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2026 Repress

Indispensable heartbreakin' Disco House!

Dentelles Records is proud to present its latest vinyl release!

We are excited to share the newest release from Greg All, the founder of Dentelles Records and the visionary behind the celebrated Les Dentelles Electroniques festival. This 2-track EP is a perfect reflection of his passion for music that unites people on the dance floor, offering two tracks that will resonate with house music lovers worldwide.

The first track, Last Night, delivers a powerful Tech House groove that will get you moving from the first beat. With its infectious rhythm and captivating vocal layers, this track is a true crowd-pleaser — full of energy and just the right amount of tension to keep the dance floor alive.

The second track, Tomorrow, shifts gears into the realm of Afro House, offering a rich, percussive journey complemented by an evocative vocal performance. It’s a track that speaks to both body and soul, with a driving energy that builds towards an emotional crescendo, sure to resonate deeply with listeners.

This EP marks another milestone for Dentelles Records, bringing together the unique sounds of Greg All with the infectious spirit of the festival. Whether you’re experiencing it live in the club or streaming it at home, Last Night and Tomorrow will transport you into the heart of the celebration.

Dentelles Records est fier de présenter sa dernière sortie vinyle !
Nous sommes ravis de vous présenter la toute nouvelle sortie de Greg All, fondateur de Dentelles Records et créateur du célèbre festival Les Dentelles Electroniques. Cet EP de deux titres est un parfait reflet de sa passion pour la musique, une musique qui rassemble les gens sur le dancefloor, et offre deux morceaux qui résonneront avec les amateurs de house à travers le monde.

"Big Rocks is a recent cover album by hard rock and heavy metal band Krokus. Even though their popularity peaked in the 80s, they are still going strong which they prove with this 2017 album with covers of twelve rock classics songs. It features covers from Black Sabbath, Queen, The Who, Led Zeppelin, Steppenwolf and The Rolling Stones amongst others. In addition to the covers, the album also features an original song by the band: ""Backseat Rock'N'Roll"". Album producer and bass player Chris Von Rohr, says the album is ""a homage, a nod to all those artists who paved the way for us, making it possible for us to do what we do,” Big Rocks is available as a limited edition of 1000 numbered copies on flaming coloured vinyl and includes a 4-page booklet."

On October 18th, Nicolas Michaux will release his third album, titled Vitalisme. This album consists of twelve recordings made over the years on the Danish island of Samsø and at the Free House, the studio of Capitane Records in Brussels. Much like in his previous album Amour Colère, Michaux navigates between polarities in Vitalisme : dawn and dusk, birth and destruction, hope and cold lucidity, past and future. However, this time it is less about exploring the different poles of human experience and more about bringing them together at a precise point where life unfolds. Armed with impeccable writing in both French and English, Michaux traverses the familiar lands of inspired songwriters, addressing grand themes of timeless poetry as well as the empirical realities of the contemporary world: love, illness, war, wisdom, resurrection; but also climate change and class war

From a club-friendly chrysalid onto deploying his wings as a full fledged pop artist in recent years, Saint Petersburgs Kito Jempere has enjoyed a journey unlike any other and his newest album, Part Time Chaos Part Time Calmness live-documents the chameleonic changes / game-changing paradox experienced this year between his life both as a musician and as a family man.

Better known for his work as a house producer which has earned him accolades from prominent dance music outlets throughout well over a decade of intense work both into and outwith the limelights, Kito has for all that never been focussed on writing solely discoid material, throwing as much effort over the years into multi-faceted parallel ventures, far and apart from strictly dance floor-oriented functionality. Yet, from this partition between various projects and mindsets, this is through a radical shift towards downtempo pop and out of the 4x4 loop that Kito got to fully assert himself as a musician, embracing the rejoicing variety of tone and mood of his tender loves, secret and not. The movie Ive never made but have the soundtrack for, Part Time Chaos Part Time Calmness is the fruit of change as much as change itself. A return to the simple means of his young self, his old trusty guitar from his late teens serving as the backbone to Killer Line and Love Myself But I Cant Make It Love, and the natural development to last years Green Monster, which
initiated these deep tectonic movements in Kitos approach to his art, PTCPTC is an intimate trip down the kaleidoscope of his present life. Joined up by an impressive cast of artists, including Jimi Tenor, Adam Evald and Hard Ton, Kito didnt just bin his old persona, he took it back to where it belongs. From the low-slung emotional folk of the opener, Killer Line, to the eerie flamenco-jazz hybrid Before Music Dies. via the broken soulfulness of Put Love Into Your Heart and anthemic 80s balearic breaks meets coastal synthwave vibe of Sounds of Love, the album pulsates with a refreshingly genre-unbound vision. To the naive, laid-back sonic bokeh of Footsteps,
succeeds the left-of-centre cinematic narrative of In The Countryside, which includes some fun nods to fictional brands taken from Tarantinos imaginarium (Red Apple cigarettes) or other movies like High Fidelity, after Nick Hornbys eponymous novel.

Freed from gridlocked programming and impersonal tropes, PTCPTC showcases a wide array of songs, beats, grooves old and new, some dating back to 2018 and improvised sessions with his 9-people Kito Jempere Band, all of which were finished within the same timeframe and with this all-inclusive momentum in mind. Through the epic synths of Absent Ascent. in revamping the universal classic Over The Rainbow with Celebrine, on the appeasing ballad Shorespotting feat. Evald or in the waves-ready closing cut Lovers, Jempere tells a tale of hard-earned emancipation and life-affirming freedom.

From a club-friendly chrysalid onto deploying his wings as a full fledged pop artist in recent years, Saint Petersburgs Kito Jempere has enjoyed a journey unlike any other and his newest album, Part Time Chaos Part Time Calmness live-documents the chameleonic changes / game-changing paradox experienced this year between his life both as a musician and as a family man.

Better known for his work as a house producer which has earned him accolades from prominent dance music outlets throughout well over a decade of intense work both into and outwith the limelights, Kito has for all that never been focussed on writing solely discoid material, throwing as much effort over the years into multi-faceted parallel ventures, far and apart from strictly dance floor-oriented functionality. Yet, from this partition between various projects and mindsets, this is through a radical shift towards downtempo pop and out of the 4x4 loop that Kito got to fully assert himself as a musician, embracing the rejoicing variety of tone and mood of his tender loves, secret and not. The movie Ive never made but have the soundtrack for, Part Time Chaos Part Time Calmness is the fruit of change as much as change itself. A return to the simple means of his young self, his old trusty guitar from his late teens serving as the backbone to Killer Line and Love Myself But I Cant Make It Love, and the natural development to last years Green Monster, which
initiated these deep tectonic movements in Kitos approach to his art, PTCPTC is an intimate trip down the kaleidoscope of his present life. Joined up by an impressive cast of artists, including Jimi Tenor, Adam Evald and Hard Ton, Kito didnt just bin his old persona, he took it back to where it belongs. From the low-slung emotional folk of the opener, Killer Line, to the eerie flamenco-jazz hybrid Before Music Dies. via the broken soulfulness of Put Love Into Your Heart and anthemic 80s balearic breaks meets coastal synthwave vibe of Sounds of Love, the album pulsates with a refreshingly genre-unbound vision. To the naive, laid-back sonic bokeh of Footsteps,
succeeds the left-of-centre cinematic narrative of In The Countryside, which includes some fun nods to fictional brands taken from Tarantinos imaginarium (Red Apple cigarettes) or other movies like High Fidelity, after Nick Hornbys eponymous novel.

Freed from gridlocked programming and impersonal tropes, PTCPTC showcases a wide array of songs, beats, grooves old and new, some dating back to 2018 and improvised sessions with his 9-people Kito Jempere Band, all of which were finished within the same timeframe and with this all-inclusive momentum in mind. Through the epic synths of Absent Ascent. in revamping the universal classic Over The Rainbow with Celebrine, on the appeasing ballad Shorespotting feat. Evald or in the waves-ready closing cut Lovers, Jempere tells a tale of hard-earned emancipation and life-affirming freedom.

Cosmocities returns with a sizzling six-track remix package of 'How It Feels To Be Loved' by American artists Erik Rico & C. Boogie. These jams are all ready for deployment in the club but come with a soulful signature that fans of Rico will quickly recognise. Tracks 'How It Feels...' and 'Love Everlasting' both get reworked by the one and only Josh Milan while Marc Mac, and Rico himself also step up with their own fresh twists. Milan's 'Honeycomb' mix infuses slap bass and acid-leaning grooves, his 'Floor Radio Vocal Mix' adds late-night soulful funk, Rico's 'Trench Coat Tribute Remix' delivers seductive P-funk vibes and Marc Mac's take on 'Love Everlasting' brings Balearic house magic.

Belgian producer Uit de Hoogte returns to his own label LANK with ‘Polos’ EP, celebrating the mesmerizing art of looping in all its splendor. This release fuses loopy vocal chops, intricate chord progressions, and percussion hits, creating a collection of trance-inducing killers for the dancefloor.

The EP opens with “Pink Polo,” a hard-hitting house anthem that layers wonky chord progressions, super-saw synths, and a vocal acapella from Ye, crafting a high-energy peak time banger.

The second track, "Lazy 8" (stylized as ∞), mellows things out with a hypnotic female vocal loop of the word "octa," repeated into infinity. Driven by a relentless drum machine and a warm, woolly bassline, this track draws dancers into a deep, driving euphoria.

Side B kicks off with "Loops of XTc," a track built entirely from samples salvaged from a 90s sample CD discovered in a local thrift store. With a clever twist on cheap, nostalgic loops, Uit de Hoogte reshapes these elements into a deep, dub-infused house gem that revives the spirit of the 90s club scene.

Closing the EP is “Frida,” a dreamy house piece that brings a sense of droney introspection to the dancefloor. Gradually, the gentle hum of a Yamaha DX7 leads into a meditative Portuguese vocal, lifting the track to ethereal heights.

Made with love & hardware gear only!

South London’s James Massiah returns to Jon Rust’s Levels imprint with the highly anticipated follow-up to the 2019 underground hit ‘Natural Born Killers’ EP.

The six-track EP ‘True Romance’ is the artist / poet / DJ / producer's richest work to date, autobiographically charting the peaks and troughs of 21st century love, life and relationships.

Massiah’s rap leanings ride over his signature neon productions, taking in an arc of influences including dancehall, dub, acid house, grime and left field pop.

Gritty and shimmering in equal measure, this is essential for devotees of the Dean Blunt, Lord Tusk axis, or anyone switched on to the stream of rap bubbling up from the UK right now.

Heavy rotations from Benji B, Jamz Supernova, Shy One & Scratcha DVA.

A vital release for 2024.

Robsoul Is Proud to Finally Release on Vinyl 4 Incredible House Cuts by 2 Great Australian Dj’s. We Have Selected the Most in Demand Tracks From the 3 Secret Weapons Projects Initially Released Digitally Only, and We Have Added One Exclusive Unreleased Track to Offer You This Great House Package....

The prolific, virtuosic original Bjarki Sigurðarson returns to the concept album format, with ‘A Guide To Hellthier Lifestyle’. It’s the first LP to be released on Differance.

‘A Guide To Hellthier Lifestyle’ explores the psychological landscape of contemporary social issues, offering a sideways rumination on lifestyle dilemmas and wellness obsessions, presenting itself as a response to the modern condition. It combines storytelling with innovative sound textures – encouraging listeners to pause and contemplate the absurdities of contemporary life. Neither a critique nor an endorsement, it represents an honest exploration of our world through Bjarki’s sonic lens, gleaming a heart of darkness, but eventually finding light.

The album utilises hyper-stereo techniques, soothing melodies, complex audio structures, AIgenerated voices and sampled vocals – influenced by Coil, Genesis P- Orridge, and Paul Lansky. Bjarki investigates how specific frequencies can impact consciousness, awareness, mood, and mental state, thereby influencing our perception of reality. His vaporous sound design provides a listening experience that bridges the physical and imaginative realms; sometimes placing the listener in contemplative sanctuary, and at others making them lost – somewhere strange, uneasy, disconnected.

Bjarki on his Guide To Hellthier Lifestyle

“This new album has been two years in the works. It’s sort of my take on all the social weirdness and wellness obsessions happening right now. It kicked off with a track I started in California – the story of a soul that got born into the wrong womb. During that time, I was noticing more and more of this whole ‘wellness religion’ everywhere – people trying to sell you ‘good vibes’ and random people offering you life coaching sessions on Instagram who maybe have less life experience than a houseplant. All these apps that track our every move; it’s like they’re repackaging control and calling it ‘self care’. Capitalism in yoga pants. Thats when I started putting ‘A Guide To Hellthier Lifestyle’ concept together. A never ending, self improvement rabbit hole. We are all being sold this idea that we are not quite enough and we need to buy our way out to being better.

At one point, I took a break from the album and started working on another album full of satirical speeches, AI generated voices, where I create my own voices and type in some ideas of speeches, taking the piss out of wellness gurus and life coaches. I messed a lot with these AI voice generators, creating these deep, faux serious monologues. Proper weird stuff, but it cracked me up. Reminded me of the early days, when I was 13, making tracks on Fruity Loops, mucking around with text-to- speech generators. After the break I came back to finish ‘The Guide’ on a much deeper level.

I moved part of my studio to Latvia and continued in the countryside for few months. I realised that I just wanted something beautiful. So, yeah, this album is all of that. It’s spiritual, bits and pieces from the past, all these weird cultural moments, and whatever strange places my head goes. It’s a reflection, a rebellion, a bit of a piss take. But mostly, it’s just me, doing what I do.” - Duncan Clark

The album will be released only in its entirety, December 13th digi, with no advance singles.

Frank Sinatra was one of the greatest performers and first musical superstar of the last century. His voice, timing and performance created the standards for vocalists ever since. Even today’s performers like Michael Bubble, Jamie Cullum and Robbie Williams are highly inspired by ""Ol' Blue Eyes."" On Frank Sinatra Collected, his career and musical legacy is celebrated on 2 LPs, spanning over 5 decades. In association with Frank Sinatra Enterprises, the 31 recordings on Collected include not just his most famous songs, but also delves into some of his best album tracks and collaborations with Count Basie, Quincy Jones and his daughter Nancy, all showcasing the versatile artist he was. Frank Sinatra Collected is available as a 2LP, housed in a deluxe gatefold sleeve with liner notes inside. 10.000 numbered copies are pressed on “Sinatra Ol' Blue Eyes"" translucent blue coloured vinyl."

Collected by Charles Aznavour is a wonderful collection of hits and classics by the French chansonnier, that touches your soul at every moment. It’s an overview of his work during the sixties, seventies and duets with Johnny Hallyday on “Il Faut Savoir” and with Frank Sinatra “Young At Heart”. Also his English versions of “How Sad Venice Can Be”, “The Old Fashioned Way”, “She” and four more English songs are included on this deluxe Trifold 3LP album.

In the early 1950s a man of short stature attempts to win over his audience. With a hoarse voice he delivers songs that do not catch on. People jeer at him. Tomatoes fly through the air. The Frenchman with Armenian roots slinks off the stage, but does not quit. Ironically, the song that makes him a household name is the song in which he recalls his agonising trial. The audience reacted indifferently when Charles Aznavour decided to try out his new song on stage. But when he went on to greet the audience for one final time they all stood and gave him a thundering standing ovation.

In the sixties, hits and classics succeed one another. Nobody is bothered any more by his husky voice, by his small stature or his rugged characterful face. The croony “For Me Formidable” (1963), the heart breaking “Et Pourtant” (1963) and the nostalgic “Hier Encore” (1964) confirm his standing as a fan favourite. “La Bohème” (1965) and “Emmenez-moi” (1967) turn Aznavour into a superstar. In “La Bohème”, there are impressionist painters strolling in the shadows of the Sacré-Coeur, the compelling “Comme Ils Dissent” (1972) is the first chanson after Vichy France to overtly endorse homo sexuality and in the present “France Of La Manif Pour Tous” (the movement that opposes gay marriage), does it again to sound particularly topical. “Camarade” (1977) was about the nomenklatura, the ruling elite in the Soviet Union and is a social and historical topic. “Avec Un Brin De Nostalgie” is an Aznavour grand cru, maybe even the best he has made over the last thirty years.

Charles Aznavour Collected is available as a limited pressing of 1000 individually numbered copies on gold vinyl. The package includes a 4-page booklet with liner notes and photos.

Back in 2018, Argentinian producer Fernando Pulichino released ‘Search of Indigo’ on Leng, a shuffling slab of colourful, Balearic-adjacent dub disco featuring his own distinctive lead vocals and backing vocals from Luca Gasparini. Six years on, the track returns renewed and refreshed thanks to a string of new floor-friendly reworks by LTJ Xperience and Pulichino himself. Fernando kicks off the EP with his ‘AM Mix’, an inspired re-invention that re-frames the song as a hard-wired, acid-fired chugger – all restless, razor-sharp TB-303 lines, low-slung bass guitar and sparkling piano riffs. On the digital version of the EP Pulichino has also offered up his ‘PM Mix’, a deliciously Balearic disco dub rich in colourful synth sounds, elastic bass, flanged guitars and sun-bright piano licks. It's LTJ Xperience’s trio of remixes that lie at the heart of the EP though. The Italian producer, real name Luca Trevisi, initially made his name as a downtempo and nu-jazz producer before perfecting a trademark style of chugging, slow-motion hedonism that draws influence from both deep house and nu-disco. His main Remix foregrounds many of these trademark elements, in the process delivering a bongo-rich chugger laden with delayheavy bass guitar sounds, head-nodding drums, heady guitar loops and echoing vocal snippets. On the Dirty Mix, Trevisi reaches for tight, short TB-303 ‘acid’ loops, a more sparse and heavy rhythm track offering a more heads-down, dubbed-out affair that should delight those who love late night and early morning hypnotism with flashes of wide-eyed sonic bliss. Then, to round things off, Trevisi delivers a heady, atmospheric and spaced-out Dub full of jazz guitar licks, bubbling electronics, vocal snippets and effects-laden bass. It’s a winning combination.

Warehouse Find!

Vega Records are proud to present the re-release of EOL Extensions by Elements Of Life, the second album from Louie Vega’s critically acclaimed live orchestral project. With an allstar cast of remixers the lineup is a who’s who of worldwide talent. On the repertoire are Jazzy Jeff, Kenny Dope, Dj Spinna, Joe Claussell, House of Rumba, & Dj Gregory, along with EOL Alumni lead vocalists Josh Milan, Anané & Raul Midon. The Vinyl release is in two parts, two double packs, get it on your turntable, close your eyes and listen to the cosmic sounds of EOL. The new tracks “Messin’ About”, “Our People”, and the unreleased mix of “Love Is On The Way” are ones not to be missed.

In the fall of 2022, celebrated UK chill-out institution Seahawks landed in Los Angeles for the first time in their 15-year history, with plans to record a sweeping new age downtempo "exploration of visionary California."

Instead, they immediately fell ill with flu (Fowler collapsed next to a taco truck; 911 was called), and were bedridden for the better part of a week. Upon recovering, they resituated at the synthesizer sanctuary of Brian Foote (Peak Oil, Kranky, Leech), channeling their post-sickness psychedelia into one of the band's lushest and most elevated creations to date: Time Enough For Love. Inspired by the "groove and mood" of Harry Nilsson demos, as well as its wider 70's wavelength - Rhodes, Wurlitzer, wood paneling - Seahawks transposed their classic post-rave ambient exotica onto a warm and woozy Golden State palette. Buoyed by the liquid touch of English maestro Kenny Dickenson on keys, the results rank high among the duo's smoothest and most multi-sensory voyages. "Sail Across The Moon" delivers on its title, a simmering, phaser-smeared cruise through the beauty of the night. "Messengers" echoes the cosmic lounge of Air's Moon Safari, shuffling, weightless, and ethereal, while "Falling Deep" reaches for the stars, pure cascading bliss, the ecstatic moment writ large.

The album skews steadily more astral as it progresses, drifting towards jazzy, galactic outer reaches. "Like A Grain Of Sand" opens with a spoken sample by the celebrated late American poet Rachel Sherwood ("The children watch, breathless / with the birds / They feel an emanation / from this shuddering place"), before taking flight on a Balearic trip through island house, PM Dawn gold dust, upright bass meditation, and kaleidoscopic light. A remix of the title track by Chicago trio Purelink closes the record in a suitably subdued and skittery state of mind. Time Enough For Love radiates color, complexity, and positivity, infused by the "life enhancing" nature of the band's time in Los Angeles - sunsets, sound systems, and sativa, framed by coastlines and cloudbanks, the city's mystic sprawl glittering beneath purple dusk.

Atlanta's finest producer Byron The Aquarius returns to the source and on House Of Underground records with a breathtaking deep-house EP of 5 tracks coming out on 11th Of November 2024. ''Dark Black & Handsome'' for the lovers !

Rhythm Cult's unstoppable momentum continues after achieving consecutive

number-one positions across online and physical platforms. RCM019, their most

recent release, welcomes the incredibly gifted Chilian producer Dinky into the fold.

Dinky's hypnotic blend of deep house, strong techno, and precise minimalism has

earned her a residency at the famed Panorama Bar, in Berlin confirming her position

as a unique voice in the electronic industry.



The EP kicks off with the soulful and uplifting "Come Hold Me," a futuristic house

anthem that effortlessly fuses tribal rhythms with intricate stuttering synth patterns.



Dinky provides the unmistakable and irresistible vocal hook that suggest this will be

a summer anthem in the making. "She's Got Nowhere To Go" follows, riding on an

insistent one-note bass line and yet more addictive vocal snips, complemented by

disco stabs that complete the party vibe. Dinky's skilful use of stuttering glitches and

inventive sample manipulation showcases her love for minimal detail and angular

funk.



Finally, dOP turn in not one but two remixes of their unique and unconventional take

on house and techno. First, their reinterpretation of "Come Hold Me" takes us on a

journey to the deeper realms of house, riding on a low-slung acidic bass groove

while enveloping the listener in waves of lush synths, perfect material for warming up

dancefloors or setting the mood for the early hours. Then they wrap “She’s Got



Nowhere To Go’ around an elastic bass and dosed with warped synth lines to create

an irresistibly explosive dancefloor weapon.



The EP exudes sophistication, weaving intricate futuristic house sounds that are

imprinted with the influences of Balearic, acid, and deep house. These heaters are

undoubtedly set to light up dancefloors throughout the summer season. With this

exciting collaboration, Rhythm Cult further cements its position as one of the

industry's most cutting-edge labels, and Dinky's addition adds a distinctive

dimension to their roster.



Prepare to find yourself absorbed by this exceptional release from two forces

shaping the future of electronic music.

A classic in the realm of Disco, ‘Spread Love’ by Al Hudson & The Soul Partners was a standout record from their album ‘Spreading Love’, originally released in 1978 on ABC Records. Having been covered and sampled various times over the years, this sought-after masterpiece has now been officially licensed for the first time in 46 years and remastered on 12 inch, thanks to the team at South Steet Disco. The A-side features the full extended intro version from the original album, whilst the B-side houses the 1978 12 inch single version, jumping straight into the action.

Borusiade lands on Dark Entries with their triumphant third LP, THE FALL: A Series of Documented Experiences. The Romanian producer and DJ Miruna Boruzescu aka Borusiade has a track record of genre-bending releases on tastemaking outlets like Cómeme, Pinkman, Cititrax, and of course Dark Entries, who unleashed their stunning 2020 sophomore album Fortunate Isolation. THE FALL builds on Borusiade’s mythos with its 9 brooding and sophisticated tracks investigating the contours of memory and embodiment - the “fragile bridge between body and mind” in Borusiade’s words. Moody basslines and melancholy synths wrestle with muscular rhythms; this is electronic body music for the heart and head. This is their most diaristic work to date, as well, chronicling love and loss through the gauze of reflection. Tracks like “Save Me”, “Recovery and Redemption”, and “The Fall” sprung from painful breakups, periods which Borusiade identifies as some of their most creatively fruitful, finding themselves “making the best music when I was brokenhearted.” There are odes to musical titans we’ve lost: the minimal electro producer Porn Darsteller is comemorated on “Darsteller”, while industrial legends Genesis P-Orrige and Lady Jaye are honored on “Pandrogyne.” THE FALL comes housed in a sleeve using Gautier D'Agoty’s “Essai d'Anatomie,” an anatomical work from 1745, and also includes a lyric sheet. Trauma, from lost love to pandemic isolation, informs THE FALL, situating itself as a gap that can only be accessed through sound and the creation of art. “What can I add? When life gives you drama, make music.”

It is the year 1995 and it’s summer, the second extremely hot summer after 1994, and the asphalt on Gladbacher Straße in Cologne is glowing. Ravers in much too wide and much too colorful clothes doze off in the glaring midday heat. These are the last days of the legendary Delirium record store, a socio-cultural biotope that would later become KOMPAKT. In June 1995, the store moved deeper into the Belgian Quarter, to Brabanter Straße 42 near Friesenplatz.

Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.

By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.

"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.


Wir schreiben das Jahr 1995. Es ist Sommer, der zweite extrem heiße Sommer nach 1994, und der Asphalt auf der Gladbacher Straße in Köln glüht. Raver in viel zu weiten und viel zu bunten Klamotten dösen ihren Rausch aus in der grellen Mittagshitze. Es sind die letzten Tage des legendären Delirium Plattenladens, eines soziokulturellen Biotops, aus dem später die Firma Kompakt hervorgehen sollte. Im Juni 1995 erfolgte der Umzug tiefer hinein ins Belgische Viertel, in die Brabanter Straße 42 in der Nähe des Friesenplatz.

Wolfgang Voigt trug schon damals gerne zu große Sonnenbrillen, so wie er bereits den Masterplan für die nächsten Jahre, den neuen Laden, die Umbenennung in KOMPAKT sowie die anstehende Übernahme der musikalischen Weltordnung durch Minimal Techno im Kopf hatte. An weniger sonnigen Tagen tüftelte der Musiker Wolfgang Voigt an seinem ureigenen Label Profan, an einem neuen Sound, neuen Pseudonymen und Maskeraden. Sein Alter Ego Mike Ink war müde geworden, ein anderes Ich, eines von vielen, drängte nun nach vorne, um die nächste Fackel im Sturm zu werden.

Anfang 1995 war die erste Grungerman EP “Hout” auf Profan erschienen. Ein Nukleus aus ambienten Loops, die bereits die klangliche Ästhetik von GAS ankündigten, stoischen rhythmischen Strukturen, die das kommende Jahrzehnt Minimal House und Techno prägen sollten, sowie einer allumfassenden Düsternis und Schwere, die so gar nicht zur knallbunten Realität der Neunziger Jahre zwischen Loveparade, Mayday und VIVA House TV passen wollte. Dieses wohl hedonistischste Jahrzehnt des 20. Jahrhunderts hatte neben Techno vor allem eine raue Gitarrenmusik namens Grunge gefeiert, geprägt und unsterblich gemacht von einem depressiven, hyperaktiven und an Narkolepsie leidenden jungen Mann mit verfilzten blonden Haaren, der sich ein Jahr zuvor das Leben genommen hatte. In keinem anderen Track hat Wolfgang Voigt diese inneren und äußeren Widersprüche seiner Kunst wie auch dieser Zeit Mitte der Neunziger genialistischer verpackt als in “In Tyrannis”. Von Wand zu Wand sind es vier Schritte.

“Klang” von Wolfgang Voigt stammt ursprünglich von der ersten und einzigen GAS EP auf Profan, “Modern”, aus dem Frühling 1995 und ist eines der schönsten Exponate des Voigtschen Sounds dieser Jahre; ein Track, der irgendwo zwischen gleisenden Sonnenaufgängen auf Ecstasy und schlechten Drogen im dunklen Liquid Sky Cologne unerbittlich seine Bahnen zieht. Mit “Hocker DJ 1” und “Hocker DJ 2” finden sich zwei weitere musikalische Referenzen an diesen mythenumrankten Ort in der Kyffhäuserstraße, an dem sich für einige Jahre der gesamte sogenannte Sound Of Cologne im wahrsten Sinne des Wortes niedergelassen hatte.

The new ANORAX label keeps the faith with to its’ #eatsleepcollect mantra by releasing this much loved and in-demand iconic work of beauty for the first time ever on vinyl.

It’s stating the bleeding obvious to say that DECIDE is a Soulful House recording.

The real deal is that the combination of Jay-J’s template precise but haunting San Francisco production, Big Brooklyn Red’s life affirming vocals and the truly awesome remixes from the late Ethan White (R.I.P) together conjure up a masterpiece that defines the genre.

The remixes from Ethan, the co-founder and keyboard player of Tortured Soul have up till now only been available on digital release. Jay-J (Joseph John Hernandez) dug into his Shifted Music vaults to come up with the original 2009/ masters for the latest ANORAX limited edition 7” release.

DECIDE is an affirmation who believes that true house music is a spiritual thing.

Is this one of the greatest so Soulful House records ever made? As the haunting backing vocals plead:”I’ll Let You Decide”…

To celebrate the 30th anniversary of bob sinclar"s iconic label, Yellow Productions, step into the catchy world of the french touch with an exceptional and limited boxset with 3 LP vinyl records plus a poster. Discover hits, unreleased nuggets and rare tracks ranging from house to trip-hop, jazz and hip-hop. Discover some of the biggest names on the electronic music scene : Like Dimitri From Paris, Dj Gregory, Kid Loco, Martin Solveig and David Guetta!

Limited Edition Grey vinyl repress!

Two certified anthems that have had heavy rotation with DJs like Cajmere, Grant Nelson, Sonny Fodera, Quentin Harris, Robert Owens, Tony Humphries, Danny Rampling, John Morales, Graeme Park, Pete Tong and still continue to get played the world over.


Good For You present a special Paradise Garage inspired 12 Inch sampler from the ‘Paradise Garage : Inspirations’ compilation, featuring two of Kenny Summit's collaborations with the Director's Cut duo, and Godfathers of House, Frankie Knuckles and Eric Kupper.

The A side houses the last ever Frankie Knuckles production, a project Frankie and Summit worked on with Eric Kupper - remixing 'You'll Never Find Another Love Like Mine' by the legendary Lou Rawls – pure soulful house brilliance from the very first second. On the flip you’ll find a further Kenny collaboration with the dynamic duo entitled ‘Loving You’ – the trio teaming up to deliver a stunning Motown inspired dance floor stomper with an uplifting vocal by the one and only Yasmeen.

RNT drops their fourth installment of the beloved compilation series Family Affair with a diverse offering of vibes, and adds some fresh new faces to their ever expanding roster of artists. On the A side an Afro-electro secret weapon from label co-head JKriv’s DJ set is released into the wild, and German legend Vincenzo delivers a tune that harkens back to the lush deep house of his early 2000s glory era. The 3 songs of the B side bring even more variety, from the stomping hypnotic new disco of Ilija Rudman’s ‘Discoteka Parmida,’ to the head - nodding R&B groove of Yasmin’s ‘Real High’ and the modern live-arranged Afrobeat vibe of Arnau Obiols’ ‘Pagan Mambo.’ With ever gorgeous jacket art that is now the signature style of this series, this record is one for both the listening shelf and the bag!

Riccardo Teri, Also Known as Quasar, Is Set to Make a Triumphant Return to Skylax Records With an Exciting New Ep That Pays Homage to the Golden Era of 90s Uk Garage. This Forthcoming 12-Inch Release Comprises Four Mesmerizing Tracks, Each of Which Carries the Distinct Imprint of Quasar's Signature style.

The Ep Kicks Off With "Told You Once," a Track That Immediately Transports You to the Halcyon Days of Uk Garage, With Its Infectious Beats and Soulful Vocal Samples. "For Your Love" Follows, Seamlessly Blending Classic Garage Elements With a Modern Twist, Demonstrating Quasar's Mastery of the Genre's Evolution. as You Move Further Into the Ep, "Morning Bells" Beckons With Its Entrancing Melodies and Rhythmic Grooves, Drawing You Deeper Into Quasar's Sonic World. Finally, "Inside My Love" Completes the Quartet of Tracks, Delivering an Exceptional Experience With Its Lush Harmonies and Finely Crafted beats.

What Sets This Ep Apart Is the Remarkable Cohesion Between Its Tracks. Each Piece Contributes to an Exceptional Whole, With No Single Track Standing Out as a Weak Link. Every One of Them Stands Alone as a Dancefloor Banger, but When United, They Form a Remarkable Sonic Journey That Will Undoubtedly Leave a Lasting Impression. in an Era Where House Music Often Leans Towards Various Sub-Genres and Experimental Directions, Quasar's Work on This Ep Serves as a Refreshing Reminder of the Classic Uk Garage Sound. It Harkens Back to the Days When the Genre Was at Its Peak, and Yet, It Feels Contemporary and Relevant. This Perfect Fusion of Nostalgia and Innovation Is a Testament to Italy's Enduring Love and Respect for the Pioneers of the genre.

In "Told You Once," Quasar Brings Us a Release That Exudes Absolute Class and Authenticity, Showcasing His Profound Dedication to the Essence of Uk Garage. With This Ep, He Not Only Pays Homage to the Masters of the Genre but Also Cements His Own Place Among Its Contemporary Torchbearers. It's a Must-Listen for Anyone Looking to Relive the Magic of 90s Uk Garage While Embracing the Evolution of the Genre. Skylax Records Welcomes Back Quasar With Open Arms, and Fans of Quality House Music Have Reason to Celebrate....

Prepare for Another Groundbreaking Release From the Proteges of Skylax Records, the Maestros Behind the Acclaimed "Sting the Floor" and "Love Is Growing" EPs. Already Making Waves Among International DJs, Their Third Installment, "Madness Operator," Takes a Bold Detour While Maintaining the Signature Style That Has Captivated Audiences Worldwide. the Ep Kicks Off With the Monumental "Under Track," a Minimalist Masterpiece That Harkens Back to the Glory Days of Early '90s Chicago. Its Simplicity Is a Stroke of Genius, Resonating With the Raw Energy That Defined the Chicago Sound. "The Wanderer" on A2 Delves Deeper Into the Same Chicagoan Style but With Added Intricacies, Showcasing the Versatility and Maturity of Madness Operator's Sonic Palette. Flipping to the B-Side, "Café Barge at 7 Am" Emerges as a Masterpiece of Silky Deep House, Effortlessly Weaving a Sonic Tapestry That Immerses the Listener in a Serene, Early-Morning Atmosphere. Closing the Ep With a Flourish, "Baby Baby" Effortlessly Melds Disco and Jackin' House, Delivering a Hybrid Sound That Is Both Nostalgic and Forward-thinking."Madness Operator" Ep Is a Monumental Offering That Solidifies the Status of These Proteges as Pioneers in the Electronic Music Realm. From the Sheer Genius of "Undertrack" to the Captivating Diversity of the B-Side, This Ep Is a Testament to the Evolving Brilliance of Skylax Records' Rising Stars. Dive Into the Madness &Ndash; It's an Experience You Won't Forget. Available Now, Exclusively on Skylax Records....

The Other Sound of Music is Edition Hawara’s first compilation of forgotten Austrian treasures from the 1980s. Plucked from dusty basements, flea markets and bespoke stores across the small Alpine country, it features eight quirky and charming pieces that afford a glimpse into largely unknown but surprisingly rich musical subcultures. The lovingly curated selection brings to light early soul, boogie and proto-house productions, as well as some of the most balearic tracks that have ever been made in a landlocked country. Finally giving this music the stage it deserves, The Other Sound of Music is the definitive guide to the outer limits of the Austrian underground.

Acclaimed pianist Renee Rosnes fell in love with the music of Brazil as a teenager, from the moment that she first heard the iconic Bossa Nova singer Elis Regina. With "Crossing Paths," her brilliant new album for Smoke Sessions Records, Rosnes brings to stunning reality a dream held for decades: to explore the intersection between Brazil's scintillating sounds with her own visionary approach to modern jazz. Due out on December 6, 2024, "Crossing Paths" reimagines compositions from master composers like Antonio Carlos Jobim, Milton Nascimento, Caetano Veloso, and others. The album brings together a remarkable band - saxophonist Chris Potter, trombonist Steve Davis, bassist John Patitucci, and drummer Adam Cruz - with contemporary Brazilian voices (percussionist Rogério Boccato and vocalist Maucha Adnet) and special guest appearances by legendary vocalist/composers Edu Lobo and Joyce Moreno.

Mutant, in partnership with NEON, are proud to present the premiere physical release of the original soundtrack to Cuckoo.

Tillman Singer’s follow-up to Luz is an incredibly intense and unique thriller set in the Bavarian alps, blending elements of horror and science fiction.

Composer Simon Waskow returns to score Singer’s sophomore feature, adding a distinct voice to the film. His music becomes a supporting character to the action on screen, transitioning from the intimate and delicate to neck snappingly loud and direct as needed. This is a truly masterful score that deserves to be played as loud as possible.

This limited edition soundtrack features “Gretchen’s Song” with vocals by the film’s star Hunter Schaefer.

Pressed on 140g blue vinyl, and housed in a gatefold sleeve.

How did Dexter make a TV audience sympathize with a serial killer? No question, it took an ingenious premise, great writing, great direction…and a stellar ensemble cast headed by lead actor Michael C. Hall. But long-time viewers of the show know there was another “character” that played a huge role in the series: the soundtrack. From Rolfe Kent’s unforgettable title theme to the well-chosen Latin-tinged tunes that fit the Miami setting to composer Daniel Licht’s brilliant themes, the score of Dexter commented on the action even as it amplified its emotional power. Special mention must be made of the late Licht’s work, which employed Latin and electronic elements to portray Dexter’s warm and cold sides; among the favorites here are “Astor’s Birthday Party” and the haunting “Blood Theme” that played over the credits in every episode. In 2007, the Milan label put out a CD and a truncated single-LP soundtrack album containing music from the first season; now, for the first time, we at Real Gone Music are offering all of the music that appeared on the CD in an expanded double-LP edition, pressed on blood with white swirl vinyl and housed inside an appropriately gory gatefold. Don’t miss Michael C. Hall’s spoken word pieces, either…perversely pleasurable listening, limited to 1500 copies!

Out of My Province is Nadia Reids third album, following 2017s critically acclaimed Preservation. This album is Reids first with Spacebomb Records, produced by Matthew E. White and the Spacebomb House Band. Out of My Province is the sound of a young artist growing in profile and dexterity before international audiences and whose world has changed before her eyes. // "Each of the album's 10 songs manage to elegantly teeter without toppling into the overly referential or experimental sides of the sonic canyon. They recall the greats while also plotting a map of the future. The New Zealand songwriter makes her best album yet" UNCUT.

Jabu return with ‘A Soft and Gatherable Star’, an LP that sees the Bristol-based trio evolve from a uniquely spectral take on trip hop to proffer a singular vision between cloudy, downered dream-pop, off-kilter ambient, and the warm, low-end throb of sound system culture. This development is aligned with contemporaries like HTRK, Dean Blunt, Tarquin Manek, YL Hooi and Rat Heart Ensemble, whilst also harkening back to the likes of AR Kane (with whom they are set to play shows and release a collaborative single), the languorous drift of 'Victorialand' era Cocteau Twins or The Cure circa ‘Disintegration’. Comprising Jasmine Butt (vocals, guitar), Alex Rendall (vocals, keys) and Amos Childs (production, bass guitar), the trio’s method may have shifted but the feel remains consistent - slow, spatial, sensuous and gently melancholic. With a career arc unlike almost any other current guitar outfit, Jabu sit within a strong lineage of off-centre Bristolian music, and a very British strain of home-spun DIY bands. Self-recorded between Jas and Amos’ home in South Bristol and Amos’ mum’s house in rural North Somerset, the album came together via a process of trial and error - learning to play on borrowed instruments, using the equipment “wrong”, staying up late recording and slipping into strange, semi-conscious sleep deprived/inebriated headspaces. Having captured over 50 tracks, they honed in on those they liked most, shaping them further, whilst carving out space to allow input from people they love and admire - Daniela Dyson’s voice and Will Memotone's clarinet on ‘Ashes Over Shute Shelve’, Birthmark's synth on ‘Gently Fade’ and ‘Sea Mills’, Rakhi Singh (Manchester Collective) and Sebastian Gainsborough (Vessel)’s strings and arrangements on ‘All Night’, Josh Horsley’s cello on ‘If I Asked You, You'd Tell Me’, and Lorenzo Prati’s sax, again on ‘Sea Mills’. The album was mastered by Amir Shoat (HTRK, ML Buch, Dean Blunt, Carla Dal Forno). Influence-wise, the guitar-based material recalls the bands Amos listened to when younger, and Jas’ more folk-leaning inspirations. Deep-lying dub, hip hop and soul influences are also evident in both the way the LP was mixed, and the space ingrained in their subconscious. Tinged with melancholy, the songs cohere as a set of soliloquies and ruminations on love and tenderness. The album’s title comes from a poem by Amos’ late father which hangs on his wall and seeped into the record. ‘Ashes Over Shute Shelve’ is formed of lines from another poem of his. Recited by longtime collaborator Daniela Dyson and with Will Yates (Memotone) playing his mother’s clarinet, the track was imagined as a conversation between his parents. Geography and location also play a big part in the record, with several significant places name-checked in songs. Shute Shelve itself is a hill near Amos’ mum’s house, who explains “There’s a tree at the top with a 360° view of the Mendips, where my dad’s ashes were scattered. We used to go up there when we could first buy booze from the petrol station down the road, get drunk, light a fire, listen to music from my little battery powered CD player and sleep out without tents.” Titled after a Bristol suburb near where Amos’ grandparents lived and where Jas would spend time as a teenager, ‘Sea Mills’ references her being abandoned by friends on the Downs while high on mushrooms, stranded and missing the bus back. ‘Kosiše Flower’ references the city in Slovakia where Amos and Jas holidayed shortly after getting together and a flower he gave her, which she pressed in a book after an argument. ‘Oceanside Spider House’ is a location in Nintendo 64 game The Legend of Zelda: Majora’s Mask, where someone seeks shelter from the falling moon. Genre: Electronic / Ambient / Dream-pop

D3 Classic Edition proudly presents its debut release, shining a light on an unsung hero of Detroit's electronic music scene: Nathaniel Killins IV. Active from the mid to late 1990s, Killins was an underrated talent who operated under the radar during a pivotal era of Detroit's musical history.

Under the alias Naquil, he released his debut EP in 1996 on Perception Records, a short-lived yet significant Detroit House/Techno
label. Krem de la Krem is a deep melancholia and obscure Detroit deep house EP, beyond qualification, like only a few Detroit records can attain.

We end the year with the second in our series of The Coin EP featuring a different artist on each side. In case you missed Volume 1 - TLM033 it featured Cumulative Collective and Re:Fill in September 2023. This time on side A we have Italian brothers The Robinson who have previously released their track Song 1 on TLM034. They are back once again with two superb jazz infused house tracks, Passion Is The Key and A Satisfying Day. Both ideal for the dancefloor.

Moving onto the AA side and someone who has become a TLM regular, namely Japanese artist Takahiro Fuchigami who supplies us with three amazing tracks; Jazzing Bird, How’s That Sound? and In Motion. Fantastic broken beat from one of Japan’s rising stars. If you missed his two tracks that we previously released on TLM034 - Strange Acquaintance and TLM035 - Outer Heaven, you need to check them out.

Here’s the first release of the Hungarian Alliwant Wax limited VINYL series including label owner James Cole’s 2 original tracks beside the remix of one of the scene’s most inspiring and respected producers, Diego Krause and another remix from the Israeli Mike Sharon.

Both original tracks bring back the oldschool deep house wrapped in modern sound. The deep sexy groove, the catchy vox and melody work really well on the dance floor.

Diego Krauses remix operates with his characteristic sound, its minimalistic build-up features dynamic grooves. Mike Sharon’s version is more epic and more emotional using the pads of classic deep house - we’ll love it!


Just like before, HOW003 will be released in a restricted, vinyl-exclusive edition.

repressed !

It's been a busy 3 years since Danny Berman aka Red Rack'em released on his own Bergerac imprint.

Since then he's toured relentlessly, released a whole album of live music based disco/punk funk for Sonar Kollektiv as Hot Coins, managed to completely update his biggest track 'In Love Again' to make it a hit the second time around plus released spaced out, wonky party smashers on Wolf Music, Phonica, City Fly and Telefonplan.

While all this was going on Bergerac was largely on ice but now Berman is turning his energy back to the label with a vengeance.
Wonky Bassline Disco Banger is accurately titled. An uplifting intro breaks down into a slamming disco house number and just when you think you know what's going on...
Then the trademark Red Rack'em wonky bass drops in. 150% Guaranteed party smasher... Jazzy House Extension is super vintage Red Rack'em from around 2004 - something for the jazz heads out there - cracked out piano and far too loud double bass come together to birth a euphoric yet banging snapshot of a producer learning his chops. Destined is a slightly demented leftfield house number featuring mangled, pitch shifting fretless bass and vocals samples discussing someone's destiny.
A woozy end to the EP.

DJ Support: Kevin Reynolds, James Baron, Hot Toddy, Pablo Valentino, Colin Dale

Suite For Chick is a heartfelt Homage to the late Jazz Maestro Chick Corea.

This collection features reinterpretations of City Gate, Rumble, Time Track, and Hymn of the Heart from the Chick Corea Elektric Band, as well as Return to Forever’s classic Romantic Warrior. These vibrant renditions celebrate Corea's enduring legacy in the jazz world.

Chick Corea played a crucial role in shaping Miles Davis's electric fusion era and was a key member of his Lost Quintet. He was also a founding force behind Return to Forever and many other influential groups.

Bangkok-based Maarten Goetheer collaborates with top Thai drummer Pong Nakornchai, blending Wurlitzer chords, Moog basslines, ARP leads, and signature Rhodes phasings. Nakornchai, a Master’s graduate in Jazz Studies from Mahidol University, leads his own quartet and embodies the progressive spirit of modern jazz in Thailand.

Maarten's inspiration stems from his musical upbringing; his father, Gerard Goetheer, was a jazz pianist. This environment fostered his deep appreciation for music. A pivotal moment came when he heard Masters at Work remixing Tania Maria, igniting his vision to merge genres and create something new.

With Suite for Chick Maarten wanted to incorporate a wider range of Modern influences that he became infatuated with throughout his Musical career such as Techno, Italo, Cosmic Disco, Dub, Acid, Boogie, Proto-House & Ambient Music.

To Maarten bringing these genres together is his current and unique interpretation of the JAZZ FUSION moniker.

Radio Support: Kev Beadle Radio support, Colin Curtis Radio support, RINSE FM mini album mix & interview on Tim Garcia show, BBC6 RADIO New Music Fix 16th Oct 2024

DJ Feedback:

DJ Harvey - Very cool collection of reworks

Terry Farley - so fucking good - house heads will be lovin’ this

Laurent Garnier / FG Radio France: Whaouuuu. That’s brilliant. Great album!

Lars Behrenroth / Deeper Shades Of House: This is so cool. Love the dub of City Gate, too. Great music

Jimpster / Freerange: Great idea to work up some contemporary interpretations of Chick classics! Was always a fan of Time Track so nice to hear this one included. These tracks strike a really nice balance of electronic/sequenced elements and live recording. I’m into it!

Tim Garcia / Rinse FM: I think this whole release is excellent and inspired, nice to see a tribute to one of my favourites work so well.

a A1: City Gate Rumble Original
[b] A2: City Gate Rumble [Reprise Dub]
[c] A3: Romantic Warrior [Original]
[d] B1: Time Track [Original]
[e] B2: Time Track [Reprise]
[Original]

Tenderlonious follows up his essential 'Tek-88' EP with three deep, dream house tracks that nod to mid-90s Larry Heard and smudged, jazzy beatdown vibes in a Theo Parrish/Rick Wilhite/KDJ style - only 200 copies available on 12" vinyl, in a hand-stamped sleeve 'Underworld' kicks things off on side A with a ten-minute deep house journey filled with classic sounding synth leads and sweeping strings, held together by rolling 808 drums. This one is a sure-shot winner for the dancefloor. Side B starts with 'Wild Horses', with clapping 808s, a smooth bass line and lush analogue pads that clear the decks for a touching piano solo. Side B finishes up with 'Ur Love', influenced by the noughties London club scene. Rolling drums intertwine with an arpeggiated piano line, which builds to a slick lead solo.