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Diagonal Records proudly welcomes a new face to the label. Off the back of recent 13th birthday celebrations, Diagonal is now looking to the future with an exciting release from Australian upstart, Jonus Eric. Jonus has recently appeared on Gerd Janson's iconic Running Back label. This 12" EP features centre label artwork by Guy Featherstone inspired by Peter Saville's work for Factory Records.

The "Diode" EP comprises 6 tracks of sample – laden, psychedelic house music. EP opener, "Darkwhirl" brings to mind Theo Parrish, a regular reference point across the release. "Crimewave" offers an irresistible, funk soaked bassline. "Shapeshift" is when things get gnarly! "Antibiotics" reimagines a classic Todd Terry rave cut whilst EP closer "Polarity" provides a 90's IDM inspired finale.

Vincent Arthur’s masterpiece LP ‘Esi Vivian’, originally inspired by and named in tribute to his daughter Vivian, was the work of a skilled group of musicians from Africa, The Caribbean and Germany. The record remained relatively unknown for 30 years, apart from a small circle of collectors, until a very well known DJ closing Dekmantel reached the climax of his set with an 'unknown' euphoric afro disco track. Taking to the forums, internet sleuths didn’t stop until it was found that this anthem was ‘Travel With The Music’!

Remastered by the ever patient and talented Frank at The Carvery, SFA002 breathes new life into the 3 standout tracks from Esi Vivian, allowing these timeless sounds to be shared on new dancefloors. It is no understatement that we shared a goosebumps moment in the studio listening to the results, where we both looked at each other and realised how special the music sounds. All three tracks have been elevated whilst staying true to the original and cut at 45rpm for ideal club playback.

‘Travel With The Music’ takes pole position on the A-side, a piece of music perfect in every way. Mixing afro, disco and that euphoric gospel-like chorus, this is the record you want to hear played out with all your friends at once.
Leading the B-side is Afro Disco, a track that always works on the floor, it’s tempo shift injecting a playful energy that leads the party into it’s next stage. Closing out the release, ‘Jubilation’ takes us deeper and in the right dance, is a powerful end-of-the-nighter.

The VA saga continues with the sixth edition and holds 4 previously known artists and mainly new appearances on the label. A melting pot mixed of 12 flavored cuts with a modern take and classic orientated approach on techno.

Bass music royalty Bushbaby joins the Time Is Now family with his Roll To The Rhythm EP, delivering three colossal bass-driven rollers that are sure to shake the dancefloor.

Once again, Bushbaby proves why he's at the forefront of bass music, consistently pushing boundaries and setting the standard for the genre. His unique ability to blend raw, infectious UKG rhythms with cutting-edge sound design makes this EP a standout in the current UKG revival-original, unforgettable, and destined to make waves. With support already rolling in from bass heavyweights like Interplanetary Criminal and Bakey, this 3-track banger is primed to dominate club sound systems and sounds absolutely massive on big speakers.

Whether you're digging through your record bag or prepping your USB for the next club night, Roll To The Rhythm is a must-have record.

40 Anniversary reissue on High Roller Records, 2025, 180g black vinyl, ltd 500, 425gsm heavy cardboard cover, poster, A5 photo card, lyric sheet. Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY in July 2023. Cutting by SST Germany on Neumann machines for optimal quality on all levels. The ultimate audiophile reissue of this eternal US Metal classic!

Canadian DJ and producer Marie Davidson releases her latest single “Contrarian,” made in collaboration with Pierre Guerineau and Soulwax via their DEEWEE label. An all-out onslaught of raw circuitry and electronics, “Contrarian” might just be one of Davidson’s finest club cuts to date.

Earlier in the year, Davidson debuted on the legendary DEEWEE imprint with her single Y.A.A.M. (Your Asses Are Mine), reuniting the Belgium powerhouse Soulwax, who previously reworked Davidson’s acclaimed “Work It” anthem

her wittiest and most biting" - DJ Magazine
“raving under surveillance capitalism” - Pitchfork (8.1)
"funny and wonderfully weird." - Bandcamp (Album of the day)
"reaches new heights" - CLASH 8/10
“packed with party-ready bangers” - The Quietus (Album of the week)
“takes on the big room to take down big tech.” - Resident Advisor (RA Recommends)
“a rallying call for a more humane digital future.” - The Skinny ****

Marie Davidson’s album City Of Clowns, effortlessly weaves through crunching techno straight out of 90s Detroit, fired-up circuitboard breakbeats, and skewed club cuts - a body of work which continues the use of her music as a tool to navigate her place in the world, as an artist, as a woman, and as an entertainer. As high concept as it is open-hearted, she pushes the boundaries of electronic music to digest the most urgent questions of our time – and the result is disarmingly human.

“Contrarian" is an all-out onslaught of raw circuitry and electronics and might just be one of Davidson’s finest club cuts to date.

Limited to 500 copies

Red Vinyl. Brothers Dana and Alden McWayne, along with a troupe of multi-instrumental artists, come together to create jazzy melodies with indie sounds inspired by their unconventional upbringing in Eugene, Oregon. Dana (saxophone) is an organic farm inspector while Alden (drums) is a recent grad of Berklee College of Music. Their debut full-length album, Quiet Music for Young People, is a lush album that melds vintage sounds with the aesthetic and experience of existing in Gen Z and the digital age. Quiet Music For Young People also reminisces of the brother's childhood, summer days spent working at an apple orchard and jamming at jazz clubs on rainy Oregon nights. The experimental smooth jazz-infused album closer "Dragonfly" has been gaining traction on streaming due to trends across Instagram and TikTok. The band has recently toured across the US supporting Benny Sings and will be making their headline debut at NYC's Baby's All Right this winter.

After popular demand The Allergies return with a limited 7" cut featuring 'Koliko' with the amazing K.O.G and the long requested 'God Walked Down'. Two cuts that are sure to never leave your bag!

The Juan Maclean returns to DFA with ‘What Do You Feel Free About?,’ an electro-disco club cut paired with a remix by Man Power (ESP Institute, Correspondant).

The new single is sparse and anchored by a relentlessly catchy, bouncing bass line. Nancy Whang’s vocals carry a sense of urgency and directness as she advises to “keep your emotions secure / when you don’t, it gets personal.” Rave whistles, cowbell breakdowns and handclaps further ensure the track’s place as a key song for the summertime. The remix from Man Power remix reformats the track for the club with a dubbed out, layered vocal arrangement that adds a touch more drama to the track.

The single was produced by Juan Maclean in Brooklyn, New York in the spring of 2018. The song was co-written by live band member Monika Heidemann, who also contributed backup vocals.

Juan Maclean is a Brooklyn-based DJ and producer who has been a mainstay of the New York club scene, as well as maintaining a rigorous international touring schedule, since the release of his first records on DFA in 2002. He’s released an extensive catalogue of 12” singles and LPs for the label with vocalist Nancy Whang (most recently, 2014’s In A Dream LP, and last year’s 12” single ‘The Brighter The Light’). They are currently at work on their fourth album.

A Side - Smoove - Curse
This 45 celebrates Smoove’s love for all things Boogie & Funk as he takes on one of the greatest posse rap cuts of all time. Featuring an all-star cast from Hip Hop's golden era, this track is laced with synth bass, strings, and boom bap beats!

B Side - Smoove - Rich & Famous
On the flip side, we are treated to one of the koolest MC’s of all time, who brags and boasts about how frivolously he likes to spend his cash. The beats are banging, and the Boogie is strong!

Shaka's new drop on Selections is a delightful one that combines real jazz melodies with authentic deep house. Opener 'Sacred Church' (feat Eve - main mix) immediately wins you over with the buys keys, Rhodes chords and eco-system of cosmic synths that busy about while the soulful vocal oozes cool. Jon Cutler's Distant Music mix pairs things back and makes it more of a smoky late night sound and 'Shaker Games' then blisses you out with dusty drum depths and incidental chords that are magically feel good. 'Get Me Higher' shuts down with some superb US house vibes.

The fourth instalment in Pev's Pulse series finds him further widening the scope of his sound as he touches on the distinct energies which inform his unique strain of soundsystem techno.

'Pulse XIII' deals in stark, tweaked-out acid lines cutting through a taut drum machine backbone, balanced out with a sci-fi pad which lets you know its Pev at the controls. 'Pulse XIV' finds him dialling up his jungle roots once more for a dreamy excursion into diced up breaks, cascading synths and dislocated piano chord chops. There's a deeper dub techno spirit to 'Pulse XV' and 'Pulse XVI' deals in the raw, bleep-informed jack tracks that have started to creep into Pev's sound as the Pulse series has evolved.

Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture. It has since become one of the UK's foremost protagonists for cutting edge underground electronic music.

The Pirate Cutz label is fast approaching release number ten and has done a fine job of establishing itself with a fresh garage sound. This latest is no different and comes from Midnite who brings some trad vibes with new school techniques. 'Heart Breakin' is bumping US garage with a big diva vocal stab that will get those hands skywards. 'Move On' is laced with big piano chords and 'Want Me' has a more choppy garage feel with silkier stabs. 'Keep On' blends lovely vocal warmth, glowing chords and dusty drum shuffles that will prove hard to resist in the club.

From day one, Linkin Park built the band upon the premise of fusing all of their favourite styles of music-as disparate as they might be-into one signature sound. Fast-forward 12 years to LIVING THINGS and the same six players have not only developed new tools to make that philosophy a reality, but they're finally comfortable embracing-and coalescing-every aspect of their career. OK, maybe not the XXL work shirts and neon hair dye of the early days. But in their music, the band has spent the past year reinventing how to tastefully bridge the gap between all the musical destinations they've visited, and how to marry all the ideas they've accumulated. And as LIVING THINGS began taking shape, for the first time Linkin Park was eager to use every tool in their toolbox. With each song, they flexed their expertise with both cutting-edge and classic gear, and they infused their vocals with an honest, thrilling enthusiasm; they picked apart their own ideas of what defines a song, and what defines Linkin Park. LIVING THINGS is a personal album, centered on human emotions and relationships implied by the title. It is informed by and built upon all previous Linkin Park albums, while still pushing the band's sound into new territory. It's spirited, energetic, daring and unafraid to hybridize the past, present and future. It's absolute proof to a radical theory six musicians have devoted their lives to testing.

Alkisah Versi Hitam is a radical deconstruction and reimagination of Indonesian duo Senyawa's most recent album Alkisah by Hamburg's Marc Richter aka Black To Comm. The original album was released to critical acclaim in February of this year as a decentralized release on a multitude of labels from all corners of the world, Germany’s Dekorder being one of them. Richter is now completely reinventing the original album from scratch by doing an almost Teo Macero-level production job here, cutting up the originals and (re)constructing new material from scratch.

Arcane chants and vocal cut-ups, fierce freeform percussion, grimy No Wave collage, monochrome drones exploding into multicolour streams, unearthly psychedelic Noise and sheer sonic mayhem, warped discordant rhythms between moments of calming beauty - it's never easy to digest but the outcome is both ecstatic and transcendental - never sounding anything less than a fully formed singular album.

A special cassette version of the album will be released by Jordanian label Drowned By Locals.

BLACK TO COMM is the moniker of Hamburg composer/musician Marc Richter who is creating intricate multi-layered collage based works for labels like Thrill Jockey, Type and Dekorder. His 2019 album "Seven Horses For Seven Kings" revealed an increasingly angry, transcendental and fearless approach, attaining new levels of urgency through noise, volume, rhythm, repetition, atonality and beauty.

Jogjakarta’s SENYAWA embody the aural elements of traditional Indonesian music whilst exploring the framework of experimental music practice, pushing the boundaries of both traditions. Their music strikes a perfect balance between their avant-garde influences and cultural heritage to create truly contemporary Indonesian new music. Their sound is comprised of Rully Shabara’s deft extended vocal techniques punctuating the frenetic sounds of instrument builder, Wukir Suryadi’s modern-primitive instrumentation. Inventions like his handcrafted ‘Bamboo Spear’; a thick stem of bamboo strung up with percussive strips of the animal skin along side steel strings. Amplified it fuses elements of traditional Indonesian instrumentation with garage guitar distortion. Sonically dynamic, the instrument can be rhythmically percussive on one side whilst being melodically bowed and plucked on the other.

They have collaborated and performed with many notable musicians such as Stephen O'Malley of Sunn o))), Otomo Yoshide, KK Null, Keiji Haino, Rabih Beiani, Trevor Dunn, Greg Fox, Arrington De Dionysus, Melt Banana, Damo Suzuki and Oren Ambarchi.

Russian titan Monokle is back to once again traverse many different sound worlds with his new album Ultraflowers. It is one of a number of superb albums landing on Constellation Tatsu this summer and one defined again by its warmth. The title track is a lo-fi, scruffy and deep opener with persuasive breakbeats, while 'Glassy Eyed' is an ambient jungle trip that drips with watery melody. 'Night Objects' offers some introspection and 'Moths' is a glitchy future techno cut with smeared synth soul. '1000Work' layer sup more breaks with elegant ambient melodies and 'Predteche' casts you admit in the deepest corners of space.

First full EP for DJ Rhose... for a solid Hardcore for the Mars Assault record vinyl label !!!
One of the oldschool 1997 producer now lives in the Netherlands and met many artists... giving him the envy to press vinyl again !!

Ths music goes early Hardcore, in a Gabba way... No concessions and a huge fat kick !

Cut at DK Mastering by Hervé, Yann Dub Brother, with SKILLZ and LOVE !

The highly acclaimed U.K. post-punk band Joy Division was originally called Warsaw. Formed in Manchester, England in the late 1970s, the group consisted of Ian Curtis on vocals, Bernard Albrecht (aka Sumner, aka Dicken) on guitar, Peter Hook on bass and Stephen Morris on drums. Hook, Albrecht and Curtis hooked up at a local concert and later formed the group Warsaw. The band’s name was taken from a David Bowie-Brian Eno composition, “Warszawa”. The 5 bonus tracks on this album are demos cut by the group at Pennine Studios in Manchester on July 18, 1977 with Steve Brotherdale on drums. The first eleven tracks presented here were the result of a recording session for that album that took place in early May of1978. Rehearsals leading up to the session resulted in two new songs being added to the group’s existing repertoire: “Interzone” and “Transmission.” “Interzone” was based on the backing track of the song “Keep On Keepin’ On,” to which the band added their own lyrics. The result was a song distinctively their own. “Transmission” was written by the band during the final week of rehearsals. The first verse contains a quotation from Alistair Crowley’s The Book Of Thoth. The two recordings are interesting renditions of songs which would later became famous.

Wonder what happens when 4 friends occasionally link up and make a few cheeky house tunes in between talking about pizza, footy, and kick drums? Cheek Inc!
Wonder what music 4 people (Nic/Rafael from !!! and Preslav/Adam from PTA) who’ve released music on Warp, Good Looking Records, Freerange, Pittsburgh Tracks, and Dischord would write? Cheek Inc!
Wonder why? Cheek Inc! “Jacqueline” is the debut EP by Cheek Inc: a vocal house 12” with 3 mixes to make you feel like you’ve always known why you have to just keep going. The A side brings flavors of classic piano house, adding a huge sub bassline, soaring synth pads and leads. The B1 “303” mix strips things down with a hypnotic bass groove, rhodes chords that keeps the pace, and an insistent 303 line that runs in and out like you know who. The B2 “Still Life” mix takes it deep by cutting up the vocal, with a sliding, playful lead line, bouncy chords, and a drum groove that shuffles and swings while THAT string line never quite goes away. Cheek Inc!