- A1: Filter & The Crystal Method - (Can't You) Trip Like I Do
- A2: Marilyn Manson & Sneaker Pimps - Long Hard Road Out Of Hell
- A3: Orbital & Kirk Hammett - Satan
- B1: Korn & The Dust Brothers - Kick The Pa
- B2: Butthole Surfers & Moby - Tiny Rubberband
- B3: Metallica & Dj Spooky - For Whom The Bell Tolls (The Irony Of It All)
- B4: Stabbing Westward & Wink - Torn Apart
- C1: Mansun & 808 State - Skin Up Pin Up
- C2: Prodigy & Tom Morello - One Man Army
- C3: Silverchair & Vitro - Spawn
- D1: Henry Rollins & Goldie - T-4 Strain
- D2: Incubus & Dj Greyboy - Familiar
- D3: Slayer & Atari Teenage Riot - No Remorse (I Wanna Die)
- D4: Soul Coughing & Roni Size - A Plane Scraped Its Belly On A Sooty Yellow Moon
Cerca:hard g
Following his recent EP, The Circle of Life, on Pushmaster Discs, Milan's rising techno star Maike Depas returns with a brand-new release on his renowned The Innovation Studio Records. Titled “Sexy Devil Horse”, it is a powerful 10-track collection, featuring many iconic international artists from the Hard Techno space such as Etruria Beat’s headmaster Luca Agnelli, Dutch-based sensation OGUZ and the “Demon of hard techno” also known as Michael Katana, as well as Southern Italian talents CHRS and Gianni Di Bernardo.
This release marks a pivotal moment in Maike Depas’ journey to become one of the highest rated talents in the Hard Techno scene. It will also be followed by a key paradigm shift his label’s business model in 2025. For this occasion, Maike has lined up an amazing group of artists to celebrate those who have shared his musical vision along the way.
The title is meant to be provocative and captivating, just like its content: catchy and fresh enough to attract ravers and clubbers from around the world. Its artwork was created by the master Luden Works. It features a plastic female figure with an undefined appearance, yet with sensual curves and a powerful surge of energy, like a wave enclosed in a sphere, representing Maike’s and The Innovation Studio Records’ logos.
From the galloping rhythm of “Sexy Devil Horse” and “Hear The Sound” to the groovy and elegant “Ce Soir” there is an immediate feel about the artist’s singular touch and eclecticism. Same goes for the tangible contrasts which make a key element of this release, where the minimalistic mood of “StarKiller” and its maximalist counterpart “Dark Serenade” carry the listener through a full-spectrum emotional rollercoaster.
Hard Techno and Psy Trance vibes go hand in hand with ‘90s Trance and Rave echoes, creating a blend of recognisable and innovative samples that can resonate with many different types of audience and like-minded artists. This aspect is fundamental in the direction Maike and his team have decided to take.
It all comes from afar: starting with a classical musical background – playing the piano at Conservatory level for many years, including Berlin’s own Funkhaus. This theoretical and practical knowledge, mixed with a long-time passion for electronic music, made it easier for Maike to shape and cultivate his authentic sound since a very young age.
As part of its evolution, The Innovation Studio Records will officially open its doors to new talent and renowned artists starting in 2025. The team’s vision is to create an international reference point for quality and innovation, shaping a brand-new artistic movement based on combining the modern vision of our generation with our cultural heritage from the past, thanks to the team that we put together, both in terms of approach and technique.
It'll be a structure built from the ground up, combining the best of analogue technology in a modern workflow with the highest level of music hardware, audio monitoring and studio design. In their view, there are two types of productions: those that stay ‘inside the box’ and those that get into your heart.
The desire to unite instead of dividing, to join forces instead of competing, is the key to Maike’s success and a real drive to turn the studio lights on every single day. Despite playing a lot with dystopic, cyberpunk-like atmospheres throughout his artistic journey, music doesn’t feel like a means to escape reality for Maike. In fact, it’s quite the opposite.
The definition Maike uses the most to describe what The Innovation Studio Records wants to become is “a mysterious display cabinet”: a place where an artists will never know what emotion will arise or what direction will be taken next. Although hard work, professionalism and common inspiration will ultimately still be its main fuel, a true sense of community and empathy will be crucial to shape the future Maike and his team have in mind for it.
In a very romantic way, the idea is to re-create the same atmosphere from the Italian Renaissance masters’ workshops. Places where different artists - with opposite backgrounds and styles - could all mingle and inspire each other, in order to foster the creation of something unique. A collective effort for a greater good.
About MAIKE DEPAS
Young hard techno DJ-producer Maike Depas (born Michelangelo De Pasquale) has seen the future of music and it’s called metaverse: “In the future it will blow up,” he predicts. “And it’s going to revolutionize the way we experience music.” Bowled over by Skrillex and Martin Garrix by the age of eight, and DJing at smaller Milan clubs by the time he was eleven, Depas went on to study composition and piano at the prestigious
Milan Conservatory before learning ‘life- changing” lessons from the best in the business at Catalyst’s 4-week Advanced Sound Design course in Berlin’s Funkhaus . His production gets inspired by huge 90s trance synths as much as pounding hard techno from artists such as Kobosil, In Verruf and Amelie Lens.
2024 marked the launch of MAIKE DEPAS 2.0, a tectonic audio-visual shift that entails a wide array of content from DJ sets livestreamed from Berlin’s Teufelsberg and other dystopic locations around Europe to cyberpunk-inspired outfits designed by Demobaza, a cyberpunk-inspired casual couture brand best known for their sustainable Dune X Demobaza collection. Over the course of a developing metamorphosis from a flesh-and-bone individual to a mysterious CGI character, Depas is another step closer to revolutionize the dance music scene through the metaverse.
2024 Repress
There isn’t many who would disagree with the underlying sentiment that electronic music makes us feel something extraordinary. Much in the same way, the possibilities for creative discourse and cosmic interactivity are accessible to anyone with an open mind. It’s in this place where these possibilities materialise, and it’s in this space where SYNCROPHONE 39 operates within.
You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.
Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.
One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix,
will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.
- A1: Fore Play Feat. Bj The Chicago Kid
- A2: Shangri-La
- A3: Outta Da Blue Feat. Dr. Dre And Alus
- A4: Hard Knocks
- A5: Gorgeous Feat. Jhené Aiko
- A6: Last Dance With Mary Jane Feat. Tom Petty And Jelly Roll
- A7: Pressure Feat. Dr. Dre And K.a.a.n
- A8: Another Part Of Me Feat. Sting
- B1: Skyscrapers Feat. Method Man And Smitty
- B2: Fire Feat. Cocoa Sarai
- B3: Gunz N Smoke Feat. 50 Cent And Eminem
- B4: Sticcy Situation Feat. K.a.a.n. And Cocoa Sarai
- B5: Now Or Never Feat. Dr. Dre And Bj The Chicago Kid
- B6: Gangsta Pose Feat. Dem Jointz, Stalone, And Fat Money
- B7: The Negotiator
Belgian producer Uit de Hoogte returns to his own label LANK with ‘Polos’ EP, celebrating the mesmerizing art of looping in all its splendor. This release fuses loopy vocal chops, intricate chord progressions, and percussion hits, creating a collection of trance-inducing killers for the dancefloor.
The EP opens with “Pink Polo,” a hard-hitting house anthem that layers wonky chord progressions, super-saw synths, and a vocal acapella from Ye, crafting a high-energy peak time banger.
The second track, "Lazy 8" (stylized as ∞), mellows things out with a hypnotic female vocal loop of the word "octa," repeated into infinity. Driven by a relentless drum machine and a warm, woolly bassline, this track draws dancers into a deep, driving euphoria.
Side B kicks off with "Loops of XTc," a track built entirely from samples salvaged from a 90s sample CD discovered in a local thrift store. With a clever twist on cheap, nostalgic loops, Uit de Hoogte reshapes these elements into a deep, dub-infused house gem that revives the spirit of the 90s club scene.
Closing the EP is “Frida,” a dreamy house piece that brings a sense of droney introspection to the dancefloor. Gradually, the gentle hum of a Yamaha DX7 leads into a meditative Portuguese vocal, lifting the track to ethereal heights.
Made with love & hardware gear only!
- A1: Rhapsody In Blue
- A2: Parkers Mood
- A3: The Zero Point
- A4: Getting It Out Of My System
- B1: $$ Kash Register $$
- B2: When I Fall In Love
- B3: Do Your Thing
- B4: Angel
KSB stands for Kashmere Stage Band group that was initially founded by Conrad O. Johnson. He was at the heart of the group which is surely one of the most accomplished student outfits of all time. They hailed from the eponymous Kashmere High School in Houston, Texas, and were active in the 1960s on until the late 1970s. They related a number of albums which only get got pressed up a maximum of 1000 times so have become cult favs and hard to find treasures. P-VINE however changes all that with a series of limited reissues of their most renowned albums, including this one, Out Of Gas But Still Burning, as well as some others which have never actually been on wax before.
SML is bassist Anna Butterss (Jeff Parker, Daniel Villarreal, Makaya McCraven), synthesist Jeremiah Chiu (Ariel Kalma, Marta Sofia-Honer), saxophonist Josh Johnson (Jeff Parker, Makaya McCraven, Nate Mercereau, Marquis Hill), percussionist Booker Stardrum (Amirtha Kidambi, Carl Stone, Lee Ranaldo, Patrick Shiroishi), and guitarist Gregory Uhlmann (Sam Wilkes, Meg Duffy, Perfume Genius). Their debut album Small Medium Large began as a collection of long-form improvisations recorded during two
separate two-night stands at beloved Highland Park venue ETA, a major development site for the burgeoning new LA jazz & improvised music sound, which unfortunately closed its doors permanently at the end of 2023.
The venue, perhaps best known outside of LA for Jeff Parker’s 2022 album Mondays at the Enfield Tennis Academy, was the perfect location for the start of SML, especially given that both bassist Anna Buterss and saxophonist Josh Johnson are in the quartet featured on that record. Small Medium Large was engineered and recorded in stereo direct to Nagra by Bryce Gonzales and compiled, arranged, and edited with additional production, recording, and
studio composition by SML.
While editing, chopping, and rearranging stereo mixed improvisations is hardly a new concept (for a modern and relevant example we can look to Makaya McCraven’s output on IARC) these results are a stunning expansion of the Teo Macero / Miles Davis editing concept explored on classics like Bitches Brew, On The Corner, and Get Up With It. Stylistically though, these recordings have more in common with the proto trance repetitions of Harmonia, and with Holgar Czukay’s re-assemblage technique used in his work with Can. Throw in a supremely intuitive utilization of Susumu Yokota’s floating patterns polyrhythm concept and we have a truly entrancing take on time-clocked electronic rhythms augmenting with live percussion, yet maintaining that elusive human sway.
This is a massively awaited repress from the Hectic back catalogue. Ramos & Vinylgroover team up for the first time in this absolute classic from 1994. The A side, Phantasm, is a subliminal slice of that era showing pretty much every sound and trick in their arsenal. Then the flip is a proper slice of darkness in The Beast. No piano or cheery vocal here, just an eerie melody with melancholy samples to keep even the darkest of hardcore raver happy. An absolutely massive EP that is a must for any collector.
Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others
Anyone that's been checking my sets of recent will probably have heard the tunes on this release, it's no secret that I'm a big fan of DJ Sofa's work and I'm very pleased to have a full EP from her on the label.
Her style is versatile, ranging from hardcore to melody focused jungle to dancefloor style ruffness & much more and she covers all of that on this release, alongside a remix from Dev/Null of 8205 Recordings and a collaboration I did with her.
A limited repress of this unreleased set of proper old skool tracks by the legendary Dj Force & The Evolution. Proper breakbeat piano hardcore, lovingly repressed on mad marbled vinyl!
On initial release, this EP was overshadowed by the two released on either side of it – how could it not be? Both The Journey and Gotta Believe were huge anthems all over the rave scene. But time has shown that this excellent EP deserves a second chance – both tunes are wicked glimpses of a bygone era, yet both stand proud in the history of hardcore, and now they have been beautifully remastered and rereleased!
Club / DJ Support
Billy Bunter, the Fat Controller, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Clayfighter, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others
Sikka, otherwise known as Stu Keating, has become a regular on Kniteforce and its sister labels, and his history with Formation records and in the jungle scene is on full display with this EP. Letting loose with some furious jungle vibes, this EP is limited in number and will not stay on shelves for long, as it is a work of timeless jungle vibes, dark but not miserable, hard but not destructive, a real EP for and of the ages....
- A1: Often They Came To Visit, Even Just To See How She Was (M1)
- A2: In More Turbulent Times, She Managed To Take The Perfect Shot (M4)
- A3: What’s Really Important She Wanted To Know - Part 1 (M6)
- A4: What’s Really Important She Wanted To Know - Part 2 (M7)
- A5: What’s Up Is Not What’s Real Most Of The Time (M5)
- B1: When They Came Closer She Realised They Were Alien Creatures (M3)
- B2: The Shine Of Gold Was Too Strong (M8)
- B3: When She Curled Up They Started Dancing (M2)
- B4: He Was Painting Her Face With Colours She Had Never Seen (M9)
- B5: I Is One (M10)
Skylla is the debut solo recording of Italian-born and London-based composer, bassist, and vocalist Ruth Goller. This
album of otherworldly detuned bass harmonics and dense vocal arrangements was initially released in 2021 by longtime collaborator Bex Burch's Vula Viel Records, and quickly went out of print. Since then Goller's notoriety has only grown, and her follow-up record, SKYLLUMINA, was released by International Anthem in early 2024 and met with high praise.
Skylla is the genesis of her sound, and it is a sound that is hard to place. Listeners could be convinced that these recordings came out of contexts as disparate as 80s Downtown NYC or some mysterious Bjork-adjacent project of the Icelandic 2010s. It's hard to imagine a person making this music despite the fact that its elements are instantly recognizable.
I don't feel anything. Anymore. I will not feel myself. For sure. Well, I don't feel anything. Anymore. I can't even remember if I ever did. But it's hard to do so. It's hard to feel me. Feel myself. Have feelings for someone else. And if I do so, I just run away. Running away seems my only way...
Vinyl reissue of 2021 cassette release: Tokyo visionist Soshi Takeda’s second album took shape across eight months of the winter and spring, inspired by an iconic mid-80’s photography book of Chinese landscapes. Scenes of lantern-lit fishing boats on misty mountain lakes seeded a mood of hidden paradise, with ancient waterways snaking secret paths into the past.
Recorded at his home studio using hardware synths and samplers from the 1990’s, the six songs of Floating Mountains (plus digital-only bonus track, “Deep Breath,” from the 2nd Life Silk compilation) evoke shrouded vistas of liquid skies and shining lakes, like some Li River twist on Balearic half-light house. Shades of cosmic drift and crystalline electronica ebb and flow within the nocturnal pulse, pagodas and pearls reflecting the waning moon: “I hope you can feel the cool and exotic atmosphere.”
- A1: Sinus Wave 35 555 Hz
- A2: Sinus Wave 71 111 Hz
- A3: Sinus Wave 142 222 Hz
- A4: Sinus Wave 284 444 Hz
- A5: Sinus Wave 568 888 Hz
- A6: Sinus Wave 137 777 Hz
- A7: Sinus Wave 275 555 Hz
- A8: Sinus Wave 4551 111 Hz
- A9: Sinus Wave 9102 222 Hz
- B1: Sinus Wave 53 333 Hz
- B2: Sinus Wave 106 666 Hz
- B3: Sinus Wave 213 333 Hz
- B4: Sinus Wave 426 666 Hz
- B5: Sinus Wave 853 333 Hz
- B6: Sinus Wave 1706 666 Hz
- B7: Sinus Wave 3413 333 Hz
- B8: Sinus Wave 6826 666 Hz
- B9: Sinus Wave 13653 333 Hz
- C1: Bass Sweep Sinus Wave 142 222 Hz - 17.777 Hz Log
- C2: Bass Sweep Triangle Wave 142 222 Hz - 17.777 Hz Log
- C3: Bass Sweep Saw Wave 142 222 Hz - 17.777 Hz Log
- C4: Bass Sweep Square Wave 142 222 Hz - 17.777 Hz Log
- C5: Bass Sweep Pulse 142 222 Hz - 17.777 Hz Log
- C6: Bass Sweep Smooth Saw Wave 142 222 Hz - 17.777 Hz Log
- C7: Bass Sweep Smooth Square Wave 142 222 Hz - 17.777 Hz Log
- C8: Bass Sweep Smooth Pulse Wave 142 222 Hz - 17.777 Hz Log
- D1: Sweep Grid 1/2
- D2: Sweep Grid 1/3
- D3: Sweep Grid 1/4
- D4: Sweep Grid 1/5
- D5: Sweep Grid 1/6
- D6: Sweep Grid 1/7
- D7: Sweep Grid 1/8
- D8: Sweep Grid 1/16
- E1: Eisler - Run In Groove
- E2: Eisler - Run In Groove
- E3: Eisler - Run In Groove
- E4: Eisler - Run In Groove
- E5: Eisler - Run In Groove
- E6: Eisler - Run In Groove
- E7: Eisler - Run In Groove
- E8: Eisler - Run In Groove
- F1: Eisler Tonal Loop
- F2: Eisler Tonal Loop
- F3: Eisler Tonal Loop
- F4: Eisler Tonal Loop
- F5: Eisler Tonal Loop
- F6: Eisler Tonal Loop
- F7: Eisler Tonal Loop
- F8: Eisler Tonal Loop
- G1: Drum Pattern
- G2: Drum Pattern
- G3: Drum Pattern
- G4: Drum Pattern
- G5: Drum Pattern
- G6: Drum Pattern
- G7: Drum Pattern
- G8: Drum Pattern
- H1: Drum Pattern
- H2: Drum Pattern
- H3: Drum Pattern
- H4: Drum Pattern
- H5: Drum Pattern
- H6: Drum Pattern
- H7: Drum Pattern
- H8: Drum Pattern
- I1: Sonar
- I2: Sonar
- I3: Sonar
- I4: Sonar
- I5: Sonar
- I6: Sonar
- I7: Sonar
- I8: Sonar
- J1: Ping
- J2: Ping
- J3: Ping
- J4: Ping
- J5: Ping
- J6: Ping
- J7: Ping
- J8: Ping
- K1: Hi Surface
- K2: Hi Surface
- K3: Hi Surface
- K4: Hi Surface
- K5: Hi Surface
- K6: Hi Surface
- K7: Hi Surface
- K8: Hi Surface
- L1: Surface Tonal
- L2: Surface Tonal
- L3: Surface Tonal
- L4: Surface Tonal
- L5: Surface Tonal
- L6: Surface Tonal
- L7: Surface Tonal
- L8: Surface Tonal
- M1: Shepard
- M2: Shepard
- M3: Shepard
- M4: Shepard
- M5: Shepard
- M6: Shepard
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai’s ∞ (Endless Loop Color Edition), under his alias Noto.
This new limited edition box set celebrates Carsten Nicolai’s beloved interactive installation, bausatz noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai’s artwork bausatz noto (1998) – an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 9 or 8 unique locked grooves on each side. As Nicolai explains, “the different colors indicate different sound material, from the very abstract to the graphic” that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10” colored vinyl records, each featuring 18 or 16 unique locked grooves (9 or 8 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a handmade box with artwork. Limited to 1000 copies worldwide.
Lacquers created by Lupo / Calyx Mastering
- 1: Absolute Terror
- 2: Profane Usurpation
- 3: Bloodless Mankind
- 4: No Fear Of Judgement
Japanese hardcore/death metal fusionists Kruelty have announced a new EP, Profane Usurpation, following their killer 2023 LP Untopia. It’s their first release since vocalist Tatami left the band and guitarist Zuma took over on lead vocals, and it’s their first release for Closed Casket Activities, who will release the EP on November 22, following two albums on Profound Lore




















