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Gregor Tresher selects the 8. volume of tracks which are breaking new soil for him. The lucky ones are Loco & Jam, Timmo Egbert and Luca Marchese. Curious to know which one you prefer.

The debut album of contemporary British band LINEA ASPERA. Linea Aspera is the London duo of RYAN AMBRIDGE (Synths/Programming) and ALISON LEWIS (Vocals/Synths). They began the project in November 2011, technically drawing inspiration from electronic music from the early 1980s. Within the duo, Alison writes and performs all vocal elements, while Ryan is responsible for the writing and performing of the electronics, as well as recording and mixing of the final recordings. For their debut album they utilized small, simple analog synthesizer set up: Roland SH-09, Roland Juno 6, Vermona DRM MKiii, Korg Poly 800 and Analogue Solutions Semblance. Linea Aspera's sound includes clear influences from early electronic body music, classic synth-pop and, in some instances, industrial and noise. Lyrically the band incorporates the sciences of osteology, neuroscience, and anthropology weaving a new medical language around themes of desire, despair and renewal. Linea Aspera serve up an icebox of dark doom riding on Alison's powerful vocals with a soft but sharp touch. All songs have been mastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley. Each LP is housed in a specially designed jacket by DOVILE SHURPO and includes a full sized insert of all lyrics.

Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, ''The San Francisco Sound.'' Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time, Patrick, along with his classmates Maurice Tani and Art Adcock, would create radio jingles and electronic pieces using the school's equipment: first a Putney, then an E-MU System, and finally a Serge synthesizer. He would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

The masterclass collection of deep melodic sound is going into the fourth round! "Parquet Most Wanted Vol. 4", featuring worldwide supported & impressive productions by SOLEE, SOUL BUTTON & ANDREA ARCANGELI, MIDAS 104 & OLIVER LIEB and JOS & ELI. These tracks are already played by A-List DJs like Solomun (Diynamic), Richie Hawtin (Minus), Kollektiv Turmstrasse, Edu Imbernon, Guy J (Lost & Found), Moonbootica, Eelke Kleijn, Hernan Cattaneo (Sudbeat), Nick Warren, Oliver Schories (SOSO Hamburg) and many more! 100% must-have for every melodic House & Techno lover!

Here comes a new EP
in limited Quantities

Coz' after long vinyl silence
beat is back with science

Starring mister C. Distortion
& Cyrius, brings back the Ozone

Starring Jeff's disco-Techno
The tribe goes downtempo

Starring freshly fixed
song from Ixindamix

SP23 non-stop transmission
Deby's visual for (r)evolution

And here comes a familly
through the year, in untity !

London centric debut album from Floating Points with a host of guest musicians and vocalists.
the label say " Sam Shepherd spent five years putting together Elaenia, juggling the production with his DJ commitments and his now-completed PhD in neuroscience.

The album takes its inspiration from classical, jazz, electronic music, soul and Brazilian music, much of which can be heard in Shepherd's DJ sets. There's a long list of contributors, with Tom Skinner and Leo Taylor (drums), Rahel Debebe-Dessalegne and Layla Rutherford (vocals), Susumu Mukai (bass), Alex Reeve (guitar), Qian Wu and Edward Benton (violins), Matthew Kettle (viola) and Joe Zeitlin (cello) all featuring. Shepherd also provides some of the vocals.

Shepherd's influence on the album extends to the cover art: he built his own harmonograph to create Elaenia's sleeve, using fibre optic cables that were connected to light sources and responded to bass drum hits and other sounds.

Aside from a couple of early excursions on R2 Records and Planet Mu, Shepherd's solo material has come out through Eglo Records, the label he co-runs with Alex Nut. Records like Vacuum, Shepherd's breakthrough release in 2009, and 2011's Shadows, which scored a five-star review on RA, have cemented his reputation as a classy, inventive producer. On top of that he's also released music from his Floating Points Ensemble project, and produced some of Fatima's 2014 album, Yellow Memories. "

Enough! Music´s 11th work is a especially release by our lovely Marc Miroir with a soulfood remix series from AMAM labelowner Alessio Mereu & Dakpa and Enough! Music head Danilo Schneider. Two wonderful tracks with the name "Skillz" and "Skusy" is the sound of our time. Turn the volume button loud- here comes Marc Miroir. The hypnotic groove, passion and the right sounds in the arrangement are the full craft in this ep.
Both remixes of the track " Skillz " from Danilo Schneider and Alessio Mereu & Dakpa are so excellent, powerful and in the right direction in to your heart.This EP reflects the spirit of good music. Enjoy!

NTD005 adds a new artist to the collective - Metamethod aka Simon Haynes.From Adelaide, Australia, Metamethod (Undefined Recordings) returns from a long hiatus with a new EP.
The product of much time refining sounds and ideas, both tracks on the EP are essential synthesis. Sounds primarily sculpted from scratch, resulting in biochemical rhythms and algorithmic loops.
A must have record for anyone wanting to add some raw energy to their collection.

Volupso 4 sees Alboratory Label boss Dimitri Monev enter the fray with two equally sublime tracks. Both tracks
envisage the style and sound of Dimitri progressing through sounds and beats to a deliver a clinical freshness for
Volupso. Both tracks are accompanied by remixes from the highly acclaimed Dan Farserelli of Fuse and Lorenzo
Chiabotti of Desolat and Moscow Records, making Voluspo 4 highly desirable.

Simple House music, created with hardware + psilocybin, some which were released on Shroom Records, sitting at #1 on DJ Sneaks wall at Gramaphone for several weeks in 1995. "a lovely reminder of piano driven 90's" - Honey Dijon

After starting up the infamous Invite's Choice podcast series in 2011, Tim van Paradijs (a.k.a. Invite) notes that the time feels right to contribute to the techno scene in a totally different way. The long cherished wish of starting up a recordlabel under the Invite moniker and thus propagating his view on electonic music is now to be fulfilled.

Phonology is a deep and droning track which lends itself perfectly for building tension. Plenary is a more repetitive track with less of a deep vibe than the A-side track, but nonetheless is a track that manages to form a bridge between deep tracks and more straight forward ones. The EP is concluded by a short, funky and frivolous track dubbed Bisonspoor. All together the first Invite's Choice Records EP is a very versatile and thought through record with three tracks that stand alone and somehow still manage to form one entity.

Since 2010, Jackie House aka Jacob Sperber has been driving the A&R side of the San Francisco dance-music troupe running the HNYTRX label and producing remixes with other members under the Honey name. Putting label duties on hold in 2013 Sperber cocooned into his music studio, entering as a brave brunette and exiting as an ambitious blonde. "Stydive" is Jackie's debut to wax and has as much house-party in it as it does warehouse 4am. With a vocal sample nod to punk's past, 'Stydive' pogo dances to dusty and stuttering live/analog drum rhythms and skips along a rude and infectious bass-line. Bound to find lovers of all persuasions for its dub-esque qualities, instantly recognizable hook, and open relationship with house music, this tune begged to have it's own side. That said, there is always room for some Matrixxman who takes Stydive to a strobe lit South of Market darkroom in his remix on the B. Spurting erotic lazers around a cavernous kick, this tune finishes off even the most experienced edger.

Today we bring the debut single from Gutti Legatto & Mike Denitz called - El Pasacalle . The exciting original is backed by two excellent remixes from Lucio Spain and Fideles.

- El Pasacalle crawls up your neck like dark anticipation. Delicate beats smoothly build to a deep bassline, this track is a pure dancefloor rocket. We already know that this track will raising some roofs throughout the summer.

Following that, it's Lucio Spain on the remix, dropping a different groove but with equal impact. Perfectly reflecting his style, deep but powerful and with passion. This techie edge gives the track a little more bite and drive, making it perfect for late night sessions.

The Fideles remix takes the original even deeper and with it's super-low bassline. Fideles brings his own distinctive sound to the track with high-hats that snap and clap over some ultra-funky, bouncing bass. This remix takes - El Pasacalle deep underground, rubs it raw, and delivers it back to us in a package that is, well, just fabulous!

- Pasamontanas the second original explores a deep, tribal vibe with darker elements that drive the tension to crowd pleasing levels. It is a straight up, in your face monster. There's no way to get around it, so we recommend to relax and undergo the sonic punishment.

These tracks will be absolutely essential to DJ's who want to go beyond the summer anthem clichés while giving dancefloors hungry for estival vibes something truly special. Enjoy!

Dark Entries is proud to release the sophomore EP from BEZIER entitled Telomeres. Bézier is the moniker of local SF musician ROBERT YANG, who also is part of the illustrious HONEY SOUNDSYSTEM crew. Telomeres is the follow up to Bézier's debut EP Ensconced, released in 2013. The title relates to themes of time, science, analytics and procedures. Bézier integrates the refrains of Spanish new wave and Italo disco with the attitude and aggression of underground styles like synth-punk and industrial. These six tracks were written, produced and mixed by Bézier at his home studio in San Francisco between 2014 and 2015, and feature the debut of his own vocals. All songs have been mixed by Mark Pistel (of Meat Beat Manifesto fame) at Room 5, San Francisco and EQed for vinyl by George Horn at Fantasy Studios. The vinyl comes housed in a jacket featuring an illustration by in-house designer Eloise Leigh riffing on early 80s computer graphics. The matted sleeve is meant to resemble the side panels of early computing instruments like Macintoshes or the Commodore 64. Each LP includes a postcard with a photograph of actual telomeres captured by a microscope camera by the Blackburn Lab at UCSF. Telomeres' are life's building blocks, changing the lengths of chromosomes to determine lifespan. This music is an investigation of a future in which time elongates as well as contracts.

mysterious Onesider with a great drive

Here comes the next EP on Cellaa Music, this time from fast-rising Italien producer Dhaze whose previous outings have ben on labels like Moan, Innocent, Yoruba Grooves and Draft.

Dhaze is a producer obsessed with nature and organic sounds. Young, skilled and supremely talented, Dhaze, is an artist set for great things on the international scene. Having been fully immersed in club scene of his home city, it was his love for electronic music that really took hold of him. Taking his lead from the greats, adding his own unique touches and flair and creating masterpieces from within his studio, he is readying himself for take off.

- Rolling Instructions is a track that immediately commands attention with it's rolling, rich bassline surrounded by punchy, organic drums. The effective vocal moves with the track as more drums are added to the mix through intelligent programming and it's druggy groove is set to draw in the unsuspecting. This is the peaktime Cellaa sound at its finest.

- Anubi is a typically deep and sinister affair from the pair. Featuring solid drums and pulsating basslines work together perfectly to create a dancefloor smash that makes the ambience of this track particular and personal!

- Bubble Man builds slowly with rattling percussions and subtle chord, until, it suddenly drops, rocking the dancefloor with its massive bassline. A rolling vocal loop and a jumpy haunting topline combine effortlessly to create a track that is sure to cause mass devastation on dance-floors.

The Audience is built around solid, straight up percussion, strong bassline with swelling and rushing aquatics, punchy house chords, exquisitely programmed drums and a stompy groove coalite into a rhythm that gets stuck in your veins and sizzles through your body and brain - u can dance!

The digital bonus - Noise Black is a mind-catcher that drives forwards on a prominent kick and powerful bassline and Dhaze keeping things simple and direct. Deep tech house with a funk twist welcomed at any hour on the dance floor.

Enjoy!

KiNK (Macro/ Running Back)
I love this! All the tracks are massive! My favorite is the Andreas Gehm remix as it`s the most
weird one, but I`m a sucker for funky acid and this is right up my alley!'

Robert Owens (Chicago/London/Berlin)
Great tracks'

Tensnake (Virgin)
thanks, nice original and Gehm remix'

Dave Clarke (White Noise 2fm)
Dark and groovy'

Luke Solomon (Classic Music)
love love love love hard TON xxxxxxxx'

Tim Sweeney (Beats In Space)
Make me Dance is the one for me'

DJ T. (Get Physical)
thank you for the music!'

ÂME / Kristian (Innervisions)
thanks'

Mark Broom (UK)
FAT mix from Andreas! Respect for the UK!!!!!!!!'

Massimiliano Pagliara (Live At Robert Johnson)
bravi!!'

Mørbeck (Vault Series/Code Is Law)
Make Me Dance!'
Acid Washed (Paris)
MEGA GOOD!!!'
Patrick Pulsinger (Vienna)
love it!'
Angel Molina (Barcelona)
the ultra dark acidic 'Make Me Dance (Andreas Gehm Remix)' is my track on here, although
'Forget About The Music' is a fantastic 80 ´s house track as well. Thanks.'

Paul Woolford (Planet E/Hotflush)
2 thumbs up for the Andreas Gehm Remix. Many thanks!'

Renato Cohen (Brazil)
That's proper music! Forget About The Music sounds amazing. Andreas Gehm Remix is also
huge!'

A hypnotic melodica-led instrumental from singer, composer and
multi-instrumentalist G.T. Moore who first recorded the track at Harry J's Studio in
Jamaica in 1980. This later cut was originally released under G.T's `The
Outsider' guise for Rej Forte's Jah Works label back in 1991 appearing on the
long-deleted album 'The Outsider Meets The Hi-Tech Roots Dynamics at Channel One UK'.
*Now appearing on 45 for the first time backed with a dub version from the deepest vaults..

Propelling Down Under techno and house into the world's clubs with classics such as Phreakin', LSD and 6AM in the mid-90s, djhmc (Cam Bianchetti) is rightly hailed as the 'godfather of Australian techno'.

Now with more than 30 years experience of transcendentally moving dancefloors - and 20 years with his productions, remixes and edits; djhmc is back with a new label - reflector.

This will be an all new platform to showcase totally remastered versions of his back catalogue as well as to provide a vehicle to bring his current and previously unreleased
work to his already loyal following and to new believers.
Cam Bianchetti is a man of many talents who is very much in demand as a DJ and a producer, and he applies the same meticulous attention to detail and knowledge of what works a dancefloor across both disciplines. Under his djhmc alias, it isa very broad church that covers disco, house and techno, whilst his other monikor, Late Nite Tuff Guy focuses more on his love of Funk & Soul. When it comes to giving a classic sound a new contemporary twist, there is simply no-one better.

With the arrival of the 'reflector' label the world is his, and he has embraced it whole-heartedly as in the past the world embraced djhmc; once again its time to prove why he is one of the most talented techno and house producers and DJs to ever grace the turntables....the Godfather is back!

Barcelona-based Rob Clouth returns to Leisure System with the Deep Field 12', a stomping showcase of his focused sound design and knack for memorable melodies with additional remixes from Kowton and Vessels.
Deep Field is Clouth's Leisure System follow-up to the Clockwork Atom EP, which was named one of the top EPs of 2014 by Bleep and introduced his electronic wizard by to a wider audience following prior releases as Vaetxh and under his own name. Debuted on Max Cooper's Boiler Room and appearing again on his Essential Mix, 'Deep Field' is tactile and threatening, with disorienting glitches weaved into the 4/4 structure. The belching low-end brings to mind a talkative machine that's been muzzled, eager to burst from its restraints.Livity Sound boss Kowton inverts the original into a gelatinous mass, adding jackhammering drums to the cloudy atmosphere and creating a spacious and stuttering lesson in tension and release. Fresh off the release of their LP Dilate, Leeds band Vessels put their own euphoric electronic magic to work with a housier take, drawing out Clouth's propulsive percussion with an added dose of lush melodicism that
should make it a new favorite for house DJs looking for a spirited twist on the typical. Deep Field is the third in Leisure System's new GRIDLOCK series, melding the freaky and functional
for modern dance floors.

The crème de la crème of electronic sci-fi soundtracks receives — what else — a vinyl reissue

2024 Repress

Als Compilation-Reihe im Jahre 2001 gegründet um ein paar lose Fäden unserer Stammkünstler zu verknüpfen, hat sich SPEICHER inzwischen zu einem Garanten für fortgeschrittene Tanzklänge aus aller Welt weiterentwickelt der es KOMPAKT erlaubt, Musiker aus allen Bereichen des elektronischen Spektrums einzuladen und zu fördern. Für SPEICHER 85 präsentiert der Amsterdamer Tanzflurbeschwörer und produzierende Drahtzieher PATRICE BÄUMEL zwei hocheffektive Technoschieber die für jeden anspruchsvollen DJ auf der Jagd nach Momentum zur Waffe der Wahl avancieren werden.

In glühendem Rot gehalten, bringt SPEICHER 85 neues Material von keinem geringeren als PATRICE BÄUMEL, einem der meistverehrtesten Resident-DJs und Techno-Innovatoren aus dem legendären, leider inzwischen geschlossenen Amsterdamer Trouw Club. Aktiv seit den Mittneunzigern, verdiente er seine Produktionssporen auf so unterschiedlichen Labels wie Trapez, Get Physical oder Systematic, mit aktuellen Highlights wie dem exzellenten Remix für GusGus' OBNOXIOUSLY SEXUAL (KOMPAKT DIGITAL 044) im letzten Jahr, oder dem Labelsolodebüt auf Kompakt SPEICHER 81 (KOMPAKT EXTRA 81), einem rauen und energetischen Werk das sich als bewusstseinsverändernde Maßnahme allererster Güte entpuppte.

Mindcut presents the first solo ep with no one else than London based producer Ansome.
4 heavy techno tracks with industrial influences including massive Manni Dee remix.

Early Support by: Randomer, Perc, Truss, J.Tijn, Paul Birken, Rebekah, Paul Birken, Clouds, Dave Tarrida, Kamikaze Space Programme, Myler, Wire, Interferon, Forest People. Keepsakes, Luke Creed, G-23, Axel Sohns

repressed !

RFBCOLOURS 002 bring L'Atelier on board. This pair from Amsterdam bring you a 4 track EP with a digi only bonus. It starts off with Again, which hits that great sample hard and gets the party started on a disco vibe with a house twist. Then theres XTC which carries on where the A1 left off. On the flip we see a serious piano workout on top of a a grooving drum arragement. To finish off the vinyl package we see Times Are Ruff take the remix on a deeper tip with some seriously crunchy basslines and rolling groove. Then if that wasnt enough theres a digital bonus that will warm up any willing club room.

Feedback:

Telonius (Gomma)
'thanks nice one'

Laurin Fedora (Sleazy McQueen (Morris Audio / Paper Recordings))
'I'm looking forward to this vinyl. Nice return to late 90s filter disco!'

kostas tassopoulos (Ekkohaus (2020 vision, morris audio, cargo edition, liebe detail))
'Solid house record, loving it, thanks....'

Harri (Sub Club)
'liking afew of these'

Gameboyz (Clouded Vision / Relish)
'we dont usually play this kind of house music, but this is very nice! will try! thanks!'

Sebastian Wilck (Sebastian Wilck, Watergate)
'times are ruff remix is strong! support'

Jonny Cade (2020 Vision / Leftroom)
'great house ep'

Tensnake
'wow, that's quite a killer, downloading thanks!'

Lauhaus Lanting (Polder / Intacto)
'nice ep guys, also diging the times are ruff mix. thanx!'

Julien Barthe (Plaisir de France, Pro-Zak Trax)
'yeah remmeber 2000'years'

Julien Sandre (Morris Audio)
'nice music'

Doc Martin (none)
'XTC for Me!!!!'

Tom Findlay (Groove Armada)
'great EP, a little bit of everything and in all the right places....'

Andrew Claristidge (Acid Washed (Records makers))
'good stuff...'

Mihai Popoviciu (Highgrade, Fear Of Flying, Hudd Traxx)
'again is cool for me!'

Dorian Paic (Raum Musik)
'xtc times are ruff remix is the one for me ! cheers Dorian.'

Hector Couto (Tribal Sessions)
'full support for this release! good music!!!'

Gianluca Pandullo (I-Robots)
'LAtelier - XTC (Times Are Ruff Remix) ! I-Robots approved!'

Its always exciting for us to be introduced to new artists. Here comes the next EP on Cellaa Music, this time from the irresistible electronic Duo formed by Fabio Neural and F.Sonik, whose previous outings have been on labels like SCI+TEC, Antura, Serkal, KD Music, K9 Records, Monique Music. Cellaa is very happy to welcome our Friends to the fold.

Lead track is - Calle Sevilla' that immediately commands attention with it's locked tight Groove, Piano licks and warm Rhodes Keys that lead us to the mighty bassline and we're already feeling the intensity. A Synth riff comes in and builds to the main break and creates an atmosphere that takes us on a trip to the sunshine coast of maybe Ibiza, right before it drops back in!

Second up is- Bario Viejo' which has rolling percussions and a attention grabbing groove that brilliantly leading into the playful piano chords and vocal hook. The break creates a feeling of suspense, hence the name, until the moment in which it explodes to create a track that is sure to cause mass devastation on dance-floors this summer.

Finally Fabio Neural and F.Sonik delivers - Tulside'. Another massive Groover from start to end. Featuring a solid pulsating basslines that works in harmony with an impressive array of percussions, chunky hats and tingling keys peppered with fascinating Vocals. Sunrise or sunset, - Tulside' create a quite stunning balearic moment thats sure to hypnotize any crowd.

The ep is supported with an excellent remix from Cellaa label mate Marc Faenger.
- Barrio Viejo Groovalicious' feeds off its infectious bassline and it is is built upon some deep, rolling grooves. Marc Faenger's remix picks up the pace, adding a signature percussion sound, stripping back the vocals to create a more techier focused version of the track.

Cellaa Music delivers a Winter Smash with this EP.

Keep your eyes on this one!!!!

2x180g vinyl plus download code!
We are very happy to present our first album on Ilian Tape. At the beginning of 2014 we moved our two separate bedroom studios into one and soon after started working on the album. All the tracks were made in about 6 months in our new Ilian Tape Space Studio in Munich. The time felt right to focus on this adventure, but without any pressure. Therefore the process became very natural and we felt free to go wherever the vibe led us. Our intention was to create a very personal and honest sound without any limitations or guidelines. It's a reflection of all the years we've been growing up, working, traveling and playing together and it means a lot to us. But enough said music is not supposed to be described with words, so sit back, close your eyes, light one up and turn up the speakers!

repressed !

Cologne duo Andhim look to kick off 2012 in the same blistering fashion as they did last year, with an exclusive new ep for Terminal M. The duo's "Like A Wirsing" was the catalyst for a successful twelve months and a run of releases and remixes that lead to Andhim on the way to the top of the tech-house peak.

Sometimes, there is a certain attention for a new artist and you can actually feel that this one is about to go through the roof. This is exactly the feeling we have with Few Nolder right now. With releases and tracks on Boso, Suol, Cloud Vision and not to forget his little summer hit - IF' on Connaisseur in late August, the Vilnius resident has caught quite some attention over the last months. Now, he completes this successful and busy year with his frst full EP on Connaisseur called - Moli', featuring three new lovely tracks. One of Few Nolder's talents is to compose state-of-the-art music which also has a timeless approach. The a-side - Twin' is one of those tracks. Sounds and melodies which stick in your mind straight away and an on point buildup make - Twin' one of those universal tunes which can be played in every moment. - Sonar' on b1 is a bit more reduced and raw. Played at the right moment it is a heavy hitter, with its memorable break and the big synth theme. On b2 you will fnd the title track and maybe also the hidden hit of the release. The bittersweet - Moli" is a delicate extravaganza with big melodies and emotions.
The artwork is as always by Danish artist Sjulle

Tuff Cuts returns with the mighty Late Night Tuff Guy, fresh from his European Tour & Defected Glitter box Residency in Ibiza over the summer at Boom. Another 4 killer cuts are given the LNTG treatment.

Following up from the stunning 'You Will Soon Find That Life Is Wonderful' 12' on Phonica's Special Edi- tions imprint, Sad City returns to the label with his new EP 'Introduction To Lisboa/ Sloe'.

Glasgow-based producer Gary Caruth has evolved a highly original sound; deep, lush and widescreen electronics, from melancholic to ecstatic. Sonically, he continues where his last record left off and feels like the perfect companion to that well-received debut for Phonica. The record as a whole is composed of field recordings, with the basis for the first half of the EP, 'Introduction to Lisboa,' utilising sound recorded in and around Lisbon. He explains, 'I wanted the music and field recordings to meld at times, to obscure what was conventionally the musical element and what were field recordings, blurring the line between found sound and composition in the creation of a whole other.'

Opening track 'Introduction To Lisboa' builds and builds from near silence to a cacophony of field record- ings and looped horns. It melds into 'Baixa Saxaphone', where carefully paced percussion patiently enters over a wash of synth. From then on a delicate balance of restrained percussion and spine-tingling atmos- pherics interplay before descending into a blissful outro.

As with the previous EP, the 12' is packaged in technicolour artwork by acclaimed London designer Jack Featherstone.

Jel Ford kicks off his return EP with two tracks of clean big room techno. The title track 'Backyard' is a moody affair with a low drone throughout that is complimented with layered synth stabs.
Using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. 'Meeting of Minds' is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along.
The slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on givin

Belgian talent Ilario Liburni looks to the release of his debut LP, 'Travel So Far', forthcoming on his own label, Invade Records. The eight track affair comes on a double vinyl pack as well as digital form which will follow a month later and proves the man behind it to be a superb producer with plenty to say.

Combining elements of house, minimal and intricate sound design, Ilario also heads up the Cardinal label and first emerged back in 2011 on Monique Musique. Since then he has gone on to release on a number of respected imprints (including Riva Starr's Snatch! And Memoria Recordings), has had his tracks licensed to compilations including Noir's In the House album for Defected and has continued to make a big impression as a DJ around Europe.

The album kicks off with 'Travel So Far', a synthetic and stripped back groove with lots of squelchy sounds, scurrying synths and feathery percussive lines all working their way into your brain. 'Sudden' is another Ricardo Villalobos style track that is elongated, intricate and immersive as it unfolds on soft edged drums. Next up, 'Carrie' is a smooth, dubbed out affair that demonstrates plenty of restraint yet really locks you into its hypnotic groove as static hiss and crackles alongside distant synths colour the spaces left behind.

'Steampunked Sewing Machine' ups the ante a little with a hollowed out drum line rocking back and forth on its heels, and 'Can't Fool Data' starts all waify and minimalistic before getting pulled apart to the sound of whirring machines, and then it drops again; you can imagine dancefloors going wild to its hooky rhythms. 'Jenndrum' is all about the pinging drum kicks and globular toms that make for a peppery groove, 'Pherthothal' toys with a sense of abstract funk and closer 'Schwalbe' is a gloopy, gluey, druggy fusion of slurred synths, hiccupping drums and dark textures that make for involving listening.

This is a genuinely inventive album riddled with fascinating sounds,
a real attention to detail and plenty of otherworldly moods that really stick with you.

13 Jahre nach seinem letzten Longplayer "Drukqs" (2001) veröffentlicht Aphex Twin sein mit Spannung erwartetes neues Album "Syro", das mit einer fantasievollen Outdoor- und Online-Teaserkampagne häppchenweise kommuniziert wird. Musikalisch bietet der Aphex Twin elektronische Abstraktion in Perfektion. Glasklarer, präziser Sound, technisch auf dem neuesten Niveau, teils superfunky, immer hochintensiv. Es folgt dem Überraschungsrelease des bislang unveröffentlichten Albums "Caustic Window", das dieses Jahr Millionen von Klicks und über 100.000 US-Dollar per Crowdfunding und Auktion einsammeln konnte.

Having been a fan of Reelow for, well, as long as we care to remember, we are really proud to present you his new outstanding EP on Cellaa Music. Now residing on Ibiza, Reelow has enjoyed yet another successful year. With the talent taking a back seat, its the music hogging the spotlight and rightly so. Two new Tracks and two massive Remixes that look to the past whilst sitting firmly in the present.

- Leave Me Alone' riding on massive percussion and a tough house beat, with this tough Drums and drunken, wubby Sounds it is running right through its core. Plenty of sonic details flesh out the languorous but slightly groove and you'd imagine this Track is to be the sort of many Artits will love.

- Your Crowd' is again about little tiny details and how they evolve with time. This one take you on a voyage of natural rhythms and big Drums. Developing from harmonic FX Sounds and a infectious groove, the track is full of surprises as it twists and turns into different sounds that come and go to take it further than the dancefloor.

The first of the remixes comes from the in form, Massimo Cassini. He team up with a hypnotic rework of - Leave Me Alone' that demonstrates just why he is one to keep a close eye on as he gears up on the production front. Massimo is delivering a muscular house bomb, carefully placed FXs and a nice and catchy line to make this a dancefloor mover.

Next we have Cellaa Music Co Founder Martin Heyder providing a soulful tech house surrogate to the original of - Your Crowd'. His remix has a deeper houseier twist with a smooth 303 pad sound and a concrete percussive arrangement to convey a fantastic production.

We'll meet you on the Dance Floor!!!

Panik Pop are back on Grain Audio with their second EP. The main track "Beat is Law" is a real primetimer while "Lost in Paradise" is more soulful tech house introducing female vocalist Sophie Zeller.

Panik Pop kehren mit ihrer zweiten Single auf Grain Audio zurück. Während "Beat is Law" eher ein kompromissloser Primetimer ist widmet sich "Lost in Paradise" (eine Zusammenarbeit mit der Leipziger Sängerin Sophie Zeller) eher dem gefühlvolleren Techhouse Genre.

Every record includes a downloadcode to get the whole digital
release for free via Facebook !! Grain Audio welcomes Panik Pop from Leipzig, Germany. The nice duo present their new single "Gefühl" (german: Feeling) which shows the more soulful side from Max and Marcus (besides their love for straighter, technoid music). The remix is coming from Traumfabrik in exchange of the mix Panik Pop did for their current "Every Weekend EP" on Cometomusic. Another more progressive digital only bonus is coming from Bjoern Nafe (Mangue Records, Damm). Jede Vinyl enthält einen gratis Downloadcode für das gesamte digitale Release (einzulösen via Facebook) !! Grain Audio begrüßt Panik Pop aus Leipzig. Das sympathische Duo präsentiert seine neue Single "Gefühl"und zeigt sich von der gefühlvolleren Seite (abseits der Liebe zu eher technoideren Klängen). Geremixt wurde von Traumfabrik als Dank für Panik Pop´s Remix zur
aktuellen "Every Weekend EP" auf Cometomusic. Zudem gibt es noch einen eher progressiven digitalen Bonusremix von Bjoern Nafe