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Lantern in the Woods is the new album from musician and multi-instrumentalist Misha Sultan – a project that marks an important milestone for the artist. It is his first work conceived and realized as a coherent, unified statement, from the earliest ideas and sounds to the final mastering.

The story of the album began back in 2021 in Saint Petersburg, during studio jam sessions with Anton (Mårble), Vova Luchanskiy, and Nikita (Minereed). These live
improvisations eventually led to the formation of the collective Sri Primat and left a significant imprint on Misha Sultan’s solo sound. Some of the instrumental parts on the album were recorded during this period, preserving the spirit of spontaneity and open dialogue between the musicians.

Later, after moving to Thailand, Misha recorded the second half of the material. These tracks absorbed the atmosphere of southern nights, tranquility, and comfort – bringing a distinct “bedroom jazzy vibe”, a touch of sentimentality and gentle melancholy into the music.

The album offers a beautiful blend of jazz and various other influences. At its heart, it’s a search for balance between memories and the present moment, between nature and the city, between the light of the lantern and the darkness of the woods.

“It was especially important to me that my friends and close people were involved in this album. Their presence gave the music that warmth and personal feeling I value so much. My brother Zhenya (Dyad), Anton (Mårble), Vova Luchanskiy — they all contributed a part of themselves to these tracks, as did Nina Livanova, who recorded vocal parts for several songs,” says Misha.

Lantern in the Woods is a soft and sincere work, where all things intertwine naturally.

After the seminal Musica da Discoteca trilogy, l’oggetto continues his exploration of electronic music subcultures with DANCE. This new series expands his research into the mutual connections between Italian and American sound cultures that gave birth to house music in the ’90s, while venturing into more introspective territories between Balearic beats, deep house, and techno.

The new 12” EP, DANCE vol.2, unfolds across four tracks that capture the night’s shifting moods and tempos, balancing collective euphoria with moments of personal transcendence. Seksy Tango opens with staccato synths and rounded basslines, channeling Mediterranean swagger and the faded glow of a summer night on the Italian Riviera. Smoothismi’s percussive groove and jazz-infused Rhodes warm bodies and souls, while analog-filtered pads sweep through the after-hours. In Tek, sharp stabs reverberate through the concrete pillars of an abandoned warehouse, as digital flutes shimmer like dawn breaking over an illegal rave. The EP closes with Enigmatico, a downtempo drift into the liminal space of the chillout room, reconnecting dancers to their surroundings and themselves.

l’oggetto is the musical side of NY-based Italian multidisciplinary artist Marco Scozzaro. With roots in ’90s subcultures, he DJs and produces underground house music, blending jazz/funk grooves, electronic transcendence, and a distinctly Italian vibe. Together with Pietro Di, and true to a shared DIY ethos, he co-founded MKDF Records to release and distribute his uncompromising sound.

After years of shaping the UK underground from behind the scenes, Alex Nut steps out with his first official solo EP, serving up an intoxicating blend of Spiritual Jazz, Deep House, Dub, Hip Hop and analog electronics. The Present Under Construction EP is rooted in a deep musical language and future-facing energy, it captures a moment of creative transformation and exploration.
Built up over a few years from rough sketches made on an old MPC2000XL, the tracks were revisited, reshaped and eventually brought to life in the studio with longtime friend and collaborator Sam Crowe (Cleo Sol, Lianne La Havas). Together, they added a range of analogue sounds using the Dave Smith Prophet Rev 2, a Fender Rhodes, and a Moog Sub 37. Those recordings were then chopped, resampled, and restructured into the versions you hear on the record today. The records lead track 'andthenitstarted' features saxophonist James Mollison (Ezra Collective, Nala Sinephro) and includes remixes from Detroit House legend Patrice Scott and fellow Eglo Records alumni Last Nubian.

Best known as a DJ, broadcaster, curator and co-founder of Eglo Records, Alex has spent over a decade championing soulful underground music, through fabled Radio shows to legendary club nights, his fingerprints are all over a scene that continues to evolve. Initially making noise alongside the likes of Floating Points, Steven Julien, and Fatima, Alex Nut has long been a cornerstone of the UK's soulful underground. His work continues to champion the evolution of Jazz, Soul, House, and Broken Beat — nurturing a generation of artists now reshaping the global soundscape.

Pressed on 140 gram 10”.

D.D. Mirage return with new single “Echoes”, a lovers meditation featuring North Carolina’s Teddy Bryant, who delivers a velvet vocal performance steeped in yearning and late night reverie. The chorus “the things you do for love echo in my mind all night” hits the melancholy sweet spot, wrapped in the rich and authentically 80s sounding production we’ve come to expect from D.D. Mirage.

The Sydney based duo, now expanded into a full four piece live band, continue to stretch their sound beyond the Balearic and Dub tinted palette of their debut Exotic Illusions released earlier this year. With production assistance from Jono Ma, they capture a lush, cinematic space where street soul sentiment meets modern dream pop psychedelia, the kind of record that slips perfectly between Sade, Tom Tom Club and a lost Compass Point B-side. Flip the record for the Introspective Dub: a drifting, dubbed out companion that strips back the vocal to its echoes and lets the rhythm bloom.

Following live appearances at Dark Mofo and SXSW Sydney in 2025, D.D. Mirage round off the year with a live performance at Victoria’s Strawberry Fields festival mid November.

artwork and sticker by Bradley Pinkerton.

It's time for the next instalment from our gracious Spiritual Vibes label to bring some joyous musical upliftment and what better way than to introduce an inspirational piece we entitled 'Hands of Moses'; a revamp from the vaults of Bushman's works from the 80s and known to many as a one-away dubplate called 'Moses' in which we have now brought up to speed inna 2025 style with some exceptional musicianship involvement from the Spiritual Players of Instruments bringing emphasis to the majestic soundscapes on this project! ????

As it's the 2nd edition on Spiritual Vibes and to keep the theme of the release - we have decided have the main run in a special luminous red colour disc pressing and if that wasn't enough we are also giving away an EXTRA DUB CUT as a digital download to the first 100 copies sold via Bandcamp as a token of appreciation for all the support for both Ashanti Selah & Bushman's works over the years!

This vinyl comes complete with 4 stomping cuts mixed down in the Selah Dub studio with precision and quality ensuring to bring the right energy to the sessions through the sound-system style selection!

Originally Written by S. Richardson (Bushman) & Re-worked by both Bushman and Ashanti Selah for Spiritual Vibes recordings!

Six years after Nazamba’s first offering, he delivers his final gift: A Message From Zion.

The journey begins with George ’Nazamba’ and Rico ‘O.B.F’, two kindred spirits connected by sound. Countless cross-ocean visits between Kingston and the French Alps, from enjoying hot beers on the beach to reasonings in snowy mountains. Moments that forged a pure brotherhood.

Out of this friendship grew his first album, the self-titled Nazamba in 2019. Now comes his second, a collaboration between Thompson Sound and Dubquake Records. Together, they unite two generations of reggae powerhouses. Produced by Rico O.B.F, the record reimagines classic Thompson Sound gems. Nazamba’s musical storytelling is accompanied by the Roots Radics, with guest appearances from Linval Thompson & Barrington Levy.

Then came silence. In 2022, Nazamba passed on to Zion. The album project was unfinished, yet full of life. What remains is raw, unpolished and painfully beautiful.

A Message From Zion, a celebration of Nazamba’s universe. His voice, wisdom, poetry, heart and spirit. Forward we ah go. Ah true.

Next up on Cosa Vostra, we’re thrilled to welcome our dear friend IAMBP, a rising force in the Parisian electronic scene, for her debut EP Heartware. DJ, producer, and label owner, IAMBP has been charting her own course with passion and authenticity, a journey we’ve proudly followed since her very first steps.

With Heartware, she opens a new chapter: four tracks driven by emotion, where the sensuality of synth-pop and synthwave intertwines with vibrant electro rhythms. A soundtrack for melancholic hearts and late-night dreamers, this release will be the perfect companion for those closing moments when feelings take control of the floor.

Five years after the release of 'The First Circle' Neroli celebrates its 25th anniversary with a new volume.
'The Second Circle' picks up from where its predecessor left and expands its aestethic into more musical territories.
The album moves from still ambience and majestic uplifting strings to quirky electronics, it explores expansive fusion landscapes till landing into Detroit beatless territories accompanying the listener to multiple musical places and to embrace this unique spiritual journey. Featuring original unreleased compositions by: Nu Era, Lar Bartkuhn, Molinaro, Claude Young jr, Joe Claussell, EDB, Jordan GCZ, Other Lands, Stephen Lopkin, Meftah, Zopelar and Volcov.

Inaugural release of ambitious new label Mindfares, dedicated to the more nuanced, experimental edges of the electronic spectrum. Their first record is coming courtesy of Romania-based artist and performer Aburelius, taking listeners on a left of field, abstract yet nature bound trip that is as much immersive as it is emotional. With a rich, detailed sound that's borrowing and mutating from ambient, post rock, dub techno, and trip hop, the release shines on well-built systems both at home and in your favorite neighborhood hifi booth.

On the heels of their breakout earlier this year, the enigmatic duo Soundboy Dead step up for their first release on Dub-Stuy with Soundclash Story, a fierce tribute to the art of clashing featuring UK veteran Don Cotti.

The title track captures the heat of the dance, Cotti at the mic delivering a vivid tale of dubplate warfare over a menacing steppers riddim built for the battlefield. On the flip, Soundclash Dub pushes the pressure even deeper, with a stripped down, FX-laden version that will test the heaviest rigs.

With Soundclash Story, Soundboy Dead continue their mission of crafting uncompromising bass music rooted in sound system culture. Pure energy. No gimmicks.

Quiet an old school EP, from 1995, label taking his name from one of the first rave in Paris aera...

A side brings the "Protect", an accelerator track... After each drops it goes 40 BPM or so... Untill the 300 BPM at the end...
B side brings a 3 horns call and then a tribal 180 BPM Harcore, minimal and rageous !

Visuals were remixed by Vstee FDB, and the record comes exactly like the original : yellow 3mm sleeve, white inner, and a sticker on the right corner of the sleeve.
Mastering done by Stefan ZMK and cut by Simon The Exchange.
Pressed at Records Industry.

A jewel.

2025 Repress

After a long hiatus, Eric Cloutier returns to his Palinoia label with three tribal techno groovers intentionally built to get the entire dancefloor moving.

Having grown up surrounded by the hardgroove sound, Eric latched on to the style and has regularly incorporated it into all his sets for the last few decades. Passionate about the style, and recognizing it being over-cooked and watered down as a current hype and trend, Cloutier felt the need to use his talents and knowledge of the history of the 90's tribal sound to refocus things in a manner only he could do.

This three-track EP - the first of two in the set - Perpetual Booty Grooves will do exactly what it says on the label and endlessly whip a room into a frenzy. All three cuts on this record end in perfectly locked grooves, allowing any DJ to keep the vibe going and never letting the audience exit their fugue state.

WOODKID komponiert die Musik zum heiß erwarteten PlayStation-Spiel "Death Stranding 2: On The Beach". Mit seinem neuen Album "WOODKID FOR DEATH STRANDING 2: ON THE BEACH" zum sehnlichst erwarteten Spiel von Hideo Kojima hebt WOODKID die Idee von Game-Musik auf ein neues Level. Die Songs sind inspiriert von Kojimas Erzählkunst, seinen Figuren und der Welt von Death Stranding - und entfalten sich als eigenständiges Werk voller Tiefe, Kontraste und Atmosphäre.WOODKID, bürgerlich Yoann Lemoine, ist ein französischer Sänger und Komponist. Mit seiner stilsicheren Kombination aus orchestraler Dramatik, elektronischer Präzision und emotionalem Tiefgang hat er sich international einen Namen in der Musik- und Filmwelt gemacht - sowohl als Musiker als auch als Videoproduzent für Künstler:innen wie Rihanna, Lana Del Rey, Pharrell Williams oder Harry Styles. Seine Musik wurde für zahlreiche Film-, Serien- und Videospielproduktionen eingesetzt (Arcane, Assassin's Creed, The Umbrella Academy). Für seine Arbeiten wurde er mehrfach für Grammy- und MTV-Awards nominiert, seine Single "Run Boy Run" wurde weit über fünfhundert Millionen Mal gestreamt. Auch in der Modewelt ist WOODKID präsent - etwa mit Musik für die Shows von Louis Vuitton oder Dior.Über drei Jahre hinweg arbeitete WOODKID eng mit Kojima und dem Team von Kojima Productions zusammen, um Musik zu erschaffen, die weit über klassische Soundtracks hinausgeht. "Jeder Song, jedes Thema wurde in zahllosen Varianten und Schichten komponiert", erklärt WOODKID. Das Ergebnis ist ein Album, das cineastische Orchesterarrangements mit elektronischen Klanglandschaften und eindringlichen Gesangslinien verbindet."Death Stranding 2: On The Beach" ist das neue Werk von Hideo Kojima, einem der visionärsten Köpfe der Gaming-Welt. Als Fortsetzung des vielfach ausgezeichneten ersten Teils, der über 20 Millionen Spieler:innen weltweit erreichte, führt das Spiel die Themen Verbindung, Isolation und Verantwortung in eine neue erzählerische Dimension. Das Spiel besticht zudem durch einen hochkarätigen Cast - darunter Norman Reedus, Léa Seydoux, Troy Baker, Elle Fanning und Shioli Kutsuna - und eine Geschichte, die von den globalen Erfahrungen der letzten Jahre inspiriert ist.Von zarten Melodien bis zu eruptiven Breakcore-Momenten - jeder Track erzählt eine Geschichte. Für die Aufnahmen reiste WOODKID zwischen Paris, Los Angeles und Tokio, um die kreative Vision Kojimas einzufangen. "Es ist manchmal schwer, Hideos Vision ganz zu verstehen, weil sie sich ständig verändert. Man muss dem Prozess vertrauen - und das Ergebnis ist immer überwältigend", sagt er. Was dabei entstand, ist mehr als ein Soundtrack: Es ist ein Manifest künstlerischer Freiheit, ein musikalischer Gegenentwurf zu Konventionen - und eine Hommage an das Anderssein.Die erste Single "To The Wilder" erschien im März 2025 und verzeichnet bereits über 3,7 Millionen Streams weltweit. Das Album erscheint digital, sowie als Vinyl- und CD-Edition - beide mit dem großartigen Artwork des Spiels und als liebevoll gestaltete Sammlerstücke für die internationale Fancommunity.Neben WOODKIDs Album erscheinen zwei weitere Veröffentlichungen zum Spiel: ein Score-Album sowie ein weiteres Song-Album mit noch nicht angekündigten Künstler:innen. Beide erscheinen digital, ebenfalls bei Milan Records.Das Spiel "Death Stranding 2: On The Beach" erscheint am 26. Juni 2025 exklusiv für PlayStation®5.

Tóxico and Subject To Restrictions Discs present a retrospective on Switzerland’s hidden analogue gear scene from 2017 and 2018. A vibrant yet undocumented chapter in the country’s music history. The 10 tracks, originally released exclusively on cassette and heard only by a small circle of listeners, are now compiled for the first time on vinyl as “Tóxico Tapes”. The collection captures the scene’s raw, hands-on energy through off-kilter rhythms, low-key EBM, ominous wave and free-form synth excursions.

Founded and curated by the former DJ and producer Narco Marco, the Tóxico label became a hub for Switzerland’s analogue gear enthusiasts. Between 2016 and 2020, it released a series of 10 tapes – albums and compilations – that now stand as a blueprint of the DIY, machine-driven underground of the time. Narco Marco is a key figure in Swiss electronic music. As a long-time clerk at “Oldiesshop” record store in Bern, he has championed eclectic sounds across decades. His in-depth knowledge of 1980s music, combined with his work as a musician, avid record collector, and founder of the “Hot Jam” label, influenced an entire generation of musicians and DJs in Switzerland at the time.

Subject To Restrictions Discs joins forces with Narco Marco to present a selected set of 10 songs as a tribute to Tóxico and this creative era. The material draws primarily from the Autumn Tape and Winter Tape compilations, which spotlighted artists from Zurich and Bern – two cities at the heart of this analogue revival.

Un Own is a freshly minted label founded by, we're told, familiar-but-unfamiliar figures and designed as a home for DJ- and collector-friendly edits and remixes. The debut release comes from seasoned remixer and beatmaker Shimmy Sonic. These jams have already been tested on discerning dancefloors and 'Coolage' kicks off with elastic, low slung grooves that draw from classic soul and hip-hop sensibilities. The vocal is a real doozy that soars high. On the flip, 'Our Time' gets deep into downtempo bliss with psyched out guitars rising out of the mix to set the tone for Un Own's mission of putting out respectful reworks built for selectors and serious listeners alike.

With CAPTAIN, BNXN takes the wheel. The Nigerian singer-songwriter has always blurred the lines between afrobeats, R&B, and soulful introspection—but this time, he’s driving with full control, no co-pilot. The album marks a defining moment for BNXN (pronounced "Benson"): a confident, fully-formed statement from an artist who’s learned to trust his instincts, sharpen his pen, and follow his own creative compass.

From the cinematic opener to the late-night confessionals tucked between glossy hooks, CAPTAIN feels like a diary written at cruising altitude. BNXN threads personal stories through rich instrumentation—balancing Yoruba and English lyrics, weaving between amapiano pulses, stripped-down ballads, and smoky alt-R&B. Standout moments find him unpacking fame’s isolations, questioning loyalty, and wrestling with what it means to lead without losing yourself. There’s growth in every verse, not just in what he says, but how he says it: sharper, more intentional, and wholly unafraid to take risks. This is BNXN unfiltered—charting new territory without ever losing sight of home.

SKYLAX RECORDS presents a monumental new release by two of France’s most revered electronic music icons: ARNAUD REBOTINI & ACID WASHED. This record marks the first chapter of a secretive 4-part project — each release forming a piece of a bigger picture — a bold and mysterious tribute to the roots and future of rave culture. Following in the footsteps of Rebotini’s landmark album "Musical Component", this new project feels like a natural evolution — deepening his vision while expanding it into new sonic territories. Without giving too much away, this is SKYLAX BLACK 2 (after the LAXBLACK 1 "Winter Sequences EP" which marked the collaboration between Rebotini & Skylax) and features a set of four stunning tracks. On the A-side, Redshifts to Blueshifts opens the EP with an epic and soulful Detroit-style journey, evoking the finest moments of Underground Resistance — militant yet emotional, full of futuristic melancholy. 99 Shakes follows with a more direct club-driven assault, propelled by massive synth riffs and machine-gun rhythms, pushing the boundaries of dancefloor energy. Flip to the B-side and discover Futur Race, a pure electro odyssey à la Juan Atkins and early Metroplex (think 1985 sci-fi transmissions), sharp, robotic, and ultra-funky. Closing the EP is Gen Mix, a powerful and cinematic slice of what can only be called Wagnerian techno — intense, dramatic, orchestral in scope, and unmistakably Rebotini. This release is a statement — timeless and forward-thinking. This release is the first in a series — a mysterious and powerful journey through sound, vision, and legacy. What’s next? You’ll find out… one piece at a time.

The sixth Subetasch release comes from long-time friends and collaborators TakaTuka and vaZdaZ.

Side A opens with Stamina, a hard-hitting tekno track by TakaTuka, the result of his first deep dive into the DFAM synth he’d just gotten his hands on. Track two, Olga by vaZdaZ, hits just as hard - driven by the screams of a free smartphone synth, it sounds like it’s been tearing up proper parties for the past decade.

On Side B, TakaTuka and vaZdaZ join forces on both tracks, diving into their shared love for breaks, ambient and IDM. The first, Teenage Carcrash, is driven by the tiny drum sampler “PO-12,” which also inspired its (hopefully not too controversial) title. But don´t worry, your Car´s Hifi-System isn´t broken, it´s just gritty distortion and a pulsating bass, sweetened with a catchy tune.

The final track, Unknown Food Can, originated in a circuit-bending session with a trashy old electric piano. Starting out calm and melodic, it slowly unfolds - this food can was found in Kamyshovo, who knows what's hiding inside?

Bait revisits Trois-Quarts Taxi System's 'Plexus' for its next outing. The label's first long-player was a benchmark in meditative experimentation that now comes as a new remix package which brings together pioneers and forward-thinking voices to reinterpret the album's deep, exploratory spirit. Label head Beatrice M. opens with 'Coma' a warm nod to old-school sensibilities, while Herbalistek submerges us in the shadowy textures of 'Spectre.' Pinch delivers a moody steppers twist on 'Sonar' and Katatonic Silentio sharpens 'Plexus 3' into abrasive and physical rhythm. Together, these reworks stretch the original visions further outward into new realms.

Gate 9 launches its first release with a Various Artists combining artists that shaped the collective’s identity, between rising talents and established names.