Barcelona’s Egyptian Greyhound and Berlin-based Ziel join forces in search of a modern sound rooted in the spirit of classic dancefloor cuts. Riding the revival wave, their EP blends Progressive, Trance, and Balearic elements with Classic House undertones.
A1 – Ziel’s "Divinity" is a sensual vocal track, channeling the eroticism and transcendentalism of past eras. Straddling the line between after-hours soft-trance and progressive house with Hi-NRG ambition, it delivers a compelling emotional punch.
A2 – "A Life in Paradise" follows in tone but leans further into Classic House. Less Hi-NRG, more warmth — it’s a strong warm-up tool, ideal for building energy early on.
B1 – "Nature Dancer" by Egyptian Greyhound brings a powerful kick and drum groove for peak time, combining Balearic colors and trancey aesthetics to ignite the dancefloor.
B2 – "Ace of Swords" sees both producers come together for a trippy, acid-tinged closer that fuses deep Trance and Balearic moods into a dreamy final statement.
Dancing Vinyl Records kicks off its journey with a radiant debut EP from Scruscru – a four-track house odyssey titled simply and soulfully for the dancefloor.
From the warm acid lines of “303 Baby” to the sunny, uplifting groove of “Love Is Taking Me Over”, Side A offers instant feel-good energy, perfectly tailored for both daytime sets and cozy listening sessions at home. On the flip, “Watashi Mo” brings jazzy textures and head-nodding swing, while “O.K.” closes the record with a laid-back yet infectious deep house flow, full of elegant rhythm and charm.
This is house music in its purest form – heartfelt, unpretentious, and irresistibly groovy. A confident statement from a label that values soul, simplicity, and sound system readiness.
Pressed with care. Designed for DJs. Built to last.
A collection of obscure and unheard metaphysical sounds, 1980-1992
Lost Coast: Some Visionary Music from California assembles little unknown sounds from California’s metaphysical underground. Each recording is stylistically different—dream pop, guitar soli, fourth world, avant-electronic—but they are held together by a regional ethos of the “visionary.” This is music that envisions, seeing through the mind’s eye and conjuring new worlds.
Some people say that California is where “the nuts stop rolling”—where those too eccentric to fit in elsewhere ended up. What was meant pejoratively is easily reclaimed as a celebration of the free-thinking and the freely-freaking. Until the turn of the millennium, all manner of seekers rolled westward until they hit the pacific. Stationed along this edge, music was a way to roll still further: to imagine territories unencountered and wavelengths as yet unheard.
Lost Coast is a commemoration of the people who made these journeys and a resurrection of recordings they made little effort to broadcast. While some of the tracks were originally released on cassettes with modest distribution, others were only shared among friends or never shared at all. Assembled from the personal collection of House Rules operator Zully Adler, these recordings were all found on cassettes in flea markets, barn sales, rural thrift stores, and even stranger places—outside a gem and mineral shop, for example, and on the ranch of a retired mescalin dealer.
Nonetheless, these recordings are eminently listenable. California is a place where the strange and the pleasurable are frequent bedfellows.
After their first album, AGO, released in 2023, and two successful European tours, the group's second album, SÉ NAM (‘understand me' in Mina), will be released on June 13, 2025.
Feminist and ecological themes, sung in the scales of Togolese voodoo tradition, are still at the heart of the group's discourse.
Recorded once again at the legendary OTODI studio in Lomé, the new tracks benefit from a more contemporary production by Peter Solo (Vaudou Game) that retains the lively character of the original recording, but gives even greater scope to groove and rhythm.
An immemorial trance, which through the use of their magical 'gazé tuyaux', a DIY bass based on PVC pipes, evokes original house and techno and will seduce dance-floors around the world.
• The Hidden Cameras melden sich 2025 mit ihrer lang erwarteten, hymnischen neuen Single »How Do You Love?« zurück
• Über einer pumpenden Bassline, gefühlvollen Klavierakkorden und melancholischen Streicherarrangements (gespielt und arrangiert von langjährigen musikalischen Partner Owen Pallett) trifft Joel Gibb genau den Punkt zwischen Euphorie und Schmerz, an dem die Seele der Disco sitzt!
• Die Pet Shop Boys verwandeln »How Do You Love?« in einen emotionalen Disco-Banger – inklusive bombastischer Streicherflächen und fröhlicher House-Pianos
London hi-fi bar Space Talk's in-house label, ST Records, kicks off with a 12-track vinyl-only compilation featuring exclusive music from artists who performed at the venue of the same name over the past year. Crafted specifically for the unique acoustics and energy of the venue, some tracks were even recorded live or during intimate Sunday sessions. There is everything from murky dub soundscapes like Kristina May's 'Slow Down, You're Missing Out' to classic era hip-hop from The Village Fools, blue-eyed soul from Sholto's 'There Once Was A Talk Space' and plenty in between. All profits from ST01 will be donated to a UK charity supporting young musicians from underrepresented backgrounds.
E-NUMBERS returns with its next forward-facing 12”, this time from label heads The Molecule — the collaborative alias of Bobby ODonnell and Quixano. Blending deep, elastic grooves with stripped-back futurism, the duo serve up two original cuts that channel the spirit of late-night dancefloors with a distinctly UK-informed edge.
On remix duties, tech house pioneer Pure Science delivers a driving, heads-down version primed for sweat-soaked basements, while Oshana reimagines the track with her signature minimal-funk aesthetic — rolling percussion, hypnotic atmospheres, and a masterclass in restraint.
A versatile four-tracker built for discerning selectors, this release further solidifies E-NUMBERS’ dedication to cutting-edge club music with soul and substance.
Dentelles Records presents La Fontaine EP Vol. 2 incl tracks by Chris Lowone, Xylène, Greg All, & Francesco Marra
Following the success of its debut release, Dentelles Records — the sub-label of Diki Records founded by Greg All — is proud to unveil the second volume in the La Fontaine vinyl series. Rooted in the spirit of the Les Dentelles Electroniques festival, this new chapter continues to celebrate the vibrant and festive energy that defines the label.
La Fontaine EP Vol. 2 brings together four exclusive tracks crafted by artists closely linked to the La Fontaine experience. This edition features a groovy and soulful vocal house track by Chris Lowone, an impressive Afro House debut by rising talent Xylène, a high-energy and captivating vocal track by Greg All, and a punchy Tech House cut by Francesco Marra.
To make this release even more special, the EP is available both on digital platforms and as a limited edition transparent Curaçao blue vinyl, adding a colorful and collectible touch to the listening experience.
Once again, Dentelles Records delivers an inspired and festive selection that captures the essence of La Fontaine's dancefloor. A must-have for vinyl lovers, DJs, and all fans of vibrant electronic grooves.
Francais
Dentelles Records présente La Fontaine EP Vol. 2!
Suite au succès de sa première sortie, Dentelles Records — le sous-label de Diki Records fondé par Greg All — est fier de dévoiler le deuxième volume de la série vinyle La Fontaine. Inspiré par l’esprit du festival Les Dentelles Électroniques, ce nouveau chapitre perpétue l’énergie festive et vibrante qui fait l’identité du label.
La Fontaine EP Vol. 2 réunit quatre titres exclusifs signés par des artistes étroitement liés à l’univers La Fontaine. On y retrouve un morceau House vocal groovy et soulful de Chris Lowone, une première sortie Afro House prometteuse de la jeune talentueuse Xylène, un titre vocal énergique et entraînant de Greg All, ainsi qu’un track Tech House percutant signé Francesco Marra.
Pour rendre cette sortie encore plus spéciale, l’EP est disponible à la fois sur les plateformes digitales et en édition limitée sur un vinyle bleu curaçao transparent, apportant une touche colorée et collector à l’expérience d’écoute.
Une fois de plus, Dentelles Records livre une sélection festive et inspirée, capturant toute l’essence du dancefloor de La Fontaine. Un indispensable pour les amateurs de vinyles, les DJs et tous les passionnés de grooves électroniques vibrants.
LDF (Lello Di Franco) makes a powerful return to Skylax, this time teaming up with Detroit's own Javonntte. Following his stellar release with Gari Romalis, LDF delivers a release that is pure gold for fans of the original Detroit sound. If you appreciate the styles of Moodymann, Theo Parrish, or Omar S, this record is bound to resonate deeply. The EP opens with "Disco One (All Night Long)," a groove-heavy track that embodies the essence of classic Detroit house. It pulses with soulful basslines and infectious rhythms, setting a hypnotic tone that's perfect for late-night sessions. "Saved" ventures into Chicago acid territory, a tribute to the raw, driving energy of classic acid house. With its punchy 303 basslines and tight, snappy percussion, it channels the best of Chicago's underground with a fresh, modern edge. "After Midnight" offers a smooth, after-hours vibe, balancing deep, jazzy chords with a pulsating rhythm that keeps the energy simmering. It's a track that brings warmth and intimacy, ideal for closing sets or introspective moments. "Martha" is a lush, emotionally rich track that embodies LDF's Italian roots while staying grounded in Detroit's heritage. With warm melodies and a rolling bassline, it delivers a balance between soulful warmth and a classic dancefloor feel. "Love Anthem" is a heartfelt groove, merging lush pads and laid-back percussion with a sense of nostalgic euphoria. It's a track that brings people together, a true love letter to house music. "People From Mars" pays homage to Omar S, with its stripped-down, gritty approach. The track has a rough, analog feel, capturing the raw energy and spirit of Detroit's underground. Finally, "The Dirty Digital Show" closes the EP on an intense note, with a driving rhythm and futuristic soundscapes. As an Italian DJ and producer from Naples, LDF brings his decades of experience—starting from his early inspirations in house and techno in 1993—into this record. Also, as co-owner of Frole Records and co-founder of Basic Frame Distribution, his knowledge of the scene is profound, and it's reflected in each meticulously crafted track. This release is a testament to the timelessness and diversity of house music.
Artwork done by legendary french cult designer H5 (Daft Punk, Air, Etienne de Crecy …)
A nocturnal ride through the magnetic waves of an imaginary club that never sleeps, where groove becomes ritual and the dancefloor an extension of the body. Francisco & Cosmo Dance – aka Francesco De Bellis and Cosimo Mandorino – orchestrate a mechanical and naif dance between man and machine, where synths chase each other and drum machines dictate tight, unrelenting beats. “Go Go Dance” is a concentrated dose of analog groove, electronic funk, no-wave pulses, and retro-futurism.
The Extended Mix transcends radio boundaries, diving into a hypnotic, fluid, body-driven dimension: a sonic tide echoing cosmic italo, primitive house, and off-kilter disco, shaping a soundscape for dancefloors from another dimension.
The House Mix, finely edited by Whodamanny, is a manifesto for the floor: pure rhythmic dynamite, made to ignite bodies and let them vibrate freely. A shared and refined vision of house music, where instinct and style fuse into a single voice.
“Go Go Dance” doesn’t aim studio perfection; it craves sensory truth – the kind born of urgency, space, and the pleasure of repetition. An anthem to the most authentic and lived-in club culture, where music becomes sweat, fantasy, and freedom once again.
New entry in the legendary fabric presents mix series, home to standout releases from SHERELLE, Overmono, Saoirse, Kode9, and more.
- Curated and mixed by Pretty Girl – rising star producer/DJ/vocalist known for emotionally rich dance music and a global touring presence including Coachella, DC10, Lost Village, Glastonbury, and more.
- Mix includes exclusive unreleased material, the brand-new single “Innadream”, and hand-selected tracks from Australian and UK scenes.
- A journey through melancholic club textures, groove-heavy house, UK garage, and lo-fi rhythms – all tied together with Pretty Girl’s signature melodic flair.
- Backed by recent remix work for Romy and George Fitzgerald, and the acclaimed EP Get Back To Me.
- Launch party at fabric London (June 6)
o Resident Advisor: “A star in the making”
o Dazed: “Crafting nocturnal soundscapes for the party, the after-party, and the morning train ride home”
o The Sunday Times: “Succession of brilliant tracks”
Pretty Girl is the alias of Melbourne-born, London-based producer, vocalist, and DJ who’s rapidly emerging as a defining voice in emotive club music. Fusing dreamy textures with deep house, UKG, and lo-fi rhythms, her sound bridges dancefloor euphoria with introspective detail. A regular at global festivals like Coachella, Glastonbury, and DC10, she’s earned acclaim for both her immersive live sets and expressive studio work. Recent highlights include her Get Back To Me EP, remixes for Romy and George Fitzgerald, and now her most expansive statement to date: a mix for the revered fabric presents series.
Oblique Records returns with its fourth vinyl-only instalment, Oblique 004, delivering a unique selection of groove-laden house and tech house cuts infused with UK garage flair. This VA release features standout contributions from Velvet Velour, Eli Atala, and Mtty, each offering a unique blend of rolling rhythms and infectious energy. From deep, bass-driven textures to crisp percussive elements, Oblique 004 is a freshly squeezed VA of club tools ready to perk up the dancefloor.
System Error introduces Immer Feierabend - a strictly afterwork series. Kicking things off is Buenos Aires’ own Guile. Off the back of super slick releases on imprints such as Limousine Dream and Proper Grub, the Freak EP delivers four sophisticated movers built for dancefloor release - good house music, pure and simple, with just the right amount of wiggle to move heads and toes.
It's the end of the workday, and if it isn’t, it’s always quitting time somewhere…
Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more
Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.
Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.
The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.
Uk house flavour with US influences… Producers / DJs from London and Brighton who started out in the Brighton 90s house music scene, with releases on Loaded, Piranha Records and more recently KMA60 Rezpektiva we continue to produce electronic music with love, for the dancefloor
DJ support from - Hector Romero, Marco Lys, Mousse T, Sam Divine, Vintage Culture, Ferreck Dawn, Mat.Joe, Claptone, Joseph Capriati, Claude VonStoke, Dennis Cruz, Huxley, Mark Knight, Format:B, Nic Fanciulli.
Riva Starr presents his fifth album 'Keep Me On The Dancefloor' on Snatch! Records.
An opportunity to demonstrate his growth as a producer and as an artist, the album showcases an unexpected Riva Starr sound – one that explores a fresh creative approach, focussing on songwriting, collaboration, and telling stories that are firmly rooted on the dancefloor.
Featuring collaborations with Chromeo, Flight Facilities, Harry Stone and more.
'The album was entirely crafted through writing sessions with talented musicians, writers, and singers. This approach brings something unique, as being in the room with other creatives adds an extra layer of creativity and depth, enhancing the production quality. Most of the tracks came together quickly, thanks to the incredible vibe and chemistry in the studio. Sometimes, the process needed a bit of back and forth and more than one session to perfect.' – Riva Starr
Fusing sounds that represent different eras of Riva’s career, 'Keep Me On The Dancefloor' wistfully and effortlessly glides between disco, funk, soul, filtered house, and even the guitar licks of classic rock; a sum of his career to date, it is a body of work that focusses on amplifying the positive moments, memories, and experiences that can only be found in music. Exploring what it means to connect with someone in the moment; a celebration of losing your inhibitions to the music and finding yourself completely in sync with someone you’ve only just met.
Charged with storytelling and heartfelt lyrics, his most personal work to date is the result of a considered approach to making music, one of collaboration with one foot still on the dancefloor, and the other firmly in the studio guiding an array of talent to build something unique with him. Moving away from the DJ-friendly cuts that have underpinned much of Starr’s career, the fifteen tracks on 'Keep Me On The Dancefloor' are much deeper. With singer Harry Stone providing catchy toplines and infectious vocals across at least half of the album, there is a clear maturity on display at every level.
Additional features come from electro-funk duo Chromeo on the irresistibly groovy 'I Was Lost', and Prince-esque vocals from Nic Hanson on '(I’ll Be Your) Paradise'. 'Know You Love Me' – the laid-back, sun-kissed cut with Flight Facilities – compliments the melancholy vocals of Biishop on “Wildfire” and the disco-infused 'It Feels Much Better' with Harry Stone.
Music is a tonic for the soul, but it feels much better with someone else.
Releasing four of the biggest dance tracks of 2018 and crowned as the #2 Beatport Artist Of All Time, Dresden born disco-house producer Purple Disco Machine has quickly become one of the most prolific and sought after producers in the industry.
Following on from hit Club Sweat singles ‘Dished (Male Stripper)’, Body Funk and Emotion, Purple Disco Machine returns with ‘In My Arms’.
The maestro is back!
Two sides, two moods!
Side A includes house vibes with interesting sound experiments.
Side B is filled with broken rhythms with hot energy grooves for prime-time.
Enjoy it!
Beeyou Records presents its latest imprint from rising UK talent Wodda. For Wodda, this release spans several years of work, representing the evolution of his sound as he heads into 2025.
The Welcome to the Future EP explores previously uncharted territory, while still touching on the 2000s house and speed garage influences, we’ve come to expect from his productions.
The A-side kicks off with 'Bang to the Beat of This' , diving into darker territory, with moody chords, hypnotic vocals, and sirens — a whompy, peak-time speed garage cut, with serious attitude.. 'I’ll Be Careful' brings the energy, with a swingy party starter that everyone needs in their bag. Golden-era 2000s chords, a rolling bassline, and positive groove.
Flipping to the B-side, the title of the EP 'Welcome to the Future' — welcomes a playful, peak-time groove, with a stabby garage bassline. To close things out, 'Santa Cruz' follows with a 90s-inspired melody, paired with swingy drum rolls and a commanding bassline — a fitting finale to Wodda’s highest-quality release to date.
DJ support from heavyweight selectors including Kerri Chandler, Alix Alvarez, DJ Deep, Osunlade, Dennis Ferrer, Dixon, Henrik Schwarz, and Aaron Ross.
French house maestro Franck Roger returns with the latest installment in his acclaimed Earthrumental Music series — a powerful 4-track EP crafted for the deep, late-night dancefloor experience.
Jolene Cuts brings you straight into the heart of 90s French Touch with a modern edge. This exclusive vinyl-only release features 5 meticulously crafted filtered house edits, paying homage to the roots of house music while igniting today's dancefloors. Created by Danny and Mike, true masters of their craft, these tracks combine funky grooves, disco-infused samples, warm filters, and irresistible retro vibes reimagined for the present day. Each edit offers a unique sonic journey, blending nostalgia with a fresh energy, perfect for DJs and collectors who value the timeless magic of vinyl. With this release, Jolene Cuts celebrates the legacy of French Touch while delivering peak-time quality and undeniable groove for any set, from fiery club nights to intimate after-hours. A must-have for true house music enthusiasts. Vinyl-only, strictly limited edition. Once it's gone, it's gone.
4 tried and tested big radio tracks in the "Rave House" genre - Hardcore, Rave & House collide with well known samples , big pianos and heavy basslines and sensible Bpms
Toward the end of the 1980s South Africa's recording industry was booming. Searching for a sound that could cross over to all in the country's segregated society while also eyeing international success, a new duo emerged that quickly rendered its 'bubblegum' predecessors obsolete. Drawing on international trends and crafting lyrics for local ears, J.E. MOVEMENT — a duo made up of James Nyingwa and Elliot Faku — exploded onto the local scene with their debut album, 'Ma Dea Luv'. The future had arrived.
A talented bassist and composer, Nyingwa was at the time employed as an in-house producer at TRS Studios in Plein Street in downtown Johannesburg, run by two Greek immigrants, George Vardas and Chris Ghelakis. Together they formed a close bond as friends and musical partners at what would become CSR Records, recording original hits with acts like the NEW AGE KIDS and SIDNEY, while also cashing in on cover versions as BLACK BOX.
The six tracks on J.E. Movement’s 1988 debut give firm nods to UK Street Soul, New Jack Swing and Stock Aitken Waterman's 'Hit Factory' sound and infuse them with an African rhythmic flair and homegrown lyrical sentiment. Though not expressly political, the title track was received by many as a play on words referencing then-jailed and banned Nelson Mandela (coming after the similarly styled 'I'm Winning My Dear Love' by Yvonne Chaka Chaka in 1986 and 'We Miss You Manelow' by Chicco in 1987), giving it an added potency for those in the know. 'Jack I'm Sorry' was an underground hit in the townships, while 'Marco', 'Friends', 'Funkytown' and the eponymous closer are similarly bass and drum-driven, with hiphop-styled vocals.
On June 27, 2025, a long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.
Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).
Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro’s danceability, acid house’s corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.
In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants “things to fit together properly, but on another level, I really want them to make sense together.” That principle animates R4: The album’s form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.
From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it’s clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.
5 Years, All Ears, All Heart. Fifteen years ago there wasn't a grand plan, no vision board or 10-year strategy. It wasn't about fame and acclaim, it has always been about feelings and encounters. Meeting people who made music, loved music, were music. Fast forward a bit and the family just kept expanding. It wasn't just producers and DJs anymore, designers, writers, random hype people, "vinyl faced" ones... Everyone brought something different to the table and somehow, through our filter, it took us here. House, Jazz, Techno, Experimental, it didn't matter. The only rule was that the music had to feel alive, with a Jazzy twist, where "Jazzy" means a propensity to improvisation, not just music. This is not a story about numbers or streams. It's about people and places. Every track has a face behind it: the producer who turned a three-note loop into gold, the designer who nailed an album cover in one chaotic night, the heads who spun the story for the release and the friends who supported and listened. That is the soul of Apparel Music and that's why the cover for this "B-Day15" isn't gleaming or shiny, it's real. It's a celebration of encounters. The messy, magical moments when people connect and make something bigger than themselves. It's a big THANK YOU to all the characters who hopped on this ride. This record, dropping in both vinyl and digital formats and featuring artists from all over the world, is the symbol of the Apparel Music essence. From the USA with Osunlade to Australia with Erin Buku & Inkswel; from Denmark with Ghosten (featuring Francesca Touré and IZZY NU) to Italy with 2KS and Kisk; Argentina and Brazil with Eduardo and HNQO (with Collateral Lab), Spain with Tuccillo, Germany and The Netherlands with Marcel Vogel & LYMA. It's about exploring genres, diving into far-off worlds, being curious about other places, other people and figuring out how to make them all feel comfy under the same roof, chilling in the same room. A room we've been furnishing for a while with our little treasures, some fancy furniture, some not-so-fancy, but always with passion. There's more music to make, more stories to discover, more people to meet. Apparel Music is not just a label anymore, it's a big, instinctive, unplanned love letter to everyone who's been and who'll be a part of it. 15 Years, All Ears, All Heart.
Powerful techno EP from the prolific Lee Holman, well known from releases on Ferox, KSR and Demarcation alongside his blistering DJ and live performances at Tresor, Corsica Studios, Nechto and Sub-scape (Antwerp).
The A-side starts with the signature track - the iconic big-room techno of “Plasma Wave”, and follows with charging klaxon-call techno in the form of “Tachyon”. Turning to the B-side, Dave Anderson turns in an emotional deeper house remix of “Tachyon”, before Lee closes out the 12” with the oceans-deep “Equilibrium”.
250 copies, hand-stamped and hand-numbered.
“Super solid EP from Lee. Pure techno… dark and mesmerising” (Russ Gabriel)
Kulture Galerie returns with its fourth vinyl compilation, showcasing a futuristic collection of Techno and Tech House tracks infused with hints of Braindance, Electro, and Acid. The compilation opens with tracks from London’s rising star YSANNE (Semi Delicious) and Rare Happiness, both delivering perfect dancefloor destroyers that have already been tested in clubs across Europe.
Next, analogue enthusiast Perseus Traxx presents a relentless live jam packed with squelchy sounds, while on the flip side, Uncanny Valley’s Herzel teams up with North Macedonia's own L.O.V.D to deliver a slow and chuggy Electro cut.
The compilation closes with Barcelona’s mysterious and multitalented artist Sal Abi and his track “Mariani,” a unique machine-made beat full of soul and magic. Following this is the fast-paced groove of “Expandy” by Acid maestro FLX, and finally, the record concludes with the blissful and timeless “Parking” by Global Aphasia.
High-value dance record business once again from Studio Barnhus, as Austin, TX-based label debutant Fennec jams onto one slab of vinyl four cuts of the sort of dancefloor-driving yet warmly welcoming house music the Stockholm label is not NOT known for.
Amassing a cult following from his bedroom studio over the past decade, Fennec channels the sampler titans of yore to craft club bangers for tomorrow, from the instantly captivating dancefloor call-to-arms "Jaunt" to the
frisky yet contemplative "Grilled Romaine."
Equally adept on the decks and in the studio, Victor Calderone has travelled the world playing for thousands and created some of the electronic music industry’s most seminal tracks and remixes. His new double sided release on Nervous Recprds is a collaboration with highly respected producer / DJ Mykol. They have a created an EP that has the driving percussive force needed to move a dancefloor in 2025, and through its inspired usage of vocal and musical elements highlights their background as born and bred New Yorkers who grew up enmeshed in New York’s nightlife and musical culture.
'What You Want' features the legendary Byron Stingily, a Chicago house singer and Ten City vocalist with a famous falsetto. Here he serves up a moody spoken word sermon over chunky house drums with a dark energy and late-night sense of soul. Electric synth patterns wave in and out to bring great drama to this full-flavour groove. 'What You Want' also comes as a more pared-back but still jacking dub with plenty of smart studio effects.
'Take You Back' is a surging house sound with deep bass and drums and whimsical synth patterns that dance over the beats. Analluring female vocal pulls you in ever closer to a track that is both emotive and physical, steamy but sensuous.
Francis Bebey was a visionary who explored the intersection of African traditions and global music long before it became a global trend. Born in Cameroon, Bebey's sound was an eclectic blend of his rich cultural heritage and his deep exploration of modern music, spanning genres from traditional folk and jazz to funk and electronic experimentation. As an artist, Bebey was ahead of his time, using his unique voice and instruments to forge new paths for African music to be heard worldwide. His legacy is not just in the music he created but in the way he opened doors for the global recognition of African artists, influencing generations of musicians, producers, and fans alike.
This release marks an exciting moment, as we introduce remixes of bebeys iconic productions by contemporary electronic producers, giving new life through creative re imaginings.
Tracks:
Le Grand Soleil De Dieu (Psychemagik Remix): The UK-based musical duo are known for their eclectic blend of electronic music, psychedelic rock and mystical global sounds. Formed by Danny McLewin and Tommy McLewin, the duo has carved out a unique niche within the global music scene though their intricate arrangements. Their Remixes and Collaborations have been with artists like Fleetwood Mac, Tame Impala, and Hercules & Love Affair. Their psychedelic dub remix has otherworldly qualities, with dreamy atmospheres and bouncing baselines throughout this brilliant opening track.
Guinee (Turbotito Edit): The Berlin-based DJ and producer known for his infectious blend of house, disco, and funk. With a knack for smooth, groovy beats and a deep love for melody, Turbotito's music brings a fresh, energetic vibe to the dance floor. On this track, he effortlessly re-imagines and elevates the world of Guinee to match his signature sound. A combination of a great pulsing base line, ethereal vocals and bird sound effects incorporated into the percussion makes this track an absolute stand out.
Agatha (Voilaaa Remix): Bruno "Patchworks" Hovart from Lyon is the brains behind the Voilaaa project. Fusing soulful grooves, funk, and disco with an unmistakable French touch, Voilaaa creates infectious, feel-good rhythms that blend classic and contemporary influences. In this track we find the first big hook of the album vocally, coupled with Bebey's lively humour in spoken French on top of joyous instrumentation. The smooth vocals, catchy melodies, and vibrant arrangements, bring a fresh energy to the original hit track - a brilliant homage.
Forest Nativity (Red Axes Edit): Red Axes are a dynamic electronic music duo from Tel Aviv, blending disco, house, and psychedelic influences into infectious, genre-defying tracks. Known for their unique sound, warm analog textures, and hypnotic rhythms, Niv Arzi and Dori Simao craft music that moves both the body and the mind. Forest Nativity arrives as a full circle closer, incorporating some of the most authentic African instruments such as a Balafon, an instrument similar to a xylophone and a Djembe, a hand drum central to many West African traditions. The 7 minute track is guaranteed to take you on a fascinating journey through Bebey's culture and livelihood.
Eliott Litrowski's Eyes Need Sugar EP brings a vibrant mix of electro, house, and deep grooves, designed for the dancefloor. Produced in Copenhagen for Dischi Autunno, the EP opens with the title track, Eyes Need Sugar, featuring trancey synths, a heavy bassline, and playful drums. Bright Lights, Big City follows with a Chicago house flavor and groovy acid lines, while Highway To Holler brings high-energy electro rhythms. The EP closes with Delicate Dance, blending electro and Italo influences with emotive pads and acid bass.
No Drama, the label helmed by Roy Rosenfeld, reflects his musical vision and personal philosophy, showcasing artists whom Roy respects not only as innovators of new sonic landscapes but also as individuals of character. The imprint proudly introduces its third release: a two-track offering by Khen.
Known for his groovy and melodic house sound, Khen has earned international recognition for his unique style.
The opening track, Back in the Days, introduces modulated deep vocals that stamp the composition with a signature sound. Intelligent, percussive, and hypnotically repetitive, the piece maintains a poised charm, deliberately breaking rhythmic expectations through carefully crafted and precisely timed shifts.
The second track, Usual Madness, stretches the emotional range, layering buoyant basslines with arpeggiated melodies and textured and evocative background elements that enrich the arrangement with thoughtful sonic choices. As the piece unfolds, sound effects and an evolving sense of joy coalesce into a meditative structure that seamlessly weaves musical elements with emotional nuance. After a brief moment of calm, the track builds into a commanding crescendo, delivering a final, cathartic release.
Together, these two works represent an essential addition to any discerning playlist.
Sweden’s Tiger Stripes returns to Rekids with the ‘Dance For Peace’ EP, following on from February’s ‘All Night Long’ and 2024’s ‘I Heard It Through The Bassline’ EPs. Across four warm and funk-fuelled cuts, he delivers another essential selection of House grooves primed for peak-time moments and deep, late-night sessions alike, already supported by Oliver Dollar, Riva Starr, Anja Schneider, and more.
The opening track, ‘Time For Peace,’ is a brilliantly loopy roller, featuring bouncy drums, muted synth motifs, and a vocal swirl of soulful cries that ramp up the energy. It’s a stylish tension-builder, paving the way for ‘Rockin’, a chunky jam with funky melodic riffs buried in the beat and wordless ad libs teasing out the soul. ‘The Street’ keeps the vibe flowing with swinging drums, knotted guitar licks, and subtly filtered vocals worked into a steamy, party-starting groove. Closing things out is ‘A Dance’, a deeper cut drenched in lush chords and hazy vocals—perfect for blissed-out dancefloor moments.
Founder of the Strange Idols label, Tiger Stripes has spent over two decades forging his own path with standout releases on Hot Creations, Get Physical, Kwench Records, and Rekids. After stepping back to focus on his indie-rock project Little Lies, he made a full return in 2024 and quickly recaptured the form that’s made him an international favourite.
The third release of Diggers Society Records comes from two artists who have distinguished themselves on the international scene. Side A is crafted by Two Phase U, a veteran of the Montevideo scene, who delivers two of his finest works, Aether and The Mansion, tracks that embody the essence of his signature sound, refined over the years. The B-side of Diggers Society Vol. 2 showcases the exceptional ability of Ukrainian talent Koloniari to blend house, electro, break, and techno into atmospheres with an authentic feel. The result is a sonic journey that merges pragmatism with a futuristic vision, reaffirming his versatility and artistic sensibility.
With Schokolino Choco Loco, Icelandic duo Stilluppsteypa brings a warped dispatch from the outside fringes of experimental sound--part valium-drenched dreamscape, part dadaistic radio hallucination. Like a nocturnal transmission from a parallel universe, the record drifts and mutates through layers of joyous abstraction, laced with a deadpan sense of humour, while at the same time it is strangely sensitive. This LP is less a collection of tracks than a slow-motion joyride through Stilluppsteypa's singular sonic universe--so hypnotic and absurd, it ends up warming your heart.
Dream Log is the latest EP from French producer KX9000, blending electro-funk, space disco, Chicago house, and broken-beat into a captivating journey through diverse musical landscapes. Featuring collaborations with talented artists such as Nic Hanson and Corsica One, the project showcases KX9000's unique ability to merge genres and create dynamic, immersive soundscapes.
From the powerful disco-dub energy of 'Tonight's Ride' to the jazzy intricacy of 'Nuova Zone,' the EP explores a wide range of influences. 'Lost E Shop' blends retro video game nostalgia with electro-funk and city pop, while 'Over Fee' offers a soulful evolution of a years-long work. The EP concludes with 'Deepose Minute,' a deep house track that pays tribute to classic dancefloor sounds with a modern touch.
With Dream Log, KX9000 delivers his most accomplished project to date, a vibrant and emotionally resonant collection that captures the essence of his club performances and studio precision.
David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.
Nail Tolliday is a legendary figure in the UK electronic music scene, hailing from Nottingham, having founded the influential Velocet and 89:GHOST labels, and currently running the *In The Dance* label, Tolliday has played an integral role in shaping the sound of underground dance music, with a career that dates back to the early 90s, his impeccable reputation spans across a wealth of releases on renowned labels such as Classic, Robsoul, and many others, his discography is nothing short of extensive, earning him praise from some of the most respected figures in the electronic music world, including Andrew Weatherall, Colin Faver, Fred Everything, and Danny Howells, beyond his solo work, Nail Tolliday was also part of the iconic group Bent, and in a further testament to his versatility, he has produced multiple tracks for the globally celebrated Sleaford Mods, his sound evokes the essence of classic house and disco from the early 90s, reminiscent of the pioneering works of DJ Sneak, Romanthony, and others who defined the era's vibrant dance scene, this latest EP is a masterclass in the golden era of dance music, seamlessly blending early house vibes with sultry, disco-infused grooves, it exudes a timeless, classy funk that will captivate any dancefloor, the EP as a whole feels like a cohesive journey through Tolliday's rich musical influences, while also carving out its own identity in the modern dance music landscape, each track on the EP is an essential offering, « Shakey » delivers a funky, infectious rhythm that immediately commands attention, the bassline grooves effortlessly, while the vocal snippets add an extra layer of depth, creating an instant floor-filler, « Oh Well » takes a more melodic turn, with smooth chords and a sophisticated vibe, making it perfect for those late-night moments when the energy is just right, « All I Want » is pure house magic, with soulful, driving percussion and a hypnotic vocal that brings everything together in a silky, irresistible package, « Starz » brings an upbeat, celebratory feel, packed with infectious melodies and a buoyant energy that's impossible to ignore, « Feel Like » wraps up the EP with a deeper, more introspective groove, complete with subtle synths and a rich, atmospheric atmosphere that lingers long after the track ends, this EP is a true testament to Nail Tolliday's legacy, showcasing his ability to create music that is both timeless and relevant, his style, while deeply rooted in the traditions of 90s house and disco, is infused with a modern sensibility that proves why he remains a living legend in the dance music world, strikingly, his sound also recalls the work of another recent house maverick, Soundstream, with its deep, raw grooves and unapologetic commitment to the classic roots of house music.
Small Great Things boss Luca Olivotto is back on his own imprint with the four track ‘It’s Too Dark’ EP.
In recent years, Italy via Berlin artist Luca Olivotto has been etching his mark on the underground House scene through his labels Small Great Things, Endless Music and recently minted At A Glance, as well as his Small Great House events series. Here the story continues with a fresh collection of works from the prominent House producer and DJ.
Opening is title-track ‘It’s Too Dark’, a six minute excursion through bright piano keys, swinging drums, soulful vocal stylings and a bumpy bass hook. ‘It’s Over’ follows and dives into deeper House territory with warm strings, organ stabs, and choppy subs intertwined with crisp drums, soft Rhodes and cut up vocals.
Opening the flip-side is ‘I Found You’, upping the energy levels again with a high energy melodic drive, hypnotic vocal lines and heavily shuffled drums. ‘See Thru’ then concludes the release and leans into a more Disco-tinged House realm with intertwined funk samples, sweeping filter work and intricately processed vocal chants running atop a sturdy rhythmic foundation.
Heads up, we got a hot premiere on GAMM from Chicago's finest Emmaculate and Basement Boys legend DJ Spen !
The story behind this release goes something like this...
Our buddy and GAMM contributor Coflo spins at a dope house party, drops the A side 'Step Into A Black Whole' and the club literally explodes when the track hits the massive hip hop breakdown (KRS!) and returns and transforms into a jazzy Afrobeat house stomper. It's an +11 min long musical journey going from house to hip hop to Disco-Afrobeat. The GAMM representative in the house "feels it" and asks Coflo who's behind the tune, and after a few months, the connection is made with Emmaculate and DJ Spen to secure the release for GAMM.
A few weeks later, Emmaculate delivers a second track, 'Boogie On Disco Woman', which is a killer Funk/Disco/Soul rework with raw drums, nasty clavinets and soulful female vocals.
This could easily have been the feature track, but lands on the B side this time.
