Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.
Suche:italian house
incl Kai Alcé Mix + Emanuele Inglese Rmx
GIM Records is back from the Moon bringing a new release "In The Music" signed by the Italian team "Groove In Mind" aka GIM Productions (Onda Records).
The original track is a dancefloor oriented anthem with a groovy bassline and a House vibe feeling, fueled by magnetic Rhodes keys and flute.
Included are a couple of very hot remixes by the well-renowned Kai Alcé (NDATL Muzik) and the Italian Dj Emanuele Inglese (Cocoon Rec).
Limited Edition 12 Inch - 140 grams standard black vinyl with generic jackets
Raw Materials Records’ back with their second V.A. showcasing an all italian lineup of local heroes, revered masters and talented newcomers.
Soundwise, the E.P. kicks off with Sicily’s finest Manuold serving a 90’italo house flavored rocket, keeps on banging with Curl’s Mpc craftsmanship skills, then going harder and darker with the acid tinged sounds of LSZ.
On the flipside, maestro Dj Soch serves another pure italian sounding house jam, followed by Davide Del Vecchio’s melodic lines and closed by the downtempo oddball by DJ Rou to complete the wide sound panorama journey suited for house enthusiasts and djs.
Have a listen, this one will stick in your bag for quite a while!
2023 Repress
Two lovely House mixes produced by Frankie Knuckles and Brett Wilcotts (Gherkin Jerks). From the mid 80s era when dance music was shaken up between disco, boogie, Italo and the emerging house sounds from Chicago. Claudio Simonetti was a titan of the Italian groove, but his monster jam as Kasso, "One More Round", reached the stratosphere when Windy City godfather Frankie Knuckles gave the track his Midas touch. The Knuckles mix is already worth the pressing, but the flip side contains the overlooked 80s remix by supremo Brett Wilcots. The Chicago master is known for his Gherkin Records and lays his hands on "Walkman" to turn it up to a boogie frenzy of the highest order. Must have!
- A1: You May Be Right (Glass Houses (1980))
- A2: Sometimes A Fantasy (Glass Houses (1980))
- A3: Don’t Ask Me Why (Glass Houses (1980))
- A4: It’s Still Rock And Roll To Me (Glass Houses (1980))
- A5: All For Leyna (Glass Houses (1980))
- B1: I Don’t Want To Be Alone (Glass Houses (1980))
- B2: Sleeping With The Television On (Glass Houses (1980))
- B3: C’etait Toi (You Were The One) (Glass Houses (1980))
- B4: Close To The Borderline (Glass Houses (1980))
- B5: Through The Long Night (Glass Houses (1980))
- A1: Allentown (The Nylon Curtain (1982))
- A2: Laura (The Nylon Curtain (1982))
- A3: Pressure (The Nylon Curtain (1982))
- A4: Goodnight Saigon (The Nylon Curtain (1982))
- B1: She’s Right On Time (The Nylon Curtain (1982))
- B2: A Room Of Our Own (The Nylon Curtain (1982))
- B3: Surprises (The Nylon Curtain (1982))
- B4: Scandinavian Skies (The Nylon Curtain (1982))
- B5: Where’s The Orchestra (The Nylon Curtain (1982))
- A1: Easy Money (An Innocent Man (1983))
- A2: An Innocent Man (An Innocent Man (1983))
- A3: The Longest Time (An Innocent Man (1983))
- A4: This Night (An Innocent Man (1983))
- A5: Tell Her About It (An Innocent Man (1983))
- B1: Uptown Girl (An Innocent Man (1983))
- B2: Careless Talk (An Innocent Man (1983))
- B3: Christie Lee (An Innocent Man (1983))
- B4: Leave A Tender Moment Alone (An Innocent Man (1983))
- B5: Keeping The Faith (An Innocent Man (1983))
- A1: Running On Ice (The Bridge (1986))
- A2: This Is The Time (The Bridge (1986))
- A3: Modern Woman (The Bridge (1986))
- A4: Baby Grand (Duet With Ray Charles) (The Bridge (1986))
- B1: Big Man On Mulberry Street (The Bridge (1986))
- B2: Temptation (The Bridge (1986))
- B3: Code Of Silence (The Bridge (1986))
- B4: Getting Closer (The Bridge (1986))
- A1: That’s Not Her Style (Storm Front (1989))
- A2: We Didn’t Start The Fire (Storm Front (1989))
- A3: The Downeaster ‘Alexa’ (Storm Front (1989))
- A4: I Go To Extremes (Storm Front (1989))
- A5: Shameless (Storm Front (1989))
- B1: Storm Front (Storm Front (1989))
- B2: Leningrad (Storm Front (1989))
- B3: State Of Grace (Storm Front (1989))
- B4: When In Rome (Storm Front (1989))
- B5: And So It Goes (Storm Front (1989))
- A1: No Man’s Land (River Of Dreams (1993))
- A2: The Great Wall Of China (River Of Dreams (1993))
- A3: Blonde Over Blue (River Of Dreams (1993))
- A4: A Minor Variation (River Of Dreams (1993))
- A5: Shades Of Grey (River Of Dreams (1993))
- B1: All About Soul (River Of Dreams (1993))
- B2: Lullabye (Goodnight, My Angel) (River Of Dreams (1993))
- B3: The River Of Dreams (River Of Dreams (1993))
- B4: Two Thousand Years (River Of Dreams (1993))
- B5: Famous Last Words (River Of Dreams (1993))
- A1: Reverie ("Villa D'este") (Fantasies & Delusions (2001))
- A2: Waltz #1 ("Nunley's Carousel") (Fantasies & Delusions (2001))
- B1: Aria ("Grand Canal") (Fantasies & Delusions (2001))
- B2: Invention In C Minor (Fantasies & Delusions (2001))
- B3: Soliloquy ("On A Separation") (Fantasies & Delusions (2001))
- C1: Suite For Piano ("Star-Crossed"): I. Innamorato (Fantasies & Delusions (2001))
- C2: Suite For Piano ("Star-Crossed"): Ii. Sorbetto (Fantasies & Delusions (2001))
- C3: Suite For Piano ("Star-Crossed"): Iii. Delusion (Fantasies & Delusions (2001))
- D1: Opus 5. Waltz #2 ("Steinway Hall") (Fantasies & Delusions (2001))
- D2: Opus 9. Waltz #3 ("For Lola") (Fantasies & Delusions (2001))
- D3: Opus 4. Fantasy ("Film Noir") (Fantasies & Delusions (2001))
- D4: Opus 10. Air ("Dublinesque") (Fantasies & Delusions (2001))
- A1: Allentown (Live From Long Island (1982))
- A2: My Life (Live From Long Island (1982))
- A3: Prelude/Angry Young Man (Live From Long Island (1982))
- B1: Piano Man (Live From Long Island (1982))
- B2: Don’t Ask Me Why (Live From Long Island (1982))
- B3: The Stranger (Live From Long Island (1982))
- C1: Scandinavian Skies (Live From Long Island (1982))
- C2: Movin’ Out (Anthony’s Song) (Live From Long Island (1982))
- C3: She’s Always A Woman (Live From Long Island (1982))
- C4: Pressure (Live From Long Island (1982))
- D1: Scenes From An Italian Restaurant (Live From Long Island (1982))
- D2: Just The Way You Are (Live From Long Island (1982))
- D3: Goodnight Saigon (Live From Long Island (1982))
- E1: Stilleto (Live From Long Island (1982))
- E2: Band Intro (Live From Long Island (1982))
- E3: Until The Night (Live From Long Island (1982))
- E4: It’s Still Rock N Roll To Me (Live From Long Island (1982))
- F1: Sometimes A Fantasy (Live From Long Island (1982))
- F2: Big Shot (Live From Long Island (1982))
- F3: You May Be Right (Live From Long Island (1982))
- F4: Only The Good Die Young (Live From Long Island (1982))
- F5: Souvenir (Live From Long Island (1982))
Today we announce The Vinyl Collection, Vol. 2, an 11-LP boxset to follow 2021’s Vol. 1, which includes the remainder of Billy’s catalogue: Glass Houses, The Nylon Curtain, An Innocent Man, The Bridge, Storm Front, River of Dreams. It exclusively features Fantasies & Delusions & Live from Long Island on vinyl for the first time. The boxset includes a 60+ page booklet that highlights the era through photos, quotes, and an essay by Rob Tannenbaum. All albums remastered from original sources at Sterling Sound.
- A1: You May Be Right (Glass Houses (1980))
- A2: Sometimes A Fantasy (Glass Houses (1980))
- A3: Don’t Ask Me Why (Glass Houses (1980))
- A4: It’s Still Rock And Roll To Me (Glass Houses (1980))
- A5: All For Leyna (Glass Houses (1980))
- B1: I Don’t Want To Be Alone (Glass Houses (1980))
- B2: Sleeping With The Television On (Glass Houses (1980))
- B3: C’etait Toi (You Were The One) (Glass Houses (1980))
- B4: Close To The Borderline (Glass Houses (1980))
- B5: Through The Long Night (Glass Houses (1980))
- A1: Allentown (The Nylon Curtain (1982))
- A2: Laura (The Nylon Curtain (1982))
- A3: Pressure (The Nylon Curtain (1982))
- A4: Goodnight Saigon (The Nylon Curtain (1982))
- B1: She’s Right On Time (The Nylon Curtain (1982))
- B2: A Room Of Our Own (The Nylon Curtain (1982))
- B3: Surprises (The Nylon Curtain (1982))
- B4: Scandinavian Skies (The Nylon Curtain (1982))
- B5: Where’s The Orchestra (The Nylon Curtain (1982))
- A1: Easy Money (An Innocent Man (1983))
- A2: An Innocent Man (An Innocent Man (1983))
- A3: The Longest Time (An Innocent Man (1983))
- A4: This Night (An Innocent Man (1983))
- A5: Tell Her About It (An Innocent Man (1983))
- B3: Christie Lee (An Innocent Man (1983))
- B4: Leave A Tender Moment Alone (An Innocent Man (1983))
- B5: Keeping The Faith (An Innocent Man (1983))
- A1: Running On Ice (The Bridge (1986))
- A2: This Is The Time (The Bridge (1986))
- A3: Modern Woman (The Bridge (1986))
- A4: Baby Grand (Duet With Ray Charles) (The Bridge (1986))
- B1: Big Man On Mulberry Street (The Bridge (1986))
- B2: Temptation (The Bridge (1986))
- B3: Code Of Silence (The Bridge (1986))
- B4: Getting Closer (The Bridge (1986))
- A1: That’s Not Her Style (Storm Front (1989))
- A2: We Didn’t Start The Fire (Storm Front (1989))
- A3: The Downeaster ‘Alexa’ (Storm Front (1989))
- A4: I Go To Extremes (Storm Front (1989))
- A5: Shameless (Storm Front (1989))
- B1: Storm Front (Storm Front (1989))
- B2: Leningrad (Storm Front (1989))
- B3: State Of Grace (Storm Front (1989))
- B4: When In Rome (Storm Front (1989))
- B5: And So It Goes (Storm Front (1989))
- A1: No Man’s Land (River Of Dreams (1993))
- A2: The Great Wall Of China (River Of Dreams (1993))
- A3: Blonde Over Blue (River Of Dreams (1993))
- A4: A Minor Variation (River Of Dreams (1993))
- A5: Shades Of Grey (River Of Dreams (1993))
- B1: Uptown Girl (An Innocent Man (1983))
- B1: All About Soul (River Of Dreams (1993))
- B2: Lullabye (Goodnight, My Angel) (River Of Dreams (1993))
- B3: The River Of Dreams (River Of Dreams (1993))
- B4: Two Thousand Years (River Of Dreams (1993))
- B5: Famous Last Words (River Of Dreams (1993))
- A1: Reverie ("Villa D'este") (Fantasies & Delusions (2001))
- A2: Waltz #1 ("Nunley's Carousel") (Fantasies & Delusions (2001))
- B1: Aria ("Grand Canal") (Fantasies & Delusions (2001))
- B2: Invention In C Minor (Fantasies & Delusions (2001))
- B3: Soliloquy ("On A Separation") (Fantasies & Delusions (2001))
- C1: Suite For Piano ("Star-Crossed"): I. Innamorato (Fantasies & Delusions (2001))
- C2: Suite For Piano ("Star-Crossed"): Ii. Sorbetto (Fantasies & Delusions (2001))
- C3: Suite For Piano ("Star-Crossed"): Iii. Delusion (Fantasies & Delusions (2001))
- D1: Opus 5. Waltz #2 ("Steinway Hall") (Fantasies & Delusions (2001))
- D2: Opus 9. Waltz #3 ("For Lola") (Fantasies & Delusions (2001))
- D3: Opus 4. Fantasy ("Film Noir") (Fantasies & Delusions (2001))
- D4: Opus 10. Air ("Dublinesque") (Fantasies & Delusions (2001))
- A1: Allentown (Live From Long Island (1982))
- A2: My Life (Live From Long Island (1982))
- A3: Prelude/Angry Young Man (Live From Long Island (1982))
- B1: Piano Man (Live From Long Island (1982))
- B2: Don’t Ask Me Why (Live From Long Island (1982))
- B3: The Stranger (Live From Long Island (1982))
- C1: Scandinavian Skies (Live From Long Island (1982))
- C2: Movin’ Out (Anthony’s Song) (Live From Long Island (1982))
- C3: She’s Always A Woman (Live From Long Island (1982))
- B2: Careless Talk (An Innocent Man (1983))
- C4: Pressure (Live From Long Island (1982))
- D1: Scenes From An Italian Restaurant (Live From Long Island (1982))
- D2: Just The Way You Are (Live From Long Island (1982))
- D3: Goodnight Saigon (Live From Long Island (1982))
- E1: Stilleto (Live From Long Island (1982))
- E2: Band Intro (Live From Long Island (1982))
- E3: Until The Night (Live From Long Island (1982))
- E4: It’s Still Rock N Roll To Me (Live From Long Island (1982))
- F1: Sometimes A Fantasy (Live From Long Island (1982))
- F2: Big Shot (Live From Long Island (1982))
- F3: You May Be Right (Live From Long Island (1982))
- F4: Only The Good Die Young (Live From Long Island (1982))
- F5: Souvenir (Live From Long Island (1982))
"The Vinyl Collection, Volume 2" vereint Billy Joels monumental erfolgreiche Alben aus dem späteren Teil seiner Karriere: "Glass Houses" (1980), "The Nylon Curtain" (1982), "An Innocent Man" (1983), "The Bridge" (1986) und "Storm Front" (1989), "River of Dreams" (1993). Außerdem gibt es 2 Titel zum ersten Mal auf Vinyl: die Doppel-LP "Fantasies & Delusions" und die 3er-LP "Live from Long Island" aus dem Jahr 1982. Alle Songs stammen von den Original-Album-Mastern, Zudem ist ein über 60-seitiges Booklet mit Billys persönlichen Anmerkungen und einem Essay von Rob Tannenbaum enthalten
Just what the doctor ordered...
Next up on Q1E2 Recordings - for the label's fifth release so far - is Dr Sud. He's a Rome-born, Berlin-raised producer whose music is a fusion of percussion-centric soundscapes and integrated jazz-leaning harmonies, drawing inspiration from diverse genres like electronica, funk, and house.
On 'Heading South', the broken beat don serves up his specialist percussive sound, folding all manner of drums into synth-smothered house. The EP explores the undulating cycle of morning into night, back into morning, inviting you to dance your way through it all.
'Brina', a word which in Italian refers to morning dew - perhaps found on a tent on the morning of a festival - represents the breaking of dawn with broken beats. The track breaks and squints into the start of the day with spacious kick drums leaving room for warm, almost familiar pads and keys.
Then, 'Life Itself' reflects daytime, revolving around an arpeggiating synth that soon makes way for luscious keys.
An excursion into percussive bliss concludes side A in the form of the magical, grin-inducing 'Evening Breath'. This, as you might have guessed, is where the listener cruises through smoothly into the final stages of the day. It encapsulates that last burst of light as the sun sets and a slight shiver of the evening air slivers up your spine.
Then, before you know it, the mysterious night arrives. Flip to that B side, and 'Tramontana' will greet you, inviting you to dance deep into the late hours.
When you're there, the chugging '3/4AM' will hit the spot like an unforgettable dance floor moment, bursting with low and slow Balearic tendencies.
Finally, 'Mondgesicht' - "Moonface" in German -fittingly concludes proceedings with deep lounge vibes. Mumbles of effortless trumpet manoeuvre through a swaying sea of percussion and delicious, wavering synth solo. The day is here again. The cycle is complete.
This is some seriously high-quality music on show here from Dr Sud. The EP is out on Q1E2 Recordings in October.
Breezy headwinds, orange-tinged skies, hazy, serene bliss – just some of the profound feelings to be had on the latest release from Oath, a masterclass in melody and mood from one of the finest ever to do…..
Italian producer and DJ Jacy remains one of the stand-out musical characters from a dazzling ensemble of atmosphere builders who were so prevalent during the late 80s and early 90s. His craftsmanship is simply legendary, his music quite simply some of the finest to exude from this period of time, and of which is still making waves in the collective sands now. His dedication to the creation of emotive sweeps, gorgeous rippling tones and easy going, freeing atmospheres has remained a cornerstone of his sound, from the early days through to his excellent work on his imprint Home of House, along with sublime releases on Kalahari Oyster Cult and Hot Haus Recs. Jacy’s sound was broadcast to the world once again via Safe Trip’s ‘Welcome To Paradise’ compilations, where his inclusions were something that lingered long in the memory – an essential component of what is known as the ‘Dream House’ sound. It’s difficult to convey into words exactly how a Jacy record can take the listener, but perhaps it’s different for everyone – one thing can be agreed on though, it’s an experience like no other.
‘Night Fantasy’ is Jacy’s first EP in 4 years, and much like his other records, this one blesses us with warmth, delight and joy, in the softest and most subtle of manners. The title track, which opens up the record, greets the listener with a familiar drum pattern, one which then gives way to the rock-hard bass line, and then the pads arrive. Heavenly angelic in form, their presence is complimented by the arrival of the breathy vocal sample, which evolves to provide a wondrous narrative with the cascading synth line that comes soon after. As a combination its intoxicating, with the breakdown giving us time to get to know this mixture very well, indeed, before powering home with excellence. ‘Just Change’ comes on next, and this one opens up with that classic and explicitly dreamy chord sequence we all know and cherish, with Jacy allowing us to soak up this goodness before shifting the perspective to the rhythm. The interplay that occurs here between keys and drums is something different, before everything transitions into a sequence to close your eyes too. ‘Dat Tape’ shifts perspective to more of a swing in terms of the groove, with sweeping background pads doing much to tug at the heartstrings. The vocal sample is so very effective at crafting an audial narrative, inviting the listener to swim deeper into the goodness, with the subtle transitions doing much to keep things ticking over. Finally, we have ‘Come On’, and this one keeps a spacious feel between the keys and the drums, and it works ever so well. The bass line occupies the bottom ends superbly, with interchanges in chords and some ever-so-familiar vocal samples thrown into the mix – and its simply wonderful.
To convey deep set feelings is to have faith in musical dexterity, to understand the grooves in the record, to follow instinct and trust in the process and precedent. Jacy has always found the sweet spot in his music by following this approach, it seems, and this new record of his is an accumulation of a lifetime of dedication and passion to music and all of its many flavors. Soaring, effective melodic undulations and rapturous, fluctuating rhythms, coupled with atmospheres to drift into – what more could you wish for? Lets get lost within it once again….
Heavy-traction bodyjack and sun-streaked disco straight out the Mediterranean belt, here comes Italian producer Giuseppe Scarano with the bouncy next instalment of Fluid Funk, 'My Life' EP. True to his solar-powered take on the classic US house sound, the owner of the Nice People outlet beckons us onto the path of luscious summer lounging with a quartet of no-nonsense dance floor rippers, lithely alternating sequences of hi-intensity shuffle, Roule-style dynamics and further space age-infused drifts across the scintillating vaults of glam disco. Jacuzzi-warm funk and coastal luxuriance all the way.
Drawing first blood, 'My Life My Love' is a proper fiery blast-off, flush with Scarano's continental breakfast of roaring Chicago drums, spinning synth motifs, processed brass and balearic-like ambience. Churning it like there's no tomorrow. 'Gedda Feelin' continues on a slightly more jagged note and true-school discoid vibe. Propelled by a springy drum work, mesmeric vocal loops and soulful Rhodes chords, it's a restless jacking house number that unfurls, bold and pumped-up at full stretch. On 'Playin da Song', Scarano blends in a fine match of Afro-funk, retro-laced electronica and filtered house chug, whereas the closing cut '2404' opts for a finely integrated mish-mash of piano-fuelled nostalgia, heavy-lidded bop phrases and low-slung boogie, ready to take on any smokey lounge and beachside party with its sluggish punch and exquisite suavity.
repressed!
Demi Riquísimo and his Semi Delicious imprint return for their 15th edition with another versatile, club ready collection of cuts from old & new members of the label family set for a release on the 7th July.
The EP features contributions from regulars Lulah Francs, Jive Talk & label owner Demi alongside debuts from NairLess, Last Magpie, Corbi and Michelle Manetti.
The A-side kicks off with ‘All I Need’, a collaborative track from Demi & Michelle Manetti. A bouncing, progressive house number with some old school Italian flavour that sets the tone nicely for the EP. Corbi’s ‘Kraken’ is up next providing some driving, analog acid squelch to SEMID015. ‘Don't Make Me Wait’ by Lulah Francs & Nebari wraps up the Ice Cream side. Proto house style drum programming and bass are juxtaposed nicely to the psychedelic synth work and impeccable vocals from Lulah creating a unique and versatile track to close out the A-side. The B-side opens with NairLess’ ‘Swell’, a tripped out slice of balearic trance. The EP takes a slightly more heads down turn on ‘Release It’ by Last Magpie. A menacing track driven by a sharp synth line that you’re sure to hear over festival season. Jive Talk’s ‘Wizard’s Slippers’ wraps up the EP in their imitable style. Off kilter drums, unique bass and minimalism with the perfect amount of elements to pique the listener’s interest bringing SEMID015 to a close in style.
2023 Repress
Best Record lights up a surefire classic from the annals of Italian dance music, made courtesy of Italo-Disco heavyweights Klein & MBO, who were not a company looking to get rich, but just 2 individuals: Tony Carrasco (USA), Mario Boncaldo (Italy), in one word... LEGENDARIES! with something burning inside to share. Italy certainly had a huge influence on the nascent Chicago house scene which embraced the best jams of Italo-Disco and created a movement of those simple yet complex sounds like those of "The MBO Theme", beautiful song, smooth and sweet, to give you time to think about some amazing dance moves and bring back very beautiful memories. The song was originally a hit created by the likes of Ron Hardy thanks to his punchy synth bass and captivating European vocals. So this was the first house song ever made and it's from the '80s, loved from the beginning by Derrick L. Carter, one of the pioneers of House Electronica in Chicago and Farley "Jackmaster" Funk, who broadcast on WBMX-FM of Chicago as a member of the DJ team Hot Mix 5. Pure Italo-Disco! Simple analog drum machine (sounds like a TR-606) and analog synthesizer, which in the case of Klein & MBO, is most likely a Sequential Circuits Pro-one. Italo's first purely minimal songs from the early 80s. This sought-after dancefloor gem has been given a faithful remastering touch, as is the Best Record method, which also brought out a previously unreleased edit of the track called "Italian Version", which extends the club qualities of the jam to the maximum impact of the party.
She Spread Sorrow is the work of Italian industrialist Alice Kundalini. In her sparse and grimly atmospheric applications of noise, tone, and electronic sequencing, She Spread Sorrow expresses a volatile emotional core that speaks to abuse and repression with an unblinking candidness.
Orchid Seeds was originally published as part of the instantly out of print On Corrosion - a 10 cassette anthology from 2019 that was housed in a handcrafted wooden box and featuring full albums from Kleistwahr, Neutral, Pinkcourtesyphone, Alice Kemp, She Spread Sorrow, G*Park, Relay For Death, Francisco Meirino, Fossil Aerosol Mining Project, and Himukalt. The collection also stood as the 50th release for The Helen Scarsdale Agency, an imprint founded in 2003 and dedicated to post-industrial research, recombinant noise, surrealist demolition, existential vacancy and then some.
Kundalini’s signature whispered vocals once again beckons her audience closer on Orchid Seeds. Kundalini states that the album, “is about 5 different women of my family. Each track is about one of them with their difficult story and strengths. My family is totally destroyed now, no relation between anyone, but in the past there was a strong tradition of women with interesting personalities.” This sibilant allegorical history comes into focus amidst a claustrophobic and cinematic pall of dark ambient blight and death industrial torpor.
Founded by the visionary mind of Masedia, Lost In Sound ignited its vibrant inception in 2017 as an unparalleled recurring series of events pulsing through the veins of Stuttgart's underground scene in Southern Germany.
Now, Lost In Sound Recordings ascends to a new zenith, celebrating its very first release with a four-track EP crafted by renowned Italian DJ and producer Otis. Behold his Euphonia EP, a transcendent journey that weaves a tapestry of emotions and casts an indescribably radiant aura on hot nights. Prepare to surrender to the cascading waves of organic sounds that will unleash a flood of joyous hormones within you.
Otis' EP "Euphonia", a masterpiece of sonic fusion, seamlessly weaves powerful house bombs with captivating influences from electro, acid and trance. This sonic odyssey promises an unforgettable experience that defies categorization. Get ready for the upcoming arrival of LISR001.
Backstock
SHAFTY was a house music project made in Italy by Andrea Gemolotto and Ralf. They both can be considered two pioneers of the early italo house scene, Gemolotto already made a big hit
in 1989, Sueno Latino' , and he also won the italian DMC Championship as Cutmaster-G.Antonio Ferrari, aka Dj Ralf , has been a nightclubbing icon for almost 30 years. Since 1987 he has remained a key element of the Italian house music scene, taking his signature style to clubs all over Europe and the world. Deep Inside (Of You)' was the first release on Heartbeat catalogue (1991), and it's now officially repressed by Groovin Recordings (all tracks have also been remastered).
- A1: Hallelujah Junction - 1St Movement - John Adams
- A2: M.a.y. In The Backyard - Ryuichi Sakamoto
- A3: J’adore Venise - Loredana Bertè
- A4: Paris Latino - Bandolero
- B1: Sonatine Bureaucratique - Frank Glazer
- B2: “Zion Hört Die Wächter Singen” - Alessio Bax
- B3: Lady Lady Lady - Giorgio Moroder & Joe Esposito
- C1: Une Barque Sur L’océan - André Laplante
- C2: Futile Devices (Doveman Remix) - Sufjan Stevens
- C3: Germination - Ryuichi Sakamoto
- C4: Words - F.r. David
- C5: È La Vita - Marco Armani
- D1: Mystery Of Love - Sufjan Stevens
- D2: Radio Varsavia - Franco Battiato
- D3: Love My Way - The Psychedelic Furs
- D4: Le Jardin Féerique - Valéria Szervánszky & Ronald Cavaye
- D5: Visions Of Gideon - Sufjan Stevens
Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman.
Summer of 1983, Northern Italy. An American Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them.
The film received widespread critical acclaim, particularly for Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction, and the screenplay. Call Me By Your Name won a variety of awards, including an Academy Award, BAFTA, GLAAD and the 23rd Critics' Choice Award amongst others. Sufjan Stevens' song "Mystery of Love" was also nominated for the Academy Award for Best Original Song.
Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and "the kind of canon they would be a part of."
Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: "Visions of Gideon", which was used at the end of the film, "Mystery of Love," which was featured in the film's first trailer, and a new rendition of "Futile Devices" with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film.
Call Me By Your Name is available as a limited edition of 15.000 copies on "Velvet Purple" coloured vinyl. The 2LP is housed in a deluxe gatefold sleeve with rainbow laminate finish and includes printed innersleeves, an insert with movie stills, and a poster.
- A1: Hallelujah Junction - 1St Movement - John Adams
- A2: M.a.y. In The Backyard - Ryuichi Sakamoto
- A3: J’adore Venise - Loredana Bertè
- A4: Paris Latino - Bandolero
- B1: Sonatine Bureaucratique - Frank Glazer
- B2: “Zion Hört Die Wächter Singen” - Alessio Bax
- B3: Lady Lady Lady - Giorgio Moroder & Joe Esposito
- C1: Une Barque Sur L’océan - André Laplante
- C2: Futile Devices (Doveman Remix) - Sufjan Stevens
- C3: Germination - Ryuichi Sakamoto
- C4: Words - F.r. David
- C5: È La Vita - Marco Armani
- D1: Mystery Of Love - Sufjan Stevens
- D2: Radio Varsavia - Franco Battiato
- D3: Love My Way - The Psychedelic Furs
- D4: Le Jardin Féerique - Valéria Szervánszky & Ronald Cavaye
- D5: Visions Of Gideon - Sufjan Stevens
Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman.
Summer of 1983, Northern Italy. An American Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them.
The film received widespread critical acclaim, particularly for Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction, and the screenplay. Call Me By Your Name won a variety of awards, including an Academy Award, BAFTA, GLAAD and the 23rd Critics' Choice Award amongst others. Sufjan Stevens' song "Mystery of Love" was also nominated for the Academy Award for Best Original Song.
Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and "the kind of canon they would be a part of."
Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: "Visions of Gideon", which was used at the end of the film, "Mystery of Love," which was featured in the film's first trailer, and a new rendition of "Futile Devices" with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film.
Call Me By Your Name is available as a limited edition of 15.000 copies on "Velvet Purple" coloured vinyl. The 2LP is housed in a deluxe gatefold sleeve with rainbow laminate finish and includes printed innersleeves, an insert with movie stills, and a poster.
Andres Klein alias Ackermann hails from beautiful Stuttgart and has been in the music producing biz for about 20 years. He's been running is own imprint Traktor records for a long time, churning out House, Techhouse, Techno and anything in between. His tune „I Got My Man“ got remixed by italian Mattia Borriello aka M.I.T.A. for Marco Faraone's Uncage label. This tune got heavy play by quite a few A-list Techno DJs around the globe, one of them Answer Code Request who couldn't stop dropping that diva drama belter in his sets in „The Big House“ in East Berlin. That's where it caught All That Jelly label head Mr. Fonk's ear and so it had to get pressed on hot waxxx! The 12“ is accompanied by two equally cheerful Techno slammers with a groovy House edge. You're gonna love 'em!
Four Framed Music proudly welcomes the Italian deep house master, DJ Soch (AKA the Italian Stallion), to the label with an outstanding new EP titled ‘Speaking of House. The release includes four amazing deep house cuts that flawlessly merge the old school sound with DJ Soch’s own unique style.
He effortlessly transports you on a deep journey through his music, where the melodies themselves become the voice. Simply listen and let the music speak for itself.
After more than a decade releasing quality music on prestigious labels worldwide, Italian artist Nico Lahs launches his new label, U FIT, with two new solo EPs. The first, Distant Shadows, is a 4-track EP that showcases all of Nico's skills and his ability to juggle the most diverse shades of deep house.
A package that collects proper club tracks, groovy stuff, emotional deep house, and raw and deep tunes. Simply what one would expect from Nico Lahs. Tip!
For the second instalment of his new born label, U FIT, Nico Lahs doesn't make any exceptions and delivers another sublime EP of high quality, the usual we are used to, showing how the Italian producer can equally release a lot of material in just a few months, but still of the best substance.
Another 4-track EP that will get all deep/house heads in agreement: from the heavy house for sweaty basements to quirky and hypnotic/ethereal stuff.




















