

Saya Gray

SAYA LP

12inchDH02048
Dirty Hit
10.03.2025

"For Toronto outsider pop auteur Saya Gray, music is a glittering mosaic of endless influences. Her debut album is akin to a sonic chimera; its limbs assembled from disparate, but complimentary musical organisms. Does she make pop? Folk? Rock? R&B? The moment you think you’ve got her pinned, she’s gone like a flash.
Gray’s often collage-like sonicspheres, blanketed with layers of riffs upon layers of electronic chatter, demonstrate the limitless potential of music as an art form.
Saya Gray has received support from Pitchfork, The Guardian, The Times, Colors, The New York Times, BBC Radio 1, BBC Radio 6, NTS, Fader and has recently recorded an incredible Tiny Desk session to be release around her new album. "

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26,85 €
Caïn و Muchi - Dounia

Caïn و Muchi

Dounia

12inchCNMDDV12
GROS:OEUVRE
10.03.2025

Following the release of the single Maqlab, the Marseille-based duo Caïn و Muchi presents their debut full-length album Dounia دنيا.

This takes listeners on a journey through a rich tapestry of industrial gloom woven of dubstep, grime, and contemporary hip-hop. In this album, these ‘labels’ matter as much as they don’t, given the heavy mutations they undergo, in a That’s Hara Kiri fashion (RIP Sd Laika).

At the heart of this record lies a dense yet harmonious sound palette, featuring meticulous vocal processing of lead singer Vanda’s voice, which engages reflection on their shared and individual lives.

As the album progresses, the lyrics reveal layers of stress and trauma linked to colonial experience, intertwined with multiple references to North African ghost stories and legends.

The result is a resonant experience, where the wraithlike and glacial instrumentals crafted by the duo encapsulates the introspective act of witnessing the turmoil of our current world.

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22,65 €
Herman Kelly & Life - Percussion Explosion!

Source of an all-time 'Breaks and Beats' classic, Mr Bongo reissue Herman Kelly’s timeless 1978 album Percussion Explosion!. Immortalised in hip-hop folklore, when the anthemic 'Dance To The Drummer's Beat’ was featured on the influential Ultimate Breaks & Beats compilation series in 1986.

Percussion Explosion! was the brainchild of drummer, percussionist, producer and arranger, Herman Kelly and his percussive disco-funk group from Miami, 'Life', that featured Aaron McCarthy, Oliver Well, John DeMonica, Michal Cordoza and Travis Biggs. The album houses a collection of disco, funk and Latin-inspired cuts that were destined for greatness. Nestled within the grooves is the B-Boy and B-Girl’s anthem, 'Dance To The Drummer's Beat’, which contains a now legendary break. A cursory glance at Whosampled will show that it has been sampled in over 125+ songs. These include Double Dee & Steinski on their groundbreaking 1985 production 'Lesson 3 (History Of Hip Hop Mix)', as well as by DJ Shadow, N.W.A, Masters At Work, Run D.M.C. and a whole host of heavyweights across hip-hop, dance and pop music.

When the album was released in 1978 it came out on two different labels, Alston Records and Electric Cat. Each label pressed different versions of 'Dance To The Drummer's Beat’, with the former featuring a 4:12 version and the latter a longer 5:09 version that has a different structure, crowd noise at the start and overdubbed percussion.

For this Mr Bongo reissue, we have chosen the classic 4:12 version from the Alston Records release, which would later find its way on to the illustrious Ultimate Breaks & Beats compilation. To make matters even more confusing the Alston version art on the back cover also states the track length as 5:09, whilst the centre label lists it correctly as 4:12.

Aside from the much celebrated 'Dance To The Drummer's Beat’, the album includes a range of other fantastic overlooked cuts. From the percussive soul stepper 'Share Your Love', to the beautiful Latin-flavoured 'A Refreshing Love' or the party disco-funk groover 'Who's The Funky D.J.?'.

This wonderful and inspirational record features an important piece of hip-hop heritage and deserves a place in every collection.

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28,99 €
Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

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Nick Viola - A Ghost In Your World LP

This album represents a significant evolution in the musical journey of Nick Viola, transitioning from the powernoise and heavy industrial sounds of his previous project, Fractured Transmission, into a techno-framed landscape. Spanning seven tracks, including remixes, the album features recurring sounds sourced from machinery, field recordings, and personal travels. These elements create an uneasy atmosphere oscillating between slight discomfort and absolute dread, offering a dystopian sonic experience fitting for the times we unfortunately live in.

The opening track, ‘A Ghost in Your World,’ sets an intense tone with distorted atmospheres and ‘It’s Still Real’ follows with a relentless pulse and swirling mechanical sounds, seamlessly flowing into Kenny Campbell’s remix of ‘A Ghost In Your World’, providing a cathartic release for the A side.

‘Drop Out,’ guides listeners on a psychedelic journey into the B side of the record, while ‘Negative Nancy’ ramps up the energy with an aggressive industrial techno assault offering an antagonistic jab at the current trend within the genre. Substencia’s remix of “Drop Out” delves deeper into psychedelia, offering an immersive trance-like experience relieving the tension of “Negative Nancy”.

The digital-only bonus track, ‘Tensor,’ maintains the album’s heavy industrial techno feel of a well-oiled machine, ready to pummel any underground sound system.

About Artist:
Nick Viola is a versatile electronic music producer known for his distinctive blend of industrial and techno music, drawing inspiration from a wide range of influences spanning from the gritty sounds of powernoise to the pulsating energy of techno.

Born and raised in Los Angeles, Nick began his musical journey immersed in the industrial club scene, where he cut his teeth performing at the legendary Los Angeles industrial club Das Bunker. Here, he honed his craft and developed a deep appreciation for the raw, aggressive textures of industrial music. As the driving force behind the project Fractured Transmission, he made a name for himself with his uncompromising approach to power and rhythmic noise, earning recognition for his intense live performances and relentless sonic assaults.

However, Nick was always drawn to the rhythms and sounds of techno, and in a bold move, he embarked on a new chapter in his musical career, transitioning from the abrasive sounds and rhythms of powernoise to recontextualizing those sounds into a more techno landscape. With this album, “A Ghost In your World”, he showcases his evolution as an artist, seamlessly blending the industrial aesthetics of his past with the pulsating energy and frame of techno.

Spanning six tracks, “A Ghost In Your World” is a sonic journey through dark, dystopian landscapes and pulsating dance floors, where distorted atmospheres and mechanical rhythms collide to create a mesmerizing and immersive experience. From the haunting textures of “A Ghost in Your World” to the relentless energy of “Negative Nancy,” each track offers a unique glimpse into Nick’s sonic universe, inviting listeners to explore new depths with each listen.

Written + Produced by: Nick Viola

Mastered by: Tim Vitek

Artwork: Permian Designs

Design by: Elaine Stam

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Fred again.. - ten days

Fred Again..

ten days

12inch5054197696855
Atlantic
03.03.2025

● Most recently Fred sold out the Coliseum in LA (his first ever stadium show)

● This upcoming album “ten days” includes single ‘adore u’ (now platinum record with over 600K+ UK sales), 'ten' and 'places to be'

● Fred will be headlining Reading & Leeds festival at the end of August weekend before album release

● HIS LATEST ALBUM USB IS CERTIFIED SILVER ALBUM IN THE UK

● FRED'S BOILER ROOM IS ONE OF THE MOST VIEWED BOILER ROOMS TO DATE, SURPASSING OVER 36 MILLION VIEWS.

● NOMINATED FOR BEST DANCE/ELECTRONIC ALBUM, NEW ARTIST AND DANCE RECORDING FOR THE GRAMMY AWARDS 2024.

● ACHIEVED HIS FIRST TOP 10 SINGLE IN THE UK SINGLES CHART WITH 'ADORE U' - NOW CERTIFIED PLATINUM IN THE UK.

● ACTUAL LIFE 3 REACHED #4 ON THE UK ALBUM CHARTS, AND BECOME THE HIGHEST-STREAMING RELEASE GLOBALLY ON SPOTIFY ON ITS FIRST WEEKEND.

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45,80 €
Dedos - Dedos (Fingers) / Doce Y Diez (2025 Reissue) (7")

Here comes a true South American LATIN JAZZFUNK treasure from Argentina!!!
Sound Essence is more than proud to present these lost recordings from 1974 to music lovers again in all their glory.
CARLOS FRANZETTI, who has once again been in the spotlight in recent years thanks to the re-release of his strong late 70s JazzFusion record "Graffiti", was also in charge of this record called DEDOS. The story behind:
In 1974, after CARLOS FRANZETTI was living in Mexico and worked as the musical director of FERMATA International, he returned to Argentina. In Buenos Aires his friend MOCHIN MARAFIOTTI was recently appointed A&R at the local recording label MUSIC HALL . Marafiotti asked Carlos if he wanted to record some of his music and he answered that he had in mind a group playing LATIN JAZZ . After a couple of meetings they came out with the idea of covering the RUBEN RADA tune DEDOS recently recorded in the US by AIRTO MOREIRA along with the OPA TRIO. Carlos contributed his own composition "Doce y Diez" . He selected the group consisting of his friend and member of the uruguayan Band TOTEM, Ruben Rada on percussion, Ricardo Lew on guitar , Emilio Valle on bass and Osvaldo Lopez on drums covering keyboards and vocals himself . This formation recorded tracks and vocals in a three hour session and the next day the track was mixed. Music Hall released "Dedos" and "Doce y Diez" on a single record and after months of discrete airplay and not so good sales the project for an album was draped.
"It is a rewarding experience to see a re-release of this two songs a half century after the original release.
It was hot and it looks and sounds even hotter now. I love it!" (Carlos Franzetti, New Jersey, December 2024).

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19,12 €
Ivan Conti - Poison Fruit LP

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature the previously released remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

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Parade Ground - The Hidden Side

Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring collaborative partnership. In 2011, Dark Entries released The Golden Years, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. The Hidden Side continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles - all cold, dark, and brooding. Tracks like “Riddle in the Stain Glass Window” and the previously unreleased “Looking Through Keyholes” see the band in menacing coldwave mode, rocking chorus-drenched bass guitar and blasts of analog synth. The band’s dancier proclivities shine elsewhere, like on “Off-Balance” or the supremely funky “Hollywood (The Sexiest Fish),” a floor-filler driven by bass guitar and thumping digital drum machine beats. Also included is “Marble Mind,” a previously unreleased latter-period track from the band recorded by Patrick Codenys at 242 Studio. The Hidden Side includes liner notes featuring lyrics and a photo of Jean-Marc and Pierre Pauly. Additionally, a newly remastered edition of The Golden Years will be released along with The Hidden Side.

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Last In: 18 months ago
20,59 €
Various - Finding Bliss in the Madness

After a long radio silence we are excited to finally share with you, La Luna 006.
This eight track VA is an epic sampler showcasing the sounds of La Luna. 
With tracks from AD4, Anderson, Aspetuck, Dream Terrains, Exit 47, Gloved Hands, and DAS, aka JD Typo.
This will be a special record to get you through the coming winter featuring moody ambient, downtempo, IDM and modern classical sounds.
This pressing features beautifully crafted artwork from Sonia Malpeso, which will include inner and outer pantone sleeves!
This release will be limited to 100 copies on black vinyl
Snag one while you can, and sit back and enjoy the journey.

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21,64 €
Franco & Grimm - Fairytail Tracks 3 To 6

Forgotten in the mists of Dutch electronics, when Anacalypto Records began their quest for Fairytails, they uncovered more than they bargained for. Dusting off a 1994 DAT, lettering began to reveal itself—four tracks from the original release and two unheard, unreleased works! A decision was made: two tracks from the original 12” for Side A, and the two new discoveries for Side B.

The spellbinding Fairytail Track 3 opens the record. Rich basslines and ruffled beats dance as strings soar and swoop in this fantastical floor-filler. That touch of fantasy twinkles throughout the entire EP, with dreamy mellowness weaving through key shifts and stepping grooves. This dreamy atmosphere carries into Fairytail Track 4, where snares rasp and snap above delicate notes and mischievous pads.

The flip is dedicated to the DAT discoveries. Fairytail Track 5 is a joyous romp through twilight woodlands and sweaty basements, with cascading chords and lively piano lines reveling over earthy patterns of percussion. The journey concludes with Fairytail Track 6, a bright and magical finale. Overtones of rave energy glow in this ageless, tongue-in-cheek melody, infusing the EP with a timeless vibrancy.

Four trance-dipped house treasures returned to the faithful on this remastered gem that will sprinkle happiness on any floor.

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DARKSIDE - NOTHING LP

Darkside

NOTHING LP

12inchOLELPE2115
Matador/Beggars Group
27.02.2025

In ihrer bisher zwölfjährigen Band-Historie veröffentlichten Nicolás Jaar und Dave Harrington, zusammen bekannt als DARKSIDE, die beiden Alben ""Psychic" (2013) und ""Spiral" (2021). Mit ihrem langjährigen Freund und Kollaborateur Tlacael Esparza als neues Bandmitglied und Schlagzeuger kommt jetzt ihr drittes Album ""Nothing". Das Ergebnis ist faszinierend und vielschichtig. DARKSIDE schmücken ""Nothing" mit prägnanten Rhythmen, verzerrten Vocals und kreieren eine ganz eigene, wie ungewöhnlichen Ästhetik.

Um die Entwicklung zu verstehen, muss man die Hintergrundgeschichte kennen: Jaar und Harrington lernten sich in den frühen 2010ern während ihrer Schulzeit in Providence kennen. Während der Tour zu Jaars Solo-Debütalbum fand eine spontane Aufnahmesession an einem freien Tag in einem Berliner Hotelzimmer statt. Die Session war wortwörtlich brandheiß, denn sie endete mit durchgeschmorten Lautsprechern. Der Raum füllte sich mit Rauch und der an diesem Tag entstandene Song wurde ihre erste gemeinsame Single ""A1", DARKSIDE war geboren.

Zwischen den ersten beiden Alben legte das Duo eine sechsjährige Pause ein. In dieser Zeit verfolgten Jaar und Harrington jeweils eigene kreative Wege: Jaar etablierte sich als Solokünstler und Produzent, während Harrington als innovativer Gitarrist und Experimentalmusiker die Underground-Szene in L.A. aufmischte und die Rock-Band Taper"s Choice gründete. Die Geschichte setzt sich dann im Herbst 2022 in Los Angeles fort als das Duo eine Reihe von Shows buchte, um sich nach acht Jahren erstmals wieder als Live-Band zu vereinen. Esparza kam als festes Mitglied hinzu und veränderte grundlegend den Klang und die Energie der Band. Die Idee von ""Nothing" entstand während der Suche nach Achtsamkeit und Harringtons stillen Momenten mit seiner neugeborenen Tochter, in denen er Schönheit im Nichtstun fand. Für Jaar wurde ""Nothing" zu einem Symbol für die allgegenwärtigen, wie überwältigenden Probleme, unausgesprochene Gefühle und den Stillstand in globalen Krisen wie Klimawandel, politischer Heuchelei und wiederkehrender Gewalt.

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Mytron & Zongamin - Congregate

Mytron&Zongamin

Congregate

12inchMCLP008
Multi Culti
26.02.2025

Zongamin and Mytron reunite on Multi Culti with an album of collaborations. Exploring the depths of leftfield outer nationalism these two mainstays of our global family serve up a colorful array of mind-altering disco and interdimensional dub. Tribal motifs merge with field recordings while synthesized animals call out over exotic hand percussion. Jams on vintage synths meet 8-bit sampling bounced onto spring reverbs and digital delays from the 80s. Started mid-pandemic, this collaboration ignored the surrounding havoc and social distancing, instead focusing on Good Vibes TM and positivity with a genre-defying approach belying trans-continental origins. The result is a playful symbiosis that is Phatter than the sum of its elements. Mytron is Jacek Janiszewski, a pan-European multi-instrumentalist, producer and DJ, born in Poland, raised in Holland and Germany, and now living in London for the best part of a decade, his releases, for labels including XXX, Codek, Bordello A Parigi, Multi Culti, Nein and Les Yeux Orange, herald a similar nomadic spirit. Zongamin, Susumu Mukai is a composer, producer, and illustrator based in London. He has released records on Multi Culti, Flesh Records, XL recordings, Ed Banger, ESP Institute, and AD93, and has remixed for Air, John Cale, Trevor Jackson, Sandro Perri, and others. He is a member of groups Vanishing Twin, V/Z, Holy Tongue, and Stalactite.

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Mustafa - Polygamy

Heavyweight Black Vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Insert with 10 pages Booklet 30 x 30 cm printed on Gmund Colro Felt Red Purplea d 90 Gram Favini papers with detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session, lyrics and exclusive pictures.


Colored Vinyl Details:
Heavyweight "A side - B side solid purple + transparent blue" vinyl / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer sleeve / Insert with 10 pages Booklet 30 x 30 cm printed on Gmund Colro Felt Red Purplea d 90 Gram Favini papers with detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session, lyrics and exclusive pictures.

Peronnel:
Mustafa Abdul Rahman - Tenor Saxophone, Percussion, Producer
Ahmed Abdullah - Trumpet
Malachi Thompson - Drums
Gregory Bufford - Bass
Richard Radu Williams - Piano
Rafik Abdur Rahim
Tony Smith - Guitar
Larry Banks - Synthesizer
Khalil Abdullah - Congas
Babafumi Akunyon - Percussions
Odell Grier Backing Vocals – Fred Harley, Hilda "Asia" Richbow , Linda Hall

Notes:
In the course of our deep research, we sometimes discover a hidden thread that unites musicians, songwriters, artists, and poets linked by music. Mustafa's 'Polygamy' is no exception. Apart from the music - the main reason we decided to work on this first ever re-press, a jewel at the crossroads between jazz funk, spiritual jazz and proto rap - are the many other things that make Mustafa an intriguing and fascinating character. For starters, he was a childhood friend of the Ayler brothers with whom he played in different formations. He also played with other beloved figures such as Noah Howard and Charles Tyler, on a still unreleased album recorded for Amiri Baraka's Jihad label, and worked with The Legendary Master Brotherhood and Steve Reid. This and much more will be revealed in a detailed interview between Tony Higgins and Mustafa's family (his sisters and children are all musicians), as well as an insight into the recording of the album with Gregory Bufford, the drummer for the session.

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Adam F - Colours Revisited LP 3x12"

‘Colours Revisited’, a revision of Adam F’s MOBO Award-winning 1997 debut album is a story of musical rebirth and passion. Adam F, realising that ‘Colours’ had found a new audience—partly thanks to artists like PinkPantheress—decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks.

“Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents,” says the seminal producer on his ground-breaking album. “Musicians of a calibre such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan (Jazz a guitarist who had a hit with Miles Davis’ “So What”), Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)…”

Adam continues “We were honoured to be nominated for MOBO “Best album of the year” alongside renowned acts of that time, including Hinda Hicks, Des’ree, Lighthouse Family, and Massive Attack. In fact, I was so convinced that we wouldn't win that I didn't prepare a speech, and that definitely showed in my genuine surprise. Colours also went on to be a top 20 UK National Chart hit which lead to Metropolis winning Tune of the Year at the Underground Awards. Music In My Mind from the same album was inspired from Herbie Hancock ‘Rocket’ and ‘I Thought It Was You’.

“Fast forward to 2020, I never thought of ever revisiting ‘Colours’. But it seems that time has come round full circle, the interest is there.” The revisited album deftly weaves together the energy of new live instrumentation with the 80’s British electronica and jazz fusion inspired sounds of the original.
The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original ‘Colours’, the influences latent within it and how and why it has gone on to influence so many others since it’s inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.

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Adam F - Colours Revisited LP 3x12"

‘Colours Revisited’, a revision of Adam F’s MOBO Award-winning 1997 debut album is a story of musical rebirth and passion. Adam F, realising that ‘Colours’ had found a new audience—partly thanks to artists like PinkPantheress—decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks.

“Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents,” says the seminal producer on his ground-breaking album. “Musicians of a calibre such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan (Jazz a guitarist who had a hit with Miles Davis’ “So What”), Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)…”

Adam continues “We were honoured to be nominated for MOBO “Best album of the year” alongside renowned acts of that time, including Hinda Hicks, Des’ree, Lighthouse Family, and Massive Attack. In fact, I was so convinced that we wouldn't win that I didn't prepare a speech, and that definitely showed in my genuine surprise. Colours also went on to be a top 20 UK National Chart hit which lead to Metropolis winning Tune of the Year at the Underground Awards. Music In My Mind from the same album was inspired from Herbie Hancock ‘Rocket’ and ‘I Thought It Was You’.

“Fast forward to 2020, I never thought of ever revisiting ‘Colours’. But it seems that time has come round full circle, the interest is there.” The revisited album deftly weaves together the energy of new live instrumentation with the 80’s British electronica and jazz fusion inspired sounds of the original.
The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original ‘Colours’, the influences latent within it and how and why it has gone on to influence so many others since it’s inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.

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42,82 €
Alix Brown & Louis Fontaine - Tormento

Alix Brown&Louis Fontaine

Tormento

7"-VinylFLIES4561
Four Flies
25.02.2025

Imagine a nocturnal rendezvous between the lyrical playfulness of Serge Gainsbourg and the infectious yet smooth danceability of Daft Punk. Tormento is a sexy soft disco odyssey that weaves a contemporary fantasy where dilemmas and desires—torments of the heart and flesh—are bathed in the sultry glow of classic erotic cinema.

Recorded in Los Angeles and Paris, the song is a collaborative effort between composer and multi-instrumentalist Louis Fontaine, DJ and music supervisor Alix Brown, and lyricist and writer Margo Fortuny. This sonic tale of longing and uncertainty, ignited by the trio's shared love for 1970s sounds, cinema, and style, draws inspiration from the cinematic soundscapes of François de Roubaix and from French and Italian chanson.

Tormento pairs a haunting, nostalgic melody with a late-70s disco arrangement featuring a mix of vintage synthesizers, driving basslines, and rhythmic percussion. Alix Brown's ethereal vocals convey the electrifying thrill of an immediate, magnetic attraction.There's seduction, mystery, the poetry of a moment, the allure of transgression, indecision, and all the things that happen late at night. When faced with temptation, what do you do? Perhaps, yousurrender to the sweet, intoxicating rhythm of the forbidden.

Adance song for night owls, loners, and romantics, Tormento is out on 7" and digital on February 14th, 2025, courtesy of Four Flies.

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Duc In Altum - Midnight Sun

Duc In Altum

Midnight Sun

exclRHZ005
Rhizome
24.02.2025

RHZ005 Duc In Altum:
Midnight Sun
Release Notes

The Brazilian-Serbian duo Duc In Altum returns to Rhizome following their 2020 digital mini-album As Above So Below. Our fifth vinyl EP on the label, Midnight Sun, finds Duc In Altum experimenting with dance floor acid rhythms and breakbeat-house grooves. The relentless remixes come from two other music friends, the Romanian icons Priku and Sepp.

“Midnight Sun” demonstrates the duo's acidy reflexes. Clever chords both center and accent the melody. The 303 line expands into the seething bass beneath as the track progresses into a deep dance floor burner.

Priku remixes “Midnight Sun” with his signature groovy, breezy style. Light chords drift above transformed 303, now a monster tech house bassline. The sun beckons.

The second side begins with “Yanomamis” and a journey through the inner worlds of Duc In Altum. The track begins with winding pads, effects, and an initial silvery breakbeat. The center of the track shifts perspectives to unveil a dreamy house groove before the breakbeat returns to call us back.

A remix of “Yanomamis”by Sepp closes out the record as the dance floor psychic yet again crafts the perfect rolling groove. It's a fitting Sunwaves-savvy party track and only gets better each time that glorious groove breaks the tension.

Tracklisting
A1: “Midnight Sun”
A2: “Midnight Sun (Priku Remix)”
B1: “Yanomamis”
B2: “Yanomamis (Sepp Remix)”

written and produced by Eric Frizzo Jonsson and Arjana Vrhovac Jonsson in São Paulo, Brazil;

remixes by Priku and Sepp

mastering by Ednner Soares

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Iam JDP - Now Eh!  (7")

Iam Jdp

Now Eh! (7")

7"-VinylFBFWD002
INTRAUTERIN
24.02.2025

Define: Global Bass Culture. What initially started out as a remix request from the South African Sneja Recordings label for a tune written by Colombian artist Juan Diego Pedroza a.k.a. Iam JDP ended up as the second limited edition vinyl release on the German underground label Freebreakz.FWD. Embracing influences from Chicago's Footwork x Juke sound as well as UK Bass Music, IDM and other electronic subcultures Sascha Müller and baze.djunkiii deliver a sparse, tense and wildly hypnotic take on the 160 bpm freeform movement, continously fusing and layering intermingling rhythmic patterns with ethereal vocal snippets, Trap- and Drill-infused hi-hats, an ever floating minimalist synth motif and deadly low end attacks for some of the most advanced dancefloors out there. This is crime scene music. Mastered by Frederic Stader.

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bad lsd trips - ultrafest

Bad Lsd Trips

ultrafest

12inchENMB-17
enmossed
24.02.2025

Oversized custom cut LP jackets (13” / 33.02 cm width)
Silkscreened with bespoke iridescent citrus green ink by Mark Rice
Short story by Natalia Zuluaga

Flexi 7”:
steaming mescaline (extended mix by bad lsd trips)
Citrus green metallic foil stamp
Pressed in full stereo
Edition of 150

I.

bad lsd trips is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On ultrafest, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On ultrafest (this album) something different occurs. The space and events are built around you as you move through the record.

II.

The name of the album is ultrafest, which should effectively provoke your mind's eye the imagery of young people dancing, salivating, grinding, and imbibing chemical compounds to the perversely formalized musical genres of “Electronic Dance Music” and latter-era Dubstep often heard in European Uber rides and energy drink commercials. A far distance from the icy and machinic reverie of Techno’s finest rave eras or the notable historical contributions of Miami’s cerebral producers to IDM’s global output, ultrafest is a libidinal catharsis as festival scaled to a multinational corporation of hedonistic excess. The festival has been a hallmark of Miami cultural industry production and optical enticement for tourism, purportedly bringing in nearly a billion dollars in revenue to the city since 2012. Scores of documentation exist wherein this decadent escapism leaves the concertgoer, usually in some neon garment on a near nude body potentially adorned with fluffy faux fur leg warmers, facing a comedown from the combination of volume, sun, dehydration, and methylenedioxy-methylamphetamine. This MDMA experience characterizes an aspect of the way bad lsd trips employs vocals and pitch on this album. The detached, high octaved longing of a high pitched vocal is decoupled from its typical auditory body of song. High-pass clicks and pops touch the (h)air on the back of the neck, promising goosebumps and teasing towards euphoric rushes of dopamine, yet also exist decoupled from the body of song. As the dopamine depletes and the sun imposes itself, Miami’s downtown of skeleton real estate is your company as you meander towards your parked vehicle to rest your fatigued senses, elevated heart rate, and quench the need for air conditioning on your skin. The immediacy of bombastic social immersion to architectural alienation palpable here.

III...

- Nick Klein

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Q LAZZARUS - GOODBYE HORSES: THE MANY LIVES OF Q LAZZARUS (MUSIC FROM THE MOTION PICTURE)

Der Einstieg in die Musik von Q Lazzarus erfolgte für fast alle über „Goodbye Horses“. Der Song tauchte erstmals 1988 in Jonathan Demmes „Married to the Mob“ auf, aber er sollte sich erst dann vollständig im Bewusstsein der Menschen verankern, als er 1991 in Demmes „The Silence of the Lambs“ wieder auftauchte. „Goodbye Horses“ fühlte sich an wie ein in sich geschlossenes Universum - traumhaft und völlig ungewöhnlich, ein sofortiger Klassiker, der die Zuhörer fesselte und neugierig auf die geheimnisvolle Stimme dahinter machte. Diese Stimme gehörte Diane Luckey, einer einzigartig talentierten Künstlerin, deren Musik ihrer Zeit voraus war und die letztlich zu Lebzeiten weitgehend unerkannt bleiben sollte. In Verbindung mit der Veröffentlichung des Dokumentarfilms „Goodbye Horses: The Many Lives of Q Lazzarus“ von Aridjis Fuentes veröffentlicht Sacred Bones eine Sammlung von Songs, die die gesamte Karriere von Q abdecken und die verschiedenen Epochen ihres Schaffens und die ganze Bandbreite ihrer Persönlichkeit zeigen. „Goodbye Horses“ ist die erste Musiksammlung, die den Segen von Qs verbliebener Familie erhalten hat, und hat die Besonderheit, ihre erste und einzige Albumveröffentlichung in voller Länge zu sein. Aufgenommen zwischen 1985 und 1995, spiegelt diese Fundgrube bisher unveröffentlichter Musik einige der interessantesten Facetten der Popmusik der letzten vier Jahrzehnte auf eine Weise wider, die sowohl versiert als auch wild eklektisch wirkt Das titelgebende „Goodbye Horses“ bleibt ein einzigartiges Stück gespenstischer New-Wave-Perfektion, und man könnte sich ein ganzes Q-Lazzarus-Album vorstellen, das sich um diese Ästhetik dreht, aber ähnlich den Gesangsikonen Alison Moyet, Annie Lennox oder Lisa Gerrard eignet sich Qs chamäleonhafte Stimme perfekt für eine Vielzahl von Stilen und Settings. Ihre Coverversion von Talking aHeads' „Heaven“ verwandelt den Song in eine aus voller Kehle gesungene Power-Ballade mit klimpernden Klavierverzierungen, während ihre Interpretation von Gershwins „Summertime“ wie eine dubbige Club-Reduktion klingt, die zu einem Grace Jones Stück der Nightclubbing-Ära hätte passen können. Tracks wie „My Mistake“ und „Hellfire“ flirten mit House-Musik und zeigen, wie frech und glockig Qs Stimme sein kann, wenn sie sich richtig austobt, während „Don't Let Go“ wie eine bombastische Radiosingle klingt, die Cher vor einigen Jahrzehnten hätte veröffentlichen können. Andere Songs wie „Bang Bang“ und „I See Your Eyes“ sind von einer gitarrenbetonten Alt-Rock-Sensibilität, die in einem Paralleluniversum auch auf MTVs 120 Minutes Show hätte laufen können. „Goodbye Horses“ verkörpert das Potenzial für so viele verschiedene Arten von Karrieren, die, aus welchen Gründen auch immer, nie vollständig verwirklicht wurden. Dass wir jetzt diese Songs in der Welt haben und ein klareres Bild von der Person dahinter, ist nichts weniger als ein Segen.

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B.AI - Hope

B.AI

Hope

12inchMOTIVATION01
Motivation
21.02.2025

Since launching her own club night, “Motivation,” back in 2018, B.AI has played a key role in bringing the underground’s club sounds to her home country, China. While introducing some of the scene's most exciting artists to her local audiences, she emerged as one to look out for as well: first as a DJ and quickly thereafter as a producer. Her original takes – a sensitive, highly personal approach to melody and a knack for playing with expectations – crystallized in a slew of A+ releases and a couple of international tours. This trajectory, shaped by taking matters into her own hands and self-empowerment, now sees a logical next step, with the inception of a label that will also operate under the “Motivation” banner and features her own “Hope” EP as its first release.

Sparkling mallets, with synth-pop quality catchiness, open the title track. Rather than further evolving, their two-bar arrangement gets looped over and again, serving as the foundation for a slick FM bass rhythm and a variety of hooks. Although these incline to the bright, the overall vibe is melancholic. In vintage B.AI style, the aptly titled “Hope” is more ambiguous than its patches suggest. Similarly, the vocal this type of palette would call for ultimately comes in the form of aloof, covert musings. A bit buried in the mix, they are most efficient – just like the tension that keeps brooding underneath the surface.

“Murderbot Diaries 1991” turbocharges four-to-the-floor synthetic drums with an arpeggiated rolling bass. The blue note melody on top feels sequenced via a pocket calculator, and the dissonant, electroclash-reminiscent stabs that follow might sound even more angular. The tune is frantic, sinister – and perhaps above all tongue in cheek. It reaches fever pitch with the arrival of a tubular bell theme between the two breaks.

“Once”’s slomo cutoff modulation on the 16th note mid-bass instantly creates a sultry atmosphere that meshes greatly with the pastel cool of the gently delayed DX7 leads. The energy drifts between effortless control and uncertain outcome. These contrasts are amplified as the drums alternate amidst moderation and beat-repeat rendered havoc.

On “Only We Know,” a progressive sine lead lays out the central motif. Yet as briskly as it appears, it makes way for detuned, gliding square waves taking on the same theme. This outlines the track’s structure: as slightly morphed repetitions keep getting introduced almost haphazardly, a dreamlike, mesmerizing ambience unfolds. Techy drum rhythms and a 101-type bass make sure everything stays fuelled. Within the ingenious tapestry of melodies and new twists, it never loses touch with the dance floor. It illustrates B.AI’s club savvy neatly and is therefore a perfect closer for this EP.

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Johnmon - Abrupt Chaos EP

Johnmon

Abrupt Chaos EP

12inchPWRLDR03
PWRLDR Records
14.02.2025

Powerloader Records returns from the graveyard. Serving spooky tunes that will gather all ghouls ’n ghosts onto those dusty, haunted dance­oors. Turn into a freak to the A side, get romantic to Glass Skin or just show them what kind of ghoul you are.

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13,87 €
Aniano - Una Serie De Crimenes Sonoros

Círculo Cerrado welcomes its first sub-label, E.T.D.G., where sound becomes a story.

Aniano invites you to an immersive auditory experience with Una Serie de Crímenes Sonoros. This first concept EP, weaving between fiction and reality, is predominantly driven by Techno, following the sonic direction previously explored in El Terror De Gáldar on Time To Panic. Naturally, it also features the hints of Electro and Minimal that have become hallmarks of Aniano’s music.

The record’s mysterious and spatial atmospheres draw heavily from 1980s sci-fi cinema and retro video game aesthetics. Rhythms from the iconic TR-909 and intricate synth work from the Nord Lead 2 crown this 12-inch release.

More than just a collection of tracks, Una Serie de Crímenes Sonoros is an exploration of human darkness through electronic soundscapes—a must-have for collectors of conceptual and boundary-pushing music.

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13,40 €
Various - The Special Request Volume 1 (2x12")

These are all tracks that were available digitally as part of the artists single sales, and that people wanted us to press on vinyl. This is a very limited album, and like all Kniteforce White, it will never be repressed. It comes on glorious clear blue vinyl.

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29,62 €
DEMO DC - MEIOSISTOSIS EP PT 1

Welcome to the kickoff of DemoDc's 5-EP series, where he reflects on the complexities of our times. Coining "Meiosistosis" from mitosis and meiosis, DemoDc creates a unique vocabulary to express his deep perspective. Released through Heart Heart Records, the music follows a non-linear, cyclic journey, with each track standing independently, guiding listeners through an evolving experience.

"A1 - Awake" opens the series, celebrating those brave enough to face their flaws in a world of false promises. With introspective melodies and harmonies, the track encourages self-discovery and reflection, urging listeners to seek their own truths.

"A2 - Not From Around Here" embraces individuality, using its ethereal tones to highlight the strength found in being different and celebrating the alien within us all.

"B1 - Glimpsed (Original Mix)" offers a brief taste of the profound mysteries of the present, reminding us that truth is personal and elusive.

"B2 - Glimpsed (Metapattern Mix)" the remix by Berlin's Metapattern transforms the original track into a deep, pulsating techno piece perfect for DJs, adding a powerful twist to this captivating musical journey.

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13,03 €
Biffy Clyro - Opposite / Victory Over The Sun LP

To celebrate the 10th anniversary of Biffy Cyro’s sixth studio album ‘Opposites’, the band are releasing the four EPs from the era ‘Black Chandelier/Biblical’ and ‘Opposite/Victory Over The Sun’ on vinyl for the very first time. These LPs will also be the first 12” to be pressed on sustainable ‘BioVinyl’ material globally by WMG. BioVinyl is an innovative product using bio-based PVC in the production process, without losing any of the acoustic quality of a conventional vinyl record. This release features the singles ‘Opposite’ and ‘Victory Over The Sun’.

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15,34 €
Howie Lee - At The Drolma Wesel-Ling Monastery

Beijing-based artist/producer Howie Lee interprets Tibetan Buddhist chants on his new album 'At The Drolma Wesel-Ling Monastery', the follow up to 2021's critically acclaimed 'Birdy Island'.

Recorded over two weeks at Drolma Wesel-Ling Monastery in the mountains of north-eastern Tibet, Beijing-based multi-disciplinary artist/producer, Howie Lee combines Tibetan Vajrayana Buddhist singing with Kode9-channeling bass/footwork science, glitched-out hyper-rhythms and sampled Chinese-Tibetan instrumentation for his latest album on Mais Um.

Invited to contribute and interpret chant recordings from the sound archive of monastery founder and master, Tuga Rinpoche's self-built recording studio, Howie Lee connects parallels in electronic music, deep meditation and devotional chanting to present eight reconstructed, IDM-warpedVajrayanamantras, journaling the beginnings of his journey into buddhism, and to continue Lee's career-long threading of ancient, cross-generational practice, modern Chinese history and experimental club-futurism.

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Various - Basement Grooves Vol. 3

After the big success of Call Edan , Sounds Better collective comes back with 4 banger tracks from the crew Pop Panic , Aut Zebel , DJ GLC and G PUNX. Mix of 2000's vibes with electro and uk tech house , absolutely don't miss limited copies!

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MOSES TRIO YOOFEE - MYT

MOSES TRIO YOOFEE

MYT

12inchLTR47
Leiter
07.02.2025

Berlin’s Moses Yoofee Trio have confirmed details of their first new material since their 2023 mini-album, Ocean. ‘WHIP.wav’ will be released digitally on October 18, 2024, and represents the first taster for their debut full-length, MYT, set to be released by Nils Frahm’s LEITER on February 7, 2025. The German group recorded much of the album over ten days in April 2024 at Glaswald Studios, in the countryside outside Stuttgart, before returning to Berlin to polish the results and record two further tracks at LEITER’s Funkhaus studio. Available on vinyl and via all digital platforms, the album was produced by the trio with long-time collaborator and mixing engineer oh.no.ty. ‘WHIP.wav’, the original version of which was previously shared to social media to great response, is a perfect showcase for the band’s unique brand of sophisticated jazz, its laidback summer grooves lit up by Moses’ fluid piano lines, while drummer Noah Fürbringer’s deft rhythms lock in with Roman Klobe-Barangă‘s understated bassline. At just 100 seconds long, it’s also as succinct and straightforward as MYT’s title – and indeed many of its tracks – which reveals a lot about the Moses Yoofee Trio. The new album’s tracks display a remarkable determination to distil their work to its essence, allowing their prodigious talents and graceful versatility to flourish in uncluttered surroundings. Their goals, they state concisely, are “emotions, moments and bangers”, and careful attention was paid to arrangements to ensure nothing superfluous made the cut. Before coming together as a band, all three members were already deeply involved in the music scene, touring, recording, and producing for a wide range of artists and bands. They connected in 2020 when Moses met Roman at Berlin’s Jazz Institute, and it was the latter who suggested they jam with his friend Noah, who was living in southern Germany at the time but frequently visited Berlin. Amid the extended lockdowns of the Covid-19 pandemic, the trio embraced the chance to fully immerse themselves in the creative process. Since then, Moses Yoofee Trio have cultivated an extraordinary reputation for their shows, and this year they won the German Jazz Prize’s prestigious Live Act of The Year award. Recent highlights include a 2,500-capacity Elbjazz Festival booking beside Hamburg’s harbour, a riotous appearance at London’s Jazz Festival, and an intimate gig before 200 people at the German capital’s now redundant Tempelhof Airport on the rooftop of an air traffic control tower. Despite their own work as a trio, all three musicians remain busy elsewhere, with Moses, like Roman, often working with chart-topping Berlin-based Peter Fox, a frontman for reggae/dancehall/hip hop crossover act SEEED, and accompanying him on his extensive solo tours. Noah, meanwhile, plays with another renowned artist, German-American rapper Casper, as well as Sweden’s acclaimed Petter Eldh and German comedian / actor / musician Teddy Teclebrhan.

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Various - Invaders - Floating Around in the Sun 1970-1974 LP

We are overjoyed to present this album, another one from our bucket list and another one to set the record straight and illuminate the history of another much loved, but until now mysterious group. The Invaders made some of our all time favorite records - back in 2013 we issued five 45’s of their brilliant, sometimes plaintive, sometimes hopeful and sweet early roots music. Their sound touches folk and gospel in lovely subtle ways that elevate them above the many harmony groups of the early roots reggae era. Since the start of DKR we were striving to learn more about the group - and despite being able to license a portion of their output for reissue, and get anecdotes about them here and there, we were never able to connect with the group themselves. But we never gave up asking about them, and finally in 2024 we were able to link with Delroy “Bongo Pat” Forde, the surviving member of the group. Unfortunately other Invader, Lloyd “Paddy” Campbell passed on several years back. To hear and learn their full story, you need to check out this album and read the liner notes. This 13 song LP corrals much of their output - some of the tracks we previously issued but have been long out of press, some more never before reissued, and some great related solo works by the duo. And to cap it all off we’ve added two new voicings on a couple of our favorite vintage rhythms, by Invader Bongo Pat himself, live in 2024, singing two Invaders songs written way back in the early 1970s but never recorded back then. All together this is a long overdue document of one of the 1970’s finest groups and one dear to our heart.

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Bash Man - Bash to Basics EP

Bash Man

Bash to Basics EP

12inchSTEPBACK007
Stepback Records
05.02.2025

Bash Mans ‘Bash to Basics’ EP marks a major milestone for Scotlands Underground Techno scene.

Edinburgh, Scotland - Stepback Records proudly announce the highly anticipated release of ‘Bash to Basics ‘ EP the debut 12” vinyl from Glasgows own BASH MAN, aka Jamie Morrison. Dropping on Jan 31st 2025, the records captures the essence of raw, unfiltered techno and embodies Bash Mans unwavering dedication to the underground music scene.

With previous digital releases on labels like Scott-Fear Es Posh End Music, and Tom Carruthers Non Stop Rhythm and Data Sync labels, Bash Man has already carved out a name in the dance music world. However, this 12’ release promises to be a transformative highlight, cementing his reputations a force to be reckoned with in the techno community.

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