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Celebrate two decades of lyrical genius and innovative sound with this 20th anniversary re-press of Eyedea & Abilities' seminal album, E&A. Originally released in 2004, this album is a masterclass in expressive ingenuity and sonic experimentation. Eyedea's profound storytelling and introspective themes resonate deeply, inviting listeners on a journey through the complexities of identity, existence, and the human experience. Paired with DJ Abilities' exceptional production and turntablism, E&A creates a soundscape that is both rich and original, making it a standout in the genre. Critically acclaimed upon its release, E&A garnered praise for its unique blend of styles and thought-provoking lyrics. Tracks like "Now" showcase the technical precision of each artist_with Eyedea's reflective depth complemented by Abilities' infectious rhythms and razor sharp cuts. Together, the pair masterfully blend introspection and energy, making "Now" a powerful anthem for anyone seeking to navigate life's complexities. Meanwhile, "Paradise" is a mesmerizing exploration of the pursuit of happiness and the nuances of human desire. The song balances vulnerability with an impactful message about the human condition, evoking a wide range of emotions and making it both relatable and impactful. E&A stands out as a highlight in the duo's discography, showcasing their unique ability to blend profound lyrical content with inventive production, and solidifying Eyedea & Abilities' place as innovators in the hip-hop genre. A must-have for anyone who appreciates the art of storytelling and the power of music_grab your copy of E&A and join the celebration!

"Adrian Younge Presents: Black Dynamite (Original Motion Picture Soundtrack)" is the first official release from composer and producer Adrian Younge. The album, inspired by the great blaxploitation soundtracks of the 1970s, is the meticulously crafted sonic accompaniment to the cult classic, Black Dynamite. Younge commands the Rhodes electric piano, Hammond organ, Hohner Clavinet, harpsichord, synthesizer, vibraphone, guitar, bass, flute, sax, cello, and more to craft a singular vision of the era. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

180g Vinyl

A recording of a passionate live performance held in the northern land of Nemuro, which continues to be loved along with the first album "Tact." The title song is literally epic, like ice floes colliding in the ocean.

"Face The Fear" ist das zweite Album von In Strict Confidence und erschien im Original 1998 auf dem damaligen Kult-Electro-Label "Zoth Ommog", auf dem auch Bands wie Front 242, Frontline Assembly und viele andere in den 90ern ihre Heimat hatten. Nach dem Debüt-Album "Cryogenix" 2 Jahre zuvor, konnte auch "Face the fear" überzeugen. Beinhaltete es doch Hits wie "Industrial Love", "Alles in mir" oder "Hidden thoughts", die auch heute noch in Clubs laufen und auf Konzerten die Fans begeistern.
Nun, 27 Jahre nach Erstveröffentlichung, kommt das Album erstmals auf Vinyl. Dazu noch in transparent-weissem marmorierten 2-LP Gatefold Design und mit unveröffentlichtem Bonusmaterial.

With Bhelize Don't Cry, Uzi Freyja unveils her childhood alter ego, Bhelize—a name known only to her family, now released as a daring new identity. This album, crafted as a letter to her “inner child,” is an honest dialogue between the adult she has become and the little girl she once was.
Over 12 tracks, Uzi Freyja takes us on a visceral journey, navigating between vulnerability and strength. She recounts her trials and triumphs, affirming an unbreakable resilience and a unique, uncompromising identity. Each track captures a key moment, an intense emotion, a facet of her striking universe.

An intimate, uncompromising story: Uzi Freyja delivers more than just an album; this is a blazing confession that transcends the personal to strike a universal chord, resonating deeply with listeners.

Stage energy translated to the studio: With over 100 performances since 2021, Uzi Freyja brings her on-stage intensity to this album. Bhelize Don't Cry is designed to be both felt and danced to, inviting everyone to let go and “shake that Bunda” with no reservations!

A raw balance between gentleness and power: Moving between delicate confessions and pulsating beats, Uzi Freyja crafts a world where each track oscillates between pure emotion and raw energy, captivating the listener from start to finish.

Goldfarbenes Vinyl, limitiert auf 400 Exemplare. Schneller, höher, weiter! FORMOSA legen mit dem kommenden Album PYRITE eine ganze Schippe obendrauf und zeigen, dass sie gekommen sind, um zu bleiben. Das Album wird am 31.01.2025 erscheinen und kanalisiert die Quintessenz der Band, die Liebe zur Musik. Was man hört, lässt sich nicht anders beschreiben als "FORMOSA" - eine Achterbahn der Gefühle. In den 13 Songs durchlebt man die unterschiedlichsten Emotionen. Teils verarbeiten die Songs Erfahrungen aus dem Alltag einzelner Bandmitglieder und thematisieren Frustration und Verzweiflung als Teil der Realität.

"Recorded in Jeremy Loops' home studio in Cape Town, South Africa ‘Feathers and Stone’ is an organic response to a world increasingly shaped by digital and artificial sounds, and showcases Jeremy's depth as an artist and a songwriter.

Following on from critically acclaimed albums Trading Change (2014), Critical As Water (2018) and Heard You Got Love (2022), ‘Feathers and Stone’ reflects the balance between heaviness and lightness by mixing both uplifting melodious music with melancholic moments, sophisticated guitar licks and vocal turns. Produced by Will Hicks (Ed Sheeran, Lilly Allen, Bastille), Loops hopes that listeners will feel the depth and honesty in all eleven tracks on the record.

After previous collaborations with industry luminaries like Ed Sheeran, Steve Mac and Edd Holloway, this album includes collaborations with South African choral group and five time Grammy Award Winners, Ladysmith Black Mombazo on the single ‘Coming Home’ and prolific German born folk/pop duo, Amistat on ‘Loveblood’, a powerful and euphoric track which found its feet while they toured through Europe and South Africa with Jeremy.

Previously, Jeremy Loops carved a niche for himself through electrifying live performances, progressing from small bars to selling out 5000-seat arenas globally and earning him accolades and awards at the South African Music Awards and MTV Africa's Best Alternative Artist award and & Best Pop Album."

"Recorded in Jeremy Loops' home studio in Cape Town, South Africa ‘Feathers and Stone’ is an organic response to a world increasingly shaped by digital and artificial sounds, and showcases Jeremy's depth as an artist and a songwriter.

Following on from critically acclaimed albums Trading Change (2014), Critical As Water (2018) and Heard You Got Love (2022), ‘Feathers and Stone’ reflects the balance between heaviness and lightness by mixing both uplifting melodious music with melancholic moments, sophisticated guitar licks and vocal turns. Produced by Will Hicks (Ed Sheeran, Lilly Allen, Bastille), Loops hopes that listeners will feel the depth and honesty in all eleven tracks on the record.

After previous collaborations with industry luminaries like Ed Sheeran, Steve Mac and Edd Holloway, this album includes collaborations with South African choral group and five time Grammy Award Winners, Ladysmith Black Mombazo on the single ‘Coming Home’ and prolific German born folk/pop duo, Amistat on ‘Loveblood’, a powerful and euphoric track which found its feet while they toured through Europe and South Africa with Jeremy.

Previously, Jeremy Loops carved a niche for himself through electrifying live performances, progressing from small bars to selling out 5000-seat arenas globally and earning him accolades and awards at the South African Music Awards and MTV Africa's Best Alternative Artist award and & Best Pop Album."

"Enjoy The Ride Records in conjunction with Curry Cuts proudly presents Songs, Bond Songs: The Music of 007. For over sixty years, people around the world have been thrilled by the ongoing adventures of James Bond. And it's not hard to see why. The combination of death-defying stunts, cool gadgets, beautiful women, and sinister villains is nearly irresistible.

But there's another feature of the James Bond films that's just as crucial to their success: The music.

Songs, Bond Songs: The Music of 007 pays tribute to that great Bond music, with some of today's best indie pop artists - including members of Drive-By Truckers, The New Pornographers, Fountains of Wayne, and Bowling For Soup - offering updated interpretations of 26 James Bond themes, from Dr. No up to Spectre.

Songs, Bond Songs: The Music of 007 is available on vinyl for the first time. Featuring new gatefold and back cover art by Garreth Gibson, this release is sure to delight fans of 007. This pressing is limited to 500 copies across 2 color variants. "

WRWTFWW Records is in a state of total bliss as it announces the release of the Pitstop Box compiling all 24 tracks from Japanese house music pioneer Shinichiro Yokota’s two acclaimed albums Do It Again and Again (2016) and I Know You Like It (2019). The collection, available on vinyl for the first time ever, is presented as six 45rpm-cut 12inches housed (!) in a superb slipcase box set created by Lopetz, designer, illustrator, typographer, and co-founder of Swiss graphic design studio Büro Destruct. Included as bonuses are two sticker sheets.

Previously only available on CD in Japan via cult electronic label Far East Recording, Shinichiro Yokota’s album discography finally gets a long overdue vinyl release in the form of a limited-edition box set housing (!) six 12inches and a total of 24 songs showcasing the house legend’s celebrated sound. With a production style drawing from a rich blend of funk, hip hop, electronic, and Japanese influences, Yokota’s music is loved for its simplicity, its hypnotic quality, and, most importantly, its SOUL – homegrown 90s soulful melodic club music…pure love!

The Pitstop Box, full of dancefloor treasures and sprinkled with downtempo gems, not only defines Yokota’s personal journey but also resonates as an essential contribution to the house genre and Japanese music in general. It includes his house hits (“Right Here Right Now”, “Night Drive” and the list goes on), a cover of “Simoon” by Haruomi Hosono’s Logic System, and a collaboration with his longtime partner and electronic music hero Soichi Terada.

Shinichiro Yokota began his musical history in Tokyo, inspired by electronic music giants such as Yellow Magic Orchestra and Kraftwerk. He co-founded Far East Recording with the great Soichi Terada (who also worked with WRWTFWW for the Omodaka compilation) in 1990. After releasing the now highly sought after Far East Recording album with Terada in 1992 (from which his viral hit “Do It Again” is from), he took a hiatus from music and, most notably, brought his passion for sports cars to the next level by launching Night Pager, a company he started with his wife, specializing in tuning sports cars and modifying limiters for competition racers. It’s this side of Yokota’s life which has inspired the design of the Pitstop Box. He triumphantly came back to music with the album Do It Again and Again in 2016, consisting of unreleased 90s recordings as well as new material, and followed it up with I Know You Like It in 2019. His work has influenced generations of producers, and has expanded Japanese house music's reach on the global stage. Experience it on vinyl now.

Full unadulterated pleasure forever - from night drives to dancefloors.

VERY VERY LTD DELUXE CLOTH BOUND GATEFOLD SLEEVE RED VINYL EDTION, 2LP W/ DLC! "The first three songs alone are like love at first hearing." - Deluxe 2xLP clothbound sleeve edition of 'Car Button Cloth', featuring Lemonheads classics 'If I Could Talk I'd Tell You' and 'The Outdoor Type'. This reissue includes the original record alongside a whole extra LP of rarities and unreleased cuts, continuing Fire Records in-depth series of reissues from the legendary band. 'Car Button Cloth' is an extraordinary affair of musical and emotional extremes, a soundscape spanning "the most beautiful piano-led mourning in the history of the broken heart" that switches into perky jangle-pop for fleeting moments and contains the ultimate self-deprecating classic 'The Outdoor Type', penned by Smudge cohort Tom Morgan, as well as a cover of the bluegrass standard 'Knoxville Girl' and 'If I Could Talk I'd Tell You' co-written with The Vaselines' Eugene Kelly. All bases are covered. To further unravel where Evan's head was at during the period of its creation, this deluxe double album comes with a record of exquisite and typically eclectic scene setting covers that occupied B-sides and alternative format versions, plus other super rare offcuts, live takes and remixes. A diet of Volcano Suns, Glen Campbell, The Jacobites, The Sir Douglas Quintet and Whitney Houston influenced Evan's thinking and added further colour to an album that remains something of a Dorian Gray-style masterpiece. The first side of extras is rounded off with the never before released 'Arise', originally set for the remake of Great Expectations and later realised as Rancho Santa Fe on solo album 'Baby I'm Bored'. "One of the most distinctive voices of the '90s" The New York Times

A deep and mysterious groove that makes you hesitate to give in to it. Kiyoshi Sugimoto is a guitarist who has sharply shot through the heart of the times. This is the highest point of his achievement.

Kiyoshi Sugimoto is a guitarist that Terumasa Hino longed for and Akira Ishikawa fell in love with. His cutting-edge and diverse sound has always been at the forefront of modern jazz and jazz rock, and has sharply shot through the heart of the times. There is no doubt that this work, "Babylonia Wind", captures one of the pinnacles of his musical expression. Hideo Ichikawa's electric piano spreads like a ripple, Yoshio Ikeda's rich yet restrained bass, Motohiko Hino's drums with good grain and strong propulsion, Takao Uematsu's saxophone that combines wildness and luster, and Sugimoto's sharp guitar that flashes. From the deep sea-like "Babylonia Wind" to the delicate and fleeting "Hieroglyph", when you listen to the whole album, you will be astonished by the variety of expression and awed by the depth of the groove.

Pipa Records is back again, with the highly anticipated release of Viktor Udvari's seminal masterpiece Tatar Jaras. A track that has been circulating in the scene for almost a decade, causing magical moments on the dancefloors, a favorite to dj's, dancers, house, techno and minimal lovers all around the world. After a seemingly endless journey it finally finds a home under the guardian arms of Pipa Records, accomplained by a partner for life, in the form of a remix by label owner B-Squit.

Back to back modern lovers originally featured on the Peckings sampler Old Skool Young Blood Vol. 1, in 2006.

Impex has always had a special place in their hearts for Shoji Yokouchi’s Greensleeves. Standards, original tunes, and traditional pieces (like the title track), are interpreted in unexpectedly funky, soulful ways. The master guitarist is given immeasurable support by organist Yuri Tashiro. Her playing is alternately moody and spry, fiery and funky. Impex’s vinyl reissue preserves the original’s clear, exacting sound (check out the bass on Tashiro’s organ!) while improving surface noise and presentation. This rare gem of Tee Fujii’s repertoire is yet another entertaining listen for Three Blind Mice fans from their friends at Impex Records!



"I cannot understand how Chris Bellman got 100% of the dynamics, power, subterranean deep powerful bass, delicate guitar, bass riffs, and drums all on a 33 RPM release without the instruments colliding into one another. I am shocked by the RTI pressing of such utter quiet and explosive punch... harmonics and layered realistic textures lived in the room as the needle found its groove. Imaging is pin-point stable and precise, and dynamics never overload."

"If this is not the ultimate audiophile demonstration LP released this year, then none will be released. I dare you to stop listening to this LP once the first cut has commenced! With mostly standards jazzed up for the brilliant musicians to love to play, I was constantly tapping my toes and reminiscing on when I first heard a certain melody. What great fun!"

" ...Packaged by Impex in slick classy gloss and full color, Greensleeves is a high-quality production for a top jazz collection. Prediction: this release will triple in price! For those smart enough to buy multiple copies and put extras away, a bonus awaits them! This is the best audiophile system demonstration LP I have heard in ages, and a must-own. Thank you Impex! Greensleeves receives my highest BUY recommendation!" - Robert H. Levi

Filled with aural magic and enchanting musical spells, Sorcerer is true to its name. The third of five albums by Miles Davis’ legendary Second Great Quintet — and the second record in a still-unprecedented string of eight consecutive releases within a four-year period that forever changed the face of jazz — the 1967 effort mesmerizes with instrumental colors, subdued musings, and subtle details. These crucial characteristics blossom with vibrant realism on Mobile Fidelity’s 180g 33RPM SuperVinyl LP.

Sourced from the original master tapes and pressed at Fidelity Record Pressing, this numbered-edition audiophile edition of Sorcerer joins the ranks of other essential Davis records given supreme sonic and packaging treatment by Mobile Fidelity. Longtime listeners will immediately recognize a wealth of information and depth of tonality unavailable on prior versions. The myriad shadings, interwoven textures, and relaxed nuances that tie the post-bop set’s warm compositions together are rendered with utmost realism. Credit goes to MoFi’s engineers as well as the label’s groundbreaking SuperVinyl profile that features the lowest-possible noise floor as well as sublime transparency, dead-quiet surfaces, and superb groove definition.

By any measure, this is a reference reissue. You’ll hear poetic lyricism pouring out of Wayne Shorter’s horn, the breadth and definition of the notes spreading across an enormous soundstage. Never before have drummer Tony Williams’ rim shots ricocheted with such purpose or his light percussive work mirrored that of a feather touching skin. Similarly, Herbie Hancock’s piano runs occupy their own space, where their relationship to the central rhythms and front line becomes clearer.

Prizing inflection and nuance more so than heady solos or uptempo flights, Sorcerer mesmerizes with cerebral properties and cascades of emotional interplay. Such beauty emerges in the mellow ballad “Pee Wee,” an indelible statement of restrained authority and sophisticated expression. The swirling title track unfolds as jazz shadowplay, Hancock, Shorter, and Williams mirroring one another’s moves with guile and purpose. The opening “Prince of Darkness” showcases the ensemble’s reach and communication, every musician going in seemingly different directions yet ending up on the same page.

A lasting example of Davis’ visionary insight, Sorcerer is comprised entirely of pieces written by his band mates. Indeed, save for the closing “Nothing Like You” — a brief tribute to Davis’ eventual wife, who also graces the cover, recorded in 1962 and adorned with vocals from Bob Dorough — the album represents a further maturation and refinement of a quintet that stands as one of the finest in jazz history.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world’s quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label’s engineers hear in the mastering lab.

Straight outta Rockaway Beach, Queens, New York City, USA, THE WORLD, Prison is a state of mind, an experience, a loose collective, a band, a jam band and a bunch of psychedelic dudes who aren"t your average bunch of jambanders. All that, all at once, ALL THE TIME. You get what you"re dealing with here? No...you don"t. The only way to REALLY get it is to go to Prison -- and if you"re not from greater NYC and haven"t showed at any of the shows, here"s your best bet: their breakout album, Upstate. And whatta breakout! So high, you can"t get under it; so wide, you can"t get over it! How wide? Every song has two titles, that"s how wide. And almost everybody sings, like, all the time. That wide. Sure, you can break down the numbers -- five guys, five songs and four sides of vinyl in one gatefold sleeve -- but that won"t get you Upstate, either. Prison is the sound of everybody in the room figuring out where to go, individually and collectively. As they go through it, the meaning changes, the destination changes, the words mean something different. It"s meaning and no meaning, rising and falling, sinking and flying on the back of something massive cacophonized by three guitars, four vocals, a bass and drums. A lot of information bouncing around and enough time to really get you out of yourself! Take a look at the titles: each one a dichotomous inquest that the assembled Prison-ers march upon with fervor, glee, vengeance -- a whole spectrum of feels and perspectives woven into the jam for you to see. The Prison population changes with the seasons, and during the season this album was recorded, Sarim Al-Rawi, Mike Fellows, Sam Jayne, Matt Lilly and Paul Major were in Prison. Sarim you might know from Liquor Store, Mike"s made a bunch of scenes and records as Mighty Flashlight, Sam, who passed away in 2020 (R.I.P., brother) was in Love as Laughter -- and Paul Major you know from Endless Boogie, who Matt had roadied for -- and despite being "just a skateboarder who loves music" with no previous experience on the drums, he and Sarim inaugurated the Prison experience, like, seven years ago. Since then, it just fell together and it keeps doing so. A free thing called Prison.