Search:j dub

The evolution of Andreas Tilliander's moniker TM404 has reached its third stage. The first TM404 album was a heavily self-restricted concept album, live recorded with classic Roland machines. The subsequent album had a more playful vibe, shaped by Tilliander's extensive live touring. This third TM404 album on Kontra-Musik simply tells the story of what he's been up to since. The third part of a musical diary, initiated in 2013. The TM404 venture might have started out as a dreamy acid dub project, more suited for the chill-out than the main floor. But by popular demand Tillander found himself touring big clubs around the globe and the TM404 sound adapted organically. As a result, the album features tracks like Vactro and Rymdeko: fast paced acidic techno tracks in the same vein as classic Plus 8 releases, but with more space echo. Much more. But never fear, fans of the classic warm and bubbling TM404 sound. You'll certainly get yours as well. A substantial portion of this album was recorded in a studio flat in Berlin as part of an artist residency. For obvious reasons, Tilliander could only bring a small portion of his studio gear to this German sanctuary. As a consequence, this album has a more stripped down vibe than its predecessors, which creates more space for Tilliander's glowing melodies. The last track on the album, a loving homage to Kontra-Musik's label boss, is a sublime example. And for the Instagram generation, here's the short version: The album is called Syra. That translates to Acid. You're welcome.

Sohrab Karimi is doing a fine job of establishing his still young but increasingly vital label Kolony Gorky with another superb two-tracker here. 'Work It!' kicks off at pace with slick, punchy tech house drums, but the structure of them is offset by liquid synths, trippy details, and warped melodies that bring an after-party vibe where space and time melt away to a fuzz. On the flipside is a deeper jam, 'Yousef Abad, which is slower, more dubby and soothing for those late-night hours when you just want to lock into a groove and zone right out.

Infusing his cinematic, psychedelic musical vision into cutting-edge, bass-heavy electronics, Kutiman presents a euphoric club journey through UK garage, D&B, post-dubstep, and futuristic dance music.

With syncopated drums, deep basslines, and R&B-soaked vocals from standout artists like Jenny Penkin, Misha Sutherland and Odelya Illouz, the project bridges the gap between the indie electronica of Four Tet, Caribou, and Jamie xx and classic alternative club sounds.

Club music is emotional at its heart, and this release captures its essence perfectly; the peak-time euphoria, the moments of introspection & the times spent lost in the music.

2021 was a milestone year for Jimpster and the label he founded with Tom Roberts back in 1996. It was never going to be plain sailing all the way but their passion for discovering, making, and releasing the music they love saw them pushing into their 25th year with more enthusiasm and determination than ever before. Now, 30 years in, we dive back, headfirst into the deepness of his Soul Spectral EP.

Contrast EP splits into two sides, and the split is the point. Ittara takes the first side with Anticorps and Silent Waves, Jonas Xenon takes the second with 2010 and Wriezener Studies. What connects them is depth: mega deep techno and house, pushed into dubbish territory, built for dancing rather than for show. The low end sits heavy and the space around it stays open, so the tracks have room to move and echo. On a floor it works slowly, pulling people into a long, dubby groove that keeps them moving. Detroit techno, deep house and dub techno all sit in the frame. Two artists, two approaches, one pull towards the deep end.

2026 Repress!

Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex, radiating ambience that etches a natural ebb and flow.

Transformative sounds alight from the outset, “Triangulation” recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in “Reiki”, the disorienting clangs suggesting a step away from his recent ambient excursions. “Ito” crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, “Jade” is trademark Tresor business - the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. “Scrawler” is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism.
Where Modell’s recent releases had indicated a priority for ambient sounds, this new album extends Modell’s essential vision within techno. Closing track “Air-Port” shows Modell at his most crucial best - an ethereal colossus of sub-bass weight and morphing geometry.

Teeing up the next dynamite release on Brighton-based label Murmurations is prolific UK producer Michael James. Spread across four cuts, the fifth vinyl release from the label - MURM005 - continues to focus on essential, stripped-back, driving dancefloor energy with a nostalgic edge. The Moving Music founder delivers exactly that throughout his four excursions here, laced with infectiously swung grooves from top to bottom, synonymous with his sound. “Ultra Realism” kicks off the record with heady peak-time action, its enormous elastic bassline winding itself around intricately arranged, skippy drums, rarely letting up as the track evolves.

Dubby, golden-era tech house sounds arrive on the A2, titled “More Of That”, a fitting name for this after-hours future anthem. As we land on the B-side, we’re greeted by “Lazy River Express”, another slick encounter with a distinctly charming attitude to it. Hard not to move to this one. Rounding off the EP is another example of punchy, rolling action, begging to be played loud. “Stargazer” leaves us with a crisp yet dreamy finish, rounding off the EP with another standout cut for the record bag. In its early days, Leo Christopher has managed to build a sought-after catalogue with the Murmurations imprint, and long may that continue. The curation is always one step ahead, and the label has very quickly become a buy on sight imprint for devoted diggers. An exciting combination here as a growing label joins forces with a staple name on the UK circuit.

- 2026 repress -

First Babe Roots album perfectly executed. This is the perfect balance between dub structures and reggae rhythms.

To celebrate the LP’s anniversary, Delusions Of Grandeur have re-pressed a limited run of heavyweight black vinyl, which comes complete with an exclusive 10’’ with Session Victim themselves revisiting two of the album’s standout cuts (Dark Sienna and The Haunted House) plus a Quarion remix of Bison, giving them a fresh spin for 2026.

INXXXWEL returns with another donut of funky laid-back edits. The A-side sounds like a late night top-down cruise in a lowrider sittin on dubs with ANGIE STONE behind the wheel. On the flip SLUM VILLAGE meets up with AMERIE for a slow grind head bopper sure to bring the lovebirds to the floor.

In their countless years of deep digging, Dark Entries has uncovered many curiosities, oddball Italo and synth-wave creatures too rare to live, too funky to die. Dark Entries’s conservationist efforts began with 2020’s Endangered Species Vol 1. Six years later, we are finally treated Endangered Species Vol 2, an even more ambitious effort which features eleven specimens previously deemed extinct, now safely preserved on vinyl. Things kick off with an extended mix of Palazzo di Danza’s “Play That Song For Me,” a lavishly produced German-Italo number propelled by a slinky bassline. Russian Olga Vosconyan’s “Cars” delivers what might be the moodiest song ever produced for a car commercial.

Fuzz Dance maestro Alexander Robotnick appears with a previously unreleased male vocal demo version of “I Wanna Believe,” a legendary track that would later appear under the name Gina & the Flexix. Canadian industrial royalty Dwayne R. Goettel (Psyche) and cEvin Key (Skinny Puppy) team up on the horror-sampling hit-heavy blaster “Bastards.” Belgian EBM progenitors à;GRUMH... report for duty with a slab of machine funk on “The Army.” UK DIY stalwarts Khmer Rouge bring Krautrock-inflected minimalism with “Take Me (Across the Floor Tonight) In Dub.” Endangered Species Vol 2 comes housed in a sleeve designed by Eloise Shir-Juen Leigh, and includes a 16 page booklet featuring liner notes, lyrics, and photographs of each featured project. Please assist Dark Entries in their efforts to preserve the rarest of beasts (and beats).

Vincent Fiore returns to primediv.space with Roller Coaster, a double 12 inch, vinyl only package that transforms the song into multiple identities providing something for everyone. Inspired by the resident DJs of NYC in the late '90s and early 2000's who would "break" records by playing songs alongside their acappella and utilizing specific effects as hooks throughout the night, Roller Coaster provides all of the tools to create such a story in DJ sets ranging from ambient electronic all the way to techno.


Vincent Fiore returns to primediv.space with Roller Coaster, a double 12 inch, vinyl only package that transforms the song into multiple identities providing something for everyone. Inspired by the resident DJs of NYC in the late '90s and early 2000's who would "break" records by playing songs alongside their acappella and utilizing specific effects as hooks throughout the night, Roller Coaster provides all of the tools to create such a story in DJ sets ranging from ambient electronic all the way to techno.

2026 Repress

Good Life sees Detroit icons Inner City return on KMS with one of the most celebrated house records of all time, presented here on fresh 12” vinyl.
A defining track of the late 80s and early house movement, Good Life remains a timeless anthem, driven by uplifting melodies, soulful vocals and unmistakable Detroit energy.
This edition features a remastered version of the original alongside an Inner City edit of the Carl Craig remix, plus a Dub Mix, offering both classic playback and updated DJ functionality.
As a cornerstone release from the KMS catalogue, the record continues to resonate across generations of DJs and listeners, maintaining its place as an essential dancefloor staple.
Back on fresh 12" vinyl, this repress offers strong appeal for both collectors and DJs looking to stock a truly iconic house record.
An essential catalogue piece for stores supporting classic house and Detroit heritage releases.

.defaultbox continues its DBX series with the DBX002, a split EP featuring 10.000 BC and Tam15 with remixes by Alexander Kowalski and Volpe. 10.000 BC opens with "Funchal", an atmospheric, driving and deep journey followed by Alexander Kowalski's remix which adds warmth and depth to the original. On the B-side, Tam15 delivers "Inner Life" a raw analog dub techno cut reworked by Volpe with a warm dub techno driven vibe.

On Board Music returns for its sixth installment of the Various Artists EP series, but this time with a different approach. Five fresh remixes breathe new life into Point C, originally released in 2021 and consisting of tracks from Foreign Material, Hironori Takahashi, Hiver, Sylve and Alan Backdrop.

For the 2024 update, On Board enlists five of the finest deep techno practitioners to twist the originals into bold new forms. US artist Patrick Russell dives deep into his signature, tripped-out zone, with dub and half-time sensibilities grounding the remix in an eyes-down headspace. Estrato Aurora, who remixes Hiver’s cut, goes equally subterranean, perfectly setting up the nimble drumming and bright melodies of Polygonia’s contribution.

'Life As A Duck' marks the return of Fergus Sweetland's imprint Pressure Systems and the label's first vinyl release. The title originates from a joke between two friends - friends that are ducks. These ducks found one another whilst discovering themselves, trying to navigate a world built for humans. Being a duck is another way of saying neurodivergent; existing adjacent to everything whilst trying to make sense of a strange planet, determined to remain as true to themselves at the same time as trying to be accepted in society. The tracks were made in direct response to a challenge presented to Fergus from a close friend: strip it back. The test was to apply brain-licking sound design to as few elements as possible and work them into functional club tracks. 'Tickle My Tism' meets the challenge. Fergus' signature low end captures the hips as the tension builds, expanding into an unexpected soundscape with precise smoothness. 'Trouble In The Bubble' is a dark yet dubby rolling club track full of texture and soundscapes. Nørbak's remix of 'Trouble In The Bubble' strips things down further with the Portuguese Garage (PTG) version, providing a more club-focused slant to the tune. 'Mind Easer' closes out the EP. The concluding track was written to ease the mind of a fellow duck when their feathers were ruffled by life. Its soothing focus allows one to melt into the sound and calm their mind. It tells you that everything is going to be okay. Expect the unexpected as Fergus' distinct sound design carries you through a four-track journey that emphasises that less is more - from a duck just trying to do his best.

Belgrade's rising underground force Ledeni makes his KUJE Records debut with Liminal State, an emotional four-track EP exploring vivid sonic narratives through driving rhythms and hardware textures, inspired by the roots of acid and dub techno.

Pont Neuf mark 10 years with an all-star cast and a masterclass in club music - timeless, tasteful, and built for the dance floor.

Following acclaimed releases on Permanent Vacation and Shall Not Fade, as well as their Panorama Bar debut, Rhode & Brown return with their second album, Multitudes.
Across nine tracks, the Munich-based duo showcase their signature versatility, moving seamlessly between dubby tech groovers, bouncy house cuts, and sleek, 90s-inspired downtempo. The LP features collaborations with Italian producer Ferrari (Faith Beat) and London-based Braga Circuit (Rinse), alongside vocal appearances from UK rapper RONNI and Munich/ Mexico-based artist Sianza.

2026 Repress

Originally released in 2006, Rendezvous is a rare, dub techno track released by Nao AKA DJ Compufunk from Compufunk Records in Osaka. Working under the name Lovegod for the first and only time, he created a timeless epic for a live set at the legendary, short-lived underground club "United Underground ??? (Tsurunoma)".

Now revived 20 years later by Richard Akingbehin’s Kynant Records, Priori contributes a dreamy rework and Janeret slows it down into a crisp dub version to complete the EP.

Written & produced by Naoyuki Yamakawa
Additional production by Francis Latreille and Mickael Jeanneret
Mastering by Anne Taegert @ Dubplates & Mastering
Artwork by Grant Gibson
Distributed by N.E.W.S

2026 Repress

The twelfth release on Early Morning is a collaboration between Fauxplay and Anthony Pappa, two producers whose shared roots in progressive house give the record its coherent, unhurried identity. Four tracks, nearly thirty minutes, built around a single piece and its transformations.

Forever Seeking is the foundation. A seven-minute arc that settles into its groove with patience, opens into a melodic break that creates genuine space, and returns with a drop that carries weight without force. The Ambient Mix closes the record as its quiet resolution - the same melody stripped of rhythm, allowed to exist on its own terms.

Between them, Simon Vuarambon contributes two interpretations. The Remix maintains the emotional core of the original while moving with greater urgency, cycling through two distinct breaks and drops across eight minutes. The Dub Mix takes a more stripped approach, emphasizing space and low-end, giving each element room to breathe.

This is music for the later hours, where the dancefloor and the inner world become the same place.

"ASSEMBLE MUSIC 15 YEARS - Part I : Founded in Lisbon in 2011, Assemble Music celebrates its 15th anniversary with a three-part vinyl compilation, bringing together fifteen artists who, in different ways, reflect the label's past, present and future. Released simultaneously in November 2026 and distributed worldwide by Clone Distribution, the three records are less a retrospective than a continuation of what Assemble has been building since the beginning: music with character, made by artists with their own language, away from trends and easy categorisation. Across fifteen years, Assemble has moved freely between house, techno, electro, dub and more experimental forms of electronic music. The catalogue has never been defined by one particular sound, but rather by a certain approach, personal, uncompromising and built to last. Part I opens with XDB, an artist whose relationship with Assemble goes far beyond a single record. His deep, understated approach to house and techno has always been closely connected to the musical identity of the label. Aubrey, one of the enduring figures of the UK underground, follows with decades of experience behind him and a catalogue that stretches back to the early 1990s. Synchrojack connects the compilation to another important lineage: the raw and deeply individual British house music with a track produced and never released in the 90's. Activ-Analog bring their machine-driven, analogue approach back to Assemble after previously releasing on the label, while Kumquat Kids aka Julian Phethean & Steve O'Sullivan with a track originally released in 1999 on the Various Positions EP for UK label Organised Sound. "Surface" is a genuine late-90s underground rarity! Over the years, the original 12" has become increasingly sought-after and notoriously expensive on the second-hand market."

"ASSEMBLE MUSIC 15 YEARS - Part III : Founded in Lisbon in 2011, Assemble Music celebrates its 15th anniversary with a three-part vinyl compilation, bringing together fifteen artists who, in different ways, reflect the label's past, present and future. Released simultaneously in November 2026 and distributed worldwide by Clone Distribution, the three records are less a retrospective than a continuation of what Assemble has been building since the beginning: music with character, made by artists with their own language, away from trends and easy categorisation. Across fifteen years, Assemble has moved freely between house, techno, electro, dub and more experimental forms of electronic music. The catalogue has never been defined by one particular sound, but rather by a certain approach, personal, uncompromising and built to last. Part III brings together another five artists particularly close to Assemble's musical universe. Lowtec has spent decades developing one of the most distinctive languages in European house and techno, both through his own productions and his own label Workshop. His music shares something fundamental with Assemble, restraint, depth and an unwillingness to follow obvious paths and thats exactly what he delivers with "Dutch Angle" exploring the more ambient and abstract side of house. Welsh modular artist Steevio, co-founder of Freerotation, approaches electronic music through improvisation and live interaction with machines. His contribution to the compilation reflects the human, unpredictable side of electronic music that has always fascinated the label. Reedale Rise returns after becoming an important part of Assemble's recent chapter. Moving naturally between electro, techno and house, his music combines precision with an unmistakable melodic and emotional quality. With his track he explores a slightly darker path here, with deeper, more shadowy melodies revealing a different side of his distinctive sound. Lerosa's "Love Money" and Vera's "Take Me" are two very special tracks in our back catalogue, and we felt it was time to bring them back to life for our 15th anniversary. Vera was one of the first artists to collaborate with Assemble, with Lerosa joining not long after. Over the years, both have become an important part of the label's story, through releases, many shared showcases, and above all, a great friendship that has grown along the way."

"ASSEMBLE MUSIC 15 YEARS - Part II : Founded in Lisbon in 2011, Assemble Music celebrates its 15th anniversary with a three-part vinyl compilation, bringing together fifteen artists who, in different ways, reflect the label's past, present and future. Released simultaneously in November 2026 and distributed worldwide by Clone Distribution, the three records are less a retrospective than a continuation of what Assemble has been building since the beginning: music with character, made by artists with their own language, away from trends and easy categorisation. Across fifteen years, Assemble has moved freely between house, techno, electro, dub and more experimental forms of electronic music. The catalogue has never been defined by one particular sound, but rather by a certain approach, personal, uncompromising and built to last. Part II begins with Eduardo de la Calle, whose uncompromising approach to techno and electronic music has made him a natural part of Assemble's more recent history. His contribution continues a relationship that has developed through releases and appearances around the label showcases. Tom Dicicco & Roger 23 move into deeper ambient techno territory, bringing together two producers whose work has always pushed beyond the conventional boundaries of house and techno. Radboud Mens is a Dutch sound artist and composer whose work has long explored the space between experimental electronics, minimalism and techno. Active since the early 1990s, his approach is built around repetition, texture and the physical qualities of sound. His contribution to the compilation reflects this perfectly with a deeply minimalist piece, stripped back to its essential elements, where subtle shifts and details gradually shape the track. Chicago's Hakim Murphy represents another long-standing Assemble connection. His relationship with the label goes back years, and his raw, instinctive approach to house and techno embodies much of what Assemble has always looked for in an artist, individuality before formula. Closing the second record, Myles Serge delivers a pure definition of deep techno, hypnotic, atmospheric and deeply immersive, built on subtle movement and timeless Detroit-rooted sensibilities, establishing a new connection with the label."

2026 Repress

Silhouette is a brand new label from Burnski, who is surely the hardest working man in the underground right now. His thirst for sounds that traverse the garage, tech, dub and minimal spectrum seems to be utterly insatiable. For the second release on his latest outlet, he enlists Budapest-based house-head Vitus. In return, he drops five tunes that will work the floor with muscular grooves but bring the fun with great samples. There's raw filth on 'Got Your Head Nod', choppy, jazzy loops on 'Mind State,' a more heads down minimal sound on 'Take Me (To The Floor)' and bubbly energy on the well swung closer 'House Is (Never) Boring'. A charming EP full of club utility.

On a class debut for Biscuit’s choice Good Morning Tapes label, Kyoto’s dub specialist G Version III runs signature fusions of digidub steppers, drill, and holographic, minor-key FM synths.

One up on her 12” for Riddim Chango last year (plus the »Scenery From Double Glazing« tape for Digital Sting in ’24), G Version III’s »Chapter II« most finely chisels her lucidly rugged definition of the late ’80s / early ’90s mystic steppers sound. The OG Caribbean spirit is heard filtered through UK dances and shored up in Japan, where G tessellates its salient points with a palette of glassy Japanese synth tones and chamber music to exquisite effect. If Wendy Carlos was a soundgyal?

Across six cuts she builds the dance around digidub x drill waltz »Livin 4« and a haunted dancehall special in the harpsichord/horn riff of »An Idyll«, impressing her prowess in the fusion of subcontinental scales with a drill-tipped skip in »Queen G Theme Chapter II«, and tucking right into an aerodynamic, flying steppers mode, shades away from Element, in »Motherearth Guidance«. At a slower, wider stride her »Higher Grade« goes eyes-down on massive subs, and »Voice of Mystique Warriyah« adapts the classic-schooled sound like TNT Roots in Tokyo.

Spanning Portland, Bristol, London and beyond, Cold Light has evolved from a friends-and-family label into something stranger but more cohesive. It's a collective spanning Best Available Technology, Birthmark, Withdrawn, the wind between, CSNL and Rael, plus a wider orbit including Elaine Malone and Tony Onuchukwu. What began as a 2019 tour experiment and crystallised during lockdown into the Live at the Laundromat sessions has now fully matured into a singular sound rather than a patchwork of ideas. Dub sits at the centre, most clearly on the sprawling 'Fields in B', but the group folds in haunted boom-bap, gritty noise-rock and ghostly trip-hop with equal confidence. 'Riot' and 'I've Known Fires' both hover in that murky, half-familiar space the collective has made its own.

A hypnotic drift through dub house and techno textures that seem to exist outside of time entirely. From somewhere deep in the Finnish night, Havsmörker surfaces with two pieces of weightless, waterlogged sound. Ilväder, Swedish for "storm weather" belies its name: there is no violence here, only the slow drift of pressure systems moving across open water.

Johannes Albert returns with his second ep on HOUSEWAX!
Another superb House Monster from the Berlin based DJ/ Prodcer wich will be out mid of August.

Highly recommended!

Strong Limited and hand numbered white Label! The second release on Observer’s imprint marks the project’s debut on vinyl, delivering four cuts of dub-leaning techno.

Ghost Dubs, real name Michael Fiedler, aka Jah Schulz, announces a rebirth with 'Damaged', his first album for The Bug's PRESSURE label..

Having recently dropped two criminally overlooked, experimental dub LPs, with his 'Dub Over Science' series, the German producer/bass specialist, now stretches his own parameters of outwardness still further, with these twelve fresh explorations of dub deviance. For those who feel the fusion of dub techno and ambient drone had creatively ended with the demise of the short lived, Berlin based Chain Reaction label. Ghost Dubs now upgrades, and extends that legendary blueprint's abstract methodology even further and deeper, floating away upon a wonderfully warm sea of hiss and static bliss. This is dub so atomized that it disintegrates within your eardrums. Its music, where the machines take over and virtually all traces of humanity are erased. But thankfully, the warmest soul still oozes seductively from the pores of Fiedler's robo riddims. Relentlessly hypnotic, seriously sedated, 'Damaged' celebrates the point of departure within it's mesmerising low end grooves. Album opener 'Chemical', provides an opiated slo-mo skank, which sounds like Plastikman's 'Consumed' era pulsations drenched heavily in sub aquatic fx. A triumph of surface noise surfing and sub woofer testing relentlessness, it provides the perfect intro to this compellingly immersive album. For batty shakers and headtrippers alike, there's added thrills aplenty, as Ghost Dub's richter scale tremor rhythms remain impressively massive, and the atmospheric depths of 'Damaged' appear tantalisingly oceanic. Throughout the duration of the dreamy selection, there is an obsessive balance of bewitching ambience and heavyweight bassbin shaking. The lead single 'Thin Line' itself provides a missing link between African Headcharge's early percussive body probes and Rhythm & Sound's addictive radiance, with the slightest hint of Burial's doomed romantic hauntology added for good taste. Alternately, and no less gracefully, 'Dub Lobotomy' bizarrely resembles Miles Davis 'Get Up with it' chopped, screwed, and relocated to a futuristic Kingston Town. Impressive indeed, Fiedler's mastery of live dubbing on his mixing desk shines accross the duration, and gives the album an improvised edge, and sense of peripheral chaos. Elsewhere, spooked steppars('Hot Wired'), haunting house ('True to life') and 4th World psychogeography('Undone'), combine to ensure there is a forever changing mixture of flavours percolating within the admirable consistancy of the overall sound.

With a tip of the cap, and nod of the head to Pole('Second Thoughts'), its no surprise then that PRESSURE would then turn to the great, Berlin based producer Stefan Betke, to master/cut this collection at his infamous Scape mastering room. And a fine job he did too, as high quality sound and levels are definitely maintained throughout.

If you like your melodies submerged, your dub narcotic, your basslines obese, and your beats evaporating, 'Damaged' provides the perfect prescription and entry point into Ghost Dub's spectral soundworld.

DJ Support: Shy One, Macca, Jaye Ward, Secretsundaze

For the 10th ITTY release, Comb has recorded two new interpretations of a 303 Post-Punk classic, reimagined in a Street Soul-inspired style.

The Juicy Mix pairs soulful female vocals with a popping DX bassline, crisp 808 drums and the iconic saxophone solo. The After Hours Dub is a deeper cut, with stripped-back instrumentation and breaks, M1 bass, and a repeated male vocal refrain built for serious head nodding.

2026 Repress

Multi-faceted artist Calibre today shares his sixteenth studio album "Feeling Normal". The album is out now to pre-order on Vinyl, CD and on digital platforms via his own independent imprint Signature Recordings.

The record is his first bonafide 140bpm record and a staggering body of work that shows the genius levels of one of electronic music's most respected auteurs. Across the 13 tracks, he transcends through space and time, creating music that will take the listener on a weighty sonic journey. The album announcement is accompanied by two dub versions "Bad" and "Badder" deconstructed from the track "Badman" with DRS from Mark Ernestus available via his Hardwax store January 29th and Bandcamp February 12th. "Getting to work with Mark Ernestus is a real honour, I collected Basic Channel, Rhythm & Sound and his other work for many years and still do. It's hard to avoid the influence of this guy in electronic music across genres and so it is a real pleasure to have him do his thing with the Badman tune which I think sounds closely related."

All of the tracks on the record have been road-tested in Calibre's DJ sets over the last 2/3 years with many of them being sought-out by his hardcore fans. It was only a matter of time then that he put them out for all to consume. With a nod to the dancefloor, the clear idea for the album came about following the release of his most personal album to date "Planet Hearth". "It still works in the headspace but ultimately it's been written for the sweaty club experience we miss now, also after an album like Planet Hearth it felt very liberating to do," he remarks. When writing albums, he often just puts it down to the general chaos of life, not citing any one influence but generally just waits to see what comes. With one of the tracks on the album written 7 years ago on the island of Valentia, It became a project that he spent the intervening years collecting tracks for, not really knowing when he was going to put it together as an album. "The whole album is special to me, everything on there has import and meaning beyond for me, I have spent much time on all these and hope they are special for other people too."

Belfast-born, Berlin-based Calibre - AKA Dominick Martin - shows no sign of slowing down. As a producer, DJ, songwriter, multi-instrumentalist and painter, he is one of the most unique and inspiring living artists. With a career spanning two decades, his ability to remain underground whilst being one of the most-respected is testament to who this enigmatic artist is. To this day, he has never been remixed and has a seriously impressive amount of unreleased music under wraps. With everything on hold and gigs on the backburner, this record is exactly what the world needs right now.

2026 Repress

In these cold days we're pleased to present a potion to warm the soul as Feral finally release his 5th Hypnus record. This is the first release of our 6th year which introduces a new, custom made sleeve design that further articulates the adventurous and cinematic philosophy of our music.

Most of you will be acquainted with Feral by now as he's been an essential part of our guild for quite some time. Those of you who enjoyed his last two EP's will be pleased to find the sound of "Court of Light" to be a solid evolution of his inimitable dubbed out deep techno sound.

Early support from Claudio PRC, Deepbass, Ness, Svreca & TM404 to name a few.

French producer Yse Saint Laur'ant is exactly the sort of artist you want to hear from as the sun begins to shine more often. He's a master of escapist, beauty, classy grooves that marry disco and Balearic into pure magic. 'Space Ride' does that on a bubbly groove with a cosmic edge and 'Saint Tropez' brings loose-limbed funk and boho percussion to a Provencal sound. 'Monaco' is bathed in sunlight and made all the more classy with some gorgeous stings and mellifluous chord work then 'Esplanade' shuts down with a dubby, flute-led sound with a whimsical charm. Twenty First release on the much sought after Vinyl Only label.

A cassette-only collection of scratchy one-away dubplates and 45s from the vaults of Jah Massagan Sound, featuring plates cut at the studios of legendary producers and engineers such as King Tubby, Lee Perry, JoJo Hoo Kim, and Joe Gibbs among others during the peak of the roots sound in the mid 1970s through to the early 1980s.

Beginning in Leyton in 1972, owner-operator Lloyd alongside childhood friend and amp builder Tony Mass were part of a wave of reggae soundsystems formed in London and across the UK immediately after the Windrush generation. Focused on preserving and promoting the authentic Jamaican roots, Jah Massagan has remained a small but steadfast cornerstone in the East London scene more than 50 years later. Eljay Mass, the son of owner Lloyd, takes the reins for this cassette-only document, as the torch is passed on inter-generationally to continue the sound’s work.

Between 2024 and 2025, Tour-Maubourg launched his Ensemble live formation alongside saxophonist Ismael Ndir and drummer Fréjus Méa. Fresh from Panorama Studio in Brussels, they unveiled two EPs featuring live reworks and exclusive tracks, a project that has already gathered millions of streams and led the trio to perform in some of Europe's most exciting venues.

Soak’s fourth album, decembers, was born in literal silence. Contending with an autoimmune disease that prevented them from singing, it was the absence of sound that birthed the Derry artist’s most sonically and lyrically remarkable album to date.

The space that expanded from that enforced quiet, and the life lived within it - transitionary, liminal, escaping in search of connection - cracked something open. What floods in, is an album of stunning tenderness, honesty, and astonishing storytelling from an artist discovering the revelations at the end of the line.


In decembers, we travel on the road through America, walk the frost-glistened paths of Dublin at night, search for a meteor in Portugal, and return home to Derry. Everywhere, here is an artist evolving, exploring, releasing themselves, coming undone, and eventually, becoming.


At the core of the album is this lyrical statement: “Getting lost is getting free.” How brave it is to face the unknown. Because when you really go there, that’s where discovery lies. That discovery in decembers is a creative one, but it’s also about connection to people and place, to forgiveness, and ultimately to prioritising honesty. “A consistent theme is struggling for direction, battling the urge to run,” Soak says, “and instead, planting my feet.”

Soak’s fourth album, decembers, was born in literal silence. Contending with an autoimmune disease that prevented them from singing, it was the absence of sound that birthed the Derry artist’s most sonically and lyrically remarkable album to date.

The space that expanded from that enforced quiet, and the life lived within it - transitionary, liminal, escaping in search of connection - cracked something open. What floods in, is an album of stunning tenderness, honesty, and astonishing storytelling from an artist discovering the revelations at the end of the line.


In decembers, we travel on the road through America, walk the frost-glistened paths of Dublin at night, search for a meteor in Portugal, and return home to Derry. Everywhere, here is an artist evolving, exploring, releasing themselves, coming undone, and eventually, becoming.


At the core of the album is this lyrical statement: “Getting lost is getting free.” How brave it is to face the unknown. Because when you really go there, that’s where discovery lies. That discovery in decembers is a creative one, but it’s also about connection to people and place, to forgiveness, and ultimately to prioritising honesty. “A consistent theme is struggling for direction, battling the urge to run,” Soak says, “and instead, planting my feet.”