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Slipstream EP by Rosati channels the raw and unpolished energy of the late '90s in a modern scenario, once again he showcases the retrofuturistic vision of Global Pulse, creating an elegant yet gritty & playful EP that's a must-have in every Techno record bag.

Joseph Salvador's impressive young Universo Positivo label returns with a new EP from the boss himself alongside Europe mainstay Orlando Voorn. The dynamic duo serve up four cuts that perfectly embody their timeless sound. Salvador has been at the heart of the underground since the 1990s. He is deeply involved on the scene on many different levels from running the cult Tomorrow Is Now Kid! nights in Amsterdam to labels like TINK Records and also working as part of house acts like Black Tulip & Wendell Morrison, Thyone Girls, Digital Cartel and many more. His music always operates at the sharp end of the spectrum and has come on labels like Tribal America, EMI and Sony Columbia. Orlando Voorn is equally as vital to the evolution of techno. His sound famously builds a bridge between Detroit pioneers and the contemporary European sound and he has worked with greats such as Blake Baxter and Amp Fiddler. He recently remixed South Bay Jams on this label and has also dropped music on the likes of Rush Hour, R&S and Housewax. 'Every Man Loves' brings lavish disco strong stabs to a mid-tempo groove that is packed with warmth. Funky bass riffs and jumbled toms all bring it to life next to an exquisite diva vocal that brings the soul. 'Slap My Funk' hits harder with raw drum loops and a touch of filter house energy. Chopped vocal stabs keep things driving with more live funky bass next to jazzy chords. The steamy 'So Well' is a fulsome house sound with big trumpet stabs and smart vocal samples worked into a heavy, party-starting but emotional groove. Last but not least, 'Break It Down' layers up freeform Rhodes jams with crashing drums and smeared synths to make for a real dance floor weapon. These are four potent and expressive new house gems from this dynamic duo.

Limited yellow coloured vinyl!

As 2025 unfolds, Frenzy wastes no time in unleashing its next chapter. For our ninth release, we welcome Ukrainian mastermind Gene Richards Jr.

Known for his raw, uncompromising energy, Gene delivers a blistering 4-track EP rooted in ghetto-driven rhythms and industrial grit. This is no-holds-barred techno - pure, percussive, and primed for peak-time chaos.

Titled Ride This D, the EP kicks off with four original tracks that showcase Gene's signature blend of punchy drum work and infectious vocal chops. The intensity only builds with two standout remixes: UK legend Mark Broom injects his classic mechanical funk into the title track, while Spain's rising phenomenon DJ Swisherman brings an electrified bounce that reimagines the groove through his distinct, playful lens.

From shadowy warehouse floors to open-air summer raves, Ride This D is designed to detonate.

At A Glance Records is thrilled to unveil its second release, AAG002 by the incomparable UC Beatz. Known for seamlessly weaving lush, emotive textures with irresistibly groovy disco-house rhythms, UC Beatz once again delivers an enthralling journey into the essence of house music.

Following the success of AAG001, this release showcases UC Beatz's masterful ability to shape deep, soulful soundscapes and intricate beats, striking the perfect balance between immersive storytelling and dancefloor energy.

As the younger sibling of Small Great Things., At A Glance continues to champion innovative, boundary-pushing sounds. With a keen ear for blending timeless influences with modern flair, this release promises to resonate with dedicated listeners and discerning DJs alike.

Evaporate 蒸發, Taiwan’s first minimal house label, proudly announces the release of its debut Various Artists vinyl record. This compilation showcases the label’s evolving musical journey and dedication to groove-driven sounds

A-Side: Andrey Djackonda and Solus deliver groovy, minimal house tracks that embody the rhythm and energy of the dance floor.
B-Side: Preesh and Venda explore darker, dub-infused minimal landscapes, offering a contrasting yet complementary vibe.

Evaporate 蒸發 is a label rooted in minimalism, constantly pushing boundaries by fusing elements from diverse genres. With a commitment to innovation and groove, it continues to redefine the soundscape of minimal house music.

Dystopian Context: Episode 3

In a futuristic society where science has advanced to the point of creating bio-synthetic hybrids, a groundbreaking discovery emerges: the ability to imprint memory onto energy.

Initially developed to enhance machine control, this breakthrough was soon applied to living beings. Its consequences mirrored genetic determinism, shaping behavioral patterns and influencing individual will.

This technology enables certain elites to manage and condition the population, restricting autonomy through the manipulation of energetic memory.

However, a group of resistance fighters has uncovered an advanced data-erasure technique called Vibracid, capable of deleting imposed memories and restoring self-determination.

The struggle is not between different species, but between those who monopolize scientific power and those who seek to reclaim their freedom and forge their own destiny.

Vibracid (Corrosive Vibration)
A technique for data erasure and elimination, designed for the eradication of records and the neutralization of control mechanisms.

Limited to 150 copies.

The Aachen Jazz Files

A collection of essential jazz from the NABEL record label (1980-1994), compiled by miche & Rainer Truby.

The Aachen Jazz Files celebrates the pioneering spirit of NABEL Records—one of Germany’s most underrated yet influential independent jazz labels. Founded in 1980 by Rainer Wiedensohler, NABEL became a home for innovative musicians blending classic acoustic jazz with fusion, Brazilian rhythms, and avant-garde flourishes.

This compilation collects some of the label’s finest moments, including the soulful and Latin-tinged brilliance of Monika Linges Quartet (whose album *Floating* was reissued last year by PANORAMA Records for RSD Black Friday), the cosmic jazz explorations of John Thomas & Lifeforce, the deep jazz-funk grooves of Hipsters In The Zone, and the stunning, expressive vocals of Maria João’s quintet.

Nestled in the far west of Germany, near the Dutch and Belgian borders, Aachen has long been a hidden gem for jazz lovers. Its vibrant scene, fueled by music schools and the legendary Malteserkeller jazz club, cultivated a unique sound that resonated far beyond its city limits. In fact, the city didn’t just birth a jazz movement—it also lays claim to opening Germany’s first discotheque in 1959.

From London to Tokyo, NABEL’s releases became secret weapons for jazz DJs seeking deep, danceable cuts. The label’s trademark blend of acoustic jazz, fusion, and Brazilian influences made its way onto turntables in underground clubs and festival stages worldwide.

Expect elegant samba jazz, spiritual grooves, and modal masterpieces that capture the essence of NABEL’s golden years. Monika Linges’ contributions shine with her rich harmonies and heartfelt compositions, while John Thomas & Lifeforce deliver a perfect storm of fiery instrumentation and deep soul. Maria João’s early recordings showcase her extraordinary vocal range, and Hipsters In The Zone bring a forward-thinking, acid jazz-infused perspective to the NABEL sound.

As co-compiler Rainer Truby puts it:

'NABEL Records always had this special ‘Aachen sound’—a jazz flavor that carried its own energy, somewhere between the cool sophistication of fusion and the warmth of Brazilian music. It’s a pleasure to finally bring together some of these classics in one essential collection.'

Compiled by miche & Rainer Truby.

PANORAMA Records is a London-based label dedicated to unearthing and reintroducing rare and essential music to new generations. With a focus on jazz, funk, and global grooves, the label has built a reputation for high-quality reissues that capture the spirit of the originals while providing fresh context for today’s listeners. Their past releases have garnered support from tastemakers like Gilles Peterson, Patrick Forge, and Mr Bongo DJs.

After recent excursions on X-Kalay and Craigie Knowes, Melbourne's Escape Artist follows on from his excellent 'Energy Breakthrough EP' on Phonica's main label with another special release, the 'Forgot Who I Was / Remembering' 12".

As ever, euphoria and energy are his production calling cards, with A-side 'Forgot Who I Was' gradually building and releasing its intensity, all delicately programmed melodies underpinned by a potent shapeshifting bassline.

B-side 'Remembering' is almost a flipside of the same coin, maintaining aspects of the previous track's two-step-esque drum pattern yet slowing and gliding along in a more uplifting direction, touching on ambient techno with flourishes of acidic breaks.

Liquid Memory returns with Stephan Bazbaz – Lithium EP, a collection of three dancefloor-certified heavy hitters.


Packed with deep grooves and undeniable energy, this record is destined for the record bags of the most discerning DJs and clubbers—a must-have for those who appreciate expertly crafted club weapons.

A long-time praised producer, Stephan Bazbaz makes a true comeback with this release, marking his first in four years after over a decade of delivering top-tier music. With extensive experience behind the decks and in the studio, he has honed a sound that seamlessly blends minimal dub and crisp house. From his celebrated residencies to his own vinyl-only label, No Waves, his deep understanding of club culture shines through in every groove.

Cool Up Records presents the new 7-inch vinyl single by Spanish singer Sailor Smile. The record includes the tracks "Small Baby" and "Let Me Shine", both from her recent EP Desire.

Following the warm reception of the 7-inch single “I Put a Spell on You” in 2024, also featuring Sailor Smile, the Spanish label reaffirms its commitment to the artist. This new release moves beyond the reggae sound of previous productions, while preserving the signature style that defines Cool Up’s work.

On A-side, “Small Baby” is a Soul tune with a solid groove and plenty of character. On B-side, “Let Me Shine” is a Ska track featuring a vocal collaboration with Tenor Mario, who also co-produced both tracks. Together, they deliver a vibrant duet full of energy and party vibes.

Both tracks stand out for their horns arrangements by Sherlock Horns, which add richness and cohesion to the production, solidifying a distinctive sound within the label's catalog.

The vinyl design, created by Mr. John Vanilla, maintains the aesthetic line of Cool Up Records' 7"collection.

For our 16th records,

From Paris to Balkans Vol.2 is the 2nd chapter of this special serie,
a compilation with 4 tracks from similar styles, deep, dubtechno and minimal.


The opening track Aeki, signed by Sublee, is a combination of techno and deep-minimal where deepness meets energy,


Chorganic by Petit Batou is an assembly of magnificent chords and hypnotic synths which intertwine on a deep groove


Opium's Dust Yard, is a journey into his meticulous and melodic sound from deep-house


Atmo's Shyam, is an hypno travel with dancing drums and fx, which enhance the trippy groove of the work


4 unique tracks to play on any dancefloor


Vinyl Only

"Bassland Prophecy" was a collection of Southern California musicians, including Alex Xenophon (Deep Squared), Stuart Breidenstein (formerly of Skylab 2000), Alissa Kueker (vocals), and Maxx Vaxx (Euterpre, Butterfly Garden).

The act nourished and grew the emerging LA scene and was a renegade force in live electronic improvisation. Rather than composing full tracks, Breidenstein stated over email that they built musical "ingredients" on the fly, syncing DOS and hardware sequencers mid-performance. Their unpredictable sets, from illegal raves to makeshift desert parties, resulted in electrifying, unforgettable sonic trips.

Recalling 90s LA, Breidenstein said: “Before the internet, finding a rave was an adventure. You’d get a flyer with a phone number, call it the night of the event, then drive—sometimes 100 miles or more from a map point to the actual party. The scene was raw and underground, built by music obsessives hunting for the freshest sounds.”

Two standout tracks from 1996—“Nine / Deeper” and “Blue and Purple Starship of Trust”—perfectly represent their unique genre-bending concoctions. Against all odds, the recordings survived and have been given new life, remastered and reissued on Bristol-based *Sex Tapes From Mars*. To produce the wizardry, their setup included a Juno 106, Yamaha FB-01, a Roland S330 sampler, and a Sequential Circuits Pro-One mono synth with external MIDI, and some guitar effects pedals.

“Nine / Deeper,” born from one of their many spontaneous studio sessions, became eerily intertwined with recurring appearances of the number 9 and black cats. So much was the frequency of apophenia episodes that paranoia began to take over the artists. Recorded in a makeshift living room studio, the 14-minute excursion traverses genres and tempos, beginning quick and hypnotic, and climaxing chuggy and drenched in adlibbed acid lines, culminating in a surreal and legendary live performance in Hollywood. The piece captures the raw spontaneity of their sets, crafted with vintage gear, cassette tape recordings, and, as always, a DIY ethos. Breidenstein states, “While improvised sessions often failed, when it succeeded, it was definitely a kind of infectious magic the listener would recognize.”

“The Blue and Purple Starship of Trust” is a deeply personal piece, named after when Breidenstein saw a heavenly blue morning glory on a walk around his neighborhood, and emerged from heartbreak and the following deep depression entrenching his life at the time. Recorded in a single take onto cassette tape, blending piano, guitar, and heart-rending vocals into an emotional, dreamlike journey. The track starts with a lush, cascading synth sound, bolstered up by rolling, reverbing downtempo drums. Using Sequential Circuits Pro-One throughout, the rippling synths and off-key piano licks act like pipetted droplets of water, all elements bleeding into each other in some kind of hallucinogenic swelling, reflecting Breidenstein’s fading relationship. The guitar part is a nod to Bill Withers’ “Ain’t No Sunshine,” and Breidenstein recalls just “bawling as the guitar line was recorded.”

Created in a time of artistic struggle, living in an old school bus, surviving on instant noodles while hauling their gear from venue to venue, and scraping by on gig money, these recordings act as rare artifacts of a movement that thrived on passion and perseverance, standing as a poignant testament to resilience. Though they released a handful of tracks, ranging from deep house to ambient to techno, their true legacy lay in their high-energy, genre-blurring live shows, which are powerfully encapsulated within these recordings and leave a lasting impact on underground electronic music today.

On his second EP for Altered Circuits, "Signal Drift", Jacopo Latini further distills his sound. Taking a more minimalist approach, he unreservedly treats the groove as the focal point. Still relying on his staple talent for weaving melodies and hooks, he delivers four trippy club tracks that show more can be done with less. Opener "Sharp" delivers immediate proof. After starting with a sequence of eerie sci-fi atmospherics and recondite vocoded vocals, the adding and subtracting happens so ingeniously, the track switches to club velocity 303 squelches and enhanced drum programming seamlessly. Similar techniques in building and layering are deployed on "Impulse", but this time, the shifts seem a tad more dramatic. The track revolves around an FM bass melody that's equally effective as it is simple, and its return to this stripped theme, surrounded by characteristic jittery hats, squashed claps, and a little more frills, keeps the listener on his toes. A bass patch, its sustain knob turned wide open, somewhat buried in the mix, drives "Bright Sound" together with a heavily modulated formant mid lead. Deadpan vocals add icing, and slightly euphoric, phased chords bring in a touch of subtle contrast. Closer "Rave Harvey" is a rare diversion as it starts in medias res with chords that reconfigure nineties trance and a distinct bassline immediately going for the limelight. It also shows Latini switching up his palette, trading restraint for vigor, with a slab of direct, unfiltered hi-energy as a result.

For the latest Klasse Wrecks release, the label combine with Japan's finest festival and events crew Rainbow Disco Club to collaboratively present WRECKSRDC. Overrocket were an electro-pop band from Tokyo that enjoyed a grip of great releases in the early 2000s while signed to Neon Discs and its parent label Aten. During a digging session Luca Lozano discovered the forgotten tracks 'Duralumin' and 'Shadow of the Sun' and immediately set out trying to contact the band's members to arrange a re-release and remix. A few months of patient trying, the connection was finally made and wheels were set in motion. Musically the EP conjures up perfectly the sonics of that time, a grey area between analog convention and the unexplored territories of new digital freedom. Shadow Of The Sun is electro-pop perfection, with breezy vocals and a bouncing beat that sounds like nothing else around...past, present or future. Duralumin is a more dancey collection of blips and beats, one that will make sense in the current return to early 2000s aesthetics. To round out the release and propel it into 2025, KW label bosses take a track each and interpret in their own way. Lozano revisits his electro roots with two remixes of Shadow of the Sun, distorted 808s and growling 101 basslines provide a simple backdrop for the perfect vocals. Mr. Ho takes Duralumin into a more driving and pacey direction, upping the energy and excitement with fast percussion and a huge side chained breakdown that recalls the unbridled rawness of the early 2000s, when everything was just a little bit more fun. Keeping within the confines of Japan and in an effort to bring everything full circle, the label enlisted Japanese artist Gonno to master the tracks for an updated modern sound. The tracks themselves being mastered a few miles from where they were originally penned over 20 years ago.

Following the success of his ‘Love Dub So’ EP, Nick Barber’s Doof project returns to Mysticisms, delving back to his earliest recordings of his ground-breaking Trance project, presenting tracks from his previously cassette only release ‘The Love Mixes’.

A youth that had captured the psychedelia of Pink Floyd, Gong, Hawkwind and on to Psychic TV, as a self-taught guitarist, his first trip to India and Thailand in 1989 and witnessing the early electronic dance music at the Full Moon parties, had seemed rudimentary in nature compared to musicality of psychedelic rock.

Returning to England, the electronic / rock crossover of The Shamen’s ‘Progeny’ parties – featuring DJs like Paul Oakenfold and Mixmaster Morris with the live acts of Orbital and Ramjac Corporation – offered something new that turned his head, before finally finding his crew in the legendary squat / underground Pagan parties. There, residents Lol and Yaz first played the new electronic Trance sound, introducing Barber to the music of Eye-Q, Dance To Trance and the hugely influential Pete Namlook.

Recorded between 1990 – 1991, while living in Cambridge to study Philosophy, these are the first versions of tracks that formed the basis of his debut EP on Novamute, in 1993. Working with minimal equipment – an Akai sampler, Roland monosynth, Yamaha delay pedal, all sequenced on an Atari black and white PC and single MIDI output and then recorded straight to an 8-track Tascam cassette multitrack – the exuberance and rawness of the music are full of the excitement and naivety of youth.

Never intended for public release or initially even as a demo, Barber would play the music off the Tascam multitrack for friends at after parties. Dubbing a handful of cassettes himself and personally drawing the covers, around a dozen cassettes were handed out to mates. Eventually one copy found its way to Mute Records, who were looking to launch their dance offshoot, Novamute. Re-edited mixes of Gift Of The Gods and The Nagual appeared on his debut EP and history was made, before Doof went on to release for luminaries like TIP Records and Dragonfly and a career touring the globe was launched.

Remastered from the original tapes, this EP offers a snapshot of that time, the energy and joy of these early recordings is clear and overwhelming. Where Ambient, House and Techno met the birth of electronic Trance that truly stand up some 30 years later as originals then and now.

Trance The Mystery.

Dr Packer once again works his magic, this time breathing new life into Mikki’s 1985 boogie-funk masterpiece Dance Lover. With his deep knowledge of disco, funk, and soul, the Ausie remix maestro delivers a sublime update that effortlessly bridges the gap between the past and present.

Staying true to the essence of the original, Dr Packer’s rework retains the flawless synth lines and Mikki’s powerhouse vocals, elevating them with finesse. The groove is deeper, the beats are heavier, and the energy is dialed up, making this an essential addition to any DJ’s arsenal.

Rolling basslines, crisp percussion, and a refined yet powerful disco-funk vibe, Dr Packer has crafted a mix that feels both nostalgic and refreshingly new. Whether you’re a longtime fan of the original or discovering Dance Lover for the first time, this rework is a must-have.

Daniel Monaco and John Noseda join forces for Alektra, a new project born out of a deep love for Hi-NRG and raw 808 sounds. Renowned for their dj sets, trips that delve into tropical obscurities, Chicago jack and Rimini romances, the pair have channelled a unique blend of untamed house and shimmering italo melodies into pure dancefloor euphoria. Their debut release, “Shake Your Body,” drops on Bordello A Parigi. Neon synthwork is punctured by clean punches of percussion, scaling melodies set firmly in the golden analogue era. Key stabs drive the track with Only Bee’s honeyed lyrics pushing the energy levels higher. In true 1980s anthem form, the flip is dedicated to the instrumental with the synthesizers and their hypnotic melodies taking centre stage: Alektra’s machines smouldering with fiery intensity. That same intensity closes, Only Bee’s mellifluous vocals given the limelight for the acapella close. Dancefloor definitions redefined. Welcome to Alektra.

AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?

If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities.

Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation. 7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.

Alfons Pich, 2025

Following up on his first DJ Friction Presents Ground Control album „Boogie Some More“ via Sedsoul Records , Soulsonic Recordings, the just founded label of DJ Friction is working on the second album. The exciting tune features again vocals from David Whitley, now on one track on the A-side and a dub version on the flipside as the first single of the upcoming album and is an exclusive first release on 7“ vinyl. This marks the beginning of a new era for DJ Friction who launches Soulsonic Recordings in collaboration with Soulkitchen. This original songwriting, ‘Step Into The Light‘ is again a tribute to the golden era of funk and disco, this release perfectly captures the electrifying energy of the early 80s while keeping things fresh for modern dancefloors. It is a fully positive feel good song with a meant to be enlightened touch of a gospel ceremonie, asking to join in with clapping, dancing and singing. The writing and production make this another certified dancefloor bomb, embracing the spirit of 80s funk with authentic precision.

wiggle room is the long-overdue Blip Discs debut from pq - founding member of Nihiloxica (Nyege Nyege Tapes, Crammed Discs) and long-time label affiliate.

On the A-side, “igglewiggle” and “aliens!” augment UK styles to deliver two bassy heavy hitters. The more experimental B-side starts off very B2 with “ketty stepper anthem” and its wonked-out polyrhythm, before a stripped-back VIP of “aliens” closes the record.

Having made his mark as a core force behind Nihiloxica — the Bugandan-techno outfit whose explosive live shows earned global acclaim — pq now hones a functional club sensibility he first showed on Lapsus Records and his own label Spooky Shit.

wiggle room balances an adventurous energy with serious bass-weight, never stopping to stroke its proverbial chin even once. A definitive, forward facing statement that expands the peripheries of the dancefloor in an ever evolving UK bass-music continuum.

Franky Wah, a Yorkshire native, epitomises contemporary club culture with chart-topping releases blending emotion, dance energy, and catchy hooks. His global performances include renowned venues and festivals and operating his own label, events company, and clothing brand 'SHÈN'. His contributions to club culture and his entrepreneurial ventures highlight his versatility and commitment to pushing the boundaries of electronic music.

Releasing on his own imprint, SHÈN Recordings, ‘The Revival, Vol. 2’ is a sequel to ‘The Revival, Vol. 1’ which was released in 2020 and included records such as ‘Come Together’ which cemented his place amongst the dance heavy hitters and has subsequently led to global recognition.

Marking his first EP on Damian Lazarus’s revered Crosstown Rebels, OMRI. (pronounced “OMRI dot”) steps into the spotlight with ‘Nothing Wrong’—an infectious, immersive dive that traverses well beyond the dancefloor, laced with rhythm, tension, and soul. Dropping in June, the EP brings together a shimmering original, a hypnotic club-focused cut, and a peak-time remix from fast-rising US talent AYYBO.

Having already left his mark on the label with his remix of Jessica Brankka’s ‘Musk’, OMRI. now arrives with a statement of his own. The ‘Love Mix’ of ‘Nothing Wrong’ leads the release as a full-blown vocal anthem, layering captivating vocals over sweeping melodies and crisp percussion to create a powerful record destined for both club rooms and open-air settings. The ‘Club Mix’ takes a more experimental route—glitchy, stripped-back, and built for locked-in dancefloors and after-hours sessions.

AYYBO adds his own bold interpretation to the mix, injecting a darker, punchier energy that’s become synonymous with his releases on the likes of Experts Only, Insomniac, and HARD Recs. It’s a remix that captures the raw electricity of his sets while reimagining OMRI.’s original through a distinctly West Coast lens. An in-demand name, OMRI. has quickly carved a reputation for transcendental performances at some of the world’s most revered institutions. His sound, shaped across labels such as Hot Creations, Disco Halal, Haccabi House, and more recently through his own imprint Collecting Dots Records, blends deep psychedelia and hypnotic grooves with a forward-thinking approach, with past collaborations alongside Adam Ten, Moscoman, Yamagucci, and more. Set to feature regularly at Lazarus’ Hï Ibiza residency throughout the summer, expect standout sets that reflect his genre-blurring style and connection to the Crosstown Rebels sound as he serves up one of the label's most essential cuts of the year to open the summer in style.

Ohio'Ohio's James A Donadio returns to Diagonal via his StabUdown Productions moniker, delivering the hyper spiritual "Tinge of Ascension" 9 track LP. This album is about the beauty of building something new by surrendering everything once learned. It's the culmination of 12 months working with a reappraised creative ethos. Throughout the process, Jimmy's interest in Krishna Consciousness & Dharma Yoga was deepening. Both went on to become deeply infused in this music. All tracks are ethereal in nature. Tempos are varied and rendered irrelevant. Jimmy's masterful use of sampling is on display as ever but the samples do not overburden. Tracks vary in energy but a bracing spirituality unites them all. Bráulio Amado (who has recently worked with Frank Ocean and Andre 3000) and Guy Featherstone (Diagonal's own aesthete force of nature) unite once again to deliver sleeve art which perfectly renders the music's preoccupation with the search for inner peace and purpose.

Wir schreiben das Jahr 2025 und FEINE SAHNE FISCHFILET kündigen ihr neues Album „WIR KOMMEN IN FRIEDEN“ an:„Alle gegen alle, im Krieg mit sich und untereinander und natürlich immer exklusiv mit der alleinseligmachenden Offenbarung im Gepäck.

Jeden Tag passiert so viel, so viel Scheiße, so viel Dummes, aber auch immer die guten Sachen mit den Freundinnen und Freunden, der Familie, mit all denen, die noch nicht komplett im Arsch sind. Zeiten, in denen man sich nur umdrehen muss und einem die Idee für das nächste Lied an den Kopf geworfen wird. Und so erscheint am 30. Mai unser neues Album mit einer Menge neuer Songs. Wir kommen in Frieden. Das ist unsere letzte Warnung.“

Angetrieben durch ihren ureigenen Signature Sound - High Energy Melody-PunkRock mit Trompete – gelingt den fünf Musikern mit ihrem neuen Werk eine hinreißende Bestandsaufnahme und gleichzeitig Ausblick auf eine der ungewöhnlichsten Band-Karrieren der letzten Jahrzehnte dieses Landes, ein wilder Trip, der sie aus der vorpommerschen Provinz durch viele Irrungen und Wirrungen bis an die Spitze der deutschsprachigen Musikszene geführt hat.

Produziert wurde der Longplayer erneut von Philipp »Philsen« Hoppen, der auch schon bei Alben von Die Ärzte, Kraftklub, Deichkind und K.I.Z. seine versierten Finger im Spiel hatte.

3volution in the recent past, Divide is like a bridge between old generations and new ones. Its sounds range from Sci-Fi techno to 90's techno, characterized by minimal sequences, heavy drum patterns, and an accurate sound design.
Third and last chapter for the VA vinyl trilogy on R3volution Records called

This edition includes exclusive tracks by the following artists:

- UVALL, from Tbilisi, Georgia. Born there and at the age of 23, he is no longer at the beginning of his musical journey and the refinement of his taste and style. Always on the cutting edge, he has been impressing with productions and releases on labels such as Semantica, WSNWG with Rohad, Float Records, Hayes, MALoR, and many many more. Already well known in our roster thanks to a previous collaboration for a remix, the talented young music producer delivers deep, muscular rhythms in his portfolio and translates this energy into a raw, dancefloor oriented session.

- Operator, there is no need to spend many words to describe one of the most talented and innovative British artists on the scene for a long time, recently appearing on

- Divide co-owner of EvodMusic and South Berlin Studio, with recent appearances on all the top labels on the planet (WarmUp, Semantica, MindTrip, Tremsix, Hayes, to name a few), and several collaborations and remixes for

- PTTRNRCRRNT aka Dave Brody from Antwerpen - Belgium. Characterized by efficiently percussion tunnelling through juggled textures, PTTRNRCRRNT's technical know-how and conceptual intentions can be masked by the efficiency and singularity of his music. Taking techno's tendency to constantly reinvent itself as a priority and researches between experimentalism and futurism. He is one of the artists with the most collaborations within our roster (some of his remixes are memorable), he alternates his productions on our label with frequent appearances on highly referenced labels in the scene, such as Soma, Materia and Devotion among others.

Positive Reaction is a vinyl-focused electronic music label founded by HMEHDI. Rooted between Tunisia and Berlin and looking outward to the global scene, the label aims to build a cultural bridge between North Africa and the rest of the world by spotlighting both local and international talents.
Drawing heavy inspiration from the raw energy of ’90s electronic music, Positive Reaction blends genres such as electro, breakbeat, techno, and especially trance — vibrant, nostalgic, and emotional.
Positive Reaction is more than a label — it is a timeless journey.

The third release on DMA delivers four high-energy cuts drawn from Data Memory Access’s 2024 touring set. Live Chronicles Vol. 1 captures the raw intensity and uplifting momentum of their performances—machine-driven rhythms pushing momentum with precision and power.

In a blizzard of breaks and surrounded by towering slabs of icy atmospherics, Quelza comes spinning into the Dekmantel UFO orbit with an EP of grandiose proportions.

Anyone who caught Quelza at Dekmantel Ten last summer will be well aware of the breakthrough producer's affinity for evocative soundscapes — amongst his keen instinct for dancefloor propulsion its his richly rendered atmospheres that have made him such a vital new talent in the industry and club scene. The curious, extraterrestrial quality to his sound is the perfect fit for the resurgent UFO series, and Quelza has more than risen to the occasion with four tracks that take in the widest spectrum of his sound to date.

The title track 'Pensa Poetico' is a dramatic, 11-minute epic that moves beyond dancefloor rigidity into a fractured zone where rhythms splinter and shudder around immersive dub chords pulses and IDM infused rhythms . There might be the anchor of an insistent, staggered kick drum, but it's a simple tool to allow the freedom of movement for intricate layers of steel, glass, ice and dust before the second half erupts in a powerful display of breakbeat science. It's the most adventurous expression from Quelza to date — a track he credits with unblocking his creative process on the path towards a more honest expression within his production.

This spirit of adventure maintains throughout the EP, balancing cathartic compositional shifts with hyper-detailed scene-building and energy shifts that push and pull with your expectations. Quelza's well-established affinity for dancefloor physicality holds true as he twists and turns through these constantly surprising, nail-biting arrangements. Even when everything seems to fall apart, he'll sense the perfect moment to return to a pinpoint groove. Toying with minimal, modernist 2-step and complex organic percussion as well as choppy breaks, this is the sound of Quelza breaking out into a new phase where anything feels possible and his production vocabulary allows him to land audacious moves with mind-blowing finesse.

Phunk Returns – Remastered & Stronger Than Ever! A deep, electrifying banger in Phunk—a groovy, hard-hitting stabber packed with pulsating energy, hypnotic rhythms and unstoppable momentum that keeps you locked in, rocking and craving for more!

In 2005, Innersphere aka Shinedoe dropped Phunk on Intacto Records, a track that became a classic anthem, setting dancefloors on fire across festivals, clubs, and radio stations worldwide. With iconic remixes by Steve Angello, Ricardo Villalobos, and Mark Broom, it secured its place as a true techno classic.

Now, 20 years later, Phunk and Astrophunk are making a powerful comeback—remastered, re-energized, and re-released on MTM (Music That Moves), the label founded by Shinedoe. A deep, electrifying banger in Phunk—a groovy, hard-hitting stabber packed with pulsating energy, hypnotic rhythms and unstoppable momentum that keeps you locked in, rocking and craving for more!

On the flipside, Astrophunk (2004) makes a powerful return, hitting with full force. This relentless, hard-hitting dancefloor weapon is built to ignite the crowd and keep them in a euphoric frenzy with its raw, pounding groove—stronger than ever!

Shinedoe is a driving force in the global techno scene for nearly three decades, known for her hypnotic grooves and uncompromising vision. Through MTM, she continues to push the boundaries of electronic music, releasing tracks that ignite dancefloors and evolve the genre. Phunk and Astrophunk (Remastered 2025) embodies this spirit, delivering a fresh take on a timeless classic. The legend returns—ready to move a new generation!

An EP that’s killer from start to finish - no filler, just relentless energy. Spanning from hypnotic techno to slamming electro, with atmospheric and ethereal undertones throughout, these tracks echo the enigmatic nature of the artist. Created in the depths of the ether, they’re grounded and brought back to earth through hard hitting basslines, crisp percussion, and vocals laced with a slight northern English edge.

Each release from the label follows a spiritual trajectory, inspired by the chakra system. This third EP is dedicated to the solar plexus chakra, symbolizing self-confidence, action, and connection to one's inner power. Its name, "Chiron Key", refers to the Chiron key in astrology, associated with healing deep wounds and resilience.
This vinyl-only EP features four deep, hypnotic, and percussive tracks, crafted for both dancefloor energy and immersive listening. It brings together a mix of international and emerging artists:

* Luca Ruiz
* Cakkou
* Monile

Diesco & Vince Void's Always Delivering EP arrives as a reverent tribute to the golden age of early 90s house, drawing inspiration from progressive, euro house, and other foundational genres of the era. A perfect balance of nostalgia and forward motion, the record reflects on the transformative soundscapes that once shaped the dancefloor, while embracing the present and future of electronic music.

El Tigre opens with a hypnotic rhythm, oscillating between balearic warmth and tribal beats. The sensual Spanish vocals weave seamlessly with the track's immersive groove, inviting listeners to lose themselves in a shadowy jungle of sound.

Untitled C takes things to a higher, more electrified level—bleepy acid lines, fat organ riffs, and punchy drums create an undeniable dancefloor energy. It’s pure euphoria, distilled into every beat.
8-Bit draws on the video game soundtracks that were an indirect inspiration for both artists during their youth. A fusion of breaky rhythms, groovy basslines, and uplifting piano chords gives the track an energetic feel.

Closing the EP, Jobby brings the energy to a soaring crescendo, combining euro house with a melancholic synth riff that takes you back to the emotions of early rave culture. It’s a perfect track to close, in a perfect way, a really intimate night.

With Always Delivering, 24 Seven Records signals the start of something fresh yet rooted in the past. It’s a celebration of where we've been, where we are, and where we're headed—true to the spirit of dance music.

Presenting a massive EP from a rising talent in our thriving scene: Mtty makes a powerful debut on ABS with three original club-ready weapons, tried and tested on the dance floor.

Adding to the excitement, the highly acclaimed Tiago Walter delivers a fresh twist on Mtty’s A1 track, The Jammed Elevator, with a high-energy UKG-inspired remix.

Sydney-based Mtty brings his distinct sound to this release, cementing his promise to be at the very core of our wonderful music scene.

At Addition by Subtraction, our mission remains unwavering: to spotlight the finest artists from across the globe. While our signature sound continues to evolve with the times, one thing stays constant - our relentless passion for discovering and supporting groundbreaking talent.

As Planka Records continues its relentless pursuit of sonic exploration, delving deeper into the shadows of the underground. PLNK004 showcases a seamless blend of fresh, boundary-pushing talent alongside solid contributions from familiar artists. Together, they craft a soundscape where hypnotic rhythms, ethereal textures, and bold experimentation merge to redefine what we know about the underground.

These tracks transcend the confines of time and place, speaking to the moments where the music wraps around you, drawing you closer into its enigmatic energy. Whether it’s the pulse of the club at midnight or a reflective session in solitude, PLNK004 is a testament to the transformative power of sound.

With this release, Planka reaffirms its commitment to nurturing innovation and pushing the scene forward, always evolving, always underground.

This is the first full-length album by bojvck, an artist deeply embedded in Seoul’s street culture. Blending breakbeat-inspired sounds with raw audio textures sampled straight from the street culture, the album captures the restless energy of youth and the spirit of the city. If the keywords “boy” and “street” speak to you, this is one you shouldn’t miss.

Capodopere continues to etch its mark with a masterful eight release, this time from the enigmatic Vid, delivering two distinct sonic journeys tailored for devoted genre explorers.

Side A opens with Transpose, a captivating odyssey defined by a groovy dub bassline that anchors the track in a hypnotic rhythm. Layers of intricate percussion ripple through the soundscape, each element carefully placed to lead the listener into a state of fluid motion. Vid’s signature touch unfolds subtly yet confidently, with warm, immersive textures that evoke a sense of endless exploration. Perfect for the rominimal connoisseur, Transpose is both a dancefloor weapon and a cerebral voyage.

Flipping to Side B, Stereochord takes a darker turn. The track begins with sequenced elements that unravel like clockwork, building a foreboding atmosphere. A deep, groovy bassline carries the weight, providing a sturdy backbone as flashes of industrial textures and otherworldly echoes weave in and out. With its relentless energy and shadowy mystique, Stereochord invites listeners into a realm of nocturnal intensity, rounding out a release that balances light and dark, groove and grit.

Miles Away Records are proud to introduce a brand-new, never before released piece of music.

In September 2024, Rob J Madin reached out to us with a collection of instrumental covers he had created. Immediately drawn in, we loved both the musical approach to these covers and the fact he tastefully selected these tracks to cover. Following up, we asked Rob, an accomplished musician, if he had any original compositions in a similar style.

The result is "MONSTRO", six instrumental slabs of jazz-funk heat! Produced primarily in Rob's attic studio in Sheffield. Rob showcases his talents on guitar, bass, keys, and percussion, with each track built around iconic drum samples. Listeners can expect spacey synths, silky electric pianos, and irresistible hooks. Think BADBADNOTGOOD meets Mildlife with a side plate of Herbie Hancock.

From the kick-your-door-down energy of "Callisto Disco" to the slow-burning allure of "Heartbreaker" and optimistic sunny day feel of "Cherryade" to the fully grown earworm synth lines of "Bouquet Garni". In addition to four original songs, the collection features two cover versions from that initial SoundCloud link: Michael Miglio's "Never Gonna Let You Go" and Rupa's "Ayee Morshume Be-Reham Duniya." Both are rare early-80s gems, wonderfully reimagined by Rob.

"MONSTRO" will be officially released on May 16th, 2025 on digital and physical formats. The 12" EP comes with printed inner sleeves and is pressed at 45rpm for maximum audio depth.