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PLEASUREWOOD - Electric Telepathy LP

Pleasurewood return with 'Electric Telepathy', their second full-length LP offering Simla Space Funk, Psych-Library and Vintage-Cinematic Raga-Rock grooves.

This new offering from the band embraces more of their vintage Hindi Cinema soundtrack influences — "Chump Change", "The Hoverfly" and "RAMMM" could easily fit into the middle of an R.D. Burman score, each with their incongruous synthesis of different genres, infectious percussion, classical modes and funk chops.

There is also a slight sweep across a too-slow-to-disco tempo and feel with the moody Johnny Guitar Watson-esque slow burn of "Good Falcon" up to the nonchalant four-to-the-floor of "Last Dance Saloon" with its lyrical warning of digital over-saturation in our social-media saturated world and a foreboding of the mini-monoliths sat in the palms of our hands that in a Kubrickian way threaten to cosmically absorb us all as a species into their individual jet-black abysses.

And then, coming into focus like a sweet slice of disjointed, lo-fi, 8 bit space disco, "Mojave Desert" is a slacker-strut with telephone vocals dub guitars, dry cosmic synths and futurist Farfisa organ driven by an almost Acid-Jazz meets Post-Punk Bass line. The song is autobiographical in its account of an excursion along the 29 Palms Highway reflecting on an escape from the City of Angels not so far away, up into the stark psychedelic desert realm.

There is a lot to unpack in this record and yet more to discover so it will be best to allocate 40 minutes in a comfortable dimly-lit room with eyes closed and maybe a cognac in hand, to have a deep-dive into its well-travelled and esoterically funky grooves.

ships from06.10.2026

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22,48 €
Various - DENSHI ONGAKU NO BIGAKU VOL. 3 LP 2x12"

Following the success of Denshi Ongaku No Bigaku Vol. 1 and Vol. 2, Cosmocities returns with the third instalment of its celebrated compilation series dedicated to the rich and ever-evolving world of Japanese electronic music. Compiled by label owner Matt Soulie, Denshi Ongaku No Bigaku Vol. 3 continues the journey through Japan’s diverse sonic landscape, bringing together pioneering artists, cult favourites and contemporary innovators across ambient, house, jazz-infused electronics and experimental sound design.

A carefully curated snapshot of Japanese electronic music past and present, Denshi Ongaku No Bigaku Vol. 3 showcases the depth, innovation and enduring influence of one of the world’s most inspiring musical cultures.

Since its inception, the Denshi Ongaku No Bigaku project has paid tribute to a musical culture that has profoundly influenced the Cosmocities vision. Where the first volume explored dreamy ambient textures and deep electronic moods, and the second shifted focus towards boogie-laden rhythms and jazz-fuelled dancefloor excursions, Volume 3 finds a natural balance between introspection and movement.

The compilation opens with Yosi Horikawa’s sublime “Bubbles”, an ambient masterpiece whose delicate organic textures gently set the tone. Chari Chari’s “Luna de Ritmos” follows with deep, ethereal house atmospherics before Force Of Nature’s hypnotic “Skyy High” guides listeners further into immersive territory.

The journey continues through the experimental electronics of XTAL’s “Skygazer” and the analogue warmth of Takuya Matsumoto’s “Jump Rope Music”, while regular Cosmocities contributor Yuu Udagawa delivers the sophisticated high-tech jazz house groove of “Little Secrets”.

On the second half of the collection, Kuniyuki’s remix of Slow Didi’s “Follow Me” brings rich jazz-inflected elegance, leading seamlessly into the futuristic techno-swing fusion of DJ Eiji Takehana featuring Yusuke Nakamura’s “Deep Track Jazz”. Tominori Hosoya’s “Summer Dreamers” adds a deeply emotional and dreamlike house moment before Azzurro’s “Just A Touch Of Love” shifts the focus firmly towards the dancefloor with a hypnotic late-night thumper.

Closing the compilation is AcidGelge’s “Fatality 4”, a beautifully spacey and atmospheric finale that leaves the listener suspended somewhere between the club, the cosmos and the imagination.

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Sandra St.Victor - Eleven LP 2x12"

Powerhouse vocalist Sandra St. Victor returns with Eleven, her eleventh studio album and first solo release in over a decade. From her years with The Family Stand to collaborations with Roy Ayers, Curtis Mayfield, Chaka Khan, Prince and Lalah Hathaway, Sandra has built a remarkable career that has consistently blurred the lines between soul, funk, jazz and gospel.

Executive produced by Sandra St. Victor and Patrick Gibin for Mother Tongue, Eleven brings together Sandra's longtime collaborators alongside the Mother Tongue family, bridging her rich musical legacy with a fresh, forward-looking sound rooted in soul, jazz, boogie and soulful dance music.

The album combines brand new compositions with inspired reinterpretations, from Kaidi Tatham's stunning reimagining of Captain Sky's Moonchild and his masterful reinvention of the Leon Ware/Syreeta underground gem Tiki Tiki Donga, to a beautifully understated new version of Sandra's own Dizzy, originally released on Gemini: Both Sides in 2001 featuring Questlove, Roy Ayers and Donald Byrd, here reimagined by Mark de Clive-Lowe. Along the way, the lo-fi soul of Black Ice, the timeless duet No More Water featuring Lalah Hathaway, and the straight-up funk of Makes Me Wanna Fall In Love Again and What Would Miles Do showcase an artist continuing to evolve while remaining true to her artistic voice.

Rooted in experience yet driven by curiosity, Eleven bridges Sandra's remarkable musical legacy with the creative vision of Mother Tongue, resulting in an album that feels both timeless and unmistakably

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23,32 €
SOUP - 2

SOUP

2

12inchSOUP2
Soup
07.10.2026

2026 Repress

The SOUP collective return with their another premium slice of cultural reincarnation.

Four more soundsystem specific artefacts taking in a quintessentially Balearic holy grail, some crisp modern machine-soul, a fine, fine Gospel/Soul end-of-nighter and a Jazz-Rock sunset anthem - for the discerning dancers...

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15,08 €
Diogo - Healiocentric EP ft. DJ Nature remix

Portuguese musician and expert experimentalist Diogo steps up for Heion Records second outing. Diogo signs two originals for his Healiocentric EP, joined by a remix from legendary Wild Bunch selector and producer Milo Johnson, aka DJ Nature whose roots in New York’s late-80s underground shaped his raw blend of early house. The EP opens with "Healiocentric" unfolds as a deep atmospheric journey where modular synthesis meets live instrumentation and tuned percussion. Arpeggiated sequences glide through hovering brass-like tones and modulated pads with effortless positivity, riding a syncopated landscape of rim shots and broken beats.


"Traums" dives deeper into Diogo's intricately woven world. Monochordal spoken word samples drift sparingly across organic clicks and rich analogue textures, conjuring a jazz-like atmosphere that rewards careful listening. Lush pads echo the craft of artists like Two Lone Swordsmen or Ricardo Villalobos, but the steady thump of a 909 kick and a fluid bassline leave no doubt: this is a deep-of- night heater for the enlightened dance floor. DJ Nature closes the EP by taking "Healiocentric" on an inspired tangent into disco-techno territory. Acoustic beats anchor a minimalistic take on acid funk, while a near-naive piano line sets Chicago house against Berlin school repetition. Gated noise, field recordings, wah-wah electric piano pads and classic house organs complete the picture. Cannon fodder of the highest order.

ships from07.10.2026

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13,24 €
Various - QUATERMASS SOUND LAB

Various

QUATERMASS SOUND LAB

12inchSTRUT481LP
STRUT
29.09.2026

Strut proudly presents an expansive deep dive into the world of Quatermass Sound Lab, the prolific under-the-radar East London studio founded and run by producer, engineer and The Heliocentrics co-founder Malcolm Catto. Over the last two decades, Catto has quietly established himself as a sought-after sonic architect in contemporary music. Revered for his analogue-first approach, he has built Quatermass Sound Lab around vintage recording equipment, valve preamps and live performance, creating recordings that feel warm and timeless. Equally inspired by punk, hip-hop, psychedelic rock, jazz, funk and electronic music, Catto has developed a production style that rejects genre boundaries in favour of instinct and atmosphere. Describing himself as "50% musician and 50% listener," Catto approaches each session as a collaborator rather than a conventional producer. That philosophy has made Quatermass Sound Lab a creative home for an extraordinary range of musicians, from established innovators to emerging voices. His remarkable discography spans collaborations with Yussef Dayes, DJ Shadow, Madlib, Quantic, Mulatu Astatke, Orlando Julius, Idris Ackamoor & The Pyramids and countless others, each project using analogue wizardry to shape bold, contemporary recordings with a character all of their own.

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Vick Lavender & Justin Dillard - The Black Is The Night

Forbidden Dance Records returns with its 13th release to the city where the label's journey first began: Chicago.
For The Black Is The Night EP, longtime Chicago house figure Vick Lavender joins forces with multi-instrumentalist Justin Dillard for three deeply musical downtempo cuts, bringing together the language of Chicago house with jazz, soul and live instrumentation.
Born and raised on Chicago's West Side, Dillard is a pianist, Hammond organist, percussionist, composer and arranger whose musical path has crossed with figures such as Branford Marsalis, Ornette Coleman, Roscoe Mitchell and the late Von Freeman. His musicianship has also become an integral part of Lavender's richly organic productions over the years.
Across three tracks, Lavender and Dillard slow down the tempo without losing the pulse. Warm keys, live instrumentation and loose percussion unfolding through the kind of deep, soulful arrangements that have long defined their work together.
A return to Chicago, but from a different angle.

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12,82 €
Groove Boys Project - Studio 937 Cuts

After 4 years of re-issuing some of the best house and disco, from hard to find deep-house gems to all times classics, Groovin Recordings are really excited to start releasing new music too, featuring some of the best young producers from the new generation. The first release introduces Groove Boys Project (Lucas Moinet and Alexandre Valard), a talented duo from Paris with a unique sound, a classy mix of fender rhodes, jazz chords, MPC based drum beats, soulful strings and some classic synths.
“Studio 937 cuts” is a two tracks EP that show their skills in the best way.
"Never Give Up" is a sophisticated jazzy-house track, composed with Kamasari and GBSiX who wrote the lyrics and the vocal part too. You’ll never get tired of GBSiX’s vocals !
On the B side "Deep In The Blue" is a Fender Rhodes deep-house ballad from Lucas Moinet, for all the Rhodes lovers out there.

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Mr. Thruout feat Sandro Lilliu - New Time

New Time is an ode to musical innovation, a captivating fusion of nu jazz, nu funk, and soul that captures the essence of the contemporary era. Mr. Thruout's skillful production combines with Sandro Lilliu's masterful guitar work, creating a unique sonic experience.
New Time is a work that redefines the concept of contemporaneity in the music scene, offering a unique and engaging experience for enthusiasts of nu jazz, nu funk, and soul. With the signature of Mr. Thruout and the collaboration of Sandro Lilliu, this vinyl is destined to become a modern classic.

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Glenn Davis - The Journey EP

Dublin deep house fixture Glenn Davis returns with four tracks steeped in the smoked-out warmth of classic Chicago and New York house music, though there's enough personality here to stop things drifting into pure revivalism. 'The Journey' opens through supple drum movement and glowing Rhodes figures that unfurl lazily across the groove, as little chord flourishes flicker at the edges like light catching dust through half-drawn curtains. 'Love Is' softens the mood further through hazy vocal vapour and richly upholstered keys that melt gently into the rhythm. On the flip, 'Free Your Mind' introduces firmer rhythmic pressure without disturbing the record's low-lit sensuality. 'Da Jazz' closes things beautifully through brushed percussion and featherlight piano motifs with a rolling swing that feels most elegant in its looseness. Very classy deep house, this.

ships from08.10.2026

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15,92 €
Rahaan - Dancing In Space Edits

Australia's Dancing in Space crew have thus far kept their vinyl releases to a minimum, reappearing every so often with a fresh batch of their own excellent disco edits. Here they try something different, delivering a typically assured two tracker from one of the most talented and productive scalpel fiends in the business, Chicago scene stalwart Rahaan. A-side 'Allright' is a typical Rahaan rub, with the talented re-editor skilfully rearranging and lightly dubbing out what sounds like a turn-of-the-80s fusion of classic disco, synth-splattered boogie and soaring jazz-funk. On 'My Strategy', he successfully breathes new life into an old Philadelphia International favourite, opting for a largely instrumental extension that subtly pitches the track up, tempo wise, for greater dancefloor pleasure.

ships from08.10.2026

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14,08 €
Nenor - Edits & Re-Works Vol 2

Nenor

Edits & Re-Works Vol 2

12inchMUMTAK001
Mumtak
08.10.2026

Ronen Sabo aka Nenor has dropped his rough and ready blends of soul and house on labels such as Moodymann's Mahogani and UK powerhouse Defected. Having already found his way into top-level record bags with the first volume of this series on Fossils, he is now back on new label Mumtak with more fully re-imagined interpretations. 'Klock It' is a humid and steamy house sound with a throbbing low end and exotic vocals, while 'Clayers' rides on lovely claps with breezy vocal sounds, ensuring a smooth cruising vibe. 'To Be Free' is a jazzy laced and late night sound with dusty drums and scruffy samples adding up to something loveably rough around the edges and 'El Gato' then brings a more freewheeling sound with big percussive hints and darker bass.

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15,92 €
DJ Aakmael - Stopmotion EP

Hector Ram and Ricky Ramirez are starting to celebrate ten years of Short Attention Records and it's US house stalwart DJ Aakmael they've enlisted to pop the champagne cork and cut the cake. He's one of those artists who turns out plenty of music, much of it sounding within the same consistent deep house framework. But there's always a little something to his tunes that keeps you coming back for more - a perfectly chosen sample, a nagging bassline, a sense of melancholy that you cannot escape. All of that is true on his latest. 'Things Always Happen' has keys that convey beautiful pain, then 'If You Believe' is a deep house haze with smudgy samples and blues-y ache. 'Free' is more light with trilling jazz-funk keys and earthy guitar frets sprinkled into the mix. 'Stopmotion' shuts down with a signature Aakmael bump. Just timeless stuff.

pre-order now08.10.2026

expected to be published on 08.10.2026

14,08 €
Beppe Loda - Discoscurock

On edit imprint Disco Mind's tenth release, they hand over the reins to iconic Italian DJ, producer and remixer Beppe Loda, once resident DJ at influential rural club Typhoon during the 1980s - and it's that period that inspired the four scalpel jobs on show. 'Mr Rocket' is a chugging chunk of oddball early 80s headiness, while 'Tu Sei' sees Loda rework what sounds like a synth-laden fusion of space rock and intergalactic jazz-funk. On side B, he does a great job on spiralling, big hair-sporting disco-rock number 'Falling', before showcasing more spacey synths and chugging rock riffs on 'Marzio'.

ships from08.10.2026

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14,08 €
THE MELTING HOURS - THE MELTING HOURS

The latest release from Rainbow Disco Club’s label imprint, Beyond Space And Time, is the debut compilation from The Melting Hours, a live project by Wata Igarashi and Kuniyuki. WataIgarashi continues to make his mark on the history of techno, whilst Kuniyuki has long been revered as one of Sapporo’s greatest treasures. The two artists, who have long held mutual respect for one another, met whilst performing at the Draaimolen Festival 2025, and this encounter gave rise to The Melting Hours.

‘Blue Sun’ is imbued with a freshness reminiscent of the ambient jazz masterpieces released by prestigious labels such as ECM and Windham Hill. ‘Liquid Dunes’ sees the organic tones of the flute and percussion melt into over ten minutes of abstract sound textures, whilst the breathtaking ‘Cloud Touch’ awakens amidst a swirling vortex of pulsating downbeats and arpeggios. It is said that ‘Blue Sun’ was created by reconstructing studio rehearsal recordings, whilst ‘Liquid Dunes’ and ‘Cloud Touch’ were crafted from live recordings at Draaimolen 2025. The essence of these works—and indeed of the project The Melting Hours itself—lies at the heart of their improvisational nature.

It brings to mind the Rainbow Disco Club event back in 2026, where they wove their sounds amidst fresh greenery and surrounded by listeners under a clear blue sky. It felt as though the pulsating energy was spreading across the dance floor, guided by a session from The Melting Hours that seemed almost like a living creature. The organic breath one senses in this work not only evokes precisely that scene but also allows us to feel the unique, ephemeral nature inherent in this project—and, consequently, the boundless possibilities that stem from it.

Rainbow Disco Club のレーベル・ライン'Beyond Space And Time'から放たれる最新作は、Wata IgarashiとKuniyukiによるライブ・プロジェクト、The Melting Hoursによる初の音源集だ。テクノ史に残る実績を現在進行形で刻み続けているWata Igarashi、長きに渡り札幌の至宝として尊敬を集めてきたKuniyuki。兼ねてよりリスペクトを送り合ってきた両名がDraaimolen Festival 2025への出演を契機に邂逅し、始動したプロジェクトがThe Melting Hoursである。

ECMやWindham Hillといった名門レーベルのアンビエント・ジャズ傑作群を彷彿とさせる瑞々しさを湛えた"Blue Sun"。10分以上に渡るアブストラクトなサウンド・テクスチャーの中にフルートや鳴り物のオーガニックな音色が溶ける"Liquid Dunes"と、そして鳴動するダウンビートとアルペジオの渦に覚醒する圧巻の"Cloud Touch"。"Blue Sun"はスタジオでのリハーサル音源を、"Liquid Dunes"と"Cloud Touch"はDraaimolen 2025のライヴ音源を、それぞれ再構築し楽曲化したものだという。これらの作品、ひいてはThe Melting Hoursというプロジェクト自体のエッセンスは、その即興性を核としている。

WataとKuniyukiがゼロから音を立ち上げ、お互いのエレクトロニクス/生楽器を操る技術、それぞれエレクトロニック・ミュージック以前にフリージャズやニューウェイヴ/インダストリアル等に傾倒した時期を含む、音楽家としての半生を持ち出し合う感覚。そこに、例えばDraaimolen出演時に降り出した雨や、リハーサル時にスタジオに迷い込んだ蜂のような、外的かつ偶発的な要因、感情やムードの起伏までもが絡み合う様相。互いの予想を越えるスリルの中で曲が形づくられるプロセスこそが、この作品とプロジェクトを特別なものとしているのだという。

快晴の元で新緑とリスナーに囲まれ音を紡いでいった、去る2026年のRainbow Disco Clubを思い出す。まるで、生き物のようなThe Melting Hoursによるセッションに導かれ、脈動するエネルギーがフロアに伝播していたようだった。この作品から感じられる有機的な息遣いは、まさにそんな情景を思い起こすものであると同時に...このプロジェクトが宿すその場/その時限りの唯一無二性と、それ故に広がっていく限りない可能性をも感じさせてくれる。

pre-order now08.10.2026

expected to be published on 08.10.2026

13,03 €
BIRDS OF PANDAEMONIUM - EUDAEMONIA

Across the cosmic boundaries via spiritual exploration and in the void between shimmer and shadow you will find the astral soundscapes of Birds Of Pandaemonium...

Emerging from Brooklyn's late-night music ecosystem, 'Hazy James' Armstrong and Tim Wagner met nearly 20 years ago through the city's DJ and club scene. Each with different but complementary musical backgrounds which included a mix of folk, guitar, DJing, synths, drum machines, country rock, disco, jazz, and rhythm-heavy club music (being just a few!), the duo began various musical endeavours together & "exploring the darkness while pursuing light" which eventually lead to the birth of Birds Of Pandaemonium.

It was only a matter of time that the stars aligned (via an introduction from Shane Watson of Causeway) to bring the Birds onto the musical radar at Sprechen which led to the release of 3 renowned E.Ps and ultimately, their debut album, Eudaemonia. Obscure covers including Idris Muhammed's Loft classic 'Could Heaven Ever Be Like This', the rave defining Born Slippy by Underworld and the post punk/new wave 'On Islands' by New Musik sit alongside original songs shaped by fresh reflections on life, grief, and love with elements of dream pop, shoe-gaze & gothic pop to give wistful and pulse-driven listening experience that is hazy, romantic, and deliberately genre-blurring.

A truly unique listening experience that delivers broad strokes of sunsetting psychedelia and bleary-eyed optimistic, astral dream-pop across all 8 tracks.

Is it balearic? Not really, it's pretty much a genre all on its own (answers on a postcard).

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Wayne Shorter - Night Dreamer

Wayne Shorter

Night Dreamer

12inch5552940
Blue Note
28.09.2026
  • A1: Night Dreamer
  • A2: Oriental Folk Song
  • A3: Virgo
  • B1: Black Nile
  • B2: Charcoal Blues
  • B3: Armageddon

Wayne Shorter stepped out as a Blue Note artist on his masterful 1964 label debut Night Dreamer, a sublime set that signalled the arrival of one of the most important saxophonists and composers in jazz history. Timeless Shorter compositions are given transcendent performances by a quintet with Lee Morgan, McCoy Tyner, Reggie Workman, and Elvin Jones. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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milan93 & 9ICK & Mauricesax - A Garden Between Us

On Last Night At Marienbad's latest, the imprint brings together three of the brightest souls found within the realms of Jazz, namely Mauricesax, 9ick and Milan93, with their collective talents synergising effortlessly on 'A Garden Between Us', alongside a stellar cast of remixers who add even further delight between the grooves….

As a genre, Jazz has perhaps lent itself the most to other musical universes, in that its curious heart, endlessly experimental nature, and parameter-defying spirit have wrapped itself deep within the core of countless albums, scenes, and music makers. It's a genre that welcomes reinvention, consistently defying its contents and always reaching out to find new methods of expressionism. Electronic music, in its many forms, has truly embraced Jazz perhaps like no other movement of music has, with a truly astonishing array of records surfacing in the past 40 years which have blended Jazz's unique motifs with grooves, chords, and emotive excellence. From 90s Jazz house and UR Techno, through to Future Jazz, downtempo, and Hip Hop, and around many other suns, there remains such an intrinsic and symbiotic relationship between the two musical realms that caters to those who wish to live music both within and out with themselves.

As practitioners of blending electronica and Jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression. Bringing them together allows for overlaps in their sounds to emerge, and just like Jazz itself, this is where the intrinsicness of sound begins to blossom. 9ick brings his softly evolving vibe to the table, one which was so prevalent and celebrated on his 2025 album 'SMIL'; Milan93 draws from his focal point of exploring fill-laden grooves and a myriad of emotive sensibilities; and Mauricesax draws up his extensive musicality that exists at the corner of jazz, electronic, and experimental music, along with running musical workshops all over the globe.

'A Garden Between Us' represents the trio's core tenets, with this immediately obvious from the record's opener, 'Rhodora'. A gentle solo piano quickly evolves into a series of powerful rhythmic pulses, with brass lines bringing vitality and feel to proceedings. The track shifts gears with purpose, transitioning between musical vignettes of the highest order, with the synth work doing much to bind the transitions together. 'Tulip' emerges slightly differently, with glossy Rhodes tones and an unravelling rhythmic undercurrent setting an enthralling stage. The track flourishes amongst sweeping textures, coming up for air amongst a deeply hypnotic rhythmic section that holds on and never lets up. 'Honeysuckle' lands next, which sees the trio emerge with a boundless, dynamic soundscape. The drums shift within the undertones, as keys, chords, horns and hip-hop vocal samples dance around the pulse, capturing the imagination with their narrative-like placement. Wrapping up the A side comes 'Camellia'. A dazzling array of harmonic sounds converges around the transfixing rhythm section, which emerges from deep below to lavishly roll out over the midsection, with the delicateness of the instrumentation a real highlight here.

The B side features two exquisite remixes, with Pacific Coliseum's version of 'Tulip' landing first. Beginning with a signature four to the floor to get things going, his careful handling of the source material is seen in the tactful introduction of the blissful elements that made the original cut so impactful, with great focus placed on emotive fidelity. The result is a summer-bound house number that reimagines the original in all the right ways, flipping it into a euphoria-driven jazz-laden pacer that reaches for the heavens as much as it drives right into the heart. Teuteu then showcases their take on 'Honeysuckle', and at 9 minutes long, represents the longest cut on the record - and the experience is all the richer for it. Leaning heavily into dance music flavours, Teuteu shifts perspective totally into the realm of the club, with the walls beating hard to the kicks. The sax lines that drift ethereally up top keep eyes closed and souls full, as the dance shifts into the next phase.

An experience that drifts from the daydreaming, to soul-warming through to the club shaking - what else is left to experience, except for 'A Garden Between Us' and how it will brighten up life itself….

pre-order now09.10.2026

expected to be published on 09.10.2026

14,71 €
Eiji Nakayama - Aya's Samba

Eiji Nakayama

Aya's Samba

12inchSTUDIOMULE13
Studio Mule
09.10.2026

2026 Repress

johnny's disk record is an independent jazz label run by the owner of jazz cafe kaiunbashi no johnny located in rikuzentakata city in iwate prefecture, japan.

the legendary label released a string of albums of high quality but down-to-earth music, spanning from modern jazz, avant-garde jazz to left-field pop. albums such as 'farewell my johnny / left alone' and 'aya's samba' has reached cult status among fans as some of the best works to come out of the japanese jazz scene.

another japanese jazz classic, aya's samba was a debut effort by bassist eiji nakayama, who played as part of elvin jones' jazz machine and toured with don friedman.

this album is an important release in the johnny's disk catalogue, not only because it is the first ever release, but also because the owner hearing the band play was the reason why the label came to be.

'aya's samba' is a mellow jazz samba in minor key that's considered a japanese jazz classic. slow ballad 'yellow living' is drenched in melancholy with emotive keys and sax notes, while the dreamy 'sea sea town' impresses with a captivating, expressive sax solo. the 4 tracker ends with 'far-away road,' an uptempo tune with rhythmic keys.

pre-order now09.10.2026

expected to be published on 09.10.2026

Last In: 3 years ago
22,27 €
ANTHONIUS - ORIGEN

ANTHONIUS

ORIGEN

12inchTK009
Tokonoma Records
09.10.2026

140 gramms black vinyl edition

“Origen: Una Exploración por el Jazz Modal de los Trópicos” is a celebration of the human bonds that transcend cultural differences to create a shared language beneath the same sky. Asia, the Middle East, Africa, Europe, and the Americas are the protagonists of this sonic diaspora, where Modal Jazz, Spiritual Jazz, Egyptian Jazz, Ethiopian Jazz, Cape Verdean Kriolu, Brazilian Jazz, Latin Jazz, Caribbean Rhythms, and Flamenco Jazz come together, among many other influences, to shape a journey toward healing and a reconnection with our shared origin.

Credits

Anthonius — Composition, piano, keyboards, arrangements, production, and mixing.

Edu Pons — Saxophones, clarinets, and flutes.

Joana Morais — Vocals (B1).

Situasound — Vocals and guitar (A2).

pre-order now09.10.2026

expected to be published on 09.10.2026

19,96 €
ORSON CLAEYS - OTHELLO LP

ORSON CLAEYS

OTHELLO LP

12inchSDBANULP50
SDBAN ULTRA
09.10.2026

OTHELLO is the debut album by pianist and composer Orson Claeys. Bringing together influences from jazz, hip-hop, urban culture, and everyday life, the record offers the clearest portrait yet of an artist shaped as much by the worlds around him as by music itself.

The title refers to Claeys' full name, Orson Dwight Othello Claeys, and reflects the album's central concern:identity. Throughout the record, personal experiences, cultural influences, and artistic inspirations converge into a body of work that seeks to understand how an artist is formed, both within and beyond music. Musically, OTHELLO builds on jazz, strongly intertwined with hip-hop, contemporary culture, and ideas beyond traditional musical frameworks. For Claeys, music is not a fixed genre, but an open and evolving form of expression.

This broad perspective is evident in the album's carefully chosen collaborations. A track like "WHAT A NIGHT" first took shape during a studio session with indie-soul singer Sevens, whose harmonic ideas laid the foundation for the track. As the composition evolved, Claeys felt it called for a stronger hip-hop voice. Through a recommendation from Mixmonster Menno of STUFF., he was introduced to L.A. rapper IAMOMNI, whose contribution brought exactly the energy and perspective the track needed. The result unfolds like a late-night journey through Los Angeles, with IAMOMNI's contribution adding a sense of movement, character, and place.

Elsewhere on the album, "SPIRAL", featuring Belgo-Brazilian vocalist Helena Casella, grew out of a long-standing mutual admiration. Conceived as a meeting point between R&B and jazz, the composition balances the groove and emotional depth of the former with the improvisational spirit and spontaneity of the latter. The collaboration developed naturally from the outset, with Casella instinctively understanding the atmosphere Claeys envisioned while enriching the music with her own warmth and nuance.

A long-held ambition materializes on "SHADOWBOXING", where Claeys is joined by drummer, producer, and one of the key figures in contemporary Belgian jazz, Lander Gyselinck. Gyselinck's work, particularly his collaboration with Zwangere Guy on Pourriture Noble, was instrumental in showing Claeys how the language of hip-hop could coexist naturally with jazz, an idea that runs through OTHELLO. Drawing inspiration from boxing, the track is a musical equivalent of a fighter's walk towards the ring: focused, intense, and driven by the sense of anticipation that precedes stepping into the fight.

After this heightened intensity, the album gradually moves toward its closing statement. OUTRO / HANIN", featuring oud player Akram Ben Romdhane, a longtime collaborator whose playing forms a natural bridge between Claeys' previous work and the broader musical landscape explored across the album. The title references the Tunisian Arabic word hanin, meaning "nostalgia", a fitting conclusion to a work deeply concerned with memory, identity, and personal history.

Beyond music itself, OTHELLO is informed by a wider cultural landscape. Urban culture, with its visual language, creative independence, and sense of community, forms an important backdrop to the record. Sport also plays a significant role, particularly boxing and basketball, whose emphasis on discipline, focus, and resilience mirrors Claeys' own creative process. Rather than being treated as separate influences, these worlds coexist without hierarchy, reflecting an artistic vision that resists rigid boundaries and allows different disciplines, communities, and experiences to inform one another.

pre-order now09.10.2026

expected to be published on 09.10.2026

26,47 €
Zara Mcfarlane - Arise

Zara Mcfarlane

Arise

12inchBWOOD162LPG
Brownswood Recordings
09.10.2026

Originally released in 2017, Zara McFarlane’s Arise represents a classic moment in Brownswood Recordings catalogue. Just before the global spotlight landed on London's new jazz generation, Zara McFarlane was already forging her own path - connecting jazz, soul, reggae and Afro-Caribbean traditions with a confidence and clarity that remains striking nearly a decade later. Arise captures an artist operating with singular vision, creating a body of work that sounds every bit as fresh and forward-thinking today as it did on release.
The album also stands as an early landmark in the career of Moses Boyd, who produced and co-composed the record while serving as Zara's longtime drummer and musical collaborator. Years before his Mercury Prize-nominated breakthrough, Boyd helped shape Arise into a deeply personal exploration of heritage. The credit list is remarkable: Moses Boyd, Binker Golding, Shabaka Hutchings, Nathaniel Cross, Peter Edwards and Shirley Tetteh all contribute to a record that now reads like a roll call of British jazz royalty. The iconic cover shot was taken by Adama Jalloh, around the corner from Brownswood’s North London HQ.

Upon release, Arise was met with widespread critical acclaim. The Guardian praised “A Class Act" and celebrated its exploration of African-Caribbean musical lineage, while Clash Magazine described it as “enchanting and intriguing”. All About Jazz called the album's fusion of jazz and Jamaican rhythms "spellbinding".
As Brownswood celebrates its 20th birthday, we're proud to return one of the label's defining releases to vinyl, with the original copies being highly sought after. Pressed on limited edition gold vinyl, this special anniversary reissue is both a celebration of Zara McFarlane's artistry and a reminder of a record that was both ahead of its time, and whose influence resonantes today.

pre-order now09.10.2026

expected to be published on 09.10.2026

27,31 €
BEYOND BRAZILIAN STORIES - O ritmo do sonho LP 2x12"

Driven by a lush and irresistible energy, Beyond Brazilian Stories takes you on a musical journey between Brazilian traditions and jazz improvisation.

Introduced to the richness of Brazilian music by Philippe Baden Powell, pianist Mathieu Bélis and double bassist Stéphane Dardour founded BSP PRODUCTIONS and formed the quintet Beyond Brazilian Stories, joined by saxophonist David Florsch, drummer Louis Bao Lao, and Äulne, vocalist and flutist.

Together, they revisit masterpieces by giants such as Milton Nascimento, Airto Moreira, Hermeto Pascoal, Dorival Caymmi, Edu Lobo and Moacir Santos, blending popular melodies with soaring instrumental passages.
The group also brings its own compositions, inspired by the vibrant energy of Brazilian music, creating a sound that is both authentic and innovative.

Their new album O ritmo do sonho has been awarded the “Revelation” distinction by Jazz Magazine!
Album contributors:

Mariana Zwarg - flutist, daughter of Itiberê Zwarg, Hermeto Pascoal’s bassist.
Edmundo Carneiro - Brazilian percussion legend (Tania Maria, De La Soul, Saint Germain, etc.).
Jessica Simon - trombonist, member of the Orchestre National de Jazz.

“An explosive fusion where samba, bossa and jazz become the playground for joyful and virtuosic freedom....” Jazz Rhônes Alpes
“...the brilliant Hermeto Pascoal,
whose spirit is present throughout O ritmo do sonho...” Revelation Jazzmag

pre-order now09.10.2026

expected to be published on 09.10.2026

26,85 €
CALIBRO 35 - ELLROY VS L.A.

CALIBRO 35

ELLROY VS L.A.

12inchRKXLP109
RECORD KICKS
09.10.2026
  • 1: BLACK DAHLIA
  • 2: LSD ON SUNSET BOULEVARD
  • 3: PACIFIC SAFARI
  • 4: THE BIG NOWHERE PART 1
  • 5: L.A. CONFIDENTIAL
  • 6: RIOTS
  • 7: CHALET MANSON
  • 8: THE BIG NOWHERE PART 2
  • 9: VACATION AND PROBATION
  • 10: WHITE JAZZ
  • 11: FEELS LIKE HOME
  • 12: MOONLIGHT SONATE

"Cinematic Visionaries Calibro 35 and Noir Master James Ellroy Pay Homage to L.A. with a Pure Crime-Funk Original Soundtrack. Out October 9" There are collaborations that feel inevitable like they were waiting to happen in some shadowed corner of culture. The union between Italian cinematic funk visionaries Calibro 35 and internationally acclaimed master of noir fiction and New York Times bestselling author James Ellroy is undoubtedly one of them. When Calibro 35 were invited to compose the original soundtrack for Francesco Zippel's documentary Ellroy vs L.A., they didn't simply write music for film. They stepped directly into Ellroy's universe the most dangerous corners of American crime fiction and discovered, to no one's surprise, that its darkness felt strangely familiar. The result is Ellroy vs L.A., the band's new album out October 9 on Record Kicks. Twelve brand new tracks of cinematic crime funk, psychedelia, and hypnotic groove that don't accompany Ellroy's world so much as inhabit it. The soundtrack's move through Ellroy's fictional and real-world mythologies with deliberate precision. Stylistically, the album finds Calibro 35 in their most natural yet most cinematic state: crime funk, psychedelia, and hypnotic groove pushed into darker, more narrative-driven territory by the weight of Ellroy's world. From the gloomy, suspense-laden groove of the opener Black Dahlia to the evocative closing piece Moonlight Sonative, the album unfolds as a complete cinematic arc, showcasing Calibro 35 at their very best. L.A. Confidential delivers a super-suspenseful, thrilling tension that feels like a chase through neon-lit streets, while Riots erupts into explosive cinematic funk, capturing chaos and urban unrest in full force. LSD on Sunset Boulevard drifts into a hazy, instrumental soul journey psychedelic, warm, and disorienting, like a late-night hallucination of the city itself. The Big Nowhere (Part I & II) expands the narrative into a slow-burning, atmospheric descent, unfolding like a two-act crime saga. Welcome to the Land of Vacation and Probation hits with kick-ass, uptempo crime-funk madness, urgent and relentless in its propulsion, while White Jazz is a mood of suspended, noir-infused jazz tension cool, shadowy, and unresolved. Together, the tracks map Los Angeles as a fractured yet hypnotic landscape suspended between glamour and violence, beauty and decay, myth and reality Born in Milan in 2007 with the mission of excavating the golden age of Italian film music Morricone, Piccioni, Trovajoli, Calibro 35 have spent nearly two decades transforming that initial obsession into a singular artistic language. Their work bridges vintage Italian soundtracks with contemporary jazz and cinematic funk, earning them a global following rare for an Italian instrumental act. Their music has been sampled by Dr. Dre (Compton, "One Shot One Kill" feat. Snoop Dogg), Jay-Z ("Picasso Baby"), and Damon Albarn's The Child of Lov. Rolling Stone described them as "the most fascinating, retro-maniac and genuine thing that has happened to Italy in the past few years," while Far Out Magazine called them "one of the most skilful and innovative instrumental outfits on the planet right now." The band (Enrico Gabrielli, Massimo Martellotta, Fabio Rondanini, and Tommaso Colliva) continue to evolve without losing their core identity. In 2025 they released the critically acclaimed Exploration, further expanding their sonic universe, and were invited to perform at the closing ceremony of the Winter Olympic Games at the Arena di Verona, confirming their growing international stature. With Ellroy vs L.A., Calibro 35 don't just compose a soundtrack they translate a mythology into rhythm, tension, and groove. Between fiction and reality, they find a city that never truly sleeps, only pulses in darkness. Press play, and Los Angeles begins to unfold in sound.

pre-order now09.10.2026

expected to be published on 09.10.2026

22,27 €
Kimiko Kasai With Herbie Hancock - Butterfly

2026 Repress
Oh yes! First ever official reissue of the positively sublime and very rare Butterfly LP, recorded in Tokyo in 1979 by Japanese songstress Kimiko Kasai and jazz legend Herbie Hancock.

Due to it's super-rare status as a Japan-only release, this exquisite collection of covers never got the recognition it deserved at the time, despite incredibly inspired performances from Kimiko, Herbie and the supremely talented musicians assembled for the project. From heavenly drummer Alphonse Mouzon and renowned organist Webster Lewis to bassist Paul Jackson, reedman Bennie Maupin and the master percussionist Bill Summers, the legendary performers crafted amazingly good vocal versions of Herbie / Headhunters jazz-funk. Unsurprisingly, it has been heavily in demand for many years.

The LP opens with Kimiko's highly desirable version of "I Thought It Was You", an elegant take on Herbie's own anthem. Other superb re-workings include the delicately soulful "Butterfly", jazzy groover "Sunlight", the smooth and sexy "Tell Me A Bedtime Story" and the beautiful ballads "Maiden Voyage" and "Harvest Time". A wonderful example of perfectly understated and masterful jazz-funk soul fusion that shouldn't be missed, the set closes with a jaw-dropping version of Stevie Wonder's "As".

This lovingly curated reissue enables a long overdue reappraisal of this hitherto unavailable masterpiece. The stunning artwork which adorned the original jacket - complete with OBI strip and sumptuous
4 page folded insert - has been faithfully restored. Simon Francis' sensitive mastering elevates the sound throughout and, as ever, it has been pressed at a reassuringly weighty 180g. Essential.

pre-order now09.10.2026

expected to be published on 09.10.2026

Last In: 22 months ago
28,36 €
DUMBO STATION - Tirana Cafè LP 2x12"
  • 1: Dumbo Station (feat. Maurizio Giammarco)
  • 2: Big One (feat. Elvio Ghigliordini)
  • 3: Narvalo
  • 4: Your Poison (feat. Davide Shorty)
  • 5: Sugo Forense
  • 6: Stutter (feat. Elvio Ghigliordini)
  • 7: Gyro
  • 8: Smashing Sushi (feat. Vincenzo Presta)
  • 9: Praise The Lord
  • 10: Dr. Gattolonio (feat. Maurizio Giammarco)
  • 11: Triathlon

Here at Tuff Kong Records we really like to push our boundaries and explore different sounds, we're passionate with music at 360° and so are these guys we have decided to bring to your attention. Dumbo Station is a nu-jazz ensemble out of Roma, Italy that we've met during a live jam with legendary MC Danno of historical roman hip-hop group Colle Der Fomento. They immediately caught our attention and after listening to this masterpiece we decided to collaborate with them and Roman jazz imprint AlfaMusic to release their debut full-length "Tirana Cafè" on limited edition vinyl. The 11 songs featured on their first studio effort will take you on a trip through different soundscapes with the quartet as your guide, joined by Italian talents the such as vocalist Davide Shorty as well as Maurizio Giammarco's sax and Elvio Ghigliordini's flute. These young fellas have managed to merge nu-jazz with soul, funk and modern sounds creating a true masterpiece.

pre-order now09.10.2026

expected to be published on 09.10.2026

19,29 €
Lucas Moinet - Emeraude EP

Lucas Moinet

Emeraude EP

12inchKICKNDANCE003
Kick'n'Dance
09.10.2026

Kick'n Dance Records strikes again with it's third release, "Vert Emeraude EP" by
parisian producer Lucas Moinet. Infused with nature sounds, deep atmospheres
and jazz elements, this four-tracker goes from spiritual jazz deep house to club
groove with a distinctive french signature. All tracks were composed and recorded
by Lucas Moinet at Studio 937, with a traditional 90's house music set up. "Vert
Emeraude" & "Dark Woods" are paying tribute to the sound of the infamous Dance
Culture party at Djoon and it's dancers community. On the other hand, "The Deep"
explores deeper territories while "Franklyn Avenue" brings more energy to the
record, with a faster and powerful track. For the ones into deep chords and
musical explorations

pre-order now09.10.2026

expected to be published on 09.10.2026

12,40 €
Ziad Rahbani - Ana Moush Kafer (1985) LP
  • 2: Shou Hal Ayyam
  • 3: A'anitham
  • 4: Shou A'ada Ma Bada
  • 5: Yessa'ed we Yea'en
  • 6: Bi Halyawmayn
  • 7: Bharf Esheen
  • 8: Bhaneek
  • 9: Al Mokawama Al Watania Al Lobnani
  • 1: Ana Moush Kafer

Wewantsounds is delighted to continue its Ziad Rahbani reissue program with Ana Moush Kafer, a classic album by the Lebanese legend Ziad Rahbani, recorded at his By-Pass Studio in Beirut during the height of the Lebanese Civil War in 1985. Showcasing Rahbani’s signature blend of Arabic music infused with touches of jazz-funk and bossa nova, the album has attained cult status over the years. Originally released on cassette, it has never before been available on vinyl. Newly remastered, this edition features the original Relax-In cassette artwork from 1985 and includes new liner notes by Mario Choueiry of the Institut du Monde Arabe in Paris.

Ziad Rahbani, who passed away in 2025, remains one of the most influential figures in modern Arabic music and a cultural icon in Lebanon. A musician, composer, pianist, producer and playwright, he helped modernize Arabic music over five decades. The son of composer Assi Rahbani and singer Fairuz, he shaped her late 70s–80s recordings producing Wahdon and Maarifti Feek, while building a major solo career with classics such as Abu Ali and Houdou Nisbi, which have become cult favourites for a new generation of DJs and music lovers.
Released in 1985 in Lebanon, Ana Moush Kafer stands as one of Rahbani’s key achievements. Recorded at his By-Pass Studio during the Lebanese Civil War, it blends Arabic melodic traditions with jazz-funk, bossa nova and Western arrangements. Originally cassette-only, it became one of his most revered releases. Throughout the album, Rahbani’s writing reflects the turbulence of wartime Beirut with a blend of sharp social observation, political satire and melancholy. It captures a moment in Lebanese cultural history where experimentation, satire and popular song intersected, giving the album its enduring influence among music lovers.

Sung by Rahbani and Sami Hawat, alongside Beirut-based musicians, the album features both Western and traditional Arabic instruments. It balances refined arrangements with lyrical irony, social commentary and political reflection, which remain deeply resonant in today’s context in Lebanon.
One of the highlights of the album is the song “Shou A’ada Ma Bada,” with lyrics by Joseph Harb, which reveals a clear bossa nova influence, while the closing track, “Al Mokawama Al Watania Al Lobnani,” offers a deeply human view of war, avoiding patriotic cliché in favour of a nuanced perspective rooted in lived experience.
As Mario Choueiry observes in his liner notes, “Ana Moush Kafer stands as one of the high points of modern Arab political songwriting, yet transcends its historical and geographical context through the universal relevance of its themes and the timeless quality of its music.”
Forty years on, Ana Moush Kafer remains a landmark of Arab music. Wewantsounds presents it on vinyl for the first time, newly remastered and featuring original artwork. This long-awaited reissue restores one of Ziad Rahbani’s most important works to circulation, reaffirming its place as a defining statement in modern Arabic music.

a 1. Ana Moush Kafer 5:03
[b] 2. Shou Hal Ayyam [5:46]
[c] 3. A'anitham [4:37]
[d] 4. Shou A'ada Ma Bada [3:45]
[e] 5. Yessa'ed we Yea'en [5:05]
[f] 6. Bi Halyawmayn [3:46]
[g] 7. Bharf Esheen [1:12]
[h] 8. Bhaneek [5:34]
[i] 9. Al Mokawama Al Watania Al Lobnani [3:06]

[a] 1. Ana Moush Kafer [5:03]
[b] 2. Shou Hal Ayyam [5:46]
[c] 3. A'anitham [4:37]
[d] 4. Shou A'ada Ma Bada [3:45]
[e] 5. Yessa'ed we Yea'en [5:05]
[f] 6. Bi Halyawmayn [3:46]
[g] 7. Bharf Esheen [1:12]
[h] 8. Bhaneek [5:34]
[i] 9. Al Mokawama Al Watania Al Lobnani [3:06]

[a] 1. Ana Moush Kafer [5:03]
[b] 2. Shou Hal Ayyam [5:46]
[c] 3. A'anitham [4:37]
[d] 4. Shou A'ada Ma Bada [3:45]
[e] 5. Yessa'ed we Yea'en [5:05]
[f] 6. Bi Halyawmayn [3:46]
[g] 7. Bharf Esheen [1:12]
[h] 8. Bhaneek [5:34]
[i] 9. Al Mokawama Al Watania Al Lobnani [3:06]

pre-order now09.10.2026

expected to be published on 09.10.2026

29,20 €
Andy Bell & Masal - Common Primitives (2x12")
  • A1: Murmuration Of Warm Dappled Light On Her Back After Swimming
  • A2: The Slight Unease Of Seeing A Crescent Moon In Blue Midday Sky
  • B1: Tidal Love Conversation In That Familiar Golden Orchard
  • B2: A Pyramid Hid By Centuries Of Neon Green Undergrowth
  • C1: After Kâtibim
  • C2: I Swear We Are Infinite
  • C3: Yuzuki Fighting Spirit
  • D1: Soap And Water
  • D2: Tower Of Babylon
  • D3: The Morning Of The Trip
  • D4: Rudi’s Dream – The Third Bardo
also available

Transparent Blue / Violet Vinyl[27,94 €]


Common Primitives is the second collaborative album between Andy Bell (Ride guitarist, Oasis bassist) and Essex-based harp and synth duo Masal. It’s a stunning, meditative collection which veers from kosmische to astral jazz by way of Turkish folk tunes and all the way back again.


Their first outing, 2023’s acclaimed Tidal Love Numbers, consisted of four lengthy and almost ambient tracks and is included here on vinyl for the first time as part of a two-record set with the new album. By contrast, the seven tracks that make up Common Primitives are almost concise, but also a lot more layered and complex.


“We tend to work from initial, free-jammed ideas, building form and arrangement from there,” explains Masal’s Al Johnson. “Above all, we believe you should go where the vibe takes you.”


For Andy, that vibe was very much jazz legend Pharoah Sanders’ classic 1977 album Pharoah, which was reissued a few years ago.


“It puts me into a hypnotic state,” he explains. “That’s why I worked with more guitar loops on this record. The Tisziji Muñoz part on ‘Harvest Time’ has had me in a vice-like grip for the last three years and it arrives here via the Vini Reilly filter.”


For Özlem Simsek, there is nostalgia, too, and she even adds vocals as well as her heavenly harp to the opening track, ‘After Kâtibim’, based on a traditional Turkish folk song she had sung as a child growing up in Istanbul.


From there, the album takes us on a real journey, with the apt, impressionistic titles added by Andy once it had all been pieced together. There’s the beautiful, elegant ‘I Swear We Are Infinite’; the atmospheric ‘Yuzuki Fighting Spirit’ and the beatific ‘Soap And Water’. ‘Tower Of Babylon’ was named after the novelette by Ted Chiang, its structured creation reflecting that in the story; first single ‘The Morning Of The Trip’ finds Andy playing his guitar “as if it was a waterfall”. The journey ends with ‘Rudi’s Dream – The Third Bardo’, the trio accelerating onto the autobahn for a krautrock crescendo inspired by their studio’s resident cat.

pre-order now09.10.2026

expected to be published on 09.10.2026

29,37 €
Andy Bell & Masal - Common Primitives (2x12")

Common Primitives is the second collaborative album between Andy Bell (Ride guitarist, Oasis bassist) and Essex-based harp and synth duo Masal. It’s a stunning, meditative collection which veers from kosmische to astral jazz by way of Turkish folk tunes and all the way back again.


Their first outing, 2023’s acclaimed Tidal Love Numbers, consisted of four lengthy and almost ambient tracks and is included here on vinyl for the first time as part of a two-record set with the new album. By contrast, the seven tracks that make up Common Primitives are almost concise, but also a lot more layered and complex.


“We tend to work from initial, free-jammed ideas, building form and arrangement from there,” explains Masal’s Al Johnson. “Above all, we believe you should go where the vibe takes you.”


For Andy, that vibe was very much jazz legend Pharoah Sanders’ classic 1977 album Pharoah, which was reissued a few years ago.


“It puts me into a hypnotic state,” he explains. “That’s why I worked with more guitar loops on this record. The Tisziji Muñoz part on ‘Harvest Time’ has had me in a vice-like grip for the last three years and it arrives here via the Vini Reilly filter.”


For Özlem Simsek, there is nostalgia, too, and she even adds vocals as well as her heavenly harp to the opening track, ‘After Kâtibim’, based on a traditional Turkish folk song she had sung as a child growing up in Istanbul.


From there, the album takes us on a real journey, with the apt, impressionistic titles added by Andy once it had all been pieced together. There’s the beautiful, elegant ‘I Swear We Are Infinite’; the atmospheric ‘Yuzuki Fighting Spirit’ and the beatific ‘Soap And Water’. ‘Tower Of Babylon’ was named after the novelette by Ted Chiang, its structured creation reflecting that in the story; first single ‘The Morning Of The Trip’ finds Andy playing his guitar “as if it was a waterfall”. The journey ends with ‘Rudi’s Dream – The Third Bardo’, the trio accelerating onto the autobahn for a krautrock crescendo inspired by their studio’s resident cat.

pre-order now09.10.2026

expected to be published on 09.10.2026

27,94 €
Inta-City - Runnin’ Outta Time / Journey To The Sun (Remixes)
  • A1: Runnin Outta Time (Kon Remix)
  • A2: Journey To The Sun (Daniele Baldelli & DJ Rocca Remix)
  • B1: Runnin Outta Time (G&D Remix)
  • B2: Runnin Outta Time (G&D Dub)

Carrying the torch of Freeez, Light of the World, Incognito & The Warriors, INTA-CITY is the clandestine jazz-funk operation from Daniel Maunick alongside Zaidi Kiggundu & Jamie McShane AKA Zaime.Limited edition remix 12” (500 Units) with dancefloor-ready cuts from Kon, Danielle Baldelli and G&D.

Formed between London and the outskirts of Glasgow, INTA-CITY is a new clandestine jazz-funk project from Daniel Maunick alongside Zaidi Kiggundu and Jamie McShane AKA Zaimie.

With the rebellious spirit of the British funk hustlers of the 1980s — Freeez, Light of the World, Incognito The Warriors, all of which counted Maunick's father Jean Paul 'Bluey' Maunick among their founding members — INTA-CITY adopt the DIY, solidaristic and dancefloor-first ethos of the original movement: no frontman, no band photos or fancy music videos. Just music to move to.

Ahead of their debut album release next year, the band have enlisted Boston edit master Kon, Italian cosmic royalty Daniele Baldelli & DJ Rocca, and Bolognese duo G&D for a limited edition remix 12” and digital release out 18th September 2026 via Far Out Recordings.

pre-order now09.10.2026

expected to be published on 09.10.2026

14,71 €
MIRNA BOGDANOVIC - GLIMMERENCE
  • 1: WILD CARD
  • 2: MANIPULATIVE MIND
  • 3: SALT MEETS SWEET
  • 4: WIDE AWAKE
  • 5: GET OVER IT
  • 6: CROSSROADS
  • 7: I KNOW WHAT YOU'VE DONE
  • 8: WICKED GAME

Mit Glimmerence veröffentlicht die Berliner Sängerin und Songwriterin Mirna Bogdanovic ihr drittes Album - eine eindringliche Sammlung poetischer Songs zwischen Jazz, Art-Pop und emotionalem Storytelling. Der eigens geprägte Titel beschreibt einen Schwebezustand zwischen Liebe und Illusion und bildet den roten Faden dieser zutiefst persönlichen Musik. Gemeinsam mit einigen der profiliertesten Musiker der Berliner Jazzszene entstehen fein nuancierte Klangwelten, in denen Stimme, Text und Arrangement untrennbar miteinander verschmelzen. Bogdanovic verbindet vokale Ausdruckskraft mit erzählerischer Tiefe und macht jeden Song zu einer atmosphärischen Momentaufnahme voller Nähe und Intensität. Mit einer eindrucksvollen Neuinterpretation von Chris Isaaks "Wicked Game" setzt das Album einen kraftvollen Schlusspunkt. Glimmerence ist ein vielschichtiges, emotionales Werk über Sehnsucht, Verletzlichkeit und Selbstermächtigung - und ein starkes Statement einer der spannendsten Stimmen des zeitgenössischen europäischen Jazz.

pre-order now09.10.2026

expected to be published on 09.10.2026

30,21 €
FIDEL KATO - Black Pepper LP
  • A1: Black Pepper
  • A2: Musica
  • A3: Shut Up And Relax
  • A4: The Last Night
  • A5: Chico Jazz
  • B1: Midnight In Caracas
  • B2: Shepherd Bush
  • B3: Your Bagel
  • B4: Memories
  • B5: Final Fight

Fidel Kato is a producer based in Rome, Italy. In its sound we hear reminiscences of the boom hip-hop mixed with Latin jazz and today's Lo-Fi trends. In his upcoming full-length “Black Pepper” his productions are enriched by the presence of live instrumentation. Record drops on all digital platforms November 6th and Tuff Kong Records will be releasing it on vinyl November 23rd.

pre-order now09.10.2026

expected to be published on 09.10.2026

15,34 €
Ed Longo & Applied Arts Ensemble - The Other Fantasy

We Welcome Ed Longo And His Studio Project The Applied Arts Ensemble Debut On Early Sounds With the Other Fantasy', The Result Of Many Recording Sessions That Took Place In Different Places Around Europe.

Conceived With A Strong Jazz-funk, Fusion And Boogie Sound It Has Been Conceptualized Around The Idea That The Schizophrenia Of The Internet-age, The Visions Of Otherness (the Undiscovered Lands, The Primitive Happiness, The Impossible Love) Permeate The Collective Consciousness And The Idealized "other" Loses Any Correspondence With The Physical World.

pre-order now09.10.2026

expected to be published on 09.10.2026

Last In: 2 years ago
17,23 €
Satoshi & Makoto - Mirage Cafè

Satoshi & Makoto

Mirage Cafè

12inch8MM072
8MM Records
09.10.2026

Six years after their last full-length release, Satoshi & Makoto return with Mirage Café, the highly anticipated new album on 8mm Records, in collaboration with Standart Magazine.

A carefully crafted and long-awaited work, Mirage Café is more than an album — it is a fully immersive sensory experience. The Japanese duo expand their signature sound into deeper and more cinematic territory, blending refined electronica, ambient textures, subtle jazz inflections and understated groove with remarkable elegance and control.

The title evokes an imaginary café — a space of contemplation, connection and inspiration. The partnership with Standart Magazine reinforces this conceptual layer, bridging music and coffee culture into a cohesive narrative that feels both intimate and international. The result is an album that unfolds like a slow ritual: warm, enveloping and meticulously detailed.

Throughout the record, Satoshi & Makoto demonstrate a mature and confident songwriting approach. The production is rich yet restrained, atmospheric yet rhythmically engaging — balancing introspection with forward motion. Lush harmonies, delicate arrangements and immersive sound design create a listening experience that rewards both focused attention and late-night drifting.

With Mirage Café , the duo not only meet expectations after a six-year silence — they surpass them. This is a masterwork of nuance and vision, poised to become a defining chapter in their discography and a standout release in the contemporary electronic landscape.

pre-order now09.10.2026

expected to be published on 09.10.2026

22,65 €
Calibre - The Deep 3x12"

Calibre

The Deep 3x12"

3x12inchSIGLP012
Signature
09.10.2026

2026 Repress

As the dust begins to settle on one of his most significant and pivotal bodies of work to date - the critically acclaimed techno-focused 'Grow' released by Craig Richards on The Nothing Special - Calibre returns to his own label Signature for another fathomless LP exploration. Laced and spaced with the precision balance of sounds, speeds and styles he's known for, and predominantly characterised by his own lyrics and vocal textures, 'Deep' once again reminds us of Calibre's singular status as an artist whose creations transcend time, tempo and territory. Ranging from one of his most in-demand dubs 'No One Gets You' to poignant yearning introspection of tracks such as 'Better Than Me' and the rolling, jazzy broken beat summer serenade 'Lit', 'Deep' is yet another accomplished, alluring and truly unique pieces of work from one of electronic music's most consistent and prolific artists.

pre-order now09.10.2026

expected to be published on 09.10.2026

Last In: 8 months ago
33,40 €
Dawn Richard - Creole Culture LP

Creole Culture is the triumphant return of Dawn Richard’s King Creole era. Steeped in history but with its flag planted firmly in the future, Creole Culture pulls elements from Richard’s heritage as a Black and Native American woman who has spent a lifetime making and engaging with music. Following New Breed (2019) and Second Line (2021), Creole Culture is akin to a panel of a triptych: a fully-realized sonic and narrative universe in which Richard, as King Creole, rebuilds her hometown of New Orleans in her image. She not only honors her city for what it was or what it gave her, but stakes a claim for it as a cradle of global culture now and for all time.


Creole Culture follows two acclaimed avant-garde R&B albums with composer Spencer Zahn — the later of which, 2024’s Quiet in a World Full of Noise, found Richard exorcising the specters of grief and trauma in the wake of her father Frank Richard’s health struggles and the killing of her cousin Cisco. It is a softer take on the brass-soaked swagger of Richard’s previous King Creole efforts, an evolution brought about when she realized she had left a crucial viewpoint out of her exploration of New Orleans: her own. “New Breed was the story of New Orleans through my father’s eyes,” Richard explains. “I used his samples, his music, his cultures, his work with Chocolate Milk, his side of the family. Second Line was my mom — her interludes riddled the album with her depiction of what is meant to be a Creole woman in New Orleans. The masculine and feminine sides of King Creole had expressed themselves through them, but the story felt unfinished, like my version of the story was untold.”
That story is, for lack of a better word, complex: at turns triumphant and tragic, sexy and mournful, braggadocious and contemplative. Creole Culture presents Richard’s New Orleans as a utopian soundscape — an intoxicating blend of R&B, soul, hip-hop, pop, and jazz — that’s survived and thrived despite the dystopian circumstances visited upon it. Richard presents the melange of influence and artifact on Creole Culture with the care of a botanist nurturing new hybrids in a rose garden.


What emerges from that care is at once delightful and unexpected, enlisting a crew of guest stars including Big Freedia, Anjelika “Jelly” Joseph, Tarriona “Tank” Ball, and Durand Bernarr for features that play against type. Tank’s turn at spoken word verse on “l v r” serves to add dimension to King Creole’s New Orleans, as does Joseph’s undeniable voice on “chuuuurch.” “I’m not normally a features girl,” says Richard, ”but King Creole can’t build a world from scratch without help. What’s beautiful about the features here — which is also true of my band and producers — is they come from people who understand the materials of the world they’re from, they’re people I love, and they’re people who are just extraordinary at what they do. They’re part of the atmosphere of this place. You need them for the record to breathe.”
In the end, that’s what King Creole creates: a space where Dawn Richard can breathe, can be at peace with herself, and let loose with others. From finding love in opening single “enough” to relishing in the Afrocaribbean futurism of “fiesta,” Creole Culture is a tremendous, freeing breath of fresh air. It captures the resolve of a woman and a place who’ve survived the unimaginable and sees the future not as something to be endured, but as something to be created. Dawn Richard has been making that future one album at a time over the course of her career. Creole Culture is her most stunning one yet.

pre-order now09.10.2026

expected to be published on 09.10.2026

25,00 €
Dawn Richard - Creole Culture LP

Dawn Richard

Creole Culture LP

12inchMRG896LP-C1
Merge Records
09.10.2026
  • A1: a creole culture
  • A2: enough
  • A3: only fans
  • A4: chuuuuurch
  • A5: groove city
  • A6: l v r
  • A7: pilates
  • B1: baby, can we?
  • B2: motives
  • B3: fiesta
  • B4: faith in the fire
also available

Black Vinyl[25,00 €]


Creole Culture is the triumphant return of Dawn Richard’s King Creole era. Steeped in history but with its flag planted firmly in the future, Creole Culture pulls elements from Richard’s heritage as a Black and Native American woman who has spent a lifetime making and engaging with music. Following New Breed (2019) and Second Line (2021), Creole Culture is akin to a panel of a triptych: a fully-realized sonic and narrative universe in which Richard, as King Creole, rebuilds her hometown of New Orleans in her image. She not only honors her city for what it was or what it gave her, but stakes a claim for it as a cradle of global culture now and for all time.


Creole Culture follows two acclaimed avant-garde R&B albums with composer Spencer Zahn — the later of which, 2024’s Quiet in a World Full of Noise, found Richard exorcising the specters of grief and trauma in the wake of her father Frank Richard’s health struggles and the killing of her cousin Cisco. It is a softer take on the brass-soaked swagger of Richard’s previous King Creole efforts, an evolution brought about when she realized she had left a crucial viewpoint out of her exploration of New Orleans: her own. “New Breed was the story of New Orleans through my father’s eyes,” Richard explains. “I used his samples, his music, his cultures, his work with Chocolate Milk, his side of the family. Second Line was my mom — her interludes riddled the album with her depiction of what is meant to be a Creole woman in New Orleans. The masculine and feminine sides of King Creole had expressed themselves through them, but the story felt unfinished, like my version of the story was untold.”
That story is, for lack of a better word, complex: at turns triumphant and tragic, sexy and mournful, braggadocious and contemplative. Creole Culture presents Richard’s New Orleans as a utopian soundscape — an intoxicating blend of R&B, soul, hip-hop, pop, and jazz — that’s survived and thrived despite the dystopian circumstances visited upon it. Richard presents the melange of influence and artifact on Creole Culture with the care of a botanist nurturing new hybrids in a rose garden.


What emerges from that care is at once delightful and unexpected, enlisting a crew of guest stars including Big Freedia, Anjelika “Jelly” Joseph, Tarriona “Tank” Ball, and Durand Bernarr for features that play against type. Tank’s turn at spoken word verse on “l v r” serves to add dimension to King Creole’s New Orleans, as does Joseph’s undeniable voice on “chuuuurch.” “I’m not normally a features girl,” says Richard, ”but King Creole can’t build a world from scratch without help. What’s beautiful about the features here — which is also true of my band and producers — is they come from people who understand the materials of the world they’re from, they’re people I love, and they’re people who are just extraordinary at what they do. They’re part of the atmosphere of this place. You need them for the record to breathe.”
In the end, that’s what King Creole creates: a space where Dawn Richard can breathe, can be at peace with herself, and let loose with others. From finding love in opening single “enough” to relishing in the Afrocaribbean futurism of “fiesta,” Creole Culture is a tremendous, freeing breath of fresh air. It captures the resolve of a woman and a place who’ve survived the unimaginable and sees the future not as something to be endured, but as something to be created. Dawn Richard has been making that future one album at a time over the course of her career. Creole Culture is her most stunning one yet.

pre-order now09.10.2026

expected to be published on 09.10.2026

25,00 €
Danielle Ponder - Everything Has Changed LP

Danielle Ponder is done waiting for a future version of herself to arrive. Now, the Rochester-born, Atlanta-rooted singer-songwriter is unapologetically living in the moment. This realization powers Everything Has Changed, Ponder's anticipated sophomore album (and debut on Dead Oceans in partnership with Phoebe Bridgers). The LP is Ponder’s most self-assured statement to date: it was crafted through a period of immense transformation as the beloved vocalist propelled from being a lawyer to a full-fledged musical powerhouse. That artistic freedom threads the album, as heard on lead single, “Power”, which serves as both a declaration and an affirmation for the Black diaspora. Other highlights include the revelatory “Sun and Moon”, the towering blues ballad “God of You”, and the devastatingly vulnerable “Open Windows”. Everything Has Changed dismantles the stories Ponder once told herself and finds peace in what remains—all themes that have shaped much of her journey. Music was always a constant presence throughout her life, but practicality initially took over in adulthood. While performing with her family’s band and later developing her own projects, Ponder pursued a legal career focused on criminal justice reform.

It wasn’t until her late 30s that she allowed herself to seriously imagine music as more than a side pursuit. In 2021, at age 39, she finally took the leap, leaving law behind to pursue her artistry full-time. The gamble paid off: she signed her first record deal in 2022, becoming a trailblazer on her own unusual path to worldwide renown. Her debut album Some of Us Are Brave introduced Ponder as one of soul music’s most compelling new voices, thanks to singles like “Someone Like You”, “Roll The Credits,” and the empowering title track. The LP earned critical acclaim along with dozens of major sync placements, including the latest Apple campaign for the iPhone 16 Pro. She’s since had four major TV appearances, including Jimmy Kimmel Live! Ponder has also sold out shows across North America and Europe, including festival appearances at Bonnaroo, Lollapalooza, Afropunk, and the Montreux Jazz Festival.
But if that album documented her arrival, Everything Has Changed documents her evolution.

pre-order now09.10.2026

expected to be published on 09.10.2026

22,48 €
Danielle Ponder - Everything Has Changed LP
  • A1: ) Seasons
  • A2: ) God of You
  • A3: ) Power
  • A4: ) SKN
  • A5: ) Sun and Moon
  • A6: ) Garden
  • A7: ) Everything Has Changed
  • A8: ) NWAS (interlude)
  • B1: ) Ya Mama's Love Song
  • B2: ) Open Windows
  • B3: ) Blues
  • B4: ) Made My Bed
  • B5: ) Time Is A Wild Thing
  • B6: ) Laurel Canyon
also available

Black Vinyl[22,48 €]


Danielle Ponder is done waiting for a future version of herself to arrive. Now, the Rochester-born, Atlanta-rooted singer-songwriter is unapologetically living in the moment. This realization powers Everything Has Changed, Ponder's anticipated sophomore album (and debut on Dead Oceans in partnership with Phoebe Bridgers). The LP is Ponder’s most self-assured statement to date: it was crafted through a period of immense transformation as the beloved vocalist propelled from being a lawyer to a full-fledged musical powerhouse. That artistic freedom threads the album, as heard on lead single, “Power”, which serves as both a declaration and an affirmation for the Black diaspora. Other highlights include the revelatory “Sun and Moon”, the towering blues ballad “God of You”, and the devastatingly vulnerable “Open Windows”. Everything Has Changed dismantles the stories Ponder once told herself and finds peace in what remains—all themes that have shaped much of her journey. Music was always a constant presence throughout her life, but practicality initially took over in adulthood. While performing with her family’s band and later developing her own projects, Ponder pursued a legal career focused on criminal justice reform.

It wasn’t until her late 30s that she allowed herself to seriously imagine music as more than a side pursuit. In 2021, at age 39, she finally took the leap, leaving law behind to pursue her artistry full-time. The gamble paid off: she signed her first record deal in 2022, becoming a trailblazer on her own unusual path to worldwide renown. Her debut album Some of Us Are Brave introduced Ponder as one of soul music’s most compelling new voices, thanks to singles like “Someone Like You”, “Roll The Credits,” and the empowering title track. The LP earned critical acclaim along with dozens of major sync placements, including the latest Apple campaign for the iPhone 16 Pro. She’s since had four major TV appearances, including Jimmy Kimmel Live! Ponder has also sold out shows across North America and Europe, including festival appearances at Bonnaroo, Lollapalooza, Afropunk, and the Montreux Jazz Festival.
But if that album documented her arrival, Everything Has Changed documents her evolution.

pre-order now09.10.2026

expected to be published on 09.10.2026

23,74 €
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