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Eigentlich sollte 2024 für HÄMATOM ein unbeschwertes Jahr voller Highlights und unvergesslicher Momente werden. Die Band wollte auf der Erfolgswelle weiterreiten und ausgiebig ihr 20-jähirges Jubiläum zelebrieren. Doch all die Vorfreude - all die Pläne wurden im August 2023 vom Schicksal auf`s Bitterste zerstört, als plötzlich und völlig unerwartet WEST, Freund und Bassist der Band, starb.

In der darauffolgenden Zeit der Trauer wurde HÄMATOM schnell klar, dass man WESTs Verlust nur gemeinsam bewältigen kann. Um den Schmerz zu verarbeiten begab sich die Band ins Studio, schrieb einen herzzerreißenden Abschiedssongs und nutzte diese musikalische Arbeit schließlich als Startschuss für ein noch größeres Vorhaben: WEST mit dem neuen Album "FÜR DICH" das größtmögliche Denkmal zu bauen.

In den Folgemonaten stellten HÄMATOM alles auf den Kopf. Zum ersten Mal in der Bandgeschichte arbeitete man mit zwei Produzenten: Hannes Kelch und Julian Breucker verliehen dem neuen Album eine auffällig moderne und catchige Note, ohne die typische HÄMATOM Härte zu verlieren. Aus unzähligen Demos entstanden 14 Songs. Songs, die von Trauer und ihrer Verarbeitung erzählen, die aber auch Freude, Neuanfang und die Lust auf ?s Leben ausstrahlen. Bereichert werden mehrere Lieder von diversen, teilweise unerwarteten Features, die erst in den nächsten Monaten bekanntgegeben werden.

"FÜR DICH" - 3D PopUp colored Re-Vinyl:
Um der Besonderheit ihres neuen Albums Ausdruck zu verleihen und die Vinyl-Edition von "FÜR DICH" einzigartig zu machen, holten HÄMATOM den weltbekannten PopUp-Künstler Simon Arizpe ins Boot. Gemeinsam mit dem NewYorker entsteht in den kommenden Monaten ein noch nie dagewesenes Schallplatten-Kunstwerk, das den Betrachter beim Aufklappen der Vinyl in eine, aus visuellen Erinnerungen der letzten 20 Jahren kreierte HÄMATOM Welt, mitnimmt. Auch das musikalische Herzstück ist eine absolute Besonderheit, da jede Schallplatte durch die Verwendung von recycelten Vinyls zu einem farblichen Unikat wird.

For 'The Ones', Chicago House and Disco producer, Rahaan has pulled together a plethora of musicians and vocalists to create a smokestack of soul fuelled excellence on this ten track album. From the amazing vocals courtesy of Marcus J. Austin and Nancy Clayton on the opener, 'We Are The Ones', through the amazing instrumental City Rain Supreme and the vocals of Spike Rebel on the anthemic 'Forever', this album absolutely excels. The promise made on the original three track EP released on BBE Music in the Summer of 2023 is well and truly delivered on. Working with live musicians throughout the recording process has added layers of finesse and genuinely unfeigned authenticity in the overall sound of this album. Carnell Newbill's basslines and keys, Todd Swope's Afrobeat inspired guitar licks and the horns of Ohio Players legend Kenny Anderson all blend organically with the aforementioned vocalists to create an album of sublime music befitting the best traditions of the Chicago House canon. Rahaan Young is a DJ and producer who has been DJing since playing at parties in his native Chicago the 1980s. As a DJ he's enjoyed residencies at both The Spot and Buddha Lounge as well as entertaining and moving dance floors around the globe with DJ sets that show his music knowledge and exquisite taste. The Ones is mastered at the Grammy nominated Carvery Studios and will be released on vinyl and digital on BBE Music, adding to the catalogue of innovative and highly pertinent releases from artists, musicians and producers from across the world.

Christened ‘High Tide’ after the sudden rising of the LA River basin during a particularly epic and rare rainfall, this cosmic slop funk jam was born from the minds of Devin Flynn (Pixeltan) and Eddie Ruscha (Secret Circuit), two individuals with a deep connection to Los Angeles’ tap water sources. While traipsing through the aisles of an Atwater Village bodega, the two mustered up a plan to create a rhythmic piece so delectable as to turn peoples’ heads inside out and pummel the senses with a wobbly Jah Wobble bass sound and a toy drum machine ‘no toy’ style back beat. They figured if they laced it up with enough electronic scuzz, the masses would be sure to want to sip from its nectar.

When DFA got wind it was all systems go and, from then on, all relevant parties knew that they should sit on the track for at least five years before it was released, otherwise the world at large would not be ready for it. The remixes are by Eddie himself - as Secret Circuit - and Dr. Dunks, aka Eric Duncan, a fellow Angeleno (at least at heart). Eric and Devin rolled through the streets as small children, shredding curbs and tagging local ice cream trucks, so it was inevitable they would reconnect and jam on ‘High Tide’.

Devin Flynn is an animator, musician and teacher who has worked on projects like Gary Panter’s web series Pink Donkey & The Fly and MTV2’s Wonder Showzen. He has previously released on DFA with Pixeltan, a trio - Flynn, Hisham Bharoocha of Black Dice and singer Mika Yoneta - that recorded with The DFA at the label’s inception, creating two seminal singles.

Eddie Ruscha is another DFA veteran, having remixed artists including Wolfram and Museum of Love. He has been making music for decades, as Secret Circuit and with myriad other aliases and collaborators, in addition to recording under his own name. He has released on labels like Beats in Space and Emotional Response, among others.

For fans of Young Marco, Suzanne Kraft, Prins Thomas, Khotin, Gaussian Curve.

On the Mixbone EP, two tracks from Eric Copeland’s 2017 record Goofballs get reworked by five of leftfield electronic music’s heaviest hitters. The Goofballs LP finds the Black Dice founding member conducting hectic, dancefloor-oriented experiments; The Vinyl Factory called it a “mangled, spangled journey into the fringes of industrial disco and hallucinatory club tackle.” Mixbone capitalizes on this direction with remixes that recontextualize and reshape the propulsive energy of the original songs into wholly different forms.

New York techno powerhouse and Allergy Season boss Physical Therapy contributes two aptly named takes on “Mixer Shredder” – the “Tegel Mix” churns with industrial EBM low-end, and the breakbeat and wubby bassline make the “Gatwick Mix” unmistakably English. NHK yx Koyxen remixes Eric for the second time, with a jittery and woozy electro interpretation of “Neckbone.” Cooper Saver, best known for his Far Away parties in Los Angeles, turns in one of the most unexpected remixes, keeping it 4/4 and creating what sounds like Shep Pettibone making acid house.

Coming off of her 2017 EP on Technicolour/Ninja Tune, Machine Woman decided to remix both tracks. With “Neckbone,” she adds a barely-discernible robotic narrative vocal, allegedly about Ryan Gosling. “Mixer Shredder,” on the other hand, travels from hissy lo-fi techno into something quite tranquil and beautiful. And with previous releases on 1080p, Freakout Cult, and Wania, Vancouver’s LNS channels the melodic electro tones of classic Bleep-era Warp, like a lost track from LFO or Drexciya.

“Danceable” might not be the first word one thinks of when describing Eric Copeland’s solo releases. But in a manner not dissimilar to the way Black Dice shaped the parameters of experimental music, the remixes here expand the limits of what the club can and should look like.

The Juan Maclean returns to DFA with ‘What Do You Feel Free About?,’ an electro-disco club cut paired with a remix by Man Power (ESP Institute, Correspondant).

The new single is sparse and anchored by a relentlessly catchy, bouncing bass line. Nancy Whang’s vocals carry a sense of urgency and directness as she advises to “keep your emotions secure / when you don’t, it gets personal.” Rave whistles, cowbell breakdowns and handclaps further ensure the track’s place as a key song for the summertime. The remix from Man Power remix reformats the track for the club with a dubbed out, layered vocal arrangement that adds a touch more drama to the track.

The single was produced by Juan Maclean in Brooklyn, New York in the spring of 2018. The song was co-written by live band member Monika Heidemann, who also contributed backup vocals.

Juan Maclean is a Brooklyn-based DJ and producer who has been a mainstay of the New York club scene, as well as maintaining a rigorous international touring schedule, since the release of his first records on DFA in 2002. He’s released an extensive catalogue of 12” singles and LPs for the label with vocalist Nancy Whang (most recently, 2014’s In A Dream LP, and last year’s 12” single ‘The Brighter The Light’). They are currently at work on their fourth album.

A Side - Smoove - Curse
This 45 celebrates Smoove’s love for all things Boogie & Funk as he takes on one of the greatest posse rap cuts of all time. Featuring an all-star cast from Hip Hop's golden era, this track is laced with synth bass, strings, and boom bap beats!

B Side - Smoove - Rich & Famous
On the flip side, we are treated to one of the koolest MC’s of all time, who brags and boasts about how frivolously he likes to spend his cash. The beats are banging, and the Boogie is strong!

Get on track with Fidelio and Luca Piermattei.

Fidelio’s triple-vision A-side gives a taste of the unorthodox, blending 90s acid rawness with the timeless elegance. This is where baroque drama meets warehouse ecstasy.

Fidelio unleashes an avant-garde fusion of classical organ melodies and razor-sharp acid basslines, echoing through your spleens. Each track oozes groove, driven by punchy kicks and hi-hats that sizzle like sparks on steel.

Fidelio’s mix pulses with a sense of urgency, like a techno odyssey through a neon-drenched dystopia.

Luca Piermattei will catch you on the flippity-flip. ‘Gas’ feels like a transmission from a synthetic consciousness trying to breach the uncanny valley. The track opens with a pulsating bassline that wobbles like liquid mercury, creating a sense of disorientation. A warped robotic voice enters, glitching and stuttering, its eerie attempt at human inflection both captivating and unsettling.

The groove is undeniable—polyrhythms weave through intricate layers of percussive clicks, offbeat hats, and swelling synth stabs. Just as you think you’ve found the rhythm, the track bends your mind with unpredictable shifts, like machinery spiraling into controlled chaos.

Enter Luca’s wormhole with ‘Third Rec. With Tascam 122’: Meet the captivating 4×4 electro groover that pulls listeners into an otherworldly soundscape. Anchored by pulse-driven basslines, the track delivers a surprising and dynamic arrangement that keeps you guessing.

The sections are seamlessly divided with intricate, pinball-like percussion, creating a playful yet precise rhythm. Perfect for late-night explorations, this track balances hypnotic grooves with unexpected twists, making it a standout on the dancefloor.

MC Fats was a beloved figure in the drum and bass community, known for his smooth vocals and infectious energy on the mic. With a career spanning over two decades, he collaborated with some of the biggest names in the genre, including DJ Hype, Calibre, Alix Perez, and of course the multi genre chart topping Chase & Status!

Sadly, MC Fats passed away in March 2023, leaving behind a legacy of incredible music and unforgettable performances. But his influence lives on, and his music continues to inspire and uplift fans around the world. One of MC Fats' final releases is a new single called Anytime, in collaboration with Drum and Bass legend and producer partner Cool Hand Flex.

As one of Suburban Base original artist roster we were delighted to welcome them ‘back home’, and Fats was excited to see the reaction and plays the Anytime was already gaining. Having discussed with Flex, his dear friend and long-time collaborator, we together feel that it's appropriate that this release goes ahead as a tribute to our brother.

The track features MC Fats' signature soulful vocals, layered over Flex's classic jungle beats and modern production techniques. The single also includes an incredible remix from up-and-coming producer FreezeUK, adding a stunning version to the package which is already gaining maximum play nationwide.

Anytime is a testament to MC Fats' enduring talent and passion for Drum and Bass music. It's a reminder of the joy and energy he brought to the scene, and a tribute to his unforgettable voice and spirit. As we mourn the loss of MC Fats, we celebrate his incredible legacy and the impact he had on the Drum and Bass community.

His music will live on, inspiring new generations of artists and fans alike. Don't miss your chance to own this essential piece of Drum and Bass history - pre-order your copy of ‘Anytime’ now, and join us in celebrating the life and music of MC Fats.

ANYTIME will be released on vinyl & digital formats April 2023

Federsen inaugurates his new imprint Alt Dub this May with a split EP comprised of original cuts from himself and Hidden Sequence and a remix of each by the opposing artist.

Over the past decade and a half San Francisco based artist Federsen has been making his mark on the dub infused techno and house sound, delivering his vintage tape delay and analogue gear driven sound via the likes of Silent Season, Greyscale, Lempuyang and Ohm Series among others. Here though, Federsen opens a new chapter with the launch of his own imprint, Alt Dub, which kicks off here with music from himself and Federsen / Hidden Sequence - Positive Charge EP

Köln, Germany duo Hidden Sequence, whose music has found a home on the likes of Mosaic, Lempuyang and more.

Hidden Sequence’s ‘Switch’ leads the release and sees the duo smoothly blending an amalgamation of airy chord sequences, swelling pads, spiralling dub echoes and bumpy bass grooves with a shuffled, stripped back rhythm. Federsen’s ‘Polarity’ follows and dives into darker realms via expansive dub chords, intricately intertwined percussive reverberations, cascading bass flutters and crisp, minimalistic drums.

Opening the flip-side, Federsen interprets Hidden Sequence’s ‘Switch’, shifting the original’s ethereal aesthetic into a haze of billowing atmospherics, delayed percussion and vacillating low-end pulsations. The Hidden Sequence remix of ‘Polarity’ then rounds things out, upping the energy levels with a more upfront, robust rhythmic drive being intertwined with fragments of the original’s haunting textures and subtly unfurling feel.

This is like rave. Only if it was for now and could sit happily in any set. Breakbeats that roll and tidy samples. You know… These are fun club tracks. On and on to the break of dawn… Bass heavy. Inside. Ask a dream. Solid.

The highly acclaimed U.K. post-punk band Joy Division was originally called Warsaw. Formed in Manchester, England in the late 1970s, the group consisted of Ian Curtis on vocals, Bernard Albrecht (aka Sumner, aka Dicken) on guitar, Peter Hook on bass and Stephen Morris on drums. Hook, Albrecht and Curtis hooked up at a local concert and later formed the group Warsaw. The band’s name was taken from a David Bowie-Brian Eno composition, “Warszawa”. The 5 bonus tracks on this album are demos cut by the group at Pennine Studios in Manchester on July 18, 1977 with Steve Brotherdale on drums. The first eleven tracks presented here were the result of a recording session for that album that took place in early May of1978. Rehearsals leading up to the session resulted in two new songs being added to the group’s existing repertoire: “Interzone” and “Transmission.” “Interzone” was based on the backing track of the song “Keep On Keepin’ On,” to which the band added their own lyrics. The result was a song distinctively their own. “Transmission” was written by the band during the final week of rehearsals. The first verse contains a quotation from Alistair Crowley’s The Book Of Thoth. The two recordings are interesting renditions of songs which would later became famous.

John Gosling (aka Mekon) the English big beat/industrial musician and electronica producer, is set to launch his new label Hua Hua (pronounced wah wah) with an 11-track compilation album this July. A quick scan at some of the featured artists showcases a line up of legends - eighties rap sensation Schooly D sitting alongside Primal Scream mainstay Bobby Gillespie and John’s recently departed punk hero Alan Vega - even Roxy Music’s saxophonist and founder member Andy Mackay makes an appearance. And while John’s electronic alter ego Mekon is always on hand to remix and arrange, he’s far from the only producer behind the proverbial wheel.
“It’s stuff I had lying around and now I am finding ways to get it out of my system,” he says. “It’s all been brought to the world with brilliant new artwork by Isabelle de Jour, who also features on various tracks.”
Gosling is well known as a member of both Psychic TV and Coil (for the album Transparent). Gosling founded the groups Zos Kia with John Balance and Bass-o-Matic with William Orbit before recording as Mekon. He has also remixed under the name Sugar J. And that’s before we get to the fact that he has soundtracked some of the most forward-thinking fashion shows in the world - crafting the soundscapes for Alexander McQueen shows since the show Dante in 1996. Firstly working hand in hand with the late great Lee “Alexander” McQueen, then with his successor Sarah Burton. In the mid-to-late-nineties he was a core member of the group Agent Provocateur along with Matthew Ashman (originally of Bow Wow Wow), Dan Peppe, Danny Saber (of Black Grape) and Cleo Torez. He has also worked with artists such as Roxanne Shanté ('Yes Yes Y'All'), Marc Almond ('Delirious'), and Afrika Bambaataa. His third album “Something Came Up” featured artwork by Alexander McQueen.
John is as passionate about Suicide and Alan Vega and what he describes as “the new stuff”. Besides, he says, “that’s how people listen to music now. I think kids – my kids anyway – listen right across the board. People don’t see genres anymore. So it’s my definition of good music.” It’s safe to say that this is very much Volume 1. “Yes, it doesn’t cover everything and Volume 2 will be completely different.”

Damon Wild steps up to Synewave with The Mood Machine, a thrilling exploration of some sleek and stylish techno. 'Make Believe' opens with a dancing line of hi-hats over pulsing sonar-like blips and driving bass. It's a future take on Detroit techno that leads into the mystic sounds of swirling pads of 'Reflection'. 'Elevate' slows things down with a more moody blend of pads and glitchy beats over rolling drums and 'Starliner' then melts theming with intricately woven layers of sheet metal snares and linear kicks. All four of these are timeless and high-quality techno tools.

Sometimes a record drops and you just know it's going to be hot. This is one of those records, an essential 7" from Bloom and Japanese talent DJ Koco aka Shimokita, who has been spinning 45s since 2011 and can juggle beats like Messi can juggle a ball. He is a favourite with the likes of Gilles Peterson and is likely to win many new fans with this one. 'World Famous (feat 45Trio)' is a gloriously jazzy, soulful sound with funk drum breaks and warm, organic percussive tumbling next to natty chords and a killer bassline. Add in the equally irresistible 'Re Create #01' on the flip and you have a sure-fire future classic, so do not sleep.

Wonder what happens when 4 friends occasionally link up and make a few cheeky house tunes in between talking about pizza, footy, and kick drums? Cheek Inc!
Wonder what music 4 people (Nic/Rafael from !!! and Preslav/Adam from PTA) who’ve released music on Warp, Good Looking Records, Freerange, Pittsburgh Tracks, and Dischord would write? Cheek Inc!
Wonder why? Cheek Inc! “Jacqueline” is the debut EP by Cheek Inc: a vocal house 12” with 3 mixes to make you feel like you’ve always known why you have to just keep going. The A side brings flavors of classic piano house, adding a huge sub bassline, soaring synth pads and leads. The B1 “303” mix strips things down with a hypnotic bass groove, rhodes chords that keeps the pace, and an insistent 303 line that runs in and out like you know who. The B2 “Still Life” mix takes it deep by cutting up the vocal, with a sliding, playful lead line, bouncy chords, and a drum groove that shuffles and swings while THAT string line never quite goes away. Cheek Inc!

In Signal, Brendon Moeller takes his expertise in techno, ambient and dub techno into deeper ambient and drone territory, crafting a richly atmospheric journey through sound for Constellation Tatsu’s thoughtful cassette label.

This album gently balances textures, merging natural and synthetic elements for a unique sonic experience. Highlights include the track 'Light', which opens with a minimal drone and subtle, pulsing sub-bass notes, setting a calm yet immersive tone. In 'Wires', Moeller skillfully intertwines organic and electronic soundscapes, bringing together the natural and technological in seamless harmony. 'Nowhere' shifts to a more aquatic feel, conjuring the sensation of being submerged in an otherworldly lagoon. The serene, electronic layering in 'Bask' adds beauty and peace through calm sequencing and warm tones. Closing with 'Beam', Moeller expertly blends real-world sounds and hints of a surreal, alien atmosphere, rounding out an album that’s both tranquil and otherworldly. Signal encapsulates Moeller's thoughtful production approach, giving listeners a deep dive into ambient landscapes that feel as expansive as they are introspective and adventurous.

Mali Blakamix unleashes another 7” instrumental after a long time, Rebellion. Lifted from the album ' Ruff & Ready'; Re- bellion boasts a militant drum pattern and energetic bassline, with the rest of the composition giving space for Mali to use his effects and offer up a unique instrumental A side. The B Side is even more effect laden with Mali experimenting with his effects chains and delivering a wild dub mix.

Fans of the previous releases 'Iron Fist'. 'Retaliation', 'Ariginal Militant Steppa' and others are sure to appreciate this release.

George Clinton’s imagination knew no bounds and, defying normal music industry convention, by 1978 had five bands signed to three different record labels. One of these comprised of three Parliament / Funkadelic female backing singers working under the name of Parlet, whose debut single, ‘Pleasure Principle’ was released on Casablanca Records in March 1978.

It was Clinton’s idea that two other backing singers, Lynn Mabry and Dawn Silva, become the Brides Of Funkenstein, a character he invented for the 1976 Parliament LP, “The Clones Of Dr Funkenstein”. “I have to be honest – at first, I hated the name and I thought George was kidding,” Mabry told Blues & Soul, “But I have gotten to like it – especially just the Brides.”

Clinton got the Brides signed to Atlantic Records and their first single was ‘Disco To Go’ / ‘ When You’re Gone’. The A-side was written and produced by Clinton and Bootsy Collins and had originally featured in live shows by Collins’ live band. Clinton was asked by Black Echoes why the song was recorded by the Brides rather than Bootsy. “He could, and it would have been a smash too,” he replied. “But we thought it sounded too much like James Brown, so we gave it to the girls. Now it don’t sound like James Brown.” It certainly did not and this electronic bass and horn-powered banger – complete with an Old MacDonald nursery rhyme refrain – debuted on the Billboard Hot Soul Singles chart at #80 on 30th September 1978. By the time the P-Funk crew were flying across the Atlantic in early November it had peaked at #7. Sadly for UK fans, ‘Disco To Go’ was only available on import although a Black Echoes review stated it was a “Slow chunky handclapper. It sounds not unlike Funkadelic’s own ‘Coming Round The Mountain’”.

‘Disco To Go’, went gold in America selling over 500,000 copies. It was the perfect springboard for the Brides debut LP, “Funk Or Walk” which quickly climbed into the upper reaches of the R&B chart and even saw the duo embark upon a signing tour of record stores. All of the songs on “Funk Or Walk” were written by legends of P-Funk, such as Bootsy Collins, Rodney Curtis, Bernie Worrell, Gary Shider and Clinton. “George has got thousands of tracks,” Mabry told Black Echoes. “When we go into the studio he says, ‘Like this one?

From the pure Guinean tribal rhythm mixed with a collection of poems by Justo Bolekia, to the purest traditional jazz, to the hip hop & Neo-Soul that so characterizes the 90’s and 00’s. Omar seeks to mix old with modern, mainstream with underground, carnal with mental and the energy to move the skeleton, mix the relics of black music and transport them to 2022, where even today greater injustices continue to be noticed. and social and racial differences.

On this album, Omar Alcaide chooses to trick very varied collaborations, and take the album from the perspective of producer, composer and lead guitarist, even though there are some songs in which he sings. At his side, Juan Arance helps produce, compose and write most of the pieces that make up this album. It has collaborations such as Juanito Makandé; a flying soul, DORA; young promise, daughter of Bimba Bosé, Bubby Lewis; bassist for Snoop Dogg or Stevie Wonder, among others, Aqeelion; rapper and singer from Los Angeles, he shared with Erykah Badu or Dr. Dre in the 90’s.

Faszinierend, energiegeladen und hypnotisch! Prepared - ein freigeistiges Trio, das in kammermusikalischer Besetzung unkonventionell und instinktiv Tanzimpulse weckt und den Hörer in einen tranceartigen Klangraum entführt!

Ein Pianist, der auf dem Flügel unablässig hämmert, klopft und zupft. Ein Klarinettist, der in den Tiefen seiner Bassklarinette mehr Bass als Klarinette spielt. Und ein Drummer, der wie eine gute Schallplatte immer weiterläuft und die Grooves fortwährend im Kreise dreht.
Drei Münchner Jazzmusiker, vereint in Ihren Gegensätzen. Wo der eine mit Quadro Nuevo argentinischen Tango, der andere mit Dreiviertelblut "folklorefreie Volksmusik" oder der dritte mit Moop Mama deutschen Hip-Hop spielt, lassen sie in ihrem neuen Projekt Prepared gemeinsam zyklische Motive und raffiniert geschichtete Muster in minimalistischen, aber höchst virtuosen Kompositionen zu einem faszinierenden Gesamtkunstwerk verschmelzen. Als hätte man Jonny Greenwood, Dawn of Midi, Nik Bärtsch und Steve Reich in einen Topf geworfen.

Line-Up:

Chris Gall • prepared piano
Flo Riedl • bass clarinet
Christoph Holzhauser • drums

The Recording: Für eine "state-of-the-art" immersive Musikproduktion wurde die Musik "live" in einem Raum ohne jegliche Overdubs aufgenommen. Dieses Album wurde mit erstklassigen 3D-Aufnahme- und Mikrofonierungstechniken für Dolby Atmos aufgenommen und von renommierten Toningenieuren gemischt und gemastert.
Recorded by Kseniya Kawko at Kyberg Studio, Munich, mixed by Kseniya Kawko at MSM Studio, Munich and mastered by Christoph Stickel at csmastering, Vienna

Format: Schwarzes Vinyl inklusive Downloadkarte