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Big Boys - Lullabies Help The Brain Grow

Sophomore album originally released in 1983 from Austin, TX, skate-punk stalwarts, Big Boys, now available on limited edition 180 gram pink vinyl. The Big Boys got their start in the late 1970's Austin punk scene. The band was fronted by the occasionally cross-dressing Randy "Biscuit" Turner, with Tim Kerr on guitar, Chris Gates playing bass, and a series of drummers - the best known of which is Rey Washam (Scratch Acid). Unlike the rest of the early hardcore scene of the day, they weren't afraid to stray away from superfast tempos in favor of some nice white boy skate funk. Beyond the funk tendencies, the band at times played an early brand of post-punk not unlike their contemporaries The Minutemen. Thanks to their inclusion on some of Thrasher magazine's first "skate comps," the Big Boys were hugely popular amongst the new 80's skate punk crowd. They were also known for the encouragement of crowd participation, breaking down the barriers between performer and audience. They even covered Kool & the Gang, never wavering when venturing into uncharted musical territory. Now y'all, go start your own band… Also Available From Big Boys: Where's My Towel / Industry Standard LP, No Matter How Long The Line Is At The Cafeteria, There's Always A Seat! LP

Сделать предзаказ29.03.2024

он должен быть опубликован на 29.03.2024

31,51
Big Boys - Where's My Towel / Industry Standard

Debut album originally released in 1981 from Austin, TX, punk visionaries, Big Boys, now available on limited edition aqua blue vinyl. The Big Boys got their start in the late 1970's Austin punk scene. The band was fronted by the occasionally cross-dressing Randy "Biscuit" Turner, with Tim Kerr on guitar, Chris Gates playing bass, and a series of drummers - the best known of which is Rey Washam (Scratch Acid). Unlike the rest of the early hardcore scene of the day, they weren't afraid to stray away from superfast tempos in favor of some nice white boy skate funk. Beyond the funk tendencies, the band at times played an early brand of post-punk not unlike their contemporaries The Minutemen. Thanks to their inclusion on some of Thrasher magazine's first "skate comps," the Big Boys were hugely popular amongst the new 80's skate punk crowd. They were also known for the encouragement of crowd participation, breaking down the barriers between performer and audience. They even covered Kool & the Gang, never wavering when venturing into uncharted musical territory. Now y'all, go start your own band… Also Available From Big Boys: Lullabies Help The Brain Grow LP, No Matter How Long The Line Is At The Cafeteria, There's Always A Seat! LP

Сделать предзаказ29.03.2024

он должен быть опубликован на 29.03.2024

31,51
Various - LA ROCCA CLASSICS LP 3x12"

Limited Edition Triple Gatefold Vinyl including DJ Marko's Theme, Miro, Junior Jack, Blaze, Pirupa, Street Corner Symphony and more.



We are excited and honored to announce the release of a La Rocca Classics vinyl. A Limited Edition Triple Gatefold Vinyl release that celebrates all monumental milestones from La Rocca's club culture. A selection, carefully curated by Wim Van Ouytsel, founder and moving spirit of the legendary nightlife brand since 1988.



Embark on ajourney through the annals of dance music history, where each track has been handpicked to evoke cherished memories of euphoria and transcendence. From the ethereal melodies of trance anthems like 'DJ Marko's Theme' and the electrifying remix of Miro's 'Spaceman' by Mr Sam, to the infectious rhythms of Junior Jack and the soulful vibes of Blaze, and not forgetting the soul-stirring house gems by Pirupa and Street Corner Symphony, this vinyl encapsulates the essence of Belgium's iconic club.

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41,98

Последний логин: 13 мес. назад
Various - Bie Records Meets Shika Shika

This project unites artists from two labels, Chinese based bie Records
and Latin America based Shika Shika, separated by very contrasting
cultures and thousands of kilometers but united by shared values and a
shared musical vision
Driven by values of creativity, borderless music and fairness for artists, both
labels showcase artists that unite electronica with ambient and folk music,
purposefully existing outside of the globalized, copy- paste of the mainstream
music industry.
A mix of intrigue and mutual respect led to the birth of this compilation, with the
two labels teaming up to match together a group of their artists to remix each
other. The result is a widely imaginative, fresh and diverse selection of tracks
featuring some of the prominent producers such as DaYe, Lim Giong; Hualun, Sun
Dawei and Rainsoft from bie records and DJ Raff, Terror:Cactus, Numa Gama,
Barrio Lindo and El Buho from Shika Shika.
The compilation is a testament to music's power to transcend language and
cultural background as artists from hugely different contexts unite to explore and
build on each other's creative visions.

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26,85

Последний логин: 2 г. назад
Lauren Flax - D - Troit

Lauren Flax

D - Troit

12inchCTX015
Chiwax
26.03.2024

RAWAX welcomes Lauren Flax to the artist family!
We are very happy to present you Lauren's upcoming debut on CHIWAX, including a huge remix by our dear Lis Sarroca!
Highly recommended!

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11,72

Последний логин: 4 мес. назад
Frankie Knuckles pres Director’s Cut Ft. Jamie Principle - Your Love EP

Arguably one of the most memorable house music moments, born out of the black LGBT scene in Chicago at the legendary Warehouse and known as one of Frankie Knuckles earliest productions; ‘Your Love’ is a stone cold classic. A record that is up there with the greats, instantly recognisable and a song that only get better with time.

Written by Jamie Principle and originally released in 1986, ‘Your Love’ has become a seminal recording over the past 34 years. Originally an underground club anthem, famously borrowed on the crossover hit ‘You’ve Got The Love’ (The Source feat. Candi Staton), and most recently re-produced by as part of the Director’s Cut project which aimed to update a number of classic cuts for the modern dancefloor, this is a record that endures the test of time. Working alongside The Frankie Knuckles Foundation and Eric Kupper, SoSure Music now releases two new remixes for 2020 from Darrius Syrossian and Alan Dixon.

First up, House music aficionado and legendary Sankey’s resident Darius Syrossian offers his unique blend of beats to the remix package. With releases on the likes of Get Physical, Viva Music and Hot Creations, Darius’ production is heavily influenced by some of the greats – think of the finest spinners from Detroit, New York and Chicago – and is well placed to approach this huge task. Darius introduces a rolling house beat and some old skool breakbeats into his mix, keeping the energy high throughout; bringing a feeling of a euphoria and hitting the peak time moment.

Charting a rapid rise through the ranks in a relatively short time Alan Dixon is already building a name for himself in House and Nu Disco scene and has recently released on labels including Glitterbox, Permanent Vacation, Running Back and True Romance. Alan’s remix aims directly at the centre of the disco dancefloor. A strong beat dominates a unique energy through the mix along with a slightly nostalgic vibe. With a beautiful floaty interlude and a raw emotion this remix updates a classic with respect while also giving a fresh new twist.

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14,71

Последний логин: 7 мес. назад
ARLO - Party Response Vol 1

Arlo

Party Response Vol 1

12inchYUMPR1V
FOOD MUSIC
26.03.2024

DJ Support: Claptone, Sasha, Gina Breeze, Tom Findlay (Groove Armada), DJ EZ, Horse Meat Disco, Richard, Gear, Gina Breeze, Mirco Violi, Moody Boyz, DJ Caspa, Ruff Stuff, Dom Rimini, Don Diablo

Bristol born ARLO begins a special series of releases with Food Music. Party Response does exactly what it says on the tin - Hi NRG Dance music across the board - including a collab with Shadow Child (set to be released on vinyl only), and a huge remix from J.O.S.H.U.A too. Expect more in the Party Response series, and enjoy vol 1!

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13,87

Последний логин: 17 мес. назад
Kaleida - In Arms LP 2x12"
 
10

Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).

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25,92

Последний логин: 2 г. назад
The Wreckery - Fake Is Forever LP

This is The Wreckery album that never was but always should have been!

At the crest of the Australian post punk era, The Wreckery played atmospheric rock with film-noir swagger and renegade attitude, carving a loyal following. Critics quickly positioned them as successors to a darkly exciting avant-garde Melbourne tradition previously marked out by The Birthday Party.

Early recordings for Rampant Records (1985-87) showcased The Wreckery's fusion of swamp blues and noir-jazz, delivered with a deadpan, reckless, and romantic cut (check out the 'Ruling Energy' video!). Creative tensions saw the band implode as they were reaching their peak with the Laying Down Law album (Citadel Records, 1988). Yet another great and dangerous rock 'n' roll band who became a danger to themselves.

35 years later, the new album Fake is Forever delivers on unfulfilled promises, revealing The Wreckery on fire like never before. The DNA is still there – the signature sound of Charles Todd's baritone sax; the scathing lyrics and vocals of Hugo Race; the distorted angular guitars of Clayton-Jones; the eclecticism of multi-instrumentalist Robin Casinader; Nick Barker and former Plays With Marionettes drummer Frank Trobbiani fuse as the solid engine room of this iconic group. All the original edge with a new maturity and control.

The songs still emanate from the deep, dark end of the musical gene pool. The sarcastic, provocative lyrics of 'Smack Me Down', 'Get A Name' and 'Young People'; the musical fury of 'Stole it from Alpha Ray' and 'Evil Eye', the romantic melodrama of 'The Devil in You' and 'Whistle Clean', the deranged rock of 'Dragonfly' and 'Garbage Juice' – The Wreckery's range is as vast as it is ferocious. Whereas the band in the 80's were brash and angry this record finds the band conjuring quiet menace, sensual, intoxicating.

Hugo Race – vocals, guitars, keys

Ed Clayton-Jones - guitar, piano, synth, Mellotron, slide guitar , Solina string synth

Nick Barker – bass guitar and backing vocals

Charles Todd - the saxophones

Robin Casinader - Hammond organ, mellotron, mandolin and violin
Frank Trobbiani - the drums and percussion

Recorded by Andrew 'Idge' Hehir at Soundpark Studios, Melbourne
Mixed by Hugo Race at Helixed
Mastered by Toto Strapporava at 3Faders Studio, Buenos Aires
Published by Peermusic

Сделать предзаказ22.03.2024

он должен быть опубликован на 22.03.2024

29,37
The Wreckery - Fake Is Forever LP

This is The Wreckery album that never was but always should have been!

At the crest of the Australian post punk era, The Wreckery played atmospheric rock with film-noir swagger and renegade attitude, carving a loyal following. Critics quickly positioned them as successors to a darkly exciting avant-garde Melbourne tradition previously marked out by The Birthday Party.

Early recordings for Rampant Records (1985-87) showcased The Wreckery's fusion of swamp blues and noir-jazz, delivered with a deadpan, reckless, and romantic cut (check out the 'Ruling Energy' video!). Creative tensions saw the band implode as they were reaching their peak with the Laying Down Law album (Citadel Records, 1988). Yet another great and dangerous rock 'n' roll band who became a danger to themselves.

35 years later, the new album Fake is Forever delivers on unfulfilled promises, revealing The Wreckery on fire like never before. The DNA is still there – the signature sound of Charles Todd's baritone sax; the scathing lyrics and vocals of Hugo Race; the distorted angular guitars of Clayton-Jones; the eclecticism of multi-instrumentalist Robin Casinader; Nick Barker and former Plays With Marionettes drummer Frank Trobbiani fuse as the solid engine room of this iconic group. All the original edge with a new maturity and control.

The songs still emanate from the deep, dark end of the musical gene pool. The sarcastic, provocative lyrics of 'Smack Me Down', 'Get A Name' and 'Young People'; the musical fury of 'Stole it from Alpha Ray' and 'Evil Eye', the romantic melodrama of 'The Devil in You' and 'Whistle Clean', the deranged rock of 'Dragonfly' and 'Garbage Juice' – The Wreckery's range is as vast as it is ferocious. Whereas the band in the 80's were brash and angry this record finds the band conjuring quiet menace, sensual, intoxicating.

Hugo Race – vocals, guitars, keys

Ed Clayton-Jones - guitar, piano, synth, Mellotron, slide guitar , Solina string synth

Nick Barker – bass guitar and backing vocals

Charles Todd - the saxophones

Robin Casinader - Hammond organ, mellotron, mandolin and violin
Frank Trobbiani - the drums and percussion

Recorded by Andrew 'Idge' Hehir at Soundpark Studios, Melbourne
Mixed by Hugo Race at Helixed
Mastered by Toto Strapporava at 3Faders Studio, Buenos Aires
Published by Peermusic

Сделать предзаказ22.03.2024

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23,32
Dan Deacon - Spiderman Of The Rings

Standing in a Greyhound Bus station, wearing a Sylvester t-shirt and huge duct-tape-covered glasses, Baltimore ’s Dan Deacon doesn't invoke the image of a composer to the other bus riders. The two suitcases he loads under the bus, which accompany him from city to city, hold the sweat-and-grime-soaked electronics that he uses to craft his raging, maxed-out party music and light show. After 12 tours and 300+ shows in little over 2 years, the gear is beaten and battered, but the show and the energy it produces is anything but.

Dan Deacon has garnered a reputation in the underground as an intense performer and classic showman. The table top full of pedals, a sine wave generator, vocoder and casio blasting through the PA, joined by a makeshift light board with various bulbs and green skull strobe light, make his all out dance-til-you-drop performance a complete experience.

But it isn't all fancy feet and bouncy beats. Deacon is a classically trained composer with a Masters degree in electro-acoustic composition. He has released 7 albums from 2003 to 2006, but those self-produced recordings do not contain the vocal-based experimental pop that he has fine-tuned in live performance. His latest full length, Spiderman of the Rings is the first album bridging the gap between party performer and genuine composer. A mixture of his live show dance anthems, intricate instrumentals and humorous monologues, Spiderman of the Rings establishes Dan Deacon as a new type of entertainer in the contemporary underground.

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22,65
Sara Correia - Liberdade LP

Sara Correia

Liberdade LP

12inchWAR5830888
Wrasse
22.03.2024

Fado music’s fastest-rising stars, Portuguese singer Sara Correia’s acclaimed third album Liberdade is a triumph. Sara arrives in 2023 with the status of a phenomenon: she has travelled the world to great acclaim, nominated for a Latin Grammy along with her appearances as a judge on the hugely popular Portuguese version of reality singing competition The Voice. Sara Correia’s smoky and passionate voice captures love and power, sadness and joy, the city of Lisbon and the Portuguese soul. Inhabiting the space between traditional, dark Fado and its modern, lighter incarnation, her mellifluous toplines are influenced by French chanson.

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31,05
ZA! & PERRATE - Jolifanto LP

Za!&Perrate

Jolifanto LP

12inchLMNK79LP
Lovemonk
22.03.2024

"Jolifanto" takes its name from the first verse of "Karawane", a seminal Dadaist phonetic poem by Hugo Ball. When Ball first recited it in 1916 at the Cabaret Voltaire, both the author and the audience embraced a trance that left Ball exhausted, requiring assistance off the stage as the audience claimed the spotlight.

Over a century later, by a series of fortuitous events, "Jolifanto" is also the title of an album featuring two powerful musical entities. Artists stemming from diverse backgrounds converge with a shared experimental spirit, curiosity and passion for exploration in their music.

"Jolifanto" is an unexpected explosion propelled by (poly)rhythm, expanding into seemingly distant territories under the influence of flamenco. The Dadaist spirit permeates the work, where a constant tension between the improvised and the meticulously planned is evident. ZA! and Perrate together form an organism traveling from the roots to the rave, with nothing sounding out of place because the place is yet to be defined.

Perrate witnessed ZA!'s concert in a festival he attended as part of the audience. The Catalans surprised him with a proposal that he found radical and unclassifiable. Later, after being invited to prepare a collaboration for the Música y Museos season in Seville, Perrate decided to move off the beaten path, approaching ZA!, who quickly embraced the proposal. Exchanges of ideas and audio tracks ensued in a short time and they quickly  found out that they were in the same wavelength. A week before the concert, they met in the same physical space for the first time, dedicating a couple of days to composition and preparing the gig at La Mina Studios in Seville. The concert took place, hailed as "the best concert most attendees had experienced in a long time", as reported by the Diario de Sevilla. That energy needed to be captured, and so it was, at the Happy Place studio in Seville, where the album was recorded between March 6th and 9th, 2023.

The Catalan duo ZA!, "the duo that mash up terrace-chant mayhem with... everything else" (The Wire #384), has operated independently and self-managed since their inception in 2004. They overlap genres and amalgamate sounds that move, with intensity, between wild jazz, post-rock and avant-garde electronics, among other influences. In their acclaimed latest work, they have revived the Phoenician language, exploring Mediterranean sounds alongside MegaCobla and Tarta Relena.

Perrate, active since the late 90s, explores the outer edges of flamenco without forsaking its profound essence rooted in lineage and tradition, evident in every note of his voice. His latest work, "Tres golpes" (Lovemonk/El Volcán, 2022), named flamenco album of the year by Babelia/El País, and one of the albums of the year for BBC3's Late Junction, reflects an innate curiosity, possibly the seed of all the fortuitous events leading to this album.

The encounter between Perrate and ZA! is the result of serendipitous events interwoven with the narrative of artists dedicated to experimentation and radicalism in all its forms.

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23,32
Carpet - COLLISION LP

Carpet

COLLISION LP

12inchKUTTERL71
Kapitän Platte
22.03.2024

Carpet is a band from Germany with huge influences by prog rock, psychedelic music, stoner rock and jazz. It's like putting Motorpsycho, Jaga Jazzist, the Notwist and the Beatles in a studio to create new material together. After their debut "Elysian Pleasures" in 2013, which was highly appreciated by listeners and the press (e.g. album of the month, eclipsed magazine), they widened their musical spectrum on the following two albums "Secret Box" (2017) and "About Rooms and Elephants" (2018) - all released on the Colour Haze Label Elektrohasch. The path to the new album began with a songwriting weekend in a tiny, remote cottage in the Italian Alps and continued in the band's own studio and in the studio of their mixing engineer Maximilian Wörle in their hometown Augsburg. With "Collision", Carpet recorded a strong and powerful album: "Some songs and parts were created in one go, almost from the gut, and are bursting with energy. Others were worked out down to the last detail and developed into sophisticated song structures." It is certainly this perfectly dosed, precise mixture of a heavy rock attitude with sophisticated songwriting and finely balanced arrangements that in a way marks the band's DNA.

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24,79
Pussy - Pussy Plays LP

Pussy

Pussy Plays LP

12inchBT5030
PROPER RECORDS
22.03.2024

'Pussy Plays Again' the follow up album to the original 1969 classic is finally here. The original 'Pussy Plays' album was released in 1969. That album had a psychedelic and freaky, fuzz n' wah-wah guitar with swirling keyboards and a classic '60s production loaded with all the studio effects of the era. Pussy Plays is undoubtedly also one of the most obscure and beautiful psychedelic albums of the 1960s.

So here at last, after 55 years, the follow-up album to that first hugely iconic British Psych album, 'Pussy Plays'. The original Pussy drummer Steve Townsend and ex-Iron Maiden guitarist Bob Sawyer, along with friends Paul Jackson and Rick Cullen, came together for the follow up album 'Pussy Plays Again'. The recording techniques were basic, the sound is lo-fi, and where this is less than puurrrfect, we believe the quality of the music itself and the imagination and creativity shine through.

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28,36
Various - One Day OST LP 2x12"

Various

One Day OST LP 2x12"

2x12inchSILLP1758
SILVA SCREEN
22.03.2024

Based on David Nicholls’ globally best-selling book, the TV serialisation of One Day has already proved hugely popular with audiences and critics alike.

Multi award-winning screenwriter Nicole Taylor (Wild Rose, 3 Girls, The Nest) adapted the novel for Drama Republic and Netflix.

The story follows Emma (Ambika Mod - This is Going To Hurt) and Dexter (Leo Woodall - The White Lotus) who speak for the first time on their graduation day in 1988.

They go their separate ways but meet once a year on the anniversary as their relationship and lives evolve.



“We wanted to create a score that celebrates the love story between Dex and Em and also reflects the nostalgia for lost time and lost love that they feel, and viewers can relate to.

The music had to follow their journey as their relationship evolves over the years, but still feel like it was rooted in one place.

In other words, we needed to mirror the very different lives and emotions they experience over twenty years ranging from excitement, humour, anger and heartbreak.”

Composers Anne Nikitin, Jessica Jones, Tim Morrish



The score also features tracks from Jessica and Tim under their artist moniker Vanbur, widely acclaimed in their own right, including ‘Last Look’ and ‘Falling Colour’.

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47,86
Franky B - Rave Anomalies
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12,56

Последний логин: 4 мес. назад
RICIAR GHIR - Silenzio EP

Riciar Ghir

Silenzio EP

12inchUFOS007
UFO Series
21.03.2024

The fledgling but already notable UFO Series now looks to Italian producer and prodigious underground innovator Riciar Ghir for a captivating journey through the more energetic house realms, all with an outer space feel. 'Niriba Shuttle' opens with tribal percussion and progressive synths that are coloured by subtle acid lines. 'Silenzio' is slow, heavy and persuasive with its old school piano acting lighting up your soul. There's a twisted tech funk to 'Platter Dreams' that makes it perfect for 2am cruising and 'Bad Egg' sets down with plenty of colour. These cuts will all work several different moments on the dance floor making it a hugely useful 12".

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14,08

Последний логин: 18 мес. назад
Bunny Wailer - Solomonic Singles, Pt. 2: Rise & Shine (1977-1986) LP 2x12"

At the same time that Neville 'Bunny Wailer' Livingston recorded his debut solo long playing masterpiece, 'Blackheart Man', he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now...,

It is next to impossible to ever overstate the importance of The Wailers to the history of Jamaican music and, as the last surviving member of the group, Bunny Wailer rightly regards himself as the sole keeper of their history ever mindful of the group's exalted position in the story of reggae music and the importance of their legacy. In 2010 Dub Store were proud to be able to work with Bunny on re-releasing a selection of his earliest recordings for the Solomonic label, lovingly restored and presented in reproduction sleeves and labels, on limited edition seven and twelve inch singles. Now, taking another step forward, we are more than proud to present Bunny's timeless music on two beautifully packaged CD's and double LP's. Bunny's first solo album, 'Blackheart Man' originally released in 1976 on his own Solomonic label in Jamaica and on Island in the UK, is one of the undisputed all time classics of Jamaican music and established Bunny Wailer as a highly respected, world renowned artist in his own right. During this period Bunny also produced a series of singles released in Jamaica and the UK in strictly limited quantities without the benefit of international distribution, that are every bit as good and, in some cases, even better than this awesome debut long player. Original copies have subsequently become highly prized, and highly priced, collector's items. "Classic rarities" is an overused and abused term too often employed to describe average records that failed to sell on their initial release but both 'Tread Along' and 'Rise & Shine' are packed from beginning to end with a searing selection of some of the greatest and hardest to find reggae records ever produced. 'Tread Along' opens, naturally enough, with 'Tread Along' from 1969, one of the last singles for The Wailers' own Wail N Soul M label, and runs through the first release on the Solomonic label, 'Searching For Love' also known as 'Search For I', 'Bide Up' released as 1974 drew to a close, a radical reworking of 'Pass It On' and a marked contrast to the version on The Wailers' 'Burnin'', album, 'Life Line' and the prophetic 'Arabs Oil Weapon' kept the pressure on as Bunny began outlining the flawless 'Blackheart Man' album. Each release was a certified classic in its own right. Peter Tosh's melodica version to Bunny's 'Amagideon' ('Armageddon'), the first track on 'Rise & Shine', is followed by 'Love Fire', an update of another Wail N Soul M track, 'Fire Fire'/'Babylon Burning', through to one of the deepest roots records ever created, 'Rise & Shine', on to 'Riding' from the 'Bunny Wailer Sings The Wailers' sessions (but not featured on the album) and a huge hit in the UK in 1981, and closing with 'Rule Dance Hall' from 1985. No idle boast..., The liner notes feature the story of The Wailers, as told to Dub Store by Bunny himself in Kingston in an enlightening 2012 interview, and rarely seen contemporary photographs complete these essential releases. The music of Bunny Wailer was not only a medium for change and protest but also to elucidate and educate and 'Tread Along' and 'Rise & Shine' finally complete the canon of un-compiled Wailers music. "I'm quite satisfied, you know, reggae music is the kind of music that although sometimes you would look at it and say..., boy, it's hard..., then again you look at what it has done for the people of the world you know that that couldn't be locked up in a little place like Jamaica!" Bunny Wailer

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44,50

Последний логин: 2 г. назад
Lee Perry - 'Skanking With The Upsetter “Rare Dubs 1971- 1974”

Mr Lee Perry who in no uncertain terms defines the words musical genius, recorded some of the most inspiring, soulful, funny and weird / wild reggae music ever put down on tape. Working through all the manifestations of reggae from Ska to Roots and Dub, where his ground breaking 1973 ‘Blackboard Jungle’ LP, set the standards, he was an innovator. If this was not enough his recordings of THE WAILERS, many believe to be their finest work. Born Rainford Hugh Perry, 28 March 1936, Hanover, Jamaica. He began his career at the grand age of 16, working for Clement ‘Coxone’ Dodd’s sound system, rising quickly to the position of record scout and organising recording sessions during his 3 year period 1963-1966. Restlessness and unsatisfied with credit he felt due to him he moved on to work with Producers J.J. Johnson and Clancy Eccles, the later of which would help him set up his ‘Upsetter’ label in 1968,which would see his first of many recordings telling the injustices done to him by previous employees. ‘The Upsetter’ track itself pointed at Mr Dodd but reflected back to Perry when he inherited it as a nick name along side many others during the coarse of his career, including ‘Scratch’, again taken from one of his recordings ‘Chicken Scratch’ recorded in 1965/1966. Perry’s work in 1968 with producer Joe Gibbs was fruitful and resulted in many successfulreleases, but again lack of credit and itchy feet, it was time to move on. But not without leaving his trademark recording summing up his feelings at the time ‘People Funny Boy’ this time aimed at Mr Gibbs. Still not having a studio of his own, Perry recorded at the various Kingston establishments of the time, Randy’s Studio 17 on North Parade, Dynamics on Bell Road and Harry J’s on Roosevelt Avenue where the bulk of the aforementioned recordings with The Wailers were carried out. During this time and the years that followed Perry has built up a vast catalogue of backing tracks / instrumentals, he had cut over a 100 releases on his ‘Upsetter’ label alone. A library of music that he has an uncanny knack of reutilising to work into something new when put against a new song / singer. This collection of rare and unreleased dubs stems from his 1971-1974 period. We can here on tracks like ‘Perry’s Jump Up’ Ska-ish up tempo chopping guitar cuts leading through to organ laden tracks like ‘Roots Rock Dub’. The sound moving to a slowed down rhythm on ‘Perry in Dub’ which would predominate his sound, when in mid 1974 he’d open his own studio at his home in the Washington Gardens district of Kingston. We hope this selection of lost treasures will add to the jigsaw that makes Mr Perry’s output now spanning over 5 decades so remarkable.
RESPECT.... JAH FLOYD.

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Последний логин: 2 г. назад
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