Buscar:hard g

Caroline True Records are very happy, by public demand (honestly!) to release, on limited wax, a true dancefloor gem-a track that has been described as a “Sax-Banger” of the very highest order.

A remix that’s hard to pigeonhole-but one that has been featured heavily by DJ luminaries such Ben UFO (Hessle Audio) & Job Jobse at Dekmantel where the track ruled the evening back in 2017 & again this year. It’s grown in popularity totally organically across Europe’s more discerning dancefloors & has many admirers..

"1995" is a reissue of three tracks extracted from the Album "Rage Of Age", released in 1995 on the famous record label ACV Records. The CD version of the album contained more tracks than the album's LP version. These three tracks were never released on vinyl and it is impossible to find on the net.

Three different aspects of Freddy K really on fire at only 24 years old. Three tracks with an original style that made Freddy special at that time. Unusual from what today is called '90s style'. The title of "Mac-Beth" wants to remind the famous damned opera called "Macbeth", the track is hard, abstract and psychedelic at the same time. "Electro K" is a personal vision of something electro, funky and crazy. "Love trax" is a representation of what a love story can be.

Welcome to this rare Freddy K's world picture from 1995...
Expect the unexpected!

it’s a second reissue of japanese singer songwriter “nina atsuko” on studio mule.

“teibou” on a side is our most favorite song of nina atsuko. the album “fluorescent lamp” which “teibou” is included is very hard to find out. nobody is selling it on discogs…. “teibou” is not only rare,it’s one of the most beautiful city pop song. “wonderland yuuyami city” is also beautiful city pop song.

limited reissue, don’t sleep!

For Patrick Flegel, Cindy Lee is more than just a recording music project. It is the culmination of a lifelong exploration of art, the electric guitar, queer identity and gender expression. "Singers like Patsy Cline and The Supremes carried me through the hardest times of my life," explains Flegel, "and also provided the soundtrack to the best times."

Following the dissolution of Canadian experimental indie band Women, Flegel would delve deeper into songwriting that bends further toward high atmospherics and bracing melodies – a unique space where splendor naturally collides with experimentation. Delivering moments of sheer beauty through somber reflections on longing and loneliness, Cindy Lee is something to hold onto in a world of disorder.

What's Tonight To Eternity, Cindy Lee's fifth long-form offering, showcases the project's most entrancing strengths: ethereal snowdrift pop and sly nods toward classic girl-group motifs. Recorded at Flegel's Realistik Studios in Toronto and featuring younger brother Andrew Flegel on drums, the album travels hand in hand with a spectral guide.

Flegel found inspiration for Cindy Lee in the form of Karen Carpenter, drawing on the singer / drummer's early recordings as well as her look and style. "I found a deep interest and comfort in Karen's story, which is a cautionary tale about the monstrosity of show business, stardom at a young age and being a misfit looking for connection. The darkness and victimizing tabloid sensationalism she suffered is easily tempered and overwhelmed by her earnest output, her artistry, her tireless work ethic. Something utterly unique and magical takes shape in the negative space, out of exclusion. What I relate to in her has to do with what is hidden, what is unknown."

What's Tonight To Eternity remains a mix of pop culture indoctrination, pain and suffering, hopes and dreams, fierce confrontations and wide-open confessional blurs. Closing with the song "Heavy Metal" (dedicated to the memory of former Women bandmate Chris Reimer) and adorned by Andrea Lukic's Journal of Smack artwork, the album continues the bold and rewarding path on which Cindy Lee has embarked.

'P&F Recordings' returns with it’s fourth release. This time they are coming at you straight outta NAPOLI, ITALY with a four track EP by MILORD (known to many as one half of the duo “The Normalmen” and one-third of “The Mystic Jungle Tribe”).

M • E • T • A / M • U • S • I • C is one part vintage library-music studio wizardry another part lowkey house. Imagine a slinky G-funk synth at a new-age retreat, a spacey kraut jam at an eighties video arcade - all at once familiar, yet unglued from any particular moment in time.

DJ SUPPORT: “Bro, I’m finding it hard to control the sunset with this damn Japanese remote,” said Crockett. “Can you lend me a hand?” Tubbs side-eyed with extreme shade and replied, “You’re such a k-hole, dude, that’s not a remote. It’s the car phone and you’ve been staring at it for an hour. Put that shit down and let’s hit the sauna.”

-Lovefingers (ESP Institute)

Meditative sunset sounds I could also use whilst taking an Epsom bath or a Hawaiian hike at dawn. Artwork also 10/10 another epic release from my fave new label.

-Danny McLewin (Psychemagik)

Thanks for the music - its right up me alley. I’m also already a fan of Mystic Jungle Tribe and Normalmen, so that is a formula I can definitely chemicalize with.

- Dreems (Multi-Culti)

Worked this album in the studio with Milord and I never got sick of listening to the tracks! "The kemetist" brings me in that fabolous druggy-place I would like to be at every weekend …
- Manny Whodamanny (Periodica - Naples IT)

Rocksteady Disco's newest recruit is Eddie Logix. He's been at the heart of the Detroit underground for over 15 years, most recently with his Technically Yeah live hardware nights, a grip of ambient and hip-hop releases, engineering for Assemble Sound. He’s one half of left-field funk-hop duo Mega Powers with Pig Pen, and of 'BLKSHRK' alongside Blair French, who first appeared on Rocksteady Disco
back in 2016 on; For Todd.

Placebo Palace is Eddie's first solo dance EP, combining all of this experience into a diverse offering for discerning dance floors.

The EP leads with “Que Locos”, a tropical house banger driven by brass and Latin-Jazz piano. “Baby Girl” rounds out the A side, with a dusty R & B vocal sample coupled with a massive and unexpected bassline. The B side is darker and deeper, starting with the frantic Afro-Jazz-Deep House “Sunday Palaver”. Closing the EP is “Bottle Rocket”, a psychedelic surf rock-tinged disco-not-disco chugger, with live guitar by Daniel Monk and electric bass by stphn-b. More forward thinking music from Detroit via Rocksteady Disco!

'IMB12001' shipping to You in a designed Uni Cover with a Sticker of the Label "The Inbeciles" on it!

This is the music for our times; our darkening times. The Imbeciles are making the soundtrack for the world we really live in, which is set to become increasingly angry, unhappy, unfair, and messed up. “The world is slowly imploding.” That’s the warning from The Imbeciles, and the message behind its first album. The idea of what to do emerged like a surprise attack.

“I don’t even know where it came from… it ambushed us,” says Butch Dante, of the band’s forthcoming self-titled debut album. “To us it looks like mankind will endgame itself in this millennium, and probably within the next 100 or 200 years. The Imbeciles as harbingers of that fall. We’re pointing out that the world is imploding, for many reasons — environmental, political, technological, and ultimately because human beings themselves forgot how to be humane, how to be kind.”

“Saying we are political would infer that we have some faith in the political system. We don’t. Or that we have answers, a solution to prevent this coming slow apocalypse. But we don’t. We are sitting at the side of an innocent-looking pool saying: hey, you’re drowning but you don’t even know it. And we’re giving you some music to listen to as you go down.”

Inspired by the likes of Wire, Devo, Gang Of Four, but utterly unique, a new form of avant-garde art punk, against greed and mendacity. The band’s forthcoming album was recorded deep down at Sonic Ranch on the Texas/Mexico border. All analogue, in seven days. Produced by Calvin Voltz.

Latest single “D.I.E.” is “a lament for the end of the world. With references to global endgames. They’re grim. All self-inflicted. The chorus is epic when played live. It’s incredibly passionate. People really get into it.” And now it’s been remixed.

Red Rack'em's take on is wonderfully curveball as one might expect; homing in on one unique part of the vocal and making it the fullcrum, from which his psychedelic, deep-house, hardcore jazzathon is then able to blossom and unravel before your very eyes. Atmospheric, experimental and hooky too - clever business from the Bergerac boss.

Next up we have the amazing Oliver Ho and his Broken English Club. Here we witness a more flagrant and faithful use of stems, and through layering both the band's parts, and instruments of his own design - he transforms 'D.I.E.' into a towering slab of dark and raw, industrial EBM.

Rhythm Syndicate Records is proud to present their debut vinyl release. Both tracks come from a true veteran of the Drum & Bass scene, and an exclusive release from top level producer Blade. DJ Blade, has a sound that is much sought after amongst headz, and his following has continued to grow steadily over the past few years. His production style is distinctive, and has seen him have various releases on labels including, Good Looking Records, Fokuz Recordings, Soul Deep Recordings, Smooth N Groove, Liquid V, Think Deep, and Flight Pattern, to name a few. Known for producing big anthems, and a prolific unreleased back catalogue die hard fans can only dream of owning, its no surprise that Blade receives continuous heavy support from some of the top Deejays in the game. The song, "China Town Womad", has been supported consistently by scene legend, LTJ Bukem. Now this sought after track is available on a limited vinyl run, so get one while they last!

A side brings a Trippy Tribe/ hardtechno progressive and confortably dancefloor... The flip High Level the tempo and brings a harder feeling... progressive as well, Kicking pityless music on and on...

The difference is there, in front of you : fantastic record.

Doom or Hardtechno users will love this melt of downtempo dark old school minimal Hardcore, doom-*like and the pinch of technoïde acidification... A imple story telling with a fabulous sound (Mastered by Martyn Haar in Berlin, Cut at The Exchange in London, this Toolbox Handled press is a PERFECT... Faor his first EP, CUIFTEN is very well served, and we all are ! NEEDED !!

ACID CUBIK


Banging tribe acid Masterpiece of a kind ! With a solid 303 Abuse :

The ambiance is defenitly hesitating between Transcore and HardTechno, with is very rare with these kind of music... And therefore very usefull for a DJ. Because it's still quiet minimal and evolutive, with a "take your time" sprit.

Once again the Label confirm it's multiples faces, keeping on exploring how different ACID can be !

Cut & Mastered at The Exchange

This owesome EP opens with a superb Hardfloor non-acid Protokseed track... A banger full of ideas and dancefloor tricks... The 3 Vortek's tuens (and collab) will drop you into an acidcore pityless world !! BIG again with Acid Pirate !

Several years ago, the born under pitches DJ Crew members got their hands on a couple of original 70s obscurities, while these standout records shone brightly in their own right, the team finally decided to put them out as those obscure old records fetch eye-wateringly high prices on the second-hand market. Due to popular request & lovingly mastered to the highest possible standards, they are now available to play and share in very special moments at parties around the world. This will surely be one of the most keenly anticipated disco release of the year. For our first release, we are extremely proud to bring you at last, two hard to find disco anthems on side A & B in their glorious full extended versions

As winter strikes, the summery SFV Acid reappears fully-fledged with some sluggish San Fernando Valley funk and his signature acidic aesthetics. Mostly slow-burning tracks that meander the boulevards, twitchy due the right dose of acid and vocal jabs scattered across. It's always summer in the valley.

Following his debut LP in June 2017, Trenton Chase returns with “Planar Array”, a 7 track LP on Artificial Dance. As half of Manie Sans Délire and the co-owner of June records, he’s known for his uncompromising sound that touches a wide range of genres. The release is heavy-hitting with distorted vocals, industrial textures and dagger-like synths, a satisfying array of wave, EBM and experimental music. From Transit Decay with the clunky bassline and depth at its core to the aggressive electronics in Narked. From the title track, Planar Array’s melodic high synths to the dreamy contracting offbeat of Doppler Shift. Trenton Chase brings the smoke out of the machine, progressively getting harder, faster and more destructive.

Five track EP of previously unreleased drum heavy Gallic hard-bop and risqué acidic folk.

The long-lost Parisian skin flick ‘Jeunes Filles Impudiques’ (AKA ‘Schoolgirl Hitchhikers’) marks a particularly vulnerable period in the career of one of the most underrated and misunderstood directors to emerge from the rising smoke of the 1968 Parisian social explosion.

From a director with early links with the Paris underground, the letterists, the surrealists, improv theatre and the free-press comes the reclaimed audio tracks from one of his rarest celluloid moments - but let’s not confuse this for high-art. Finders Keepers make no bones, this is Jean Rollin’s maiden voyage into adult entertainment, directed under the pseudonym of Miche Gentil with a flimsy plot, questionable acting skills and an awesome little schizophrenic soundtrack.

This long-lost movie has been buried for some 40 odd years, with a musical score bursting to jump out of the can and down your tone arm, now made possible by a recently renovated negative print and new source material. These original Pierre Raph (of ‘Requiem For A Vampire’ infamy) compositions from the publishing Library Of Paris’ Musicale Editions Dellamarre (of Acanthus / Unity fame) come straight from Rollin himself as an introduction to Finders Keepers’ new Rollinade series documenting some of the finest musical moments of the director’s career as an avant-gardener, counter-culture vulture and Gallic vamptramp, all housed in their original hand-painted promotional artwork.

In opposite to other Nigerian acts which hardly got known beyond the borders of their homeland, BLO were always very popular in the Western world. Accompanying Ginger Baker of CREAM fame was the first step to break them into the western popular music market of the 70s and what followed could be called an African fairy tale.

Still this, their fifth album from 1979, waited a long time for a proper reissue, especially on hot black wax with originals in good conditions fetching prices of 300 € and more. For fans of 5th Dimension, The Temptations, Hot Chocolate, Earth, Wind & Fire. First ever and long overdue official reissue of this long lost Nigerian disco classic from 1979. Fifth album by one of The most outstanding Nigerian 70's afro beat acts.

4 banging hard techno tunes...
pityless for the dancefloor !
FANTASTIC !! Tcheck B2... extremely good Boken Techno track... Highly recommende

“The 45 Collection” by Lewis Parker is released on a five x 7-inch vinyl set, including unreleased songs and instrumentals from the multi-faceted producer. Record No. 4 is: Lean Back Remix (Inst) B/W Sunny Dedications (Inst). Unreleased instrumental version of “Lean Back” remix, taken from “Put A Beat To Rhime”, 2004. Unreleased Instrumental version of “Sunny Dedications”, taken from “It’s All Happening Now”, 2002. The man with the golden sound is back to showcase some rare material from his personal archives for the first time with this beautifully packaged and limited-edition 45 set. The set of 5 seven-inches features unheard original versions, instrumentals, and unreleased songs from a classic period of output between 2002-2006, including beats from the sessions of his critically acclaimed “It’s All Happening Now” LP and the “Put a Beat to a Rhyme” remix project. All this is available for the first time. After a long stay in Queens, NY, soaking up the energy and grittiness of the city and working with Joey Bada$$, the London-born musician is back in the UK. After several successful previous releases with KingUnderground Records, Lewis is now releasing a special treat for long-time fans. “Sunny Dedications” featured in instrumental form for the first time ever; is a classic beat taken from Parker’s seminal “It’s All Happening Now” album released in 2002 on Massive Attack’s Virgin imprint, Melankolic. The lush strings and hard drums still strike a chord over 15 years later. As Parker continues to maintain his musical integrity and commitment to the traditional Hip-Hop aesthetic while simultaneously pushing his sound forward, KingUnderground brings a rare snapshot of the veteran producer’s cutting-room floor.