Suche:hard fi

Neither Timothy J. Fairplay, nor Norwell are strangers to the Dalmata Daniel family: both of them are trustworthy contributors to DD compilation albums of earlier years, plus Norwell has released his 'ODD' EP and 'Joint Spaceflights' EP back in 2017 and 2019 on the label. So this time, it's a return for Norwell, and a debut for Mr. Fairplay: their DDS09 split EP is here to present 4 tracks full of outer space lights, eerie vibes, mesmerizing beats and cosmic energies.

Timothy J. Fairplay's side A starts with the explicit kicks and ominous basslines of 'Caliber 9'. Slowly and steadily, the laser blasts and relentless drums all add up to define a world of space cadets on the run, where any odd-looking figure can turn out to be a malignant, speedy alien. 'TV Tower' takes us to another planet with an even higher rotation velocity. Fast percussion elements and squished lower frequencies take center stage in this intergalactic episode, but the whistle-like melodies and descending, bubbling robot signals make the journey complete.

Flip to side B, and enter the contemplating, otherworldly atmospheres of Norwell. 'Midnight Rituals' gives you the chills with its breath-like swooshes, grievous sirens and deadly asteroid belts. Yet, there is no need to worry: after an intense ride with your spaceship, eventually you end up in the same spot, where you started: in the stable and steady mid-tempo beats of an expertly-programmed drummachine. The orbital mission comes to an end with 'Natives', a dense and heroic hymn with emotive structures and well-crafted harmonics. The track starts with the bittersweet, lamenting synths of a solo voice, pouring their heart out in the spotlight, all alone on the stage. All of a sudden, a hard-hitting, rhythmic groove commences its last rush of dedicated cadences. It is full of breaks, it is full of 303s, completed with airy echoes and dreamy, light gestures. 'Natives' keeps on building its structure with elegant paces, providing a massive, yet delicate experience of Norwell's defined aesthetics. The track lets the last strokes of its gloomy synths roll out, along with the final round of looping drums, thus putting an end to DDS09.

After the highly acclaimed first release Serenity Now is back presenting the debut EP by OP Boombox @op-boombox. An electronic duo formed by brothers Orion and Phoenix Jarvis out of Dharawal Country on the East Coast of Australia.

The new EP Initial Artifacts is an honest and unique collection of raw, yet grounded, dancefloor tracks performed and recorded live through their vast collection of hardware synths, drum machines and FX pedals. Expect a deep journey through breezy coastal house landscapes with slight nods towards dub and trance where bass is absolute key.

A versatile EP for every mood of the night, taking it all the way from downtempo chuggers to peak time hard hitters making this a longtime “stay in the bag” sure shot.

Merge Now in Friendship is about death and impermanence. It is a wilting flower beheld from a passing vehicle. It is neither lament nor declaration. The three songs that comprise this EP share a kindred thread - All arising events and phenomena; people, dreams, songs, even worlds, are all transitory in nature. We are all going to die. Someday there will be no record of any of this. It is this very truth that allows for beauty. The impermanent nature of all that arises is the apparent aspect of the essence of being. It is this essence that lends infinite openness to our experience. It is ultimately all we are about. Music is the language of this inscrutable, sublime essence. This record is a joyful attempt at music. Vulture Feather is an unconventional three-piece from the mountains of Northern California, featuring members of the Baltimore band, Wilderness and the early post-hardcore group, Don Martin Three. Merge Now In Friendship follows up the 2023 debut album, Liminal Fields.

There’s a party in Dana Gavanski’s head and everyone’s invited- well, kind of. Late Slap, Gavanski’s third album, gives voice to the highs and lows of the mindscape in all its joys and terrors, injecting some much needed playfulness into the process of writing about emotionally hard things. “The album holds together the seemingly disparate aspects of my character that I have sometimes tried to repress,” says Dana. “With this album I’m letting them into the room, celebrating them for all their strangeness a strangeness which I think we all, on some level, share.”

Having (literally) lost her voice during the writing of her previous album, When It Comes, Late Slap finds Dana in magisterial mode, displaying a newfound confidence and energy—in both her writing and singing—borne, paradoxically, from embracing feelings of discomfort. “I realized,” says Dana, “that in order to become stronger I needed to get used to being uncomfortable. ”It’s appropriate, then, that the album opens with ‘How to Feel Uncomfortable,” a quick sonic punch of a song, which bemoans the growing distances between people in the digital landscapes where we spend so much time wandering aimlessly: “stand too close, face in your phone

The Nomads remastered reissue of their album Solna, recorded by the Swedes in 2012, limited edition of ww 500 copies. The tracklist here is following the 2013 US release of the album, comprised of nine original album album tracks, but cutting three tunes to have those replaced with three songs culled from the Loaded Deluxe EP. After many years of career, The Nomads produced their strongest album to date. The group perfected their sound, live and in the studio. Solna is the distilled essence of what Nomads are known for. The Nomads deliver hair-raising authenticity of rock and roll with unsurpassed purity. Nobody coughs on them or will cough on them. They are still as good as ever. The formula is simple: a strong frontman, Nick Vahlberg, a guitar hero, Hans Ostlund, a powerful drummer, Joakim Werning, and a multi-talented bassist and composer, Bjorne Froberg. The Nomads are an institution in Europe after more than 40 years of career. Their last album, "Solna" was named after the Stockholm neighborhood from which they emerged in 1981, paving the way for the garage rock scene of the time. "Aside from the Pebbles compilations, not much was known about the garage bands of the 60s and many people first heard those great songs in The Nomads version," according to Chips K (famous Swedish producer - Hellacopters, la Secta_- and member of Sator). "But one thing that distinguishes the band from many other revival bands is that they never just copied the sound of the originals. They added extra influences such as punk, power pop and hard rock. That special recipe is what still makes their sound unique." Bands like The Hellacopters, Maharajas and Sator are direct descendants of what The Nomads created. They were closer to Australian punk rock and took varied influences to create something completely their own.

Introducing the forthcoming vinyl single from FJAAK's highly anticipated album, "FJAAK THE SYSTEM." Featuring three electrifying stompers and an exclusive acapella track tailored for DJ tool usage, this release promises to captivate techno enthusiasts and vinyl aficionados alike. First up, "A1 - Redemption" unleashes an ancient acid-techno anthem, pulsating with acidic elements and an unmistakable old-school vibe. Its hard-hitting beats and minimalist structure reflect the chaotic state of our world's system, while sporadic vocal shots weave a narrative of societal disarray, urging listeners to delve into the madness. Next, "A2 - Hustle" encapsulates the relentless journey of artists striving to leave their mark in the world of music. With pulsating futuristic breakbeats and driving rhythms, the track embodies the dedication and passion fueling their creative pursuits, amidst the challenges of the road and the vibrant energy of the techno scene. Then, "B1 - Mechanic Love" delves into the intricate dynamics of relationships in a technologically infused world. Exploring the blurred boundaries between humans, machines, and cyborgs, the track navigates themes of love, intimacy, and companionship within a futuristic realm where humanity's evolution converges with technological innovation. It's a symphony of emotion and machinery, inviting listeners to ponder the complexities of existence. Lastly "B2 - Unity" featuring US artist Red Eye, the vinyl single includes an exclusive acapella version of a track featured on the upcoming album, providing DJs with a versatile tool for creative mixing and experimentation.

Rib Disques is proud to present Leise im Kran’s self-titled EP as the label’s first offering. Leise im Kran’s third solo outing is a tour de force of twisted acid melodies and driving breakbeat inspired rhythms. The EP's hard-hitting basslines are beautifully tempered by expansive sonic cyber-scapes. Culminating in the ambient beauty of final track 'Tagwerk', this label debut is the perfect representation of Rib Disques's ambition.

Our physical release is the result of an almost obsessive approach to manufacture the best sounding and looking tape that we could possibly imagine - A hand-dubbed, printed chrome cassette alongside a neat double-sided, foldout risography artwork.

New Juice WRLD album Fighting Demons cover and tracklist has been revealed. The album, features collaborations with Justin Bieber, Trippie Redd, SUGA of BTS, and Polo G.
“There was nothing Jarad “Juice WRLD” Higgins enjoyed more than delivering new music to his millions of fans around the world. He left behind an astonishingly deep catalog of music that will ensure his fans will have new songs to listen to for years to come. Jarad was always searingly honest about his struggles and through his musical genius he articulated what was on his heart and mind vividly through his art. He never gave up and his friends and family never gave up on offering their support to him. Today we announce a new album “Fighting Demons” out Dec 10th. We encourage all of you who struggle with addiction and mental health to never give up the fight. We continue to extend free support to you via LiveFree999.org created in his honor.”
- Ms. Carmela Wallace and Grade A

Released on July 10th, 2020, Legends Never Die had a record-shattering debut at No. 1 on the Billboard 200 and spent two weeks at the top spot and has since landed five singles in the top ten on the Billboard Hot 100.

In April of 2020, Juice’s mother Carmela Wallace announced the establishment of the Live Free 999 Fund, which receives additional support via Grade A and Interscope Records in addition to individual donations. The Live Free 999 Fund honors the legacy of her son by supporting young people in their battles and to do so with love, joy, and emotional honesty.

2025 Repress
Chontane delivers six dynamic techno cuts via his 'Sycamore' EP on Mutual Rytm.

A firm fixture of the VOLTAGE roster and a rising name originating from Ukraine making an impact, Berlin-based DJ and producer Chontane is quickly finding his feet following a string of EPs via ARTS, Lobster Theremin and Rekids Special Projects. Already playing key clubs at the age of just 18, blurring the lines between techno, breaks and electro with his growing trademark sound, his performances across Berlin and beyond have captured the attention of many as he showcases his up-front and powerful sound. Next, he heads to SHDW & Obscure Shape's Mutual Rytm imprint for the first time as he reveals his six-track 'Sycamore' EP.

Lead cut 'Preserved' is a rugged yet soulful opener, settling into a rolling groove guided by crisp hats and sharp stabs, while 'Arakis' propels into more eerie and menacing spheres as waling vocals emerge and disappear into the track's relentless dynamic. Opening the B-side, 'Sitka' fuses jacking drums with playful flute interludes for a production set to get dancefloors moving, while 'Laboe' keeps things fiery as a peppy track which launches into fiesta mode. Closing the flip side, B3 'After Images' reveals the most emotive production on the package,
balancing the hard-hitting kicks with soulful vocals and hazy melodies for a classy slice of techno.

Once again, digital purchasers are treated to an exclusive bonus with 'In Roots' raising the temperature and jumping right back into the action to serve up another energising anthem from a label and artist on the rise.

Limited To 140 Copies Worldwide*

One of the most imaginative, creative EP’s we have ever put out on Vinyl Fanatiks. Originally released on Three Scar Records in 1993, Silver Fox’s own label, hailing from Wolverhampton. Back in 2019 it was repressed on Vinyl Fanatiks on orange vinyl but sold out before it got to distribution, so grab a copy while you can.

This EP has incredible sample usage and amazing depth and texture for a hardcore release, I do not think there is another release like it from that era. Silver Fox use to rent a flat with Goldie when they lived in the city as they were both on a printing course. Silver Fox stayed in the Wolverhampton and put his printing course to good use, making rave t-shirts which he would sell at Club Kinetic and Quest in Wolverhampton – two rave clubs that were renowned across the UK at that time. He now runs Ricochet Print and does all the merch for Vinyl Fanatiks.

This is an EP you can listen from start to finish and be taken on a trip to a time when Akai samplers were being brutalised and Cubase was the king of the rollers.

Only 140 have been pressed on 180g pink marbled vinyl.

Chicago's Magic Touch label gets the Numero Group treatment. Available for the first time ever on 7", Boogie Holy-Grail "Too Far Gone" has been "Too Hard To Find" on the second hand market since first introduced to the masses via the legendary cratesmith Mark Grusane of Mr. Peabody Records. Rare Groove Windy City Disco at its finest sliced, diced and remastered for maximum dancefloor potential. Bonus: Housed on replica "Double Disco Smash" 7" Magic Touch Sleeve.

Escape Music are pleased to announce the release date for long awaited Turkish Delight studio album titled “Volume 1" with 500 limited edition double Vinyl “Side A+B Snowy White colour and side C+D Skull Gold colour” all will be numbered 1-500! ‘Turkish Delights Volume One’ celebrates the absolute joy that Escape Music co-owner Khalil Turk has for the kind of music he loves so much and has spent the last thirty and then some years championing. Indeed, his enthusiasm for a new band or a new song today is no different from when I first met him in the mid ‘80’s. I lost count of the number of phone calls he made to me when I was working for ‘Kerrang!’ magazine, where he would excitedly tell me ‘Dave, you just have to listen to this! It’s brilliant! You’ll love it!’ before playing me something over the phone – new and often obscure - he had picked up on his international record buying trips. Nine and a half times out of ten he’d be right!! Khalil’s quality control has been such that the record label he co-founded with fellow melodic rock enthusiast Barrie Kirtley in 1995 remains reliably and solidly in place all these years later. Escape continues to deliver monthly doses of quality hard rock, melodic rock and AOR to a very devoted following. Khalil had first entered the music business in the early ‘90’s, effectively as a talent scout for the German owned Long Island label. However, after the company folded, Turk felt that, rather than look at opportunities with other labels, he had the enthusiasm and now had rather more knowledge of the inner workings of the music business to put something together himself alongside the equally enthusiastic and astute Kirtley. We’ve seen hundreds of solid album releases from a huge variety of acts (including AXE, Steve Walsh (Kansas), John Elefante (Kansas), Lonerider, Shadowman, Alliance, Pinnacle Point, Mass, Heartland, Grand Illusion, Overland, Last Autumn’s Dream, Punky Meadows, ColdSpell, Chris Ousey, Ozone and Touch, to name just a few) as well as reissues (from Aviator, Sugarcreek, Jon Butcher Axis, Franke And The Knockouts, FM, Tantrum and Surrender, Zon, Hanover Fist etc) ever since. So here we are, over twenty-five years since that first Escape Music album appeared hot off the presses (Heartland’s ‘III’ album in November 1995, if you’re asking) and this collection of songs, personally chosen by Khalil, reiterates that pure joy he still possesses for the music he is utterly immersed by. With material from the pens of Steve Overland (FM), Chris Ousey (Heartland), Steve Morris (Export/Ian Gillan/Heartland), Mick Devine (Seven), Steve Newman (Newman/Compass) and Tommy Denander (Radioactive) there’s also a list of musicians culled from Khalil’s contact book that, quite frankly, is VERY impressive. Just a few names appearing on ‘Turkish Delights’ to throw at you include Ronnie Platt (Kansas), Billy Greer (Streets/Kansas), Billy Sheehan (Talas/David Lee Roth/Mr Big), Gary Pihl (Sammy Hagar/Boston/Alliance), Gene Black (Device), Jeff Pilson (Dokken), Jeff Scott Soto, Chris Childs (Thunder), Mike Slamer (City Boy/ Streets/Seventh Keys/ Steelhouse Lane) Joel Hoekstra (Whitesnake/Joel Hoekstra’s 13), Mark Mangold (American Tears/Touch/ Drive, She Said), Mark Stanway (Magnum), Mat Sinner (Sinner), Marco Mendoza (Thin Lizzy/Whitesnake/Journey), Ricky Phillips (The Babys/Bad English/Styx), Robin Beck, Robin Mc Auley (Grand Prix/MSG), James Christian (House Of Lords) Steve Overland (FM), Jerome Mazza (Pinnacle Point/solo), Terry Brock (Strangeways) and Vince DiCola (‘Transformers’/Thread/Storming Heaven). This is a cast of thousands. Well, it at least appears that way! It’s a very interesting package and, as Khalil would surely say, you’ll love it! - Dave Reynolds / August 2022. Produced by Khalil Turk for Turkish Delight Productions / Mixed and Mastered by Stephen DeAcutis at Sound Spa Studio, New Jersey, USA / *Mixed by Andy Zukerman / *Mastered by Fredrik Folkare / **Mixed and Mastered by Brian J Anthony (Vinyl Only) - Artwork Design by Hugh Syme (Rush/Bad English/Elton John) - Turkish Delights: The Musicians are: Ronnie Platt: Lead vocals (Kansas) / Billy Greer: Lead vocals (Kansas/Seventh Keys/Streets) / Jeff Scott Soto: Lead and backing vocals (Talisman/Yngwie Malmsteen/Trans-Siberian Orchestra) / Robin McAuley: Lead and backing vocals (Michael Schenker Group/Grand Prix/solo artist) / Chris Ousey: Lead vocals and Backing vocals (Heartland/Ousey-Mann/Virginia Wolf/Ozone)/ Jerome Mazza: vocals (Pinnacle Point/Steve Walsh) / James Christian: Lead and backing vocals (House Of Lords)Terry Brock: Lead vocals (Strangeways/Kansas) / Lee Small: Lead and backing vocals (Phenomena/Lionheart/Shy) / Mick Devine: Lead and Backing vocals (Devine Intervention/7/solo artist) / Ronnie Romero: Lead and backing vocals (Rainbow/Michael Schenker Group) / Tony Harnell: Lead vocals and backing vocals (TNT/Westworld/Starbreaker/Morning Wood) / Steve Overland: Lead and backing vocals (Lonerider/FM/Shadowman/solo artist) / Robin Beck: Backing vocals (solo artist) / Matt Sinner: Bass (Primal Fear/Sinner) / Joel Hoekstra: Guitars (Whitesnake/Trans-Siberian Orchestra/13) / Mike Slamer: Guitars (City Boy/Streets/Seventh Key/Steelhouse Lane) / Jeff Pilson: Bass (Foreigner/Dokken) / Gary Pihl: Guitars (Sammy Hagar/Boston) / Steve Morris: Guitars and Keyboards (Heartland/Lonerider/Ian Gillan Band/Shadowman) / Gene Black: Lead Guitars (Tina Turner/Rod Stewart/Device) / Billy Sheehan: Bass (Mr Big/The Flood/Talas) / Tracy Ferrie: Bass (Stryper/Boston) / Ricky Phillips: Bass (Baby’s/Styx/Bad English) / Rocky Newton: Bass (Michael Schenker Group/Lionheart) / Josh Devine: Drums (One Direction/Levara/Devine Intervention) / Takeaki Itoh: Bass (Pinnacle Point) / Jim Kirkpatrick: Slide guitar (FM/The Flood/Bernie Marsden Band) / Chris Childs: Bass (Thunder/Lonerider) / Steve Mann: Keyboards (Michael Schenker Group/Lionheart/Ousey/Mann) / Vince DiCola: Keyboards (Rocky4/Staying Alive/Transformers/Storming Heaven/Thread) / Mark Mangold: Keyboards (Touch/American Tears/Drive She Said) / Alessandro Del Vecchio: Keyboards (Revolution Saints/Edge Of Forever/Hardline) / Stevie D: Lead guitar / Marco Mendoza: Bass (Whitesnake/Thin Lizzy/Journey) / Jimmy Nicholas: B3 (Faith Hill/Kenny Loggins/Van Zant/Jim Peterik/Juice Newton) / Tommy Denander: Guitars and keyboards (Radioactive/Steve Walsh/Robert Hart)) / Brain J Anthony: Bass (Steve Walsh/Lonerider/Robert Heart/Robbie LeBlanc) / Brian Tichy: Drums (Whitesnake/Dead Daisies/ Foreigner) / Mark Stanway: Keyboards (Magnum/Grand Slam) / Robin Beck: Backing vocals (solo artist) / Nikolo Kotzev: Lead guitars (Brazen Abbot/Robin Gibb) / Fredrik Folkare: Guitars (Unleashed/Heartwind) / Mikael Rosengren: Keyboards (Heartwind) / Steve Newman: Guitars/keys/backing vocals (Newman/Compass) / Eric Ragno: Keyboards (Baby’s/Joe LynnTurner) / Fredrik Bergh: Keyboards (Talk Of Town/BloodBound) - CD Track listing: Intro; Live Again; Crazy Days; Bad Enough; Never Will Forget; Harder They Fall; Get Out Of Here; Believe; Hangman Blues; State Of Mind; Belly Of The Beast*; Holy Water; Sweet Serenity; Take It Away; Bad To Good. Vinyl Track listing: Intro; Live Again; Crazy Days; Bad Enough; Never Will Forget; Harder They Fall; Get Out Of Here; Believe; Hangman Blues; State Of Mind; Belly Of The Beast*; Holy Water; Sweet Serenity; Take It Away; Bad To Good; The Year 2000; Frozen Rose

Several Years Ago, the Disco Records Dj Crew Members Got Their Hands on a Couple of Original 70s Obscurities, While These Standout Records Shone Brightly in Their Own Right, the Team Finally Decided to Put Them Out as Those Obscure Old Records Fetch Eye-Wateringly High Prices on the Second-Hand Market. Due to Popular Request & Lovingly Mastered to the Highest Possible Standards, They Are Now Available to Play and Share in Very Special Moments at Parties Around the World. This Will Surely Be One of the Most Keenly Anticipated Disco Release of the Year. for Our First Release, We Are Extremely Proud to Bring You at Last, Three Very Hard to Find Disco Anthems on Sides a & B in Their Glorious Full Extended Versions...

repress !

The birth of rock steady portrayed in a consummate collection from the vaults of Federal Records

Most of them drawn directly from Ken Khouri's master tapes this miscellany of cool rock steady includes marvellous music from the originator of the genre, the one and only Lynn Taitt, alongside an array of Jamaica's greatest singers and vocal harmony group

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston's jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or 'dub plates' as they would later be termed. These 'specials' soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement Coxsone' Dodd, Duke Reid 'The Trojan' and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica's original indigenous music) before progressing to opening Jamaica's first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.

"It was Ken Khouri's Federal Recording Studio, the womb that gave birth to the talented writers, artists and musicians that gave Jamaica its musical identity." Prince Buster

Federal Records was not only the place for the sound system men to record their music but it was also where they had their records manufactured and, consequently, the company enjoyed a near total monopoly on recording and record pressing in Kingston. In 1963 Ken Khouri sold his one track board to Clement 'Coxsone' Dodd, who established Studio One, and Ken imported the first stereo equipment to Jamaica and Federal began making stereo records. The following year WIRL (West Indies Records Limited) opened but the competition served to drive the company on to higher heights. Ken Khouri continued to work on his own productions and, in 1966, the seven inch release of Hopeton Lewis' 'Take It Easy', recorded under the guidance of Trinidadian guitarist Lynn Taitt, ushered in the rock steady era.

These two essential albums showcase a stunning selection of well known hits, and not so well known rarities, from the vast Federal catalogue. All tracks have been transferred direct from the master tapes and assembled with the invaluable assistance of Ken Khouri's son, Paul Khouri, who generously gave Dub Store unlimited access to the Federal tape vaults. The extensive liner notes feature extracts from extensive interviews with Paul Khouri whose knowledgeable recollections of working on Marcus Garvey Drive, not only as a producer but as an engineer and musician, are illuminating and educational. Both sets present an insight into the birth and growth of Federal Records and the Jamaican recording industry and are essential to an understanding of the real roots of reggae music.

2024 Repress

Brazil-born, Barcelona-based DJ and producer ANNA has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), ANNA had the opportunity to perform at iconic clubs such as
DC-10 and Fabric.

This passion for the dancefloor was fuelled by a youth spent in the DJ booth of her father's night club - and it now leads to her first outing with Kompakt:
SPEICHER 101 carries the DNA of both the studio head and the club dweller, crafting two propulsive, massive belters out of simple, but effective ingredients. HIDDEN BEAUTIES dominates the A-side with raw bass power and sizzling drops of acid, while the flipside brings you THE DANSANT, one of these spiralling minimalistic techno bangers that just seem to grow indefinitely. The release is also a personal milestone for ANNA, as Kompakt's records have always been a staple in her sets: I have so many
records from Kompakt, I've had them since I started, and even though I played so many different styles through the years, I can safely say that Kompakt has always been in my crate.' Her very own release on the label, however, seemed like a distant dream', she says. Turns out it wasn't that distant after all - thanks to her knack for seriously catchy techno with a punch, nurtured by hard work and persistent focus. A perfect fit for Speicher.

Originally released on Milestone in 1969, the hard-bop cult classic Power to the People finds legendary saxophone virtuoso Joe Henderson soaring in the intersection of thematic development and ecstatically pure sound, joined by a titanic rhythm section featuring Mike Lawrence, Herbie Hancock, Ron Carter and Jack DeJohnette. This Jazz Dispensary reissue was mastered from the original analogue tapes by Kevin Gray, pressed on 180-gram vinyl at RTI, and comes packaged in a gatefold tip-on jacket. US import.

Repressed clear yellow w/ red splatter vinyl! This is the 5th full length for London-based USA Nails full of post-punk noise rock that's as grating as it is catchy. USA Nails release their fifth album "Character Stop" on October 23rd 2020 through Hex Records. The new album from London-based USA Nails (and 2nd for Hex Records) is a post-punk, noise-rock platter that is as grating as it is catchy. The record was tracked live over 4 days at Bear Bites Horse in London with producer Wayne Adams. Though "Character Stop" still features the pummeling noise-punk that USA Nails have become renowned for, it's balanced with more sober, downbeat moments. On it they explore identity - like the online personas of aggressive twitter users, influencers and vloggers, as well as more introspective takes on mental health, giving up on dreams, the joy (and despair) of being a part-timer, and contemplating who they would be if they decided to hang up their guitars for good. Guitarist Gareth Thomas comments, "For me "Character Stop" is the best album USA Nails have ever made by miles. It's more varied than anything we've ever done before and I think it's stronger for it. I feel like it's more fully realized, and more complete as a collection of songs. Every time we get in a room together and write, the dynamic of our relationship as writers (and mates) develops a bit further, we get better at anticipating and complimenting each other. We've always tried to be efficient in our creativity, to do what feels natural and just let things flow. I'm obviously still really happy with all the music we've written up to this point, but on this record everything seemed to come together so sweetly. " Comes on clear green vinyl. USA Nails will tour Europe and the US in 2021, following a clutch of UK album launch shows in late 2020 - COVID permitting. In the last few years, USA Nails have toured with Sub-Pop lovelies Metz, completed numerous USA and European headline stints, and supported the likes of Mission Of Burma, John, Future Of The Left, Mclusky*, Cocaine Piss, Viagra Boys and Murder Capital. Ffo Pissed Jeans, Wire, Gang Of Four, Pinko, Blacklisters, Drive Like Jehu Press Quotes: 'Heavy, crushing, and aggressive post-hardcore' _The Needle Drop 'A mix of Drive Like Jehu headbangers, nods to psychedelia and a throttling of hardcore for good measure' _The Skinny

Fanu returns to Straight Up Breakbeat for another EP packed with a variety of beats.

"Timetravels" kicks things off with a beautiful blend of classic amen trickery and majestic organ sounds. Timeless piece of music!

"Mystic Woods" is his tribute to a proper drum & bass classic from '96 - for those who know!

"Borderline Offensive" is Fanu at his nastiest with rounds of fierce breakbeat fire all over, while the hard jazz of "Permanent Vacation" (digital release only) bridges the gap between the styles.

DJ Support
Concord Dawn, John Rolodex, NTS Radio, Missrepresent (Kool LDN), DnB Dojo, Two Hungry Ghosts, Jungletrain, Only Oldskool Doc Scott, Muffler, Askel and many more

limited repress available! *gatefold sleeve + insert, regular 120g black vinyl!0 Through the recent years of lockdowns and silence and having too much time to think, Tex Perkins always found solace in the company of song. Having his friend Matt Walker as a co-writer-conspirator, Perkins revelled in the experience which prompted the forming and recording of the first Fat Rubber Band album at Walker & #39's Stovepipe Studios with bassist Steve Hadley, drummer Roger Bergodaz and percussionist Evan Richards. After such an affirmative and creative experience Perkins was itching to commence work on what has become the band's second album, Other World. "The first Fat Rubber Band album was kind of deliberately a little ragged. A bit fuzzy around the edges" said Perkins. "There is a certain maturity that we now possess where ideas can be realised and take form very quickly. We've become a real band. I think what you heard on the first album is the band being formed." While he's played with many musicians, finding true collaborators is something that Perkins treasures. During the lockdowns, he pondered whether he would ever have that day-to-day musician experience again. With The Fat Rubber Band it's not just another grouping of musicians playing music together, but a gathering that is very much about the head, heart and soul and something he is clearly grateful for. "Roger Bergodaz was incredible. His drum kit was in the control room and he engineered the record and played drums pretty much at the same time! He constantly created the surroundings where an enthusiastic and positive atmosphere always prevailed. We never came away empty handed. I loved making this record so much," Perkins says, "because fucking magic happened. Yes, that's right, magic or how about alchemy? (A medieval science with a mysterious process that seeks to turn base metals into Gold.) Well, I dunno about gold, but I witnessed ideas, thoughts, whims and imaginings transmute almost effortlessly into living breathing songs with a soul and a heartbeat and even their own private history every time we went into the studio for this recording. Actually, no, magic is better." Perkins explains "This magic came about with the help of over 4O years of experience from each of the Fat Rubber band members. They're all truly great players and they're all really generous collaborators, so I guess what I'm saying is, it doesn't matter what happens from here. I'm very aware these days, with 100s of new releases each week, it's harder than ever to get people to give a shit about a new album from anybody, let alone from a bunch of hairy blokes in their 50s from Australia fronted by a dude that's been around since the early eighties named Tex. Actually, I can't believe you're still reading this! But you know it doesn't really matter, I've seen the magic."

At just 21 years old Peter Frampton had already played with The Herd and co-formed and left Humble Pie. So he struck out on his own with the appropriately named, “Wind of Change.” Freed from Humble Pie’s narrower focus on hard-rock boogie, Frampton’s debut solo album reveals an artist exploring more dimensional, delicate and nuanced songwriting and guitar playing … Frampton showed his own brand of rocking hard with tunes like “It’s a Plain Shame,” “All I Wanna Be (is by your side)” and even made a Stones song his own with “Jumping Jack Flash,” which became a staple of Frampton’s live shows. But these tunes and even the hook-laden “The Lodger” are balanced with intricate, beautiful tunes like the elegiac “Fig Tree Bay” and the title track “Wind of Change.”