Buscar:h fusion

Wade from Hello Records called Mr. PC "Detroit's hardest working DJ" about a year back, and the fruits of his labor shine through on this curious beatdown and jazz funk re-edit record. In his own words, "The scene doesn't need another hand-stamped and numbered vinyl-only disco edit label, so I went ahead and took the proverbial razor and tape to some jazz-fusion-disco-not-disco tracks that influenced me coming up as a bass player, now fully capable for DJ dance floor elevation." 450 hand-stamped and numbered

Parrish Smith makes his Dekmantel debut on the label's sister-techno imprint, UFO, with a blend of avant garde electronics and industrial.
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With the 'Sex, Suicide & Speed Metal EP', Dutch producer Parrish Smith works outside of the realm of genres and tempos, creating his own unique template of saturated, electronic post-punk, having won accolades from the likes of Nina Kraviz, and Ron Morelli along the way. An analogue purist at heart, Parrish Smith has already amassed a cult following with regular appearances on Red Light Radio, in which the anarcho-experimentalist broadcasts sessions of heavy industrialism, breakbeats and body music.

Parrish Smith's music brings together classic analogue gear and a love for the fusion of aggressive industrial sounds. With title track 'Sex, Suicide & Speed Metal', Parrish Smith channels his inner Alan Vega, with some screaming guitars, and 65bpm machine-crunching body beats, lurching into a sultry space of slick wave music. 'Mute' jacks up the feeling of tempo, rife with energetic drum machines, pulsing synths and retro-fitted vocals, similar to the sound of something Daniel Miller might have released himself back in the early 80s. 'SKINS', delves further into the mechanical, with a grinding bass that bleeds through the track's entirety, while 'Fall into sin' sees him explore the world of deconstructed, gothic-pop yet further. Parrish Smith will be DJing, and performing live as Volition Immanent at this year's Dekmantel Festival, to fulfil the festival's charter of provocative, and intoxicating, energetic beat-filled music.

Unusual Colour And Complex Microtonality Found In The Classical Music Of Iran / Blurts Of Noise, Sour Tones, And A Vaguely Technoid Or Dubwise Impression Expose The Inner Rhythm And Counterpoint Embedded In This Strummed Music / Emotional, Mathematical And Polyrhythmic Principles Underpinning Persian Music, The Record Reveals A Dramatic Blend Of Acoustic Persian Instrumentation And Contemporary Electronics. Sote Aims To Devise An Idealised Fusion Of The Musical Heritage And Tradition Of Iran With The Forward-thinking Vision Which Has Propelled His Storied Career Producing Techno, Hardcore And Computer Music For Labels Like Warp, Ge-stell, Morphine And Repitch. Now Living In Tehran, His Music Has Frequently Grappled With The Strict Cultural Restrictions Imposed In His Country Over The Past Few Decades, Finding A Space And Setting To Nurture New Developments In Experimental Sound And Performance. Working With Arash Bolouri Who Plays The Santour (persian Hammered Dulcimer), And Behrouz Pashaei On The Long-necked, Four-string Setar, Sote Frames And Responds To Their Traditional Artistry. On Occasions He Directly Manipulates The Music Emanating From Their Ancient Instruments, Cultivating And Thickening Up A Surreal And Beautiful Tonality Plucked From Their Strings With A Series Of Processing Techniques, But Mostly Each Track Is A Peaceful Arrangement And Partnership, Sote Electro-acoustically Augmenting Their Movements Within His Own Cybernetic Framework.

Official Mr Bongo reissue of the ultra-rare album by 'Super Elcados'. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976. The 'Super Elcados' (and 'Elcados' on other recordings) recorded three albums in the mid and late-70's, this is their first. It was followed by 'This World Is Full Of Injustice' and 'What Ever You Need'. Licensed from Geoffrey Johnson (Elcados), courtesy of PMG, with special thanks to Dave Hill for his help.

Out-ER sub-label Pregnant Void is proud to announce the release of hi.mo's debut album Urtiis. Landing on double vinyl in June 2018, it is a fantastically absorbing showcase of the Italian's weird and wonderful fusion of various strains of sound from jazz to hip hop to classical. "The alteration of conventional musical patterns thrills me," says the artist who is classically trained in piano and uses that knowledge to play with rules, structures and forms. Influenced by IDM, African drums, jazz and the interplay of chords, rhythm and harmony, hi.mo infuses his electro-acoustic productions with found sound samples and analogue and digital tools. This is a spelling-binding and intimate album that is filled with invention, but never at the expense of the overall experience, which is beautiful and beguiling throughout.

On A side, electronic music wizards Kompozyt team up with a Dub Legend Lee 'Scratch' Perry to bring you a heavy-hitting and instant bounce-inducing Dub Techno track 'Hidden Force'. Lee Scratch Perry's amazing and charismatic Dub poetry blends superbly with the neat fusion of spacey and subterranean sounds of Kompozyt productions. The single is not to be missed this summer.

On B side, Kompozyt brings you a 7' version of 'Homesick' - Dub and Trip-hop inspired Experimental Electronica with Olgierd Dokalski on the trumpet. Olgierd's incredible performances of real haunting beauty further reinforce the analog, live and improvisational aspect of Kompozyt's music.

Both tracks come from Kompozyt's debut album: 'Synchronicity' - out everywhere now on CD and DL.


Selected Reviews of Kompozyt's Debut Album and the Single

5/5 Decoded Magazine: 'Incredible album 10/10'

4/5 Lars Berhenrot (Deepershades): 'LOVE THIS .. never-ending deepness ..'

5/5 Pierre Ravan: 'Amazing work from the heart'

5/5 Queensradio.org: 'I'll definitely be playing these guys on air'

4/5 Garth Trinidad (KSRW Radio) 'Exquisite score without a film'

5/5 Hoxton FM (London): 'Incredible release!'

4/5 Stereo MCs: 'Nice vibes refreshing'

4/5 Robert Babicz: 'I love dub. in all forms'
5/5 Adam Hannibal (Balanced) : 'Neat fusion of spacey and subterranean sounds. Reminiscent of the Beyond Recs Ambient Dub compilations with some freshness... Well done'
5/5 Al Bradley (3amrecordings): 'This needs full love because it's excellent :) I can really picture myself just letting this play from the first sound to the last & becoming utterly immersed as it flows through! Gorgeous.'
5/5 Bartlomiej Blesznowski- 'One of the best electronic music albums this year'
4/5 Neil Brown (RMFM; Pro Mobile Magazine): 'Some nice tunes to get your head in gear to.'

5/5 Jorn Kirk (DJ Jay Kay) (Faith Sundays): 'very nice album !!! a joy to listen to'

Second Circle is proud to announce it's tenth release to date with a new EP from L.A. producer Benedek. 'Earlyman Dance' was recorded at Benedek's studio in Koreatown, Los Angeles and fuses mechanistic rhythms and synth work as well as live percussion and trumpet played by friends Chris Parise and Anthony Calonico.
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With five vibed out compositions of coyote jazz, dance floor fusion and canyon bangers, 'Earlyman Dance' is an ode to the urban and natural landscapes of LA, late night noir and early morning sunrises, accented with Benedek's signature chord progressions, bouncing bass lines, meticulous drum programming and dubbed out trumpet.

Beautiful 1 LP Edition with 350g cardboard old Stoughton tip-on sleeve, Sticker - MKWAJU ensembleâs highly sought-after album reissued on vinyl for the first time since 1981. Also available on CD. - 33 rpm LP mastercut by Emil Berliner from original tapes! WRWTFWW Records is over the moon to announce the official reissue of legendary album KI-Motion by Japanese percussionist Midori Takadaâs MKWAJU ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios and housed in 350g old Stoughton tip-on sleeve, and a digipak CD. A highly creative and transcendental fusion of marimba, vibraphone, bamboo percussion and synthesizers, KI-Motion was recorded in 1981 and captures the birth of Midori Takadaâs exploration of minimalism, African rhythmic tradition, and ambient music. The album takes its conceptual inspiration from the tamarind ( âmkwajuâ in Swahili), a drought resistant tree notably used to craft some of the first mallets and marimbas but also known for its culinary and medical uses, an essential symbol of life and identity for the Central African grasslands. Drawing from the regionâs culture and music as well as the crucial notion that rhythms represent the very fabric of life, Midori Takada leads her ensemble into environmental heaven to create one of the highlights of her recording career and an absolute must-have from the golden age of Japanese ambientâ¦the ideal companion to her majestic Through The Looking Glass opus!

2x12"

The Gates of Charon, an original soundtrack, is the long-awaited result of two years of work by a multitude of outstanding producers from the bass music and drum 'n bass scenes. This deep, dark and weighty release comes at you with 26 tracks of professional soundscape production to tell a story of the fusion of the mystic and scientific to manipulate dark energy and explore the multiverse. This unique project will take listeners on an interplanetary journey of the highest order through sound and emotion. This is a limited edition release in a double gatefold full-art cover with 2 X 12" two-color 180g vinyl (limited to first 300 copies), with download codes (including bonus instrumental versions).

Jon Hassell Hatte Mit Seinem Visionären "fourth World" Konzept Vor 40 Jahren, Das Überlieferte Ur-weisheiten Mit Modernster Technologie Fusionierte, Einen Massgeblichen Einfluss Auf Musiker Wie Brian Eno ("my Life In The Bush Of Ghosts"), Talking Heads (remain In Light"), Peter Gabriel, David Sylvian, Björk Und Neuerdings Oneohtrix Pojnt Never, Huerco S Und Visible Cloaks. Nach Zwei Alben Ende Der Nullerjahre Auf Ecm Und Diversen Retrospektiven Seitdem Erscheint Nun Mit "listening To Pictures (pentimento Volume One)" Sein Erstes Neues Material Seit Fast Einer Dekade, Auf Dem Jon Hassell Seine Lebenslange Erkundung Der Möglichkeiten Der Rekombination Und Recodierung Musikalischer Fragmente Fortführt, Die Gesampled, Gelooped, Overdubbed Und In Betörende Neue Formen Neu Arrangiert Werden. Dabei Überträgt Er Die Maltechnik Des Pentimenti, Bei Der Teile Eines Gemäldes Während Der Produktion Übermalt Werden, Auf Die Musik Und Erzeugt Mit Überlagerten Sounds Völlig Neue Strukturen.

Two of Russian electronic music's rising stars, Phil Gerus and Alexander Lay-Far, invite you to join them at the Solitary High Social Club. While table service is provided, they'd much rather you throw caution to the wind and head to the dancefoor.
Before joining forces in the studio, both Moscow-based musicians have delivered a string of memorable solo productions. Lay-Far has previously released a wealth of material on such labels as Local Talk, City Fly, Lazy Days and 4Lux Black, while synthesizer fetishist Gerus has showcased his electrofunk and disco-fred cuts on Futureboogie Recordings, Sonar Kollektiv, Public Release
and Superior Elevation Records.
The fve tracks that make up Solitary High Social Club deliver a perfect marriage of the two producers' distinctive solo styles, combining the rich musicality of Lay-Far's house productions with the spacey, intergalactic electronics of Gerus's discoid adventures. In many ways, it's a marriage made in heaven - or in Lay-Far's celebrated In-Beat-Ween Studio, at least.
The duo's spacey and melodious musical fusion is arguably best exemplifed by lead cut City 2 City, Star 2 Star', a widescreen, mid-tempo disco epic rich in tactile Rhodes riffs, supernova synth solos, delay-laden drum beats, tumbling melody lines and heavy analogue bass. Fittingly, the track returns in Reprise' form - think sweeping, weightless ambient bliss - to round off the EP.
Elsewhere, the duo provides further proof of their combined musical talents.
Check, for example, the gentle drum machine electro beats, cascading new age melodies and sparkling, stretched-out synthesizer chords of the impeccably beautiful Am I Tripping', or the devilishly percussive, mind-altering brilliance of Love Life', where mutant electro bass, wide-eyed chords and alien melodies rise above a heavy, Afro-infuenced groove. As for Snowfakes On Her Lips', you'll struggle to fnd a more confdent and positive dancefoor workout all year. Blessed with killer piano parts, darting analogue synth-bass and a range of disco-tinged musical fourishes, it's by far and away the most celebratory moment on an already happy-go-lucky EP. It confrms, too, our initial hunch: at the Solitary High Social Club, life is always good.

GROUND-BREAKING, CLASSIC BOOGIE & DISCO LP FROM 1979 NIGERIA, FEATURING 'AGBOJU LOGUN'
First official reissue of the extremely rare full-length album by Lagos-based bandleader Shina Williams. Clean copies of the original currently sell for up to £500.
The record was born in 1979 when Shina put Biddy Wright, Fred Fisher, Saliu Alabi, Prince Bola, Tutu Shoronmu, Tunde willimas and several other decorated Nigerian musicians - who played with the likes of Fela Kuti, SJOB Movement, Sonny Okoson, King Bucknor amongst others - together to record. The result is 'African Dances', a timeless fusion of afrobeat, electronics, boogie and disco.
Includes his most well-known song, 'Agboju Logun' that Williams knew was ground breaking - I want to show the whole wide world that Africa is alive with modern musicians to reckon with anywhere,'. This album version is a different mix to the two-track 12' that came out under on Earthworks, Rough Trade in 1984.
Official Mr Bongo reissue. Replica original artwork. Licensed direct from Shina Williams.

For his third album for Far Out Recordings, London based multi-instrumentalist and one of Europe's finest saxophonists Sean Khan ventures to Rio de Janeiro to collaborate with iconic Brazilian polymath Hermeto Pascoal. Taking its title from the escaped slave settlement 'Palmares' in the Northeast of Brazil during the 1600s, Palmares Fantasy is Khan's utopian jazz message for the world, and features Azymuth drummer Ivan 'Mamao' Conti, bassist Paulo Russo, guitarist Jim Mullen, and guest vocals from Brazilian chanteuse Sabrina Malheiros, and Cinematic Orchestra frontwoman Heidi Vogel.

Like Hermeto Pascoal, Sean Khan is a self-taught musician. Never able to afford his original dream of studying at Berklee, and having been turned away from Guildhall School of Music for being 'too raw', he became disillusioned with what he saw as the exclusivity, elitism and dangerous institutionalisation of the jazz world. Yet Sean's love for music and the drive to create never faltered.

Hermeto Pascoal, the man Miles Davis once dubbed the most impressive musician in the world', is a similarly independent artist. A true maverick whose ingenuity and freedom from conventional restraints is so great that he has essentially conceived his own musical language, made him the dream collaboration for Sean.

Aspiring to inclusivity and equality also informs the message in Khan's music. Inspired by the 17th Century settlement of Palmares in Brazil's Alagoas region, which was free from the Portuguese crown's murderous exploitation of South America for a century, Khan notes his fascination with the fact that while majoritively made up of escaped African slaves, many deserter conquistadors also joined the settlement.

Hearing the deep-grooving title track with this history in mind, the listener is transported to a futuristic musical eden, with Mamao's insatiable 10/8 rhythm back-boning Hermeto's wild improvised vocals, rhodes and whistles, while Sean's harmonically brilliant sax and flute add more layers of moody, characterful expression. 'Moment of Collapse' is Sean's poetic study on the uncertainties of modern day western civilisation, delicately presented by the gorgeous vocals of Heidi Vogel and drenched in lugubrious strings and Alice Coltrane-esque harp. The two covers on the album are of Hermeto's own 'Montreux' (on which Hermeto plays solos on a teapot and a pint of water), and an uplifting soulful jazz-funk take on Milton Nascimento & Lo Borges MPB classic 'Tudo Que Voce Podia Ser' featuring the vocals of pioneering nu-bossa voice Sabrina Malheiros.

The recording sessions for the album were part of an intensive and hugely productive eight-week excursion to South America for Far Out boss Joe Davis in the summer of 2016, which also saw the sessions for Azymuth's Fênix and a forthcoming album from Uruguayan fusion legend Hugo Fattoruso.

Fantastic' Gilles Peterson

Loving this!' Opolopo

Thank you!' Sassy J

Proper! Great track.' Colin Dale

this is great!' Yannick Elverfeld (RBMA / Needs Records)

I've enjoyed Sean Khan's earlier releases, but this really seems like he's grown into his fairly considerable talent.' Mark Sampson (Songlines)

His last album was his best so far, but I think this one may be even better.' Laurence Pragnell (Soul Brother Records)

dope!!!' Kyri (R2 Records)

this is great - really cool vibe!' Sam Redmore

wonderful track - can't wait to hear the lp.' Simon Harrison (Basic Soul Radio)

This is very tasty indeed.' Gavin Boyd (Soul Has No Tempo)

Stunning!!!' Mark Milz (Further In Fusion)

Oi Oi' Samuel Lloyd (Balamii Radio)

PRESS / ONLINE

VINYL FACTORY (UK) News (Anton Spice) 09/03/18 online

SOUNDS & COLOURS (UK) News (Gabriel Gahan) 09/03/18 online

THE WIRE (UK) Review confirmed (Joseph Stanard) print

EVENING STANDARD (UK) Review confirmed (Jane Cornwell) print + online

ECHOES MAGAZINE (UK) Review confirmed (Laurence Pragnell) print

LIBERATION (FR) Feature confirmed (Jacques Denis) print + online

MUSIC IS MY SANCTUARY (CA) Premiere confirmed (Mike Jones) online

JAZZ MAGAZINE (FR) Review confirmed (Frederic Goaty) print

SHINDIG! (UK) Review confirmed (Grahame Bent) print

MUSICA MACONDO (UK) Premiere confirmed (Tim Garcia) online

RAWCKUS MAGAZINE (USA) News (Randy Radic) online

KIND OF JAZZ (UK) Review confirmed (Fernando Rose) online

TONART MAGAZINE (DE) Review confirmed (Michael Moehring) print

WORLD MUSIC NETWORK (USA) Review confirmed (Raul Da Gama) online

BADD PRESS BLOG (USA) Review confirmed (Kevin Press) online

ORKESTER JOURNALEN (DK) Review confirmed (Patrik Sandberg) print

LIVE

WORLDWIDE FM (UK) Sean Khan live session confirmed (Gilles Peterson)

RADIO

BBC RADIO 6 (UK) Gilles Peterson - Palmares Fantasy (24/02/18) link

OTHER

BRITISH AIRWAYS On board BA flights (June 2018)

· Album presentation live @ Camden Assembly London, 13th June
· Genre-spanning UK jazz artist who has worked with the likes of Craig Charles Fantasy Funk Band, Nightmares On Wax, The New Mastersounds, and Rae & Christian
· Follow-up to the debut and highly credited La Sombra from 2017
· Features guest UK trumpeter Matthew Halsall on 'The Mirage'
· La Sombra made Gilles Peterson's 'Best albums of 2017' list, with a track included on Brownswood Bubblers 12
· Part of the Matthew Halsall live band and toured with Dwight Trible

Recorded in Madrid in July 2017, Shamal Wind combines Chip Wickham's globetrotting, spiritual jazz expeditions with hard-won schoolings in the funk. Following his critically acclaimed 2017 debut, La Sombra, the record draws on spiritual jazz influences like Yusef Lateef and Sahib Shihab, and rests on Chip's many-sided experience as a musician, spanning left-field beat experiments to hard-hitting funk heavyweights.

After the Latin and flamenco whispers on La Sombra, Shamal Wind adds some Arab-influence percussion to the mix, most notably on the title track. Elsewhere, 'Barrio 71' sees him nodding to Shihab: high energy, lyrical and absorbing, with sax and the vibraphone taking the lead. 'Snake Eyes' taps into the meditative exaltations of modal jazz, while 'Soho Strut' nods to the jazz fusion, funk-influenced side of Chip's playing.

Like the Persian Gulf winds referenced in the album title, which often mark the shift to a new season, this album signals a new chapter for Chip, opening up a newfound energy and inclusiveness in his music, and further expanding on what he achieved in the past year. "Shamal Wind" is a heavy record, built on strong foundations.

Over the past 3 decades Chip Wickham has worked, written, recorded, and toured with the likes of Rae & Christian, Fingathing, The Pharcyde, Jimpster, Nightmares On Wax, Graham Massey, Roy Ayers, Nat Birchall, The New Mastersounds, Lack Of Afro, Craig Charles Fantasy Funk Band, Matthew Halsall, and Dwight Trible.

On "La Sombra":
"This is coming from the outside, I was like whooooa, easy. Blowing hard - they got it right! Gilles Peterson
"I'm becoming convinced that Chip Wickham is a genius" Craig Charles
"An impressive solo debut" London Evening Standard
"Majesterial and electrifying stuff" 9/10 Blues & Soul Magazine
"Tonally and melodically elegant and with a distinct 1960s/1970s vibe" Scotsman

Independently released album of 80s influenced / new era Boogie, Disco and Jazz fusion performed and recorded by Skymark. Great songwriting and drum programming skills are on display throughout while he deftly works an array of synths (ARP, Prophet, Moog, Roland and Korgs). Big Tip!

It's rare to come across a debut album that delights and surprises in equal measure, but that's exactly what you can expect from Human Call, the first full-length excursion from daydreaming dancefloor fusionists Earthboogie.The East London-based duo of Izak Gray and Nicola Robinson has previous form when it comes to creating beautiful, funk-fuelled fusions of soundsystem-ready rhythms, humid instrumentation and intergalactic audio explorations. To date, they've released a pair of fine EPs on Leng, both of which did a splendid job in showcasing their unique musical vision.Even so, this vision has never been clearer than it is on Human Call, a vibrant eight-track missive that fixes the sticky tropical cheeriness of African and South American dance music - be it Afro-disco, Afro-funk or samba - with a wide range of complimentary sounds, styles and influences, from spacey analogue electronics, sun-kissed Balearica and hazy West Coast jazz-rock, to chunky dub disco, snappy retro-futurist house and bouncy, dub-fuelled club workouts.Throughout, Gray and Robinson showcase an impressive level of musicianship, variously combining crunchy drum machine hits and dusty old synthesizers with razor-sharp electric and acoustic guitars, rich bass, cascading saxophone solos and hazy, life-affirming vocal harmonies.The result is a string of memorable highlights, from the sticky tropical-house-meets-dub disco futurism of 'Human Call' and fuzzy disco-funk righteousness of opener 'Overground', to the post-punk disco jauntiness of 'Stargazing' and samba-infused dancefloor bliss of Nina Miranda collaboration 'Silken Moon'. Cheery, absorbing, imaginative and hugely entertaining, Human Call offers a perfect snapshot of Earthboogie's distinctive musical world.

In celebration of 20+ years since their classic debut Uptown Saturday Night, Bronx duo Camp Lo present a special double-album 2XLP with On The Way Uptown & The Get Down Brothers. On The Way Uptown features a collection of demos and unreleased songs made between 94' - 95', leading to their official debut in early 1997. Aside from the early versions of their hits Luchini (AKA This Is It),' Sparkle,' Black Connection,' and Coolie High', other standouts include World Heist', Coolie High Is Life' & A Piece of the Action'.

On The Get Down Brothers, Camp Lo completely pivot away from their 90's nostalgia into a much more futuristic and experimental sound. Although the production is different, their signature tongue-twisting and hype flows remain, creating a unique and seamless fusion packed into 10 dynamic tracks.

Mindblowing Afro-Soul music from Ivory Coast served up by Deke Tom Dollard, an obscure artist who only recorded two albums in 1979 and 1981 but who created an original funky fusion with Bété langage. A Selection of four amazing tracks recorded in Abidjan on two different records label called War Records and As Records.

The music here is a mixture of Funk with heavy basslines, traditional percussions, funky guitar riffs, nice horns section and lyrics in Beté. The song Demonde' is inspired by harmonies of the famous Dance to the Drummer Beat' by Herman Kelly.

Those two rare records were found by Afrobrazilero (aka Djamel Hammadi) and never appeared on the vinyl market. It's almost impossible to have infos about this singer and composer neither the musicians involved in the recording sessions. Most of the traces of the recording session were lost by the labels we licensed the tracks with.

Unique, pressed on a deluxe vinyl, remastered by The Carvery, this very Funky album is a must have for all the Afro Funk lovers!

Orlando Voorn is back on Tarvisium Electronique with 'Secret Society,' a mysterious, obscure and psychedelic EP exuding the essence of Detroit techno. Side A of the vinyl features the title track in which Voorn melts the analogic rhythm with a spectral melodic pattern. Side B features two tracks; 'Playing for keeps,' a techno bolt of lightning bound straight for the dancefloor and 'Rush,' a track characterized by a mechanical, analogic and highly experimental sound.

To conclude the EP the label manager, Steve Lorenz, has composed a remix of 'Secret society' with an avant-garde fusion of minimal, acid and Detroit techno.

"Emotional Rescue begins the first in a series of reissues looking at the music of guitarist Carl Weingarten and his Multiphase Records label, starting at his highly sought after collaborate album with Walter Whitney, Dreaming In Colors. With an early interest in photography and Super 8 film leading to a degree in cinema production, Weingarten's other, self-taught, love was the slide guitar. Taking its blues roots and merging them with his visual arts background created a unique "painting in sound" style of playing. While looking to break into the film industry he began writing and recording his own film scores and other music for modern dance companies. From this, he founded Multiphase Records in St Louis in 1980. By the time of Dreaming In Colors, the label had released a series of cassettes and vinyl albums offering abstract, experimental, jazz-fusion, new wave and increasingly, new age compositions. Throughout this period the work of engineer, keyboardist and programmer, Walter Whitney was often present and by the 1985 release of Dreaming In Colors the duo had collaborated for a number of years and released several projects together, most notably as members of the Delay Tactics band. Recorded during off days from the Delay Tactics sessions, the album came together at Whitney's Subterranean Sound studio with a focus away from the bands guitar driven instrumentals to explore a multilayered approach to synthesis, blending textures with Whitney's original samples and sound design, while Weingarten's guitar moved from shining solo moments to complimenting the overall oeuvre, all with heavy washes of delay. This ecumenical approach led to the creation of this compelling album. A masterful conceptual whole that is linked by rich melodies and a concise playing style, heavy on substance while never forgoing the uplifting vibrations. "