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Wonderwheel is happy to present the very first pressing of Nickodemus' longtime classic "Sun People", pressed on translucent yellow vinyl. Originally released in 2009 by Thievery Corporation's Eighteenth Street Lounge label, "Sun People" was built with songs made for people who love the sun, sunshine and brighter days to come. Appropriate, of course, as Nickodemus has made his mark soundtracking NYC summers with his massively popular Turntables On The Hudson live events as well as with 20 consecutive years touring the World. The songs were inspired by various people Nickodemus met and places he's been, along with his collective feelings of optimism. It's these positive sonic vibes from all over the globe that Nickodemus matches with collaborators hailing from destinations including Guinea, Colombia, Puerto Rico, Brazil, Romania, India, Turkey, United Kingdom and New York City. These are the Sun People.As songs like "N'dini" "Sun Children" & "The Love Feeling" continue to kept parties dancing until today, "Calle Sol" & "Gira Do Sol" are being discovered by new fans & playlists today. As Jason Bentley, former Music Director at KCRW once said, "Sun People reflects a rich musicality, while infectious rhythms keep the party live. Nickodemus truly knows
no borders on this global dancefloor."Wonderwheel recordings is happy to keep the fire burning with this special limited color vinyl reissue out on June 21st, 2024.

a 01: Sun People (Intro) feat. Ismael Kouyaté
b 02: Sun Children (Original Mix) [feat. The Real Live Show]

Baïne is the 3rd album from mohs. and remains true to their sonic universe: dreamlike, adventurous and skillful. Blurring the lines between jazz, ambient and folk, these 10 new tracks immerse us in an imperturbable state of bliss, close to the emotions conveyed by Carlos Niño or Khruangbin. All of which is sure to please the international community of fans they have gathered through their previous releases and concerts, and confirm them as rising stars of the Swiss jazz scene.

Décima Víctima were a Spanish-(Swedish) band that, during their short-lived career between 1981 and 1984, developed a very personal sound reminiscent of Joy Division, The Cure and other British post-punk bands. Although commercial success evaded them, rarely has any Spanish band achieved such a high degree of quality and coherence in their music and personality. This LP contains previously unreleased tracks recorded by Décima Víctima in November 1983, one month before their last concert. Seven of these songs feature different lyrics to the ones later recorded for the "Un hombre solo" album. This is the way they performed them that night on the Rock-Ola stage, so this record can be considered, to some extent, an approximation to their last show and to their powerful live sound. After many years a rehearsal session that DV had recorded on an old cassette tape has been resurfaced. It had originally been laid down on a four-track recorder but unfortunately the tape got lost.The story of these tracks goes back to the last weekend of October 1983, when DV went to record at friend Paco Trinidad's family home in the mountains north of Madrid. Paco recorded the latest songs on a four-track tape recorder at the house. It was done live, except for extra takes of clarinet and some guitar details. The garage sound, as the name suggests, was achieved in the garage and an adjoining room where the drums were played. The sleeve design is a photo montage of our performance for the Maqueta de Oro (Gold Demo) at the Diario Pop awards in March 1983, plus another photo of the band in the dressing room at Rock-Ola after playing our last gig. The directness and passion of the tape makes it an interesting item for collectors and fans and the fact that some of the lyrics were not the definitive ones is an added rarity that reveals the development process for the following LP "Un hombre solo".

The legendary trance tune "Eternity" was originally released in 2000.

Webmedia "We Rave You" estimates that "Eternity" is "A beautiful mix of pounding dance-floor driven percussion progressing into a beautiful array of dreamy, melodic sounds, this is one of those tunes that sits as one of the benchmarks in trance and lives long in the memory of fans of the genre. An absolutely timeless chord progression runs throughout this tune and the climax is nothing short of epic."

To celebrate the 25th anniversary of Eternity,, Music on Vinyl in cooperation with Armada Music and Armin van Buuren present all 4 versions of Eternity on vinyl for the first time. The 12-inch is available as a 25th anniversary edition of 1500 copies on silver coloured vinyl.

GOLLIWOG is billy woods' first album in two years, preceded by 2023's Maps, his second collaboration with producer Kenny Segal. That nimble travelogue has little in common with woods' newest work, despite the fact that Segal shows up a couple times in the credits. GOLLIWOG is a haunting collection that weaves horror, humor, surrealism and Afropessimism into a cinematic tapestry, aided and abetted by a murderer's row of producers. African zombies, time traveling trap cars, malevolent ragdolls and a dying Frantz Fanon are just a few of the revelers in woods' danse macabre. GOLLIWOG features production from The Alchemist, Kenny Segal, EL-P, Conductor Williams, Preservation, Messiah Musik, Sadhugold, Ant (Atmosphere), Shabaka Hutchings, Steel Tipped Dove, DJ Haram, Willie Green, Jeff Markey, Saint Abdullah, and LA-based experimental jazz trio Human Error Club. Meanwhile, woods is joined on the mic by Backwoodz labelmates ELUCID and Cavalier, along with rappers Bruiser Wolf, Despot, Al.Divino, and singer-songwriter Yolanda Watson. GOLLIWOG is another triumph in the woods oeuvre, as layered and compelling as anything he has ever done. A black carnival pitched in a muddy field overnight, empty rides whirring and clattering in the dark.

2026 Repress!

LTD Edition Double LP, 1 x Pink & 1 x White vinyl version of Australian trio Rüfüs Du Sol's incredible sophomore album 'Bloom' - that went straight in at number 1 on the Australian album charts.

Featuring the singles 'You Were Right' and 'Like An Animal!' it's a journey through richly layered synths behind driving beats, atmospheric build ups and killer breakdowns - all married together with Tyrone Lindqvist's soulful vocals.

From the heartfelt epic that is 'Innerbloom', to the uplifting melody of 'Say A Prayer For Me', 'Bloom' will have Rüfüs Du Sol fans falling in love all over again.

2025 Repress

Tobias Bernstrup is a contemporary musician and video artist born 1970 in Gothenburg, Sweden. He received an MFA from Royal College University of Fine Arts Stockholm in 1998. Using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. Dressed in elaborate costumes of skin-tight rubber suits and fetish gear, Tobias' external appearance is androgynous. He raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. Between 1997 and 1998 he self-released two limited CD-R EPs. In 2002 his debut album 'Re-Animate Me' was released by Tonight Records followed by two limited 12' singles for the song 27' and the Italian version Ventisette'.
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27' is a 5-song EP collecting 4 different mixes of the title track plus one unreleased song from the 'Re-Animate Me' recording sessions. The material on this EP is closely connected with the world of computer games which Bernstrup also inhabits. Bernstrup's music is influenced by 1980s Italo disco and synth pop, reminiscent of Kraftwerk, Depeche Mode and Ken Lazlo. On the A-side is the original mix at 115 bpm followed by the Lazer Mix set to an faster beat and additional arpeggiations and heavier bass drum beats. Lyrically the song tells the story of a good looking 27-year old boy from a small town searching for love with any man who can spoil him. On the B-side are both the vocal and instrumental of Ventisette', the Italian translation of the song 27.' Both versions of Ventisette' are stripped back compared to the A-side but keep the melodies in tact. Also released for the first time ever is the demo Dirty Money' a Pet Shop Boys influenced song about male prostitutes ready for a night out working the streets.

All songs have been remastered for vinyl by George Horn at Fantasy Studios. For the jacket Eloise Leigh transformed the original portrait of Tobias into a Warhol-like painted polaroid with a striking likeness to Liza Minelli with blue eye shadow and red lipstick. Each copy includes a photo postcard with lyrics and notes. I would rather create alternative routes to experiencing and understanding the world, understanding what it means to be human today,' says Bernstrup. We are more artificial than we want to admit.'

PLONC Hits! 001 peaks like the Fichtelberg in the Harz mountains in Germany. A1 is every smiley face’s fantasy, bass-loaded acid with a majestic bump, followed by the most classic Chicago old-skool, so goood, I can’t take it baby. B-side takes a quick detour into the ‘90s with the first track, only to return to a laid back acid groove that ultimately kicks you into low earth orbit.

Als eine der einflussreichsten Bands, die aus der britischen Festivalszene hervorgegangen sind, überlagern die Ozrics Ambient und ätherische Landschaften mit Freeform-Dub-Trips, unglaublichen Rave-Grooves und psychedelischem Progressive Rock. Es ist eine offene Erkundung der Musik und der Seele.

Seit über 30 Jahren haben die Ozrics die Wechselfälle des Rock'n'Roll-Lebens erlebt. Die Band hat mehrere Besetzungswechsel durchlebt, mehrere Nebenprojekte hervorgebracht, ihr eigenes Plattenlabel gegründet, einen Hit gelandet und weltweit über eine Million Alben verkauft. Und doch ist die Grundmotivation hinter der Existenz der Band nie ins Wanken geraten.

Ihre charakteristische Mischung aus Hippie-Ästhetik und Raver-Elektronik mit spiralförmigen Gitarren, texturierten Keyboard- und Midi-Sampler-Wellen und super-groovigen Bass- und Schlagzeug-Rhythmen begeistert bis heute Fans auf der ganzen Welt.

"Curious Corn" ist ein klassisches Ozrics-Album, das Rock, Ambient, Weltmusik und gekonnte Basslinien mit einem Markenzeichen-Groove vermischt, der Fans an die bemerkenswerten Festivalauftritte der Band erinnern wird.

The new darlings of the American post-rock underground present a collection of well-wrought bangers on their debut full-length album. Powerfully melodic and heavy at the same time, Wield shows the Philadelphia-based quintet mastering their game of creating compelling melodies that sound larger than life. 2022 saw HIROE burst onto the scene with an explosive debut minialbum "Wrought" full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like ISIS and Caspian, HIROE already figured out how to make the most majestic sounding post-rock early in their career. "Our first, Wrought was a statement of creation," explains principal songwriter EricKusanagi about the intent behind their debut. "This second record is about what to do with that creation. The thought was, we've created this, now how do we wield it?" "We wanted to show a larger range of musical themes on this record," continues Eric. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." Wield packs a lot of details, which are fun to uncover over repeated plays. «Collider» is almost completely driven by high precision tapping leads, which are ingeniously mirrored by the chords on the final climax. «The Crush» sees the band's three guitarists chugging away happily over a clever 7/8 rhythm subtly exchanging thrashy, sludgy and prog-inspired stylings. Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of «Tides» to the epic finale of «I've Been Waiting For You All My Life», HIROE show they've upped their game in every department, but especially the one that tugs at your heartstrings. Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions! FOR FANS OF Caspian, Isis, pg.lost, Red Sparowes, If These Trees Could Talk, Shy Low, Ranges, Pray For Sound

The new darlings of the American post-rock underground present a collection of well-wrought bangers on their debut full-length album. Powerfully melodic and heavy at the same time, Wield shows the Philadelphia-based quintet mastering their game of creating compelling melodies that sound larger than life. 2022 saw HIROE burst onto the scene with an explosive debut minialbum "Wrought" full of soaring anthems and sublime soundscapes. Combining the sonic expansiveness of Deftones with the dynamic heaviness of bands like ISIS and Caspian, HIROE already figured out how to make the most majestic sounding post-rock early in their career. "Our first, Wrought was a statement of creation," explains principal songwriter EricKusanagi about the intent behind their debut. "This second record is about what to do with that creation. The thought was, we've created this, now how do we wield it?" "We wanted to show a larger range of musical themes on this record," continues Eric. "You'll hear us dive into some synth work, some piano work, some really interesting effects that Mario helped us dial up." Wield packs a lot of details, which are fun to uncover over repeated plays. «Collider» is almost completely driven by high precision tapping leads, which are ingeniously mirrored by the chords on the final climax. «The Crush» sees the band's three guitarists chugging away happily over a clever 7/8 rhythm subtly exchanging thrashy, sludgy and prog-inspired stylings. Nevertheless, Wield is still an affair of instant gratification for fans of guitar driven post-rock. From the soaring leads of «Tides» to the epic finale of «I've Been Waiting For You All My Life», HIROE show they've upped their game in every department, but especially the one that tugs at your heartstrings. Wield presents the brave new future we all need in these confusing times. A new American frontier on which we can build our wildest dreams and our most daring ambitions! FOR FANS OF Caspian, Isis, pg.lost, Red Sparowes, If These Trees Could Talk, Shy Low, Ranges, Pray For Sound

mpressed präsentiert in Zusammenarbeit mit Rubber Records den Soundtrack zum Psychothriller "The Surfer" (2024) in der Regie von Lorcan Finnegan mit Nicolas Cage in der Hauptrolle, der bei den 77. Filmfestspielen von Cannes Premiere feierte. Den Score schrieb der australische Filmkomponist François Tétaz, bekannt für seine Arbeiten für "Elvis" (2022), "Wolf Creek" (2005) und "Judy & Punch" (2019). Er fängt die Nostalgie des Protagonisten für den Strand seiner Kindheit, seine unterschwellige Melancholie und die einzigartige Atmosphäre des Ortes ein. Ein wunderschön gestalteter Soundtrack, der unabhängig vom Film genossen werden kann. 180g blau-weisses WAVE/WHITE WASH-Vinyl im Gatefold mit 12-seitigem Booklet und einzeln nummeriertem Obi-Streifen.

- "François Tétaz’ grandiose Filmmusik trägt in ihrem mythischen Antrieb Anklänge an Morricone." - Paste Magazine

- "Die Vertonung von "The Surfer" war ein Geschenk und eine Herausforderung zugleich. Nicolas Cage lieferte eine so großartige Performance ab, dass die Instrumentierung immer umfangreicher und ungewöhnlicher wurde – die Klangfarben erweiterten sich ständig. Irgendwie fügte ich schließlich eine absurde Menge an Windspielen, Mark Tree und Bell Tree hinzu. Normalerweise eine klischeehafte Instrumentenwahl für Wunder und Magie, sollen sie hier so eindringlich wirken, dass sie höhnisch und verrückt machen." – François Tétaz, Filmkomponist

Benét betrachtet sein neues Indie-Rock-Album „Make `Em Laugh“ als eine Art Clue-Spiel. Er versucht herauszufinden, wann und wie genau eine Beziehung gescheitert ist. „Make`Em Laugh“ ist ein Dokument der Entdeckung und Selbstverwirklichung, das eher Fragen als Antworten enthält und Benéts Fähigkeit, viele komplexe und widersprüchliche emotionale Zustände zu durchlaufen, prägt auch den Klang der Musik: Das Album ist dynamisch, lebendig und genreübergreifend. Seine warme Stimme glänzt in nachdenklichen Indie-Rock-Stücken wie „Pieces Of Me“ und „Demon“. In „Too Scared to Say“ setzt er Autotune ein, um ein Gefühl der Verwirrung zu vermitteln, ein Gefühl, das in dem experimentellen elektronischen Stück „Slimmer“ noch verstärkt wird. Benét und die Sängerin AnnonXL tauschen ihre Strophen aus, während sich die Produktion von kristallin und sanft zu aufregend laut und energiegeladen wandelt. Benét genoss auch die Zusammenarbeit mit den Künstlern, die auf dem Album vertreten sind. Er entdeckte die Musik von Margaux, als sie in dem Brooklyner Lokal Baby's All Right auftrat, in dem er arbeitet, und war begeistert, als er feststellte, dass die Fans in den YouTube-Kommentaren zu seinen Videos bereits eine Verbindung zu ihrer Arbeit hergestellt hatten. Faye Webster ist seine beste Freundin und jemand, von dem er glaubt, dass sie zu seiner Begabung passt, scharfsinnige Fragen über Beziehungen zu stellen. Und der wirbelnde, vibrierende Vers von AnnonXL auf „Slimmer“ war so gut, dass er Benét kreativ anspornte. „Make `Em Laugh“ mag damit begonnen haben, eine Trennung zu verarbeiten, aber als Gesamtwerk blickt es weit über die Besonderheiten einer einzelnen Beziehung hinaus. Es ist Musik, die sich über die großen Fragen des Lebens Gedanken macht, die uns alle verbinden, und die Trost in der Gemeinschaft findet. Wenn das Album ein Clue-Spiel ist, dann eines, das alle Einsichten und Geschichten der unzähligen Spieler im Raum ebenso einfängt, wie es sich auf das Ergebnis des Spiels selbst konzentriert.

Benét betrachtet sein neues Indie-Rock-Album „Make `Em Laugh“ als eine Art Clue-Spiel. Er versucht herauszufinden, wann und wie genau eine Beziehung gescheitert ist. „Make`Em Laugh“ ist ein Dokument der Entdeckung und Selbstverwirklichung, das eher Fragen als Antworten enthält und Benéts Fähigkeit, viele komplexe und widersprüchliche emotionale Zustände zu durchlaufen, prägt auch den Klang der Musik: Das Album ist dynamisch, lebendig und genreübergreifend. Seine warme Stimme glänzt in nachdenklichen Indie-Rock-Stücken wie „Pieces Of Me“ und „Demon“. In „Too Scared to Say“ setzt er Autotune ein, um ein Gefühl der Verwirrung zu vermitteln, ein Gefühl, das in dem experimentellen elektronischen Stück „Slimmer“ noch verstärkt wird. Benét und die Sängerin AnnonXL tauschen ihre Strophen aus, während sich die Produktion von kristallin und sanft zu aufregend laut und energiegeladen wandelt. Benét genoss auch die Zusammenarbeit mit den Künstlern, die auf dem Album vertreten sind. Er entdeckte die Musik von Margaux, als sie in dem Brooklyner Lokal Baby's All Right auftrat, in dem er arbeitet, und war begeistert, als er feststellte, dass die Fans in den YouTube-Kommentaren zu seinen Videos bereits eine Verbindung zu ihrer Arbeit hergestellt hatten. Faye Webster ist seine beste Freundin und jemand, von dem er glaubt, dass sie zu seiner Begabung passt, scharfsinnige Fragen über Beziehungen zu stellen. Und der wirbelnde, vibrierende Vers von AnnonXL auf „Slimmer“ war so gut, dass er Benét kreativ anspornte. „Make `Em Laugh“ mag damit begonnen haben, eine Trennung zu verarbeiten, aber als Gesamtwerk blickt es weit über die Besonderheiten einer einzelnen Beziehung hinaus. Es ist Musik, die sich über die großen Fragen des Lebens Gedanken macht, die uns alle verbinden, und die Trost in der Gemeinschaft findet. Wenn das Album ein Clue-Spiel ist, dann eines, das alle Einsichten und Geschichten der unzähligen Spieler im Raum ebenso einfängt, wie es sich auf das Ergebnis des Spiels selbst konzentriert.

"Happy Girl" aus dem Jahr ȒȚȗȖ ist eines der frühesten Alben im MPS Katalog und ein echtes Sammlerɏinnenstückɍ Es zeigt eindrucksvollɎ warum Nathan Davis zu den großen Jazzmusikern seiner Zeit zählt – auch wenn er nie breite Anerkennung fandɎ da er sich auf seine Lehrtätigkeit an der University of Pittsburgh konzentrierteɎ wo er ein bedeutendes Jazzstudienprogramm gründeteɍ Während seiner Zeit in Europa in Villingen aufgenommenɎ wird Davis von einer TopɞBesetɞ zung begleitetɏ Woody Shaw (Trompete)Ɏ Larry Young (Klavier)Ɏ Jimmy Woode (Bass) und Billy Brooks (Schlagzeug)ɍ Davis glänzt an Tenorɞ und Sopransaxophon sowie Flöteɍ Zu hören sind fünf DavisɞKomposiɞ tionenɎ Shaws "Theme From Zoltan" und ein Standard – bei den ersten beiden Stücken spielt Shaw nicht mitɍ Remastert vom Grammyɞnominiertem Toningenieur Christoph StickelɎ erscheint das Album nun uɍaɍ in hochwertigem AAAɞMPSɞVinyl – eine intensive Klangreise durch Davis’ vielseitiges Spielɍ

Soft Cell’s second long-player was the groundbreaking mini-LP ‘NonStop Ecstatic Dancing’… the world’s first remix album and a huge influence on subsequent generations of clubbers, DJs and remixers. Reissue of the original album, remastered, and bolstered by the inclusion of extended versions of its two related hit singles – ‘Torch’ and ‘What!’ – and bring it up to date with a second disc of unreleased mixes and highlights from 2007’s long-deleted ‘Heat – The Remixes’. The release will be laser-focussed to celebrate Soft Cell’s pioneering work in the clubs of Leeds, London, New York and Berlin and clear the decks for our next full deluxe edition ‘The Art Of Falling Apart’ in Q3 2025. Barring the super 6CD version would follow the formats that were so successful for ‘Non-Stop Erotic Cabaret’ reissue with a 2CD and 2LP coloured as the physical versions with a digital deluxe mirroring the 2CD set. We know this artist has a wide appeal AND a solid fanbase and this album is also legendary in DJ / club / electronic circles.

Reissue des Debütalbums der irischen Singer/Songwriterin Sorcha Richardson auf Powder Pink-Vinyl. Sorcha entwickelte sich von Schlagzeugerin zur Troubadourin. Die glänzende Produktion ihres Debüts "First Prize Bravery" (erschienen 2019 bei Faction Records), gepaart mit ehrlichem Storytelling, machten sie zum "Liebling von Dublin". Das Album ist mittlerweile wie ein edler Wein gereift, so dass Impressed Recordings sich veranlasst sah, es neu aufzulegen, aber nicht ohne die fantastische 2023er Single "Map Of Manhattan" als exklusiven Bonustrack erstmals auf Vinyl zu ergänzen.

- "Richardson erkundet kleine Anfänge und kolossale Enden, sammelt Erinnerungen und präsentiert sie wie Fotos: einen verspäteten Bus aus Dublin, ein kaputtes Klavier, leere Schlafzimmerwände und kalte Laken. Es ist diese Art von purer Nostalgie, die die Jugend verkörpert – ihre Besonderheit erinnert an Momente, die in der nicht allzu fernen Vergangenheit liegen." – Journal of Music

Seit Mitte der 1980er Jahre prägt Caspar Brötzmann einen unverkennbaren Sound - infernal, radikal, kompromisslos. Unbeirrt verfolgt er seinen eigenen Weg, jenseits klarer Genregrenzen. Als Sohn des berühmten Saxofonisten Peter Brötzmann fand er früh seine künstlerische Identität und entwickelte eine einzigartige Klangsprache, die sich in brachialer Katharsis entlädt. Seine Musik ist keine Anpassung an Trends, sondern eine sensible, leidenschaftliche, fast autistisch anmutende Annäherung an Verzweiflung und Wut - und doch voller Hoffnung. Mit seiner virtuosen Eigenständigkeit am Instrument ist er eine Ausnahmeerscheinung. Ein atonaler Hendrix, made in Germany. Nach der Veröffentlichung seiner ersten Komposition "The Lovers And Destroyers" mit Caspar Brötzmann Bass Totem im Herbst 2024 veröffentlicht der international renommierte Gitarrist nun eine Platte mit seiner Band Massaker beim deutschen Label Exile On Mainstream. Es ist die erste Aufnahme der genreprägenden Band seit 26 Jahren nach dem letzten, 1999 erschienen Album "Mute Massaker". "It's a Love Song" besteht aus zwei unterschiedlichen Versionen seines Songs "All This Violence", die im Januar 2025 in Wien und Dresden mit Saskia von Klitzing (Drums) und Eduardo Delgado Lopez (Bass) aufgenommen wurden. Angesichts der aktuellen Weltlage entschied Brötzmann, mit "All This Violence" ein klares Zeichen zu setzen. Er selbst schreibt dazu: " Schon nach ein paar Augenblicken war klar: was ich hier hörte, hatte die Botschaft, die Kraft und spiegelt unser Zeitgeschehen wieder. Keine von meinen Studioaufnahmen hatte diese Power. Und das war nur die eine Seite, es bedeutete auch den Spalt zwischen Schwarz und Weiß zu finden, zwischen Hell und Dunkel und zwischen Leicht und Schwer, wohin mit all meinen anderen Songs? Lange, lange habe ich nach der Achse gesucht und völlig unerwartet stand sie plötzlich neben mir im Raum . . ."

Downliners Sect und Headcoats-Fans aufgepasst und losgelegt! Hier haben wir die wahren Hochblüter des Punk und Rhythm'n'Beat auf schwarzem Vinyl - Thee Headcoats Sect, mit den originalen Headcoat-Jungs: Bruce, Tub und Billy, zusammen mit dem erstklassigen Bassisten und Sänger der Downliners Sect - Keith Evans. Keith singt bei ,Man Trap" und dem Hit ,We'er Gone", während Billy bei ,Got Love If You Want It" und dessen Bastard ,Got Sect If You Want It" die Leadstimme übernimmt.

Zum ersten Mal sind Kodak Blacks größte Hits jetzt auf Vinyl erhältlich!

Diese exklusive 1LP-Sammlung vereint die beliebtesten Fan-Tracks, die Kodak Blacks Karriere geprägt haben und seine lyrische Brillanz, sein melodisches Genie und seine unverwechselbare Energie zeigen. Von Chart-Hits wie ZEZE bis hin zu knallharten Hymnen wie Transportin' fängt diese Sammlung die Essenz von Kodak Blacks Kunst ein.

Gepresst auf hochwertigem Vinyl liefert das Album einen warmen, immersiven Sound, der dich seine Musik auf eine ganz neue Weise erleben lässt.

Cinematic funk visionaries The Diasonics drop a new disco-funk 45 vinyl with two killer tracks tailor made for DJs and cinematic funk fans. Only 500 copies pressed wordwide, instant collector's item. From the snowy streets of Moscow to the crates of vinyl diggers worldwide, cinematic instrumental combo The Diasonics unleash a new limited edition clear vinyl 45 with two killer tracks taken from the upcoming new album "Ornithology", set to drop worldwide on October 3 via Record Kicks. On the A side "Oriole" is a vintage disco-funk stormer taking inspiration both from the Soviet-era disco and jazz fusion records, as well as from 70s European library music and synth-funk movement. A minimalist synthesizer melody echoing the song of the oriole, paired with a steady disco-funk groove reminiscent of a train in motion ("Oriole" is also the name of a popular Russian electric train) lay the foundation of their most danceable track to date. The b-side holds the equally strong "Chickadee" a funk stomper with bold bassline and heavy b-boy breaks and percussions and a NY early 80 vibe able to set every dancefloor on fire. A peerless party-starter that you just don't want to miss it. Formed in 2019, this four-piece instrumental unit _ Daniil Lutsenko (electric guitar), Kamil Gazizov (keyboards), Maksim Brusov (bass), and Anton Moskvin (drums & percussion) _ quickly gained cult status through a series of sought-after 45s on Mocambo and Funk Night Records. Their critically acclaimed debut album "Origin of Forms" mixed by Henry Jenkins, producer of the Australian cult band Surprise Chef, came out on Record Kicks in 2022. The vinyl went sold out in few weeks and is now in-demand on the international cinematic funk scene.

Das 1978er Album "Level Headed" bescherte der Band mit "Love Is Like Oxygen" ihren letzten Top 10-Hit. In vielerlei Hinsicht war der Stilwechsel der Band von ihren früheren Glam-Singles zu albumorientiertem Rock ein Wagnis, aber die vielen Facetten des Albums wurden von Fans und Kritikern vielerorts gelobt. Die hier vorliegenden Tracks entstanden während der Aufnahmen zum Album und erschienen bislang nur als streng limitierte Vinylversion in den USA.

Here we go... the one everyone asks me about. And finally, after 6 years, we have done a second pressing. This time on black vinyl as the original repress that we did in 2019 was on yellow vinyl - Holy Quattro vinyl! Our old skool supporters will remember the original Kickstarter Quattro which spawned many bundles by us over the years (and even a few other labels have nicked the name too!) And this is a heater for sure - a much loved jungle release from 1993 that originally came out on Underdog Recordings. Created by Dave Wallace (Aquasky/Mad Dog/Rave Doctor etc) and Shaun O'Hara (Aurora) in Bournemouth.

This is a new project for Spooky’s Duncan Forbes on 49North.

Together with internationally acclaimed violinist Jonathan Hill, the duo have produced a ten track album that is a blend of beautiful atmospheric electronica combined with analogue sonics, treated piano and live strings.

Each track is accompanied by an abstract film created by Matthew Le Maistre Smith alongside Duncan.

This is one for fans of Erased Tapes, Nils Frahm, Brian Eno and Hania Rani.

A masterful blend of neo-soul warmth & vintage JAY DEE-inspired vibes. Channeling the raw, soulful essence of SLUM VILLAGE, AKIM ONE crafts a rich tapestry of smooth rhythms and evocative melodies that resonate deep within the listener. Perfect for fans of timeless beats and modern soul.

In 1966, Oscar Agudelo recorded this elusive and lesser-known collector's gem called "Pa' mi muñeca" for Discos Fuentes. It is a rarity where the artist took an unexpected musical turn and performed several porros, paseaitos, gaitas, and cumbias, evoking the swaying motion and rolling waves of Colombia's Caribbean sound. It resonates with the echoes of a romantic minstrel laced with an unexpected richness of nuance, a hallmark of the cumbia sound. It's exactly the kind of music that lights up a tambó or a fandango circle on carnival night. A dozen tracks, none of them new, but suffused with a consciousness that can be understood within the context of their time and with the personality of the artist bold enough to bring them to life. 'Madre cumbia' opens the album with a festive, nostalgic mood, infused with the simple beauty and the electrifying beat of the tropics that immediately makes you want to get up and dance. It's a fantastic example of how to perform a song with passion and make the listener fall instantly in love with an album. 'Pa' mi muñeca', the title track, is a fast-paced paseaito that explores new paths that took a shortcut to the dance halls. A showstopper on the dance floor. 'Está como mango' is a porro-cumbia that charms with a rich tapestry of compliments, the calling card of many old-school tropical songs. 'Cumbia de recuerdo', 'Cumbia suave', 'Cumbia de Santa Marta', are back-to-back cumbias. This is an album devoted to recreating the strength of a musical genre that's been the soundtrack of Colombian life for decades. It's a record dedicated to capturing good times, filled with simple dreams, steeped in joyful energy, and shining with the uninhibited flair, or better said, the quality of the sixties. This album represents a milestone on the route cumbia had taken, both for Discos Fuentes and maestro Agudelo. First time reissue. Includes liner notes by genre expert Don Alirio.

Xzibit – Kingmaker marks the West Coast legend’s long-awaited return, his first album since 2012. Packed with heavyweight collaborations, Kingmaker features industry icons like Dr. Dre, Ice Cube, Busta Rhymes, Redman, Royce da 5'9", Ty Dolla $ign, and more. With hard-hitting production and Xzibit’s signature razor-sharp delivery, this album blends raw lyricism with top-tier beats, reaffirming his status as a hip-hop powerhouse. A must-have for retailers and fans alike, Kingmaker is set to make waves across the culture.

Far above the skylark sings And beats the air with joyful wings Till all the sky with music rings At high noon of the day With 2022's critically acclaimed album Ghosts, enigmatic Shropshire group HARESS markedout their own place in a growing landscape of artists navigating the world of the traditional and the rural in new ways. Ghosts led to the normally reclusive Haress venturing out from their base in the Shropshire Hills for live performances with the likes of Godspeed You! Black Emperor, Shovel Dance Collective, Big Brave, Steve Von Till and appearances at Supersonic and Krankenhaus Festivals - not to mention making fans of everyone from Kevin Martin to James Holden in the process. Skylarks is perhaps the natural conclusion of these past few years for the group. Whereas previous Haress recordings have embraced something of the unknown in the process of their making, Skylarks sees a well-travelled group of musicians carefully craft long and expressive pieces of music in a powerful and instinctual way. The music here might be long, but it never sprawls out of control. The telepathy present in live performance has been harnessed and used to carefully compose and arrange these four pieces, narrating a journey through landscape and time that is as powerful as it is beautiful. Inspired by found folk songs, the power of nature and the power of community and Ben Myers' brutal tale of resistance The Gallows Pole, Haress have created a genuinely epic soundtrack to a world both past and future, real and imagined. The ambience and atmosphere of the recording (expertly captured by Phil Booth of JT Soar Studio on location in the group's hometown of Bishop's Castle) is entirely natural, the sound of an ensemble playing live in the room around you. The only vocal interjection this time comes from a choir of voices, replicating the communal singing that has been the centrepiece of Haress live performances. When the voices emerge, it feels truly euphoric and heavy. Not heavy as in metal, but heavy as in the Earth itself - a primal, joyful gut punch to the system. "This blissed-out psychedelia is not quite pastoral – there’s nothing twee about these unwinding grooves – yet evokes water and wood, light and shadow, a place of forgotten labour and the absent human form with a beguiling grace" - Luke Turner on Ghosts, The Quietus Albums Of The Year 2022 "That timelessness of the old sounds but with an added tripped out modernity and dissonance hooked into the past by the power of drone is magical and exhilarating stuff – they are truly spellbinding – ancient and modern like British ragas or a damp searching for the soul of England take on the desert blues of a Tinariwen" - Jon Robb reviews Krankenhaus Festival 2023, Louder Than War

To fans of black metal, Dødheimsgard need no introduction, being one of the great purveyors of the Norwegian Black Metal creative evolution.

The band was formed in 1994 by Aldrahn (Thorns) and Vicotnik (Ved Buens Ende). The early incarnation was that of a raw and at often melodic black metal band, with their debut album also featuring Fenriz of Darkthrone on bass. In recent years, Dodheimsgard has become known for its eclectic musical ventures and poignant mood shifts, with a less chaotic, more considered approach compared to their earliest works. Following the 'Kronet til Konge' and 'Monumental Possession' opuses, there was a shift in direction as demonstrated on 1998's 'Satanic Art' EP and by Dødheimsgard's third album, 666 International, Vicotnik had taken over a lot of the writing duties, with DHG's style becoming more technical yet ferocious black metal, with strong experimental ideas and industrial elements.

Vicotnik's riffs were inspired by cult bands such as Thorns and perfectly entwined with Aldrahn's delightfully twisted lyrics and immense vocals to create something truly unique. In its 666 International incarnation, DHG (as they were later to be known) featured a line- up of well- respected Norwegian musicians including Czral (Aura Noir, Ved Buens Ends, Virus), Apollyon (Aura Noir, Immortal), plus Mr Magic Logic (Fleurety) on keyboards, as the album was constructed over a period of time. All in all, 666 International is rightly regarded as a highly influential masterpiece of avant-garde metal by many since its release in 1999.

Pentagram ist eine amerikanische Heavy-Metal-Band aus Alexandria/Virginia, die vor allem als einer der Pioniere des Doom Metal bekannt ist. Die Band war in der Underground-Szene der 1970er Jahre sehr produktiv und produzierte viele Demos und Probebänder, veröffentlichte aber kein komplettes Album, bis sie sich Anfang der 1980er Jahre mit einer fast komplett neuen Besetzung neu formierte. Das einzige konstante Mitglied in der Geschichte der Band war der Sänger Bobby Liebling.

Pentagram wurde Anfang der 1970er Jahre gegründet und veröffentlichte 1985 ihr Debütalbum Relentless. Die Band überlebte mehr als vier Jahrzehnte voller Widrigkeiten und Triumphe, um zu dem legendären internationalen Act zu werden, der sie heute ist und der ihren Namen fest in die Geschichtsbücher des Heavy Metal geschrieben hat. Obwohl Pentagram einst als Kultband mit einer starken und engagierten weltweiten Fangemeinde angesehen wurde, hat ihre Popularität in letzter Zeit stark zugenommen, was zum Teil auf den Dokumentarfilm Last Days Here aus dem Jahr 2011 zurückzuführen ist, der die Irrungen und Wirrungen des Leadsängers von Pentagram, Bobby Liebling, zeigt.

Tracklisting

The Secret Goldfish release their first album in 25 years in June 2025 - Empty Holster has been in process since 1996 when vocalist Katy Lironi started collating songs by her favourite songwriters Vic Godard, Davy Henderson and James Kirk (the idea for Empty Holster was a covers album of their songs).
The tracks have been recorded extremely sporadically over the past decades and were finally finished off at Green Door studio and mastered by Samuel Joseph Smith.

Empty Holster also features covers of songs by Dan Penn and Spooner Oldham, Port Sulphur, The Beach Boys, and a long-lost Goldfish collaboration with Adventures in Stereo's Jim Beattie, Elevator, which was missing for 15 years, presumed lost. Musical guests appearing on Empty Holster include Mick Slaven (The Bluebells), Campbell Owens (AztecCamera), James Kirk (Orange Juice), Vic Godard (Subway Sect), Francis Macdonald (Teenage Fanclub), and Katy and Douglas's daughter Amelia Lironi (QUAD90). The album is pressed on Goldfish Orange vinyl at Seabass Vinyl in Scotland.

A l’occasion des 20 ans de cet album devenu culte, Record Makers réédite une version spéciale anniversaire limitée (vinyles transparents – 500 exemplaires) qui ravivera la flamme des fans de la première heure, des nouveaux fans et des collectionneurs. "Vive la Vie" est aujourd’hui un album référent pour les amateurs de rap, reconnu par ses pairs lyricistes, c’est un de ses albums qui marquent à jamais une époque, celle des années 2000 et de son rap aux rimes fines et puissantes.



Le 15 novembre 2004 sortait "Vive la Vie" le premier album du Klub des Loosers.



On ne présente plus le Klub des Loosers et son unique membre Fuzati. Pourquoi ? parce qu'on en a un peu honte quand même. Imaginez un jeune versaillais que tout prédestinait à devenir écrivain maudit ou chanteur d'un groupe de pop répétant dans le garage parental le dimanche de 16h à 20h. Le genre de type qui passait ses samedis après-midi à la bibliothèque municipale, ses samedi soir à boire de la bière dans les squats de jeunes où on recense une fille pour dix mecs et où la phrase qui revient le plus souvent est "qui roule un joint ?"

Imaginez maintenant que ce type ait une illumination, au milieu de ces jeunes que tout prédestine à la réussite (HEC, science-po) et qui lorsqu'ils se retrouvent ensemble ne savent pas faire autre chose que de se défoncer. "Nous sommes un klub de loosers".



Comme il n'aime pas trop les gens, Fuzati fondera un klub dont il sera le seul membre. Comme il n'a pas de guitare que le hip hop est son seul ami il se dit qu'il fera ça comme musique. Bah oui c'est sympa le hip hop. Comme on lui a dit qu'il n'avait pas une tête de rappeur et que les casquettes à l'envers lui vont mal il ne montrera jamais son visage et portera un chapeau. S'en suivra un parcours classique de MC underground qui rappe pour la rue (mais aussi les avenues) et représente ses refrés illégalement enfermés derrière les murs des prépas t'as vu. Mixtapes, nombreux freestyles dans l'émission Greckfrite diffusée sur la chaine internet Canalweb, concert à la MJC de Versailles mais aussi dans un entrepôt désinfecté à Dunkerque.



En 2003 Il signe sur le label parisien Record Makers parce qu'on lui a appris qu'il ne fallait pas trop se mélanger avec les gens d'autres milieux. Sortiront deux EP, "Baise les Gens" et "La Femme de Fer" qui sont déjà des classiques pour au moins 32 personnes. La même année sort également l'album de l'atelier "Buffet des Anciens Elèves" auquel il participe avec Tékilatex du groupe TTC, James Delleck, Cyanure et deux producteurs de talent, Tacteel (Lex Records) et ParaOne (Institubes). En juillet 2004 sort le maxi du Klub des Loosers où collaborent MF DOOM, légende hip hop, et Jean-Benoit Dunckel, moitié du groupe AIR.

OVERVIEW: DUB TREES is one of Youth’s most revered dub projects, it helped define the Liquid Sound Design sound that fans around the world hold dear. This project is the third in a triptych of albums Youth has made with a specific Celtic / Hindu fusion. Starting out with the classic Celtic Cross ‘Hicksville’ 20 years ago, featuring the mythical Simon Posford (Shpongle) through to ‘East of the River Ganges’ (ft Klaus Shultz / Tangerine Dream amongst many others) in 2004 followed by the last piece of this mystical puzzle ‘Celtic Vedic’ ,released on compact disc only in 2016 , which charts the journey of the Celt from Northern India to Snowdonia. The idea stems from Youth’s firm belief that there is a strong correlation between Celtic and Vedic cultures and their Northern Indian roots. Youth has assembled a host of collaborators to weave their labrynthine magic on ‘Celtic Vedic’: Jah Wobble (PiL) on bass, Matt Black/Coldcut (Ninja Tunes) on warped soundscaping duties, Galician Celtic pipe and flute player Daniel Romar, Bollywood contemporary Indian singer Shridevi Keshavan and Elfic Circle. It features many field recordings made by Youth on his various Indian odysseys and is all harnessed together with cutting-edge electronica that the Liquid Sound Design team pioneered 20 years ago. The team today are still pioneering new directions within ‘Downtempo Electronica Music’ and beats that create 3 dimensional landscapes for the helioscopic imagination to explore and psychoactive maps for the inner astronaut in all of us. ‘Celtic Vedic’ promises unchartered bass annihilation and heliotropic soundscapes, pounding basslines overlayed on 3D holographic beats and wrestles with serpentine melodies and psychedelic textures.

Cyphon is excited to announce the release of an amazing new EP from Domenic Cappello. Titled Galactic Praise, this four-track masterpiece pays homage to the rich heritage of Detroit Techno while seamlessly incorporating Cappello's innovative sound design, displaying his golden ear for what makes a discerning dance floor tick.

A key figure in the electronic music scene through his long-standing residency at Glasgow's legendary Sub Club, Domenic captivates audiences globally with his unique blend of tough, pulsating beats, heartfelt melodies, and deeply immersive soundscapes. His position as booker and resident (alongside Harri) at Sub Club has allowed him to hone his craft and connect with some of the finest talents in House and Techno, influencing his distinctive style. With Galactic Praise, he takes listeners on an exhilarating journey through the heart of techno, inspired by the pioneering music that emerged from the golden era of Motor City sounds.

Dat Thing sets the tone. A driving house track that encapsulates the raw energy and spirit of Detroit, featuring hypnotic synth lines and robust bassline that give a hint of melancholy whilst maintaining a stripped back groove for maximum club impact.

Niamh’s Song is a deeper exploration of melody and rhythm, showcasing Cappello's masterful ability to weave complex harmonies into an intoxicating, otherworldly groove.

Flip over for Galactic Praise, a tribute to the roots of Techno, this track combines classic 909 and 303 elements with ethereal pads creating a heavier, timeless sound that will resonate with both longtime fans of the genre and newcomers alike.

Closing out this special EP we have Neon Skyline, a pumping yet reflective piece that captures the essence of late-night drives through urban landscapes blending chiming arpeggios, a driving synth bassline and tough beats making for an immersive experience.

As Domenic puts it: 'This EP is a tribute to the roots of techno that have inspired me since my formative years. My experiences at the Sub Club have been crucial in shaping my sound and approach to my own productions, inspiring me to create something that captures the energy and emotion of that packed dance floor and incredible sound system. I can’t wait to share it with everyone!'

Rotterdam's electro legend DJ Overdose steps up for the fourth release of All Nice Records with 'L.A.W.", bringing a raw, deep, and unpredictable energy that only he can deliver! This one's for the heads -- four cuts of signature Overdose heat, ranging from shadowy electro rhythms to an unexpected twist on the B2 with an oriental-tinged vibe that hits different. A must for fans of true underground machine funk.

The analog version of the masterpiece EP "I'll", released in 2018 as a work that expresses the continuation of the world view of the debut album "Grace",
has been repressed on turquoise blue vinyl!

Haruka Nakamura herself is in charge of the lyrics, composition, and all the instrumental parts. Janis Crunch, who was in charge of vocals on "Grace",
is featured again. The dreamy number "I'll" evokes the beginning of spring and hope, which synchronizes with the fantastic world depicted by photographer
Shiori Iwakura, who collaborated with Haruka Nakamura on the jacket and music video, "Arne", a reconstructed version of the famous song "arne" from the
debut album "Grace", and "Lilium", a song that was used in the climax scene of the movie "Every Day", for which Haruka Nakamura was in charge of the
music, are newly recorded and included.

The B-side includes "Anne", which can be called a different version of "Arne", which was included in Schole's compilation "Joy" in 2013, and is exclusive to the LP.
It connects the worlds of "Grace" and "I'll". It also contains warm songs that bring to mind childhood scenes, such as the nostalgic "Abandoned School Organ" and
"Your Canon", which combine church organ, muted piano, and field recordings.

The artwork, like the 8cm CD, depicts beautiful natural scenery, and the jacket and insert feature a series of photos by the immensely popular photographer
Shiori Iwakura, creating a package that beautifully blends the sound world of "I'll" with the scenery. As with the analog version of "Grace", the mastering was
done by Gen Tanabe, a close friend of Haruka Nakamura's who works on the sound of his works. It is a deep sound production that will give new discoveries
to listeners who were captivated by the release of the 8cm CD.