Es gibt wohl keine größere Überraschungserfolgsgeschichte aus dem Internet im Bereich Musik als die von Ata Kak.Der ghanaische Rapper und Sänger veröffentlichte 1994 still und leise ein Tape, das erst 2006 wiederentdeckt wurde - zu einer Zeit, als die bloggetriebene Online-Sammlerbewegung für Musik in der Vor-Streaming-Ära auf ihrem Höhepunkt war.Die mitreißende Mischung aus Lo-Fi-House und aufrichtig vorgetragenem, kraftvollem Burger Highlife eroberte Mitte der 2000er die Herzen von Musikliebhabern auf der ganzen Welt. Mit Unterstützung seiner Londoner Band spielte Ata Kak weltweit Konzerte und stand auf riesigen Bühnen vor Tausenden von Fans.Die sieben Songs auf ,Obaa Sima" haben Hörerinnen und Hörer gleichermaßen begeistert und verblüfft, seit sie als erster Beitrag auf dem Blog Awesome Tapes From Africa erschienen. Eine gut dokumentierte, jahrelange Suche nach dem Sänger endete 2015 mit einer Neuauflage.Trotz der sorgfältigen Arbeit der langjährigen ATFA-Mastering-Partnerin Jessica Thompson war die Klangqualität der Quelle jedoch nicht optimal - das originale DAT-Tape war verschimmelt und zerfiel.Nach jahrelanger Suche nach der bestmöglichen Kassette steht nun die Obaa Sima Anniversary Remaster-Version bereit. Zum ersten Mal können wir diesen inzwischen legendären, unkonventionellen Dancefloor-Klassiker in glasklarem Klang hören.Die ursprüngliche Neuauflage von ,Obaa Sima" hat über 10.000 LPs verkauft, und die Kassette wurde vom ursprünglichen Blogpost Hunderttausende Male heruntergeladen. Auf der Basis dieser legendären Aufnahme spielte Ata Kak energiegeladene Shows in Clubs und auf Festivals weltweit.Die Deluxe-Edition des neuen Remasters enthält eine LP in gesprenkeltem Vinyl sowie eine DVD-Dokumentation mit bisher unveröffentlichtem Filmmaterial.
Search:jessica 6
Es gibt wohl keine größere Überraschungserfolgsgeschichte aus dem Internet im Bereich Musik als die von Ata Kak.Der ghanaische Rapper und Sänger veröffentlichte 1994 still und leise ein Tape, das erst 2006 wiederentdeckt wurde - zu einer Zeit, als die bloggetriebene Online-Sammlerbewegung für Musik in der Vor-Streaming-Ära auf ihrem Höhepunkt war.Die mitreißende Mischung aus Lo-Fi-House und aufrichtig vorgetragenem, kraftvollem Burger Highlife eroberte Mitte der 2000er die Herzen von Musikliebhabern auf der ganzen Welt. Mit Unterstützung seiner Londoner Band spielte Ata Kak weltweit Konzerte und stand auf riesigen Bühnen vor Tausenden von Fans.Die sieben Songs auf ,Obaa Sima" haben Hörerinnen und Hörer gleichermaßen begeistert und verblüfft, seit sie als erster Beitrag auf dem Blog Awesome Tapes From Africa erschienen. Eine gut dokumentierte, jahrelange Suche nach dem Sänger endete 2015 mit einer Neuauflage.Trotz der sorgfältigen Arbeit der langjährigen ATFA-Mastering-Partnerin Jessica Thompson war die Klangqualität der Quelle jedoch nicht optimal - das originale DAT-Tape war verschimmelt und zerfiel.Nach jahrelanger Suche nach der bestmöglichen Kassette steht nun die Obaa Sima Anniversary Remaster-Version bereit. Zum ersten Mal können wir diesen inzwischen legendären, unkonventionellen Dancefloor-Klassiker in glasklarem Klang hören.Die ursprüngliche Neuauflage von ,Obaa Sima" hat über 10.000 LPs verkauft, und die Kassette wurde vom ursprünglichen Blogpost Hunderttausende Male heruntergeladen. Auf der Basis dieser legendären Aufnahme spielte Ata Kak energiegeladene Shows in Clubs und auf Festivals weltweit.Die Deluxe-Edition des neuen Remasters enthält eine LP in gesprenkeltem Vinyl sowie eine DVD-Dokumentation mit bisher unveröffentlichtem Filmmaterial.
- 1: Magical Connection 08:6
- 2: My Foolish Heart / Fly Me To The Moon 1:04
- 3: Az Eso Es En 08:48
- 4: Sombrero Sam 07:35
- 5: Django 00:48
- 6: Thirteen 08:48
- 7: My Love 06:04
- 8: Reinhardt 05:40
- 9: Concorde (Nightflight) 11:02
- 10: Magic Mystic Faces 09:11
- 11: Django 03:57
- 12: Stormy 06:09
- 13: Killing Me Softly With His Song 04:55
- 14: The Last Song 05:52
- 15: The Biz 04:43
- 16: From A Dream 05:07
For the first time in full, a unique anthology of Hungarian TV and radio recordings by the legendary guitarist Gábor Szabó, captured during his return visits to Budapest in 1974, 1978, and 1981. This historic collection documents the deeply personal reconnection of an exiled artist with his homeland, bridging musical worlds and emotional landscapes.
The first disc features both studio and concert recordings with some of Hungary’s top jazz players of the era, including the legendary double bassist Aladár Pege and renowned vocalist Kati Kovács. The second disc includes a rare televised concert from the Hilton Hotel (1978) and Szabó’s final known performance — a moving rendition of “From a Dream” recorded in 1981.
The music collected here captures a poignant duality: Szabó as both American and Hungarian, outsider and homecomer. This is one of the most intimate and emotionally charged chapters of his career and a musical homecoming, rich in atmosphere and soul.
As always with Ebalunga!!!, Gábor Szabó’s legacy is treated with great care and passion. This edition features a 2LP gatefold vinyl release, complete with an in-depth essay by Szabó’s official biographer Douglas Payne — a fascinating piece of cultural and musical research in its own right.
The visual design is the work of artist and industrial designer Anton Bogdanov. With no use of AI tools — just handwork, imagination, and deep respect for the material — the artwork invites the listener to spend long evenings in its layered atmosphere.
Mastering is by Grammy-nominated engineer Jessica Thompson, whose work has revived dozens of legendary archival recordings — including the previous four Szabó releases on Ebalunga!!!.
This album is also available as a 2CD set in an elegant 6-panel digipak, crafted with the same care and attention as the vinyl edition.
Two hours of sublime music, stunning sound, and timeless packaging — a true gift for fans of Szabó and those who cherish deep, living jazz traditions.
Jessica93, prodigal bastard of our glorious french squat scene, relocated on Born Bad : this is no picnic. Geoffroy Laporte, alone against all odds, alternates bass and guitar to build harsh loops with a drum machine spitting pre-Gulf War patterns. That’s where it gets tricky : every musical posse claims him. Grunge, sure, but Jessica doesn’t indulge in necrophilia. His circuit is punk, he doesn’t dress the part though. Cold wave, the atmosphere fits somehow, but the gear does not. The self-confident rock horde saw him playing with hair in his eyes… but he never joined the Party. Metal had something to say but sadly, nobody listened. Maybe it's time to give it a rest and let Jessica93 cook his great misery broth on her own, called « 666 tours de périph’ » (666 laps on the beltway). Witnessing Jessica93 live makes you dread that he'll get up the next morning, drive 200 miles and one nap later kick it again, when it takes us a good week to recover from the bad half of that same evening. Like so many other unknown soldiers during our very own world war of music, he patrols small venues relentlessly.
At the heart of this cultural pentacle painted by french weirdos Bryan's Magic Tears, and Carine Krinator, Jessica93 has built a sound validated by years of chosen vagrancy, birthing bands with joyously stupid monikers, in the humid jungle of small labels. Jessica93's debut album had a track celebrating Omar Little, HBO’s gay bandit from Baltimore. This story begins on the beltway, where Florence Rey, accidental copkiller turned to political icon of the 90’s. Geoffroy offers his brilliant analysis : " C’est la police qui nous tire d’ssus / C’est mon trou d’balle qui leur chie d’ssus « (Police shoots us down / my dripping asshole gets the job done).
A previous album was haunted by bedbugs, this one is essentially about love, a delicious scourge just as hard to eradicate. Two black diamonds peek out of the LP : ’’La colline du crack’’, heartbreak song about the ultimate temptation of violent delights, located on crackhead central in Paris. The brilliant chorus, ‘Take my hand and come with me to Crack Hill’ will put an end to the rumours, almost everything was really false. And Bébé Requin, alternative obituary that’ll make you shiver, where our nice couple states ‘’on kiffe la drogue dure et les ptits chiens’ (‘we love hard drugs and little dogs’). And that is the reason we face the wall of sound jostled by unnecessary shoulder thrusts: those nice fat chunks of charcoal poetry, hidden under light sarcasm.
The rest of the record demonstrates the know-how acquired in loop-by-loop construction of ruins that are pleasant to squat in together. There’s your classic doom delicatessen, with bits of heavy metal inside, crafted with the manic care typical of hard wankers. Arthur Satàn, who produced and mixed the album at home in Bordeaux, helped him get his head out of the reverb safe house. And Jessica93 took the opportunity to switch to the dark side of the language : french at last. Worth the wait ! Sing along : « nique sa mère / nique sa grosse mère » (translate that yourself).
- Chariot Year
- To Belong
- Solid Ground
- Stay Long Enough
- The Natural Way
- Between Worlds
- Baby Boy
- Apple
- Chubby's Song
- Where Are We Going
Brooklyn-based artists Leslie Graves and Toby Goodshank have joined creative forces on their album Between Worlds (BB*ISLAND), Toby Goodshank (The Moldy Peaches, The Pizza Underground) of the OG New York Antifolk scene, is known for his precise and acrobatic vocals over nuanced acoustic guitar in songs that have been described as "a zesty thumb of the nose at domesticated bullshit." (Myles Manley) Leslie Graves (GOLD, Endless Arrows) is a performing songwriter and recording artist who takes folk subgenres into evocative and intriguing directions, including "sounding like something you could hear Donna Hayward dancing to at the Bang Bang Bar." (Ronan Conroy, "Hidden In the Days" album review) Her voice has been described as "darkwave-meets-folk" with comparisons to Lana Del Rey, Cat Powers, Mazzy Star and Julee Cruise. Acoustic guitar and vocal harmonies make up the core of their music. a slightly psychedelic, at times dream pop-like folkrock. It just draws from a variety of folk and rock. You might hear hints of Sybil Baer, Judee Sill, REM, Linda Perhacs, and Jessica Pratt, but the intersection of Toby and Leslie is truly a place of its own, warm and enchanting, or perhaps a glimmer from the spaces in between worlds. Many instrumental threads are interwoven throughout with the invaluable skills of Jake Nicoll (The Burning Hell) who lovingly engineered and embellished the recordings. Ariel Sharrat of The Burning Hell assisted him and is also featured on saxophone or bass or on some songs here. Speaking to their process, Leslie writes, "Toby is great at composing song structures quickly. It was fun to feel into the emotion of the chords and write from there. The process was like chiseling away at a stone to reveal the sculpture underneath. I like when songs come like that - when it feels that they are teaching us as they are revealed."
- A1: De Vrouwen Die Ik Nooit Heb Gekend
- A2: Broekjes Aan De Lijn
- A3: Alzheimer Blues
- A4: Mooi Zoals Je Bent
- A5: Ijsje Met Chocola
- A6: Sex Op Vreemde Plaatsen
- B1: Jessica
- B2: Vaginale Vakantie
- B3: Meneer De Generaal
- B4: De Zuchter
- B5: De Blik Die Je Die Gast Geeft
- B6: Ik Wil Mezelf Bedanken
‘Tedere Baldadigheden’, Guido Belcanto's new, long-awaited album in a production by Firmin Michiels and Guido Op De Beeck, was released on 4 October, 2024 at the beginning of a very extensive, sold out tour. It is a special retrospective from an award-winning singer who looks back with melancholy and humour on the many mischievous adventures that marked his life. Love prevails, but tragedy and tristesse also leave their mark on Belcanto himself and the scarred souls of the many colourful characters who come to life in his songs.
This 15th studio album undoubtedly represents a new high point in Belcanto's oeuvre, which now numbers over 300 songs, with 11 of his own songs and 2 surprising adaptations of songs by Eels and Guido's idol Renaud. Besides members of his loyal backing band Het Broederschap, guest musicians such as Stoy Stoffelen, David Poltrock, Evert Verhees, Jan De Smet, Alban Sarens, Adriano Cominotto and Chris Peeters also play along. Also notable are certainly the passages of Lara Chedraoui (Intergalactic Lovers) and The Bonnie Blues.
For more than 40 years, Guido Belcanto has been creating a universe all his own with his songs. A warm, recognisable home for everyone, young or old, rich or poor, winner or loser. A home too, masterfully brought to a stage where the audience is allowed to be themselves without embarrassment, praising happiness, measuring the damage suffered, letting the tears flow and the laughs ring out.
Super sweet sleepover core from the turn of the millennium. When not at the mall or elementary school, Jessica, Ayden, Janet, and Mary created a suburban Spice World all their own, singing, dancing, and making videos in anticipation of a global pop takeover. Summer 2000 expands their home-burned Y2K CD-R Stardust, encapsulating girl group R&B, trip hop, Eurofunk, and pool party heartbreak into a revealing portrait of millennial girlhood. Party til 2, sleep til 1, come on baby let's have some fun.
- A1: For Strings
- A2: For Voice
- A3: Chanter
- B1: For Organ
- B2: For Piano
Reissue der gefeierten 2017er LP "All My Circles Run" von Sarah Davachi, die ursprünglich in limitierter Kleinstauflage auf dem Label Students Of Decay aus Cincinnati erschien. Die Suite aus fünf extended Teilen für Strings, Stimme, Orgel und Klavier - laut Pitchfork "irgendwo zwischen dem Bewussten und dem Unbewussten, kaum fassbar und dennoch unzweifelhaft anwesend" - wurden in Godspeed You! Black Emperors analogem Studio Hotel2Tango in Montreal aufgenommen. Dabei wurde Davachi von der Sopranistin Camille Hesketh, Jessica Holmes (am Cello) und Jessica Mosson (an der Violine) begleitet. Neuauflage auf schwarzem Vinyl in gefütterter Innenhülle.
Justin Sullivan has been living something of an artistic double life for the last 8 years. He’s been playing drums in Los Angeles’ Flat Worms and getting back together with his NYC bandmates in The Babies, but he’s also been crafting his own songs under the name Night Shop. Under this moniker, Sullivan has released two LPs and two 12” EPs and toured supporting, Widowspeak, Shannon Lay and Waxahatchee.
Waxahatchee’s Katie Crutchfield once described Sullivan as “a well-read modern day Buddy Holly” and on his new record, The Beloved Returns, he raises the bar of both the literary allusions and the rock’n’roll. The record’s title track was inspired by Thomas Manns’s 1939 fictionalized biography of Goethe titled Lotte in Weimar: The Beloved Returns and themes of desire, obsession and the places they send you are all over the record. On the sonic end, the record is louder and faster than any Night Shop record before, a result of Sullivan’s collaboration with the Summer Cannibals’ Jessica Bourdeaux who produced the record, with songs like the opener “Ode To Joy II” coming fast out of the gate quickly followed by “Let Me Be the Lamb.”
- A1: Rock U Boom Kick Featuring Kelz & Lynx On The Cut
- A2: Feeling Alright Featuring Dan Ratchet
- A3: Danger Featuring Kelz & Rudy Lee
- A4: Step Forward
- A5: Evolve Dub
- B1: Hardly Wait Featuring Gina Foster
- B2: Save Us Featuring Jackie Jackson & Jessica George
- B3: Dub Reasons Featuring Marilyn Mcfarlane
- B4: Stupid Dope Rock
- B5: Piano Twist
- A1: Liam Óg Ó Hannaidh - Every Fucking Story About Belfast Starts Like This
- A2: Kneecap - Parful
- A3: Kneecap - Its Been Ages
- A4: Mikey J - Run
- A5: Marty Maguire, Liam Óg Ó Hannaidh - Nothing But A H.o.o.d
- A6: Mikey J - Civil Rights
- A7: Michael Fassbender, Cillian Kernan, Aidan Mccaughey - A Wee Operation
- A8: Mikey J - Dad's Gone
- A9: Kneecap - Amach Anocht
- A10: Michael Fassbender, Naoise Ó Cairealláin - You Bring A Stolen Car Here
- A11: Mikey J - Ceasefire Babies
- A1: C | Kneecap - Guilty Conscience
- B1: Liam Óg Ó Hannaidh - Love Affair With The Shniff
- B2: Kneecap - C.e.a.r.t.a
- B3: Mikey J - Arrested
- B4: Dirty Faces - 8A%
- B5: Kneecap - 3Cag (Kneecap Ost)
- B6: The Bonny Men - The A Minor Set
- B7: Naoise Ó Cairealláin, Gerry Adams - No Need To Panic
- B8: Kneecap - Thart Agus Thart (Kneecap Ost)
- C1: Liam Óg Ó Hannaidh, Jessica Reynolds - What The Fuck Was That?!
- C2: Bicep - Glue
- C3: Sick In The Head (Kneecap Ost)
- C4: Fontaines D.c. - Liberty Belle
- C7: Absolute Lilt - Ash Plant
- C8: Liam Óg Ó Hannaidh, Kerri Quinn, Orbital - Belfast (Fuck The Fuck Off)
- D1: Kneecap - Better Way To Live
- D2: Mikey J - Kneecapped
- D3: Alanna Royale - Fall In Love Again
- D4: Mikey J, Gemma Doherty And Simone Kirby - Is A Bullet
- D5: Liam Óg Ó Hannaidh - The Irish For The End Is
- D6: Kneecap - H.o.o.d
- C5: Liam Óg Ó Hannaidh, Naoise Ó Cairealláin, Adam Best, Cathal Mercer - Special Delivery
- C6: Mikey J, Gemma Doherty And Simone Kirby - Phone Booth
Der Soundtrack von 'KNEECAP', mit Musik von der Band sowie Bicep, Fontaines DC und Orbital, ist als Doppel-LP im Gatefold-Design auf farbigem Vinyl erhältlich. Er enthält auch Filmmusik von Michael ‘Mikey J’ Asante MBE und Ausschnitte aus den Dialogen des Films.
- Ltd. Col. 2LP: (LP1 Orange / LP2 Green Vinyl)
- 01: Billboard Heart
- 02: What Do I Know
- 03: Emergency
- 04: Shovel
- 05: Tiny Threads
- 06: Loose Change
- 07: Always Waving Goodbye
- 08: Let Me Go (Feat. Madison Cunningham)
- 09: Be Sweet
- 10: See In The Dark
- 11: Happiness Is Not A Given
Billboard Heart, das neue Album von Deep Sea Diver, stellt die Band aus Seattle auf Anhieb in eine Reihe mit St. Vincent, TV On The Radio und Flock of Dimes, Bands, die neue, kunstvolle und magnetische Wege gefunden haben, Indie-Rock zu machen, indem sie Vorstellungen davon, wie er klingen oder was er sagen muss, über Bord geworfen haben. Es ist ihr viertes Album und das erste für Sub Pop, und es ist ein Coup, ein Triumph über Selbstzweifel, der das Scheitern in eine Chance verwandelt, neue Freiheit, Glauben und Stärke zu finden. Mitte Juli 2023 nahm Deep Sea Diver-Mastermind Jessica Dobson in einem Studio in Los Angeles ein Gitarrensolo auf, spürte aber irgendwie nichts. Nur wenige Tage zuvor hatte ihre Band aus Seattle eine Reihe von halb-geheimen Auftritten vor Anhängern gespielt, die de facto als Proben für ein neues Album dienten. Die Sets waren gut gelaufen, aber die neuen Songs schienen verworren, Dobsons Überzeugung ging irgendwo in den 1.000 Meilen zwischen Südkalifornien und dem Heimstudio verloren, das sie mit ihrem Partner, Schlagzeuger und häufigen Co-Autor Peter Mansen teilt. An jenem ersten Abend in Los Angeles hatte sie einen Zusammenbruch, fragte sich, was sie dort tat, und überlegte, wie sie es in Ordnung bringen könnte. Deep Sea Diver zogen sich ohne Album nach Hause zurück. Mussten sie es verschrotten, um mit neuem Material neu anzufangen? Ganz und gar nicht: Nach einer kurzen Pause fand Dobson ein neues Selbstverständnis, ein Vertrauen in ihre Vision für ihre Band und ihre Songs und in ihre Fähigkeit, diese einzufangen. Bei einem Abendessen mit ihrem langjährigen Mitarbeiter Andy Park gestand sie in aller Bescheidenheit, dass sie Hilfe brauchte, was Dobson dazu inspirierte, Deep Sea Diver neu zu erfinden und zu beleben. Diese Enthüllung bereitete die Bühne für die Kraft und Brillanz von Billboard Heart. Drei Jahre zuvor veröffentlichten Deep Sea Diver ihr drittes Album, 2020's Impossible Weight, über das kolossale Indie-Imprint ATO. Es war ein bedeutender Schritt nach oben und brachte der Band eine Welle der Aufmerksamkeit und einen Platz in den Billboard-Charts ein. Doch der Erfolg veranlasste Dobson, an ihren Impulsen zu zweifeln und sich zu fragen, ob die Wirkung oder die Rezeption einer Idee ebenso stark sein könnte wie die Idee selbst. Zu Hause, mit ihr am Klavier und Mansen an der Gitarre in ihrem Wohnzimmer in Seattle, bahnte sich das Paar einen Weg nach vorne und belebte ihre Songwriting-Partnerschaft neu. Das Material auf Billboard Heart ist von Anfang bis Ende erstaunlich. Das Titelstück ist der einzige Song, den Deep Sea Diver tatsächlich in Los Angeles fertiggestellt haben. Die wogenden Synthesizer von Elliot Jackson und der tunnelbläserähnliche Pedal Steel von Greg Leisz sind eine Hymne auf den furchtlosen Vormarsch in die Zukunft - ein strahlendes und großartiges Stück. „Emergency“ verbindet den Elan des Hardcore mit der unmittelbaren Anziehungskraft des Electroclash, wobei Dobsons fesselnder Gesang und seine Gitarrenarbeit im Mittelpunkt stehen. Das zarte und verletzliche „Tiny Threads“ ist eine mitreißende Hymne für alle, die versuchen, etwas zusammenzuhalten - das Leben, die Liebe, sich selbst. „If it haunts me, let it haunt me“, singt Dobson sanft über einer Stille, die nur von Bass und Noise eingerahmt wird. Sie lässt ihre Gitarre in eine Rückkopplung kippen und formt sie dann stetig zu etwas Melodischem um. Es ist ein ganzes Leben voller Angst und Sublimierung, kristallisiert in 10 Sekunden. Billboard Heart fühlt sich im Großen und Ganzen so an. Billboard Heart entstand, als Dobson ihren Instinkten vertraute, es ist ein persönlicher und künstlerischer Durchbruch und das bisher beste Deep Sea Diver-Album, ein trotziges und brillantes Ausrufezeichen am Ende einer langen Zeit der Wanderschaft.
Fresh off a trip to the watercooler, London’s Clive From Accounts is circling back with his most expansive offering to date, the full length LP 'The Very Best Of Clive From Accounts.' Action items include lead-off single 'Save Me' with its driving organ stabs, soulful vocals, exuberant steel pans and just a touch of acid, as well as second single 'Heavier' which lives up to its name as a dark and weighty club number that boasts some heavy toasting from Riko Dan. But you’ll also want to go ahead and put a pin in 'Konsumu Suru' for a more melancholic tone with Japanese vocals by Maya Kuroki & violin by Jessica Roch, the mideastern tinged 'It Began,' and classic drum & bass vibes of 'Spectrum' amongst others!
- 1: Prepad
- 2: Svetski Osmeh
- 3: Daj Mi Sansu
- 4: Progresio Sam
- 5: Djuskaj
- 6: Kupatilo Je Shvatilo
- 7: Meterology
- 8: Otisli Smo
Original[30,88 €]
ŽUR (‘Zhure’, party) is absolute cult and one of the most rare Yugoslavian disco funk albums, originally recorded in 1981, reissued on Everland Music for the first time since the original vinyl came out more than 40 years ago. The album was carefully and brilliantly remastered by grammy nominated sound engineer Jessica Thomson.
Boban Petrović is a legend of Belgrade's sophisticated disco funk scene from the late 70s and early 80s.
Back in the second half of the 70s Boban started one of the first disco clubs in Belgrade and he was one of the biggest organizers of private house parties.
The finest balance between Boban Petrović's big-hearted party-maker-turned-philanthropist personality and his hustler one was achieved on Žur.
On Žur, he is at home, in his safe place, since the parties, the music and the people are the first out of many things he had completely figured out in his life. He is at the top of his game, occasionally bothered by a casual heartbreak, but always feeling himself, coming out playful and fundamentally peaceful, satisfied and ready to transcend himself in order to put the rest of the world in the limelight. In fact, Žur isn’t about the party, music, lyrics or its, hands down, beautifully balanced sonics. It’s about Boban and the funk he lived thoroughly. The funk before, but the funk he lived after this album even more so. All the ups and downs that he faced since the moment the first needle dropped on a Žur record to this very day are on this album as the unwritten destiny of that lighthearted character he played.
In short, ŽUR represents the essence of underground club life in Belgrade from the late 70s, when the album was recorded.
The quality of this trust is confirmed by the fact that Boban Petrovic's music is still actively listened to today, not just anywhere, but at the finest club events.
High end production and extremely authentic arrangements outside the mold of classic disco music, and lyrics that literally convey the vibe of his already jet-set lifestyle in Belgrade at the time.
Shortly after his musical career, Boban Petrovic became a businessman of the conscious class. He was living in Spain on his own luxury yacht for years, he had a private airplane, a car park. But all this time living on highest class level he never lost his identity. In all his offices, yacht, airplane and everywhere was playing loud funk music and he was dressed like a musician who just finished or need to start a gig.
Along the way Boban also wrote two books: Rokanje 1 & 2 describing the time when the album ŽUR was created.
The ŽUR album is one of the the holy grails of disco funk music releases on a global level.
ŽUR (‘Zhure’, party) is absolute cult and one of the most rare Yugoslavian disco funk albums, originally recorded in 1981, reissued on Everland Music for the first time since the original vinyl came out more than 40 years ago. The album was carefully and brilliantly remastered by grammy nominated sound engineer Jessica Thomson.
Boban Petrović is a legend of Belgrade's sophisticated disco funk scene from the late 70s and early 80s.
Back in the second half of the 70s Boban started one of the first disco clubs in Belgrade and he was one of the biggest organizers of private house parties.
The finest balance between Boban Petrović's big-hearted party-maker-turned-philanthropist personality and his hustler one was achieved on Žur.
On Žur, he is at home, in his safe place, since the parties, the music and the people are the first out of many things he had completely figured out in his life. He is at the top of his game, occasionally bothered by a casual heartbreak, but always feeling himself, coming out playful and fundamentally peaceful, satisfied and ready to transcend himself in order to put the rest of the world in the limelight. In fact, Žur isn’t about the party, music, lyrics or its, hands down, beautifully balanced sonics. It’s about Boban and the funk he lived thoroughly. The funk before, but the funk he lived after this album even more so. All the ups and downs that he faced since the moment the first needle dropped on a Žur record to this very day are on this album as the unwritten destiny of that lighthearted character he played.
In short, ŽUR represents the essence of underground club life in Belgrade from the late 70s, when the album was recorded.
The quality of this trust is confirmed by the fact that Boban Petrovic's music is still actively listened to today, not just anywhere, but at the finest club events.
High end production and extremely authentic arrangements outside the mold of classic disco music, and lyrics that literally convey the vibe of his already jet-set lifestyle in Belgrade at the time.
Shortly after his musical career, Boban Petrovic became a businessman of the conscious class. He was living in Spain on his own luxury yacht for years, he had a private airplane, a car park. But all this time living on highest class level he never lost his identity. In all his offices, yacht, airplane and everywhere was playing loud funk music and he was dressed like a musician who just finished or need to start a gig.
Along the way Boban also wrote two books: Rokanje 1 & 2 describing the time when the album ŽUR was created.
The ŽUR album is one of the the holy grails of disco funk music releases on a global level.
- Prologue
- The Toy Room
- The Castle
- Giorgio Unleashed
- The Family Tomb
- John’s Despair
- Giorgio Snaps
- Il Castello Di Giove
- Giorgio Abducts Becky
- The Final Battle
“Waxwork Records is thrilled to present CASTLE FREAK Original Motion Picture Soundtrack composed by Richard Band (Re-Animator, From Beyond, Puppet Master). This 1995 direct-to-video release directed by Stuart Gordon (Re-Animator, From Beyond) has gone on to become a sought after Horror cult classic.
Jeffrey Combs and Barbara Crampton star as John and Susan Reilly, and Jessica Dollarhide as their blind daughter Rebecca. After visiting John’s newly inheri- ted 12th-century castle, the family soon realizes that they are not alone amongst the medieval stone walls. Chained up in the dungeons is Giorgio, the hideously disfigured son of the castle’s former owner. When Gior- gio escapes and wreaks havoc upon the unsuspecting Reillys, the family is brought to their breaking points.
Richard Band is an award-winning American com- poser who has written the music for over 100 fea- ture films, television series, and more. His score for Castle Freak features the innovative use of a string quartet in the film’s prologue, bringing a classical flair to his tense and terrifying score.
Waxwork Records is proud to release Castle Freak on vinyl for the first time. Featuring a heavyweight die- cut gatefold jacket with all new artwork by Anthony Petrie and pressed on “”Dungeon Splatter”” colored vinyl.”
Super sweet sleepover core from the turn of the millennium. When not at the mall or elementary school, Jessica, Ayden, Janet, and Mary created a suburban Spice World all their own, singing, dancing, and making videos in anticipation of a global pop takeover. Summer 2000 expands their home-burned Y2K CD-R Stardust, encapsulating girl group R&B, trip hop, Eurofunk, and pool party heartbreak into a revealing portrait of millennial girlhood. Party til 2, sleep til 1, come on baby let's have some fun.
- Protection
- Glimpse
- Crawling Spirit
- Philm #1 (Vox)
- Static Electrician
- Red Scratch
- If It Wasn't Wolves, Then What Was It?
- Static Electrician (Symphonic)
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Untitled
- Gnomic Verses
- Untitled
- Untitled
- Glisten#2
- Zwolf
Infinite Fog are delighted to present another piece of the intriguing COIL puzzle. In the mid 1990s the core team of John Balance and Peter Christopherson were continuing their exploration of the outer reaches of electronic sound production as exemplified by the "Born Again Pagans" release, originally an EP only, featuring both the hugely danceable "Protection" smash which had Danny Hyde's influence writ in large letters all over it, as well as the first outings of their intriguing more ambient/glitch-based ElpH material, probably their most haunting and haunted works. This new 3LP anthology re-edition collects all of the ElpH material which didn't appear on their later "Worship the Glitch" album, namely the pHILM #1 10", a host of very rare compilation tracks as well as a number of at the time unreleased pieces in the same vein. The stunningly presented release also features the ElpH entity's last ever appearance originally available as part of raster noton's award winning 20' to 2000 series of releases, the "Zwölf" EP.
All the material has been lovingly remastered by Jessica Thompson with re-imagined design-work by Oleg Galay and including a replica of the original St. Sebastian on acid poster.
- A1: Cast - Another Day Of Sun
- A2: Emma Stone, Callie Hernandez, Sonoya Mizuno, Jessica Rothe - Someone In The Crowd
- A3: Justin Hurwitz - Mia & Sebastian's Theme
- A4: Ryan Gosling, Emma Stone - A Lovely Night
- A5: Justin Hurwitz - Herman's Habit
- A6: Ryan Gosling - City Of Stars
- A7: Justin Hurwitz - Planetarium
- B1: Justin Hurwitz - Summer Montage / Madeline
- B2: Ryan Gosling, Emma Stone - City Of Stars
- B3: John Legend - Start A Fire
- B4: Justin Hurwitz - Engagement Party
- B5: Emma Stone - Audition (The Fools Who Dream)
- B6: Justin Hurwitz - Epilogue / The End
- B7: Justin Hurwitz Feat. Emma Stone - City Of Stars (Humming)
- Feather Lighter
- Breezy
- Owl
- Both Sides
- Burning Bowl
- Radiance
- Wasichu
- Greasy Grass
- Raven
- Is What It Is
Dieses Album ist ein "slow grower" und auch nach 10 Jahren klingt dieses dunkle Werk des New Yorker Duos noch frisch und berührend. Vor 10 Jahren kam das raus, nun legt das Label BB*ISLAND das lange vergriffene Vinyl in einer limitierten Sonderedition nochmal auf. Gepresst auf "Sparkling Starlight" Vinyl, verpackt in einem DeLuxe cover. Dazu gibt's ein gefaltetes Poster mit den Lyrics und eine Postkarte mit Downloadcode. Der Download beinhaltet neben den Albumtracks auch noch einen exklusiven 1-stündigen Interviewpodcast mit Shee Keeps Bees. She Keeps Bees, aus Booklyn, sind die Singer/Songwriterin/Gitarristin Jessica Larrabee und Schlagzeuger/Produzent Andy LaPlant, die seit 2006 über selbstproduzierte Aufnahmen und zahlreiche Konzerte zu einer besonderen Einheit zusammengewachsen sind. Ihr Ausgangspunkt war ein roher, soulful Bluesrock, in der Presse wurden Vergleiche zu Patty Smith, White Stripes (...in reverse" :Guardian), The Kills, PJ Harvey oder Cat Power gezogen. Die geben eine erste Ahnung wo's lang geht, hinken dann aber doch, ob der ganz eigenen Chemie und Qualität dieses Duos. Schönheit durch Reduktion, Direktheit, Leidenschaft, Intimität In diesem Sinne ist den beiden nun ein besonders eindringliches Album gelungen. Eight Houses schwelgt in der rohen Kraft des Subtilen. Ruhe und Raum finden sich hier auch im kontrollierten Chaos, wenn Larrabee's Gitarrenriffs krachen und über LaPlant's stoische Beats schwappen. Dann wieder sind Ihre Kompositionen knapp koloriert, mal mit hageren Piano Linien, mal mit ein paar Bläsern, die sich kurz aus dunstigen Ecken erheben, eine warm rollende Orgel wischt durchs Bild, ein Synthezier zirpt fern. Das Album lebt von Understatement und Spannung, dunkel, bewegend, kraftvoll, erlösend. Ganz im Mittelpunkt steht Jessica Larrabee's Stimme - lakonisch, von besonderem Ausdruck. "she has one of the best voices I have ever heard and she has more soul in one finger than most female singers have in our scene." meint Sharon Van Etten, die hier auch bei zwei Songs, "Is What It Is" und "Owl", backing vocals beisteuert. Für Eight Houses hat das Duo erstmals mit einem externen Produzenten zusammen gearbeitet, Nicolas Vernhes (Deerhunter, The War On Drugs, Dirty Projectors, Wye Oak, Lia Ices, etc.).




















