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DJ Deluxe - Alive By Default EP

Lazarus Recordings makes its long awaited return with the head honchos new EP, DJ Deluxe – Alive By Default. This EP is full of his fast paced breakbeat goodness that has become synonymous with DJ Deluxe’s production style. He takes that ‘93/’94 breakbeat hardcore sound, adds some 1998/1999 breakbeat style and then amps it up with modern production techniques. You will find all that made the early breakbeat hardcore sound so good but all the dials have been turned up to 12! The only thing that can top Deluxe’s insanity is that of DJ Beeno, and here he really lets lose and unleashes his love of fast paced techno for his remix of Get On Your Knees. This EP isn’t just one thing, it's not old skool, it's not new skool, but it is both and so much more.
Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others

out of Stock

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Last In: 3 years ago
15,55 €
Fuchs - Fuchs

Fuchs

Fuchs

12inchN79LP
Alien Transistor
10.06.2022

Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised sessions, everyone went their own way. The recordings gathered dust until Markus Acher found them again in 2021 while cleaning out his studio. After carefully re-evaluating the rough mixes, the musicians decided to finally release them. The resulting album comprises six tracks that musically draw on jazz, aesthetically lean on dub techniques and ideologically pick up on krautrock: there’s no solos to be heard on this record, just a few equally skilled and open-minded musicians listening to each other carefully, providing each other with space in which to unfold. »Fuchs« is a document of egos dissolving in a collective spirit.

Thiessen and the Acher brothers met in the 1990s and bonded not only over their shared background in hardcore music and the DIY ethos in which it was rooted, but also over their love for jazz. »If you look at those two things combined, you will eventually become convinced that you don’t have to be formally trained to make music that at least resembles jazz«, says Thiessen today. He invited Micha Acher to join his band Kante on flügelhorn in 2004 for a tour that saw the expanded group play unusual encores after the official concert was over. »Micha had taught us some dixie pieces, so night after night we would play a freestyle dixieland ska set in front of the remaining audience!« Naturally, the Acher brothers didn’t have to ask twice when they invited him for a visit in Weilheim to further explore their mutual interests in a studio setting. »I got on my way immediately and took two or three loose ideas, a tape echo and a guitar on whose headplate you could create fantastic sounds with me«, says Thiessen.

Between immersing themselves in books by the photographer Leonore Mau, cooking together and drinking the occasional fruit schnapps, the trio went into the studio. Says Thiessen, »Micha brought his flügelhorn and some wonderful ideas with him, Markus an Indian harmonium and a plan, Carl Oesterhelt came with a glockenspiel and a Chinese zither and a bunch of amazing jazz musicians joined in, too.« He considers the resulting recording sessions to be a kind of attempt at musically translating their conversations during those days. They discussed different approaches to jazz, whether sampling and musical miscitations can unlock ecstatic potentials and the possible parallels between syncretistic religions and pop music. »There’s traces of glossolalia, it's like a blurry séance«, adds Thiessen in regard to the sessions.

It is especially this spirit that managed to live on even though the recordings themselves were abandoned. »What we all liked most when listening back to the recordings is probably their marginal and fragmentary character, the empty spaces—the moments in which the virtuoso solo never comes, in which the centre remains empty.« The six pieces on »Fuchs« are chock-full of exactly these moments. When at one instant, the players seem to disperse and improvise freely, they always meet again on common ground a short time later, continuing on their way together. There are no conventions or even previous agreements that guide them, just a shared will to explore a vast range of curious sounds and unusual rhythms together as a truly unified constellation of very different musicians. Fuchs is a band that never was. Its ideas still reverberate vividly even 17 years later.

pre-order now10.06.2022

expected to be published on 10.06.2022

18,45 €
Residentes Balearicos - Mediterraneo Ep

Label favourites Balearic Ensemble return to the fore following last summer's spectacular 'Cachonda' EP, this time with a 12" treasury of wonderful, eclectic dancing music of the highest balearic order. They're joined by Das Komplex, notable for recent excursions on DJ Harvey's Mercury Rising, to round out their five-track excursion for the label: this is the Mediterráneo EP.

Opener 'Pitiusas First' sets the tone with dizzy, downbeat percussions as a bass guitar skates and glissades underfoot; soaring, starry-eyed synth work and Latin organ stabs in concerto. This homage to the islands and islets of Ibiza comes with a note of melancholy, or nostalgia: waking up to find that your best years might have evaded you - and celebrating the fact. It's a maturing of the Residentes sound in a way we haven't heard before; a gorgeous moonlight serenade, the last tango on Formentera, and a tip for orange-tinted sunsets all summer long.

Second track 'Almendros y Drones' takes us deeper into the throes of that distinctive Mediterranean sound with dizzying arpeggios and analogue bass over teetering hihats and fizzing synths; it's an eruptive, volcanic beast of a track that will take liberties with your dancefloor. Over-the-top filter action and driving piano perforations, crashing snares and resonant howls, Almendros, Drones.

The third offering is 'Mojada', taking cues from classic deep house with its deep-set bassline and modular squeaks. It's a slow burner, an aquaplane on Eivissa, cueing 303 squelches and 90s drum machine riffing before its eventual, explosive peak.

After Mojada we enter the chugging, gritty realm of Das Komplex's remixes. He refashions the heady throes of 'Mojada' into a driving, churning unit; percussions, distorted into infinity; basslines bent and buckled into submission; slabs of piano lathered with space echo delay. Wonky late-nite dancing music at its very best.

Extra treat: Das Komplex also left us his 'Pineapple Bonus Mix' of Mojada, which is a more sunset-suited affair altogether. This special mix lasers in on that exuberant piano part, then plays with percussions and dynamics to create a full-on dub version of the original track.

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Last In: 3 years ago
11,39 €
Stevia / Susumu Yokota - Greenpeace LP 2x12"

In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.

This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.

When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.

By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.”

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Last In: 3 years ago
26,85 €
The Mars Volta - Landscape Tantrums  - Unfinished Original Recordings Of De-Loused In The Comatorium

Landscape Tantrums Lost for two decades, the recent rediscovery of Landscape Tantrums the first attempt at recording the music that would become The Mars Volta’s De-Loused In The Comatorium revealed an important and hitherto missing chapter in the group’s evolution. Selfrecorded by Omar (assisted by Jon DeBaun) at Burbank’s Mad Dog Studios within a head spinning four days, Landscape Tantrums captures De-Loused in somewhat embryonic form, though much of what would make The Mars Volta’s debut album such an electrifying, sublime experience was already in place: the fearless invention, the fusion of futurist rock elements and traditions from outside of the rock orthodoxy, the sense of virtuosity working in service of emotional effect. From a distance, The Mars Volta must have seemed as if they were on a high when they walked into the studio to record what they expected to be their debut album (“I didn’t think of it as demos or a dry run,” Omar says). The group had recently played the Coachella festival to rave reviews, a vindication of the quixotic risk Omar and Cedric had taken, quitting At The Drive In to lead such an uncompromising musical proposition.






Their debut EP, Tremulant, had similarly signalled their singular vision, and been rewarded with similarly positive feedback. But the truth was that The Mars Volta entered Mad Dog in tatters, scarcely believing anything other than failure lay within their reach. They’d recently lost their bassist, Eva Gardner, and parted ways with keyboard play Ikey Owens. Tensions were brewing with drummer Jon Theodore, too himself a replacement for founding drummer Blake Fleming Omar questioning Theodore’s commitment to the group. And sound manipulator Jeremy Michael Ward’s drug problem had gotten so far out of hand that he’d been sent to rehab, and wouldn’t return until two days into the Landscape Tantrums. The pressure upon Omar was intense, and it began to manifest in the form of physical and emotional breakdowns. His art was his life, but now he began to wonder if it was actually going to kill him. Under such heavy manners, miracles occurred at Mad Dog. Surely that’s the only way to describe the music contained on Landscape Tantrums, as Omar fashioned early versions of Inertiatic ESP, Drunkship Of Lanterns and Eriatarka that rivalled the Rick Rubin produced versions that ended up on De- Loused for intensity, precision and immediacy, as Cedric delivered a powerfully intimate reading of Televators, and as a bare bones version of the group sketched out the peaks of what would become their debut masterpiece in barely half a week, on a shoestring, and believing they wouldn’t last long enough to see it hit the shelves. Listening to Landscape Tantrums now, with the benefit of hindsight and the knowledge of what these songs will become, one notices Cedric has yet to fully find the voice that will lend The Mars Volta their devastating authority, that Eriatarka will evolve even further under Rick Rubin’s watch, and that the lyrics to De-Loused’s climactic chapter, Take The Veil Cerpin Taxt, have yet to be penned. But one also notices how lithe the group sound here, how hungry, and one appreciates the raw edge that Rubin would later polish to a venomous sharpness. More than mere historical curiosity, Landscape Tantrums is an essential text for the dedicated Mars Volta aficionado, and a breathtaking album in its own right.


[a] a1. Roulette Dares (The Haunt Of) [Unfinished Original Recordings Of De-Loused In The Comatorium]

pre-order now10.06.2022

expected to be published on 10.06.2022

21,81 €
The Let Go - Delete My Feelings EP

Delete My Feelings is The Let Go's debut EP on Chess Club Records. The mixtape features self-produced bangers 'Woke' and 'Vegas' as well as current single 'Last Year's Model Club', which features additional production from Oscar Scheller (PinkPantheress, Arlo Parks, Ashnikko). The Let Go are Cole and Scout, 19-year-old Washington natives who relocated to the UK to attend LIPA in Liverpool. They write and produce all their own work together, with influences ranging from The 1975 and Billy Joel to Brockhampton and Dominic Fike, drawing influence from bedroom pop, hip hop, punk, indie and everything in between to create their own unique sonic landscape made for the here and now. Since releasing 'Woke', The Let Go have been featured on BBC Radio 1 as Jack Saunders’ Next Wave, and in tastemaker publications like FADER, DORK, DIY, CLASH & on NME's playlists. The duo will be heading out on tour with The Night Cafe and Daisy Brain in February, and with packed rooms at Sound City and Live at Leeds festivals under their belts already, The Let Go are poised to become one of the most exciting new acts in the UK in 2022.

pre-order now10.06.2022

expected to be published on 10.06.2022

19,75 €
The Let Go - Delete My Feelings EP

Delete My Feelings is The Let Go's debut EP on Chess Club Records. The mixtape features self-produced bangers 'Woke' and 'Vegas' as well as current single 'Last Year's Model Club', which features additional production from Oscar Scheller (PinkPantheress, Arlo Parks, Ashnikko). The Let Go are Cole and Scout, 19-year-old Washington natives who relocated to the UK to attend LIPA in Liverpool. They write and produce all their own work together, with influences ranging from The 1975 and Billy Joel to Brockhampton and Dominic Fike, drawing influence from bedroom pop, hip hop, punk, indie and everything in between to create their own unique sonic landscape made for the here and now. Since releasing 'Woke', The Let Go have been featured on BBC Radio 1 as Jack Saunders’ Next Wave, and in tastemaker publications like FADER, DORK, DIY, CLASH & on NME's playlists. The duo will be heading out on tour with The Night Cafe and Daisy Brain in February, and with packed rooms at Sound City and Live at Leeds festivals under their belts already, The Let Go are poised to become one of the most exciting new acts in the UK in 2022.

pre-order now10.06.2022

expected to be published on 10.06.2022

19,75 €
Hanterhir - There is No One to Trust (Nyns Eus Denvydth Bys Trest)

Following on from the success of 2018’s epic triple album The Saving Of Cadan, Cornwall’s space/psych/folk-rock/post-punk cross-pollinators HANTERHIR are back with a new studio album. After more than a decade, …Cadan finally found the band breaking out of their Redruth bolthole, playing a major headline show at London’s Kernow In The City festival in March 2020, just before lockdown. As with many others, this enforced break from gigging encouraged the band to get creative and the new album was soon progressing…Its Cornish title Nyns Eus Denvydth Bys Trest roughly translates as ‘There is no-one to trust’ – “Writing and recording the album was done over the backdrop of Brexit, a falling apart relationship and then Covid lockdowns,” explains singer, guitarist, and songwriter Ben Harris. “With all the wacky things that have come out of people’s mouths over the past few years I think the title pretty much sums everything up.” A massive labour of love for Ben, …Cadan was a sprawling concept based on Cornish legend, which required him to write within a theme. The creation of this album has therefore been a breath of fresh air, a more organic experience allowing him to write from a more personal and immediate perspective. Displaying elements of Hawkwind’s sturm und drang spacerock and Psychedelic Furs’ sax-driven post-punk squall, opener ‘Always On’ finds the septet celebrating themselves: “We play so many gigs with so many other bands and one thing that strikes me about us is that we're always ready, we don't spend hours soundchecking, just point us in the direction of a stage and we'll play there. “‘Honeybees’ is us singing to the people that it's possibly time to stop voting for the same political parties and following the same failed systems,” he continues. “As far as I can see nothing's got better over the past year, or ten years or whatever, things just get slowly worse and people accept it. ”The song ‘Yeah’, which fuses Steeleye Span folk-rock melody and Sonic Youth chaos with spiralling psych guitar, has backing vocals which translate as “I am the same as you”, which Ben thinks is very important: “We're all the same and no-one is more important that anyone else”. Recorded at MHRCC, The Chapel and VIP Lounge by Peasy and Dare Mason; produced by Peasy and mastered by Anders Petersen at Ghost Sounds, Stockholm.

pre-order now10.06.2022

expected to be published on 10.06.2022

26,85 €
Tony Jay - Hey There Flower

Solo bedroom-pop project of Michael Ramos (Flowertown, April Magazine, Hectorine). Mostly recorded between last Christmas and New Year's during a window of isolation at home, “Hey There Flower” preserves Tony Jay’s prowess at making beautifully eerie lo-fi pop; like a hazy memory where your favorite Sixties girl-group melody is perpetually slowed down. Without a band to practice with, Tony Jay recorded the music alone, but recruited a slew of friends to remotely record backing vocals: Karina Gill (Cindy), Griffin Jones (Galore), Kati Mashikian (Mister Baby), Alexis Harper (Al Harper), & Hannah Lew (Cold Beat). "Hey There Flower", the most recent release from the prolific and mysterious Tony Jay delivers real melodies -- both lacey with vocal harmonies and dusty with layered guitars -- as fans have come to expect. This release also carries forward and elaborates on Tony Jay's tradition of songs that express a kind of naked honesty about things we all know -- love and loneliness and all that -- while communicating at the same time a wry edge of skepticism, so that the songs are like coins spinning on edge before landing heads, tails, or lost under the couch. Tony Jay brings us into a nostalgia where we recognize moods from music of the past -- Marc Boland definitely comes to mind, as well as Velvet Underground of the Nico era, and Tony Jay even covers Francoise Hardy on this collection -- but the songs create a three dimensional space with what feels like a thousand layers so that instead of being thrown back in time, it's like stepping into a little world with its own laws of nature, of which the listener gets just a few hints. - Karina Gill, Cindy/Flowertown. “Hey There Flower” is introduced by thudding snare beats eliciting reverb-stained tattered noisy guitar scrapes, to weave abrasive shimmery emotive vibrations, imbued with shattered nostalgic dreams, lit by brittle yet dazzling forsaken keyboard flows, over submerged and distorted male vocal’s whispery deluge of obsessive longing, lonely melancholy, and dark desire to exude a hazy gritty concoction of awkward sadness and brooding unrest.” White Light // White Heat // “What Tony sketches are concise commentaries on love, loneliness and a few things in between. His mode of expression is sparse, intense, and captivating. The arrangements are invariably lo-fi and slow tempo, blanketed with a fuzzy hiss. And it only took one listen to decide that it is a very special album. It has a '60s feel, albeit washed in an eerie slowcore machine. An ace example is "September Skies", which could be the 1965 'last dance' at the prom for the introverted students.” - When You Motor Away

pre-order now10.06.2022

expected to be published on 10.06.2022

21,56 €
Deliluh - Fault Lines LP

Deliluh

Fault Lines LP

12inchTAR108
Tin Angel
10.06.2022

Learning about what Deliluh has been through these past two years
brought the commands on a cassette player to mind: press rewind,
forward, play and eject The band, now a duo of Kyle Knapp and Julius Pedersen, relocated to Europe from their Toronto base with the ambition to plug into a continent that felt more cohesive in terms of a gig circuit and to map new spaces, both terrestrial and spiritual. This bold move came with several adjustments.

Fault Lines is also a European record in its making. It first took shape at a session in Copenhagen in January 2019 where the band, still a four piece, recorded the beds before heading out on tour. The plan was to take a post-tour break and track some ideas that could be worked on remotely until everyone got back together in the early summer. Then everything "kind of went sideways". Fault Lines stayed in an embryonic state for more than half a year, during which Deliluh reconfigured as a two piece. The lockdowns did, however, provide the time to rework material, or reposition ideas in line with the circumstances the pair found themselves in.

Julius Pedersen: "We did a lot of heavy lifting at home together in Berlin and Marseille, taking turns training back and forth, throwing shit at the wall and experimenting."

After all this upheaval, does Deliluh still dream of going to another place? Are places different and do they really have a bearing on the creative path? "There's always another place calling from beyond. Without it we would be stuck and hopeless

pre-order now10.06.2022

expected to be published on 10.06.2022

20,97 €
Various - In Trux We Pux 01

140g Black vinyl LP – Printed inner sleeve - Sealed plastic sleeve

In Trux We Pux is an editorial project organized by the Porto based label and collective Favela Discos. Focusing on the city’s thriving experimental and improvised music scene, it sets out to portrait in a series of four volumes some of the characteristic sounds and collaborative practices that have been in development in Porto during the last few years.

In Trux We Pux 01, the first record of the collection, is focused on the electronic side of the eclectic but characteristic experimental and improvised scene in Porto, and contains a selection of 23 musicians that have been developing their own take on whatever niche genre they dwell in. Among the list of musicians are Filipe Silva (HHY & The Macumbas), Crónica Electrónica’s heads @c, ocp, coletivo vandalismo and several others that populate a thriving scene that spans a wide gamut of sounds, from delicate to abrasive.

As the tracks themselves, the different approaches to composition and production add to this compilation’s schizophrenia. The first side of the record offers us a spacious and abstract scenery, starting with a collage of field recordings, banjos, and fans, narrated by google translate’s voice. The following two tracks flow along the granular tide of ambient spaces and atmospheres slowing down a bit before the second side turns around 180º and heads towards more rhythmic fields.

Coletivo vandalismo & querido lider present us with their exploration of half balearic, half german-synth-music pulsing away at the beat of broken down dancehallish drums and reggae breaks. Challenger & Lorr No’s track is a trainwreck heading down a break driven jungle that lead us to the album’s closing arguments: MOSCXS’ sludged beat goth-step exploration around the poem “Poema Agreste” by Glória de Sant’Anna.

pre-order now10.06.2022

expected to be published on 10.06.2022

12,56 €
Various - EVERYBODY’S GONE TO THE RAPTURE (OST) LP (2x12")

The groundbreaking 2015 PlayStation® 4 game Everybody’s Gone to the Rapture tells the story of the inhabitants of a remote English valley who are caught up in world-shattering events beyond their control or understanding. Made by The Chinese Room - the studio responsible for the hauntingly beautiful Dear Esther - this tale of how people respond in the face of grave adversity is a non-linear, open-world experience that pushes innovative interactive storytelling to the next level. This story begins with the end of the world. The game has already won GameSpot’s Best of E3 and was nominated for Best in Show and Best PS4 game by IGN.

The soundtrack features the music by Jessica Curry, who is also joint Studio Head of the developer The Chinese Room. The music was recorded at the famedAIR Studios in London and features solo vocal performances by renowned Welsh soprano Elin Manahan Thomas, ethereal choir, and a tragically beautiful orchestral accompaniment. With her compelling soundtrack, Curry took home the BAFTA Games Award for Best Music.

Everybody’s Gone To The Rapture is available as a 2LP limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes a
4-page booklet.

pre-order now10.06.2022

expected to be published on 10.06.2022

41,56 €
Michael Monroe - I Live Too Fast to Die Young

"I live too fast to die young, it ain't nothing when your
head's screwed on,? röhrt der elektrisierende Frontmann
Michael Monroe auf seinem zweiten Album für Silver
Lining Music. Ein großartiges Rock'n'Roll Album, "I Live
Too Fast To Die Young" - ein ehrlicher Schrei aus vollem
Herzen.
Zu einer Zeit, wo Spaß zu haben nicht einfach ist,
kommt "I Live Too Fast To Die Young" als gradliniges,
freches Album mit rauer Rock'n'Roll Musik - deftige Songs
wie "Young Drunks & Old Alcoholics?, "All Fighter? und
dem punkigen "Murder The Summer Of Love?. Die
Songs bringen frische, knackige Elektrizität und Melodien,
die sich schimmernd um messerscharfen Riffs wickeln.
Ausgedehnte, Stones-angehauchte Tracks gibt es
ebenfalls wie das "Can't Stop Falling Apart? und
"Everybody's Nobody?, während der Titeltrack genau
zwischen deine Augen zielt, mit einen forschen Back Beat
und einem frechen Chor , wundervoll und großartig in
Szene gesetzt mit Michael Monroes unbändiger,
aufregender Pose - mit seiner großartigen Attitude.
Das Album wurde in den Inkfish Studios in Helsinki,
Finnland im November/Dezember 2021 aufgenommen und
von der Band zusammen mit Erno Laitinen produziert.
Michael Monroe (Gesang und Harmonika) , Steve Conte
( Gitarre und Gesang), Rich Jones (Gitarre und Gesang),
Karl Rockfist (Schlagzeug) und Sami Yaffa
(Bass/Gesang/Gitarre) und einigen Gastmusikern; unter
anderem dem legendären Guns N' Roses Gitarristen
Slash , den man mit einem Solo und zusätzlicher Gitarre
auf dem Titeltrack hören kann.

pre-order now10.06.2022

expected to be published on 10.06.2022

30,71 €
HEART ATTACK - Negative Sun

Heart Attack

Negative Sun

12inch4251981701417
Atomic Fire
10.06.2022

Heart Attack's upcoming album "Negative Sun" is the perfect amalgamation of roaring modern thrash metal and epic melodies to be released worldwide via Atomic Fire Records on June 10th, 2022. Heart Attack is a four-piece army and an unpredictable groovy blend of modern thrash metal, consisting of Kevin Geyer (rhythm guitars, vocals), Chriss Cesari (lead guitars, keyboards), Will Ribeiro (bass guitar, vocals), and Christophe Icard (drums). The band played prestigious Hellfest, shared the stage with Trivium and Opeth, or opened for Megadeth in Lyon. Heart Attack is for Gojira, Machine Head, and early Metallica fans searching for the definite riff that will help them drive for a long ride under the sun. Long live the famed modern metal scene rising up from France - remember where you heard it first!

pre-order now10.06.2022

expected to be published on 10.06.2022

29,37 €
Kreator - Hate Uber Alles LP (2x12")

Kreator

Hate Uber Alles LP (2x12")

2x12inch4065629628635
Nuclear Blast
10.06.2022

World renowned extreme Metal titans KREATOR are back. 5 Years after their incredibly successful “Gods Of Violence” album (2107, #1 in the German album charts, #4 in Austria, #7 in Czech Republic and Finland + chart entries in numerous other territories), the genre-defining band presents their most political effort to date. “Hate Über Alles” (in tradition of US punk icons DEAD KENNEDYS’ “California Über Alles”) is a bold statement against hate and the division of society in today’s world. While perfecting their signature sound of thrash metal that inspired countless other bands over the past 4 decades, KREATOR have managed to close the gap between the old and new school, still reaching new audiences, playing sold out shows to even bigger crowds as they move on. “

Hate Über Alles” features 11 tracks that once again show who’s boss in this game that many begin but only few ultimately last in. The crushing frenzy of the title track, the pounding “Strongest Of The Strong” featuring world famous vegan strongman Patrik Baboumian, the nostalgia of “Become Immortal” or the extravaganza of “Midnight Sun” make the band’s 14th album their most diverse and thrilling so far. “Hate Über Alles” will be accompanied by massive online and out-of-home campaigns, leading up to the band’s European co-headlining tour with Grammy-nominated US powerhouse LAMB OF GOD in November/December 2022. The album is available in various lavish vinyl editions featuring a beautiful, yet grim trifold artwork by famous artist Eliran Kantor (TESTAMENT, SOULFLY, HELLOWEEN, HEAVEN SHALL BURN, HATEBREED among others) as well as in a noble CD Digibook and bold box set including an extended Making-Of Book, a live album of the band’s 2021 Bloodstock Open Air appearance, an art print of the cover and a pin of the band’s iconic logo.

pre-order now10.06.2022

expected to be published on 10.06.2022

34,66 €
Glenn Jones - Vade Mecum LP

Glenn Jones

Vade Mecum LP

12inchTHRILLX562
Thrill Jockey
10.06.2022

Exploring the complexity of personal experience, emotions and our shared histories, Vade Mecum finds Jones painting his music in boundaryless colors, captivatingly vivid. Issued on black and limited-edition red vinyl, packaged in a gatefold jacket with image oriented across both sides in a classic 1970's Style. Package includes notes and tunings for each song and download card.

pre-order now10.06.2022

expected to be published on 10.06.2022

31,89 €
Godflesh - Streetcleaner LP

Godflesh

Streetcleaner LP

12inchMOSH015LPUS
Earache Records
10.06.2022

Following on from their ground-breaking 1988 self-titled EP, Godflesh's
debut full-length was an absolute game-changer and still stands as one
of industrial metal's most defining documents to this day
Drawing from post- punk and industrial acts like; Swans, Big Black, Killing Joke
and Throbbing Gristle as much as the more metallic and punk influences that
informed guitarist/ vocalist Justin Broadrick's previous band Napalm Death, the
pounding, drum- machine powered sonic assault of 'Streetcleaner' sounded like
nothing else at the time, breaking down people's perceptions of what a metal
band could sound like. You can still feel the album's broad influence everywhere
from the dense atmospheres of post- metal to the abrasive beats of modern
industrial and techno outfits, but despite its many imitators, there's still nothing
else that quite captures the feelings of paranoia, anxiety and urban decay that
'Streetcleaner' so deftly articulates.

pre-order now10.06.2022

expected to be published on 10.06.2022

33,40 €
Tom Churchill - Rainy Day in Clynder EP

The past couple of years have provided an ideal breeding ground for periods of reflection. Of rediscovery. And for the reignition of dwindling flames. Perhaps this is why the meeting of Tom Churchill and 2Sox is the perfect match at the perfect time. A collision of minds stoking a fire that has sizzled away into a 12” slab of choice cuts. Introspective and deep, yet not forgetting what a dancefloor wants.

Tom started making music in the mid-90s, inspired by the house and techno records he was buying as a teenager growing up in Cardiff. Co-founder of cult 90’s label, Headspace Recordings and sister label Emoticon; Tom and partner Raeph Powell were responsible for some faultless releases in the 00’s. More recently, Tom has been one half of The Nuclear Family; a production, label and events project launched with Laurence Hughes in 2013. Much of what Tom has put his hand to over the years has been hot in demand. Incredibly, this is his first physical, solo release under his real name since 2002. Despite the 20 year gap, Tom’s enthuse for all things deep and electronic has arguably never been stronger.

“These tracks have been heavily inspired by two things - reconnecting with my surroundings and rediscovering my record collection - both of which have been made possible by the events over the past couple of years.” Tom says.

“As well as spending more time outdoors around my home on the west coast of Scotland, I recorded a lot of DJ mixes and radio shows during the first lockdown, which meant I spent a lot of time digging through older records. This reignited some creative energy that had been lying dormant for a while.

Before 2020 I’d been sporadically using a rented studio space to make music, but in that Spring I put together a basic, compact setup so I could work at home. My influences are pretty clear with these tracks - I’ve drawn on the palette of classic deep house, 90s techno and electro throughout - but while there are some retro elements and familiar sounds, I’ve tried to put my own twist on things. Being surrounded by nature and working exclusively on headphones has made for a more intimate sound, and these tracks are the most personal I’ve ever done.”

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Last In: 3 years ago
12,40 €
ORQUESTA REVE - DE HABANA A LIMA CON LA ORQUESTA REVÉ

HIGHLIGHTS! Acting as an artistic ambassador for Cuba, the Orquesta Revé made several tours abroad, traveling to Peru in 1971. This extremely scarce LP was recorded for MAG in Lima and comprises mostly Cuban songs -like the outstanding Vicente Rojas' original 'Mi Son Combinado'- and also a rare cover of Jorge Ben's 'Domingas'. Quite an invisible record even for hardcore collectors, and almost impossible to find in any condition, "De Habana a Lima" is now reissued for the first time. More: In 1956, the percussionist and composer from Guantanamo, Elio Revé, founded the orchestra popularly known as La Revé, which in the space of a few years became the Cuban music group par excellence for foreign audiences. Elio, dubbed the father of changüí for his seminal work on this genre, is also considered one of the forerunners of salsa music and his orchestra included musicians of the stature of vocalist Ibrahim Ferrer; pianists Chucho Valdés, César Pedroso and Juan Carlos Alfonso; and bass guitarist Juan Formell, who left the group in 1969 to form Los Van Van. Acting as an artistic ambassador for Cuba, the Orquesta Revé made several tours abroad in the seventies, traveling to countries such as Spain, Belgium and the People's Republic of Angola, and these journeys are well documented on the internet. However, little is known about their trip to Peru in 1971_ The local record label MAG quickly signed the Cuban groups that arrived in the Peruvian capital and that the head of the label, Manuel Guerrero, agreed to record. The La Revé LP was followed by a Los Compadres album the following year. "De Habana a Lima..." comprises a dozen songs labeled changüis, mostly written by Cuban composers, the exception being the closing track: 'Domingas', an original song by Brazilian artist Jorge Ben. In contrast, the album opens with the distinctly Cuban song 'Guajira guantanamera'.

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Last In: 3 years ago
25,17 €
Michael Head & The Red Elastic Band - Dear Scott

Finding that luck, love and letting things roll works out for him just fine, Michael Head leads his Red Elastic Band into a fresh chapter with optimism and some of the best music of his career, announcing his new, Bill Ryder-Jones-produced album, Dear Scott will be

released on Fri 27 May 2022 via Modern Sky UK. Operating as renewed friends, family and fearless communicators in sound, Head also leads close-knit band of brothers out on their first full UK Tour.

pre-order now03.06.2022

expected to be published on 03.06.2022

25,59 €
Michael Head & The Red Elastic Band - Dear Scott

Finding that luck, love and letting things roll works out for him just fine, Michael Head leads his Red Elastic Band into a fresh chapter with optimism and some of the best music of his career, announcing his new, Bill Ryder-Jones-produced album, Dear Scott will be

released on Fri 27 May 2022 via Modern Sky UK. Operating as renewed friends, family and fearless communicators in sound, Head also leads close-knit band of brothers out on their first full UK Tour.

pre-order now03.06.2022

expected to be published on 03.06.2022

25,59 €
Xander / Papa Nugs - Xander Vs Papa Nugs

For our first release in the sound-clash series, Xander goes head to head with Papa Nugs.

Based out of Brighton, Xander has made a name for himself in the UKG/breaks scene over the last 18 months with his exciting sound design and work for his own label, Over and Out.

The A1, "Dead My Sound", combines moody bass-lines with snappy drums to make a fierce 2-step dance floor killer. The A2, "Watch It", follows up with a menacing Reese bassline.

Papa Nugs is another prominent name in the UKG and breaks scene at the moment, having also had an exceptional 18 months. With releases on labels such as Constant Sound and Ba Dum Tish, we knew he'd be the perfect competitor for Xander

The B1, "Blip", provides skippy garage drums and with warping bass stabs taking inspiration from dubstep sounds. The B2, "Do Something", showcases a completely different side of UK garage, with slamming 4x4 drums and a chugging bassline.

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Last In: 4 years ago
13,40 €
Bobby Cole - A Point Of View

LIMITED TO 500 COPIES // HIGH-QUALITY TIP-ON COVER // INCL. DOWNLOAD CODE

OFFICIAL RE-ISSUE, DONE IN COOPERATION WITH THE FAMILY OF BOBBY COLE !!!

If you lived in New York during the 1950s through the 1990s and liked jazz, you knew about Bobby Cole. He played piano, sang, composed, arranged and, in 1967, released an album of original compositions titled "A Point of View" (Concentric Records). He had fans but avoided becoming mainstream. He stayed contemporary without becoming current. Jazz, folk, rock, modern dance scores…he wrote and performed them all. He smoked too much, drugged too much, drank too much. He was also cerebral, curious, a prodigious reader of poetry, philosophy, theology, and an uncommonly intelligent and literate lyricist.

On a December night in 1996, he had a heart attack while walking to work. An ambulance brought him to New York Hospital where, a few hours later, he died. Bobby Cole performed throughout Manhattan for forty years, but he spent most of the 1960s headlining at Jilly's, the midtown bistro owned by Frank Sinatra and his friend Jilly Rizzo. Sinatra called Bobby "my favorite saloon singer."

Bobby Cole caught the attention of Judy Garland, who visited Jilly's one night in 1964. She was hosting a weekly television show, and in the midst of a feud with her special materials arranger, Mel Torme. Three weeks later, Mel was out, and Bobby was in. He performed on Judy's show with his Trio. Bobby was scarcely 30 years old and it was his first time on television, but he was unruffled, sophisticated, and so damn cool. After Judy's show ended, Bobby occasionally arranged and conducted for her until she died.

Today, Jilly's is called the Russian Samovar and the piano is in the same spot. My husband and I ate there a few years ago. As we enjoyed our meal, I talked about Jilly's in the Sinatra era. Jilly had an apartment on the upper floor. I pointed up to the apartment and the balcony, where Jilly and Frank would sometimes drop water-balloons on unsuspecting pedestrians below. Another story described Jilly's as "tough, and you had to be tough to work there. Bobby Cole was tough. Frank and Jilly used to throw firecrackers at him to see if they could rattle him, but nothing rattled Bobby Cole. He ignored them and kept on playing." In the 1980s, Bobby headlined at a club called the Café Versailles. His daughter sometimes visited with her friends. She recalled that when she and her father would exit the club after work, a panhandler would be waiting for him. Bobby, who fought his own losing battle with the bottle, would slip the guy twenty dollars and wryly admonish him, "Be sure not to spend it on food." The night my husband and I visited the Russian Samovar there was a guy playing piano there, very young, and trying hard. I talked to him a little bit between his numbers about Bobby and the history of Jilly's and he was sweet, but I could tell he didn't care. I felt like one of those old people who bore young people to death with stories about things that happened before they were born – which, let's face it, is what I was. Nonetheless, when we were ready to leave, I put twenty dollars in his tip jar and said, "This is with compliments from Bobby Cole." After we left my husband said I should have added, "Be sure not to spend it on food."

Marie Hegeman (December 2021)

pre-order now03.06.2022

expected to be published on 03.06.2022

26,85 €
Benefits - Flag / Empire

Benefits

Flag / Empire

7"-VinylZENFC012S
Zen F.C.
03.06.2022

Benefits are an issues-based music collective from Teesside in the
North East of England. They write songs about the urgencies that
concern them, and they play them loud.

Forming in 2019 and consisting of Kingsley Hall on vocals, Robbie
Major and Hugh Major on synths and noise, and Jonny Snowball
on drums, they quickly evolved from a standard shouty punk rock
outfit into a minimalist, overtly political band that merges noise,
hip-hop and industrial rock, creating an effect that feels urgent,
darkly hilarious and unsettling all at once.

Thus far, Benefits have been completely DIY yet, via a succession
of digital singles and accompanying videos through 2021, they
built a following that enabled them to complete a sold-out headline
UK tour in March 2022. They also gained fans in high places,
including Sleaford Mods, Black Francis, Garbage and Elijah Wood
and Steve Albini.

James and Ryan of Yard Act were also instant admirers and that’s
where their label Zen F.C. comes in. Using their ill-gotten major
label gains Zen F.C. are pressing Benefit’s single ‘Flag’ (backed
with ‘Empire’) on vinyl.

On working with Yard Act, Kingsley comments: “I think Benefits
come at some of the same subject matter that they talk about but
from a slightly different angle (and by ‘slightly different’ I really
mean ‘more frequent swearing’, though we've never said the C
word in a song unlike...ahem). We appreciate every bit of help
we’ve had off them, we just wish we could somehow repay that
kindness (not monetarily mind, we're totally skint).”

Yard Act’s James Smith says of the release: “Lots of bands are
saying all this stuff so what makes Benefits so special? Why do I
need to be told what I already know over and over again by a
shouty man from Teesside? Well, because no one else is saying it
with such physicality they sound like their voice box is about to
leap from their throat and eat your eyeballs. With that little bit of
influence we’ve garnered and the small fortune of money we now
have kicking about, I’m so glad we can play a part in spreading the
word on Benefits, because I think they’re well on their way to a
classic debut album, and I’m going to fucking love being able to
brag about how important I was in making it all happen.”

pre-order now03.06.2022

expected to be published on 03.06.2022

10,88 €
THE LINDA LINDAS - GROWING UP

A product of generations of underground music in L.A. and beyond, The Linda Lindas' debut, Growing Up, channels classic punk, post punk, power pop, new wave, and other surprises into timelessly catchy and cool songs sung by all four members-each with her own style and energy. A handful of cuts have already been previewed at shows and enthusiastically approved by diehard followers in the pit at L.A.'s DIY punk institution The Smell and Head in the Cloud festival goers at The Rose Bowl alike. The Linda Lindas are stoked to unleash Growing Up. The Linda Lindas first played together as members of a pickup new wave cover band of kids assembled by Kristin Kontrol (Dum Dum Girls) for Girlschool LA in 2018 and then formed their own garage punk group just for fun. Sisters Mila de la Garza (drummer, now 11) and Lucia de la Garza (guitar, 14), cousin Eloise Wong (bass, 13), and family friend Bela Salazar (guitar, 17) developed their chops as regulars at all-ages matinees in Chinatown, where they played with original L.A. punks like The Dils, Phranc, and Alley Cats; went on to open for riot grrrl legends Bikini Kill and architect Alice Bag as well as DIY heavyweights Best Coast and Bleached; and were eventually featured in Amy Poehler's movie Moxie. When the pandemic put a pause on shows, The Linda Lindas went on to self-release a four-song EP, make their own videos and grow a following beyond Los Angeles. But they never expected or could have even dreamed that their performance of "Racist, Sexist Boy" for the Los Angeles Public Library in May 2021 would take them from punk shows to TV shows. A month later, when the school year ended and summer began, The Linda Lindas got to work on their first full-length LP. Having written a mountain of new material individually while sheltering in place and attending class virtually, the band was more than ready to enter the studio where Mila and Lucia's dad (and Eloise's uncle and Bela's "uncle") Carlos de la Garza oversaw recording and production. The Grammy-winning producer's work includes Paramore, Bad Religion, Best Coast, and Bleached.

pre-order now03.06.2022

expected to be published on 03.06.2022

25,17 €
Adrian Quesada - Boleros Psicodélicos LP

Adrian Quesada announces the release of ‘Boleros Psicodélicos’,
a sprawling and singular tribute to the golden era of balada music.
The brand-new album from the GRAMMY-nominated guitarist,
producer and Black Pumas co-founder serves as a celebration of
the super funky, slightly delirious and deeply soulful sounds that
transcended the cultural boundaries of Latin America throughout
the late 1960s and early 1970s.

Featuring vocals from Puerto Rican icon, GRAMMY-winner and
former Calle 13 member iLe, Colombian-American visionary
Gabriel Garzón-Montano, Mexican R&B star Girl Ultra, as well as
Angelica Garcia, Gaby Moreno, contributions from living legends
such as Marc Ribot and Beastie Boys musician Money Mark, and
many more, ‘Boleros Psicodélicos’ consists primarily of original
Adrian Quesada compositions, as well as covers of La Lupe’s
‘Puedes Decir De Mí’, Jeanette’s ‘El Muchacho De Los Ojos
Tristes’ and other balada classics.

All twelve tracks were produced, engineered, mixed and largely
performed by Adrian Quesada, honouring and extending the
influence of a personal obsession that he has cultivated over the
past 20 years.

Similar to his acclaimed 2018 album ‘Look At My Soul’, which
traced the deep roots and relationship between Latin and Texas
music, Adrian Quesada sees every song on ‘Boleros Psicodelicos’
as both a history lesson and a step towards a newly imagined,
more united future: “I always wanted to pay tribute to that sound
that I was already hearing in my head without realizing that people
had already done it. Balada changed the face of Latin music
forever. If something like that happened today, it would be normal
because everyone’s connected on Instagram. Think how powerful
this sound had to be for everyone to be connected through the
songs. As someone who grew up speaking two languages and
living on both sides of the border, I love how much music can
transcend barriers and boundaries. It really is a universal
language, especially back then.”

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Last In: 4 years ago
25,00 €
Rubber Oh - Strange Craft	LP

Rubber Oh

Strange Craft LP

12inchLAUNCH251LP
Rocket Recordings
03.06.2022

Inspiration can strike anyone at any time, and more often than not from somewhat peculiar quarters. Rarely more so than when Sam Grant - thus far best known as guitarist and producer of Pigs Pigs Pigs Pigs Pigs Pigs Pigs - finally set about work on a solo project that had been pursuing him for some years. “I want people to imagine that feeling of rubber - its physical memory, the unnatural vibe of it. It’s so tactile but alien. It’s an odd analogy, but that’s what this music is for me.”A specific gravity is one more property that rubber has going for it, and that much is certainly true of Rubber Oh’s debut album ‘Strange Craft’, the result of his elasticated fixation, and his debut album of deliriously tuneful sci-fi tinged psychpop. It’s a unique soundworld in which an emphasis on beguiling melody marries a kaleidoscopic grandeur. Widescreen gems like the warped interstellar voyage that is Children Of Alchemy and the unshakeable earworm Hyperdrive Fantasyare all vibrant colour and celestial energy, setting their psychic stall out somewhere between the incandescent headspace of a ‘70s sci-fi TV show and the red-light-fever of the overheated ampstacks Grant has been historically more familiar with.Ultimately, for Grant as well as everyone else, Rubber Oh amounts to one strange trip - “Many of the lyrics are about alchemy, journeying and vessels, as interchangeable metaphors for knowledge and wisdom” he says. “I wanted to mesh the land and sea, the cosmos and the psyche across the tracks as one single plane” Mission accomplished, in short. This Strange Craft is fuelled up and ready to accept all comers on a ride into extensions through dimensions01

pre-order now03.06.2022

expected to be published on 03.06.2022

25,17 €
Cad73 - The Bird Part 2

Cad73

The Bird Part 2

7"-VinylAR010-2
Adeen
03.06.2022
 
2
also available

Part 3[12,19 €]

Part 4[12,19 €]


Adeen Records comes with its series of funk, soul, dsco and jazz only edits label called The Bird. And it's first releases comes from label head Camille and Spanish graffiti artist and dj Cad73, and edited by DJ Boring. These two 7" gems came from each selectors childhood memories from living in Detroit and Barcelona respectively. While Camille draws such tunes as "Stop Bajon and Carino" from influences Detroit, Cad73 pulls "Shakedown and The Vulture" from early radio and parties growing up around Baecelona. Already a staple series amongst Adeen's catalog, This "The Bird" series may be the label we've been craving.

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Last In: 4 years ago
10,29 €
Orange Goblin - Rough And Ready, Live & Loud LP

Orange Goblin formierte sich 1995 und spielte auf den ersten Veröffentlichungen hauptsächlich Stoner Rock mit stark psychedelischem Einschlag. Seit dem vierten Album 'Coup de Grace' tendiert die Band mehr in Richtung schnörkellosen Hard Rocks.
Sie spielten Live-Auftritte u. a. mit Unida, Queens of the Stone Age, Nebula, Monster Magnet und Cathedral und sowie als Vorgruppe von Alice Cooper. Die ersten fünf Alben erschienen beim renommierten Indie-Label Rise Above Records.
Die erstmalig als im LP-Format erscheinende Live-Aufnahme enthält 13 Tracks, darunter der Bonustrack 'Blue Snow', der auf bei der Digital Only-Version 2020 nicht enthalten war. Limited 2LP in Orange Splatter-Vinyl!

pre-order now03.06.2022

expected to be published on 03.06.2022

32,56 €
Dama Scout - gen wo lai (come with me)

Dama Scout's first full-length sees the London/Glasgow trio stretch their creative muscles, further building upon their unique, individual tastes to bring together a world that’s ever-changing, infectious and brilliantly fresh. By pushing through the barriers of genre, Dama Scout’s constantly curious dive into contrasting sonic landscapes allows them to craft new terrain that takes its cues from East Asian pop and film. Mimicking the unpredictability of playing live shows, the tension between audience and artist and the push-and-pull of creative collaboration, 'gen wo lai (come with me)' ushers in an authoritative new era for the band. Here, jolting nightmares and reality-bending dreams exist side-by-side, and Dama Scout are our guides for every unnerving, enchanting moment.

pre-order now03.06.2022

expected to be published on 03.06.2022

22,90 €
Mad Hatter's Daughter - Where Are We Runnin

With their upcoming album "Where Are We Runnin" the German/English Alt Pop band "Mad Hatter's Daughter" have gone all in with a two pronged marketing strategy targeting the UK & GSA markets with their authentically rich and evocative songwriting. The UK team is rapidly growing to catch up with the German side with the latest addition of Grammy nominated engineer & producer Jeremy Murphy (Adele, Mumford & Sons, Emeli Sandé), the band are on an upward trajectory toward the international success they have set out for.

pre-order now03.06.2022

expected to be published on 03.06.2022

19,29 €
Tall Black Guy vs. 14KT - I Will Never Know / The Power of Same

First Word Records continues its series of special collaborative releases for it's 15th anniversary with an absolutely firing double-header from 14KT and Tall Black Guy.
On this limited 7" vinyl, the two renowned US beat-makers revisit two of their previous First Word singles, turning out flips of each other's tracks, also featuring a multitude of talent, in the form of Moonchild, Muhsinah, Stro Elliot and James Poyser of The Roots.

Following on from the first volume in 14KT's jazz project 'IAMABEENIE', here he flips TBG and Moonchild's collab, 'I Will Never Know', originally from Tall Black Guy's 2017 sophomore album 'Let's Take A Trip'. The original neo-soul bump is transformed into a deliciously epic latin affair, drenched with deep Brazilian vibes throughout - this is one to draw for at those steamy get-downs; a slinky slab of dancefloor fire.

Tall Black Guy returns to First Word for the first time in a minute, and takes on the Muhsinah-lead joint 'The Power Of Same', the lead single from 14KT's 2019 acclaimed album, 'For My Sanity'.

As to be expected, TBG delivers his unmistakable blend of dope dubbed-out spacey soul and boom bap kicks & snares, complete with guitar licks from Stro Elliot, and keys from James Poyser. Two of the dopest producers in the game, this one is completely 1000% essential.

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Last In: 4 years ago
6,51 €
Chrome Canyon - Director

Chrome Canyon

Director

12inchSTH2432LP
Stones Throw
01.06.2022

‘Director’ is the follow up to Chrome Canyon’s
2012 debut ‘Elemental Themes’.
Chrome Canyon is a composer for film and TV,
including the HBO Max / Cartoon Network series
‘Infinity Train’.
‘Director’’s lead track, ‘Broken Theme’, was used
in an iPhone 13 Pro advert.
Vintage synths were used to create ‘Director’,
including the PE-1000, which was Korg’s first
polyphonic instrument, and the Chroma Polaris,
which was the second synth made by
Fender/Rhodes.
Chrome Canyon’s music is greatly influenced by
scores that are as revered as the films they
soundtrack: ‘Tron’, ‘Blade Runner’, ‘Metropolis’,
etc. His new album, ‘Director’, arrives ten years
after his Stones Throw debut ‘Elemental Themes’,
and is his vision of a soundtrack to an unmade
film.
The ten pieces across ‘Director’ are intended spark
vivid, cinematic imagination. The album was
recorded between downtown LA and the
Californian desert and is inspired by the drama of
the natural landscape.
For fans of Ben Frost, Mica Levi, Kyle Dixon &
Michael Stein, Trent Reznor.
Radio - Radio 1, KCRW, 1Live, Byte FM.
Online - Music Radar, Music Tech, Fifteen Questions, The
Vinyl Factory.

pre-order now01.06.2022

expected to be published on 01.06.2022

23,32 €
BERNIE WORRELL - ALL THE WOO IN THE WORLD LP

Bernie Worrell was a keyboardist and composer best known as a founding member of Parliament-Funkadelic and for his work with Talking Heads. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell broke genres, not only within funk, but also hip hop and rock. Critics described him as one of the most widly innovative and technically dazzling musicians in pop music history.

In 1978 he released his solo debut album All The Woo In The World, which was produced by George Clinton, who was another mastermind behind Parliament-Funkadelic. The album features several guest performances by P-Funk alumni, including Junie Morrison, Garry Shider, Bootsy Collins and Eddie Hazel.

All The Woo In The World is available as a limited edition of 1500 individually numbered copies on translucent red coloured vinyl.

pre-order now31.05.2022

expected to be published on 31.05.2022

30,46 €
MIKEY DREAD - WORLD WAR III LP

Mikey Dread is known as one of the most multi-faceted artists, comfortably taking in both the positions of producer and artist. By the late Seventies he had started his own label, working with artists such as Edi Fitzroy, Sugar Minott and Earl Sixteen, as well as producing his own work. On his own label he released World War III in 1980. The album includes the tracks “The Jumping Master”, “Money Dread” and “Break Down The Walls”.

World War III is available as a limited edition of 1500 individually numbered copies on translucent yellow coloured vinyl.

pre-order now31.05.2022

expected to be published on 31.05.2022

30,46 €
Der Totmacher - Hello My Name Is EP
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Last In: 23 months ago
9,45 €
GENE GENE - LOUD N’ STUFF 7"

The Dutch six piece put their heads together to create two laidback tunes full of atmosphere and organic magic that blend just the right amount of spontaneity and song craft. The band have honed their sound at home and on stage with sold-out shows in and around Amsterdam, including as support act for bands such as Jungle By Night.

The A side track Loud N’ Stuff is one of those special moments when all the elements just fall into place, coming together in a hungover haze of new wave disco jams and dancing at their studio space in Haarlem. On the flip, Pada Pada combines tropical rhythms and percussion with lush chord progressions to perfectly soundtrack those cocktails by the pool on a wavy summer eve. Both tracks were recorded with Nic Mauskovic, with additional passes on the mixer for dubs and delays, to give the tracks an extra spacey sheen.

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Last In: 3 years ago
9,20 €
MOON SHADOW / MOON LIGHT - BASSFORT (10th ANNIVERSARY MIXES)

From the very beginning in 2011 the concept was simple and crystal clear.

Mad Mats & Tooli's new label Local Talk had two main focus points.
First, the actual music was to be inspired around those magical 4/4 house rhythms...and beyond.

Second, the logo! The idea was that a simple and direct visual point together with a strong dance MUSIC message would make the label stand out among other labels in their northern neck of the woods.
In Scandinavia, the main theme is electronic 4/4 rhythms (techno, tech-house etc) and with Local Talk being more inspired by black dance music this has made them the black sheep in the hometown of Stockholm.

To set the musical direction straight from the very start they released Bassfort's 'Moon Shadow' which got instant attraction from both house heads and the more open-minded clubbing community.
With its warm, melodic chords, infectious piano theme and big strings it's always been the label's fave jam from their now +150(ish) releases.
When they decided to choose a track that would define the label for their 10-year anniversary, the choice was simple.

Mats & Tooli thought long and hard about who they wanted to interpret 'Moon Shadow' and after months of discussing options they decided that the only one they could trust to give the track a quality boost was NYC legend Joe Claussell.
Back in the late 90's, Mats used to book Joe for his legendary Raw Fusion parties in Stockholm so the connection and mutual respect were already in place. The result is a +11 minute long musical house journey that builds and builds until those characteristic piano chords make an entrance and transform the dynamics into a rainbow of sounds. Epic is not a word big enough to explain this grand musical production !

But the goodness does not end there, we're only halfway in on this anniversary release. The blood brothers Javi & Luis aka Kyodai (and 2/3 of Bassfort) made their own mix on the B side track from the original release, Moonlight.
As schooled jazz musicians they diverted from the electronic soundscape and went for a live jazz-funk production.
The final product is a warm and musical version with live drums, bass, piano, strings and even vocals from the brothers themselves.
The track almost comes across as something 4 Hero would put out back in the day.

All we can say, enjoy the dance!

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Last In: 2 years ago
17,61 €
50 Foot Wave - Bath White

50 Foot Wave

Bath White

12inchFIRELP580
Fire Records
30.05.2022

Rare EP from this much sought-after Kristin Hersh side project. Black Vinyl LP. Back on vinyl for this Kristin Hersh fronted project, a super rare 2016 EP of enchanting and exhilarating sounds that shift from dreamy and emotional melancholy to jagged and almost Neu!-like rhythms that evolve behind her pointed prose and astute one-liners. A rush to the head that’s caustic yet comforting.

pre-order now30.05.2022

expected to be published on 30.05.2022

25,67 €
The Courettes - Non ti lascerò

Rock'n'Roll hits adapted and sung in Italiano to seduce an exotic and difficult music market. A tradition that saw many stars (Mick Jagger, Françoise Hardy...) test their pronounciation skills with swinging (but always very fun) results. Now its The Courettes' turn, to translate two of their newest songs for a special limited single 7'', released in time for their southern Europe tour and the Record Store Day 2022. Anzi, LE FAVOLOSE COURETTES, volevamo dire “the real deal” (Vive Le Rock, UK) “the real sound of now busting through your door” (Rolling Stone, USA)! “the world’s greatest two person rock n’ roll ensemble” (The Next Big Thing, UK) “Your new favourite band once you ve heard them!” (Louder Than War, UK) The Courettes. “A force to be reckoned with. Matching the garage rock ferocity of The Sonics to prime early 60s girl group, the band’s output is utterly feral in the most addictive possible way. Reminiscent of The Ronettes given a Ramones style overhaul, their evil charms arrive covered in blood-soaked glamour. Twanging guitar and raucous percussion, a wild head-long charge into the unknown.” (The Clash Magazine, UK) The Courettes is an explosive rock duo from Denmark and Brazil who found the perfect blend between garage rock, 60s Girl Group, Wall of Sound, surf music and doo wop. Like The Ronettes meet The Ramones at a wild party at Gold Star Studios echo chamber. Praised by the biggest music magazines around the world, in 2020 the band signed with legendary British label Damaged Goods, putting them on the same roster as top international rock icons like Buzzcocks, Manic Street Preaches, Atari Teenage Riot, New Bomb Turks, Amyl and the Sniffers, Billy Childish, Captain Sensible and many others. Their last and third album, “Back in Mono” was released in the Fall 2021 and is a truly milestone in the career. The album brings the band in top form, showing great songwriting skills and with broader nuances, influences and sound qualities to their garage rock recipe. Their last singles, “Want You! Like a Cigarette”, “Hop The Twig” and “R.I.N.G.O.” all got airplay at BBC 6 Radio in England and radio stations in Europe and the USA. “Back in Mono” got top reviews in the main music magazines like Mojo, Classic Rock and Shindig and was featured in countless Best Albums of 2021 lists: “Exuberant third release, a giddying rush of noise” (MOJO, UK) 4 out of 5 stars “Seems like the best record you’ve ever heard. A rock n’ roll sacrament from your new favourite band.” (Classic Rock Magazine, UK) 9 out 10 stars “Sensational good album!” (Ox Magazine, Germany) 9 out of 10 stars “Just keeps getting better and better” (Shindig!, UK) 4 out of 5 stars “Fantastic album” (Louder Than War, UK) 4,5 out of 5 stars “A complete riot” (The Arts Desk, UK) 4 out of 5 stars “14 new original tracks–all killer” (Add to want list, UK) “The whole album is one long highlight” (UK Rock n’ Roll) “Exciting combination of Wall of Sound and Fuzz” (El Periodico, Spain) 4 out of 5 “A collection of perfect songs, full-blown instant classic” (Triste Sunset, Italy)

pre-order now30.05.2022

expected to be published on 30.05.2022

14,83 €
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