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*TIP* Previously released on Low Company in 2023, now back... a weirdo lo fi gem

Naturestrip, Naarm, Australia write:

"purely physical teeny tapes perform an invaluable public service in exhuming static cleaner lost reward’s ‘breathing under honey from the heady year o’ 2023’, a slack-jawed riddle within the all-consuming enigma that is thee world of tarquin manek™.

few records command a reissue so soon after their release, the soil heaped atop the (sainted) low company corpse still remaining more than a little damp, but this one’s discreet-to-the-point-of-fury initial release justifies the flogging of the proverbial carked horse, boiled back down into glue for a fresh round of rollicking mucky. arriving as the last release on that fine imprint, ‘breathing under honey’ represents (obliquely, natch) something of a convenient summary of that aforementioned elegantly sloshed world™, condensing as it does the artist’s proclivities exercised among the sweetest of contemporary depth-dwellers, articulated alongside/within y.l. hooi, bum creek, carla dal forno, f ingers, kallista kult, under endless solo monikers…the fun never ends.

let loose here in a suitably gonzo/spellunked mood, the second full-length under the static cleaner moniker (see debut $mile$ from 2013 thru altered states) is compiled of delirious half-thoughts & riddimic gestures accumulated between 2013 & 2020, everything wet & awash with a fine sprouting of lysergic mush between its digits. the implication thereof might suggest something schlonky or amateurish, but fear not, prospective listener, for your ears are in the sticky hands of one of the finest shit-savant prodigies these times have known, crud-caked technoid shapes & blissed pop-glob nous submerged in sublime dubbed-out grog, the resulting sonar-pong shards positively chemical in their ability to simultaneously slant + seduce.

think: martin denny face-deep in a paper bag at the black ark, graciously fucked tropicalia, liquid dub techno housed in vat of spiked quaff, the skaters infiltrating urban tribe, lopsided + caked to the nines in glitter for the gutter.

utterly tranced, sumptuous/sweet & patently ill. a classique of this modern horror epoch if there ever was one."

Hamburg's GOME joins the roster of Cinthie's 803 Crystal Grooves Collective Cuts sub-label here with a new fourtrack EP entitled 'Free Refill', featuring a collaboration with James Juke. GOME is shaking up dance floors worldwide with a raw, 90s-inspired House sound infused with Funk, Soul and Disco.

Having built a strong reputation through releases on Heist Recordings and his own Snackwax imprint, GOME has earned support from leading DJs and performed at renowned venues including Robert Johnson (DE), Berghain (DE), Golden Pudel (DE), Shelter (NL), Lofi (NL) or Blitz, to name but a few. Alongside celebrated live hardware performances and the community-focused "GOME + The Gang" events, GOME has become known for an authentic DIY approach, making this new 'Free Refill' project a fitting addition to the Collective Cuts catalogue. Leading the EP is the collaborative 'Keep The Party Going' with James Juke, an apt title for a frenzied five-anda- half-minute House jam featuring swinging, snappy drums, siren-like synth swells, gritty chord stabs and an amalgamation of vocal hooks throughout. 'Extraordinary' follows, employing a gritty electro-leaning bassline, a crunchy off-kilter rhythm section, twitchy arpeggio lines and a loopy, infectious vocal refrain. On the flip-side, 'CONGRATULATIONS' sees GOME lean heavily into House roots, perfectly aligned with the Crystal Grooves sonic aesthetic. Harkening back to 90s rave culture, it combines shimmering piano hooks, squelchy 303 licks, robust 909 drums and murky low-pitched vocals. 'You Make' then closes the EP, a loop-led cut fuelled by circling synth lines, bright strings, a bouncy low end and a fluttering vocal hook.

2026 has been the year of Deeparture as we have approached this milestone moment for the producer; quality releases from the Dutch artist have pathed the way to his debut album ‘City Reverie’.

‘City Reverie’ is all about Amsterdam – an album created, inspired and born in the great city. Deeparture finds home there but over the years it has been a place where his music has developed and grown into the stunning style he has created throughout this body of work. As an artist on Zerothree, he has been an important part of the label family and working on this album has really seen unique creative aspects, impressive themes and a work ethic that just inspires.

The album features collaborations alongside Lazarusman, Tim Morrison, Jantine, Yves La Rock and plenty of solo material that brings a retro proggy take on 2026 dance music. A real touch of genius and a great body of work that will be timeless.

2026 repress!

3x12'' Re-issue of this Drexciyan masterpiece that was previously released on Supremat. Now including the tracks that were only available on the CD version when the album first came out in 2001.
If the late James Marcel Stinson left anything in his wake it's certainly the staggering amount of beauty he produced over the years. Tresor Records prepare to re issue a slice of that beauty on October 10th.
Thematically, 'The Opening Of The Cerebral Gate' saw Stinson shift away from the grand narrative of the Drexciyan saga, instead exploring a sub-plot of esoteric concepts revolving around internal, mental and psychedelic tropes. Musically, it presents the electro genius at the height of his game.

2026 Repress

The sonic movement once known as downbeat continues to cast a long and intimidating shadow over the Austrian electronic music scene, with influential figures like Kruder & Dorfmeister reigning atop a metaphorical mountain of venerable dubplates, resembling ancient gods.

Now, emerging from the depths of this mountain, comes "Triangle," poised to rejuvenate the genre with its eponymous album, brimming with the purest liquid downbeat gold.

Featuring an abundance of dusty breaks, reggae vocals, atmospheric keys and strings, dub stabs, wonky acid sequences, and deep basslines, these tunes check all the right boxes without ever feeling like mere imitations. The overall vibe remains warm, mellow, and hazy, while each track seamlessly weaves in an array of peculiar soundbites.

After a second listen, you may well conclude that this album is a rediscovered DAT tape from the 90s, unearthed from a Viennese basement.

Dive into the depths of "Triangle," an album that bridges eras of timeless electronic soundscapes.

For nearly 30 years, SUNN O))) – Stephen O’Malley and Greg Anderson – have pushed the boundaries of heavy music, straddling the worlds of the avant-garde and rock to forge a style instantly recognisable as their own. Now, SUNN O))) return with their first album of new material since 2019’s acclaimed Pyroclasts. Their tenth album – their debut for Sub Pop – demonstrates the duo’s mastery of time and space, light and dark, and their willingness to evolve their unmistakable sound into bold new forms.

The eponymously titled SUNN O))) was tracked at Bear Creek Studios, Woodinville, Washington with Brad Wood (HuM, Tar, Sunny Day Real Estate, Liz Phair). This location proved crucial to the recording process. “The vast tracking room had big windows looking out on trees,” says O’Malley. “We could go hiking and be out in the woods, spend time outdoors. That became a big part of it.”

SUNN O))) have long welcomed collaborators into their self-contained world: past work has featured, Attila Csihar (Mayhem), composer Hildur Guðnadóttir, multi-instrumentalist Steve Moore, polymath Mark Deutrom, Silkworm’s Tim Midyett and legendary singer-songwriter Scott Walker. But on this album O’Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. “What’s been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting,” says Anderson.

The compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.

Framing the album visually are two paintings by the late American artist Mark Rothko. Liner notes are by award-winning British writer Robert Macfarlane, famed for his works concerning landscape and the relationship between humanity and nature. Through the work of the band, Macfarlane, and Rothko, sound, word and visual combine into a fully immersive experience that is undeniably, completely SUNN O))).

En Direct presents “No More Spectacles”, the fourth release from one of the finest electro EBM projects worldwide. With this new work, En Direct leans further into a sharper and more emotionally charged EBM sound while making clear they do not renounce their roots as the driving force behind the influential electro imprint Clear Memory. The record is infused with strong post- punk overtones, somewhere between the cold intensity of classic body music and the melancholic tension of post-punk reimagined through EBM structures. No More Spectacles delivers a sound that feels both immediate and deeply atmospheric. Drill-like kicks hammer through the mix while distorted basslines split the tracks wide open, locking into martial and commanding vocal lines that push the energy forward with relentless precision. Mechanical yet deeply human, the record balances darkness, groove, and emotional weight with remarkable control. Built for strobe-lit floors and restless bodies, “No More Spectacles” confirms En Direct as masters of a sound where post- punk sensibility and EBM functionality collide at full force. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

DJ Support: Sam Don, Severino Panzetta (Horse Meat Disco), Chris Howler, Sean Johnston, Bill Brewster, For Mankind, Craig Thompson, Andy Taylor, Massimiliano Pagliara, Dean Dixon, Nathan Detroit and many more

Underground Institution Stompa Phunk Re-Launches Vinyl Label with Raw, Chi-House-Inspired Energy. After three decades of defining the UK’s underground club landscape, legendary Brighton party collective Stompa Phunk is officially moving from the dancefloor to the wax with the relaunch of Stompa Phunk Records Inc.

The Heritage: From The Warehouse: The releases will directly honour the roots of house music, a genre born in 1977 at Chicago’s legendary nightclub, The Warehouse. As that scene matured, a grittier, faster, and more experimental counterpart emerged. Defined by an uninhibited, bass-heavy style, it was a movement driven by local innovators who pushed drum machines and synthesisers to their breaking point... It wasn't just a genre; it was a collision between pure imagination and raw machines. A true "sound klash" transformed the local underground subculture into something global...

Release 1: You Had It (Edit) / Music Got (Dub): Capturing the exact spirit of rough, tape-spliced dubbed cuts. The 12-inch from SP resident Sound Klash pairs a vintage production ethos with old hardware pushed to its limits...

The Philosophy: This EP perfectly mirrors the exact philosophy that has fueled Stompa Phunk’s dancefloors since 1996: uncompromising electronic music rooted in heavy sample-delia, jackin' bodies, Acid energy, disco-dub mentality and second-hand technology. Jackinacidiscotech!

he four tracks of his 2013-released „Feldspar“ EP see Romanian producer YVAT at the absolute peak of his sonic journey.
Roughly operating within the confines of IDM, Braindance, Phonk and Post-Dubstep YVAT serves a highly seductive sonic menu for advanced late night dancefloors with this one, amalgamating his signature backbone of highly detailed and well crunchy beats, shimmering harmonies and warmly caressing, comforting, all embracing low end goodness for those in the know. Criminally underrated and for the first time available to a global
audience.

Press quote:
„You used to dig Autechre but you think their best days are long gone as they've lost their bouncy beats vs. deep strings and nice little melodies path? Went off into deconstruction?
I'm totally with you here and that's why I love Yvats's recent "Feldspar EP" on the great Minor Label so much. The man named Octavian Justinian Uta - and which is better known to his parents under this name - brings back this special and long time missed twist again, serving the best Electronica 12" I've come across in ages. Limited to 200 copies in greymarbled vinyl and hardly available via regular distribution channels. Get your copy, now! “
baze.djunkiii / nitestylez.de / 04/2013
Never officially distributed before and available limited quantities only.
Limited edition of 200 copies. Grey-marbled vinyl pressing

Rooted in a wide spectrum of influences—from breakbeat and IDM to dubstep, acid, electro, and techno—Avram’s sound is shaped by years of immersion in underground culture and a deep focus on rhythm, drawing from the raw energy of the UK scene.

Flow State distills this language into a dynamic DJ framework. Spanning breakbeat, raw techno, and acid-leaning elements, the record is built for the dancefloor.

A1 “Limb by Limb” unfolds through breakbeat and dubstep rhythms, flowing into the unmistakable lyrical force of one of Avram’s most influential MCs. A2 “Outer Space” moves into denser, driving territory, grooving alongside techno rhythms and bassline arpeggios.

B1 “Romica Groove” locks into a hypnotic swing—a breakbeat cut with subtle jazzy elements, driven by a catchy bass motif and a familiar clubbing reference. B2 “Everything That’s in Style” closes with sharper, raw-edged energy, channeling old-school melodic techno vibes over a powerful breakbeat foundation.

Balanced between Avram’s originality and his influences, Flow State delivers high-impact tools built for the dancefloor.

Sciahri and Sublunar are truly proud to present the next chapter in the label's journey: Hadone's debut album, Kept What Remained. Known as the co-founder of TSSRCT alongside UFO95, and following his contribution to Veil Of Echoes II, Hadone returns to Sublunar with a body of work that fully showcases the breadth of his artistic vision. Throughout the album, he reveals an impressive ability to merge emotional depth, powerful rhythms and sophisticated sound design into a deeply personal and unmistakable sonic identity, further establishing himself as one of the most compelling artists in today's techno landscape. The journey begins with the ambient title track, "Kept What Remained", an atmospheric introduction that sets the tone for everything that follows. It seamlessly transitions into "It Was Never Really Gone", a deeply emotional piece with a memorable arrangement that lingers long after it ends, before "Red Hour" raises the intensity through driving percussion and a tougher sonic approach. The B-side opens with "The Enemy Within", an explosive combination of intricate sound design and powerful rhythmic structures. It is followed by "Claim Your Due", a more submerged and atmospheric composition whose versatility makes it equally effective across different moments of a set. On the C-side, "Nobody Hears The Warning" gradually builds momentum through hypnotic energy and striking production, leading into "A Gentle Kind Of Madness", where beautifully crafted synth work and meticulous arrangements create one of the album's most distinctive moments. The final side begins with "A Dog That Learned To Speak", blending contrasting synth textures and detailed effects into a constantly evolving soundscape. The album concludes with "The Quiet Refusal", an epic and powerful closing statement that perfectly brings together the emotional intensity, coherence and artistic vision of the entire record. With Kept What Remained, Hadone demonstrates that innovation doesn't require sacrificing identity. Instead, he delivers an album that is bold, emotionally resonant and unmistakably his own, confirming his place among the leading voices of contemporary techno.

Casabianca returns with Omatucada, the second vinyl release from Zagreb-based DJ and producer MIMI.

Omatucada is a journey through percussive sampled rhythms, combining live-recorded instruments, vocal textures, and analog synths across four original productions.

The title track, "Omatucada" opens with a rolling tribal beat and hypnotic vocal fragments, revisiting one of MIMI's earliest productions, originally written many years ago.

"O Lado Negro De Felix" ventures even deeper into dark tribal grooves, suggesting that there is always some light within the darkness, and vice versa.

The B-side moves into more cinematic territory. "VCM" builds driving momentum, drawing heavy influence fro

2026 Repress

KiNK & Raredub inaugurate new sub-label Spectra on SHDW's Mutual Rytm, backed by remixes from icon Marcel Dettmann.

Spectra is a new sub-label from contemporary techno powerhouse Mutual Rytm, with the project set to showcase memorable singles alongside feature innovative remixers. The name Spectra reflects the wide range of vibes the label will deal with and the diversity of sounds that emerge through these creative reinterpretations.

Needing little introduction, Bulgaria's KiNK is a synth wizard and live specialist who gets more out of machines than anyone else on Earth. He has dropped endless standout tunes ranging from Running Back to Hypercolour and, more recently, Mutual Rytm with his 'Quantum Shake' EP earlier this year. For this latest outing, he works with fellow Bulgarian talent Raredub, known for his own high-octane, distinctive and dynamic sound that has gained supporters From FJAAK to Paul Woolford.

The original 'Time to Change' has already generated buzz and has been a favourite of DJs from across the electronic realm, bringing a forceful and slamming cut with plenty of machine funk. A buzzy lead synth roams through the mix to bring great menace, while garage-like percussive loops keep things moving over a monstrous bassline.

One of techno's most influential DJs and producers, long-time Berghain resident Marcel Dettmann joins the release to offer his unique touch as the first remixer on the project. His 'Reconstruction' brings subtle nuances as he slows the beats to a more dubbed-out house vibe and layers in bright synths and swirling vocal loops that will get hands in the air. His 'Universal Raw Mix' closes the package in style, delivering a stripped-back roller with freaky vocals and eerie synth details.

In 1991, the rave scene was at its peak in Italy, and DJ Cirillo was right at the heart of it.

It felt only natural for him to join forces with another rave legend, Leo Young, and create four tracks that were pressed in extremely limited quantities and distributed by hand to a carefully selected group of DJs.

The record quickly found its way into the hands of some of the era's most influential figures, including Lory D, Grooverider, DJ Cirillo himself, and many others.

We are truly proud to present the official release of this record on a label—and even prouder that our label is the one bringing it to the world.

Thank you to the master, DJ Cirillo, for continuing to inspire us, and thank you to Leo Young for being a true pioneer and for always pushing things forward.d.d

2026 Repress

Techno mainstay Gary Beck drops hugely sought-after cut 'Hopper' on SHDW's Mutual Rytm sub-label Spectra, with remixes from KiNK.

Glasgow-born Gary Beck is a primary figure in techno and has been for well over a decade. Dropping seminal
underground classics and cultured full-lengths on an array of leading labels, as well as his own BEK Audio imprint,
he has also led the way as a revered DJ as his legacy continues to build. Now, adding to his standout 'Upside
Criminal' EP as well as his well-received track 'Fold' on the 'Federation Of Rytm III' VA, he returns with a record that
has often featured in both his and Mutual Rytm boss SHDW's sets, stepping out on the label's Spectra series with
a cut that has long been sought-after by those who know.

A spontaneous studio moment turned club weapon, the timeless 'Hopper' merges a syncopated disco bassline with
subtle nods to funk and classic dancefloor energy. It's one of those tracks that lingers in your head long after the
night ends - a pure embodiment of Beck's raw energy and production finesse built on an infectious groove full of
contrast and character.

Bulgarian synth wizard, hardware genius and tireless innovator KiNK delivered Spectra's inaugural release, so he
lands as the perfect person to remix. His first interpretation stays close to his roots with a house-leaning, slowed
down take that channels warmth and groove in equal measure. On the B2, however, he flips the script with a high
octane fusion of techno and UKG. It's a peak-time anthem engineered to ignite dancefloors and closes out a
standout EP with the third release in the Spectra catalogue.

Gary Beck 'Hopper' drops via Mutual Rytm Spectra on 20th June 2025.

2026 Repress

Portuguese techno force Lewis Fautzi debuts under his own name on Mutual Rytm with ‘Beneath The Surface’. Hailing from Barcelos, Portuguese maestro Lewis Fautzi has carved out a formidable reputation through a run of uncompromising releases and a sound rooted in tension, precision and raw power - exemplified by his recent outing on the agenda-setting Hayes Collective. He has previously established his fierce, potent sound on Soma, PoleGroup, Mord, and a number of other influential labels, while also heading up Faut Section. Having previously appeared on Mutual Rytm’s Federation Of Rytm III compilation under his Non Cyclic alias, he now steps out on SHDW’s label with a six-tracker busting full of impactful techno cuts. The heavily-requested ‘Beneath The Surface’ opens the EP with menacing low-end and tightly coiled pressure that's released through simmering valves and hissing synths. ‘The Hollow Cycle’ brings a loopy, tunnelling groove with a snaking lead and snaking metallic percussion, while ‘Inner Mechanism’ keeps things dark, deep and driving with a backlit glow that pulls you in. ‘Nonlinear Form’ is streamlined deep techno that fizzes with texture, spraying chords and a rumbling sub-bass, while closer ‘Anamorph’ rides meticulously designed broken beats with an ever-present sense of bass-driven foreboding. For digital purchasers, sparse and eerie bonus ‘Surface’ slams down with industrial weight and real warehouse grit, shaping up another weighty offering for the label.

2026 Repress

Ribe & Roll Dann serve up potent techno on Mutual Rytm with 'Virtus Occulta'.

Built around concepts of unacknowledged work and enduring merit, the release marks their first EP on SHDW's widely
respected label.

Based in Toledo and Madrid, Ribe & Roll Dann are exciting residents at Laster Madrid and Lanna Club, two of Spain's leading venues. Emerging as driving forces in their national techno scene, they have also made an impact on the global landscape, making wider moves through collaborative releases on Klockworks, and individual outings on a number of other influential labels. Having previously featured in the label's Federation of Rytm IV compilation, the pair make their full EP label on SHDW's Mutual Rytm imprint to open March with a deep dive into their expansive sound.

Opener 'Sub Terra' is a pure club tool that is direct, physical and rooted in the underground with a seriously heavy low end. 'Extra Lumen' is more restrained but still built on a steady, forceful rhythm with controlled energy that prefers to operate in the shadows. 'Ars Non Placens' stays true to the idea that music is not made to please, but to exist on its own terms with hunched drums and dubby undercurrents. Next, 'Meritum Negatum' fizzes with static electrical charge and minimal drum funk and is a direct reflection on overlooked skill and unacknowledged work, before closer 'Virtus Persistens' delivers a continuity and a steady pulse rather than an explosive ending, keeping you locked throughout.

In addition, three digital bonus cuts come alongside the vinyl package. 'Labor Inauditus' speaks to hours of technique, production and booth experience that remain invisible. Next come the taught, rubbery rhythms and unrelenting atmosphere of 'Silentium Testium', while 'Sine Aplausu' - which means without applause - brings a ghostly late night vibe that you will never want to end.

2026 Repress
Berlin-based duo Disguised land on Mutual Rytm with a splash of signature driving techno on ‘Nightrun’. German-born, Berlin-based pairing Alvaro and Domenik are Disguised, a duo that feels closely connected to their favourite club RSO and its Robus Floor, where most of their musical inspirations happen. They head up their own label, Inherit Records, and also host parties at Berlin's new C115 venue on the Berlin highway. Already this year, they have dropped an impressive collaborative EP with their studio partner and close friend Fabio, aka FANK, who features on this EP with his own vocals. Their sound is always defined by driving drums and hypnotic melodies that build up to intense dancefloor peaks, and here they showcase this to its fullest on their Mutual Rytm label debut via five vinyl-only cuts and three digital bonuses built and crafted to make a lasting impact. The powerful 'Where Thoughts End (ft. FANK)' rises up through the ground like an oncoming train, as drums rumble, synths peel off the groove, and moody voices have you looking over your shoulder. 'Nightrun' is glitchier and more textured, with a fractured energy that keeps you on your toes. 'Crusher Wheels' is a deep, back-lit, and trance-inducing sound made for 4am, while 'Ashes and Algorithms' layers up eerie melodic details with bulky drums for a spare but atmospheric trip. 'All You Find (ft. FANK)' is dubby, greyscale techno with a muscular rhythm and unsettling synths, taut and tensile, balancing right on a knife-edge. Three digital bonuses explore different moods - the subtle melodic touches of 'Silent Pulse', the cosmic energy of 'Sceptre Rd', and the rising optimism of 'Twinfall’.

2026 Repress

ANNE and Sera J close their Symbiosis series on Mutual Rytm with third and most refined EP yet.

This final chapter reflects everything the collaboration has stood for across a trio of inventive techno releases on SHDW's imprint. Creative and life partners ANNE and Sera J have been two voices growing in parallel, evolving separately but moving with the same pulse. ANNE is well established thanks to standout EPs on the likes of Soma and Hardgroove, while Sera J has released on the likes of Life in Patterns and Renegade Methodz, and both have featured on Mutual Rytm's 'Federation Of Rytm' series before now. 'Symbiosis III' is the moment where everything comes full circle: the culmination of a journey built on respect, creativity, and the freedom to explore their own paths while lifting each other forward.

Sera J kicks off with 'Ransomware', a commanding and driving techno cut lit up with flashy synths but always moving with urgency. 'Phosphate' keeps the energy levels high with stripped-back drums and bass designed to perfection, while 'Anthrax' has an anxious edge. The synths are wispy but evocative as bass kills and swiping filters bring the drama.

ANNE then ups the ante with the acid-tinged 'Dementia', which is loopy and unrelenting before 'A Taste of a Real Woman' gets more seductive with a sultry spoken word and sustained chords that bring the paranoia. 'Heart Rate' is propulsive with Detroit-style synth soul and an aching vocal, before Sera J returns with 'On the Run' - a percussive, trippy and eerie roller. His final Cut 'Similar Minds' has a searching synth surveying a desolate landscape, before ANNE then closes the EP with the punchy drum patterns and icy hi hats of 'Primal Howl Of Ego' and a blend of deep drums and evocative synth work on the 'Analog Heartbeat' - which proves potent techno can be beautiful.

2026 Repress

Industrial badman Sei2ure back on PRSPCT release with a huge 2 track vinyl EP.

Some say industrial hardcore is dead. If that were the case then this one is for sure the one to bring it back to life!

On the A side we have Send You To Hell. A 175BPM monster containing almost everything both Sei2ure and PRSPCT stand for. Driving pounding kick drums, catchy hooks and that perfect dose of snare drum warfare making this the perfect track to kill it on both Hardcore & Drum & Bass events. Huge track!

On the flip we have Push The Prozac. A 190BPM beast tune pushing up the tempo a bit without losing the groove and that dark Industrial vibe we love to death and have been missing so much.

Again another release on PRSPCT that is All Killer, No Filler. Enjoy!

Patrick Sullivan is P-Sol, the New York City-based edit king who is a dab hand at mashing together classic old-school joints into killer grooves with a different perspective but the same dance-floor pull. PS7 is the place he does it most often and where he lands with a tidy new two-tracker. First up is 'It's Love' (P-Sol edit), a twist on a neo-soul jam that he layers up with extra claps and swaggering bass that adds a sleaziness that is irresistible. On the flip, 'Whatever' (P-Sol remix) is a flip of another jewel. It retains the storytelling vocals but is repurposed as a slow, deep and cosy r&b bumper. Essential for those who like it slow.

Techno is an experimental journey: deep, moving, cinematic, carried by science-fiction dreams steeped in true melancholy. Over time, much of this heritage has faded away. The soul and spirituality of the music have receded, giving way to the oversized ego of some, and to the constant need to show off on social media: a techno that looks beautiful, but is sterile, limited, meaningless, with no jazz, gospel or disco influence at all. The innovators, whether African-American in Detroit, Chicago and New York, or German with Kraftwerk, bet everything on the hypnotic and mesmerizing side of this music. "Lost Spiritual" was born from this observation, with a simple idea: to give more credit to the music and what it makes you feel than to the musician's look or haircut. This record is a tribute, an inspiration, and the hope that the spiritual dimension, which was the priority in the early 80s, will never die.

La techno est un voyage expérimental : profond, émouvant, cinématographique, porté par des rêves de science-fiction empreints d'une véritable mélancolie. Avec le temps, une grande partie de cet héritage s'est effacée. L'âme et la spiritualité de la musique ont reculé, laissant place à l'ego démesuré de certains, au besoin permanent de s'afficher sur les réseaux sociaux : une techno belle en apparence, mais stérile, limitée, vide de sens, sans aucune influence jazz, gospel ou disco. Les innovateurs, qu'ils soient afro-américains à Détroit, Chicago et New York, ou allemands avec Kraftwerk, misaient tout sur l'aspect hypnotique et envoûtant de cette musique. « Lost Spiritual » est né de ce constat, avec une idée simple : donner plus de crédit à la musique et à ce qu'elle procure qu'au look du musicien ou à sa coupe de cheveux. Ce disque est un hommage, une inspiration, et l'espoir que la dimension spirituelle, qui était la priorité au début des années 80, ne meure jamais.

Classy US deep house operator Vick Lavender often holds back different versions of his music for his own use, but Mister Bear has teased some off him for this new EP. 'Spirits' and 'Time & Time Again' Both come from his beyond album and get served up here as two Time Traveller mixes. The former is a sax-laced and soulful jam for sunny afternoon sessions outside, and the latter is a richly musical house odyssey. 'Galactic Traveler' is included as a bonus that brings magical melodies to the fore and lets them run free over a shimmering groove full of life-affirming spirit. Three belters, packed with invigorating vibes.

Berlin-based Mor Elian is back as Alloy Sea with a new work exploring spacious dub and tape-processed soundscapes following an ambient outing, Xoomin, back in 2023. This is music for quiet moments and private contemplation with slowly unfolding arrangements and many layers made from synth, hiss, texture and the scantest of melodic motifs. The release also features the project's first vocals with Emkay of Trickpony on 'Air Index' adding a human soul to the widescreen designs. It's a hugely evocative and cinematic world and another doozy from Elian that culminates with the eerie and sparse 'The Receiver', which is full of scattered found sounds that slowly coalesce into a rhythm.

Teemon and Poomba go looking for light in the darkness on their new EP “Hopeless.” The Madrid duo have a knack for dragging nostalgic sounds into the present, and this release is no exception. With equal parts Hi-NRG euphoria and dark disco dread, the four tracks feel like a glitchy transmission beamed in from another decade, or perhaps another galaxy…

The title track, “Hopeless,” sends us hurtling down a wormhole. Powered by a cavernous bass, we are propelled through kick drums, warp effects and sparkly synths, while a distant voice calls at us through the darkness.

Iranian producer Amirali takes “Hopeless” somewhere a little lighter with his remix, easing the intensity down before letting it slowly climb again. His version foregrounds the track’s earworm synth line and builds on it, layering and expanding on the vocal line until it sounds celestial. Amirali’s skills as a classically trained pianist feel reflective here in his compositional approach.

If “Hopeless” is the wormhole down, then “Moon Connections” is what’s waiting on the other side. The track leans heavily into sharp, percussive sounds that form a grounding contrast to the high synths that glitter above. With a spoken word line that sounds like it’s being transmitted through a space-age radio and enough deep warp effects to get lost in, this B side sends us to the stars.

Closing things out, the Eagles & Butterflies remix of Moon Connections brings us down to earth. Chill, deep-house adjacent and with a hint of Daft Punk in its DNA, it wraps a heavily filtered guitar line around a softened groove built for the comedown – the sound of the sun coming up on the last people left on the floor.

B-Side and Sucka Timmy make music together as SuckaSide and take care of the A-side of this new 7" from their own label. It finds them bravely approaching a rework of a stone-cold soul classic, 'Somebody Else's Guy' (SuckaSide remix) and the first thing they do is lean into the lung-busting vocal, serving it up with some raw chords before letting a funky disco-house groove unravel below. LROY then steps up win the flip with 'Happy Sugar', a funky-ass and wobbly jam with acrobatic vocal turns and tin-pot percussion. It's a fun vibe with tons of character and, like the flip, is a great tool to have in the arsenal.

Blur Records marks eight years of international artists and bright, instrumentally rich disco jewels with the second part of its anniversary compilation. The super reliable Monsieur Van Pratt opens things joyfully with 'Just Wanna Make You Dance' complete with strutting bass and disco-house grace that never stops soaring. Delfonic's 'Diamonds' brings filtered depth and a soulful sparkle that supports the glittering vocals. Reiner Von Vielen & Dizko Kreme's 'Good For You' rounds out the A-side with more rooted, chugging disco and a vocal that tugs at the heart. Flip it over and N.W.N.'s seven-minute 'Twin Souls' is a soulful house dreamer, Andy Bach's 'Keep Going On' samples a classic horn riff in a rolling groove, and Sven Wegner & Reiner Von Vielen close with the sophisticated and jazzy house cool of 'Inside Of Me. ' Here's to the next eight.

The duo of Nail and Barney Osborn are rising stars who work under the Indoor Tall Boys alias, a new name on us but this fresh drop on In The Dance suggests they have a deep understanding of dancefloor dynamics and a wide-ranging taste. 'Flames' is a supple, succulent and poppy sound with silky disco flourishes and a soulful, almost gooey groove. 'Re-Vibrations' has a lovely double skip in the drums and a gloopy bassline that brings a nice louche vibe, while 'Hold A Groove' has a sunny outlook and subtle strings worked into a smooth groove that exudes summery heat. 'KTT' shuts down with a filter-edge and glistening keys all stitched into a classic disco house groove full of colour and funk.

Finnish-American producer Tin Man aka Johannes Auvinen has spent much of his career updating 80s Chicago acid house for a new era and on 2006's now reissued 'Love Sex Acid', the three 303-driven cuts recall the acid work of Laurent Garnier and Ludovic Navarre. 'Falling Acid' opens with a gloomy intro before building into clattering snares and a slowly intensifying 303 wig out. 'Let's Do It Acid' writhes hypnotically with a snake-like bassline and a haunting whispered sample, while 'Love And Sex Acid' leans into deep house, with tasty electric piano licks over acid textures. A still well-crafted new take on acid's roots that hasn't aged in the 20 years since the revered Finnish label Sahko first issued it.

Nail is one of our favourite house artists. He was a key player in the 90s, not least with Nottinghman's DiY, then disappeared for many years before returning a decade or so again. Since then he has kept on turning out unique house jams (there have been tens of them by his and others on his latest label in the last six months) and now curates the first volume of House Fire Records material for his In The Dance label. This compilation brings together his aliases Scorpio Parish, DJ XE0re, George F, Peoples Inc. and Five Bagonag. The grooves are killer, the production perfectly undercooked, the swing often central to everything.

For the 4th release on Children of the Sun, we welcome our good friend and longtime collaborator, Cosmic JD, with a hardware heavy EP, a homage to the vintage art of magnetic recording.

Each track embodies Cosmic’s approach to music making: hardware based, machine finished. Raw, deep and instinctive, with every track printed to tape, giving the machines room to breathe and the sound its own character.

B2. Is a live take, unedited recording.

A record for the late night heads.

Oráculo Records joins forces once again with Unknown Pleasures Records under the banner of “The Black Alliance” to celebrate one of electronic music’s most influential acts: SUICIDE. Widely regarded as pioneers whose radical approach helped lay the foundations of minimal synth and darkwave, Alan Vega and Martin Rev receive a tribute from artists who carried their influence into new territories. Absolute Body Control, Gabi Delgado of DAF, Patrick Codenys and Richard 23 of Front 242, and Dirk Da Davo of The Neon Judgement appear alongside some of the most compelling contemporary projects in the international dark music underground. Spread across two records, this collection of cover versions also features SUICIDE songs revisited by Alan Vega himself with Marc Hurtado, presented on vinyl for the first time. Their presence creates a direct connection between the original voice of SUICIDE and the generations shaped by the duo’s uncompromising vision. An instant classic in spirit and scope, “SUICIDE Pioneers’ Celebration” honours a legacy that continues to resonate across the underground. Produced in a one-off pressing of just 500 copies, this is a collector’s edition to discover, play and treasure for years to come.

Celebrate a decade of a modern masterpiece. Originally released to critical acclaim, DJ Shadow’s The Mountain Will Fall gets a definitive reissue for its 10th Anniversary. Featuring the explosive, Gold-certified hit "Nobody Speak" featuring Run The Jewels, this album remains a towering achievement in instrumental hip-hop and experimental electronic production. This special anniversary edition is pressed on 2 x 140g classic black vinyl, delivering the rich, warm analog sound the album deserves. The release is housed in a stunning gatefold jacket showcasing brand-new artwork by the renowned artist Paul Insect, complete with premium spot gloss hits that make the visual design pop.

Introspection is a 1972 cult-favorite solo guitar album by Brazilian composer and guitarist Luiz Bonfà. Unlike his more famous bossa nova recordings, this album presents Bonfá in a deeply personal, almost meditative setting. Recorded primarily as a set of intimate solo guitar pieces, Introspection showcases Bonfà’s signature combination of classical technique, Brazilian rhythm and emotive melodic phrasing. Initially overlooked, Introspection later gained recognition as one of Bonfà’s most admired and distinctive works outside the mainstream bossa nova canon. This reissue is the first ever on vinyl after 1972.

The Shroud's appearance on Droogs is a masterclass in the fundamentals with four tracks that wear their influences proudly without ever becoming slavish to what has come before. Opener 'Cross' dives deep and rarely surfaces, rewiring classic shapes in murky bass underworlds. The title track is a rhythm slasher with steely-plated drums and growing low end menace, then 'Ouroboros' cranks the pressure to new levels without ever veering too far from meticulously programmed breaks. It has a schizophrenic panic to it in the scratchy textures and vocals that bleed in and out, then 'Restless Minds' closes things out with the sort of rhythm that gets you dropping your shoulder and fully locked in to each and every bump.

Bogdan Ra kicked off his new label Love Affair with some banging house cuts that threw it back to early Chicago styles. This third outing flips the script and shows his range with four disco sounds that take their cues from the late 70s and 80s: all the hallmarks are there, from the classic synths and vocoders to dusty drum machines. 'Complimento' is a smooth title track, while 'Shout' is a French-tinged funk workout., 'Paramour' glides through cosmic disco textures, while 'Fire in Cairo' brings an unexpected vocal twist and acrobatic bassline full of movement. Charming stuff.

Epicentre was an R&B/funk group formed in Seattle, Washington by keyboardist Ric Ulsky. The band developed a loyal following, playing the extensive NW club, concert and dance venues throughout the mid-to-late 1970s. Their sound was a blend of melodic R&B and powerhouse funk that dependably filled music venues throughout the Western US. Bernadette Bascom was the lead vocalist, who captivated audiences with her powerful yet velvet-smooth voice and commanding, magnetic stage presence.

In 1978, Epicentre worked with Seattle producer Don McKinney to record their music in Seattle's now legendary Kaye-Smith studios. The result was seven strong, fully -produced R&B songs, with occasional horn and string orchestrations tastefully added to the final versions.

Their music quite literally sat on a shelf for decades until McKinney decided that all the hard work and talent should no longer remain undiscovered and it needed to find its audience. He restored and digitized his copies of the master tapes and looked for an opportunity. A chance call to the former leader of the group, Kell Houston, led to a serendipitous introduction to UK boutique/funk/R&B label founder Russell Paine. The result was an agreement to release their music, starting with two songs, "When You Were In Love With Me", and "Magic Carpet."

And now the follow up single of "Searchin/Tongue Tied"

Footnotes: Lead singer Bernadette Bascom became a protegé of Stevie Wonder, and was the first artist to be signed to his label Black Bull , starting a period of collaboration between the two. Bermadette is the daughter of Reverend Dr. Marion C. Bascomb (1925-2012), one of Baltimore's major civil rights voices and pastor emeritus of Baltimore's Douglas Memorial Community Church. Ric Ulsky eventually left the group to play keyboards and tour extensively with The Association. You can also find Epicentre's music on the compilation album "Seattle Funk, Modern Soul & Boogie: Volume II 1972-1987." In addition to Bernadette, the musicians on the 1978 sessions are Kell Houston, keyboards, Michael Cox, bass, John Carmondy, guitar, and Ricky Lynn Johnson, drums and vocals. While their recorded material is primarily original, Stacy Christensen from Seattle's Gabriel contributed two of his compositions.

Arguably one of Get Physical’s most influential tracks, ‘O Superman’ sees a new release with remixes from Man Power and SIS alongside the 2008 version from Robag Whrume and a remaster of the now classic original. Man Power kicks off the new interpretations with an epic, ten and half minute version that patiently stretches the original’s melodies into pads and held bass tones across crisp, micro-house styled beats before unleashing loose, clattering breakbeats after a striking, extended breakdown. SIS’s dreamy, percussive version sees the German producer in hypnotic, and tracky form, focussing on the ebb and flow of the original’s tuneful vocoder and synth work that drift across his perfect groove. Robag’s Pumper-Nikkel remix, for those that missed it some years back, is yet another funky, chopped, sliced and diced piece of work from the playful producer and still sounds as fresh as ever. M.A.N.D.Y. vs Booka Shade feat. Laurie Anderson - O Superman Remixes are released on Get Physical 12” in late July with a digital release following in the Autumn.

2026 Repress

clear red vinyl

Djedjotronic blasts us off on an interstellar journey with The Great Red Spot EP, the ninth release on International Chrome. Named after the ancient and gigantic storm on Jupiter (bigger than the Earth), the EP is similarly massive with a swirling, constantly moving energy. Includes a huge Jensen Interceptor remix of EP highlight, Death Clock and comes on clear red vinyl with artwork by Pointless Illustrations.

2026 Repress

Reissue of Stephan Bodzin and Marc Romboy´s iconic „The alchemist“ which was released on Ralph Lawson´s legendary 20:20 Vision in 2006 and has been played by loads of jocks.

Here you find a brand new Marc Romboy remix which has been already massively supported by the likes of Laurent Garnier, Oliver Huntemann, John Digweed and Raxon and which can be considered as a, let´s say tasteful sure shot.

This powerful vinyl release is a must-have for enthusiasts of cutting-edge electronic music.