The Bug ist das Hauptprojekt des umtriebigen Londoner Produzenten Kevin Martin. Martin, der bereits für Thom Yorke, Grace Jones, Einstürzende Neubauten und Primal Scream arbeitete, verbindet auf "London Zoo" eindrucksvoll Dubstep mit Dancehall, Grime und HipHop-Elementen. Eine Platte, direkt aus dem Herzen der britischen Hauptstadt, die aller Orten funktioniert und mitreißt. 12 mal Londoner Soundkultur mit Gastauftritten von Ricky Ranking, Flowdan, Warrior Queen, Spaceape und vielen weiteren.
quête:h jones
Lorenzo De Blanck breaks new ground and makes his Hot Creations debut with ‘Feel My Desire’. With an impressive year under his belt, earning recognition as one of the ANTS’ ‘Next Gen Top 10’ plus success on labels such as Hottrax, Moon Harbour, Repopulate Mars, Italian DJ/producer Lorenzo De Blanck now makes an electrifying debut on Hot Creations with ‘Feel My Desire’. The release showcases three thumping tracks already garnering support from leading figures, including label boss Jamie Jones and Joseph Capriati, embodying the label’s reputation for propelling pioneering artists to the forefront.
The title track ‘Feel My Desire’ combines speaker-rattling basslines with an unwavering sonic landscape, meticulously crafted to ignite a dance floor frenzy, while ‘Energy’ locks in a slick groove with percussive rhythms and eerie vocal snippets for a hypnotic trip. Closing out the release, Show Me The Way’ lightens the mood combining bouncing drums beneath a slick sample of Dave Lee's 2003 hit ‘The Way’, before blending escalating synths for a rolling workout.
- A1: Shaktar Donetsk
- A2: Bhindee Bhagee
- A3: Rudie Can't Fail
- B1: Tony Adams
- B2: (White Man) In Hammersmith Palais
- B3: Mega Bottle Ride
- B4: Get Down Moses
- C1: Police & Thieves
- C2: Cool ?N' Out
- C3: Police On My Back
- C4: Johnny Appleseed
- D1: Coma Girl
- D2: I Fought The Law
- D3: Bankrobber (Feat. Mick Jones)
- D4: White Riot (Feat. Mick Jones)
- D5: London's Burning (Feat. Mick Jones
Dark Horse Records veröffentlicht das legendäre Live-Konzert von Joe Strummer & the Mescaleros in Acton Town Hall, neu gemastert vom Grammy-Preisträger Paul Hicks (The Beatles, The Rolling Stones, George Harrison) erhältlich auf 2LP-Vinyl und CD.
Das am 15. November 2002 aufgezeichnete Konzert war ein Benefizkonzert für streikende Feuerwehrleute und war einer von Joes letzten Auftritten (er verstarb einen Monat später). Teil des Auftritts eine Reunion mit Mick Jones, Strummers ehemaligem Bandkollegen von The Clash, der zum ersten Mal seit fast zwanzig Jahren für drei Songs wieder mit Strummer auf der Bühne zusammenkam. Es war auch das letzte Mal, dass sie gemeinsam auf der Bühne standen.
Die Vinyl ist in einer Gatefold-Hülle verpackt, inklusive bisher ungesehenen Fotos von der Show sowie neue Linernotes vom ehemaligen Feuerwehrsekretär Andy Gilchrist, der die Band bei der Show vorstellte und die Streiks anführte, die Joe unterstützte. Dies ist das erste Mal, dass das Konzert mit einer umfassenden Verpackung auf Vinyl veröffentlicht wird. Die extrem limitierte vorherige Version, die 2012 exklusiv zum Record Store Day erschien, hatte nur eine DIY-inspirierte Klarsichthülle und war das erste Mal, dass es auf CD
veröffentlicht wurde.
- A1: Away Ft Marina P
- A2: Be Mine Ft Rayjah45 & Javada
- A3: Dans La Rue Ft Big Red & Durrty Goodz
- B1: Dark Days Ft Shumba Youth
- B2: Drop Ft Wazeer
- B3: High Grade Ft Xl Mad
- C1: Stalk Me Ft Javada
- C2: I Feel Ft Queenie & Syross
- C3: Outside Ft Lasai & Fabjustfab
- D1: Righteous Ladies Ft Ras Demo
- D2: High Ft Dub Fx
- D3: I Like Dem Girls Ft Ab Rude & Rayjah
It's rare to see Nassau, Covid and Grace Jones in the same sentence, but they were indeed part of the creative basis for DJ Vadim's brand new album, FEEL UP.
As a busy international DJ, this was nothing short of armageddon for Vadim. The skies were darkened, but rather than sink into inactivity and hibernation, DJ Vadim created within himself his own tropical music festival, an alternative universe that would share some kind of kinship with the recordings made at Compass Point Studios, orchestrated by Chris Blackwell for Grace Jones (1980-1982), James Brown, AC/DC, and many others...
It was a melting pot of world-class musicians, blending reggae, pop, soul and African rhythms and sounds... together creating one of the most influential albums of the period, and it was in this spirit that the inspiration and title of DJ Vadim's new album, FEEL UP (literally 'Feel good' / 'Have the strength, the courage'), was born.
Forty years after those sessions at Compass Point Studios, the same quest for discovery took place in Vadim's Barcelona studio. The desire for growth, self-discovery and the creation of new sounds took hold. The dubcatcher with its 80s digital sounds went out and came back with a wide variety of musical tapas.
Inhale, exhale, FEEL UP is the soundtrack you've been missing without even knowing it!
Le Chant du Monde präsentiert den zweiten Teil seiner Serie „Secret Nuggets of Wise“ (SNOW), die zu einer Referenzsammlung für jede Diskothek ausgebaut wird. Der Reggae trat Dank Bob Marley,
Peter Tosh u. v. a. seinen Siegeszug von Jamaika um die Welt an. SNOW2 dringt jedoch viel tiefer in die Geschichte ein und präsentiert Künstler, wie The In Crowd, Lloyd Jones, Azul und Horace Denton. Alle Titel wurden sorgfältig remastert
All Analogue Audiophile 180g Vinyl LP!
Remastered & Cut to Lacquer by Kevin Gray from the Original 1961 Analog Master Tape!
Mastered with the Original Analogue Master Tapes by Kevin Gray at Cohearent Audio!
Impex Records is pleased to announce a new, audiophile HQ-180 LP release of Bud Shank's pivotal 1961 classic, Barefoot Adventure.
Featuring original compositions arranged by Shank for Bruce Brown's surf film of the same name, this is a swinging, hard-driving jazz session by six top-flight musicians at the height of their careers: Bud Shank (alto and baritone), Bob Cooper (tenor), Carmell Jones (trumpet), Dennis Budimir (guitar), Gary Peacock (bass), Shelly Manne (drums).
The original Pacific Jazz recording features excellent sonics and showcases Shank at his most adventurous, playing with an advanced confidence and sophistication.
Remastered and cut to lacquer by Kevin Gray from the original 1961 analogue master tape, this ultimate vinyl edition of Barefoot Adventure will satiate the most demanding audiophile and jazz enthusiast alike!
Carole Kings klassisches Weihnachtsalbum "A Holiday Carole" erschien 2011. Die 12 Songs des von ihrer Tochter Louise Goffin produzierten Albums vereinen kunstvoll das Spirituelle und das Weltliche mit einer bunten Mischung aus Christmas-Klassikern und neu geschriebenen Songs. Goffin hat drei Titel des Albums mitgeschrieben, darunter "Christmas in Paradise", bei dem sie mit den Grammy-Preisträgern George Noriega und Jodi Marr zusammengearbeitet hat, die erhabene Goffin/Marr-Komposition "Christmas In The Air" und das tief bewegende "New Year's Day", das sie gemeinsam mit dem renommierten Songschreiber Guy Chambers geschrieben hat. "Als erfahrene Produzentin", erinnert sich King, "war Louises erste Frage an mich als Künstlerin: 'Welche Songs magst du?'" Nachdem sie eine Liste ihrer Favoriten zusammengestellt hatte, machte sich Goffin auf die Suche nach ungewöhnlicheren Stücken und stieß dabei auf Stücke wie den Stax-Klassiker Every Day Will Be Like A Holiday" von William Bell & Booker T. Jones. King drückt der Musik ihren eigenen, unverwechselbaren Stempel auf und verleiht ihr ein weihnachtliches Flair. Für King ist der emotionale Höhepunkt des Albums zweifellos "Chanukah Prayer". "Louise hatte die brillante Idee, das Chanukka-Gebet zu nehmen, das ich von meinen Eltern gelernt habe und sie von ihren Eltern, und zwar über Generationen hinweg", erklärt sie. "Sie sagte: 'Ich möchte dich aufnehmen, wie du das singst, und ich werde einen Song darum herum komponieren.'" Das Ergebnis ist ein warmes, von Jazz geprägtes Stück, das drei Generationen gesanglich vereint: King, ihre Tochter und ihren Enkelsohn.
"Pretty Paper" ist das erste Weihnachtsalbum und das 24. Studioalbum des Country-Sängers Willie Nelson. Es war auch seine letzte Veröffentlichung in den 1970er Jahren. Nelson wendete sich erneut an den Produzenten und Arrangeur Booker T. Jones, mit dem er im Jahr zuvor am gefeierten Album "Stardust" gearbeitet hatte. Der selbst komponierte Titelsong war 1963 ein Weihnachtshit gewesen, als er von Roy Orbison veröffentlicht wurde. Willie liefert außerdem äußerst charmante Interpretationen von "White Christmas", "Jingle Bells", "Silent Night", "Here Comes Santa Claus", "Frosty the Snowman", "Blue Christmas", "Winter Wonderland" und mehr!
The 1990 debut album from Pale Saints, The Comforts of Madness, is an outstanding record that owed as much to post-punk and L.A."s Paisley Underground scene than it did to shoegaze. The Sunday Times called it "an unintended indie manifesto: music that is at once wayward and concise, dissonant and beautiful." Shortly after its release and in need of a second live guitarist, Lush founding member Meriel Barham joined the Leeds trio of Ian Masters, Graeme Naysmith and Chris Cooper, bringing a new dynamic to the band. Having previously worked well with producer Hugh Jones (Echo & The Bunnyman, Modern English, The Sound), he did a brilliant job recording their second album, In Ribbons (1992), despite some studio tensions. Brooklyn Vegan said in a recent celebration of the album that it was the "push and pull between Masters" outsider tendencies and (the rest"s) commercial interests that makes In Ribbons so good. If some of the wild, ragged edges of Comforts of Madness have been smoothed off, the album makes up for it with scope and beauty. And there"s still no shortage of weird." Missing its original release date last year due to Covid delays and a production plant in meltdown, In Ribbons is finally getting the 30th Anniversary celebration it deserves with a special double LP / CD release - the first disc being the UK version of the album, the second a bonus disc of never before heard demos (including their first attempt at Slapp Happy"s "Blue Flower" and Ian"s 4 track recording of "Kinky Love") and two brass band versions by The Tintwistle Band.
- A1: Throwing Back The Apple
- A2: Ordeal
- A3: Thread Of Light
- A4: Shell
- A5: There Is No Day
- A6: Hunted
- B1: Hair Shoes
- B2: Babymaker
- B3: Liquid
- B4: Neverending Night
- B5: Featherframe
- B6: A Thousand Stars Burst Open
- C2: Kinky Love (Demo) *
- C3: Hair Shoes (Demo) *
- C4: Shell (Demo) *
- C5: Hunted (Demo) *
- C6: Featherframe (Demo) *
- D1: Blue Flower (Demo) *
- D2: Throwing Back The Apple (Demo) *
- D3: Ordeal (Demo) *
- D3: Untitled Instrumental (Demo) *
- D4: A Thousand Stars Burst Open (Tintwistle Band Version) +
- D5: A Revelation (Tintwistle Band Version
- C1: Babymaker (Demo) *
12"[28,99 €]
The 1990 debut album from Pale Saints, The Comforts of Madness, is an outstanding record that owed as much to post-punk and L.A."s Paisley Underground scene than it did to shoegaze. The Sunday Times called it "an unintended indie manifesto: music that is at once wayward and concise, dissonant and beautiful." Shortly after its release and in need of a second live guitarist, Lush founding member Meriel Barham joined the Leeds trio of Ian Masters, Graeme Naysmith and Chris Cooper, bringing a new dynamic to the band. Having previously worked well with producer Hugh Jones (Echo & The Bunnyman, Modern English, The Sound), he did a brilliant job recording their second album, In Ribbons (1992), despite some studio tensions. Brooklyn Vegan said in a recent celebration of the album that it was the "push and pull between Masters" outsider tendencies and (the rest"s) commercial interests that makes In Ribbons so good. If some of the wild, ragged edges of Comforts of Madness have been smoothed off, the album makes up for it with scope and beauty. And there"s still no shortage of weird." Missing its original release date last year due to Covid delays and a production plant in meltdown, In Ribbons is finally getting the 30th Anniversary celebration it deserves with a special double LP / CD release - the first disc being the UK version of the album, the second a bonus disc of never before heard demos (including their first attempt at Slapp Happy"s "Blue Flower" and Ian"s 4 track recording of "Kinky Love") and two brass band versions by The Tintwistle Band.
- A1: Heaven (Blawan Dub)
- A2: Heaven (Owlle Remix)
- B1: Heaven (Steps To Heaven Voxdub)
- B2: Heaven (Matthew Dear Vs. Audion Instrumental Mix)
- C1: Heaven (Blawan Remix)
- C2: Heaven (Steps To Heaven Rmx)
- D1: Heaven (Matthew Dear Vs. Audion Vocal Mix)
- D2: Heaven (Live Studio Session)
- E1: Soothe My Soul (Steve Angello Vs. Jacques Lu Cont Remix)
- E2: Soothe My Soul (Matador Remix)
- F1: Soothe My Soul (Destructo Remix)
- F2: Soothe My Soul (Gregor Tresher Remix)
- G1: Soothe My Soul (Tom Furse - The Horrors Remix)
- G2: Soothe My Soul (Billy F Gibbons And Joe Hardy Remix)
- G3: Soothe My Soul (Joris Delacroix Remix)
- H1: Soothe My Soul (Black Asteroid Remix)
- H2: Soothe My Soul (Gregor Tresher Soothed Remix)
- H3: Goodbye (Gesaffelstein Remix)
- I1: Should Be Higher (Truss Remix)
- I2: Should Be Higher (Mpia3 Definition)
- I3: Should Be Higher (Koen Groenveveld Massive Remix)
- J1: Should Be Higher (Pangaea Dub Remix)
- J2: Should Be Higher (Überzone Remix)
- J3: Should Be Higher (Djmrex Remix)
- K1: Should Be Higher (Jim Sclavunos From Grinderman Remix)
- K2: Should Be Higher (Little Vampire Remix)
- L1: Should Be Higher (Maps Remix)
- L2: Should Be Higher (Jim Jones Revue Remix)
- L3: Should Be Higher (Radio Mix)
Die Serie der Depeche Mode 12"-Vinyl-Singles als Sammleredition wird mit der Veröffentlichung von "Delta Machine - The 12" Singles" am 6. Oktober 2023 fortgesetzt. Das Deluxe Boxset "Delta Machine - The 12" Singles", enthält sechs 12"-Vinylscheiben, mit den Single-Auskopplungen von "Delta Machine", dem 13. Studioalbum von Depeche Mode (und dem ersten für Columbia Records). Ursprünglich im März 2013 auf Mute/Columbia veröffentlicht, präsentierte "Delta Machine" den Fans "Heaven" (als Leadsingle im Januar 2013 veröffentnlicht), "Soothe My Soul" (im Mai 2013 veröffentlicht) und "Should Be Higher" (im Oktober 2013 veröffentlicht). Das "Delta Machine - The 12" Singles" Box-Set enthält Repliken der originalen 12"-Single-Veröffentlichungen plus drei neu zusammengestellte Discs mit Remixen, Dub-Mixen, Instrumentalversionen, Live-Sessions und Radio-Mixen der Singles sowie den Bonustrack "Goodbye (Gesaffelstein Remix)".
"A solid sextet with leading trumpeter Donald Byrd, tenor saxophonist Charlie Rouse, Baritone Pepper
Adams, Art Taylor on drumsticks, Sam Jones on double bass and Walter Davis Jr on piano. Recorded
by Rudy Van Gelder in May 1959… Fantastic year for Jazz… and particularly for Hard Bop… this album
will delight fans. 180GRAM VINYL - LIMITED EDITION 1,000 UNITS - ONE TIME PRESSING."
Eric Krasno is a two-time GRAMMY winning guitarist, musician and producer best known for his work with Soulive, Lettuce, Tedeschi Trucks Band & Pretty Lights. Krasno has been nominated for a GRAMMY a total of seven times for Best Blues Album, Best Contemporary Blues, Best R&B, and Best Electronic Album.
Otis McDonald is a producer/multi-instrumentalist best known for his copyright free music released exclusively through the YouTube audio library, amassing over 5 million downloads and over 25 million streams.
Mike Chiavaro is a Brooklyn based electric and upright bass player with an impressive history.
Combined they form King Canyon, blending their unique styles into an infectious groove filled project with healthy doses of R&B/Soul and funk. The vibe will resonate with fans of Khruangbin, Bobby Caldwell, Allman Brothers, Soulive, Lettuce, El Michels Affair, Unknown Mortal Orchestra, Menahan Street Band, Durand Jones and the Indications, and Son Little (who's featured on one of the tracks).
In the perfect quarantine story the trio forged a relationship and has yet to meet in person. In April of 2020 in the midst of quarantine, Eric Krasno came across Otis McDonald’s music on Instagram and immediately became a fan. Months later, McDonald who had been working on music with his longtime friend, Mike Chiavaro, enlisted Krasno to add in some guitar to the mix and before they knew it, the trio had an album's worth of material and thus King Canyon was born.
The guys have still yet to meet in person, but despite this, the grooves are insatiable. The writing and feel are unlike any other projects these musicians have been involved with previously.
Since his career started over three decades ago back in 1981, The Chicago house veteran Boo Williams has been heavily involved in the house music industry, racking up highly strong reputation with his massive discography which includes a wide range of influences.
Hooking up with Mr Green Velvet, aka Curtis Jones’, much celebrated Relief Records in the mid-‘90s, the hard, jackin’ sub-label of Cajual, and later releasing on the tough-as-nails Dutch label Djax, 1996 saw Boo produce his seminal album with the bouncy house of ‘Home Town Chicago’, the first of a series of reissues by Anotherday Records.
Boo has since gone on to record for reputable imprint such as Ovum Recordings, Relief Records and Rush Hour.
For those who have religiously followed Boo over the many years, he continues to deliver as promised, once again bringing the driving beats and textured etherial soundscapes as you'd expect from the master‘. And for those who are just tuning in for the first time, Boo will open up your ears to a new level of sound.
Many things have been said, written and rightfully attributed to DJ and Producer Boo Williams' monumental career: "innovator".
As Boo Williams said: «House music will never die! Love, peace and hair grease».
Label owner, Adrien Calvet, is in charge of the B side. Always trying to push boundaries of raw sounds and electro glitch.
- A1: Saucy Lady - I Got It (Xl Middleton Remix)
- A2: Milk Talk - Sayonara Alpinist
- A3: Tryezz - Sunset Crusin
- B1: Moniquea - You Don't Have To Be A Star
- B2: Shiro Schwarz - This Is Who I Am
- B3: I, Ced / Xl Middleton - We Don't Have Forever
- C1: Xl Middleton - Awn-N-Crackin
- C2: Dj Rocca - Beans Burrito
- C3: Ghost - Groove 4
- D1: Zopelar - Blue Gate
- D2: Soul Clap, Zackey Force Funk - For You (Xl Middleton Remix)
- D3: Stimulator Jones - Wake Up
- D4: Zyodara - Call My Name (Feat Yasmina)
- A1: Welcome To Lunar Industries
- A2: Can't Get There From Here
- A3: Two Weeks & Counting
- A4: We're Not Programs, Gerty, We're People
- A5: The Nursery
- A6: I'm Sam Bell
- B1: Sacrifice
- B2: I'm Sam Bell, Too
- B3: We're Going Home
- B4: Memories (Someone We'll Never Know)
- B5: Welcome To Lunar Industries (Three Year Stretch....)
- B6: Are You Receiving?
“One of Hollywood’s most exciting film composers” – DAZED & CONFUSED Clint Mansell’s emotionally gripping and melodically thrilling score for psychological cult classic luna-drama Moon is now again available on Black Records on White Vinyl Directed by Duncan Jones, starring Sam Rockwell and Kevin Spacey, Moon is a science fiction thriller about a solitary lunar employee who finds that he may not be able to go home to Earth so easily. Sam Bell (Sam Rockwell) is an employee contracted by the company Lunar to mine on the Moon the natural gas Helium 3, which could reverse Earth's energy crisis. Stationed alone on the lunar base Sarang with only a robot named Gerty (voiced by Kevin Spacey), Sam is two weeks away from completing his three-year assignment, when he begins feeling out of place… Former ‘Pop Will Eat Itself’ frontman Clint Mansell - now based in Los Angeles - has become the go-to composer for independent Hollywood cinema. Producing peerless soundtracks to award winning Darren Arronofsky films Requiem For A Dream, The Fountain and The Wrestler.
The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.
All articles presented IN ENGLISH.
Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.
Country of printing: Finland
- A1: Take Five - The Dave Brubeck Quartet
- A2: Moanin' - Art Blakey & The Jazz Messengers
- A3: Soul Bossa Nova - Quincy Jones & His Orchestra
- A4: Milestones - Miles Davis
- A5: My Bucket's Got A Hole In It - The Ramsey Lewis Trio
- B1: Watermelon Man - Herbie Hancock
- B2: Caravan - Duke Ellington
- B3: One Mint Julep - Ray Charles
- B4: Walk On The Wild Side - Jimmy Smith And The Big Band
- B5: Desafinado - Stan Getz & Charlie Byrd
- C1: So What - Miles Davis
- C2: Tuxedo Junction - Quincy Jones
- C3: Harlem Nocturne - King Curtis
- C4: Blues Walk - Herbie Mann
- C5: Unsquare Dance - The Dave Brubeck Quartet
- D1: Sing, Sing, Sing - Benny Goodman And His Orchestra
- D2: Love For Sale - Dexter Gordon
- D3: Take The "A" Train - Duke Ellington
- D4: Work Song - Cannonball Adderley & Ray Brown
- D5: I've Got A Woman (Part 1) - Jimmy Mcgriff
There are as many flavours of Jazz as there are pebbles on a
beach, but the majority combine rhythmic invention with
instrumental virtuosity to create a sound that can transport the
listener to a different plane. Our compilation features duos,
trios, bands and orchestras playing music inspired by Africa,
Brazil and all points in-between. Film themes, standards, charttoppers and relative obscurities have been carefully assembled
to provide a wide-ranging picture of the Jazz instrumental.
- A1: Love Slave - The Antellects
- A2: Tell Me, Baby - Karmello Brooks
- A3: It's Written All Over My Face - Marva Holiday
- A4: Cut Loose - Jeanette Jones
- A5: I Only Cry Once A Day Now - The Fidels
- A6: Try My Love - Troy Dodds
- A7: Just Your Fool - Eddie Whitehead
- B1: A Man Of My Word - Salt & Pepper
- B2: Ain't No Telling - Houston Outlaws
- B3: You Just Don't Know - Ty Karim
- B4: Do It - Pat Powdrill
- B5: Losing Control - Mary Saxton
- B6: What Good Am I Without You - Darrow Fletcher
- B7: Strange Neighborhood - The Imaginations
- A1: One Step Ahead- Sugar Minnot
- A2: If You Ask Me To- Leon Dinero
- A3: Whatcha Doing (To Me)- Charles Bradley
- A4: I Can Be Cool- Bob & Gene
- A5: Lover Like Me- Binky Griptite
- B1: I'd Rather Go Blind- The Frightnrs
- B2: I Can't Stand These Lonely Nights- Bob & Gene
- B3: It's Not What You Know (It's Who You Know)- Bob & Gene
- B4: How Long Do I Have To Wait For You- Sharon Jones
Daptone bzw Soul/R&B/Reggae Fans dürfen sich freuen! Victor Axelrod, legendärer Produzent, Arrangeur, Aufnahme- und Mischtechniker, sowohl als auch Keyboarder hat bereits über mehr als zwei Jahrzehnte diverse Veröffentlichungen des New Yorker Labels veredelt.
Mit 'If You Ask Me To...' erscheint nun die erste LP unter seinem Namen für das Label - eine exzellente Sammlung an Singles, die zwischen 2007 und 2023 veröffentlicht wurden, sowie unveröffentlichten Tracks von Sugar Minott und Binky Griptite. Der Ursprung des Albums liegt in einer Anfrage von Daptone nach einem Sharon Jones-Remix (2007), aus dem die Reggae-Version von 'How Long Do I Have To Wait For You?' hervorging. Dies öffnete die Tür zu weiteren Erkundungen von Reggae/Soul-Synergien innerhalb des Katalogs und bestätigte die musikalische und kulturelle Verbindung zwischen Daptones 'Kern-Soul-Sound' und Axelrods Leidenschaft für jamaikanische Musik. Dank Axelrods außergewöhnlichem Geschmack und den bemerkenswerten Beiträgen des Gitarristen Tom Brenneck, Originalbändern aus Bob & Genes MoDo-Diskografie, Mitgliedern von The Frightnrs u.a. aus der New Yorker Reggae-Community wird das Vermächtnis bahnbrechender jamaikanischer Künstler wie Alton Ellis, Tony Gregory und Ken Parker weiterleben und eine ganz neue Generation von Reggae- und Soul-Fans inspirieren.



















