dovrebbe essere pubblicato su 15.12.2023
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Recorded August, 1965, Copenhagen, Denmark.
Original LP issue: OKTAV – OKLP 111
Sahib Shihab (Edmund Gregory) played with many of jazz’s finest musicians. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he joined Thelonious Monk for his Blue Note sessions. He also played with Art Blakey, Dizzy Gillespie, Oscar Pettiforn and Quincy Jones. A unique musician, he was at home in every musical style, from the experimentalism of Thelonious Monk to the more direct hard bop of Art Blakey. Sahib Shihab’s distinctive sound was rooted in his modernist compositions and arrangements, complemented by an intense, soulful playing style.
In 1959 he toured Europe with Quincy Jones after getting fed up with racial politics in USA and ultimately settled in Scandinavia. He worked for Copenhagen Polytechnic and wrote scores for television, cinema and theatre. He remained there until 1973. During this period, he recorded several albums as leader for European labels such as Vogue, Storyville and Futura.
In 1961 he joined The Kenny Clarke-Francy Boland Big Band and remained a key figure in the band for the 12 years it ran. He married a Danish lady and raised a family in Europe, although he remained a conscious African-American still sensitive to racial issues.
This record, on the Danish Oktav label, his second as a leader and also his rarest is a true masterpiece !!!
dovrebbe essere pubblicato su 15.12.2023
Eclectic graffiti artist, DJ and producer Dj Marrrtin unveils his new album opus "Cyclothymix".
Following the success of his album "La Pie Bavarde", a duet with Tino, mc from Dayton, U.S.A., Marrrtin delivers a moody, intense, indeed psycho-musicographic psychomusicographic. He promises us a finely mixed set, at the heart of his inspirations: Hip Hop, Funk, Sound Illustration, Jazz...
Opening with "Awakening", straight out of a Dilla beat tape, followed by the Brazilian with the very Brazilian "Estrellas", an up-tempo theme sublimated by the gentle voice of Carla Vallet, who also infuses her suave voice on the track "Darjeeling", a bewitching call to let go. In his global wanderings, he takes us to New York with the track "L.O.V.E."an ode to love, featuring the Temple's guardian, A.G. of the mythical collective DITC and his protégée Hii Siddity, from the duo The Girll Codee. "Taraxacum" plunges us into a languorous atmosphere, sublimated by sublimated by the flute of Antoine Laloux from The Selenites Band. Then comes "Ben", a boom bap - melancholy jazz production, where the grain of vinyl mingles with the roughness of the Akai S950 sampler. Marrrtin's musical drifting and whirling is a tribute to breakdance culture to breakdance and hiphop culture with "Inspiration Medley", a nod to anthems such as SWAT, backed by the keyboards of his Funky Bijou teammate, Deheb. A duo whose famous classics are played for the biggest world Breakdance Battles. Sample culture, drum breaks, Abstract Hip Hop, for the tracks "True" and "Time for Love", in which a guru preaches pan-love in the time of the Apocalypse. "Indian Groove", an Indian echo of Marrrtin's many travels, which leaves us and saturates us with dopamine. "Cosmic Consciousness Without Transition", in the spirit of a mood-changing we plunge into the strange, scandalized prescription, guardian of the garden of love.
To close this essential album, "Headhunter", a dark Jazz Funk track with dusty soundtrack tinges, brings us to a close.
of dusty seventies soundtrack, with saturated clavinet responding to obsessive
melodies of Medline's flute.
Ultimately, "Cyclothymix" is conceived by Marrrtin as a mirror to our changing moodsand seasons.
dovrebbe essere pubblicato su 15.12.2023
dovrebbe essere pubblicato su 15.12.2023
- My Baby Just Cares For Me
- Love Me Or Leave Me
- The Other Woman - Live At Town Hall
- Don't Smoke In Bed
- It Might As Well Be Spring
- Cotton Eyed Joe - Live At Town Hall
- Blue Prelude
- I Loves You Porgy
- Nobody Knows When You're Down & Out
- Black Is The Color Of My True Loves Hair - Live At Town
- Wild Is The Wind - Live At Town Hall
- Chilly Winds Don't Blow
- Come On Back, Jack
- Solitude
- He Needs Me
- Little Girl Blue
- The Gal From Joe's
- Memphis In June
- No Good Man
- Summertime - Live At Town Hall
- You Can Have Him - Live At Town Hall
- Mood Indigo
- African Mailman
- I Love To Love
- Just Say I Love Him
- That's Him Over There
- Work Song
- Gin House Blues
- Rags And Old Iron
- I Want A Little Sugar In My Bowl
- Hey Buddy Bolden
- You Better Know It
- Do Nothin' Till You Hear From Me
- You've Been Gone Too Long
- Plain Gold Ring
- Forbidden Fruit
- Exactly Like You - Live At Town Hall
- Fine And Mellow - Live At Town Hall
- Willow Weep For Me
- Stompin' At The Savoy
- Can't Get Out This Mood
2008 listete der "Rolling Stone" die 1933 als Eunice Kathleen Waymon geborene Künstlerin Nina Simone auf Rang 29 der 100 besten Sänger aller Zeiten. Im Dezember 2017 wurde Simone, die ihren Künstlernamen nach der Schauspielerin Simone Signoret wählte, mit der Aufnahme in die Rock and Roll Hall of Fame geehrt. Rock"n"Roll ist insofern etwas irreführend, da die Sängerin, Pianistin und Songschreiberin im Blues und Jazz zuhause war, beziehungsweise in Black Classical Music, wie sie ihren Stil selbst nannte. Von ihren Fans wurde sie hingegen als "Hohepriesterin des Soul" bezeichnet. In den Sechzigerjahren engagierte sich Simone stark in der US-amerikanischen Bürgerrechtsbewegung. Mit Liedern wie "Mississippi Goddam" und "To Be Young, Gifted, And Black" (Text: Weldon Irvine) wurde sie eine der musikalischen Leitfiguren dieser Bewegung. Wagram ehrt diese großartige Sängerin mit einer 3-LP-Box inkl Poster.
dovrebbe essere pubblicato su 15.12.2023
- Louis Armstrong- - When You're Smiling
- Aretha Franklin- - God Bless The Child
- Chet Baker- - I Fall In Love Too Easily
- Chris Connor- - Lullaby Of Birdland
- Ella Fitzgerald- - My Funny Valentine
- Julie London- - Cry Me A River
- Lena Horne- - Stormy Weather
- Esther Phillips- - Release Me
- Billie Holiday- - Blue Moon
- Doris Day- - Keep Smilin', Keep Laughin', Be Happy
- Nat King Cole- - Unforgettable
- Peggy Lee- - Black Coffee
- Della Reese- - Whatever Lola Wants
- Harry Belafonte- - Day O (The Banana Boat Song)
- Frank Sinatra- - The Lady Is A Tramp
- Etta James- - At Last
- Nina Simone- - Stomping At The Savoy
- Dinah Washington- - Mad About The Boy
- Anita O'day- - Sing, Sing, Sing
- The Dave Brubeck Quartet With Carmen Mcrae- - Take Five
- Sarah Vaughan- - All Of Me
- Dakota Staton- - The Song Is Ended
- Miles Davis- - Ascenseur Pour L'échafaud (Générique)
- Duke Ellington, John Coltrane- - In A Sentimental Mood
- Dean Martin- - You're Nobody Till Somebody Loves You
- Charles Mingus- - Boogie Stop Shuffle
- 4: Thelonious Monk- - Monk's Dream
- John Coltrane- - Giant Steps
- Quincy Jones- - Soul Bossa Nova
- Dizzy Gillespie- - Manteca
- Charlie Parker- - Ko Ko
- Gerry Mulligan, Stan Getz- - Anything Goes
- Count Basie Orchestra- - Whirly Bird
- Sidney Bechet- - Twelfth Street Rag
- Bud Powell- - Parisian Thoroughfare
- Erroll Garner- - You Are My Sunshine
- The Horace Silver Trio- - Opus De Funk
- Herbie Hancock- - Watermelon Man
- Django Reinhardt, Quintette Du Hot Club De France- - Mi
- The Bobby Timmons Trio- - This Here
dovrebbe essere pubblicato su 15.12.2023
Nothing in Narciso's (known) background indicated these 10 minutes of tension and release, a soundtrack to some nameless anticipation. Soundtrack, also, to a dance piece on video by choreographer Catarina Miranda produced in 2021.
It is certainly nothing one would expect to hear in one of his regular DJ sets. A long, moody intro appears to chart a difficult journey under heavy clouds, until the drums manifest themselves first as a sort of warning, or preparation, maybe a signal, maybe just warming up for the steady kick drum that follows, a clean 4/4 beat complemented by broken off-rhythms and sparse percussion that seem to run parallel in observation of the main event.
Clouds definitely open up towards the end. Crystalline drops brighten the sonic mood. Quite a unique experiment in Narciso's body of work, undertaken during a period when the DJ and producer, feeling unmotivated, decided to relax from detailed planning and instead allowed himself to flow along with the sounds, expanding possibilities and actually breaking free from previous notions of composition.
dovrebbe essere pubblicato su 15.12.2023
- A1: Donna Summer - I Feel Love
- A2: Earth, Wind & Fire With The Emotions - Boogie Wonderland
- A3: The Trammps - Disco Inferno
- A4: Chic - Good Times
- A5: Sister Sledge - He's The Greatest Dancer
- A6: Tavares - More Than A Woman
- A7: Yvonne Elliman - If I Can't Have You
- A8: Odyssey - Native New Yorker
- B1: Gloria Gaynor - I Will Survive
- B2: Village People – Ymca
- B3: Sylvester - You Make Me Feel (Mighty Real)
- B4: Patrick Hernandez - Born To Be Alive
- B5: Grace Jones - I Need A Man
- B6: Liquid Gold - Dance Yourself Dizzy
- B7: Kelly Marie - Feels Like I’m In Love
- B8: Leo Sayer - You Make Me Feel Like Dancing
- C1: Amii Stewart - Knock On Wood
- C2: Candi Staton - Young Hearts Run Free
- C3: Chaka Khan - I'm Every Woman
- C4: A Taste Of Honey - Boogie Oogie Oogie
- C5: Alicia Bridges - I Love The Nightlife (Disco 'Round)
- C6: Cheryl Lynn - Got To Be Real
- C7: Labelle - Lady Marmalade
- C8: Diana Ross - Love Hangover
- E5: Mcfadden & Whitehead - Ain't No Stoppin' Us Now
- E6: The Whispers - And The Beat Goes On
- E7: Baccara - Yes Sir, I Can Boogie
- E8: Sheila & B Devotion - Singin' In The Rain
- F1: Eruption - I Can't Stand The Rain
- F2: Boney M - Daddy Cool
- F3: Ottawan - D I.s.c.o
- F4: Village People - In The Navy
- F5: Viola Wills - Gonna Get Along Without You Now
- F6: Gloria Gaynor - Never Can Say Goodbye
- F7: Lipps Inc - Funkytown
- F8: Space – Magic Fly
- G1: Dee D Jackson - Automatic Lover
- G2: Sarah Brightman And Hot Gossip - I Lost My Heart To A Starship Trooper
- G3: Frankie Valli & The Four Seasons - December, 1963 (Oh, What A Night)
- G4: Meco - Star Wars Theme / Cantina Band
- D1: Melba Moore - This Is It
- G5: Leif Garrett - I Was Made For Dancin
- D3: Odyssey - Use It Up And Wear It Out
- G6: The Michael Zager Band - Let's All Chant
- D5: Patrick Juvet - I Love America
- G7: Kc & The Sunshine Band - That's The Way (I Like It)
- D7: Elton John - Are You Ready For Love
- G8: Heatwave - Boogie Nights
- E1: Barry White - You're The First, The Last, My Everything
- H1: Kool & The Gang - Ladies Night
- E3: The Real Thing - Can You Feel The Force
- H2: Dan Hartman - Instant Replay
- H3: Frantique - Strut Your Funky Stuff
- H4: Musique - Keep On Jumpin’
- H5: The Three Degrees - Givin' Up Givin' In
- H6: Sparks - Beat The Clock
- H7: Voyage - Souvenirs
- H8: Chic - Le Freak
- I1: Sister Sledge - We Are Family
- I2: Sheila & B Devotion - Spacer
- I3: Diana Ross - Upside Down
- I4: Earth, Wind & Fire - September
- I5: Candi Staton - Nights On Broadway
- I6: The Emotions - Best Of My Love
- I7: Amii Stewart - Light My Fire
- I8: Belle Epoque - Black Is Black
- J1: Amanda Lear - Follow Me
- J2: Patsy Gallant - From New York To La
- J3: Vicki Sue Robinson - Turn The Beat Around
- J4: Andrea True Connection - More, More, More
- J5: Rose Royce - Car Wash
- J6: Tina Charles - I Love To Love
- D2: Rose Royce - Is It Love You're After
- D4: Irene Cara - Fame
- D6: Stephanie Mills - Never Knew Love Like This Before
- D8: George Mccrae - Rock Your Baby
- E2: The Spinners - Working My Way Back To You / Forgive Me, Girl
- E4: Edwin Starr - Contact
- J7: Cher - Take Me Home
- J8: Thelma Houston - Don't Leave Me This Way
NOW Music is proud to announce NOW Presents…Disco, a stunning 5LP boxset featuring 80 of the greatest Disco classics ever!
Kicking off with the genre defining #1 from Donna Summer ‘I Feel Love’ followed by Earth, Wind & Fire with The Emotions and their timeless hit ‘Boogie Wonderland’, this boxset features the most enduring tracks from dance-floor legends, including Chic, Sister Sledge, Gloria Gaynor, Village People, and Grace Jones - together with Saturday Night Fever gems - ‘Disco Inferno’, ‘More Than A Woman’, and ‘If I Can't Have You’.
LP 2 opens with Amii Stewart’s stunning version of ‘Knock On Wood’, followed by Candi Staton’s ‘Young Hearts Run Free’ and Chaka Khan’s hugely successful debut solo single ‘I'm Every Woman’. Other massive debuts include ‘Boogie Oogie Oogie’ from A Taste Of Honey, Alicia Bridges’ ‘I Love The Nightlife (Disco 'Round)’, and Cheryl Lynn’s ‘Got To Be Real’. Up next is the often-covered ‘Lady Marmalade’ together with Diana Ross’ ‘Love Hangover’ which lead into #1s from Frankie Valli & The Four Seasons, (‘December, 1963 (Oh, What A Night)’), Tina Charles (‘I Love To Love’), Odyssey (‘Use It Up And Wear It Out’) and Irene Cara (‘Fame’).
LP 3 Side A is packed with groovy and romantic chart-toppers from Elton John (‘Are You Ready For Love’), George McCrae (‘Rock Your Baby’), Barry White (‘You're The First, The Last, My Everything’), and The Spinners with their ‘Working My Way Back To You / Forgive Me, Girl’ medley. Flipping over to the other side, we have the timeless smash from Baccara ‘Yes Sir, I Can Boogie’, Boney M. with ‘Daddy Cool’, and Village People’s ‘In The Navy’. Viola Wills’ Hi-NRG cover of ‘Gonna Get Along Without You Now’ and Gloria Gaynor’s ‘Never Can Say Goodbye’ bring LP 3 to a close.
Lipps Inc., Kool & The Gang, Frantique, and KC & The Sunshine Band keep the dance-floor energy levels high on LP 4 with ‘Funkytown’, ‘Ladies Night’, ‘Strut Your Funky Stuff’, and ‘That's The Way (I Like It)’. The disco-mania of the late-70s also saluted the late-70s craze for Space themed movies & tv with early Electro-pop-dance, and included here from Space and Dee D. Jackson, before Sarah Brightman’s debut with Hot Gossip, ‘I Lost My Heart To A Starship Trooper’, and Meco’s remake of the ‘Star Wars Theme / Cantina Band’ as a dance-floor classic… Giorgio Moroder productions for Sparks with ‘Beat The Clock’ and The Three Degrees with ‘Givin’ Up Givin’ In’ lead the side to a close with ‘Souvenirs’ from Voyage.
LP 5 is filled with truly monster sized dancefloor-fillers, beginning with a run of Nile Rodgers & Bernard Edwards productions: ‘Le Freak’, ‘We Are Family’, ‘Spacer’ and ‘Upside Down’ from Diana Ross. It wouldn’t be a Disco album without Earth, Wind & Fire’s ‘September’, the Bee Gees-written ‘Nights On Broadway’ covered by Candi Staton, and the Grammy award-winning ‘Best Of My Love’ from The Emotions, before another hit cover from Amii Stewart, ‘Light My Fire’. Side B features some fabulous European Disco, including Belle Epoque and Amanda Lear, and signature hits from Patsy Gallant and Vicki Sue Robinson before drawing to a close with Rose Royce’s celebrated ‘Car Wash’, and Cher’s biggest disco hit ‘Take Me Home’ – and the last dance is left to Thelma Houston with her defining anthem ‘Don’t Leave Me This Way’.
NOW Presents…Disco – the perfect collection and collector’s item for every 70s Disco lover.
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Last In: 6 months ago
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- A1: The Power Of The Dark Side (Gabba Mix)
- A2: Rainbow In The Sky (Dj Paul's Forze Mix)
- A3: Die Like A Pig (Rape Remix)
- A4: Code Red
- A5: Do Not Go In There
- A6: Bass!
- B1: Paul's Nightmare
- B2: Play My Game (Hardcore Remix)
- B3: Bad Boy (Kick The Remix)
- B4: Luv You More (Dj Paul's Forze Remix)
- B5: I Am A Bitch
- B6: Life Is Like A Dance (Forze Dj Team Mix)
- B7: 4 Steps In Hardcore (Featuring Mc Irvin)
More than 25 years already, DJ Paul Elstak is the myth, the man, the legend, in the Hardcore scene. This release is the special ‘Hardcore Edition’ version of the very successful ‘May The Forze Be With You’ album, originally released in 1995 and now again available as a limited edition LP on blue vinyl. Including the special ‘Forze hardcore versions’ of “Rainbow In The Sky”, “Luv U More”, “Life Is Like A Dance” and many more hardcore classics.
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Last In: 23 months ago
Mixed tape.
‘A State Of Trance Year Mix 2022’ - The most popular trance tracks of the past year, mixed like no other by Armin van Buuren! The first hour of the amazing Year Mix 2022 now for the first time available on a Music Cassette. The tracks on this mix were chosen by the listeners of Armin van Buuren’s radio show ‘A State Of Trance’ by using a votinglist, put together by the many worldwide listeners. Armin van Buuren selects the best tracks and adds his own favorite trance hits.
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Last In: 2 years ago
- A1: Son Of A Preacher Man (Lp1 This Girls In Love With You)
- A2: Share Your Love With Me
- A3: Dark End Of The Street
- A4: Let It Be
- A5: Eleanor Rigby
- B1: This Girl's In Love With You
- B2: It Ain't Fair
- B3: The Weight
- B4: Call Me
- B5: Sit Down & Cry
- C1: Don't Play That Song (You Lied) (You Lied)
- C2: The Thrill Is Gone (From Yesterday's Kiss) (From Yesterday's Kiss)
- C3: Pullin
- C4: You & Me
- C5: Honest I Do
- C6: Spirit In The Dark
- D1: When The Battle Is Over
- D2: One Way Ticket
- D3: Try Matty's
- D4: That's All I Want From You
- D5: Oh No Not My Baby
- D6: Why I Sing The Blues
- E1: Oh Me Oh My (I'm A Fool For You Baby) (I'm A Fool For You Baby)
- E2: Day Dreaming
- E5: All The King's Horses
- E6: A Brand New Me
- F1: April Fools
- F2: I've Been Loving You Too Long
- F3: First Snow In Kokomo
- F4: The Long And Winding Road
- F5: Didn't I (Blow Your Mind This Time) (Blow Your Mind This Time)
- F6: Border Song (Holy Moses) (Holy Moses)
- G1: Hey Now Hey (The Other Side Of The Sky) (The Other Side Of The Sky)
- G2: Somewhere (Feat Anneke Van Giersbergen)
- G3: So Swell When You're Well
- G4: Angel
- G5: Sister From Texas
- H1: Mister Spain
- H2: That's The Way I Feel About Cha
- H3: Moody's Mood
- H4: Just Right Tonight
- I1: Let Me In Your Life (Lp5 Let Me In Your Life)
- I2: Every Natural Thing
- I3: Ain't Nothing Like The Real Thing
- I4: I'm In Love
- I5: Until You Come Back To Me
- I6: The Masquerade Is Over
- J1: With Pen In Hand
- J2: Oh Baby
- J3: Eight Days On The Road
- E3: Rock Steady
- J4: If You Don't Think
- J5: A Song For You
- K1: Pledging My Love/The Clock (Lp6 Pledging My Love - Session Tracks)
- K2: You're Taking Up Another Man's Place
- K3: Are You Leaving Me
- K4: You're All I Need To Get By (Take 2)
- K5: Spanish Harlem (Aretha 3, Rough Mix, Reel 12150)
- L1: Lean On Me
- L2: Sweetest Smile & The Funkiest Style
- L3: Do You Know
- L4: At Last
- L5: Master Of Eyes (The Deepness Of Your Eyes) (The Deepness Of Your Eyes)
- L6: Til It's Over
- E4: Young Gifted & Black
FIVE CLASSIC ARETHA ALBUMS PRESENTING AN EARLY-’70S PORTRAIT OF THE QUEEN!
Also Includes A SIXTH BONUS LP of Session Alternates, Outtakes & Demos!
Original Albums Remastered From the Analog Master Tapes by Grammy® Award-Winning Engineer, Chris Bellman at Bernie Grundman Mastering Produced by Grammy® Award-Winner Cheryl Pawelski with Liner Notes from Billboard’s Gail Mitchell & British Ambassador of Soul, David Nathan Includes the hit Young, Gifted, & Black, released in 1972, which hit #2 on Billboard’s R&B albums survey and #11 on the Billboard Top 200 as well as being certified GOLD.
Aretha won the 1972 Grammy Award for Best Female R&B Vocal Performance the album ranked at number 388 on Rolling Stone’s 500 Greatest Albums of All Time.
Also includes This Girl’s In Love With You which features the first commercial release of “Let It Be,” and came out 2 months ahead of The Beatles. Both this album and Spirit In The Dark feature the Muscle Shoals Rhythm section and an appearance by Duane Allman. Along with production on both from Jerry Wexler, Tom Dowd & Arif Mardin.
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Last In: 2 years ago
Hilton Felton's Family & Friends is a rare groove classic that now gets reissued for the first time ever courtesy of P-Vine. The master keyboardist has a cult following thanks to his magically mellow and sophisticated playing style. He was prolific, too, recording several great albums but none as definitive as this one, which is a sought after and pricey gem if you want an original. It has many highlights such as the fantastic jazz-funk cover of the Delfonic's classic 'La, La Means I Love You', groove-laden soul in 'The Power Of Love (It's In My Heart)' and the lively arrangement of 'Family Reunion.'
dovrebbe essere pubblicato su 13.12.2023
The tittle release from Kumomi Records(they are based in Japan). Okinawa salsa band 'Kachimba 1551', which fuses Okinawa folk songs and salsa. This current band started its activities in 1998 and they are based in OKINAWA .On the A side is a Okinawa folk song "Asatoya Yunta" which said to have originated on Taketomi Island in the Yaeyama Islands, and has been covered by many musicians around the world (Ryuichi Sakamoto, Haruomi Hosono, Akiko Yano, etc.). On the B side is "Uminu Chinboraa" is said to have been handed down from "Ie Island in Kunigami Gun of Okinawa" and started to be sung at traditional party settings. Both song includes a salsa arrangement cover by "KACHIMBA1551". For this project we as Kumomi Records have gotten licensed by 3rdwave / PARTIDA RECORDS from Okinawa. We would love to recommend this to the people who like music such as Traditional world music.
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Last In: 2 years ago
“This one might’ve been in us from the start”, says John Hancock. He’s talking about ‘Echos’ - his, Becky Williams, Finn Bjarnson & Ryan Raddon seventh Late Night Alumni longform. Predominantly known for blending electronic and organic elements into their music, the album represents a departure from the band’s largely house-led sound. An all-acoustic affair, in many ways though ‘Echos’ is a natural extension of LNA’s DNA. “Most of our songs”, John continues, “are written in the organic/acoustic realm and then produced with electronic flavours to create our sound. In those intimate song beginnings though, there’s a magic all its own. We’ve long wanted to do an album that captured and augmented that initial intimacy.” Which is indeed what Becky, John, Finn & Ryan have now done. The quartet have dug back into their twenty-year, six-album history and selected eleven tracks that they felt could most benefit from this song-spotlighting treatment. With their original acoustic intros as cues, they’ve taken them to their natural conclusions. A Sliding Doors-type feast for LNA enthusiasts both new and established, or indeed all lovers of downtempo, downtime, live instrumentation-led music, ‘Echos’.
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Last In: 2 years ago
- A1: On The River
- A2: Say My Grace Feat Travis Scott
- A3: Worth It Feat Don Toliver
- A4: Broad Day Feat Future
- A5: Fan
- A6: Freaky Feat Cardi B
- B1: Hop Out The Van
- B2: Don't You Lie
- B3: I'm On
- B4: Big Dawg
- B5: Night Vision
- C1: Skyami Feat Mango Foo
- C2: Dissolve
- C3: Fine As Can Be Feat Latto
- C4: Buss My Watch
- C5: Dope Boy Feat Young Nuddy
- D1: Princess Cut Feat Chloe
- D2: Jealousy Feat Cardi B
- D3: Blame It On Set
- D4: Upside Down
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Last In: 2 years ago
- A1: When The World Is Feeling Blind (Feat Arya &Amp; Tahnee Rodriguez)
- A2: Cambio Di Stagione
- A3: Frastuono
- A4: Tipografia Miserere
- A5: Little Girl Ready For Big Dreams (Feat Mei &Amp; Tahnee Rodriguez)
- A6: Polibomber
- A7: Badanti
- A8: Bacigalupo
- A9: The Big White Shark
- A10: Dentro Fuori
- A11: Elena O Nadia Flashback
- B1: It`s Like Blanca
- B2: Epico Lirico
- B3: Carignano
- B4: Fatti Sentire
- B5: Nessun Dorma Da &Quot;Turandot&Quot; (Feat Francesca Biliotti)
- B6: Sampierdarena
- B7: Giostra
- B8: Sembra Ieri
- B9: Habibi Lullaby (Feat Rahma)
Calibro 35 unleash the new OST for the second season of TV series BLANCA, to be released on limited edition LP on December 1st 2023.
Italian cinematic cult outfit CALIBRO 35 announces the release of the ORIGINAL SOUNDTRACK of the second season of BLANCA, the TV series produced by Lux Vide in collaboration with Rai Fiction, broadcast in prime time on Rai 1 starting from Thursday, October 5th 2023 and directed byJan Maria Michelini and Michele Soavi. The soundtrack will be released worldwide on limited edition, crystal clear LP next December 1st via Milan based label Record Kicks.
The new thrilling episodes of Blanca Season 2 follows the success of the first season, that was aired worldwide on Netflix, M6 France and Telecinco Spain. Accompanying the journey is once again the original music of CALIBRO 35 the Italian "cult" cinematic combo active for over 15 years and with a fan base that includes superstars such as Dr.Dre, Jay-z and Damon Albarn. Made up of 20 tracks in total, the OST was entirely composed by CALIBRO 35 that created the sound universe of BLANCA: an impressive and choral work, which has engaged all the components of the band for a long time, giving the them the opportunity to develop a very vast soundscape.
"It's the first time that we deal with the creation of a 'season 2' and we discovered that the creative process can be very different" Calibro 35 says. "In the first season, we had to build from scratch a sound and musical world consistent with the idea that Jan had (Michielini, director and showrunner of the series); this time, however, we had to develop that already existing world further, in order to describe the new stories and new different characters of the second season. There had to be undiscovered musical territories, that forced us to step out of our comfort zone." The result is that on the 20 tracks of the ost, the heavy dose of Calibro's signature funk grooves of tracks such as "Badanti, "Carignano", "Cambio di Stagione" or "Sampierdarena" is mixed with more moody and soulful tunes, world music, opera and atmospheres à la John Carpenter. Amongst the album's highlights worth definitely a mention the Opening and End titles that feature the voices of Arya, MEI and Tahnee Rodriguez. Essential contribution to the recordings were made by Francesca Biliotti - mezzo soprano of the Monteverdi Choir, Valeria Sturba - exceptional multi-instrumentalist of the avant-garde music group OoopopoiooO, Rahma Hafsi and Elisa Zoot.
Described by Rolling Stone as "the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years", Milan-based Calibro 35 enjoy a worldwide reputation as one of the coolest bands around. Active since 2007, during their long career they were sampled by Dr. Dre on Compton ("One Shot One Kill" feat. Snoop Dogg), Jay Z ("Picasso Baby"), The Child of Lov & Damon Albarn ("One Day") and Demigodz ("The Summer Of Sam"). They played major venues and festivals all over Europe and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish, Stewart Copeland and Rokia Traoré. The BLANCA OST is the latest of many activities concerning cinema for CALIBRO 35: the band has been completely immersed in the world of soundtracks since the very beginning and they have recently worked on other productions as well, both as Calibro and individually. Last June, the band released their 8th studio album, NOUVELLES AVENTURES, recorded in Naples at Auditorium Novecento. With the new LP the group has made full use of their knowledge and resources, refined and enriched over the years, back to making "Calibro's music": a unique mix of funk, progressive rock, alternative jazz and wide-spectrum cinematic music the public has known them for in fifteen years of career.
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repressed !
Brothers Hom Yu and Jiun Chi returned to Taipei in 2017 after finishing their studies. Since then they began to explore their mutual obsession for Taiwanese occult-inspired art and vintage superstitious imagery, channelling it through music. Mong Tong means many things in Chinese, but the translation they choose to fit their music is “the east-side of dreams”.
Growing up in Taiwan in the 90’s, the brothers listen to 電子琴音樂 which they describe as “relaxing Chinese synth pop” along with video game soundtracks, psychedelic music, doom metal and sound collage/library music. On “Mystery秘神” these inspirations combine with the dark humour of Taiwanese folklore and a love of conspiracy theories to form what they describe as “a psychedelic journey to the east.”
Album Description
Recorded in their home studio in Taipei, “Mystery 秘神” is a psychedelic journey into Taiwanese folklore combined with the 80’s media obsession with the supernatural. It’s a record that manages to combine nostalgia and tradition with humour and an underlying intrinsic earthiness to create something unlike anything else out there.
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Tape
Vestigios, Aeondelit’s second full length record after recently releasing an EP of shifting club music influenced by postmodern philosopher Leotard on Tel Aviv’s Sadan records, tells a lucid, captivating story of heritage, transformation, vulnerability and healing. It will be released via Berlin-based art platform and record label Unguarded as a digital and tape release with an artwork created by Petra Hermanova, and will be accompanied by limited textile pieces by Diane Esnault. Aeondelit’s music is strongly influenced by the rocky surrounding of his hometown Manizales and fuses electronic sensibilities, ambient streams and avant-percussive rhythms that build his sound identity. Aeondelit's evocative music has previously been released via the Insurgentes imprint, Vienna-based Ashida Park and was recently featured on the 'Unguarded 2 – Entangled' compilation. Cortés describes the meaning of Vestigios as such: “The memories of past generations: the lives that burn within me, are the pillars of who I am. They constitute longings and traps, sin and strength, the temple that breaks down and rebuilds. The different dimensions of consciousness converge in the mind, which constantly tells us who we are, synthesizing and projecting our contradictions. The pain that comes with getting in touch with our vulnerabilities opens the doors to healing through confrontation. This lays the foundation for a more honest relationship with our past, present and future. 'Vestigios' is the bridge between the temporal and the eternal, the crystallized remnant of pain caused by transformation and recognition of the convulsive underworld of our psyche.” Aeondelit, birth name Sergio Cortés, is a Colombian music producer who explores themes related to technology and human condition in sound. He focuses on the creative use of sample manipulation techniques and digital sound synthesis to deepen the idea of a dialogue between computer and human, and how both influence each other. Deep in Colombia's Andes, surrounded by big mountains and the sacred Nevado del Ruiz, Aeondelit has been forging his own sound identity, exploring the intersection points between sparkly experimental club music and melodic ambient electronic. His first release Editing Destiny on the Colombian label Insurgentes was well received by the public and DJs, named one of the best albums of 2020 on Mixmag. His last release on Sadan Records, Anima Minima, was reviewed and premiered on platforms like DJ Mag, THE BRVTALIST and Orb Mag. He is also the co-founder of the independent record label Nvrclose, where his debut album as Æon Series: Dualidad, was released. About Unguarded: Unguarded is a Berlin based experimental electronic music label and art platform. In 2020 long-term collaborators Tim Roth aka Sin Maldita aka 1k Flowers and Phillipp Hülsenbeck founded Unguarded to foster forward thinking artists with a focus on exploring cross-disciplinary collaboration and embarking on sonic adventures. Unguarded was founded in a time of turmoil and uncertainty for artists and music, trying to keep personal connections alive through shared personal and collective experiences between doom and destruction and glistening hope. Amongst their own contributions, Hülsenbeck and Roth gather a collection of genre-defying works by longtime collaborators as well as artists they bonded with in recent years. Their releases constantly escape from definition but through entangling their unique artistic marks, this diversity remains absorbing and compelling throughout their sprawling sonic miasmas. Combining earth-shattering club cuts, equally elegant and bouncy, Unguarded contributes to and connects the experimental music scene in and outside of Berlin. We invite the curious to a deep, tense but rewarding experience.
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»In Words« is the first solo album by the Danish musician, composer, and visual artist Alexander Tillegreen. The album represents a series of varied electronic music pieces while also carrying examples of ongoing work with psychoacoustic phenomena. Composed partly of material taken from his artistic practice as an installation artist and his ongoing interdisciplinary artistic research into psychoacoustic phenomena, Tillegreen investigates subjective sonic perception and the negotiation of language. Particularly, these investigations are done through the use of the phantom word illusion, originally discovered by music psychologist Diana Deutsch. Parts of the album were conceived when Tillegreen was the first artist ever in resident at the Max Planck Institute for Empirical Aesthetics. Triggering the brain’s tendency to interpret language-based auditory illusions as meaningful information and as words within the mind of the listener, Tillegreen’s unique sound works unfold like a kaleidoscope of phonetic mirrors which render possibilities to reflect upon the listener’s own psychological and culturally situated linguistic embeddedness. Gender-distorted voice perception, speech and language borders are all challenged and thematized throughout Tillegreen’s work. The listener’s head and bodily movement drastically affect the listening and the word interpretation. Their psychological subconsciousness, recent events, memories, and expectations as well as the listener’s motion in space all become co-creative and co- composing factors in a reactive and choreographic process of listening. The polyrhythmic seriality of spatialized syllabic structures is accompanied by elements of heavy bass drops, high-frequency tensions, undulating synth lines, and hypnotic effects. Some of the many compositional potentials of the phantom word illusions are exercised and unfolded in selected tracks throughout the album. The notion of language borders is approached from an entirely different and even more “anti-logocentric” perspective on the “eponymous” closing track »Assimilate (in Words)«, where the listener experiences the struggle and collapse of interpersonal communication through conversation. Other parts of the album represent more diverse approaches to abstract electronic music. »In Words« morphs soundscapes into glacial, spherical passages of ambient backdrops, while at other times emphasizes raw tectonic blocks of hyper-panning drones that erupt into high-velocity outlets of energetic, granular fields. Tillegreen is alternating between cyclical, minimalist, hypnotic approaches and complex, glitchy polyrhythmic melodic structures that shift and melt into evocative ambiences. The phantom words and the nature of Tillegreen’s musical visions progressively demand more of the listener’s attention and represent the artist’s ongoing artistic work and scientific research into psychoacoustics and language. While »In Words« is a highly conceptual album, the musical bandwidth is extensive.
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